1.
Aten
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Aten is the disk of the sun in ancient Egyptian mythology, and originally an aspect of the god Ra. The deified Aten is the focus of the religion of Atenism established by Amenhotep IV, in his poem Great Hymn to the Aten, Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a Creation Myth or family, but is mentioned in the Book of the Dead, the worship of Aten was eradicated by Horemheb. By analogy, the term silver aten was sometimes used to refer to the moon, the solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. The full title of Akhenatens god was Ra-Horakhty who rejoices in the horizon, the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god, in particular, the god was not depicted in anthropomorphic form, but as rays of light extending from the suns disk. Furthermore, the name came to be written within a cartouche, along with the titles normally given to a Pharaoh. Ra-Horus, more usually referred to as Ra-Horakhty, is a synthesis of two gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the source of energy of the sun god, of which the visible manifestation was the Aten. Thus Ra-Horus-Aten was a development of old ideas which came gradually, the real change, as some see it, was the apparent abandonment of all other gods, especially Amun-Ra, prohibition of idolatry, and the debatable introduction of quasi-monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu, others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods, he simply refrained from worshipping any but the Aten. Other scholars call the religion henotheistic, principles of Atens religion were recorded on the rock tomb walls of Akhetaten. In the religion of Aten, night is a time to fear, work is done best when the sun, Aten, is present. Aten cares for every creature, and created a Nile river in the sky for the Syrians, Aten created all countries and people. The rays of the sun disk only holds out life to the family, everyone else receives life from Akhenaten. When a good person dies, he/she continues to live in the City of Light for the dead in Akhetaten, the conditions are the same after death. Akhenaten judged whether someone should be granted an afterlife, and operated the scale of justice, the explanation as to why Aten could not be fully represented was that the god has gone beyond creation. The cult centre of Aten was at the new city Akhetaten, some other cities include Thebes
2.
Eighteenth Dynasty of Egypt
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The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
3.
Pharaoh
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The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
4.
Akhenaten
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Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
5.
Egypt
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Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
6.
Story of Sinuhe
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The Story of Sinuhe is considered one of the finest works of Ancient Egyptian literature. It is a set in the aftermath of the death of Pharaoh Amenemhat I, founder of the 12th dynasty of Egypt. It is likely that it was composed shortly after this date, albeit the earliest extant manuscript is from the reign of Amenemhat III. Sinuhe is considered to be a written in verse and it may also have been performed. The great popularity of the work is witnessed by the surviving fragments. There are a number of telling the Story of Sinuhe. A limestone Ostracon in the Egyptian Museum is over a yard long and it tells the beginning of the Story of Sinuhe, and is inscribed in Hieratic. The story dates from the XII dynasty, and the fragment was found in the tomb of Sennutem, Sinuhe is an official who accompanies prince Senwosret I to Libya. He overhears a conversation connected with the death of King Amenemhet I and as a result flees to Upper Retjenu and he becomes the son-in-law of Chief Ammunenshi and in time his sons grow to become chiefs in their own right. Sinuhe fights rebellious tribes on behalf of Ammunenshi and he then receives an invitation from King Senwosret I of Egypt to return, which he accepts in highly moving terms. Living out the rest of his life in royal favour he is laid to rest in the necropolis in a beautiful tomb. The story of Sinuhe has spawned a great deal of literature which explores the themes contained in the work from many perspectives, the scope and variety of this material has been likened to the analysis of Hamlet and other notable works of literature. Scholars debate the reason why Sinuhe flees Egypt, with the majority ascribing panic over a perceived threat, the tale is full of symbolic allusions. Sinuhes name is seen as providing an important link in understanding the story, the sycamore is an ancient Egyptian Tree of Life, associated with Hathor, who features throughout the work. Sinuhe comes under the orbit of divine powers, in the form of the King, from whom he first tries to run away, and that of the Queen. On fleeing Egypt, Sinuhe crosses a waterway associated with the Goddess Maat, unable to escape the orbit of Gods power and mercy, Sinuhe exclaims, Whether I am in the Residence, or whether I am in this place, it is you who cover this horizon. Parallels have been made with the narrative of Joseph. In what is seen as divine providence, Sinuhe the Egyptian flees to Syro-Canaan and becomes a member of the elite, acquires a wife and family
7.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
8.
Solar deity
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A solar deity is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms, the Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun stems from Proto-Germanic *sunnǭ, the Neolithic concept of a solar barge is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky, as the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun, Osiris became the divine heir to Atums power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes, or that it is within the cow, Hathor, during the night, being reborn each morning as her son. Mesopotamian Shamash plays an important role during the Bronze Age, similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Proto-Indo-European religion has a chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios, svarog is the Slavic solar deity, represented as a spirit of fire. During the Roman Empire, a festival of the birth of the Unconquered Sun was celebrated on the winter solstice—the rebirth of the sun—which occurred on December 25 of the Julian calendar. In late antiquity, the centrality of the sun in some Imperial religious systems suggest a form of a solar monotheism. The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ, the Tiv people consider the Sun to be the son of the supreme being Awondo and the Moon Awondos daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi, some Sara people also worship the sun. Even where the sun god is equated with the supreme being, the Ancient Egyptian god of creation, Amun is also believed to reside inside the sun. So is the Akan creator deity, Nyame and the Dogon deity of creation, also in Egypt, there was a religion that worshiped the sun directly, and was among the first monotheistic religions, Atenism. Sun worship was prevalent in ancient Egyptian religion, the earliest deities associated with the sun are all goddesses, Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus, Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus. From at least the 4th Dynasty of Ancient Egypt, the sun was worshipped as the deity Re, and portrayed as a falcon headed god surmounted by the solar disk, and surrounded by a serpent
9.
Amenhotep III
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Amenhotep III, also known as Amenhotep the Magnificent, was the ninth pharaoh of the Eighteenth Dynasty. According to different authors, he ruled Egypt from June 1386 to 1349 BC, or from June 1388 BC to December 1351 BC/1350 BC, Amenhotep III was Thutmoses son by a minor wife, Mutemwiya. His reign was a period of unprecedented prosperity and artistic splendour, when he died in the 38th or 39th year of his reign, his son initially ruled as Amenhotep IV, but then changed his own royal name to Akhenaten. The son of the future Thutmose IV and a minor wife Mutemwiya and he was a member of the Thutmosid family that had ruled Egypt for almost 150 years since the reign of Thutmose I. Amenhotep III was the father of two sons with his Great Royal Wife Tiye and their first son, Crown Prince Thutmose, predeceased his father and their second son, Amenhotep IV, later known as Akhenaten, ultimately succeeded Amenhotep III to the throne. Amenhotep III also may have been the father of a third child—called Smenkhkare, Amenhotep III and Tiye may also have had four daughters, Sitamun, Henuttaneb, Isis or Iset, and Nebetah. They appear frequently on statues and reliefs during the reign of their father, Nebetah is attested only once in the known historical records on a colossal limestone group of statues from Medinet Habu. Amenhotep III elevated two of his four daughters—Sitamun and Isis—to the office of royal wife during the last decade of his reign. Evidence that Sitamun already was promoted to office by Year 30 of his reign, is known from jar-label inscriptions uncovered from the royal palace at Malkata. The goddess Hathor herself was related to Ra as first the mother and later wife, hence, Amenhotep IIIs marriage to his two daughters should not be considered unlikely based on contemporary views of marriage. Amenhotep III is known to have married several women, Gilukhepa. Tadukhepa, the daughter of his ally Tushratta of Mitanni, Around Year 36 of his reign, a daughter of Kurigalzu, king of Babylon. A daughter of Kadashman-Enlil, king of Babylon, a daughter of Tarhundaradu, ruler of Arzawa. A daughter of the ruler of Ammia, Amenhotep III has the distinction of having the most surviving statues of any Egyptian pharaoh, with over 250 of his statues having been discovered and identified. Since these statues span his life, they provide a series of portraits covering the entire length of his reign. Their lengthy inscribed texts extol the accomplishments of the pharaoh, for instance,123 of these commemorative scarabs record the large number of lions that Amenhotep III killed with his own arrows from his first regnal year up to his tenth year. Similarly, five other state that the foreign princess who would become a wife to him, Gilukhepa. She was the first of many such princesses who would enter the pharaohs household, another eleven scarabs record the excavation of an artificial lake he had built for his Great Royal Wife, Queen Tiye, in his eleventh regnal year, Regnal Year 11 under the Majesty of
10.
