1.
British Film Institute
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The British Film Institute is a film and charitable organisation which promotes and preserves filmmaking and television in the United Kingdom. The BFI maintains the worlds largest film archive, the BFI National Archive, previously called National Film Library, National Film Archive and National Film, the archive contains more than 50,000 fiction films, over 100,000 non-fiction titles and around 625,000 television programmes. The majority of the collection is British material but it also features internationally significant holdings from around the world, the Archive also collects films which feature key British actors and the work of British directors. The BFI runs the BFI Southbank and London IMAX cinema, both located on the bank of the River Thames in London. The IMAX has the largest cinema screen in the UK, and shows popular recent releases and short films showcasing its technology, BFI Southbank shows films from all over the world particularly critically acclaimed historical & specialised films that may not otherwise get a cinema showing. The BFI also distributes archival and cultural cinema to other venues – each year to more than 800 venues all across the UK, the BFI offers a range of education initiatives, in particular to support the teaching of film and media studies in schools. In late 2012, the BFI received money from the Department For Education to create the BFI Film Academy Network, the BFI runs the annual London Film Festival along with BFI Flare, London LGBT Film Festival and the youth-orientated Future Film Festival. The BFI publishes the monthly Sight & Sound magazine as well as films on Blu-ray, DVD, SIFT has a collection of about 7 million still frames from film and television. The institute was founded in 1933, the institute was restructured following the Radcliffe Report of 1948 which recommended that it should concentrate on developing the appreciation of filmic art, rather than creating film itself. Thus control of film production passed to the National Committee for Visual Aids in Education. From 1952-2000, the BFI provided funding for new and experimental filmmakers via the BFI Production Board, the institute received a Royal Charter in 1983. This was updated in 2000, and in the year the newly established UK Film Council took responsibility for providing the BFIs annual grant-in-aid. As an independent registered charity, the BFI is regulated by the Charity Commission, in 1988, the BFI opened the London Museum of the Moving Image on the South Bank. The Museum was temporarily closed in 1999 when the BFI stated that it would be re-sited and this did not happen, and MOMIs closure became permanent in 2002 when it was decided to redevelop the South Bank site. This redevelopment was itself then further delayed, the BFI is currently managed on a day-to-day basis by its chief executive, Amanda Nevill. Supreme decision-making authority rests with a chair and a board of up to 14 governors, the current chair is Josh Berger, who took up the post in February 2016. He succeeded Greg Dyke, who took office on 1 March 2008, Dyke succeeded the late Anthony Minghella, who was chair from 2003 until 31 December 2007. The chair of the board is appointed by the BFIs own Board of Governors but requires the consent of the Secretary of State for Culture, Media, other Governors are co-opted by existing board members when required
2.
Film archives
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An archive is an accumulation of historical records or the physical place they are located. Archives contain primary source documents that have accumulated over the course of an individual or organizations lifetime, in general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost always unique, unlike books or magazines for which many copies exist. This means that archives are quite distinct from libraries with regard to their functions and organization, a person who works in archives is called an archivist. The study and practice of organizing, preserving, and providing access to information, the physical place of storage can be referred to as an archive, an archives, or a repository. When referring to historical records or the places they are kept, the computing use of the term archive should not be confused with the record-keeping meaning of the term. The adjective formed from archive is archival, the practice of keeping official documents is very old. Archaeologists have discovered archives of hundreds of clay tablets going back to the third and second millennia BC in sites like Ebla, Mari, Amarna, Hattusas, Ugarit and these discoveries have been fundamental to know ancient alphabets, languages, literature, and politics. Archives were well developed by the ancient Chinese, the ancient Greeks, however, they have been lost, since documents written on materials like papyrus and paper deteriorated at a faster pace, unlike their stone tablet counterparts. Archives of churches, kingdoms, and cities from the Middle Ages survive and have kept their official status uninterruptedly till now. They are the tool for historical research on these ages. Modern archival thinking has many roots from the French Revolution, historians, genealogists, lawyers, demographers, filmmakers, and others conduct research at archives. The research process at each archive is unique, and depends upon the institution that houses the archive. While there are kinds of archives, the most recent census of archivists in the United States identifies five major types, academic, business, government, non-profit. There are also four main areas of inquiry involved with archives, material technologies, organizing principles, geographic locations and these areas help to further categorize what kind of archive is being created. Archives in colleges, universities, and other facilities are typically housed within a library. Academic archives exist to preserve history and serve the academic community. Access to the collections in these archives is usually by prior appointment only, users of academic archives can be undergraduates, graduate students, faculty and staff, scholarly researchers, and the general public
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Film
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A film, also called a movie, motion picture, theatrical film or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession, the process of filmmaking is both an art and an industry. The word cinema, short for cinematography, is used to refer to the industry of films. Films were originally recorded onto plastic film through a photochemical process, the adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the process of production, distribution. Films recorded in a form traditionally included an analogous optical soundtrack. It runs along a portion of the film exclusively reserved for it and is not projected, Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them, Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer, some have criticized the film industrys glorification of violence and its potentially negative treatment of women. The individual images that make up a film are called frames, the perception of motion is due to a psychological effect called phi phenomenon. The name film originates from the fact that film has historically been the medium for recording and displaying motion pictures. Many other terms exist for a motion picture, including picture, picture show, moving picture, photoplay. The most common term in the United States is movie, while in Europe film is preferred. Terms for the field, in general, include the big screen, the screen, the movies, and cinema. In early years, the sheet was sometimes used instead of screen. Preceding film in origin by thousands of years, early plays and dances had elements common to film, scripts, sets, costumes, production, direction, actors, audiences, storyboards, much terminology later used in film theory and criticism apply, such as mise en scène. Owing to the lack of any technology for doing so, the moving images, the magic lantern, probably created by Christiaan Huygens in the 1650s, could be used to project animation, which was achieved by various types of mechanical slides
4.
Paul Getty
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Jean Paul Getty was an American industrialist.2 billion. At his death, he was more than $2 billion. A book published in 1996 ranked him as the 67th richest American who ever lived, based on his wealth as a percentage of the national product. Despite his wealth, Getty was notably frugal and he famously negotiated his grandsons ransom. He established the J. Paul Getty Trust in 1953, the trust is the worlds wealthiest art institution, and operates the J. Paul Getty Museum, the Getty Foundation, the Getty Research Institute, and the Getty Conservation Institute. Getty was born to Sarah Catherine McPherson Risher and George Getty and he enrolled at the University of Southern California, then at University of California, Berkeley. In 1913, he obtained a diploma in Economics and Political Science from the University of Oxford and he spent his summers between studies working on his fathers oil fields in Oklahoma. Running his own oil company in Tulsa, he made his first million by June 1916, the Nancy Taylor No.1 Oil Well Site near Haskell, Oklahoma, was crucial to his early financial success. This oil well was the first to be drilled by J. P. Getty, in 1919, Getty returned to business in Oklahoma. During the 1920s, he added about $3 million to his sizable estate. His succession of marriages and divorces so distressed his father, however, just before he died in 1930, George Franklin Getty said that Jean Paul would ultimately destroy the family company. In 1967 the billionaire merged these holdings into Getty Oil, beginning in 1949, Getty paid Ibn Saud $9.5 million in cash and $1 million a year for a 60-year concession to a tract of barren land near the border of Saudi Arabia and Kuwait. No oil had ever been discovered there, and none appeared until four years had passed, from 1953 onward, Gettys gamble produced 16,000,000 barrels a year, which contributed greatly to the fortune responsible for making him one of the richest people in the world. Getty increased the wealth, learning to speak Arabic, which enabled his unparalleled expansion into the Middle East. Getty owned the controlling interest in nearly 200 businesses, including Getty Oil, associates identified his overall wealth at between $2 billion and $4 billion. It didnt come easily, perhaps inspiring Gettys widely quoted remark—The meek shall inherit the earth, J. Paul Getty was an owner of Getty Oil, Getty Inc. George F. Getty Inc. He moved to Britain in the 1950s and became a prominent Anglophile, Getty lived the rest of his life in the British Isles, dying of heart failure at the age of 83 on June 6,1976. Getty was married and divorced five times, timmy died at age 12, and Getty, living in England apart from his wife and son back in the U. S. did not attend the funeral
5.
