The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat, dating to the reigns of Ashurnasirpal II and Shalmaneser III. Their extensive use of narrative art depicting the exploits of Assyrian kings has cemented their position as some of the most important surviving works of art of the Neo-Assyrian Empire, comparable to the extensive Assyrian palace reliefs. When the Neo-Assyrian Empire fell in 614-612 BC, Balawat was destroyed. The wooden elements of the gates decomposed, leaving only the bronze bands. The remains of two sets of gates can be found in the British Museum's collection, those from the Temple of Mamu are housed in the Mosul Museum. Small sections of the Shalmaneser bronze door bands are also in the Louvre Museum at the Walters Art Museum in Baltimore and in the Istanbul Archaeology Museums.
Full-size replica in the British Museum (top) and smaller gate in the Istanbul museum (bottom)
Image: Balawat Gate in Istanbul
Capture of Astamaku, near Al-Mastumah, described on the gates
Detail of an embossed scene on bronze plate showing Shalmaneser III in a chariot and Assyrian archers. From a Balawat gate, Iraq, 859-824 BCE. Ancient Orient Museum, Istanbul
Balawat is an archaeological site of the ancient Assyrian city of Imgur-Enlil, and modern village in Nineveh Province (Iraq). It lies 25 kilometres (16 mi) southeast from the city of Mosul and 4 kilometres (2.5 mi) to the south of the modern Assyrian town of Bakhdida.
The Walters Art Museum fragments of the Balawat Gates. (Top) Syrian porters in long robes and conical hats carry tribute to the Assyrian camp. (Bottom) Assyrian soldiers carry logs as they march through a hilly, forested landscape