Thutmose IV
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Thutmose IV was the 8th Pharaoh of the 18th dynasty of Egypt, who ruled in approximately the 14th century BC. His prenomen or royal name, Menkheperure, means Established in forms is Re, Thutmose IV was born to Amenhotep II and Tiaa but was not actually the crown prince and Amenhotep IIs chosen successor to the throne. Some scholars speculate that Thutmose ousted his brother in order to usurp power. Thutmoses most celebrated accomplishment was the restoration of the Sphinx at Giza and subsequent commission of the Dream Stele. According to Thutmoses account on the Dream Stele, while the prince was out on a hunting trip, he stopped to rest under the head of the Sphinx. He soon fell asleep and had a dream in which the Sphinx told him if he cleared away the sand. Little is known about his brief ten-year rule and he suppressed a minor uprising in Nubia in his 8th year around 1393 BC and was referred to in a stela as the Conqueror of Syria, but little else has been pieced together about his military exploits. Thutmose IVs rule is significant because he established relations with Mitanni. Thutmoses grandfather Thutmose III almost certainly acceded the throne in either 1504 or 1479 and his successor Amenhotep II, Thutmose IVs father, took the throne and ruled for at least 26 years but has been assigned up to 35 years in some chronological reconstructions. The currently preferred reconstruction, after analyzing all this evidence, usually comes to a date around 1401 BC or 1400 BC for the beginning of Thutmose IVs reign. The length of his reign is not as clear as one would wish and he is usually given about nine or ten years of reign. Manetho credits him a reign of 9 years and 8 months, however, Manethos other figures for the 18th dynasty are frequently assigned to the wrong kings or simply incorrect, so monumental evidence is also used to determine his reign length. Of all of Thutmose IVs dated monuments, three date to his first regnal year, one to his fourth, possibly one to his fifth, one to his sixth, two to his seventh, and one to his eighth. Two possible other dated objects, one dated to a Year 19 and another year 20, have suggested as belonging to him. The reading of the king in these dates are accepted as referring to the prenomen of Thutmose III—Menkheperre—and not Menkhepere Thutmose IV himself. Due to the absence of higher dates for Thutmose IV after his Year 8 Konosso stela, there were once chronological reconstructions which gave him a reign as long as 34–35 years. Today, however, most scholars ascribe him a 10-year reign from 1401 to 1391 BC, like most of the Thutmoside kings, he built on a grand scale. Thutmose IV completed the eastern obelisk first started by Thutmose III, Thutmose IV called it the tekhen waty or unique obelisk
11.
Cartouche
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In Egyptian hieroglyphs, a cartouche /kɑːrˈtuːʃ/ is an oval with a horizontal line at one end, indicating that the text enclosed is a royal name. They came into use during the beginning of the Fourth Dynasty under Pharaoh Sneferu, while the cartouche is usually vertical with a horizontal line, it is sometimes horizontal if it makes the name fit better, with a vertical line on the left. The Ancient Egyptian word for it was shenu, and it was essentially an expanded shen ring, in Demotic, the cartouche was reduced to a pair of brackets and a vertical line. Of the five royal titularies it was the prenomen, the name, and the Son of Ra titulary, the so-called nomen name given at birth. At times amulets were given the form of a cartouche displaying the name of a king, such items are often important to archaeologists for dating the tomb and its contents. Cartouches were formerly worn by Pharaohs. The oval surrounding their name was meant to them from evil spirits in life. The cartouche has become a symbol representing good luck and protection from evil, egyptians believed that one who had their name recorded somewhere would not disappear after death. A cartouche attached to a coffin satisfied this requirement, there were periods in Egyptian history when people refrained from inscribing these amulets with a name, for fear they might fall into somebodys hands conferring power over the bearer of the name. In the Rosetta Stone, the hieroglyph is used for the word name. For the cartouche cut in half, the half-cartouche hieroglyph, Gardiners sign listed no, v11, is used in the Egyptian language for words meaning, to cut, to divide, to separate. It was the use of cartouches on the Rosetta Stone that was the biggest clue allowing Jean-François Champollion to decipher hieroglyphics, cartouche Serekh, a predecessor to the cartouche Shen ring General Budge. The Rosetta Stone, E. A. Wallis Budge, c, archived from the original on June 15,2011
12.
Sed festival
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The Sed festival was an ancient Egyptian ceremony that celebrated the continued rule of a pharaoh. The name is taken from the name of an Egyptian wolf god and this tail might have been the vestige of a previous ceremonial robe made out of a complete animal skin. In his sun temple at Abu Ghurab, of Akhenaten at East Karnak, the ancient festival might, perhaps, have been instituted to replace a ritual of murdering a pharaoh who was unable to continue to rule effectively because of age or condition. Eventually, Sed festivals were celebrated after a ruler had held the throne for thirty years. They primarily were held to rejuvenate the pharaohs strength and stamina while still sitting on the throne, there is clear evidence for early pharaohs celebrating the Heb Sed, such as the First Dynasty pharaoh Den and the Third Dynasty pharaoh Djoser. In the Pyramid of Djoser, there are two stones in his Heb Sed court, which is within his pyramid complex. He also is shown performing the Heb Sed in a false doorway inside his pyramid, one of the earliest Sed festivals for which there is substantial evidence is that of the Sixth Dynasty pharaoh Pepi I Meryre in the South Saqqara Stone Annal document. The most lavish, judging by surviving inscriptions, were those of Ramesses II, pharaohs who followed the typical tradition, but did not reign so long as 30 years had to be content with promises of millions of jubilees in the afterlife. Upon her husbands death, the eligible male in the royal family was a stepson. He was made a consort and, shortly thereafter, she was crowned pharaoh and he had appointed his daughter to the highest administrative office in his government, giving her a co-regents experience at ruling many aspects of his bureaucracy. This reflects an oracular assertion supported by the priests of Amun-Re that her father named her as heir to the throne, Akhenaten made many changes to religious practices in order to remove the stranglehold on the country by the priests of Amun-Re, whom he saw as corrupt. His religious reformation may have begun with his decision to celebrate his first Sed festival in his regnal year. His purpose may have been to gain an advantage against the temple, since a Sed-festival was a royal jubilee intended to reinforce the pharaohs divine powers. At the same time he moved his capital away from the city that these priests controlled. Media related to Sed festival at Wikimedia Commons
13.
Amarna Period
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The Amarna Period was an era of Egyptian history during the latter half of the Eighteenth Dynasty when the royal residence of the pharaoh and his queen was shifted to Akhetaten in what is now Amarna. Aten was not solely worshipped, but the gods were worshipped to a significantly lesser degree. The Egyptian pantheon of the equality of all gods and goddesses was restored under Akhenatens successor, Akhenaten instigated the earliest verified expression of monotheism. Scholars believe that Akhenatens devotion to his deity, Aten, offended many in power below him, religion prompted many innovations in the name and service of religion. They viewed religion and science as one and the same, previously, the presence of many gods explained the natural phenomena, but during the Amarna period there was a rise in monotheism. With people beginning to think of the origins of the universe, Amun-Re was seen as the sole creator and Sun-god. The view of god is seen through the poem entitled Hymn to the Aten, When your movements disappear and you go to rest in the Akhet. Darkness a blanket, the land in stillness, with the one who makes them at rest in his Akhet, the land grows bright once you have appeared in the Akhet, shining in the sun disk by day. When you dispel darkness and give your rays, the Two Lands are in a festival of light, from the poem, one can see that the nature of the gods daily activity revolves around recreating the earth on a daily basis. It also focuses on the present life rather than on eternity, after the Amarna reign, these religious beliefs fell out of favor. This was partly because access to Amun-Re was limited only to the king, only they were allowed to worship, and the rest were left to worship the king and his family. The royal women of Amarna have more surviving text about them than any other women from ancient Egypt and it is clear that they played a large role in royal and religious functions. These women were portrayed as being very powerful. Many of the daughters had influences as great if not greater than his wives. Nefertiti was said to be the force behind the new monotheist religion, Nefertiti, whose name means the beautiful one is here, bore six of Amenhoteps daughters. There is a debate whether the relationship between Amenhotep and his daughters was sexual, although there is much controversy over this topic, there is no evidence that any of them bore his children. Amenhotep gave many of his daughters titles of queen, during Akhenatens reign, royal portraiture underwent dramatic change. Sculptures of Akhenaten deviate from conventional portrayal of royalty, Akhenaten is depicted in an androgynous and highly stylized manner, with large thighs, a slim torso, drooping belly, full lips, and a long neck and nose
14.