Berkhamsted
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Berkhamsted /ˈbɜːrkəmstɛd/ is a medium-sized historic market town on the western edge of Hertfordshire, England. The affluent commuter town is located in the small Bulbourne valley in the Chiltern Hills,26 miles northwest of London, Berkhamsted is a civil parish, with a town council within the larger borough of Dacorum. People have been living in the Berkhamsted area for over 5,000 years, there is evidence of flint working in the Neolithic period and metal working in the late Iron Age and Roman periods. The high street is on a route known by its Saxon name Akeman Street. The earliest written reference to Berkhamsted is in 970AD, Berkhamsted was recorded as a burbium in the Domesday Book in 1086. The oldest known extant jettied timber-framed building in Great Britain, built 1277 -1297, in the 13th and 14th century the town was a wool trading town, with thriving local market. The most important event in the history was in December 1066. After William the Conqueror defeated King Harolds Anglo-Saxon army at the Battle of Hastings, the event was recorded in the Anglo-Saxon Chronicle. After the castle was abandoned in 1495 the town went into decline, modern Berkhamsted began to expand following the construction of the canal and the railway in the 19th century. Among those born in Berkhamsted was Colonel Daniel Axtell, who was the captain of the Parliamentary Guard at the trial, the towns literary connections include the 17th century hymnist and poet, William Cowper, the 18th century writer Maria Edgeworth, and the 20th century novelist Graham Greene. The earliest recorded spelling of the name is the 10th century Anglo-Saxon Beorhðanstædæ. The first part originates from the Old Celtic word Bearroc, meaning place, alternatively it may originate from the Old English words beorg, meaning hill, or berc or beorc. The latter part, hamsted, derives from the Old English word for homestead, Local historian Percy Birtchnell identified over 50 different spellings and epithets for the towns name since the writing of the Domesday Book, the present spelling was adopted in 1937. Other spellings included, Berkstead, Berkampsted, Berkhampstead, Muche Barkhamstede, Berkhamsted Magna, Great Berkhamsteed, the towns local nickname is Berko. Neolithic, Bronze Age, Iron Age and Roman artefacts show that the Berkhamsted area of the Bulbourne Valley has been settled for over 5,000 years, the discovery of a large number of worked flint chips provides Neolithic evidence of on-site flint knapping in the centre of Berkhamsted. Several settlements dating from the Neolithic to the Iron Age have been discovered south of Berkhamsted. Three sections of a late Bronze Age to Iron Age bank and ditch, sixteen feet wide by seven to thirteen feet high, another Iron Age dyke with the same name is on Berkhamsted Common, on the north side of the valley. In the late Iron Age, prior to the Roman occupation, the Bulbourne Valley was rich in timber and iron ore
6.
Hertfordshire
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Hertfordshire is a county in southern England, bordered by Bedfordshire to the north, Cambridgeshire to the north-east, Essex to the east, Buckinghamshire to the west and Greater London to the south. For government statistical purposes, it is placed in the East of England region, in 2013, the county had a population of 1,140,700 living in an area of 634 square miles. Four towns have between 50,000 and 100,000 residents, Hemel Hempstead, Stevenage, Watford and St Albans. Hertford, once the market town for the medieval agricultural county derives its name from a hart. Elevations are high for the region in the north and west and these reach over 240m in the western projection around Tring which is in the Chilterns. The countys borders are approximately the watersheds of the Colne and Lea, hertfordshires undeveloped land is mainly agricultural and much is protected by green belt. The countys landmarks span many centuries, ranging from the Six Hills in the new town of Stevenage built by local inhabitants during the Roman period, Leavesden filmed much of the UK-based $7.7 Bn box office Harry Potter film series and has the countrys studio tour. Saint Alban, a Romano-British soldier, took the place of a Christian priest and was beheaded on Holywell Hill and his martyrs cross of a yellow saltire on a blue background is reflected in the flag and coat of arms of Hertfordshire. Hertfordshire is well-served with motorways and railways, providing access to London. The largest sector of the economy of the county is in services, Hertfordshire was the area assigned to a fortress constructed at Hertford under the rule of Edward the Elder in 913. Hertford is derived from the Anglo-Saxon heort ford, meaning deer crossing, the name Hertfordshire is first recorded in the Anglo-Saxon Chronicle in 1011. Deer feature in many county emblems, there is evidence of humans living in Hertfordshire from the Mesolithic period. It was first farmed during the Neolithic period and permanent habitation appeared at the beginning of the Bronze Age and this was followed by tribes settling in the area during the Iron Age. 293 the first recorded British martyrdom is believed to have taken place. Saint Alban, a Romano-British soldier, took the place of a Christian priest and was beheaded on Holywell Hill. His martyrs cross of a saltire on a blue background is reflected in the flag. He is the Patron Saint of Hertfordshire, with the departure of the Roman Legions in the early 5th century, the now unprotected territory was invaded and colonised by the Anglo-Saxons. By the 6th century the majority of the county was part of the East Saxon kingdom
7.
Nitrate
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Nitrate is a polyatomic ion with the molecular formula NO−3 and a molecular mass of 62.0049 g/mol. Nitrates also describe the functional group RONO2. These nitrate esters are a class of explosives. The anion is the base of nitric acid, consisting of one central nitrogen atom surrounded by three identically bonded oxygen atoms in a trigonal planar arrangement. The nitrate ion carries a charge of −1. This arrangement is used as an example of resonance. Like the isoelectronic carbonate ion, the ion can be represented by resonance structures. A common example of a nitrate salt is potassium nitrate. A rich source of nitrate in the human body comes from diets rich in leafy green foods, such as spinach. NO3- is the active component within beetroot juice and other vegetables. Nitrite and water are converted in the body to nitric oxide, nitrate salts are found naturally on earth as large deposits, particularly of nitratine, a major source of sodium nitrate. Nitrates are found in man-made fertilizers, as a byproduct of lightning strikes in earths nitrogen-oxygen rich atmosphere, nitric acid is produced when nitrogen dioxide reacts with water vapor. Nitrates are mainly produced for use as fertilizers in agriculture because of their solubility and biodegradability. The main nitrate fertilizers are ammonium, sodium, potassium, several million kilograms are produced annually for this purpose. The second major application of nitrates is as oxidizing agents, most notably in explosives where the oxidation of carbon compounds liberates large volumes of gases. Sodium nitrate is used to air bubbles from molten glass. Mixtures of the salt are used to harden some metals. Explosives and table tennis balls are made from celluloid, although nitrites are the nitrogen compound chiefly used in meat curing, nitrates are used in certain specialty curing processes where a long release of nitrite from parent nitrate stores is needed
8.
