1.
Turkish language
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Outside of Turkey, significant smaller groups of speakers exist in Germany, Bulgaria, Macedonia, Northern Cyprus, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested that the European Union add Turkish as an official EU language, in 1928, as one of Atatürks Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of Turkish are vowel harmony and extensive agglutination, the basic word order of Turkish is subject–object–verb. Turkish has no classes or grammatical gender. Turkish has a strong T–V distinction and usage of honorifics, Turkish uses second-person pronouns that distinguish varying levels of politeness, social distance, age, courtesy or familiarity toward the addressee. The plural second-person pronoun and verb forms are used referring to a person out of respect. Turkic languages belong to the Altaic language group, the Turkic family comprises some 30 living languages spoken across Eastern Europe, Central Asia, and Siberia. Turkish is a member of the Oghuz group of languages, a subgroup of the Turkic language family, there is a high degree of mutual intelligibility between Turkish and the other Oghuz Turkic languages, including Azerbaijani, Turkmen, Qashqai, Gagauz, and Balkan Gagauz Turkish. The earliest known Old Turkic inscriptions are the three monumental Orkhon inscriptions found in modern Mongolia, erected in honour of the prince Kul Tigin and his brother Emperor Bilge Khagan, these date back to the second Turk Kaghanate. The Seljuqs of the Oghuz Turks, in particular, brought their language, following the adoption of Islam c. Turkish literature during the Ottoman period, particularly Divan poetry, was influenced by Persian, including the adoption of poetic meters. One of the tasks of the newly established association was to initiate a reform to replace loanwords of Arabic. By banning the usage of imported words in the press, the association succeeded in removing several hundred words from the language. While most of the words introduced to the language by the TDK were newly derived from Turkic roots, owing to this sudden change in the language, older and younger people in Turkey started to differ in their vocabularies. While the generations born before the 1940s tend to use the terms of Arabic or Persian origin. The past few decades have seen the work of the TDK to coin new Turkish words to express new concepts and technologies as they enter the language. Many of these new words, particularly information technology terms, have received widespread acceptance, however, the TDK is occasionally criticized for coining words which sound contrived and artificial. Some earlier changes—such as bölem to replace fırka, political party—also failed to meet with popular approval, some words restored from Old Turkic have taken on specialized meanings, for example betik is now used to mean script in computer science
2.
String instrument
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String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when the performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord or piano, with bowed instruments, the player rubs the strings with a horsehair bow, causing them to vibrate. With a hurdy-gurdy, the musician operates a wheel that rubs the strings. Bowed instruments include the string instruments of the Classical music orchestra. All of the string instruments can also be plucked with the fingers. Some types of string instrument are mainly plucked, such as the harp, in the Hornbostel-Sachs scheme of musical instrument classification, used in organology, string instruments are called chordophones. Other examples include the sitar, rebab, banjo, mandolin, ukulele, in most string instruments, the vibrations are transmitted to the body of the instrument, which often incorporates some sort of hollow or enclosed area. The body of the instrument also vibrates, along with the air inside it, the vibration of the body of the instrument and the enclosed hollow or chamber make the vibration of the string more audible to the performer and audience. The body of most string instruments is hollow, some, however—such as electric guitar and other instruments that rely on electronic amplification—may have a solid wood body. Archaeological digs have identified some of the earliest stringed instruments in Ancient Mesopotamian sites, like the lyres of Ur, the development of lyre instruments required the technology to create a tuning mechanism to tighten and loosen the string tension. During the medieval era, instrument development varied from country to country, Middle Eastern rebecs represented breakthroughs in terms of shape and strings, with a half a pear shape using three strings. Early versions of the violin and fiddle, by comparison, emerged in Europe through instruments such as the gittern, a four stringed precursor to the guitar and these instruments typically used catgut and other materials, including silk, for their strings. String instrument design refined during the Renaissance and into the Baroque period of musical history, violins and guitars became more consistent in design, and were roughly similar to what we use in the 2000s. At the same time, the 19th century guitar became more associated with six string models. In big bands of the 1920s, the guitar played backing chords. The development of guitar amplifiers, which contained a power amplifier, the development of the electric guitar provided guitarists with an instrument that was built to connect to guitar amplifiers. Electric guitars have magnetic pickups, volume control knobs and an output jack, in the 1960s, larger, more powerful guitar amplifiers were developed, called stacks
3.
Musical instrument
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A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument, the history of musical instruments dates to the beginnings of human culture. Early musical instruments may have used for ritual, such as a trumpet to signal success on the hunt. Cultures eventually developed composition and performance of melodies for entertainment, Musical instruments evolved in step with changing applications. The date and origin of the first device considered an instrument is disputed. The oldest object that some refer to as a musical instrument. Some consensus dates early flutes to about 37,000 years ago, many early musical instruments were made from animal skins, bone, wood, and other non-durable materials. Musical instruments developed independently in many populated regions of the world, however, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the Middle Ages, instruments from Mesopotamia were in maritime Southeast Asia, development in the Americas occurred at a slower pace, but cultures of North, Central, and South America shared musical instruments. By 1400, musical instrument development slowed in areas and was dominated by the Occident. Musical instrument classification is a discipline in its own right, Instruments can be classified by their effective range, their material composition, their size, etc. However, the most common method, Hornbostel-Sachs, uses the means by which they produce sound. The academic study of instruments is called organology. Once humans moved from making sounds with their bodies—for example, by using objects to create music from sounds. Primitive instruments were designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the notion of making music. Musical instruments are constructed in an array of styles and shapes
4.
Persian language
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Persian, also known by its endonym Farsi, is one of the Western Iranian languages within the Indo-Iranian branch of the Indo-European language family. It is primarily spoken in Iran, Afghanistan, and Tajikistan and it is mostly written in the Persian alphabet, a modified variant of the Arabic script. Its grammar is similar to that of many contemporary European languages, Persian gets its name from its origin at the capital of the Achaemenid Empire, Persis, hence the name Persian. A Persian-speaking person may be referred to as Persophone, there are approximately 110 million Persian speakers worldwide, with the language holding official status in Iran, Afghanistan, and Tajikistan. For centuries, Persian has also been a cultural language in other regions of Western Asia, Central Asia. It also exerted influence on Arabic, particularly Bahrani Arabic. Persian is one of the Western Iranian languages within the Indo-European family, other Western Iranian languages are the Kurdish languages, Gilaki, Mazanderani, Talysh, and Balochi. Persian is classified as a member of the Southwestern subgroup within Western Iranian along with Lari, Kumzari, in Persian, the language is known by several names, Western Persian, Parsi or Farsi has been the name used by all native speakers until the 20th century. Since the latter decades of the 20th century, for reasons, in English. Tajiki is the variety of Persian spoken in Tajikistan and Uzbekistan by the Tajiks, according to the Oxford English Dictionary, the term Persian as a language name is first attested in English in the mid-16th century. Native Iranian Persian speakers call it Fārsi, Farsi is the Arabicized form of Pārsi, subsequent to Muslim conquest of Persia, due to a lack of the phoneme /p/ in Standard Arabic. The origin of the name Farsi and the place of origin of the language which is Fars Province is the Arabicized form of Pārs, in English, this language has historically been known as Persian, though Farsi has also gained some currency. Farsi is encountered in some literature as a name for the language. In modern English the word Farsi refers to the language while Parsi describes Zoroastrians, some Persian language scholars such as Ehsan Yarshater, editor of Encyclopædia Iranica, and University of Arizona professor Kamran Talattof, have also rejected the usage of Farsi in their articles. The international language-encoding standard ISO 639-1 uses the code fa, as its system is mostly based on the local names. The more detailed standard ISO 639-3 uses the name Persian for the dialect continuum spoken across Iran and Afghanistan and this consists of the individual languages Dari and Iranian Persian. Currently, Voice of America, BBC World Service, Deutsche Welle, Radio Free Europe/Radio Liberty also includes a Tajik service and an Afghan service. This is also the case for the American Association of Teachers of Persian, The Centre for Promotion of Persian Language and Literature, Persian is an Iranian language belonging to the Indo-Iranian branch of the Indo-European family of languages
5.
Plucked string instrument
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Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate, plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the family, which generally consist of a resonating body, and a neck. The zither family does not have a neck, and the strings are stretched across the soundboard, in the harp family, the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a string instrument. Bowed string instruments, such as the violin, can also be plucked in the known as pizzicato, however, as they are usually played with a bow. Struck string instruments can be plucked as an extended technique. Plucked string instruments are not a category in the Sachs-Hornbostel classification, as some of them are simple chordophones and others are composite
6.
Ottoman classical music
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Classical Turkish music, sometimes known as Ottoman classical music, developed in Istanbul and other major Ottoman cities and towns through the palaces and Sufi lodges of the Ottoman Empire. Above all a vocal music, Ottoman music traditionally accompanies a solo singer with an instrumental ensemble. In recent times, instruments might include tambur, ney, kemençe, keman, kanun, sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic. Ottoman music has a large and varied system of modes or scales known as makams, there are more than 600 makams that have been used so far. Out of these, at least 119 makams are formally defined, in the Sufi teaching, each makam represents and conveys a particular psychological and spiritual state. Sometimes, in certain makams, Ottomans would use different instrumental and vocal musical pieces in order to certain medical and psychological conditions. A number of systems were used for transcribing classical music. Turkish classical music is taught in conservatories and social clubs, the most respected of which is Istanbuls Üsküdar Musiki Cemiyeti, a full fasıl concert would include four different instrumental forms and three vocal forms, including a light classical song, şarkı. A strictly classical fasıl remains in the same throughout, from the introductory taksim to the end. Tanrıkorur argues that the differences between the traditional music genres stemmed from the cultural clash between the East and the West that emerged during the Tanzîmat Era. Older instruments still in use include lavta, Ottoman classical music comprises many vocal and instrumental forms, among which are the suites called fasıl. A fasıl typically includes many instrumental and/or vocal movements, including taksim, peşrev, şarkı, beste, Ottoman music has various genres including the spiritual, improvised and fasil music. Other famous proponents of this genre include Dede Efendi, Prince Cantemir, Baba Hamparsum, Kemani Tatyos Efendi, Sultan Selim III, the most popular modern Turkish classical singer is Münir Nurettin Selçuk, who was the first to establish a lead singer position. Other performers include Bekir Sıdkı Sezgin, Alaeddin Yavaşça, Müzeyyen Senar, Emel Sayın, the long list of Turkish words on the screen are names of individual makam. Each makam has its own quality and repertoire, click on any of these to get a list of the music available to view. TurkMusikisi, the premier Turkish-language website dedicated to Ottoman music, highly recommended, regardless of Turkish ability. Secular classical music, selection from gazel improvisation sung by Safiye Ayla mp3,829 kB,0,00,53 duration Mosque music, selection from Merhaba bahrı sung by Kâni Karaca mp3,1. It explores the history, reviews the instruments of Turkish classical and folk music and it is available in four languages, Turkish, English, French and German
7.
Turkish folk music
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Turkish folk music combines the distinct cultural values of all civilisations that have lived in Turkey and its former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella and it was the most popular music genre in the Ottoman Empire era. In the 1960s, Turkish folk music met with radio and folk musicians like Aşık Veysel, Neşet Ertaş, türkü, literally of the Turk, is a name given to Turkish folk songs as opposed to şarkı. Classically, Türküs can be grouped into two categories according to their melodies, Kırık havalar, These have regular melodies, Uzun havalar, These have irregular melodies. These are divided into free-forms or improvisations with no obligatory metrical or rhythmic form, known as Uzun Hava, both can also be employed at the same time. Music generally played without words, and dance tunes, go by the names Halay, Bengi, Karsilamas, Zeybek, Horon, Bar, each region in Turkey has its own special folk dances and costumes. Here are some of the most popular, Hora - A type of circle dance, Horon - This dance is from Black Sea region, was performed by men only living in Trabzon, dressed in black with silver trimmings. Today, the dancers link arms and quiver to the vibrations of the kemenche, kılıç Kalkan - The Sword and Shield Dance of Bursa represents the Ottoman conquest of the city. It is performed by men only, in Ottoman battle-dress, who dance to the sound of clashing swords and shields, Zeybek - In this Aegean dance, dancers, called efe, symbolize courage and heroism. Furthermore, in many Turkish folk songs only part of the scale is used, both forms of music are diatonic, but use notes that are additional to the 12 semitones of western music. In Turkish folk music, for example, some include a note roughly halfway between B and B flat. The scales of Turkish folk music are associated with different regions, and can be known by different names depending on the region, such as, Beşiri, Garip, Kerem, Misket, a wide variety of time signatures are used in Turkish folk music. In addition to simple ones such as 2/4, 4/4 and 3/4, others such as 5/8, 7/8, 9/8, 7/4, combinations of several basic rhythms often results in longer, complex rhythms that fit into time signatures such as 8/8, 10/8, and 12/8. Plucked stringed instruments include the saz, bağlama, tar and Cümbüş. Bowed stringed instruments include the kabak kemane and the kemenche or Pontian Lyra, an old shepherds instrument, made from an eagles wing bone, was the çığırtma. Percussion instruments include drums – davul and nağara – the tambourine-like tef, a mini drum darbuka, melodies of differing types and styles have been created by the people in various spheres and stages of life, joyful or sad, from birth to death. Minstrels, accompanying themselves on the saz, played the most important role in the development, musicias did not use accompaniment with saz, because Turkish Traditional Music was monophonic. Musicians played the melody of a song but, when musicians hit the middle
8.