Petrie Museum of Egyptian Archaeology
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The Petrie Museum of Egyptian Archaeology in London is part of University College London Museums and Collections. The museum contains over 80,000 objects and ranks among some of the leading collections of Egyptian. The museum was established as a resource for the Department of Egyptian Archaeology and Philology at University College at the same time as the department was established in 1892. The initial collection was donated by the writer Amelia Edwards, the collection and library were arranged in galleries within the university and a guidebook published in 1915. Initially, the visitors were students and academics, it was not then open to the general public. Petrie retired from University College London in 1933, though his successors continued to add to the collections, excavating in other parts of Egypt, during the Second World War the collection was packed up and moved out of London for safekeeping. In the early 1950s it was moved into a former stable, as of this date, the Museum is at Malet Place, near Gower Street and the University College London science library. Admission is free, and as of February 2017 the Museum is open each afternoon, Tuesday to Friday, as well, the Friends raise funds towards the conservation, publication and display of the Petrie Museums outstanding collection. The Museum is split into three galleries as of date, The main gallery contains many of the museums small artifacts, as well as tablets of writing and mummy portraits. The third and last is accessed via and along a stairwell, some parts of the collection are not lit to protect light-sensitive items, and torches are supplied to see inside the cases. The collection has been digitised and the catalogue can be browsed and consulted online, costume is another strength of the collection. The collection contains works of art from Akhenaten’s city at Amarna, colourful tiles, carvings and frescoes, from other important Egyptian and Nubian settlements. The museum houses the world’s largest collection of Roman period mummy portraits, the collection also includes material from the Coptic and Islamic periods. The museum contains over 80,000 objects and ranks among some of the leading collections of Egyptian. It only ranks behind the collections of the Cairo Museum, The British Museum, margaret S. Drower, Flinders Petrie, A Life in Archaeology, University of Wisconsin Press,1995. William Matthew Flinders Petrie, Seventy Years in Archaeology, H. Holt, Petrie, W. M. Flinders Sir, 1853-1942 Tell el-Amarna, London, Methuen & Co
15.
Akhetaten
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The name for the city employed by the ancient Egyptians is written as Akhetaten in English transliteration. Akhetaten means Horizon of the Aten, the city of Deir Mawas lies directly west across from the site of Amarna. Amarna, on the east side, includes several villages, chief of which are el-Till in the north. The area was occupied during later Roman and early Christian times. The name Amarna comes from the Beni Amran tribe that lived in the region, the ancient Egyptian name was Akhetaten. It may be that the Royal Wadis resemblance to the hieroglyph for horizon showed that this was the place to found the city, the city was built as the new capital of the Pharaoh Akhenaten, dedicated to his new religion of worship to the Aten. Construction started in or around Year 5 of his reign and was completed by Year 9. To speed up construction of the city most of the buildings were constructed out of mud-brick, the most important buildings were faced with local stone. Once it was abandoned it remained uninhabited until Roman settlement began along the edge of the Nile, however, due to the unique circumstances of its creation and abandonment, it is questionable how representative of ancient Egyptian cities it actually is. The entire city was encircled with a total of 14 boundary stelae detailing Akhenatens conditions for the establishment of new capital city of Egypt. The earliest dated stele from Akhenatens new city is known to be Boundary stele K which is dated to Year 5, IV Peret and it preserves an account of Akhenatens foundation of this city. Located on the east bank of the Nile, the ruins of the city are laid out north to south along a Royal Road. The Royal residences are generally to the north, in what is known as the North City, with an administration and religious area. If one approached the city of Amarna from the north by river the first buildings past the boundary stele would be the North Riverside Palace. This building ran all the way up to the waterfront and was likely the residence of the Royal Family. Located within the North City area is the Northern Palace, the residence of the Royal Family. Between this and the city, the Northern Suburb was initially a prosperous area with large houses. Most of the important ceremonial and administrative buildings were located in the central city, located behind the Royal Residence was the Bureau of Correspondence of Pharaoh, where the Amarna Letters were found
16.
Amarna
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The name for the city employed by the ancient Egyptians is written as Akhetaten in English transliteration. Akhetaten means Horizon of the Aten, the city of Deir Mawas lies directly west across from the site of Amarna. Amarna, on the east side, includes several villages, chief of which are el-Till in the north. The area was occupied during later Roman and early Christian times. The name Amarna comes from the Beni Amran tribe that lived in the region, the ancient Egyptian name was Akhetaten. It may be that the Royal Wadis resemblance to the hieroglyph for horizon showed that this was the place to found the city, the city was built as the new capital of the Pharaoh Akhenaten, dedicated to his new religion of worship to the Aten. Construction started in or around Year 5 of his reign and was completed by Year 9. To speed up construction of the city most of the buildings were constructed out of mud-brick, the most important buildings were faced with local stone. Once it was abandoned it remained uninhabited until Roman settlement began along the edge of the Nile, however, due to the unique circumstances of its creation and abandonment, it is questionable how representative of ancient Egyptian cities it actually is. The entire city was encircled with a total of 14 boundary stelae detailing Akhenatens conditions for the establishment of new capital city of Egypt. The earliest dated stele from Akhenatens new city is known to be Boundary stele K which is dated to Year 5, IV Peret and it preserves an account of Akhenatens foundation of this city. Located on the east bank of the Nile, the ruins of the city are laid out north to south along a Royal Road. The Royal residences are generally to the north, in what is known as the North City, with an administration and religious area. If one approached the city of Amarna from the north by river the first buildings past the boundary stele would be the North Riverside Palace. This building ran all the way up to the waterfront and was likely the residence of the Royal Family. Located within the North City area is the Northern Palace, the residence of the Royal Family. Between this and the city, the Northern Suburb was initially a prosperous area with large houses. Most of the important ceremonial and administrative buildings were located in the central city, located behind the Royal Residence was the Bureau of Correspondence of Pharaoh, where the Amarna Letters were found
17.
Thebes, Egypt
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Thebes, known to the ancient Egyptians as Waset, was an ancient Egyptian city located east of the Nile about 800 kilometers south of the Mediterranean. Its ruins lie within the modern Egyptian city of Luxor, Thebes was the main city of the fourth Upper Egyptian nome. It was close to Nubia and the desert, with their valuable mineral resources. It was a center and the wealthiest city of ancient Egypt at its heyday. The Ancient Egyptians originally knew Thebes as Wose or Wase A was was the scepter of the pharaohs, a staff with an animals head. Thebes is the Latinized form of the Greek Thebai, the form of the Demotic Egyptian Ta-pe. This was the name not for the city itself but for the Karnak temple complex on the northern east bank of the city. As early as Homers Iliad, the Greeks distinguished the Egyptian Thebes as Thebes of the Hundred Gates, as opposed to the Thebes of the Seven Gates in Boeotia, from the end of the New Kingdom, Thebes was known in Egyptian as Niwt-Imn, the City of Amun. Amun was the chief of the Theban Triad of gods whose other members were Mut and this name appears in the Bible as the Nōʼ ʼĀmôn of the Book of Nahum and probably also as the No mentioned in Ezekiel and Jeremiah. In the interpretatio graeca, Amun was seen as a form of Zeus, the name was therefore translated into Greek as Diospolis, the City of Zeus. To distinguish it from the other cities by this name. The Greek names came into use after the conquest of Egypt by Alexander the Great. Thebes was located along the banks of the Nile River in the part of Upper Egypt about 800 km from the Delta. It was built largely on the plains of the Nile Valley which follows a great bend of the Nile. As a natural consequence, the city was laid in a northeast-southwest axis parallel to the river channel. Thebes had an area of 93 km2 which included parts of the Theban Hills in the west that culminates at the sacred 420-meter al-Qurn, in the east lies the mountainous Eastern Desert with its wadis draining into the valley. Significant of these wadis is Wadi Hammamat near Thebes and it was used as an overland trade route going to the Red Sea coast. In the fourth Upper Egyptian nome, Thebes was found to have neighboring towns such as Per-Hathor, Madu, Djerty, Iuny, Sumenu, according to George Modelski, Thebes had about 40,000 inhabitants in 2000 BC
18.
Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
19.
Karnak
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The Karnak Temple Complex, commonly known as Karnak, comprises a vast mix of decayed temples, chapels, pylons, and other buildings. Building at the complex began during the reign of Senusret I in the Middle Kingdom and continued into the Ptolemaic period, the area around Karnak was the ancient Egyptian Ipet-isut and the main place of worship of the eighteenth dynasty Theban Triad with the god Amun as its head. It is part of the city of Thebes. The Karnak complex gives its name to the nearby, and partly surrounded, the complex is a vast open-air museum, and the second largest ancient religious site in the world, after the Angkor Wat Temple of Cambodia. It is believed to be the second most visited site in Egypt. It consists of four parts, of which only the largest is currently open to the general public. The term Karnak often is understood as being the Precinct of Amun-Ra only, the three other parts, the Precinct of Mut, the Precinct of Montu, and the dismantled Temple of Amenhotep IV, are closed to the public. There also are a few temples and sanctuaries connecting the Precinct of Mut, the Precinct of Amun-Re. The Precinct of Mut is very ancient, being dedicated to an Earth and creation deity, the original temple was destroyed and partially restored by Hatshepsut, although another pharaoh built around it in order to change the focus or orientation of the sacred area. Many portions of it may have carried away for use in other buildings. The key difference between Karnak and most of the temples and sites in Egypt is the length of time over which it was developed and used. Construction of temples started in the Middle Kingdom and continued through to Ptolemaic times, approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the features of Karnak are unique, but the size. The deities represented range from some of the earliest worshiped to those worshiped much later in the history of the Ancient Egyptian culture and it also contains evidence of adaptations, using buildings of the Ancient Egyptians by later cultures for their own religious purposes. One famous aspect of Karnak is the Hypostyle Hall in the Precinct of Amun-Re,122 of these columns are 10 meters tall, and the other 12 are 21 meters tall with a diameter of over three meters. The architraves on top of columns are estimated to weigh 70 tons. These architraves may have been lifted to these heights using levers and this would be an extremely time-consuming process and also would require great balance to get to such great heights. A common alternative theory regarding how they were moved is that large ramps were constructed of sand, mud, brick or stone, if stone had been used for the ramps, they would have been able to use much less material
20.
Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
21.
Great Hymn to the Aten
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The Great Hymn to the Aten is the longest form of one of a number of hymn-poems written to the creator god Aten. It is attributed to King Akhenaten, who radically changed traditional forms of Egyptian religion replacing them with Atenism, egyptologist Toby Wilkinson said that It has been called one of the most significant and splendid pieces of poetry to survive from the pre-Homeric world. Egyptologist John Darnell asserts that the hymn was sung, various courtiers rock tombs at Amarna have similar prayers or hymns to the deity Aten or to the Aten and Akhenaten jointly. One of these, found in almost identical form in five tombs, is known as The Short Hymn to the Aten, the long version discussed in this article was found in the tomb of the courtier Ay. The 18th dynasty Pharaoh Akhenaten forbade the worship of other gods, finally, Akhenaten issued a royal decree that the name Aten was no longer to be depicted by the hieroglyph of a solar disc emanating rays but instead had to be spelled out phonetically. Akhenatons religious reforms have been described by scholars as quasi-monotheistic. From the middle of the text, How manifold it is and they are hidden from the face. O sole god, like there is no other. Thou didst create the world according to thy desire, Whilst thou wert alone, All men, cattle, and wild beasts, Whatever is on earth, going upon feet, And what is on high, flying with its wings. The countries of Syria and Nubia, the land of Egypt, Thou settest every man in his place, Thou suppliest their necessities, Everyone has his food, and his time of life is reckoned. Their tongues are separate in speech, And their natures as well, Their skins are distinguished, earth come from your hand as you made them. When you have dawned they live, when you set they die, You yourself are lifetime, one lives by you. All eyes are on beauty until you set, All labor ceases when you rest in the west, When you rise you stir for the King, Every leg is on the move since you founded the earth. You rouse them for your son who came from your body, analyses of the poem are divided between those considering it as a work of literature, and those considering its political and socio-religious intentions. James Henry Breasted considered Akhenaten to be the first monotheist and scientist in history, how much Akhenaten understood, we cannot say, but he certainly bounded forward in his views and symbolism to a position which we cannot logically improve upon at the present day. Not a rag of superstition or of falsity can be found clinging to this new worship evolved out of the old Aton of Heliopolis, miriam Lichtheim describes the hymn as a beautiful statement of the doctrine of the One God. In 1913 Henry Hall contended that the pharaoh was the first example of the scientific mind, in his book Reflections on the Psalms, C. S. Lewis compared the Hymn to the Psalms of the Judaeo-Christian canon, as did Breasted. A specific literary interdependence is not probable, egyptologist Dominic Montserrat discusses the terminology used to describe these texts, describing them as formal poems or royal eulogies
22.
Imperial cult
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An imperial cult is a form of state religion in which an emperor, or a dynasty of emperors, are worshipped as demigods or deities. Cult here is used to worship, not in the modern pejorative sense. The cult may be one of personality in the case of a newly arisen Euhemerus figure or one of identity or supranational identity in the case of a multi-ethnic state. A divine king is a monarch who is held in a religious significance by his subjects. This system of government combines theocracy with an absolute monarchy, the Ptolemaic dynasty based their own legitimacy in the eyes of their Greek subjects on their association with, and incorporation into, the cult of Alexander the Great. In Imperial China, an emperor was considered the Son of Heaven, the scion and representative of heaven on earth, he was the ruler of all under heaven, the bearer of the Mandate of Heaven, his commands considered sacred edicts. A number of legendary figures preceding the proper imperial era of China also hold the title of emperor, such as the Yellow Emperor. Even before the rise of the Caesars, there are traces of a regal spirituality in Roman society, King Numitor corresponds to the regal-sacred principle in early Roman history. Romulus, the founder of Rome, was heroized into Quirinus. Varro spoke of the mystery and power of Roman regality. In Plutarchs Phyrro,19.5, the Greek ambassador declared amid the Roman Senate he felt instead like being in the midst of an assembly of Kings. As the Roman Empire developed the Imperial cult gradually developed more formally and this practice began at the start of the Empire under Augustus, and became a prominent element of Roman religion. The cult spread over the whole Empire within a few decades, Emperor Diocletian further reinforced it when he demanded the proskynesis and adopted the adjective sacrum for all things pertaining to the imperial person. The deification of emperors was gradually abandoned after the emperor Constantine I started supporting Christianity, however, the concept of the imperial person as sacred carried over, in a Christianized form, into the Byzantine Empire. In ancient Japan, it was customary for every clan to claim descendancy from gods, later in history, this was considered common practice by noble families, and the head members of the family, including that of the imperial family, were not seen to be divine. It was not until the Meiji period, that the Japanese Emperor began to be venerated along with a sense of nationalism. Arahitogami – the concept of a god who is a human being applied to the Shōwa Emperor, ningen-sengen – the declaration with which the Shōwa Emperor, on New Years Day 1946, declined claims of divinity, keeping with traditional family values as expressed in the Shinto religion. Devaraja is the Hindu-Buddhist cult of deified royalty in Southeast Asia and it is simply described as Southeast Asian concept of divine king
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Son of God
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Historically, many rulers have assumed titles such as son of God, son of a god or son of heaven. The term son of God is sometimes used in the Old, in the Old Testament, angels, just and pious men, the descendants of Seth, and the kings of Israel are all called sons of God. In the New Testament, Adam, and, most notably, Jesus Christ are called son of God, while followers of Jesus are called, in the New Testament, Son of God is applied to Jesus on many occasions. Jesus is declared to be the Son of God on two occasions by a voice speaking from Heaven. Jesus is also explicitly and implicitly described as the Son of God by himself, as applied to Jesus, the term is a reference to his role as the Messiah, the King chosen by God. The contexts and ways in which Jesus title, Son of God, means something more than or other than Messiah remain the subject of ongoing scholarly study and discussion. The term Son of God should not be confused with the term God the Son, the doctrine of the Trinity identifies Jesus as God the Son, identical in essence but distinct in person with regard to God the Father and God the Holy Spirit. Nontrinitarian Christians accept the application to Jesus of the term Son of God, which is found in the New Testament, but not the term God the Son, the title Son of Heaven i. e. 天子 was first used in the Western Zhou dynasty. It is mentioned in the Shijing book of songs, and reflected the Zhou belief that as Son of Heaven the Emperor of China was responsible for the well being of the world by the Mandate of Heaven. This title may also be translated as son of God given that the word Ten or Tien in Chinese may either mean sky or god, the Emperor of Japan was also called the Son of Heaven starting in the early 7th century. Examples of kings being considered the son of god are found throughout the Ancient Near East, Egypt in particular developed a long lasting tradition. Egyptian pharaohs are known to have referred to as the son of a particular god. Egyptian pharaohs did not have full parity with their divine fathers, nevertheless, in the first four dynasties, the pharaoh was considered to be the embodiment of a god. Thus, Egypt was ruled by direct theocracy, wherein God himself is recognized as the head of the state, during the later Amarna Period, Akhenaten reduced the Pharaohs role to one of coregent, where the Pharaoh and God ruled as father and son. Akhenaten also took on the role of the priest of god, later still, the closest Egypt came to the Jewish variant of theocracy was during the reign of Herihor. He took on the role of not as a god but rather as a high-priest. Jewish kings are known to have been referred to as son of the LORD. The Jewish variant of theocracy can be thought of as a representative theocracy where the king is viewed as God’s surrogate on earth, Jewish kings thus, had less of a direct connection to god than pharaohs
24.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
25.