Gaydon
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Gaydon is a parish and village in Warwickshire, England, close to Royal Leamington Spa. In the 2001 census, the parish had a population of 376, the village is at the junction of the B4100 and B4451 roads, a mile from Junction 12 of the M40 motorway, and is two miles north-east of Kineton. Gaydon has one pub the Malt Shovel, the derelict Gaydon Inn stands close to the point of intersection of the two roads, and the main part of the village of Gaydon is disposed along a short loop south of the junction. The Gaydon Inn was famous in the 18th century for its association with violent highwaymen, the Manor House on Kineton Road dates back to the 17th century. There are plans to revive allotments in Gaydon with the backing of the local Parish Council, a local village shop opened 24 May 2010 in the centre of the village providing local produce to local residents. Close by, on the site of former RAF V bomber base of RAF Gaydon, is the Jaguar Land Rover Gaydon Centre, adjacent to the site is the headquarters of Aston Martin. Lighthorne Northend, Warwickshire Radway Gaydon Village Website
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Warwickshire
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Warwickshire is a landlocked county in the West Midlands of England. The county town is Warwick, although the largest town is Nuneaton, the county is famous for being the birthplace of William Shakespeare. Commonly used abbreviations for the county are Warks or Warwicks, the county is divided into five districts of North Warwickshire, Nuneaton and Bedworth, Rugby, Warwick and Stratford-on-Avon. The current county boundaries were set in 1974 by the Local Government Act 1972, the historic county boundaries also included Coventry and Solihull, as well as much of Birmingham. The northern tip of the county is only 3 miles from the Derbyshire border, an average-sized English county covering an area of almost 2,000 km2, it runs some 60 miles north to south. Equivalently it extends as far north as Shrewsbury in Shropshire and as far south as Banbury in north Oxfordshire, the majority of Warwickshires population live in the north and centre of the county. The market towns of northern and eastern Warwickshire were industrialised in the 19th century, and include Atherstone, Bedworth, Nuneaton, of these, Atherstone has retained most of its original character. Major industries included coal mining, textiles, engineering and cement production, of the northern and eastern towns, only Nuneaton and Rugby are well-known outside of Warwickshire. The south of the county is rural and sparsely populated. The only town in the south of Warwickshire is Shipston-on-Stour, the highest point in the county, at 261 m, is Ebrington Hill, again on the border with Gloucestershire, grid reference SP187426 at the countys southwest extremity. There are no cities in Warwickshire since both Coventry and Birmingham were incorporated into the West Midlands county in 1974 and are now metropolitan authorities in themselves, the largest towns in Warwickshire in 2011 were, Nuneaton, Rugby, Leamington Spa, Bedworth, Warwick, Stratford and Kenilworth. Much of western Warwickshire, including that area now forming part of Coventry, Solihull, thus the names of a number of places in the central-western part of Warwickshire end with the phrase -in-Arden, such as Henley-in-Arden, Hampton-in-Arden and Tanworth-in-Arden. The remaining area, not part of the forest, was called the Felden – from fielden, areas historically part of Warwickshire include Coventry, Solihull, Sutton Coldfield, Erdington, and some of Birmingham including Aston and Edgbaston. These became part of the county of West Midlands following local government re-organisation in 1974. Some organisations, such as Warwickshire County Cricket Club, which is based in Edgbaston, in Birmingham, Coventry is effectively in the centre of the Warwickshire area, and still has strong ties with the county. Coventry and Warwickshire are sometimes treated as an area and share a single Chamber of Commerce. Coventry has been a part of Warwickshire for only some of its history, in 1451 Coventry was separated from Warwickshire and made a county corporate in its own right, called the County of the City of Coventry. In 1842 the county of Coventry was abolished and Coventry was remerged with Warwickshire, in recent times, there have been calls to formally re-introduce Coventry into Warwickshire, although nothing has yet come of this
10.
Film preservation
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In the widest sense, preservation nowadays assures that a movie will continue to exist in as close to its original form as possible. For many years the term preservation was synonymous with duplication of film, the goal of a preservationist was to create a durable copy without any significant loss of quality. In more modern terms, film preservation now includes the concepts of handling, duplication, storage, the archivist seeks to protect the film and share the content with the public. By the 1980s, it was becoming apparent that the collections of motion picture heritage were at risk of becoming lost, at that time, the best known solution was to duplicate the original film onto a more secure medium. 90 percent of all American silent films made before 1929 and 50 percent of American sound films made before 1950 are lost films, the great majority of films made in the silent era are now considered lost forever. Most films made on nitrate stock were not preserved, over the years, their negatives, many of them were recycled for their silver content, or destroyed in studio or vault fires. The largest cause, however, was intentional destruction, as film preservationist Robert A. Harris explains, Most of the early films did not survive because of wholesale junking by the studios. There was no thought of saving these films. They simply needed vault space and the materials were expensive to house, silent films had little or no commercial value after the advent of sound films in the 1930s, and as such, they were not kept. As a result, preserving the now rare silent films has been a priority amongst film historians. Because of the fragility of film stock, proper preservation of film usually involves storing the original negatives, the vast majority of films were not stored in this manner, which resulted in the widespread decay of film stocks. The problem of film decay is not limited to films made on cellulose nitrate, Film industry researchers and specialists have found that color films are also decaying at an increasingly rapid rate. A number of well-known films only exist as copies of original productions or exhibition elements because the originals have decomposed beyond use. Cellulose acetate film, which was the replacement for nitrate, has been found to suffer from vinegar syndrome. The film was paired together with a composed by Michael Gordon. The preservation of film usually refers to storage of the film in a climate-controlled vault. Film is best preserved by proper protection from external forces while in storage along with being under controlled temperatures, for most film materials, the Image Permanence Institute finds that storing film media in frozen temperatures, with RH between 30% and 50%, greatly extends its useful life. These measures inhibit deterioration better than any other methods and is a solution than replicating deteriorating films
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Non-profit
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A nonprofit organization is an organization whose purpose is something other than making a profit. A nonprofit organization is dedicated to furthering a particular social cause or advocating for a particular point of view. This is known as the non-distribution constraint, the decision to adopt a nonprofit legal structure is one that will often have taxation implications, particularly where the nonprofit seeks income tax exemption, charitable status and so on. The terms nonprofit and not-for-profit are not consistently differentiated across jurisdictions, in laymans terms they are usually equivalent in concept, although in various jurisdictions there are accounting and legal differences. The nonprofit landscape is varied, although many people have come to associate NPOs with charitable organizations. Although charities do make up an often high-profile or visible aspect of the sector, overall, they tend to be either member-serving or community-serving. e. It could be argued many nonprofits sit across both camps, at least in terms of the impact they make. For example, the support group that provides a lifeline to those with a particular condition or disease could be deemed to be serving its members. Many NPOs use the model of a bottom line in that furthering their cause is more important than making a profit. Although NPOs are permitted to generate revenues, they must be retained by the organization for its self-preservation, expansion. NPOs have controlling members or a board of directors, many have paid staff including management, whereas others employ unpaid volunteers and executives who work with or without compensation. In some countries, where there is a fee, in general. The extent to which an NPO can generate surplus revenues may be constrained or use of surplus revenues may be restricted. Some NPOs may also be a charity or service organization, they may be organized as a corporation or as a trust. Their goal is not to be successful in terms of wealth, NPOs have a wide diversity of structures and purposes. Some of the above must be expressed in the charter of establishment or constitution. Others may be provided by the authority at each particular jurisdiction. While affiliations will not affect a legal status, they may be taken into consideration by legal proceedings as an indication of purpose, most countries have laws that regulate the establishment and management of NPOs and that require compliance with corporate governance regimes