Music of Iran
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Music of Iran or Music of Persia, as evidenced by the archaeological records of the Fertile Crescent civilization of Elam, the most ancient culture in southwestern Iran, dates back thousands of years. In ancient Iran musicians held socially respectable positions and we know that the Elamites and the Achaemenid Empire certainly made use of musicians but we do not know what that music was like. During the Parthian era, troubadours or Gosans were highly sought after as entertainers, there are theories in Academia that perhaps the early Dari Poets of Eastern Iran like Roudaki were in fact Gosans. The history of performance in Sassanid Iran is however better documented than earlier periods. This is especially evident in the context of Zoroastrian ritual. By the time of Khosrau II the Sassanid royal court was the host of prominent musicians such as Ramtin, Bamshad, Nakisa, Azad, Sarkash, among these survived names, Barbad is remembered in much documents and has been named as remarkably high skilled. He has been credited to have given an organization of musical system consisting of seven Royal modes named Xosrovani, thirty derived modes named lahn and these numbers are in accordance with Sassanids calendar of number of days in a week, month, and year. The theories these modal systems were based on are not known, there are also some of a descriptive nature like roshan cheragh. The relief depicts two boats and the picture shows these boats at two successive moments within the same panel. Barbad may have invented the lute and the tradition that was to transform into the Maqam tradition. Even after Islam, Persian musicians did not disappear, Zaryab is often credited with being the greatest influence over Andalusian, Farabi and Avicenna were not only musical theorists but adept at the lute and the Ney, respectively. The position of a work of music often depends on the music genre. The academic Authentic Persian Music is strongly based on the theories of aesthetics as expounded by the likes of Farabi. It also preserves melodic formula that are attributed to the musicians of the Persian imperial court of Khosroe Parviz in the Sassanid Period. However, the influence of Dastgah cannot be underestimated as it is seen as the reservoir of authenticity that other forms of musical genres derive melodic and performance ideas, Persian classical music goes back a long way. Musicians like Barbad were legendary in the empire of the Sassanid era, until the early 20th century, musiqi-e assil was heard almost entirely at the royal courts of the monarchy. The renaissance brought popularity to the genre, Women were banned from singing as soloists for male audiences, though they were allowed to perform as soloists for female audiences, as instrumentalists and in choirs. For this reason some female singers, including Maryam Akhondy, left the Islamic Republic to work in exile, most notable living Iranian classical vocalists are, Sodeyf, Shajarian, Shahram Nazeri
9.
Music of Azerbaijan
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Azerbaijani music is the musical tradition of the Azeri people, from Azerbaijan and Iranian Azerbaijan. It builds on folk traditions that reach back nearly 1,000 years, for centuries, Azer music has evolved under the badge of monody, producing rhythmically diverse melodies. Music from Azerbaijan has a branch system, where chromatisation of major and minor scales is of great importance. In 1920, Azerbaijani classical music had undergone a renaissance and Baku Academy of Music was founded to give classical musicians the same support as folk musicians, modern day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh. Beginning in 1900, opera troupes toured Baku on a yearly basis, most songs recount stories of real life events and Azerbaijani folklore, or have developed through song contests between troubadour poets. Corresponding to their origins, folk songs are played at weddings, funerals. Regional folk music generally accompanies folk dances, which vary significantly across regions, the regional mood also affects the subject of the folk songs, e. g. folk songs from the Caspian Sea are lively in general and express the customs of the region. Songs about betrayal have an air of defiance about them instead of sadness, as this genre is viewed as a music of the people, musicians in socialist movements began to adapt folk music with contemporary sounds and arrangements in the form of protest music. Other instruments include the garmon, tutek, and daf, due to the cultural crossbreeding prevalent during the Ottoman Empire, the tutek has influenced various cultures in the Caucasus region, e. g. the duduks. The zurna and naghara duo is also popular in rural areas, Ashiqs are traveling bards who sing and play the saz, a form of lute. Their songs are semi-improvised around a common base and this art is one of the symbols of Azerbaijani culture and considered an emblem of national identity and the guardian of Azerbaijani language, literature and music. Since 2009 the art of Azerbaijani Ashiqs has been inscribed on the Representative List of the Intangible Cultural Heritage of Humanity, meykhana is a distinctive Azerbaijani literary and folk rap tradition, consisting of an unaccompanied song performed by one or more people improvising on a particular subject. Meykhana is distinct from spoken word poetry in that it is performed in time to a beat, performers also incorporate synthesizers, drum machines, and live bands. Meykhana masters may write, memorize, or improvise their lyrics, Mugham is one of the many folk musical compositions from Azerbaijan, contrast with Tasnif, Ashugs. It is a complex art form that weds classical poetry. Unlike Western modes, mugham modes are associated not only with scales but with an orally transmitted collection of melodies, Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event, the dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries - the region of Garabagh, Shirvan, the town of Shusha of Karabakh was particularly renowned for this art
10.
Kurdish music
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Kurdish music refers to music performed in Kurdish language. Traditionally, there are three types of Kurdish Classical performers - storytellers, minstrels and bards, there was no specific music related to the Kurdish princely courts, and instead, music performed in night gatherings is considered classical. Several musical forms are found in this genre, many songs are epic in nature, such as the popular Lawiks which are heroic ballads recounting the tales of Kurdish heroes such as Saladin. Heyrans are love ballads usually expressing the melancholy of separation and unfulfilled love, lawje is a form of religious music and Payizoks are songs performed specifically in autumn. Love songs, dance music, wedding and other songs, erotic poetry. Another style of singing that originated as practice to recite hymns in both Zoroastrian and Islamic Sufi faiths is Siya Cheman and this style is practiced mostly in the mountainous subregion of Hewraman in the Hewrami dialect. However, some artists, have adopted the style and blended it with other Kurdish music. Siya Cheman can also be classified as çîrokbêj because it is used to for storytelling. Musical instruments include the tembûr, biziq, qernête and bilûr in northern and western Kurdistan, şimşal, cûzele, kemençe and def in the south, zirne and dahol are found in all parts of Kurdistan. The most frequently used song form has two verses with ten syllable lines, Kurdish songs are characterized by their simple melodies, with a range of only four or five notes. The sufi music of the Yarsanî sect with its 72 meqams is thought to be one of the most authentic, the Kamkars from the city of Sanandaj is a leading ensemble in Kurdish music today. They are internationally renowned for their performance of Kurdish folk music and with great dynamism, some members of the group, including Arsalan and Hooshang Kamkar, have also worked individually and produced successful works. Nasir Razazî, who now resides in Sweden, performs Kurdish music from all genres, ali Akbar Moradi is the greatest master of the religious tembûr music of the Yarsan sect to which he belongs. Aras Ibrahim, the violinist, built martyr Karzan music group in 1981 which was the group who could record revolutionary songs in the mountain in the PUK released areas of Kurdistan. The group recorded 5 cassettes and published them, in 1990, the group participated in the First festival of Halabja & Nawroz in Saqz-Iran with the famous coral of Halabja which was about the chemical weapon used against the Kurds there. Despite the lack of any musical educational infrastructure, several famous Kurdish musicians arose from Syria, gerabêtê Xaço was a great classical stranbêj, Muradê Kinê was another great stranbêj and kemençe player. Seîd Yûsif is acclaimed for his virtuosity on the biziq and his authentic teqsîms. Mihemed Şêxo was a master of symbolic nationalistic lyrics who was imprisoned several times for expressing his opinion through his songs
11.
Assyrian folk/pop music
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Assyrian folk/pop music, also known as Assyrian folk music, Assyrian pop music or Syriac music, is the traditional music style of the Assyrians people. Assyrian music includes a range of genre, which would encompass, or fuse, western genres such as electronic, Latin, jazz and/or classical music. Assyrian folk music claims to be the descendant of the music of their ancient Upper Mesopotamian ancestors that has survived in the music of the Syriac Churches. Assyrian folk can also be found in traditional Middle Eastern Makams, modern Assyrian pop music is mostly in a minor key, typically in the Phrygian mode, and themes tend to focus on longing, melancholy, strife and love issues. Most recently, Assyrian dance music has a beat or rhythm similar to Jamaican music, instrumentation is mostly arranged with a keyboard and electronic drums, namely in weddings or parties. Although many forms of Assyrian records do use acoustic and orchestral instruments such as strings, Music, is omnipresent in the village scene. A “Musician” is not necessarily a professional, and whoever can sing in any manner is considered a “singer”, most of the time, music is learned by ear. The villagers lead a life, but whenever there is an opportunity. Village music may be categorized, basically, into four groups, Local secular music not related to specific occasions, functional music, diwane, Sung in gatherings and meetings, lyrics cover aspects of life such as, working in the fields, persecution, suffering, religion. Lilyana, Wedding songs usually sung by only, especially for the bride before leaving her home to get married. Also sung for the bridegroom the day before his wedding by his family, dowlah and Zornah, These are two traditional music instruments, literally meaning a drum and wind-pipe. They are played together, either with or without singing in many such as weddings, welcoming. Tambura, Another tribal music instrument, an instrument with long neck, originated in ancient Assyria, discovered being depicted on carving from South Iraq from UR to Akkad. Albert Rouel Tamraz is a famous Assyrian Singer from Iraq who played this instrument, the earliest dated text is a poem written in 1591. This makes early Neo-Syriac literature a contemporary of Jewish Neo-Aramaic literature from roughly the same region, the Neo-Syriac literature which existed before the arrival of British and American missionaries consisted mainly of poetry. This poetry can be divided into three categories, stanzaic Hymns, dispute poems, and drinking songs, at this time they came in contact with western Music and Instruments. Assyrian youth started picking up and playing these new instruments after seeing and hearing the British playing, Assyrian youths started to find new bands and to play in parties, picnics and other functions for both Assyrians and others. In Baghdad, Iraq the earliest known record is by Hanna Patros in 1931 – perhaps two Gramophones with 2 songs on each, Hanna Petros, Later became the music director at the conservatory in Baghdad
12.
Armenian music
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The music of Armenia has its origins in the Armenian Highlands, where people traditionally sang popular folk songs. Armenia has a musical tradition that was primarily collected and developed by Komitas. Traditional Armenian folk music as well as Armenian church music is not based on the European tonal system but on a system of Tetrachords. The last note of one tetrachord also serves as the first note of the next tetrachord – which makes a lot of Armenian folk music more or less based on a theoretically endless scale, Armenians have had a long tradition of folk music from the antiquity. Under Soviet domination, Armenian folk music was taught in state-sponsored conservatoires, instruments played include qamancha, kanun, dhol, oud, duduk, zurna, blul, shvi and to a lesser degree saz. Other instruments are used such as violin and clarinet. Earlier in Armenian history, instruments like the kamancha were played by popular, sayat Nova, an 18th-century Ashough, is revered in Armenia. Another oud player, John Berberian, is noted in particular for his fusions of music with jazz. From Lebanon and Syria, George Tutunjian, Karnig Sarkissian and others performed Armenian Revolutionary Songs which quickly became popular among the Armenian Diaspora, in Tehran Iran the folk music of the Armenian community is characterized by the work of Nikol Galanderian and the Goghtan choir. There are several folk ensembles from Armenia, the Shoghaken Folk Ensemble, founded in 1995 in Yerevan, has worldwide popularity, and others such as the Arev Armenian Folk Ensemble. Arto Tunçboyacıyan is a well known Turkish musician of Armenian descent, who is famous in Turkey and worldwide and he was the founder of the Armenian Navy Band. Ruben Hakobyan is a well recognized Armenian ethnographic and patriotic folk singer who has achieved national recognition due to his devotion to Armenian folk music. Armenian classical composers include Kemani Tatyos Ekserciyan, one of the composers of Ottoman classical music. Alexander Spendiarov, Armen Tigranian, and Haro Stepanian are best known for their Armenian operas, sargis Barkhudaryan and Caro Zakarian are representative composers of the pre- and early Soviet Armenian era. The most famous, however, was Aram Khatchaturian, internationally well known especially for his music for various ballets, gevorg Armenian, Anahit Tsitsikian, Arno Babadjanyan, Barseg Kanatchian, Edward Mirzoyan, Boris Parsadanian, Ashot Zohrabyan, and Aram Satian represent other Soviet era Armenian composers. Iosif Andriasovs music and ethics made him recognized as one of the most important figures in contemporary culture. Alexander Arutiunian is best known for his Trumpet Concerto in A-flat major, alexander Dolukhanian composed/arranged numerous Armenian songs including the well-known Swallow. Alexander Adgemian, Ashot Satian and Vagarshak Kotoyan are known for their contributions to Armenian choral and vocal music, eduard Abramian wrote songs on the poetry of Armenian poets Hovhannes Tumanyan and Avetik Isahakian which are now part of the standard repertoire
13.