Duat
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Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
26.
Maat
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Maat or Maat was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, cuneiform texts indicate that the word mˤ3t was pronounced /múʕʔa/ during the New Kingdom period, having lost the feminine ending t. Sound shifts from u to e later produced the cognate Coptic word ⲙⲉⲉ/ⲙⲉ truth, later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure and her feather was the measure that determined whether the souls of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator, Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honor and truth in manners that involve family, the community, the nation, the environment, Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Egyptian law, from an early period the King would describe himself as the Lord of Maat who decreed with his mouth the Maat he conceived in his heart. The ancient Egyptians had a conviction of an underlying holiness. Cosmic harmony was achieved by public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state, an impious King could bring about famine or blasphemy blindness to an individual. In opposition to the order expressed in the concept of Maat is the concept of Isfet, chaos, lies. In one Middle Kingdom text the Creator declares I made every man like his fellow, a passage in the Instruction of Ptahhotep presents Maat as follows, Maat is good and its worth is lasting. It has not been disturbed since the day of its creator and it lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port and it is true that evil may gain wealth but the strength of truth is that it lasts, a man can say, It was the property of my father. There is little surviving literature that describes the practice of ancient Egyptian law, Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty onwards the Vizier responsible for justice was called the Priest of Maat, later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt. These spiritual texts dealt with social or professional situations and how each was best to be resolved or addressed in the spirit of Maat
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Egyptian mythology
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Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
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Ancient Egyptian concept of the soul
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The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
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Ancient Egyptian funerary practices
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The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals and protocols included mummifying the body, casting of magic spells, the burial process used by the ancient Egyptians evolved throughout time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the rituals involved. Though no writing survives from Predynastic Egypt, scholars believe the importance of the physical body and this would explain why people of that time did not follow the common practice of cremation, but rather buried the dead. Some also believe they may have feared the bodies would rise again if mistreated after death, early bodies were buried in simple, shallow oval pits, with a few burial goods. Sometimes multiple people and animals were placed in the same grave, over time, graves became more complex, with the body placed in a wicker basket, then later in wooden or terracotta coffins. The latest tombs Egyptians made were sarcophaguses and these graves contained burial goods like jewelry, food, games and sharpened splint. This demonstrates that this ancient period had a sense of the afterlife and this may be because admission required that the deceased must be able to serve a purpose there. The pharaoh was allowed in because of his role in life, human sacrifices found in early royal tombs reinforce this view. These people were meant to serve the pharaoh during his eternal life. Eventually, figurines and wall paintings begin to replace human victims, some of these figurines may have been created to resemble certain people, so they could follow the pharaoh after their lives ended. Note that not only the classes had to rely on the pharaoh’s favor. They believed that when he died, the became a type of god. This belief existed from the period through the Old Kingdom. In the First Intermediate Period, however, the importance of the pharaoh declined, funerary texts, previously restricted to royal use, became more widely available. The first farmers in Egypt are known from the villages of Omari, the people of these villages buried their dead in a simple, round graves with one pot. The body was neither treated nor arranged in a way as would be the case later in the historical period. Without any written evidence, there is little to provide information about contemporary beliefs concerning the afterlife except for the inclusion of a single pot in the grave
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Ancient Egyptian offering formula
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The Ancient Egyptian offering formula, generally referred to as the ḥtp-dỉ-nsw formula by Egyptologists, was written as an offering for the deceased in the ancient Egyptian religion. All ancient Egyptian offering formulas share the basic structure, but there is a great deal of variety in which deities and offerings are mentioned. That he may give a voice-offering of bread, beer, oxen, birds, alabaster, clothing, for the ka of the revered Senwosret, True of Voice. The offering formula is found carved or painted onto funerary stelae, false doors, coffins. Each person would, of course, have their own name, the offering formula was not a royal prerogative like some of the other religious texts such as the Litany of Re, and was used by anyone who could afford to have one made. The offering formula always begins with the phrase, ḥtp dỉ nsw This phrase comes from Old Egyptian, because the king was seen as an intermediary between the people of Egypt and the gods, the offering was made through him. Next the formula names a god of the dead and several of his epithets, usually Osiris, Anubis, or Geb or another deity. The following phrase is an invocation of Osiris, wsỉr nb ḏdw, nṯr ꜥꜣ, nb ꜣbḏw which means Osiris, the lord of Busiris, the great god. There was apparently no set rule about what epithets were used, however Lord of Busiris, Great God, after the list of deities and their titles, the formula proceeds with a list of the ḫrt-prw, or invocation offerings. The list is always preceded by the phrase, or dỉ=f prt-ḫrw or dỉ=sn prt-ḫrw which means He give invocation offerings, the last part of the offering formula lists the name and titles of the recipient of the invocation offerings. For example, n kꜣ n ỉmꜣḫy s-n-wsrt, mꜣꜥ-ḫrw which means for the ka of the revered Senwosret, Egyptian mythology Egyptian soul Ancient Egyptian burial customs Ancient Egyptian funerary texts Bennett, C. Growth of the ḤTP-DI-NSW Formula in the Middle Kingdom, the Middle Kingdom Offering Formulas—A Challenge. Die Opferformel des Alten Reiches unter Berücksichtigung einiger später Formen, mainz am Rhein, Verlag Philipp von Zabern. The Writing of the ḤTP-DI-NSW Formula in the Middle and New Kingdoms, telford, Mark Patrick, Death And The Afterlife
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Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
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Amunet
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Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
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Anhur
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In early Egyptian mythology, Anhur was originally a god of war who was worshipped in the Egyptian area of Abydos, and particularly in Thinis. Myths told that he had brought his wife, Mehit, who was his counterpart, from Nubia. One of his titles was Slayer of Enemies, Anhur was depicted as a bearded man wearing a robe and a headdress with four feathers, holding a spear or lance, or occasionally as a lion-headed god. In some depictions, the robe was more similar to a kilt, due to his position as a war god, he was patron of the ancient Egyptian army, and the personification of royal warriors. Indeed, at festivals honoring him, mock battles were staged, during the Roman era the Emperor Tiberius was depicted on the walls of Egyptian temples wearing the distinctive four-plumed crown of Anhur. The Greeks equated Anhur to their god of war, Ares, in the legend of Olympian gods fleeing from Typhon and taking animal form in Egypt, Ares was said to have taken the form of a fish as Lepidotus or Onuris. Anhurs name also could mean Sky Bearer and, due to the headdress, Anhur was later identified with Shu. He is the son of Ra and brother of Bastet if identified as Shu, amenhotep, from the time of Thutmose IV. Amenhoteps wife Henut was a songstress of Anhur and their sons Hat and Kenna were Chariot Warriors of His Majesty. Known from a now in the British Museum. Nebwenenef High Priest of Anhur during the reign of Sety I, was appointed High Priest of Amun in the beginning of the reign of Ramesses II. Hori Minmose, son of the High Priest of Anhur Hori, from the reign of Ramesses II. Anhurmose, from the time of Merenptah, sishepset, from the time of Ramesses III Harsiese, mentioned on an ostracon in Abydos Anhur is a playable character in the multiplayer online battle arena, SMITE. Anhur is a hunter and bears title the Slayer of Enemies and is shown in his lion form maintaining his beard, robe, Anhur is also a chaotic god in the computer game NetHack/SlashEM. Onuris has a role in the 2012 fantasy novel The Serpents Shadow as a presumed dead god who is revived in order to destroy the Lord of Chaos