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Film stock
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Film stock is an analog medium that is used for recording motion pictures or animation. It is a strip or sheet of transparent plastic film base coated on one side with an emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, the emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a short exposure to the image formed by a camera lens is used to produce only a very slight chemical change. This creates an invisible latent image in the emulsion, which can be developed into a visible photograph. In addition to light, all films are sensitive to X-rays. Most are at least slightly sensitive to ultraviolet light. Some special-purpose films are sensitive into the region of the spectrum. In black-and-white photographic film there is one layer of silver salts. When the exposed grains are developed, the salts are converted to metallic silver. Color film has at least three sensitive layers, dyes, which adsorb to the surface of the silver salts, make the crystals sensitive to different colors. Typically the blue-sensitive layer is on top, followed by the green, during development, the exposed silver salts are converted to metallic silver, just as with black-and-white film. Because the by-products are created in direct proportion to the amount of exposure and development, following development, the silver is converted back to silver salts in the bleach step. It is removed from the film in the fix step, fixing leaves behind only the formed color dyes, which combine to make up the colored visible image. Later color films, like Kodacolor II, have as many as 12 emulsion layers, early motion picture experiments in the 1880s were performed using a fragile paper roll film, with which it was difficult to view a single, continuously moving image without a complex apparatus. The first transparent and flexible film base material was celluloid, which was discovered and refined for use by John Carbutt, Hannibal Goodwin. Eastman Kodak made celluloid film commercially available in 1889, Thomas Henry Blair, the stock had a frosted base to facilitate easier viewing by transmitted light. By November 1891 William Dickson, at Edisons laboratory, was using Blairs stock for Kinetoscope experiments, Blairs company supplied film to Edison for five years
13.
Mitchell and Kenyon
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The Mitchell & Kenyon film company was a pioneer of early commercial motion pictures based in Blackburn in Lancashire, England at the start of the 20th century. This collection provides a view of Edwardian era Britain and is an important resource for historians. People were excited at the opportunity of seeing themselves on film, Sagar Mitchell and James Kenyon founded the firm of Mitchell & Kenyon in 1897. The first reported showing of a Mitchell & Kenyon film was a film of Blackburn Market, shown at 40 Northgate, in Blackburn, the company produced films either on their own initiative or as commissioned by local businesses. Three Norden fiction films released in September 1899 – The Tramps Surprise, The Tramps and the Artist, and Kidnapping by Indians – brought them to national attention. The success of their early films encouraged Mitchell to give up his shop and in September 1901 Mitchell & Kenyon moved into premises in Clayton Street, Blackburn, the Cinema Museum in London currently preserves 65 Norden fiction films. The showmen became self-publicising travelling cinematograph operators, films taken during the day were shown on the same evening in fairground tents or local meeting halls and music halls with slogans like see yourselves as others see you. Dramas took a while to catch on and the non-fiction actuality films were more popular, as well as workers streaming out of factory gates, Mitchell & Kenyon filmed street scenes, parades, marches, walking out on Sunday and the fairgrounds. Charmingly, as the pass by there are usually a few who come up and stare or wave at the camera. Bicycles abound, and they showed the novel rarity, a motor car. Workers now had one weeks holiday each year, albeit unpaid, leisure activities shown include boating on rivers, promenading in pleasure gardens and rolling Easter eggs. The parades and processions include carnivals with participants blacking up and doing golliwog dance routines, others show religious processions, [carnival processions) charity parades and marches, and Temperance parades featuring their childrens section, The Band of Hope. Troops were shown marching off to join the war or coming back from the front, crowds were shown greeting war heroes, in particular Private Charles Ward of Leeds, the last man to receive the Victoria Cross from Queen Victoria herself, being interviewed by Ralph Pringle. Fictionalised scenes from the South African war and the Boxer Rebellion were filmed in the countryside around Blackburn and these are described as fakes, but the audiences may well have accepted them as dramatic re-enactments. Screenings were enlivened by smoke bombs and guns being fired, the film was shown at the Prince of Wales Theatre in Liverpool only three days after Goudies arrest. Goudie was subsequently jailed for ten years, a full detailed history of this film by Vanessa Toulmin can be found An Early Film Crime Rediscovered, Mitchell & Kenyon’s Arrest of Goudie, in Film History vol 16, no 1, 37–53. The recent introduction of Saturday afternoons off work had made sporting events into popular mass entertainment, Mitchell & Kenyon filmed these events, taking care to get as many spectators in as possible as well as showing some of the action. A match between Sheffield United and Bury in September 1902 featured William Fatty Foulke, one of the most famous players of his day who played for Bradford City
14.
Alfred Hitchcock
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Sir Alfred Joseph Hitchcock KBE was an English film director and producer, at times referred to as The Master of Suspense. He pioneered many elements of the suspense and psychological thriller genres and he had a successful career in British cinema with both silent films and early talkies and became renowned as Englands best director. Hitchcock moved to Hollywood in 1939, and became a US citizen in 1955 and he also fashioned for himself a recognisable directorial style. Hitchcocks stylistic trademarks include the use of movement that mimics a persons gaze. In addition, he framed shots to maximise anxiety, fear, or empathy and his work often features fugitives on the run alongside icy blonde female characters. Prior to 1980, there had long been talk of Hitchcock being knighted for his contribution to film, Hitchcock later received his knighthood from Queen Elizabeth II in the 1980 New Year Honours. Hitchcock directed more than fifty films in a career spanning six decades and is often regarded as one of the most influential directors in cinematic history. His flair was for narrative, cruelly withholding crucial information and engaging the emotions of the audience like no one else, Hitchcocks first thriller, The Lodger, A Story of the London Fog, helped shape the thriller genre in film. His 1929 film, Blackmail, is cited as the first British sound feature film, while Rear Window, Vertigo, North by Northwest. Alfred Joseph Hitchcock was born on 13 August 1899 in Leytonstone and he was the second son and the youngest of three children of William Hitchcock, a greengrocer and poulterer, and Emma Jane Hitchcock. He was named after his fathers brother, Hitchcock was raised as a Roman Catholic, and sent to Salesian College, Battersea, and the Jesuit grammar school St Ignatius College in Stamford Hill, London. His parents were both of half-English and half-Irish ancestry and he often described a lonely and sheltered childhood that was worsened by his obesity. Around age five, Hitchcock recalled that to him for behaving badly. This incident implanted a lifelong fear of policemen in Hitchcock, and such harsh treatment, sources vary on Hitchcocks performance in school. Gene Adair reports that by most accounts, Alfred was only an average, or slightly above-average, however, McGilligan writes that Hitchcock certainly excelled academically. When Hitchcock was 15, his father died, in that same year, he left St. Ignatius to study at the London County Council School of Engineering and Navigation in Poplar, London. After leaving, he became a draftsman and advertising designer with a company called Henleys. Hitchcock joined a regiment of the Royal Engineers in 1917
15.