Syria
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Syrias capital and largest city is Damascus. Religious groups include Sunnis, Christians, Alawites, Druze, Mandeans, Shiites, Salafis, Sunni Arabs make up the largest religious group in Syria. Its capital Damascus and largest city Aleppo are among the oldest continuously inhabited cities in the world, in the Islamic era, Damascus was the seat of the Umayyad Caliphate and a provincial capital of the Mamluk Sultanate in Egypt. The post-independence period was tumultuous, and a number of military coups. In 1958, Syria entered a union with Egypt called the United Arab Republic. Syria was under Emergency Law from 1963 to 2011, effectively suspending most constitutional protections for citizens, Bashar al-Assad has been president since 2000 and was preceded by his father Hafez al-Assad, who was in office from 1970 to 2000. Mainstream modern academic opinion strongly favours the argument that the Greek word is related to the cognate Ἀσσυρία, Assyria, in the past, others believed that it was derived from Siryon, the name that the Sidonians gave to Mount Hermon. However, the discovery of the inscription in 2000 seems to support the theory that the term Syria derives from Assyria. The area designated by the word has changed over time, since approximately 10,000 BC, Syria was one of centers of Neolithic culture where agriculture and cattle breeding appeared for the first time in the world. The following Neolithic period is represented by houses of Mureybet culture. At the time of the pre-pottery Neolithic, people used vessels made of stone, gyps, finds of obsidian tools from Anatolia are evidences of early trade relations. Cities of Hamoukar and Emar played an important role during the late Neolithic, archaeologists have demonstrated that civilization in Syria was one of the most ancient on earth, perhaps preceded by only those of Mesopotamia. The earliest recorded indigenous civilisation in the region was the Kingdom of Ebla near present-day Idlib, gifts from Pharaohs, found during excavations, confirm Eblas contact with Egypt. One of the earliest written texts from Syria is an agreement between Vizier Ibrium of Ebla and an ambiguous kingdom called Abarsal c.2300 BC. The Northwest Semitic language of the Amorites is the earliest attested of the Canaanite languages, Mari reemerged during this period, and saw renewed prosperity until conquered by Hammurabi of Babylon. Ugarit also arose during this time, circa 1800 BC, close to modern Latakia, Ugaritic was a Semitic language loosely related to the Canaanite languages, and developed the Ugaritic alphabet. The Ugarites kingdom survived until its destruction at the hands of the marauding Indo-European Sea Peoples in the 12th century BC, Yamhad was described in the tablets of Mari as the mightiest state in the near east and as having more vassals than Hammurabi of Babylon. Yamhad imposed its authority over Alalakh, Qatna, the Hurrians states, the army of Yamhad campaigned as far away as Dēr on the border of Elam
14.
Iraq
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The capital, and largest city, is Baghdad. The main ethnic groups are Arabs and Kurds, others include Assyrians, Turkmen, Shabakis, Yazidis, Armenians, Mandeans, Circassians, around 95% of the countrys 36 million citizens are Muslims, with Christianity, Yarsan, Yezidism, and Mandeanism also present. The official languages of Iraq are Arabic and Kurdish, two major rivers, the Tigris and Euphrates, run south through Iraq and into the Shatt al-Arab near the Persian Gulf. These rivers provide Iraq with significant amounts of fertile land, the region between the Tigris and Euphrates rivers, historically known as Mesopotamia, is often referred to as the cradle of civilisation. It was here that mankind first began to read, write, create laws, the area has been home to successive civilisations since the 6th millennium BC. Iraq was the centre of the Akkadian, Sumerian, Assyrian and it was also part of the Median, Achaemenid, Hellenistic, Parthian, Sassanid, Roman, Rashidun, Umayyad, Abbasid, Ayyubid, Mongol, Safavid, Afsharid, and Ottoman empires. Iraqs modern borders were mostly demarcated in 1920 by the League of Nations when the Ottoman Empire was divided by the Treaty of Sèvres, Iraq was placed under the authority of the United Kingdom as the British Mandate of Mesopotamia. A monarchy was established in 1921 and the Kingdom of Iraq gained independence from Britain in 1932, in 1958, the monarchy was overthrown and the Iraqi Republic created. Iraq was controlled by the Arab Socialist Baath Party from 1968 until 2003, after an invasion by the United States and its allies in 2003, Saddam Husseins Baath Party was removed from power and multi-party parliamentary elections were held in 2005. The American presence in Iraq ended in 2011, but the Iraqi insurgency continued and intensified as fighters from the Syrian Civil War spilled into the country, the Arabic name العراق al-ʿIrāq has been in use since before the 6th century. There are several suggested origins for the name, one dates to the Sumerian city of Uruk and is thus ultimately of Sumerian origin, as Uruk was the Akkadian name for the Sumerian city of Urug, containing the Sumerian word for city, UR. An Arabic folk etymology for the name is rooted, well-watered. During the medieval period, there was a region called ʿIrāq ʿArabī for Lower Mesopotamia and ʿIrāq ʿajamī, for the region now situated in Central and Western Iran. The term historically included the south of the Hamrin Mountains. The term Sawad was also used in early Islamic times for the region of the plain of the Tigris and Euphrates rivers. In English, it is either /ɪˈrɑːk/ or /ɪˈræk/, the American Heritage Dictionary, the pronunciation /aɪˈræk/ is frequently heard in U. S. media. Since approximately 10,000 BC, Iraq was one of centres of a Caucasoid Neolithic culture where agriculture, the following Neolithic period is represented by rectangular houses. At the time of the pre-pottery Neolithic, people used vessels made of stone, gypsum, finds of obsidian tools from Anatolia are evidences of early trade relations
15.
Balkans
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The Balkan Peninsula, or the Balkans, is a peninsula and a cultural area in Eastern and Southeastern Europe with various and disputed borders. The region takes its name from the Balkan Mountains that stretch from the Serbia-Bulgaria border to the Black Sea, the highest point of the Balkans is Mount Musala 2,925 metres in the Rila mountain range. In Turkish, Balkan means a chain of wooded mountains, the name is still preserved in Central Asia with the Balkan Daglary and the Balkan Province of Turkmenistan. A less popular hypothesis regarding its etymology is that it derived from the Persian Balā-Khāna, from Antiquity through the Middle Ages, the Balkan Mountains had been called by the local Thracian name Haemus. According to Greek mythology, the Thracian king Haemus was turned into a mountain by Zeus as a punishment, a reverse name scheme has also been suggested. D. Dechev considers that Haemus is derived from a Thracian word *saimon, a third possibility is that Haemus derives from the Greek word haema meaning blood. The myth relates to a fight between Zeus and the monster/titan Typhon, Zeus injured Typhon with a thunder bolt and Typhons blood fell on the mountains, from which they got their name. The earliest mention of the name appears in an early 14th-century Arab map, the Ottomans first mention it in a document dated from 1565. There has been no other documented usage of the word to refer to the region before that, there is also a claim about an earlier Bulgar Turkic origin of the word popular in Bulgaria, however it is only an unscholarly assertion. The word was used by the Ottomans in Rumelia in its meaning of mountain, as in Kod̲j̲a-Balkan, Čatal-Balkan, and Ungurus-Balkani̊. The concept of the Balkans was created by the German geographer August Zeune in 1808, during the 1820s, Balkan became the preferred although not yet exclusive term alongside Haemus among British travelers. Among Russian travelers not so burdened by classical toponymy, Balkan was the preferred term, zeunes goal was to have a geographical parallel term to the Italic and Iberian Peninsula, and seemingly nothing more. The gradually acquired political connotations are newer and, to a large extent, after the dissolution of Yugoslavia beginning in June 1991, the term Balkans again received a negative meaning, especially in Croatia and Slovenia, even in casual usage. A European Union initiative of 1999 is called the Stability Pact for South Eastern Europe, and its northern boundary is often given as the Danube, Sava and Kupa Rivers. The Balkan Peninsula has an area of about 470,000 km2. It is more or less identical to the known as Southeastern Europe. As of 1920 until World War II, Italy included Istria, the current territory of Italy includes only the small area around Trieste inside the Balkan Peninsula. However, the regions of Trieste and Istria are not usually considered part of the Balkans by Italian geographers, the Western Balkans is a neologism coined to describe the countries of ex-Yugoslavia and Albania
16.
The New Grove Dictionary of Music and Musicians
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The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Musik in Geschichte und Gegenwart, it is one of the largest reference works on Western music, in recent years it has been made available as an electronic resource called Grove Music Online, which is now an important part of Oxford Music Online. A Dictionary of Music and Musicians was first published in four volumes edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume, an Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In 1900, minor corrections were made to the plates and the series was reissued in four volumes. The original edition and the reprint are now available online. Grove limited the chronological span of his work to begin at 1450 while continuing up to the present day, the second edition, in five volumes, was edited by Fuller Maitland and published from 1904 to 1910, this time as Groves Dictionary of Music and Musicians. The individual volumes of the edition were reprinted many times. An American Supplement edited by Waldo Selden Pratt and Charles N. Boyd was added in 1920 and this edition removed the first editions beginning date of 1450, though important earlier composers and theorists are still missing from this edition. These volumes are now freely available online. The third edition, also in five volumes, was a revision of the 2nd edition. The fourth edition, also edited by Colles, was published in 1940 in five volumes, in addition to the American Supplement, MacMillan also published a Supplementary Volume edited by Colles. The fifth edition, in nine volumes, was edited by Eric Blom and this was the most thoroughgoing revision of the work since its inception, with many articles rewritten in a more modern style and a large number of entirely new articles. Many of the articles were written by Blom personally, or translated by him, an additional Supplementary Volume, prepared for the most part by Eric Blom, followed in 1961. Blom died in 1959, and the Supplementary Volume was completed by Denis Stevens, the fifth edition was reprinted in 1966,1968,1970,1973, and 1975. The next edition was published in 1980 under the name The New Grove Dictionary of Music and its senior editor was Stanley Sadie with Nigel Fortune also serving as one of the main editors for the publication. It was reprinted with minor corrections each subsequent year until 1995, in the mid-1990s, the hardback set sold for about $2,300. A paperback edition was reprinted in 1995 which sold for $500, the second edition under this title was published in 2001, in 29 volumes. It was also available by subscription on the internet in a service called Grove Music Online
17.
Lute
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The European lute and the modern Near-Eastern oud descend from a common ancestor via diverging evolutionary paths. The lute is used in a variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. It is also an instrument, especially in vocal works. The player of a lute is called a lutenist, lutanist or lutist, the words lute and oud possibly derive from Arabic al-ʿud. Recent research by Eckhard Neubauer suggests ʿud may in turn be an Arabized version of the Persian name rud and it has equally been suggested the wood in the name may have distinguished the instrument by its wooden soundboard from skin-faced predecessors. Gianfranco Lotti suggests the wood appellation originally carried derogatory connotations because of proscriptions of all music in early Islam. Lutes are made almost entirely of wood, the soundboard is a teardrop-shaped thin flat plate of resonant wood. In all lutes the soundboard has a single decorated sound hole under the strings called the rose. The sound hole is not open, but rather covered with a grille in the form of a vine or a decorative knot. Robert Lundberg, in his book Historical Lute Construction, suggests ancient builders placed bars according to ratios of the scale length. He further suggests the inward bend of the soundboard is an adaptation by ancient builders to afford the lutenists right hand more space between the strings and soundboard. Soundboard thickness varies, but generally hovers between 1.5 and 2 mm, some luthiers tune the belly as they build, removing mass and adapting bracing to produce desirable sonic results. The lute belly is almost never finished, but in cases the luthier may size the top with a very thin coat of shellac or glair to help keep it clean. After joining the top to the sides, a half-binding is usually installed around the edge of the soundboard, the half-binding is approximately half the thickness of the soundboard and is usually made of a contrasting color wood. The rebate for the half-binding must be precise to avoid compromising structural integrity. The back or the shell is assembled from strips of hardwood called ribs. There are braces inside on the soundboard to give it strength, the neck is made of light wood, with a veneer of hardwood to provide durability for the fretboard beneath the strings. Unlike most modern stringed instruments, the fretboard is mounted flush with the top
18.