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Anubis
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Anubis or Anpu is the Greek name of a god associated with mummification and the afterlife in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts, depicted as a protector of graves as early as the First Dynasty, Anubis was also an embalmer. By the Middle Kingdom he was replaced by Osiris in his role as lord of the underworld, one of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the Weighing of the Heart, despite being one of the most ancient and one of the most frequently depicted and mentioned gods in the Egyptian pantheon, Anubis played almost no role in Egyptian myths. Anubis was depicted in black, a color that symbolized both rebirth and the discoloration of the corpse after embalming, Anubis is associated with Wepwawet, another Egyptian god portrayed with a dogs head or in canine form, but with grey or white fur. Historians assume that the two figures were eventually combined and his daughter is the serpent goddess Kebechet. Anubis is a Greek rendering of this gods Egyptian name, in Egypts Early Dynastic period, Anubis was portrayed in full animal form, with a jackal head and body. A jackal god, probably Anubis, is depicted in stone inscriptions from the reigns of Hor-Aha, Djer, the oldest known textual mention of Anubis is in the Pyramid Texts of the Old Kingdom, where he is associated with the burial of the pharaoh. In the Old Kingdom, Anubis was the most important god of the dead and he was replaced in that role by Osiris during the Middle Kingdom. In the Roman era, which started in 30 BC, tomb paintings depict him holding the hand of deceased persons to them to Osiris. The parentage of Anubis varied between myths, times and sources, in early mythology, he was portrayed as a son of Ra. In the Coffin Texts, which were written in the First Intermediate Period, another tradition depicted him as the son of his father Ra and mother Nephthys. George Hart sees this story as an attempt to incorporate the independent deity Anubis into the Osirian pantheon, an Egyptian papyrus from the Roman period simply called Anubis the son of Isis. In the Ptolemaic period, when Egypt became a Hellenistic kingdom ruled by Greek pharaohs, Anubis was merged with the Greek god Hermes, the two gods were considered similar because they both guided souls to the afterlife. The center of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name means city of dogs, in Book XI of The Golden Ass by Apuleius, there is evidence that the worship of this god was continued in Rome through at least the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages, in contrast to real wolves, Anubis was a protector of graves and cemeteries. Several epithets attached to his name in Egyptian texts and inscriptions referred to that role, the Jumilhac papyrus recounts another tale where Anubis protected the body of Osiris from Set. Set attempted to attack the body of Osiris by transforming himself into a leopard, Anubis stopped and subdued Set, however, and he branded Sets skin with a hot iron rod
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Anuket
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Anuket was the personification and goddess of the Nile river in the Egyptian mythology in Elephantine, at the start of the Niles journey through Egypt, and in nearby regions of Nubia. In Ancient Egyptian, she was known as Anuket, Anaka and her name meant the Clasper or Embracer. In Greek, this became Anoukis, sometimes also spelled Anukis, in the interpretatio graeca, she was considered equivalent to Hestia or Vesta. Anuket was usually depicted as a woman with a headdress of either reed or ostrich feathers and she was usually depicted as holding a Sceptre topped with an ankh, and her sacred animal was the gazelle. She was also shown suckling the Pharaoh through the New Kingdom, in later periods, she was assoiciated with the Cowry, especially the shell, which resembled the vagina. She was originally the daughter of Ra, but was related to Satet in some way. For example, both goddesses were called the Eye of Ra, along with Bastet, Hathor, and Sekhmet, also, they were both related in some way to the Uraeus. Anuket was part of a triad with the god Khnum, and she may have been the sister of the goddess Satis or she may have been a junior consort to Khnum instead. A temple dedicated to Anuket was erected on the Island of Seheil, inscriptions show that a shrine or altar was dedicated to her at this site by the 13th dynasty Pharaoh Sobekhotep III. Much later, during the 18th dynasty, Amenhotep II dedicated a chapel to the goddess, during the New Kingdom, Anuket’s cult at Elephantine included a river procession of the goddess during the first month of Shemu. Inscriptions mention the processional festival of Khnum and Anuket during this time period, ceremonially, when the Nile started its annual flood, the Festival of Anuket began. People threw coins, gold, jewelry, and precious gifts into the river, in thanks for the life-giving water, Anoukis, Encyclopædia Britannica, 9th ed. Vol. II, New York, Charles Scribners Sons,1878, p.90
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Apep
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Apep or Apophis was the ancient Egyptian deity who embodied chaos and was thus the opponent of light and Maat. He appears in art as a giant serpent and his name is reconstructed by Egyptologists as *ʻAʼpāpī, as it was written ꜥꜣpp and survived in later Coptic as Ⲁⲫⲱⲫ Aphōph. Apep was first mentioned in the Eighth Dynasty, and he was honored in the names of the Fourteenth Dynasty king Apepi, Ra was the solar deity, bringer of light, and thus the upholder of Maat. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra, as the personification of all that was evil, Apep was seen as a giant snake or serpent leading to such titles as Serpent from the Nile and Evil Lizard. Some elaborations said that he stretched 16 yards in length and had a made of flint. Also, comparable hostile snakes as enemies of the sun god existed under other names already before the name Apep occurred, the etymology of his name is perhaps to be sought in some west-semitic language where a word root ꜣpp meaning to slither existed. A verb root ꜥꜣpp does at any rate not exist elsewhere in Ancient Egyptian, Apeps name much later came to be falsely connected etymologically in Egyptian with a different root meaning spat out, the Romans referred to Apep by this translation of his name. Apophis was a golden snake known to be miles long. He was so large that he attempted to swallow the sun every day, tales of Apeps battles against Ra were elaborated during the New Kingdom. Storytellers said that every day Apep must lie just below the horizon and this appropriately made him a part of the underworld. In some stories Apep waited for Ra in a mountain called Bakhu, where the sun set. The wide range of Apeps possible location gained him the title World Encircler and it was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the chief god overthrown by Ra. The Coffin Texts imply that Apep used a magical gaze to overwhelm Ra, Ra was assisted by a number of defenders who travelled with him, including Set and possibly the Eye of Ra. Apeps movements were thought to cause earthquakes, and his battles with Set may have meant to explain the origin of thunderstorms. In some accounts, Ra himself defeats Apep in the form of a cat, Ra was worshipped, and Apep worshipped against. Ras victory each night was thought to be ensured by the prayers of the Egyptian priests, the Egyptians practiced a number of rituals and superstitions that were thought to ward off Apep, and aid Ra to continue his journey across the sky. The Egyptian priests had a guide to fighting Apep, referred to as The Books of Overthrowing Apep
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Apis (deity)
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In Egyptian mythology, Apis or Hapis is a sacred bull worshipped in the Memphis region. Identified as the son of Hathor, a deity in the pantheon of Ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed, later, Apis also served as an intermediary between humans and other powerful deities. Apis was very important among all of the animals in Egypt, and, as with the others. Auguste Mariettes excavation of the Serapeum of Saqqara revealed the tombs of more than sixty animals, at first, each animal was buried in a separate tomb with a chapel built above it. The current available historical documentary and archaeological evidence suggests the Apis was the first god of Egypt, worship of an Apis bull began during the First Dynasty, which is after the year 2686 BCE. The Apis as a bull experienced by ancient Egyptians as holy, was worshipped at Memphis, worship of the Apis as a god seems to belong to ancient culture of Egypt during the Second Dynasty. According to Manetho, worship of the Apis was instituted by Kaiechos of the Second Dynasty, Apis is named on very early monuments, but little is known of the divine animal before the New Kingdom. This Osorapis was identified with Serapis of the late Hellenistic period, creating parallels to their own religious beliefs, ancient Greek writers identified Apis as an incarnation of Osiris, ignoring the connection with Ptah. During the start of the Hellenistic period, Ptolemy Soter, who ruled for the period 323-283 BCE, Apis was the most popular of three great bull cults of ancient Egypt, the others being the cults of Mnevis and Buchis. All are related to the worship of Hathor or Bat, similar primary goddesses separated by region until unification that eventually merged as Hathor, the worship of Apis was continued by the Greeks and after them by the Romans, and lasted until almost 400 CE. This animal was chosen because it symbolized the heart, great strength. Apis came to being considered a manifestation of the king, as bulls were symbols of strength and fertility, strong bull of his mother Hathor was a common title for Egyptian gods and male kings, being unused for women serving as king, such as Hatshepsut. As early as the time of the Narmer Palette, the king is depicted with a tail on one side. Occasionally, Apis was pictured with the symbol of his mother, Hathor. When the disk was depicted on his head with his horns below and the marking on his forehead. That symbol always was associated with Hathor. Early on, Apis was the herald of Ptah, the deity in the area around Memphis