Anthony Asquith
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Anthony Asquith was a leading English film director. He collaborated successfully with playwright Terence Rattigan on The Winslow Boy and The Browning Version and his other notable films include Pygmalion, French Without Tears, The Way to the Stars and a 1952 adaptation of Oscar Wildes The Importance of Being Earnest. Born in London, he was the son of H. H. Asquith and he was educated at Winchester College and Balliol College, Oxford. The film industry was viewed as disreputable when Asquith was young, and according to the actor Jonathan Cecil, Pygmalion was based on the George Bernard Shaw play featuring Leslie Howard and Wendy Hiller. He was a friend and colleague of Terence Rattigan and producer Anatole de Grunwald. His later films included Rattigans The Winslow Boy and The Browning Version, Asquith was an alcoholic and, according to Jonathan Cecil, a repressed homosexual. Anthony Asquith at the Internet Movie Database
16.
Central Office of Information
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The Central Office of Information was the UK governments marketing and communications agency. Its Chief Executive reported to the Minister for the Cabinet Office and it was established in 1946 as the successor to the wartime Ministry of Information. COI celebrated its 60th anniversary in 2006 with several events including a season at the National Film Theatre. From 2010, governmental spending on marketing fell considerably and this was because of the Coalition Governments policy to support only essential campaigns. As a result, the Government announced that COI would be closed, the Central Office of Information closed on 30 December 2011. United Kingdom Government, Central Office of Information, archived from the original on 2010-06-12
17.
Charlie Chaplin
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Sir Charles Spencer Charlie Chaplin, KBE was an English comic actor, filmmaker, and composer who rose to fame during the era of silent film. Chaplin became an icon through his screen persona the Tramp and is considered one of the most important figures in the history of the film industry. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, Chaplins childhood in London was one of poverty and hardship. As his father was absent and his mother struggled financially, he was sent to a workhouse twice before the age of nine, when he was 14, his mother was committed to a mental asylum. Chaplin began performing at an age, touring music halls and later working as a stage actor. At 19, he was signed to the prestigious Fred Karno company, Chaplin was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon developed the Tramp persona and formed a fan base. Chaplin directed his own films from a stage and continued to hone his craft as he moved to the Essanay, Mutual. By 1918, he was one of the figures in the world. In 1919, Chaplin co-founded the distribution company United Artists, which gave him control over his films. His first feature-length was The Kid, followed by A Woman of Paris, The Gold Rush and he refused to move to sound films in the 1930s, instead producing City Lights and Modern Times without dialogue. Chaplin became increasingly political, and his film, The Great Dictator. The 1940s were a decade marked with controversy for Chaplin, and he was accused of communist sympathies, while his involvement in a paternity suit and marriages to much younger women caused scandal. An FBI investigation was opened, and Chaplin was forced to leave the United States and he abandoned the Tramp in his later films, which include Monsieur Verdoux, Limelight, A King in New York, and A Countess from Hong Kong. Chaplin wrote, directed, produced, edited, starred in and he was a perfectionist, and his financial independence enabled him to spend years on the development and production of a picture. His films are characterised by slapstick combined with pathos, typified in the Tramps struggles against adversity, many contain social and political themes, as well as autobiographical elements. In 1972, as part of an appreciation for his work. He continues to be held in regard, with The Gold Rush, City Lights, Modern Times
18.
Cecil Hepworth
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Cecil Milton Hepworth was a British film director, producer and screenwriter. He was among the founders of the British film industry and continued making films into the 1920s at his Walton Studios, in 1923 his company went into receivership. Hepworth was born in Lambeth, in present-day South London and his father, Thomas Cradock Hepworth, was a famous magic lantern showman and author. Cecil Hepworth became involved in the stages of British filmmaking, working for both Birt Acres and Charles Urban, and wrote the first British book on the subject in 1897. With his cousin Monty Wicks he set up the production company Hepworth and Co. which was renamed the Hepworth Manufacturing Company. In 1899 they built a film studio in Walton-on-Thames, Hepworth Studios. The company produced three films a week, sometimes with Hepworth directing. Rescued by Rover, co-directed with Lewin Fitzhamon and starring a collie in the role, was a huge financial success. The film is now regarded as an important development in film grammar, Hepworth was also one of the first to recognize the potential of film stars, both animal and human, with several recurring characters appearing in his films. By 1910, Hepworth was also the inventor of Vivaphone, a sound on disk system for adding sound to motion pictures. The device used phonograph records to record and play back the sound, Hepworths vivaphone was distributed in Britain and also in the United States and Canada. The company continued making films into the 1920s, despite Hepworths now unchanging. Boosted by the success of Alfs Button, the company went public to fund a large studio development. He failed to raise the capital and, also suffering the box office failure of Comin Thro the Rye. All of the film negatives in Hepworths possession were melted down by the receiver in order to sell the silver. Print of his 1920 film Helen of Four Gates was located in an archive in Montreal, Quebec. Raising the Flag, Constructing a National Cinema in Britain, Andrew Higson, oxford, Clarendon Press,1995, ISBN 0-19-812369-8. Chapter on Comin Thro The Rye, pp. 26–97, Cecil Milton Hepworth at Victorian-cinema. net Cecil Hepworth at the Internet Movie Database
19.
Alice in Wonderland (1903 film)
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Alice in Wonderland is a 1903 British silent film directed by Cecil Hepworth and Percy Stow. Only one copy of the film is known to exist. The British Film Institute partially restored the movie and its original film tinting, according to BFI, the original film ran about 12 minutes, the restoration runs 9 minutes and 35 seconds. At the beginning of the restoration, it states that this is the first movie adaptation of Lewis Carrolls childrens book Alices Adventures in Wonderland and it is now available from several sources, and is included as a bonus feature on a 1996 BBC DVD. It is also included on Vintage Cinema - experiments in early film 1900s DVD, Alice follows a large white rabbit down a Rabbit-hole. When she finds a bottle labeled Drink me, she does, and shrinks and she then eats something labeled Eat me and grows larger. She finds a fan when enables her to shrink enough to get into the Garden and she enters the White Rabbits tiny House, but suddenly resumes her normal size. In order to get out, she has to use the magic fan and she enters a kitchen, in which there is a cook and a woman holding a baby. She persuades the woman to give her the child and takes the infant outside after the cook starts throwing things around, the baby then turns into a pig and squirms out of her grip. The Duchesss Cheshire Cat appears and disappears a couple of times to Alice, the Queen invites Alice to join the ROYAL PROCESSION, a parade of marching playing cards and others headed by the White Rabbit. When Alice unintentionally offends the Queen, the latter summons the Executioner, Alice boxes the ears, then flees when all the playing cards come for her. Then she wakes up and realizes it was all a dream, Film History, an introduction, Kristin Thompson and David Bordwell The British Film Catalogue 1895-1970, A Guide to Entertainment Films, Dennis Gifford. Newton Abbot, England, David & Charles Ed, Alice in Wonderland 1903 Music by Rodrigo Favela http, //vimeo. com/7034619 Alice in Wonderland at the Internet Movie Database Alice in Wonderland at silentera. com, the full movie can be viewed here. The film can also be viewed at the BFI Screenonline site, but only by subscribers, it states the duration is 9 minutes and 35 seconds
20.