Oud
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In the first centuries of Arabian civilisation, the oud had 4 courses only, tuned in successive fourths. These were called the Bamm, then came the Mathnā, the Mathlath, a fifth string, called ḥād, was sometimes added for theoretical purposes, generally to complement the double octave. The Modern tuning preserves the ancient succession of fourths, with adjunctions which may be tuned differently following regional or personal preferences. The first known description of the ‛ūd and its construction is found in the epistle Risāla fī-l-Luḥūn wa-n-Nagham by 9th-century Philosopher of the Arabs YaꜤqūb ibn Isḥāq al-Kindī. Kindīs description stands thus, length will be, thirty-six joint fingers - with good thick fingers -, and its depth seven and a half fingers. And the measurement of the width of the bridge with the remainder behind, remains the length of the strings, thirty fingers and on these strings take place the division and the partition, because it is the sounding length. This is why the width must be fifteen fingers as it is the half of this length, similarly for the depth, seven fingers and a half and this is the half of the width and the quarter of the length. And the neck must be one third of the length and it is, remains the vibrating body, twenty fingers. And that the back be well rounded and its thinning towards the neck, the first description of the modern oud is by ibn a-ṭ-Ṭaḥḥān. It is very similar to the construction of modern lutes, the modern oud stems most probably from the barbat which, in turn, stems from the Indian lute-type vīnā. The oud, as a difference with the western lute, has no frets. It is the ancestor of the European lute. The oldest surviving oud is thought to be in Brussels, at the Museum of Musical Instruments, the Arabic, العود literally denotes a thin piece of wood similar to the shape of a straw. Henry George Farmer considers the similitude between al-ʿūd and al-ʿawda, research by Eckhard Neubauer suggests that oud may be an Arabic borrowing from the Persian word rōd or rūd, which meant string, stringed instrument, or lute. Another researcher, archaeomusicologist Richard J. Dumbrill, suggests that rud came from the Sanskrit rudrī, the modern hosogal, l, lasga Oud is a derived from the ancient Lute. The lute originates in the crescent at least 5000 years ago. The long-necked variety also was never called a lutebefore the twentieth century, musicologist Richard Dumbrill today uses the word to discuss instruments that existed millennia before the term lute was coined. Dumbrill documented more than 3000 years of evidence for the lutes in Mesopotamia
19.
Plectrum
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A plectrum is a small flat tool used to pluck or strum a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick, in harpsichords, the plectra are attached to the jack mechanism. A plectrum for electric guitars, acoustic guitars, bass guitars, the size, shape and width may vary considerably. Thin items such as coins, bread clips or broken compact discs. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin is the most common. For other instruments in the day most players use plastic plectra but a variety of other materials, including wood. Many guitarists also use the pick and the remaining right-hand fingers simultaneously to combine some advantages of flat picking and this technique is called hybrid picking. A plectrum of the type is often called a pick. The plectra for the Japanese biwa and shamisen can be large. Plectra used for Chinese instruments such as the sanxian were formerly made of animal horn, click on the images to view them in full size. In a harpsichord, there is a plectrum for each string. These plectra are very small, often only about a long, about 1.5 millimeters wide. The plectrum is gently tapered, being narrowest at the plucking end, the top surface of the plectrum is flat and horizontal, and is held in the tongue of the jack, which permits it to pluck moving upward and pass almost silently past the string moving downward. In the historical period of harpsichord construction plectra were made of feather quills. In Italy, some makers used vulture quills, other Italian harpsichords employed plectra of leather. In late French harpsichords by the great builder Pascal Taskin, peau de buffle, modern harpsichords frequently employ plectra made with plastic, specifically the plastic known as acetal. Some plectra are of the variety of acetal, sold by DuPont under the name Delrin, while others are of the copolymer variety. Harpsichord technicians and builders generally use the names to refer to these materials
20.
Fingerstyle guitar
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Fingerstyle guitar is the technique of playing the guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term is used synonymously with fingerpicking, although fingerpicking can also refer to a specific tradition of folk, blues. Often, the guitarist will play the notes, interspersed with the melodys accompanying chords. Some fingerpicking guitarists also intersperse percussive tapping along with the melody, chords and this enables a single guitarist to provide all of these important song elements. This enables singer-guitarists to accompany themselves, and it enables smaller groups which have only a single guitarist to use one guitarist to provide all of these musical elements. Fingerpicking is a technique on the classical or nylon string guitar. Fingerpicking is less common on electric guitars, except in the metal music virtuoso style of lead guitar playing known as shred guitar. Because individual digits play notes on the rather than the hand working as a single unit. Deep bass notes, harmonic accompaniment, melody, and percussion can all be played simultaneously when playing Fingerstyle, players do not have to carry a plectrum, but fingernails may have to be maintained at the right length and in good condition. It is possible to play multiple non-adjacent strings at exactly the same time and this enables the guitarist to play a very low bass note and a high treble note at the same time. This enables the guitarist to play double stops, such as an octave, a fifth, (an exception to this may be found in the flamenco technique of rasgueado. It is easy to play arpeggios, but the techniques for tremolo and it is possible to play chords without any arpeggiation, because up to five strings can be plucked simultaneously. There is less need for fretting hand damping in playing chords, a greater variation in strokes is possible, allowing greater expressiveness in timbre and dynamics. A wide variety of strums and rasgueados are possible, less energy is generally imparted to strings than with plectrum playing, leading to lower volume when playing acoustically. Playing on heavier gauge strings can damage nails, fingerstyle is more suited to nylon strings or lighter gauge steel strings Nylon string guitars are most frequently played fingerstyle. The term Classical guitar music can refer to any kind of art music played on a nylon string guitar, or more narrowly to music of the classical period, as opposed to baroque or romantic music. The major feature of classical fingerstyle technique is that it enables solo rendition of harmony, the technique is intended to maximise the degree of control over the musical dynamics, texture, volume and timbral characteristics of the guitar. Careful attention is paid to the posture of the player
21.
Music of Greece
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The music of Greece is as diverse and celebrated as its history. Greek music separates into two parts, Greek traditional music and Byzantine music, with more eastern sounds, Music is a significant aspect of Hellenic culture, both within Greece and in the diaspora. Greek musical history extends far back into ancient Greece, since music was a part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form, in the 19th century, opera composers, like Nikolaos Mantzaros, Spyridon Xyndas and Spyridon Samaras and symphonists, like Dimitris Lialios and Dionysios Rodotheatos revitalized Greek art music. In ancient Greece, men usually performed choruses performed for entertainment, celebration, Instruments included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music was an important part of education in ancient Greece, due to Romes reverence for Greek culture, the Romans borrowed the Greek method of enchiriadic notation to record their music, if they used any notation at all. In his lexicographical discussion of instruments, the Persian geographer Ibn Khurradadhbih cited the lūrā as an instrument of the Byzantines along with the urghun, shilyani. These genres have certainly reached a degree of evolution. They were forms of a music that had many elements of ancient Greek origin but also. By the beginning of the 20th century, music-cafés were popular in Greek cities like Constantinople and Smyrna, the bands were typically led by a female vocalist and included a violin. The improvised songs typically exclaimed amán amán, which led to the name amanédhes or café-aman, Greek musicians of this period included Marika Papagika, Rosa Eskenazi and Rita Abatzi. This period also brought in the Rebetiko movement, which had local Smyrnaic, Greek folk traditions are said to derive from the music played by ancient Greeks. There are said to be two musical movements in Greek folk music, Acritic songs and Klephtic songs, akritic music comes from the 9th century akrites, or border guards of the Byzantine Empire. Following the end of the Byzantine period, klephtic music arose before the Greek Revolution, developed among the kleftes, Klephtic music is monophonic and uses no harmonic accompaniment. Many of the earliest recordings were done by Arvanites like Yiorgia Mittaki, instrumentalists include clarinet virtuosos like Petroloukas Halkias, Yiorgos Yevyelis and Yiannis Vassilopoulos, as well as oud and fiddle players like Nikos Saragoudas and Yiorgos Koros. Nisiotika is a term denoting folk songs from the Greek islands. Among the most popular types of them is Ikariótiko traghoúdhi, song from Ikaria, ikariótikos is a traditional type of dance, and also the name of its accompanying type of singing, originating in the Aegean island of Ikaria. At first it was a slow dance, but today Ikariotikos is a very quick dance
22.
Baglamas
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For the instrument used in Turkish music, see Bağlama. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko, the body is often hollowed out from a piece of wood or else made from a gourd, but there are also baglamas with staved backs. Its small size made it popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, the name comes from Turkish bağlama, a similar instrument. Bouzouki Pandura Tambouras Cretan lyra Tzouras
23.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
24.
Bouzouki
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A mainstay of modern Greek music, the front of the body is flat and is usually heavily inlaid with mother-of-pearl. The instrument is played with a plectrum and has a metallic sound, reminiscent of a mandolin. There are two types of bouzouki. The trichordo has three pairs of strings, and the tetrachordo has four pairs of strings and it is in the same instrumental family as the mandolin and the lute. The type of the instrument used in Rembetika music was a three-stringed instrument, the Greek bouzouki is a plucked musical instrument of the lute family, called the thabouras or tambouras family. The tambouras has existed in ancient Greece as pandoura, and can be found in sizes, shapes, depths of body, lengths of neck. The bouzouki and the baglamas are the direct descendants, the Greek marble relief, known as the Mantineia Base, dating from 330-320 BC, shows a muse playing a variant of the pandoura. From Byzantine times it was called pandouras and then tambouras, on display in the National Historical Museum of Greece is the tambouras of a hero of the Greek revolution of 1821, General Makriyiannis. Other sizes have appeared and include the Greek instrument tzouras, an instrument smaller in size than standard bouzouki, following the 1919–1922 war in Asia Minor and the subsequent exchange of populations between Greece and Turkey, the ethnic Greeks fled to Greece. The early bouzoukia were mostly three-string, with three courses and were tuned in different ways, as to the scale one wanted to play, at the end of the 1950s, four-course bouzoukia started to gain popularity. The four-course bouzouki was made popular by Manolis Chiotis, who used a tuning akin to standard guitar tuning. However it allowed for greater virtuosity and helped elevate the bouzouki into a popular instrument capable of a wide range of musical expression. Recently the 3 course bouzouki has gained in popularity, the first recording with the 4-course instrument was made in 1956. This is the style of bouzouki, introduced around 1900. It has fixed frets and 6 strings in three pairs, in the lower-pitched course, the pair consists of a thick wound string and a thin string, tuned an octave apart. The conventional modern tuning of the bouzouki is D3 D4•A3 A3•D4 D4. This tuning was called the European tuning by Markos Vamvakaris, who mentioned several other tunings, or douzenia, the illustrated bouzouki was made by Karolos Tsakirian of Athens, and is a replica of a trichordo bouzouki made by his grandfather for Markos Vamvakaris. The absence of the heavy mother-of-pearl ornamentation often seen on modern bouzoukia is typical of bouzoukia of the period and it has tuners for eight strings, but has only six strings, the neck being too narrow for eight
25.