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Atum
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Atum, sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Atums name is thought to be derived from the word tem which means to complete or finish, thus he has been interpreted as being the complete one and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator he was seen as the substance of the world. In the Heliopolitan creation myth, Atum was considered to be the first god, having created himself, sitting on a mound, early myths state that Atum created the god Shu and goddess Tefnut by spitting them out of his mouth. To explain how Atum did this, the uses the metaphor of masturbation. Other interpretations state that he has made union with his shadow, in the Old Kingdom the Egyptians believed that Atum lifted the dead kings soul from his pyramid to the starry heavens. He was also a deity, associated with the primary sun god Ra. Atum was linked specifically with the sun, while Ra or the closely linked god Khepri were connected with the sun at morning. Atum is the god of pre-existence and post-existence, in the binary solar cycle, the serpentine Atum is contrasted with the ram-headed scarab Khepri—the young sun god, whose name is derived from the Egyptian hpr to come into existence. Khepri-Atum encompassed sunrise and sunset, thus reflecting the solar cycle. Atum was a deity, the first being to emerge from the darkness and endless watery abyss that existed before creation. A product of the energy and matter contained in this chaos, he created his children—the first deities and he produced from his own sneeze, or in some accounts, semen, Shu, the god of air, and Tefnut, the goddess of moisture. The brother and sister, curious about the waters that surrounded them, went to explore the waters. Unable to bear his loss, Atum sent a fiery messenger, the tears of joy he shed on their return were the first human beings. He is usually depicted as a man wearing either the royal head-cloth or the white and red crown of Upper Egypt and Lower Egypt. Sometimes he also is shown as a serpent, the form he returns to at the end of the creative cycle, atums cult centered on the city of Heliopolis. The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla of Al-Matariyyah and it was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft high red granite obelisk weighs 120 tons, band I, Die heiligen Tiere des Atum
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Bastet
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Bastet was a goddess in ancient Egyptian religion, worshiped as early as the 2nd Dynasty. As Bast, she was the goddess of warfare in Lower Egypt and her name is also translated as Baast, Ubaste, and Baset. In Greek mythology, she is known as Ailuros. The uniting Egyptian cultures had deities that shared similar roles and usually the same imagery, in Upper Egypt, Sekhmet was the parallel warrior lioness deity. Often similar deities merged into one with the unification, but that did not occur with these deities having such strong roots in their cultures, instead, these goddesses began to diverge. During the 22nd Dynasty, Bast had transformed from a lioness deity into a major protector deity represented as a cat. Bastet, the associated with this later identity, is the name commonly used by scholars today to refer to this deity. Bastet, the form of the name which is most commonly adopted by Egyptologists today because of its use in later dynasties, is a modern convention offering one possible reconstruction, in early Egyptian, her name appears to have been bꜣstt. In Egyptian writing, the second t marks a feminine ending, but was not usually pronounced, by the first millennium, then, bꜣstt would have been something like *Ubaste in Egyptian speech, later becoming Coptic Oubaste. During later dynasties, the deity remained, but was assigned a role in the pantheon by bearing the name Bastet. This happened after Thebes became the capital of Ancient Egypt during the 18th Dynasty, diminishing her status, they began referring to the deity with the added suffix, as Bastet, and their use of the new name was well-documented, becoming very familiar to researchers. By the 22nd Dynasty the transition had occurred in all regions, what the name of the goddess means remains uncertain. One recent suggestion by Stephen Quirke explains it as meaning She of the ointment jar and this ties in with the observation that her name was written with the hieroglyph for ointment jar and that she was associated with protective ointments, among other things. The name of the known as alabaster might, through Greek. Bastet was originally a warrior goddess of the sun throughout most of ancient Egyptian history. Greeks occupying ancient Egypt toward the end of its civilization changed her into a goddess of the moon, as protector of Lower Egypt, she was seen as defender of the pharaoh, and consequently of the later chief male deity, Ra. Along with the lioness goddesses, she would occasionally be depicted as the embodiment of the Eye of Ra. She has been depicted as fighting the evil snake named Apep, images of Bastet were often created from alabaster
40.
Bat (goddess)
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Bat was a cow goddess in Egyptian mythology depicted as a human face with cow ears and horns. By the time of the Middle Kingdom, her identity and attributes were subsumed within the goddess Hathor, the worship of Bat dates to earliest times and may have its origins in Late Paleolithic cattle herding. Bat was the goddess of Seshesh, otherwise known as Hu or Diospolis Parva. The epithet Bat may be linked to the word ba with the suffix t. A persons ba roughly equates to his or her personality or emanation and is translated as soul. Although it was rare for Bat to be depicted in painting or sculpture. In other instances she was pictured as a bovine creature surrounded by stars or as a human woman. More commonly, Bat was depicted on amulets, with a face, but with bovine features, such as the ears of a cow. Bat became strongly associated with the sistrum, and the center of her cult was known as the Mansion of the Sistrum, the sistrum is a musical instrument, shaped like an ankh, that was one of the most frequently used sacred instruments in ancient Egyptian temples. Some instruments would include depictions of Bat, with her head and neck as the handle and base, the imagery is repeated on each side, having two faces, as mentioned in the Pyramid Texts. I am Praise, I am Majesty, I am Bat with Her Two Faces, I am the One Who Is Saved, the imagery of Bat as a divine cow was remarkably similar to that of Hathor, a parallel goddess from Lower Egypt. In two dimensional images, both goddesses often are depicted straight on, facing the onlooker and not in profile in accordance with the usual Egyptian convention, the significant difference in their depictions is that Bats horns curve inward and Hathors curve outward slightly. It is possible that this could be based in the different breeds of cattle herded at different times. Hathors cult center was in the 6th Nome of Upper Egypt, adjacent to the 7th where Bat was the cow goddess, by the Middle Kingdom, the cult of Hathor had again absorbed that of Bat in a manner similar to other mergers in the Egyptian pantheon. The goddess Bat - discussion on Philae The goddess Bat - discussion on Egyptian Myths
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Bes