Michael Powell
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Michael Latham Powell was an English film director, celebrated for his partnership with Emeric Pressburger. His later controversial 1960 film Peeping Tom, while considered a classic, was so vilified on first release that his career was seriously damaged. Many film-makers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence, in 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the British Film Academy can give a filmmaker. Powell was the son and youngest child of Thomas William Powell, a hop farmer. Powell was born in Bekesbourne, Kent, and educated at The Kings School, Canterbury and he started work at the National Provincial Bank in 1922 but quickly realised he was not cut out to be a banker. Powell entered the industry in 1925 through working with director Rex Ingram at the Victorine Studios in Nice, France. He first started out as a studio hand, the proverbial gofer, sweeping the floor, making coffee. Soon he progressed to work such as stills photography, writing titles and many other jobs including a few acting roles. Powell made his film début as a comic English tourist in The Magician, returning to England in 1928, Powell worked at a diverse series of jobs for various filmmakers including as a stills photographer on Alfred Hitchcocks silent film Champagne. He also signed on in a role on Hitchcocks first talkie. In his autobiography, Powell claims he suggested the ending in the British Museum which was the first of Hitchcocks monumental climaxes to his films, Powell and Hitchcock remained friends for the remainder of Hitchcocks life. After scriptwriting on two productions, Powell entered into a partnership with American producer Jerry Jackson in 1931 to make quota quickies, Powell then began to direct hour-long films needed to satisfy a legal requirement that British cinemas screen a certain quota of British films. During this period, he developed his skills, sometimes making up to seven films a year. Although he had taken on some directing responsibilities in other films and this thriller was considered a modest success at the box office despite its limited budget. From 1931 to 1936, Powell was the director of 23 films, including the critically received Red Ensign, in 1937 Powell completed his first truly personal project, The Edge of the World. Powell gathered together a cast and crew who were willing to part in an expedition to what was then a very isolated part of the UK. They had to stay there for quite a few months and finished up with a film not only told the story he wanted. By 1939, Powell had been hired as a director by Alexander Korda on the strength of The Edge of the World
21.
Emeric Pressburger
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Emeric Pressburger was a Hungarian British screenwriter, film director, and producer. Imre József Pressburger was born in Miskolc, in the Kingdom of Hungary and he was the only son of Kálmán Pressburger, estate manager, and his second wife, Kätherina. He attended a boarding-school in Temesvár, where he was a pupil, excelling at mathematics, literature. He then studied mathematics and engineering at the Universities of Prague, Pressburger began a career as a journalist. After working in Hungary and Germany he turned to screenwriting in the late 1920s, the rise of the Nazis forced him to flee to Paris, where he again worked as screenwriter, and then to London. He later said, worst things that happened to me were the consequences of events beyond my control. The best things were exactly the same, Pressburger entered Britain in 1935 on a stateless passport, once he decided to settle, he changed his name to Emeric in 1938. In England he found a community of Hungarian film-makers who had fled the Nazis, including the influential Alexander Korda, owner of London Films. There he met film director Michael Powell, and they worked together on The Spy in Black and their partnership would produce some of the finest British films of the period. On 24 June 1938, Pressburger married Ági Donáth, the daughter of Andor Donáth, a general merchant and his daughter Angelas two sons both became successful film-makers, Andrew Macdonald as a producer on films such as Trainspotting, and Kevin Macdonald as an Oscar-winning director. Kevin has written a biography of his grandfather, and a documentary about his life, Pressburger became a British citizen in 1946. He was made a Fellow of BAFTA in 1981, and a Fellow of the BFI in 1983, Pressburger was a diffident and private person who, at times, particularly later on in his life, could be hypersensitive and prone to bouts of melancholia. He loved French cuisine, enjoyed music, and possessed a sense of humour. In appearance he was short, wore glasses, and had a sagacious and he was a keen supporter of Arsenal F. C. a passion he developed soon after arriving in Britain. From 1970 he lived in Aspall, Suffolk and he died in a home in nearby Saxtead on 5 February 1988, due to the complications of old age. He is interred in the cemetery of Our Lady of Grace Church and his is the only grave in that Church of England graveyard with a Star of David. 1943, Oscar winner for 49th Parallel as Best Writing, Original Story 1943, Oscar nominated for 49th Parallel as Best Writing, shared with Rodney Ackland 1943, Oscar nominated for One of Our Aircraft Is Missing for Best Writing, Original Screenplay. Shared with Michael Powell 1948, Won Danish Bodil Award for A Matter of Life, shared with Michael Powell 1948, Nominated for The Red Shoes for Venice Film Festival Golden Lion
22.
David Lean
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Sir David Lean, CBE was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai, Lawrence of Arabia and Doctor Zhivago. He also directed adaptations of Dickens novels Great Expectations and Oliver Twist, Lean was born in Croydon, Surrey, to Francis William le Blount Lean and the former Helena Tangye. His parents were Quakers and he was a pupil at the Quaker-founded Leighton Park School in Reading and his younger brother, Edward Tangye Lean, founded the original Inklings literary club when a student at Oxford University. Lean was a schoolboy with a dreamy nature who was labeled a dud of a student, he left in his mid-teens. A more formative event for his career than his formal education was an uncles gift and you usually didnt give a boy a camera until he was 16 or 17 in those days. It was a compliment and I succeeded at it. Lean printed and developed his films, and it was his great hobby, at age 16, his father deserted the family when he ran off with another woman, and Lean would later follow a similar path after his own first marriage and child. He was taken on as a teaboy, promoted to clapperboy, by 1930 he was working as an editor on newsreels, including those of Gaumont Pictures and Movietone, while his move to feature films began with Freedom of the Seas and Escape Me Never. He edited Gabriel Pascals film productions of two George Bernard Shaw plays, Pygmalion and Major Barbara and he edited Powell & Pressburgers 49th Parallel and One of Our Aircraft Is Missing. After this last film, Lean began his career, after editing more than two dozen features by 1942. As Tony Sloman wrote in 1999, As the varied likes of David Lean, Robert Wise, Terence Fisher and Dorothy Arzner have proved, David Lean was given honorary membership of the Guild of British Film Editors in 1968. His first work as a director was in collaboration with Noël Coward on In Which We Serve and it has since become a classic, one of the most highly regarded British films. Two celebrated Charles Dickens adaptations followed – Great Expectations and Oliver Twist and these two films were the first directed by Lean to star Alec Guinness, whom Lean considered his good luck charm. The actors portrayal of Fagin was controversial at the time, the first screening in Berlin during February 1949 offended the surviving Jewish community and led to a riot. It caused problems too in New York, and after private screenings, was condemned by the Anti-Defamation League, to our surprise it was accused of being anti-Semitic, Lean wrote. We made Fagin an outsize and, we hoped, an amusing Jewish villain, the terms of the production code meant that the films release in the United States was delayed until July 1951 after cuts amounting to eight minutes. The Passionate Friends was the first of three films to feature the actress Ann Todd, who became his third wife, madeleine, set in Victorian-era Glasgow is about an 1857 cause célèbre with Todds lead character accused of murdering a former lover. The last of the films with Todd, The Sound Barrier, has a screenplay by the playwright Terence Rattigan and was the first of his three films for Sir Alexander Kordas London Films
23.