Turkish people
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Turkish people, or the Turks, also known as Anatolian Turks, are a Turkic ethnic group and nation living mainly in Turkey and speaking Turkish, the most widely spoken Turkic language. They are the largest ethnic group in Turkey, as well as by far the largest ethnic group among the speakers of Turkic languages, ethnic Turkish minorities exist in the former lands of the Ottoman Empire. In addition, a Turkish diaspora has been established with modern migration, the ethnonym Turk may be first discerned in Herodotus reference to Targitas, first king of the Scythians, furthermore, during the first century AD. Pomponius Mela refers to the Turcae in the north of the Sea of Azov. The first definite references to the Turks come mainly from Chinese sources in the sixth century, in these sources, Turk appears as Tujue, which referred to the Göktürks. Although Turk refers to Turkish people, it may sometimes refer to the wider language group of Turkic peoples. In the 19th century, the word Türk only referred to Anatolian villagers, the Ottoman ruling class identified themselves as Ottomans, not usually as Turks. In the late 19th century, as the Ottoman upper classes adopted European ideas of nationalism the term Türk took on a more positive connotation. The Turkish-speakers of Anatolia were the most loyal supporters of Ottoman rule, Turkish Jews, Christians, or even Alevis may be considered non-Turks. On the other hand, Kurdish Arab followers of the Sunni branch of Islam who live in eastern Anatolia are sometimes considered Turks, article 66 of the Turkish Constitution defines a Turk as anyone who is bound to the Turkish state through the bond of citizenship. Anatolia was first inhabited by hunter-gatherers during the Paleolithic era, most of the Turkic peoples were followers of Tengriism, sharing the cult of the sky god Tengri, although there were also adherents of Manichaeism, Nestorian Christianity and Buddhism. However, during the Muslim conquests, the Turks entered the Muslim world proper as servants, during the booty of Arab raids, the Turks began converting to Islam after Muslim conquest of Transoxiana through the efforts of missionaries, Sufis, and merchants. Although initiated by the Arabs, the conversion of the Turks to Islam was filtered through Persian, under the Umayyads, most were domestic servants, whilst under the Abbasids, increasing numbers were trained as soldiers. By the ninth century, Turkish commanders were leading the caliphs’ Turkish troops into battle, as the Abbasid caliphate declined, Turkish officers assumed more military and political power taking over or establishing provincial dynasties with their own corps of Turkish troops. During the 11th century the Seljuk Turks who were admirers of the Persian civilization grew in number and were able to occupy the province of the Abbasid Empire. By 1055, the Seljuk Empire captured Baghdad and began to make their first incursions into the edges of Anatolia, when the Seljuk Turks won the Battle of Manzikert against the Byzantine Empire in 1071, it opened the gates of Anatolia to them. Although ethnically Turkish, the Seljuk Turks appreciated and became the purveyors of the Persian culture rather than the Turkish culture, in dire straits, the Byzantine Empire turned to the West for help setting in motion the pleas that led to the First Crusade. Once the Crusaders took Iznik, the Seljuk Turks established the Sultanate of Rum from their new capital, Konya, by the 12th century the Europeans had begun to call the Anatolian region Turchia or Turkey, meaning the land of the Turks
26.
Turkmens
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The Turkmens are a Turkic people located primarily in Central Asia, in the state of Turkmenistan, as well as in Iran, Afghanistan, North Caucasus, and northern Pakistan. They speak the Turkmen language, which is classified as a part of the Eastern Oghuz branch of the Turkic languages, examples of other Oghuz languages are Turkish, Azerbaijani, Qashqai, Gagauz, Khorasani, and Salar. Originally, all Turkic tribes that were not part of the Turkic dynastic mythological system were designated Turkmens, only later did this word come to refer to a specific ethnonym. The etymology of the term derives from Türk plus the Sogdian affix of similarity -myn, -men, a prominent Turkic scholar, Mahmud Kashgari, also mentions the etymology Türk manand. The language and ethnicity of the Turkmen were much influenced by their migration to the west, Kashgari calls the Karluks Turkmen as well, but the first time the etymology Turkmen was used was by Makdisi in the second half of the 10th century AD. Like Kashgari, he wrote that the Karluks and Oghuz Turks were called Turkmen, some modern scholars have proposed that the element -man/-men acts as an intensifier, and have translated the word as pure Turk or most Turk-like of the Turks. During the Ottoman period these nomads were known by the names of Türkmen and these names were generally used to describe their nomadic way of life, rather than their ethnic origins. However, these terms were used interchangeably by foreigners. At the same time, various other exonym words were used for these nomads, such as Konar-göçer, Göçebe, Göçer-yörük, Göçerler, the most common one among these was Konar-göçer – nomadic Turcoman Turks. All of these words are found in Ottoman archival documents and carry only the meaning of nomad, Oghuz tribes had moved westward from the Altay mountains in the 7th century AD, through the Siberian steppes, and settled in this region. They also penetrated as far west as the Volga basin and the Balkans and these early Turkmens are believed to have mixed with native Sogdian peoples and lived as pastoral nomads until the Russian conquest of the 19th century. Signs of advanced settlements have been found throughout Turkmenistan including the Djeitun settlement where neolithic buildings have been excavated and dated to the 7th millennium BCE, by 2000 BCE, various Indo-European peoples began to settle throughout the region, as indicated by the finds at the Bactria-Margiana Archaeological Complex. Notable early tribes included the nomadic Dahae, Massagetae and Scythians, the Parni, a Dahae tribe came to dominate the region, and established the Parthian Empire, which also later fractured as a result of invasions from the north. Ephthalites, Huns, and Göktürks came in a parade of invasions. Finally, the Sassanid Empire based in Persia ruled the area prior to the coming of the Muslim Arabs during the Umayyad Caliphate by 716 CE, the majority of the inhabitants were converted to Islam as the region grew in prominence. Next came the Oghuz Turks, who imparted their language upon the local population, a tribe of the Oghuz, the Seljuks, established a Turko-Iranian culture that culminated in the Khwarezmid Empire by the 12th century. Mongol hordes led by Genghis Khan conquered the area between 1219 and 1221 and devastated many of the cities led to a rapid decline of the remaining Iranian urban population. The Turkmen largely survived the Mongol period due to their lifestyle and became traders along the Caspian
27.
Dutar
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The dutar is a traditional long-necked two-stringed lute found in Iran and Central Asia. Its name comes from the Persian word for two strings, دو تار dotār, although the Herati dutar of Afghanistan has fourteen strings, when played, the strings are usually plucked by the Uyghurs of Western China and strummed and plucked by the Tajiks, Turkmen, Uzbeks. Related instruments include the Kazakh dombra, the Dutar is also an important instrument among the Kurds of Khorasan amongst whom Haj Ghorban Soleimani of Quchan was a noted virtuoso. In Kormanji one who plays the dutar is known as a bakci, Khorasan bakhshi music is recognized on the Representative List of the Intangible Cultural Heritage of Humanity. At the time of the Dutars humble origins in the 15th century as an instrument its strings were made from gut. However, with the opening up of the Silk Road, catgut gave way to strings made from twisted silk imported from China, to this day some instruments still feature silk strings, although nylon strings are also commonly used. The dutar has a warm, dulcet tone, typical sizes for the pear-shaped instrument range from one to two meters
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Turkey
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Turkey, officially the Republic of Turkey, is a transcontinental country in Eurasia, mainly in Anatolia in Western Asia, with a smaller portion on the Balkan peninsula in Southeast Europe. Turkey is a democratic, secular, unitary, parliamentary republic with a cultural heritage. The country is encircled by seas on three sides, the Aegean Sea is to the west, the Black Sea to the north, and the Mediterranean Sea to the south. The Bosphorus, the Sea of Marmara, and the Dardanelles, Ankara is the capital while Istanbul is the countrys largest city and main cultural and commercial centre. Approximately 70-80% of the countrys citizens identify themselves as ethnic Turks, other ethnic groups include legally recognised and unrecognised minorities. Kurds are the largest ethnic minority group, making up approximately 20% of the population, the area of Turkey has been inhabited since the Paleolithic by various ancient Anatolian civilisations, as well as Assyrians, Greeks, Thracians, Phrygians, Urartians and Armenians. After Alexander the Greats conquest, the area was Hellenized, a process continued under the Roman Empire. The Seljuk Sultanate of Rûm ruled Anatolia until the Mongol invasion in 1243, the empire reached the peak of its power in the 16th century, especially during the reign of Suleiman the Magnificent. During the war, the Ottoman government committed genocides against its Armenian, Assyrian, following the war, the conglomeration of territories and peoples that formerly comprised the Ottoman Empire was partitioned into several new states. Turkey is a member of the UN, an early member of NATO. Turkeys growing economy and diplomatic initiatives have led to its recognition as a regional power while her location has given it geopolitical, the name of Turkey is based on the ethnonym Türk. The first recorded use of the term Türk or Türük as an autonym is contained in the Old Turkic inscriptions of the Göktürks of Central Asia, the English name Turkey first appeared in the late 14th century and is derived from Medieval Latin Turchia. Similarly, the medieval Khazar Empire, a Turkic state on the shores of the Black. The medieval Arabs referred to the Mamluk Sultanate as al-Dawla al-Turkiyya, the Ottoman Empire was sometimes referred to as Turkey or the Turkish Empire among its European contemporaries. The Anatolian peninsula, comprising most of modern Turkey, is one of the oldest permanently settled regions in the world, various ancient Anatolian populations have lived in Anatolia, from at least the Neolithic period until the Hellenistic period. Many of these peoples spoke the Anatolian languages, a branch of the larger Indo-European language family, in fact, given the antiquity of the Indo-European Hittite and Luwian languages, some scholars have proposed Anatolia as the hypothetical centre from which the Indo-European languages radiated. The European part of Turkey, called Eastern Thrace, has also been inhabited since at least forty years ago. It is the largest and best-preserved Neolithic site found to date, the settlement of Troy started in the Neolithic Age and continued into the Iron Age
29.