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Bes and its feminine counterpart Beset are an Ancient Egyptian deity worshipped as a protector of households, and in particular, of mothers and children and childbirth. Bes later came to be regarded as the defender of everything good, while past studies identified Bes as a Middle Kingdom import from Nubia, more recent research indicates that he was present in Egypt since the start of Old Kingdom. Mentions of Bes can be traced to pre-dynastic Nile Valley cultures, modern scholars such as James Romano claim that in its earliest inception Bes was a representation of a lion rearing up on its hind legs. After the Third Intermediate Period, Bes is often seen as just the head or the face, images of the deity were kept in homes and he was depicted quite differently from the other gods. Normally Egyptian gods were shown in profile, but instead Bes appeared in portrait, ithyphallic and he scared away demons from houses, so his statue was put up as a protector. Since he drove off evil, Bes also came to symbolize the good things in life - music, dance, many instances of Bes masks and costumes from the New Kingdom and later have been uncovered. These show considerable wear, thought to be too great for occasional use at festivals, in the New Kingdom, tattoos of Bes could be found on the thighs of dancers, musicians and servant girls. In the late 500s BC, images of Bes began to spread across the Persian Empire, images of Bes have been found at the Persian capital of Susa, and as far away as central Asia. Over time, the image of Bes became more Persian in style, as he was depicted wearing Persian clothes, the Balearic island of Ibiza derives its actual name from this god, brought along with the first Phoenician settlers 654 BC. These settlers, amazed at the lack of any sort of creatures on the island thought it to be the island of Bes. Bes is an important character in the books of the saga The Kane Chronicles by Rick Riordan, Bes appears, as part of the delegation of Egyptian gods, in The Sandman, Season of Mists, by Neil Gaiman. Bes is a friend and helper to the heroes in Pyramid Scheme by Eric Flint and Dave Freer Statue of official Bes The Complete Gods and Goddesses of Ancient Egypt, ISBN 0-500-05120-8 The Oxford History of Ancient Egypt, Ian Shaw. Dwarfs in Ancient Egypt and Greece
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Four sons of Horus
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The four sons of Horus were a group of four gods in Egyptian religion, who were essentially the personifications of the four canopic jars, which accompanied mummified bodies. Since the heart was thought to embody the soul, it was left inside the body, the brain was thought only to be the origin of mucus, so it was reduced to liquid, removed with metal hooks, and discarded. This left the stomach, liver, large intestines, and lungs, there were times when embalmers deviated from this scheme, during the 21st Dynasty they embalmed and wrapped the viscera and returned them to the body, while the Canopic jars remained empty symbols. Their association with Horus the Elder specifically goes back to the Old Kingdom when they were not only to be his children. Others say their mother was Serket, goddess of medicine and magic, just as the sons of Horus protected the contents of a canopic jar, the kings organs, so they in turn were protected. As they were male in accordance with the principles of male/female duality their protectors were female, Imsety – human form – direction South – protected the liver – protected by Isis. Duamutef – jackal form – direction East – protected the stomach – protected by Neith, Hapi – baboon form – direction North – protected the lungs – protected by Nephthys. Qebehsenuef – hawk form – direction West – protected the intestines – protected by his mother Serket, the classic depiction of the four sons of Horus on Middle Kingdom coffins show Imsety and Duamutef on the eastern side of the coffin and Hapi and Qebehsenuef on the western side. The eastern side is decorated with a pair of eyes and the mummy was turned on its side to face the east and the sun, therefore. The sons of Horus also became associated with the compass points, so that Hapi was the north, Imsety the south, Duamutef the east. Their brother was Ihy, son of Hathor, until the end of the 18th Dynasty the canopic jars had the head of the king, but later they were shown with animal heads. Inscriptions on coffins and sarcophagi from earliest times showed them usually in animal form, Hapi the baboon headed son of Horus protected the lungs of the deceased and was in turn protected by the goddess Nephthys. The spelling of his name includes a hieroglyph which is thought to be connected with steering a boat, I have bound your head and your limbs for you. I have smitten your enemies beneath you for you, and given you your head, Hapi was associated with the north. Imsety the human headed son of Horus, protected the liver of the deceased and was in turn protected by the goddess Isis, to stand up meant to be active and thus alive while to be prone signified death. In Spell 151 of the Book of the Dead Imsety is given the words to say, I am your son, Osiris. I have strengthened your house enduringly, as Ptah decreed in accordance with what Ra himself decrees. Again the theme of making alive and revivifying is alluded to through the metaphor of making his house flourish and he does this with the authority of two creator gods Ptah and Ra
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Geb
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Geb was the Egyptian god of the Earth and later a member of the Ennead of Heliopolis. He had a snake around his head and was also considered the father of snakes. It was believed in ancient Egypt that Gebs laughter created earthquakes, the name was pronounced as such from the Greek period onward and was originally read as Seb or some guess as Keb. The original Egyptian was perhaps Seb/Keb and it was spelled with either initial -g-, or with -k-point. g. in a 30th Dynasty papyrus text in the Brooklyn Museum dealing with descriptions of and remedies against snakes. In later times he could also be depicted as a ram, Geb was frequently described mythologically as father of snakes. In a Coffin Texts spell Geb was described as father of the snake Nehebkau, in the latter case, one of his otherworldly attributes was an ominous jackal-headed stave rising from the ground onto which enemies could be bound. In this context, Geb was believed to have originally been engaged with Nut and had to be separated from her by Shu, consequently, in mythological depictions, Geb was shown as a man reclining, sometimes with his phallus still pointed towards Nut. As time progressed, the deity became more associated with the land of Egypt. He is also equated by classical authors as the Greek Titan Cronus, ptah and Ra, creator deities, usually begin the list of divine ancestors. There is speculation between Shu and Geb and who was the first god-king of Egypt, the story of how Shu, Geb, and Nut were separated in order to create the cosmos is now being interpreted in more human terms, exposing the hostility and sexual jealousy. Between the father son jealously and Shu rebelling against the divine order, Geb takes Shu’s mother, Tefnut, as his chief queen, separating Shu from his sister-wife. Just as Shu had previously done to him, in the book of the Heavenly Cow, it is implied that Geb is the heir of the departing sun god. After Geb passed on the throne to Osiris, his youngest son, some Egyptologists, have stated that Geb was associated with a mythological divine creator goose who had laid a world egg from which the sun and/or the world had sprung. This theory is assumed to be incorrect and to be a result of confusing the divine name Geb with that of a Whitefronted Goose, also called originally gb, lame one and this bird-sign is used only as a phonogram in order to spell the name of the god. An alternative ancient name for this species was trp meaning similarly walk like a drunk. The Whitefronted Goose is never found as a symbol or holy bird of Geb. A coloured vignet irrefutably depicts a Nile Goose with a beak in a context of solar creation on a mythological papyrus dating from the 21st Dynasty. Similar images of this bird are to be found on temple walls, showing a scene of the king standing on a papyrus raft
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Hapi (Nile god)
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Hapi was the god of the annual flooding of the Nile in ancient Egyptian religion. The flood deposited rich silt on the banks, allowing the Egyptians to grow crops. Hapi was greatly celebrated among the Egyptians, some of the titles of Hapi were, Lord of the Fish and Birds of the Marshes and Lord of the River Bringing Vegetation. Hapi is typically depicted as a person with a large belly and pendulous breasts, wearing a loincloth. The annual flooding of the Nile occasionally was said to be the Arrival of Hapi, since this flooding provided fertile soil in an area that was otherwise desert, Hapi, as its patron, symbolised fertility. He had large female breasts because he was said to bring a rich and he was thought to live within a cavern at the supposed source of the Nile near Aswan. The cult of Hapi was mainly located at the First Cataract named Elephantine and his priests were involved in rituals to ensure the steady levels of flow required from the annual flood. At Elephantine the official nilometer, a device, was carefully monitored to predict the level of the flood. Hapi was not regarded as the god of the Nile itself and he was also considered a friend of Geb the Egyptian god of the earth, and the lord of Neper, the god of grain. Although male and wearing the beard, Hapi was pictured with pendulous breasts. He also was given blue or green skin, representing water. Other attributes varied, depending upon the region of Egypt in which the depictions exist, in Lower Egypt, he was adorned with papyrus plants and attended by frogs, present in the region, and symbols of it. Whereas in Upper Egypt, it was the lotus and crocodiles which were present in the Nile, thus these were the symbols of the region. Hapi often was pictured carrying offerings of food or pouring water from an amphora and this symbolic representation was often carved at the base of seated statues of the pharaoh. The Complete Gods and Goddesses of Ancient Egypt, la Crue du Nil, Divinité égyptienne, à travers mille ans dhistoire 332 av. –641 ap. J. –C. daprès les auteurs grecs et latins, Hapi, God of the Nile, Fertility, the North and South Egyptian God - Hapi, Father of the gods Ancient Egypt, The Mythology - Hapi
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