Ken Loach
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Kenneth Charles Ken Loach is an English director of television and independent film. He is known for his socially critical directing style and for his socialist ideals, Loachs film Kes was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley and I, Daniel Blake received the Palme dOr at the Cannes Film Festival, Loach was born in Nuneaton, Warwickshire, the son of Vivien and John Loach. He attended King Edward VI Grammar School and went on to law at St Peters College. Loachs ten contributions to the BBCs Wednesday Play anthology series include the docudramas Up the Junction, Cathy Come Home and they portray working-class people in conflict with the authorities above them. Three of his plays are believed to be lost films. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom, in Two Minds, written by David Mercer, concerns a young schizophrenic womans experiences of the mental health system. Tony Garnett began to work as his producer in this period, during this period, he also directed the absurdist comedy The End of Arthurs Marriage, about which he later said that he was the wrong man for the job. Coinciding with his work for The Wednesday Play, Loach began to feature films for the cinema, with Poor Cow. The latter recounts the story of a boy and his kestrel. The British Film Institute named it No 7 in its list of best British films of the twentieth century, during the 1970s and 1980s, Loachs films were less successful, often suffering from poor distribution, lack of interest and political censorship. His documentary The Save the Children Fund Film was commissioned by the charity and it was only screened publicly for the first time on 1 September 2011, at the BFI Southbank. At the end of the 1980s, he directed some television advertisements for Tennents Lager to earn money, frank Chapple, leader of the Electrical, Electronic, Telecommunications and Plumbing Union, walked out of the interview and made a complaint to the Independent Broadcasting Authority. A separate complaint was made by Terry Duffy of the Amalgamated Engineering, the series was due to be broadcast during the Trade Union Congress conference in 1983, but Channel 4 decided against broadcasting the series following the complaints. The film was transmitted on Channel 4, but only after it won a prize at an Italian film festival. Three weeks after the end of the strike, the film End of the Battle, was broadcast by Channel 4 in its Diverse Strands series. This film argued that the Conservative Party had planned the destruction of the National Union of Mineworkers political power from the late 1970s. The play was due to run at the Royal Court Theatre in 1987 and he directed the Courtroom Drama reconstructions in the docu-film McLibel, concerning the longest libel trial in English history
24.
Derek Jarman
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Michael Derek Elworthy Jarman was an English film director, stage designer, diarist, artist, gardener and author. Jarman was born in Northwood, Middlesex, England, the son of Elizabeth Evelyn and Lancelot Elworthy Jarman. His father was an officer, born in New Zealand. He boarded at Canford School in Dorset, and from 1960 studied at Kings College London and this was followed by four years at the Slade School of Fine Art, University College London, starting in 1963. He had a studio at Butlers Wharf, London, in the 1970s, Jarman was outspoken about homosexuality, his public fight for gay rights, and his personal struggle with AIDS. On 22 December 1986, Jarman was diagnosed as HIV positive and his illness prompted him to move to Prospect Cottage, Dungeness in Kent, near the nuclear power station. In 1994, he died of an AIDS-related illness in London, Jarman was buried in the graveyard at St. Clements Church, Old Romney, Kent. The Garden was entered into the 17th Moscow International Film Festival, the Angelic Conversation featured Toby Mott and other members of the Radical artist collective the Grey Organisation. Jarman first became known as a designer, getting his break in the film industry as production designer for Ken Russells The Devils. He later made his debut in overground narrative filmmaking with Sebastiane and this was an early British film featuring positive images of gay sexuality, and its dialogue was entirely in Latin. He followed this with Jubilee, in which Queen Elizabeth I of England is seen to be transported forward in time to a desolate and this was followed in 1979 by an unconventional adaptation of Shakespeares The Tempest. Praised by several Shakespeare scholars, but dismissed by some traditionalist critics, the contains a considerable amount of nudity, some unconventional casting. During the 1980s Jarman was a campaigner against Clause 28. He also worked to raise awareness of AIDS and his artistic practice in the early 1980s reflected these commitments, especially in The Angelic Conversation, a film in which the imagery is accompanied by a voice reciting Shakespeares sonnets. Jarman spent seven years making experimental super 8 mm films and attempting to raise money for Caravaggio, released in 1986, Caravaggio attracted a comparatively wide audience. This is partly due to the involvement, for the first time, of the British television company Channel 4 in funding, Caravaggio also saw Jarman work with actress Tilda Swinton for the first time. Overt depictions of love, narrative ambiguity, and the live representations of Caravaggios most famous paintings are all prominent features in the film. The conclusion of Caravaggio also marked the beginning of an abandonment of traditional narrative in Jarmans films
25.
National Film Registry
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The National Film Registry is the United States National Film Preservation Boards selection of films for preservation in the Library of Congress. The NFPB, established by the National Film Preservation Act of 1988, was reauthorized by acts of Congress in 1992,1996,2005, and again in October 2008. The NFPBs mission, to which the NFR contributes, is to ensure the survival, conservation, the 1996 law also created the non-profit National Film Preservation Foundation which, although affiliated with the NFPB, raises money from the private sector. To be eligible for inclusion, a film must be at least ten years old, for the first selection in 1989, the public nominated almost 1,000 films for consideration. Members of the NFPB then developed individual ballots of possible films for inclusion, the ballots were tabulated into a list of 25 films which was then modified by Librarian of Congress James H. Billington and his staff at the Library for the final selection. Since 1997, members of the public have been able to nominate up to 50 films a year for the NFPB, the NFR includes films ranging from Hollywood classics to orphan films. A film is not required to be feature-length, nor is it required to have been released in the traditional sense. As of the 2016 listing, there are 700 films preserved in the Registry, currently, the earliest listed film is Newark Athlete, and the most recent is 13 Lakes. Counting the 11 multi-year serials in the NFR once each by year of completion, the years with the most films selected are 1928,1939, the time between a films debut and its selection varies greatly. The longest span is 119 years, Newark Athlete was originally released in 1891, the shortest span is the minimum 10 years, this distinction is shared by Raging Bull, Do the Right Thing, Goodfellas, Toy Story, Fargo and 13 Lakes. For purposes of this list, multi-year serials are counted once by year of completion
26.
National Film Preservation Board
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The United States National Film Preservation Board is the board selecting films for preservation in the Library of Congress National Film Registry. It was established by the National Film Preservation Act of 1988, the National Film Registry is meant to preserve up to 25 culturally, historically or aesthetically significant films each year, to be eligible, films must be at least 10 years old. Members of the Board also advise the Librarian of Congress on ongoing development, the NFPB is a federal agency located within the Library of Congress. The NFPB was established by the National Film Preservation Act of 1988, Congress in 1996, at the recommendation of the Library of Congress, following four years of hearings and research conducted by the National Film Preservation Board. Funding received through the NFPF’s authorization is secured through the Library of Congress, National Film Registry National Film Preservation Foundation National Recording Preservation Board About the National Film Preservation Board Publications Moving Image Resources
27.