Sound board (music)
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A sound board, or soundboard, is the surface of a string instrument that the strings vibrate against, usually via some sort of bridge. Pianos, guitars, banjos, and many other stringed instruments incorporate soundboards, the resonant properties of the sound board and the interior of the instrument greatly increase the loudness of the vibrating strings. The sound board operates by the principle of forced vibration, the string gently vibrates the board, and despite their differences in size and composition, makes the board vibrate at exactly the same frequency. This produces the sound as the string alone, differing only in timbre. The string would produce the amount of energy without the board present, but the greater surface area of the sound board moves a greater volume of air. Sound boards are made of wood, though other materials are used. Wooden sound boards typically have one or more sound holes of various shapes, round, oval, or F-holes appear on many plucked instruments, such as guitars and mandolins. F-holes are usual in violin family instruments, the upper surface of the sound board, depending on the instrument, is called a top plate, table, sound-table, or belly. It is usually made of a softwood, often spruce, the rear part, known as the back, typically does not contain sound holes and is made of a hardwood such as maple or pear. In a grand piano, the board is part of the case. In an upright piano, the board is a large vertical plate at the back of the instrument. The harp has a sound board below the strings, more generally, any hard surface can act as a sound board. An example is when someone strikes a tuning fork and holds it against a top to amplify its sound. Ernst Chladni Harpsichord Piano Piano acoustics Soundboard Wood Preparation
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Neck (music)
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The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the family. Necks are also a part of certain woodwind instruments, like for instance the saxophone. The word for neck also appears in other languages in musical instructions. The terms include manche, manico, and Hals, the neck of a guitar includes the guitars frets, fretboard, tuners, headstock, and truss rod. The wood used to make the fretboard will usually differ from the wood in the rest of the neck, the rigidity of the neck with respect to the body of the guitar is one determinant of an instruments quality. The shape of the necks cross-section can also vary from a curve to a more pronounced V shape. Marker dots on the face of the fretboard are usually placed at frets 3,5,7,9,12,15,17,19,21,24. Its also common there are marker dots on the upper side of the neck, near the edge of the fretboard. Sometimes the dots are replaced with bars, the octave positions having a wider bar, classical guitars almost never feature position markers, especially on the fretboards face, whereas electric guitars usually do. 2) Electric guitars also sport an extended range, due to the above reason. Typically, up to 24 frets are used, 3) Electric guitars vary greatly in terms of scale length, depth of lower and - if present - upper rout and where these connect to the neck at its heel, and number of frets. In contrast, classical guitar dimensions are standardised, with the 12th fret aligning with the neck-end of the body, use of only 19 frets, the neck of a violin is usually maple with a flamed figure compatible with that of the ribs and back. The shape of the neck and fingerboard affect how easily the violin may be played, many authentic old instruments have had their necks reset to a slightly increased angle, and lengthened by about a centimeter. The neck graft allows the original scroll to be kept with a Baroque violin when bringing its neck to conformance with modern standard, the neck of a lute is made of light wood, with a veneer of hardwood to provide durability for the fretboard beneath the strings. Saxophone necks are made from brass, are detachable and either straight or curved. The method of connecting the neck to the body of the instrument varies according by instrument and this ranges from necks that are simply screwed onto the body of the instrument to various types of glued joints. This is typically used on acoustic and hollow-body electric guitars, with a simpler mortise and tenon joint, which is similar to a dovetail joint, except that the tenon is straight instead of tapered
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Screw
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A screw is a type of fastener, sometimes similar to a bolt, typically made of metal, and characterized by a helical ridge, known as a male thread or just thread. A screw is an inclined plane wrapped around a nail, some screw threads are designed to mate with a complementary thread, known as a female thread, often in the form of a nut or an object that has the internal thread formed into it. Other screw threads are designed to cut a groove in a softer material as the screw is inserted. The most common uses of screws are to hold objects together, a screw will usually have a head on one end that contains a specially formed shape that allows it to be turned, or driven, with a tool. Common tools for driving screws include screwdrivers and wrenches, the head is usually larger than the body of the screw, which keeps the screw from being driven deeper than the length of the screw and to provide a bearing surface. The cylindrical portion of the screw from the underside of the head to the tip is known as the shank, the distance between each thread is called the pitch. Another rule is this, curl the fingers of right hand around the screw with your thumb pointing is the direction you want the screw to go. If the screw is right-handed and you turn the screw in the direction of your fingers the screw will move in the direction of your thumb, Screws with left-hand threads are used in exceptional cases. For example, when the screw will be subject to counterclockwise torque, the right side pedal of a bicycle has a left-hand thread. More generally, screw may mean any helical device, such as a clamp, a micrometer, there is no universally accepted distinction between a screw and a bolt. So, as a rule, when buying a packet of screws you would not expect nuts to be included. Part of the confusion over this is due to regional or dialectical differences. An externally threaded fastener which is prevented from being turned during assembly, an externally threaded fastener that has thread form which prohibits assembly with a nut having a straight thread of multiple pitch length is a screw. This distinction is consistent with ASME B18.2.1 and some dictionary definitions for screw, some of these issues are discussed below, ASME standards specify a variety of Machine Screws in diameters ranging up to 0.75 in. These fasteners are used with nuts but also often driven into tapped holes. They might be considered a screw or a bolt based on the Machinerys Handbook distinction, ASME standard B18.2. 1-1996 specifies Hex Cap Screws that range in size from 0. 25–3 in in diameter. These fasteners are very similar to hex bolts and they differ mostly in that they are manufactured to tighter tolerances than the corresponding bolts. Machinerys Handbook refers parenthetically to these fasteners as Finished Hex Bolts, in 1991 responding to an influx of counterfeit fasteners Congress passed PL 101-592 Fastener Quality Act This resulted in the rewriting of specifications by the ASME B18 committee
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Guitar pick
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A guitar pick is a plectrum used for guitars. Picks are generally made of one uniform material—such as some kind of plastic, rubber, felt, tortoiseshell, wood, metal, glass, tagua and they are often shaped in an acute isosceles triangle with the two equal corners rounded and the third corner less rounded. They are used to strum chords or to individual notes on a guitar. In British English, guitar picks are referred to as plectrums reserving the term pick to identify the difference between this and finger picks, musicians have used plectrums to play stringed instruments for thousands of years. Feather quills were likely the first standardized plectra and became widely used until the late 19th century, other alternatives had come and gone, but tortoiseshell provided the best combination of tonal sound and physical flexibility for plucking a taut string. There have been innovations in the design of the guitar pick. Most of these were out of the issue of guitar picks slipping and flying out of the hand of the player. In 1896, a Cincinnati man affixed two rubber disks to either side of a pick, which made it the first popular solution to the problem. Over the next two decades more innovations were made, such as corrugating the rounded surface of the pick or drilling a hole through the center to fit the pad of a players thumb. A more notable improvement was attaching cork to the part of the pick. Some of these new designs made picks undesirably expensive, eventually, pickers realized that all they needed was something to sink their fingerprints into so the pick wouldnt slip, such as a high relief imprinted logo. Celluloid was a material on which this could easily be done, tony DAndrea was the one of the first people to use celluloid to produce and sell guitar picks. From the 1920s through the 1950s, DAndrea Manufacturing would dominate the worlds international pick market, providing to major businesses such as Gibson, Fender, and Martin. One of the main reasons celluloid was so popular as guitar pick material was that it very closely imitated the sound and flexibility of a tortoise shell guitar pick. Musicians had been partial to shell picks, and when DAndrea provided an alternative, DAndrea Manufacturing became very successful, Celluloid provided a good alternative in many ways. Tortoise shell was rare, expensive, and had a tendency to break, Celluloid was made from cellulose, one of the most abundant raw materials in the world, and nitrocellulose combined with camphor under heat and pressure produced celluloid. Later, other materials, such as nylon and less popularly wood, glass, or metal would become popular for making guitar picks for their increased grip, flexibility, or tonal qualities. Pick shapes started with guitarists shaping bone, shell, wood, cuttlebone, metal, amber, most of todays guitar pick shapes were created by the company that made the first plastic pick in 1922, DAndrea Picks
33.
Azerbaijan
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Azerbaijan, officially the Republic of Azerbaijan, is a country in the South Caucasus region, situated at the crossroads of Southwest Asia and Southeastern Europe. It is bound by the Caspian Sea to the east, Russia to the north, Georgia to the northwest, Armenia to the west and Iran to the south. The exclave of Nakhchivan is bound by Armenia to the north and east, Iran to the south and west, the Azerbaijan Democratic Republic proclaimed its independence in 1918 and became the first democratic state in the Muslim orient world. The country was incorporated into the Soviet Union in 1920 as the Azerbaijan Soviet Socialist Republic, the modern Republic of Azerbaijan proclaimed its independence on 30 August 1991, prior to the official dissolution of the USSR in December 1991. In September 1991, the Armenian majority of the disputed Nagorno-Karabakh region seceded to form the Nagorno-Karabakh Republic, the region and seven adjacent districts outside it became de facto independent with the end of the Nagorno-Karabakh War in 1994. These regions are recognized as part of Azerbaijan pending a solution to the status of the Nagorno-Karabakh. Azerbaijan is a unitary semi-presidential republic, the country is a member state of the Council of Europe, the OSCE and the NATO Partnership for Peace program. It is one of six independent Turkic states, a member of the Turkic Council. Azerbaijan has diplomatic relations with 158 countries and holds membership in 38 international organizations and it is one of the founding members of GUAM, the Commonwealth of Independent States and the Organization for the Prohibition of Chemical Weapons. Its term of office began on 19 June 2006, Azerbaijan is also a member state of the Non-Aligned Movement, holds observer status in World Trade Organization and is a correspondent at the International Telecommunication Union. The Constitution of Azerbaijan does not declare an official religion and all political forces in the country are secularist. However, the majority of the population are of a Shiite Muslim background, Azerbaijan has a high level of human development which ranks on par with most Eastern European countries. It has a rate of economic development and literacy, as well as a low rate of unemployment. According to the Davos World Economic Forum, Azerbaijans economy has scored 37th place within 138 countries in 2016, Global Competitiveness Index 2015 indicates that Azerbaijan scores highest in its region. ASAN services, established with Presidential Decree, are known for eliminating bribery. ASAN Service has been awarded with United Nations Public Service Award 2015, the ruling party, the New Azerbaijan Party, has been accused of authoritarianism and human rights abuses. The original etymology of name is thought to have its roots in the once-dominant Zoroastrianism. In the Avesta, Frawardin Yasht, there is a mention of âterepâtahe ashaonô fravashîm ýazamaide, the name Atropates itself is the Greek transliteration of an Old Iranian, probably Median, compounded name with the meaning Protected by the Fire or The Land of the Fire
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Ashik
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The modern Azerbaijani ashik is a professional musician who usually serves an apprenticeship, masters playing bağlama, and builds up a varied but individual repertoire of Turkic folk songs. The word ashiq عاشق is subjective forms derives from ishq عشق, related to Avestan iš- to wish, desire, the Turkish term that ashik superseded was ozan. In the early armies of the Turks, as far back as that of Attila, the heroic poems, which they recited to the accompaniment of the kopuz, flattered the sensibilities of an entire people. The ashik tradition in Turkic cultures of Anatolia, Azerbaijan and Iran has its origin in the Shamanistic beliefs of ancient Turkic peoples, the ancient ashiks were called by various names such as bakshy/bakhshi/Baxşı, dede, and uzan or ozan. Among their various roles, they played a part in perpetuation of oral tradition, promotion of communal value system. These wandering bards or troubadours are part of current rural and folk culture of Azerbaijan, and Iranian Azerbaijan, Turkey, the Turkmen Sahra and Turkmenistan, where they are called bakshy. Thus, ashik, in sense, may be defined as travelling bards who sang and played saz. Judging based on the Turkic epic Dede Korkut, the roots of ashiks can be traced back to at least the 7th century and this nomadic tribe journeyed westwards through Central Asia from the 9th century onward and settled in present Turkey, Azerbaijan Republic and North-west areas of Iran. Naturally, their music was evolved in the course of the grand migration, an important component of this cultural evolution was that the Turks embraced Islam within a short time and of their own free will. Muslim Turk dervishes, desiring to spread the religion among their brothers who had not yet entered the Islamic fold and they choose the folk language and its associate musical form as an appropriate medium for effective transmission of their message. Thus, ashik literature developed alongside mystical literature and was refined starting since the time of Turkic Sufi Khoja Akhmet Yassawi in early twelfth century. The single most important event in the history of music was the ascent to the throne of Shah Ismail. He was a prominent ruler-poet and has, apart from his diwan compiled a mathnawi called Deh-name, consisting of eulogies of Ali. He used the pen-name Khatai and, in tradition, is considered as an amateur ashugh. After the demise of Safavid dynasty in Iran, Turkish culture could not sustain its development among the elites. Instead, there was a surge in the development of verse-folk stories, following the collapse of the Soviet Union the governments of new republics in Caucasus region and Central Asia sought their identity in traditional cultures of their societies. This elevated the status of ashugs as the guardians of national culture, a concise account of the ashugh music and its development in Armenia is given in Garland Encyclopedia of World Music. In Armenia, ashughs are known since the 16th century onward, by far the most notable of the ashughs was Sayat Nova, who honed the art of troubadour musicianship to crowning refinement
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Culture of Azerbaijan
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The Culture of Azerbaijan is culture of Azerbaijan Republic and Iranian Azerbaijan. It has developed under the influence of Iranian, Turkic and Caucasian heritage as well as Russian influences due to its status as a Soviet republic. Today, western influences, including globalized consumer culture, are prevalent and it is bounded by the Caspian Sea to the east, Russias Daghestan region to the north, Georgia to the northwest, Armenia and Turkey to the southwest, and Iran to the south. Azerbaijan is a home to diverse ethnicities, majority of which are Azeris, the heritage, culture, and civilization of this region today known as the country of Azerbaijan has both ancient and modern roots. Caucasian Albanians are believed to be the earliest inhabitants of the land above the Aras river today known as Azerbaijan, early invaders included the Iranian Scythians in the 9th century BCE. The South Caucasus was eventually assimilated and conquered by the Persian Achaemenids around 550 BCE. Zoroastrianism was already prevalent among the Medes in the lands below and above the Aras river, the Achaemenids in turn were defeated by Alexander the Great in 330 BCE. Caucasian Albanias ruler, King Urnayr, officially adopted Christianity as the religion in the 4th century CE. Sassanid control ended with their defeat by Muslim Arabs in 642 CE, Muslim Arabs defeated the Sassanids and Byzantines as they marched into the Caucasus region. The Arabs made Caucasian Albania a vassal state after the Christian resistance, led by Prince Javanshir, between the 9th and 10th centuries, Arab authors continued to refer to the region between the Kura and Aras rivers as Arran. During this time, Arabs from Basra and Kufa came to Aran and seized lands that the peoples had abandoned. Despite pockets of continued resistance, the majority of the inhabitants of Azerbaijan converted to Islam, later on in the 10th and 11th centuries, Kurdish dynasties of Shaddadid and Rawadid ruled parts of Aran. The Seljuq period of Azerbaijans history was even more pivotal than the Arab conquest as it helped shape the ethno-linguistic nationality of the modern Azerbaijani Turks. After decline of Abbasid Khalifate, the territory of Azerbaijan was under the sway of numerous Iranian dynasties such as the Salarids, Sajids, Shaddadids, Rawadids and Buyids. However at the beginning of the 11th century, the territory was seized by waves of Oghuz Turkic tribes emanating from Central Asia. The first of these Turkic dynasties was the Ghaznavids from northern Afghanistan and they were followed by the Seljuqs, a western branch of the Oghuz who conquered all of Iran and the Caucasus and pressed on to Iraq where they overthrew the Buyids in Baghdad in 1055. Shīrwān Shāh or Sharwān Shāh, was the title in medieval Islamic times of Azerbaijani people, the Shirvanshah established a dynasty that ruled over the Aran region as well as Azarbaijan and Armenia. and were rulers of Shirvan, a historical region in present-day Azerbaijan. The Shirvanshahs established the longest Islamic dynasty in the Islamic world, the Safavid were a Sufi religious order formed in the 1330s by Sheikh Safi-ad-din Ardabili, after whom it was eponymously named
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Azerbaijani language
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The language has official status in Azerbaijan and Dagestan but it does not have official status in Iranian Azerbaijan, where the majority of Azerbaijanis live. It is also spoken to varying degrees in Azerbaijani communities of Georgia and Turkey and by diaspora communities, primarily in Europe. Azerbaijani is a member of the Oghuz branch of the Turkic languages, modern literature in Azerbaijan is based on the Shirvani dialect mainly, while in Iranian Azerbaijan region it is based on the Tabrizi one. Azerbaijani evolved from the Eastern branch of Oghuz Turkic which spread to the Caucasus, in Eastern Europe, Persian and Arabic influenced the language, but Arabic words were mainly transmitted through the intermediary of literary Persian. By the beginning of the 16th century, it had become the dominant language of the region, the historical development of Azerbaijani can be divided into two major periods, early and modern. Early Azerbaijani differs from its descendant in that it contained a larger number of Persian. Early writings in Azerbaijani also demonstrate linguistic interchangeability between Oghuz and Kypchak elements in many aspects, despite major differences, they all aimed primarily at making it easy for semi-literate masses to read and understand literature. They all criticized the overuse of Persian, Arabic, and European elements in both colloquial and literary language and called for a simpler and more popular style. Despite the wide use of Azerbaijani in the Azerbaijan Soviet Socialist Republic, after independence, Azerbaijan republic decided to switch back to the Latin script. The first examples of Azerbaijani literature date to the late 1200s following the Mongol conquest and were written in Arabic script, in the 1300s Kadi Burhan al-Din, Hesenoghlu, and Imadaddin Nasimi helped to establish Azerbaiijani as a language through poetry and other literary works. In 1875 Akinchi became the first Azerbaijani newspaper to be published in the Russian Empire and it was started by Hasan bey Zardabi, a journalist and education advocate. Following the rule of the Qajar dynasty Iran was ruled by Reza Shah who banned the publication of texts in Azerbaijani, modern literature in the Republic of Azerbaijan is based on the Shirvani dialect mainly, while in Iranian Azerbaijan it is based on the Tabrizi dialect. Mohammad-Hossein Shahriar is an important figure in Azerbaijani poetry and his most important work is Heydar Babaya Salam and it is considered to be a pinnacle of Azerbaijani literature and gained popularity in the Turkic-speaking world. It was translated more than 30 languages. In the mid-19th century Azerbaijani literature was taught at schools in Baku, Ganja, Shaki, Tbilisi, since 1845, it has also been taught in the Saint Petersburg State University in Russia. Per the 1829 Caucasus School Statute, Azerbaijani was to be taught in all schools of Ganja, Shusha, Nukha, Shamakhi, Quba, Baku, Derbent, Yerevan, Nakhchivan, Akhaltsikhe. Beginning in 1834, it was introduced as a language of study in Kutaisi instead of Armenian, in 1853, Azerbaijani became a compulsory language for students of all backgrounds in all of Transcaucasia with the exception of the Tiflis Governorate. Azerbaijani is one of the Oghuz languages within the Turkic language family, the International Organization for Standardization encodes North Azerbaijani and South Azerbaijani as distinct languages
37.
Azerbaijani literature
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While the majority of Azerbaijani people live in Iran, modern Azerbaijani literature is overwhelmingly produced in the Republic of Azerbaijan, where the language has official status. Three scripts are used for writing the language Azerbaijani latin script in the Republic of Azerbaijan, Persian alphabet in Iranian Azerbaijan, the first examples of Azerbaijani literature date to the late 1200s following the arrival of Oghuz Turks in Caucasus and were written in Perso-Arabic script. Several major authors helped to develop Azerbaijani literature from the 1300s until the 1600s, towards the end of the 19th century popular literature such as newspapers began to be published in Azerbaijani language. The first of two traditions is Azerbaijani folk literature, and the second is Azerbaijani written literature. For most of the history of Azerbaijani literature, the salient difference between the folk and the written traditions has been the variety of language employed. The folk tradition, by and large, was oral and remained free of the influence of Persian and Arabic literature, in contrast to the tradition of Azerbaijani folk literature tended to embrace the influence of Persian and Arabic literature. When the Safavid Empire arose early in the 14th century, in Iranian Azerbaijan and this style of writing under Persian and Arabic influence came to be known as Divan literature, dîvân being the Azerbaijani word referring to the collected works of a poet. Azerbaijani folk literature is an oral tradition deeply rooted, in its form, however, in its themes, Azerbaijani folk literature reflects the problems peculiar to a settling people who have abandoned the nomadic lifestyle. Another example is the mysterious figure of Nasreddin, a trickster who often plays jokes, of a sort. The religion henceforth came to exercise an influence on Turkic society and literature, particularly the heavily mystically oriented Sufi. The word aşıq is in fact the term used for members of the Bektashi order. There are three basic genres in the tradition, epic, folk poetry, and folklore, the Turkic epic has its roots in the Central Asian epic tradition that gave rise to the Book of Dede Korkut, written in Azerbaijani language. The form developed from the traditions of the Oghuz Turks. The Book of Dede Korkut endured in the tradition of the Oghuz Turks after settling in Azerbaijan. Alpamysh is an epic, translated into English and available online. The Book of Dede Korkut was the element of the Azerbaijani epic tradition in the Caucasus. Concurrent to the Book of Dede Korkut was the so-called Epic of Köroğlu, complicating matters somewhat is the fact that Köroğlu is also the name of a poet of the aşık/ozan tradition. The folk poetry tradition in Azerbaijani literature, as indicated above, was influenced by the Islamic Sufi
38.
Komuz
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The komuz or qomuz, Azeri Qopuz, Turkish Kopuz, is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments and the lute. It is the national instrument and one of the better-known Kyrgyz national symbols. The komuz is made from a single piece of wood and has three strings traditionally made out of gut, and often from fishing line in modern times. In the most common tunings the middle string is the highest in pitch, virtuosos frequently play the komuz in a variety of different positions, over the shoulder, between the knees and upside down. An illustration of a komuz is featured on the reverse of the one-som note, the komuz can be used either as accompaniment or as a lead instrument and is used in a wide variety of musical styles including aytysh and the recitation of epics. It is generally played seated, held horizontally and may be strummed or plucked, one piece consists of a simple tune repeated many times, each with a new stroke, as a test of the performer’s skill and creativity. The komuz has many different tunings, and the names of the tunings correspond with various styles of music. The word komuz is cognate to the names of other instruments in the Music of Central Asia, including the Kazakh kobyz, which depicted musicians at a council, holding a komuz-like instrument to their chests. The golcha gopuz was mentioned in the epic Book of Dede Korkut, the names of parts of the komuz are often allusions to body parts, particularly of horses. For example, the neck is called neck, the pegs are called. The Kyrgyz word кыл/qyl means string of an instrument or horses hair, the ancient komuz generally had two or three strings. The golcha gopuz is made from a leather covering which covered around two-thirds of the surface, the total length of the instrument is 810 mm, with the body 410 mm, the width 240 mm and the height or breadth only 20 mm. The Kyrgyz, ооз комуз or, alternatively, Kyrgyz, темир комуз, is a jaw harp, during the Soviet era the instrument fell from favour. It was derided as rudimentary and attempts were made to make it more like the Russian balalaika, after independence the komuz was again taught in music colleges, though some of the Soviet changes have remained. In the twentieth century the late Iranian dutar player Haj Ghorban Soleimani invented a new form of the komuz which has received some popularity, various myths exist about the komuz. One tells that the hunter Kambarkan was wandering in the forest when he heard a beautiful sound and he looked for the source and found the intestine of a squirrel tied between two tree branches, which he took and fashioned into a musical instrument. It is also said that the learned to sing by copying the komuz. The name is believed to have derived from the ancient Turkic words gop meaning height and uz meaning voice
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Musical instrument classification
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Throughout history, various methods of musical instrument classification have been used. The most commonly used system divides instruments into string instruments, woodwind instruments, brass instruments and percussion instruments, the oldest known scheme of classifying instruments is Chinese and dates from the 3rd millennium BC. It grouped instruments according to the materials they are made of. However, the Chou-Li, an anonymous treatise compiled from sources in about the 2nd century BC, had the following order, metal, stone, clay, leather, silk, wood, gourd. The same order was presented in the Tso Chuan, attributed to Tso Chiu-Ming, more usually, instruments are classified according to how the sound is initially produced. The modern system divides instruments into wind, strings and percussion, the scheme was later expanded by Martin Agricola, who distinguished plucked string instruments, such as guitars, from bowed string instruments, such as violins. Classical musicians today do not always maintain this division, but distinguish between wind instruments with a reed and those where the air is set in motion directly by the lips, many instruments do not fit very neatly into this scheme. The serpent, for example, ought to be classified as a brass instrument, however, it looks more like a woodwind instrument, and is closer to one in many ways, having finger-holes to control pitch, rather than valves. Keyboard instruments do not fit easily into this scheme, for example, the piano has strings, but they are struck by hammers, so it is not clear whether it should be classified as a string instrument or a percussion instrument. Ottoman encyclopedist Hadji Khalifa also recognized the three classes in his Kashf al-Zunun an Asami al-Kutub wa al-Funun, a treatise on the origin. The division pervades Tboli thought about cosmology, social characters of men and women, victor-Charles Mahillon later adopted a system very similar to this. This scheme was taken up by Erich von Hornbostel and Curt Sachs who published an extensive new scheme for classication in Zeitschrift für Ethnologie in 1914. Their scheme is used today, and is most often known as the Hornbostel-Sachs system. Electrophones, such as the guitar or electric bass, which produce sound through electricity and is required to be plugged in to an amplifier. Later Sachs added a category, electrophones, such as theremins. Modern synthesizers and electronic instruments fall in this category, within each category are many subgroups. The system has been criticised and revised over the years, in 1932, comparative musicologist André Schaeffner developed a new classification scheme that was exhaustive, potentially covering all real and conceivable instruments. The Kpelle of West Africa also use this system and they distinguish the struck, including both beaten and plucked, and the blown
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Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
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Tambouras
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The tambouras is a Greek traditional string instrument of Byzantine origin. It has existed since at least the 10th century, when it was known in Assyria, at that time, it might have between two and six strings, but Arabs adopted it, and called it a Tanbur. The characteristic long neck and two strings, tuned 5 notes apart and it also similar instrument Tambur in Turkish and each of them have same origin. It is considered that the ancestor is the ancient Greek pandouris, also known as pandoura, pandouros or pandourida. Since modern Greek words do not have a transliteration into the Latin alphabet. Even the final -s may be dropped at the transliteration, since it marks the nominative in Greek. Variations of the word are to be found in Greece, tsambouras, the word ταμπουράς comes from Turkish tambur from Arabic ṭanbūr or Persian tunbūra. The tambouras is a fretted instrument of the lute family, close to Turkish saz. It has movable frets that permit playing tunes in the Greek traditional modes and it was also known as Pandouris, Pandoura and Fandouros in the Byzantine Empire. When the tambouras was tempered, it gave rise to the bouzouki, which is, in fact, a recent development of the tambouras
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Buzuq
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The buzuq is a long-necked fretted lute related to the Greek bouzouki and Turkish saz. It is an instrument in the Rahbani repertoire, but it is not classified among the classical instruments of Arab or Turkish music. However, this instrument may be looked upon as a larger and deeper-toned relative of the saz, before the Rahbanis popularized the use of this instrument, the buzuq had been associated with the music of Lebanon and Syria. Unlike the short-necked unfretted oud, the buzuq has a neck, smaller body and frets tied to the neck. Typically, it is furnished with two courses of strings which are played with a plectrum, offering a metallic yet lyrical resonance. Some instruments have three courses and up to seven strings total, the name of the instrument may come from Turkish bozuk, it refers to Bozuk düzen bağlama, a tuning of Turkish baglama. Another theory on the origin of the name is that it comes from the Persian expression tanbur e bozorg, tanbur Ali Jihad Racy, Professor of Ethnomusicology, UCLA Maqam World
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Lebanon
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Lebanon, officially known as the Lebanese Republic, is a sovereign state in Western Asia. It is bordered by Syria to the north and east and Israel to the south, Lebanons location at the crossroads of the Mediterranean Basin and the Arabian hinterland facilitated its rich history and shaped a cultural identity of religious and ethnic diversity. At just 10,452 km2, it is the smallest recognized country on the entire mainland Asian continent, the earliest evidence of civilization in Lebanon dates back more than seven thousand years, predating recorded history. Lebanon was the home of the Canaanites/Phoenicians and their kingdoms, a culture that flourished for over a thousand years. In 64 BC, the region came under the rule of the Roman Empire, in the Mount Lebanon range a monastic tradition known as the Maronite Church was established. As the Arab Muslims conquered the region, the Maronites held onto their religion, however, a new religious group, the Druze, established themselves in Mount Lebanon as well, generating a religious divide that has lasted for centuries. During the Crusades, the Maronites re-established contact with the Roman Catholic Church, the ties they established with the Latins have influenced the region into the modern era. The region eventually was ruled by the Ottoman Empire from 1516 to 1918, following the collapse of the empire after World War I, the five provinces that constitute modern Lebanon came under the French Mandate of Lebanon. The French expanded the borders of the Mount Lebanon Governorate, which was populated by Maronites and Druze. Lebanon gained independence in 1943, establishing confessionalism, a unique, foreign troops withdrew completely from Lebanon on 31 December 1946. Lebanon has been a member of the Organisation internationale de la francophonie since 1973, despite its small size, the country has developed a well-known culture and has been highly influential in the Arab world. Before the Lebanese Civil War, the experienced a period of relative calm and renowned prosperity, driven by tourism, agriculture, commerce. At the end of the war, there were efforts to revive the economy. In spite of troubles, Lebanon has the highest Human Development Index and GDP per capita in the Arab world. The name of Mount Lebanon originates from the Phoenician root lbn meaning white, occurrences of the name have been found in different Middle Bronze Age texts from the library of Ebla, and three of the twelve tablets of the Epic of Gilgamesh. The name is recorded in Ancient Egyptian as Rmnn, where R stood for Canaanite L, the name occurs nearly 70 times in the Hebrew Bible, as לְבָנוֹן. The borders of contemporary Lebanon are a product of the Treaty of Sèvres of 1920 and its territory was the core of the Bronze Age Phoenician city-states. After the 7th-century Muslim conquest of the Levant, it was part of the Rashidun, Umyayad, Abbasid Seljuk, with the dissolution of the Ottoman Empire, Greater Lebanon fell under French mandate in 1920, and gained independence under president Bechara El Khoury in 1943