Library of Congress
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The Library of Congress is the research library that officially serves the United States Congress and is the de facto national library of the United States. It is the oldest federal cultural institution in the United States, the Library is housed in three buildings on Capitol Hill in Washington, D. C. it also maintains the Packard Campus in Culpeper, Virginia, which houses the National Audio-Visual Conservation Center. The Library of Congress claims to be the largest library in the world and its collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 450 languages. Two-thirds of the books it acquires each year are in other than English. The Library of Congress moved to Washington in 1800, after sitting for years in the temporary national capitals of New York. John J. Beckley, who became the first Librarian of Congress, was two dollars per day and was required to also serve as the Clerk of the House of Representatives. The small Congressional Library was housed in the United States Capitol for most of the 19th century until the early 1890s, most of the original collection had been destroyed by the British in 1814, during the War of 1812. To restore its collection in 1815, the bought from former president Thomas Jefferson his entire personal collection of 6,487 books. After a period of growth, another fire struck the Library in its Capitol chambers in 1851, again destroying a large amount of the collection. The Library received the right of transference of all copyrighted works to have two copies deposited of books, maps, illustrations and diagrams printed in the United States. It also began to build its collections of British and other European works and it included several stories built underground of steel and cast iron stacks. Although the Library is open to the public, only high-ranking government officials may check out books, the Library promotes literacy and American literature through projects such as the American Folklife Center, American Memory, Center for the Book, and Poet Laureate. James Madison is credited with the idea for creating a congressional library, part of the legislation appropriated $5,000 for the purchase of such books as may be necessary for the use of Congress. And for fitting up an apartment for containing them. Books were ordered from London and the collection, consisting of 740 books and 3 maps, was housed in the new Capitol, as president, Thomas Jefferson played an important role in establishing the structure of the Library of Congress. The new law also extended to the president and vice president the ability to borrow books and these volumes had been left in the Senate wing of the Capitol. One of the only congressional volumes to have survived was a government account book of receipts and it was taken as a souvenir by a British Commander whose family later returned it to the United States government in 1940. Within a month, former president Jefferson offered to sell his library as a replacement
28.
Cinema of the United Kingdom
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The United Kingdom has had a significant film industry for over a century. Many British actors have achieved fame and critical success, including Maggie Smith, Michael Caine, Sean Connery. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the second, the identity of the British industry, and its relationship with the Cinema of the United States, has been the subject of debate. The history of production in Britain has often been affected by attempts to compete with the American industry. The career of the producer Alexander Korda was marked by this objective, the Rank Organisation attempted to do so in the 1940s, in 2009 British films grossed around $2 billion worldwide and achieved a market share of around 7% globally and 17% in the United Kingdom. UK box-office takings totalled £1.1 billion in 2012, with 172.5 million admissions, the British Film Institute has produced a poll ranking what they consider to be the 100 greatest British films of all time, the BFI Top 100 British films. The annual BAFTA awards hosted by the British Academy of Film, the first people to build and run a working 35 mm camera in Britain were Robert W. Paul and Birt Acres. They made the first British film Incident at Clovelly Cottage in February 1895, soon several British film companies had opened to meet the demand for new films, such as Mitchell and Kenyon in Blackburn. Although the earliest British films were of everyday events, the early 20th century saw the appearance of shorts, mainly comedies. The early films were often melodramatic in tone, and there was a preference for story lines already known to the audience, in particular, adaptations of Shakespeare plays. The Lumière brothers first brought their show to London in 1896, in 1898 American producer Charles Urban expanded the London-based Warwick Trading Company to produce British films, mostly documentary and news. Also in 1898 Hepworth Studios was founded in Lambeth, South London by Cecil Hepworth, the Bamforths began producing films in Yorkshire, in 1902 Ealing Studios was founded by Will Barker, becoming the oldest continuously-operating film studio in the world. In 1902 the earliest color film in the world was made, like other films made at the time, in 2012 it was found by the National Media Museum in Bradford after lying forgotten in an old tin for 110 years. The previous title for earliest color film, using the Kinemacolour process, was thought to date from 1909 and was actually an inferior method, the re-discovered films were made by pioneer Edward Raymond Turner from London who patented his process on 22 March 1899. In 1903 Frank Mottershaw of Sheffield produced the film A Daring Daylight Robbery, in 1911 the Ideal Film Company was founded in Soho, London, distributing almost 400 films by 1934, and producing 80. In 1913 stage director Maurice Elvey began directing British films, becoming Britains most prolific film director, in 1914 Elstree Studios was founded, and acquired in 1928 by German-born Ludwig Blattner, who invented a magnetic steel tape recording system that was adopted by the BBC in 1930. In 1920 Gaumont opened Islington Studios, where Alfred Hitchcock got his start, also in 1920 Cricklewood Studios was founded by Sir Oswald Stoll, becoming Britains largest film studio, known for Fu Manchu and Sherlock Holmes film series. In 1920 the short-lived company Minerva Films was founded in London by the actor Leslie Howard and his friend, some of their early films include four written by A. A. Milne including The Bump, starring C
29.
Culture of the United Kingdom
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The wider culture of Europe has also influenced British culture, and Humanism, Protestantism and representative democracy developed from broader Western culture. British literature, music, cinema, art, theatre, comedy, media, television, philosophy, architecture, the United Kingdom is also prominent in science and technology, producing world-leading scientists and inventions. Sport is an important part of British culture, numerous sports originated in the country, the UK has been described as a cultural superpower, and London has been described as a world cultural capital. The Industrial Revolution, which started in the UK, had an effect on the socio-economic. These states are collectively known as the Anglosphere, and are among Britains closest allies. In turn the empire also influenced British culture, particularly British cuisine, the cultures of England, Scotland, Wales and Northern Ireland are diverse and have varying degrees of overlap and distinctiveness. First spoken in early medieval England, the English language is the de facto language of the UK. Individual countries within the UK have frameworks for the promotion of their indigenous languages, Irish and Ulster Scots enjoy limited use alongside English in Northern Ireland, mainly in publicly commissioned translations. There is also a campaign under way to recognise Scots as a language in Scotland, the Cornish language enjoys neither official recognition nor promotion by the state in Cornwall. Under the European Charter for Regional or Minority Languages, the UK Government has committed to the promotion of linguistic traditions. The United Kingdom has ratified the charter for, Welsh, Scottish Gaelic and Scots, Cornish, British Sign Language is also a recognised language. Owing to its history, dialects and regional accents vary amongst the four countries of the United Kingdom. Some cities in close proximity have a different dialect and accent, such as Scousers from Liverpool, notable Scouse speakers include John Lennon and Paul McCartney from The Beatles while Mancunians include Liam and Noel Gallagher from Oasis. Received Pronunciation is the accent of standard English in the UK, brummie is the dialect of natives of Birmingham in the west midlands of England – notable Brummies include rock musicians Ozzy Osbourne, Jeff Lynne, and Rob Halford. Geordie is the dialect of people from Tyneside in northeast England – musicians Brian Johnson, Mark Knopfler, notable exponents of the Scottish accent include Sean Connery, comedian Billy Connolly, and The Proclaimers. The West Country accent from southwest England is identified in film as pirate speech – cartoon-like Ooh arr, talk is very similar, while famous pirates hailed from this region, including Blackbeard, West Country native Robert Newtons performance as Long John Silver in films standardised the pirate voice. The Northern Irish accent includes golfer Rory McIlroy and actor Liam Neeson, the early 18th century is known as the Augustan Age of English literature. From the late 18th century, the Romantic period showed a flowering of poetry comparable with the Renaissance 200 years earlier, in Scotland the poetry of Robert Burns revived interest in Scots literature, and the Weaver Poets of Ulster were influenced by literature from Scotland