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Turkish tambur
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The Tambur is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. Like the ney, the armudi kemençe and the kudüm, it one of the four instruments of the basic quartet of Turkish classical music a. k. a. Of the two variants, one is played with a plectrum and the other with a bow, the player is called a tamburî. There are several hypotheses as to the origin of the instrument, one suggests that it descended from the kopuz, a string instrument still in use among the Turkic peoples of Central Asia and the Caspian region. The name itself derives from the tanbur, Tanbur in turn might have descended from the Sumerian pantur. In ancient Hittite texts, we come across a string instrument called tibula and this latter hypothesis could also account for the favor the instrument received in the Ottoman court vis-à-vis its rival, the oud. As of the 17th century, the tanbur had already taken its present form and structure, tamburs are made almost entirely of wood. The shell is assembled from strips of hardwood called ribs joined edge to edge to form a body for the instrument. The number of ribs traditionally amounts to 17,21 or 23, yet examples with slightly wider, traditionally, thinner strips called fileto are inserted between the ribs for ornamental purposes, but are not obligatory. Ribs are assembled on the wedge and the heel on which the fingerboard is mounted. The soundboard is a thin flat three-, two- or single-piece plate of resonant wood. This circular plate measuring about 30 to 35 cm in diameter is mounted on the bottom wedge, a soundhole is either wanting or consists of a very small unornamented opening, giving the instrument its peculiar sonority. The neck is a mince 100–110 cm long D-section fingerboard made of light wood, catgut frets are fixed on the neck by means of minute nails. The main bridge is trapezoidal and mobile, and since the shell lacks braces to support the soundboard, the smaller upper bridge between the pegbox and the neck is traditionally made of bone. The plectrum is made of tortoiseshell and is called bağa, cut in an asymmetrical V-form and polished at 45° on the tip, it measures 2-2.5 mm × 5–6 mm × 10–15 cm. Nowadays the tanbur has seven strings, in the past tanburs with eight strings were not uncommon. The yaylı tanbur has a physical appearance, although the shell -a nearly perfect semi-sphere- might be made of metal. It is played with a bow instead of a plectrum, the technique was introduced by Tanburi Cemil Bey in the end of the 19th century
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Tar (string instrument)
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Tar is an Iranian long-necked, waisted instrument, shared by many cultures and countries like Iran, Armenia, Georgia, Republic of Azerbaijan, and other areas near the Caucasus region. The word tār means string in Persian, though it might have the meaning in languages influenced by Persian. This has led some Iranian experts to hold that the Tar must be common among all the Iranian people as well as the territories that are named as Iranian Cultural Continuum by the Encyclopædia Iranica. This is claimed to be the root of the names of the Persian setar and the guitar as well as less widespread instruments such as the dutar and the Indian sitar. Though it was developed in the Persian Empire, the exact region in which it was first made. Tar is one of the most important musical instruments in Iran, the formation, compilation, edition, and inheritance of the most authentic and most comprehensive versions of radif are all worked on tar. The general trends of Persian classical music have deeply influenced by tar players. In 2012 art of Azerbaijani craftsmanship and performance art of the tar was added to the Representative List of the Intangible Cultural Heritage of Humanity, the tar appeared in its present form in the middle of the eighteenth century in Persia. The body is a double-bowl shape carved from wood, with a thin membrane of stretched lamb-skin covering the top. The fingerboard has twenty-five to twenty-eight adjustable gut frets, and there are three courses of strings. Its range is two and one-half octaves, and it is played with a small brass plectrum. The long and narrow neck has a flat fingerboard running level to the membrane and ends in an elaborate pegbox with six wooden tuning pegs of different dimensions, adding to the decorative effect. It has three courses of double singing strings, that are tuned in fourths plus one flying bass string that runs outside the fingerboard, every String has its own tuning peg and are tuned independently. The Persian tar used to have five strings, the sixth string was added to the tar by Darvish Khan. This string is todays fifth string of the Iranian tar, the melodies performed on tar were considered useful for headache, insomnia and melancholy, as well as for eliminating nervous and muscle spasms. Listening to this instrument was believed to induce a quiet and philosophical mood and its solemn melodies were thought to cause a person to relax and fall asleep. The author of Qabusnameh recommends that when selecting musical tones, to take account the temperament of the listener. The tar features prominently in Jeff Waynes Musical Version of The War of the Worlds, in the section Horsell Common, george Fenton played it on the original album, and Gaetan Schurrer can be seen playing one on the DVD of the 2006 production
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Setar
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The Setar is an Iranian musical instrument. It is a member of the family, which is played with the index finger of the right hand. Two and a half ago, a fourth string was added to the setar. It has 25 -27 moveable frets which are made of animal intestines or silk. It originated in Persia before the spread of Islam, the satar is an important instrument in 12 muqam
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Iran
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Iran, also known as Persia, officially the Islamic Republic of Iran, is a sovereign state in Western Asia. Comprising a land area of 1,648,195 km2, it is the second-largest country in the Middle East, with 82.8 million inhabitants, Iran is the worlds 17th-most-populous country. It is the country with both a Caspian Sea and an Indian Ocean coastline. The countrys central location in Eurasia and Western Asia, and its proximity to the Strait of Hormuz, Tehran is the countrys capital and largest city, as well as its leading economic and cultural center. Iran is the site of to one of the worlds oldest civilizations, the area was first unified by the Iranian Medes in 625 BC, who became the dominant cultural and political power in the region. The empire collapsed in 330 BC following the conquests of Alexander the Great, under the Sassanid Dynasty, Iran again became one of the leading powers in the world for the next four centuries. Beginning in 633 AD, Arabs conquered Iran and largely displaced the indigenous faiths of Manichaeism and Zoroastrianism by Islam, Iran became a major contributor to the Islamic Golden Age that followed, producing many influential scientists, scholars, artists, and thinkers. During the 18th century, Iran reached its greatest territorial extent since the Sassanid Empire, through the late 18th and 19th centuries, a series of conflicts with Russia led to significant territorial losses and the erosion of sovereignty. Popular unrest culminated in the Persian Constitutional Revolution of 1906, which established a monarchy and the countrys first legislative body. Following a coup instigated by the U. K. Growing dissent against foreign influence and political repression led to the 1979 Revolution, Irans rich cultural legacy is reflected in part by its 21 UNESCO World Heritage Sites, the third-largest number in Asia and 11th-largest in the world. Iran is a member of the UN, ECO, NAM, OIC. Its political system is based on the 1979 Constitution which combines elements of a democracy with a theocracy governed by Islamic jurists under the concept of a Supreme Leadership. A multicultural country comprising numerous ethnic and linguistic groups, most inhabitants are Shia Muslims, the largest ethnic groups in Iran are the Persians, Azeris, Kurds and Lurs. Historically, Iran has been referred to as Persia by the West, due mainly to the writings of Greek historians who called Iran Persis, meaning land of the Persians. As the most extensive interactions the Ancient Greeks had with any outsider was with the Persians, however, Persis was originally referred to a region settled by Persians in the west shore of Lake Urmia, in the 9th century BC. The settlement was then shifted to the end of the Zagros Mountains. In 1935, Reza Shah requested the international community to refer to the country by its native name, opposition to the name change led to the reversal of the decision, and Professor Ehsan Yarshater, editor of Encyclopædia Iranica, propagated a move to use Persia and Iran interchangeably
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Anatolia
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Anatolia, in geography known as Asia Minor, Asian Turkey, Anatolian peninsula, or Anatolian plateau, is the westernmost protrusion of Asia, which makes up the majority of modern-day Turkey. The region is bounded by the Black Sea to the north, the Mediterranean Sea to the south, the Sea of Marmara forms a connection between the Black and Aegean Seas through the Bosphorus and Dardanelles straits and separates Anatolia from Thrace on the European mainland. Traditionally, Anatolia is considered to extend in the east to a line between the Gulf of Alexandretta and the Black Sea to the Armenian Highlands, thus, traditionally Anatolia is the territory that comprises approximately the western two-thirds of the Asian part of Turkey. The Turkification of Anatolia began under the Seljuk Empire in the late 11th century, however, various non-Turkic languages continue to be spoken by minorities in Anatolia today, including Kurdish, Assyrian, Armenian, Arabic, Laz, Georgian, and Greek. Traditionally, Anatolia is considered to extend in the east to a line running from the Gulf of Alexandretta to the Black Sea. This traditional geographical definition is used, for example, in the latest edition of Merriam-Websters Geographical Dictionary, under this definition, Anatolia is bounded to the east by the Armenian Highlands, and the Euphrates before that river bends to the southeast to enter Mesopotamia. To the southeast, it is bounded by the ranges that separate it from the Orontes valley in Syria, the first name the Greeks used for the Anatolian peninsula was Ἀσία, presumably after the name of the Assuwa league in western Anatolia. As the name of Asia came to be extended to areas east of the Mediterranean. The name Anatolia derives from the Greek ἀνατολή meaning “the East” or more literally “sunrise”, the precise reference of this term has varied over time, perhaps originally referring to the Aeolian, Ionian and Dorian colonies on the west coast of Asia Minor. In the Byzantine Empire, the Anatolic Theme was a theme covering the western, the modern Turkish form of Anatolia is Anadolu, which again derives from the Greek name Aνατολή. The Russian male name Anatoly and the French Anatole share the same linguistic origin, in English the name of Turkey for ancient Anatolia first appeared c. It is derived from the Medieval Latin Turchia, which was used by the Europeans to define the Seljuk controlled parts of Anatolia after the Battle of Manzikert. Human habitation in Anatolia dates back to the Paleolithic, neolithic Anatolia has been proposed as the homeland of the Indo-European language family, although linguists tend to favour a later origin in the steppes north of the Black Sea. However, it is clear that the Anatolian languages, the oldest branch of Indo-European, have spoken in Anatolia since at least the 19th century BC. The earliest historical records of Anatolia stem from the southeast of the region and are from the Mesopotamian-based Akkadian Empire during the reign of Sargon of Akkad in the 24th century BC, scholars generally believe the earliest indigenous populations of Anatolia were the Hattians and Hurrians. The region was famous for exporting raw materials, and areas of Hattian-, one of the numerous cuneiform records dated circa 20th century BC, found in Anatolia at the Assyrian colony of Kanesh, uses an advanced system of trading computations and credit lines. They were speakers of an Indo-European language, the Hittite language, originating from Nesa, they conquered Hattusa in the 18th century BC, imposing themselves over Hattian- and Hurrian-speaking populations. According to the most widely accepted Kurgan theory on the Proto-Indo-European homeland, however, the Hittites adopted the cuneiform script, invented in Mesopotamia
