The Ballroom scene is an African-American and Latino underground LGBTQ+ subculture. Its origins can be found in drag balls of the mid-19th century United States, such as those hosted by William Dorsey Swann, a formerly enslaved Black man in Washington D.C.. By the early 20th century, integrated drag balls were popular in cities such as New York, Chicago, New Orleans, Baltimore, and Philadelphia. In the mid-20th century, as a response to racism in integrated drag spaces, the balls evolved into house ballroom, where Black and Latino attendees could "walk" in a variety of categories for trophies and cash prizes. Most participants in ballroom belong to groups known as "houses," where chosen families of friends form relationships and communities separate from their families of origin, from which they may be estranged. The influence of ballroom culture can be seen in dance, language, music, and popular culture, and the community still exists today.
Contestant in a ball at the National Museum of African Art, 2016
Contestant walking towards the judges at a ball in Berlin in 2018
Gay balls, cross-dressing balls or drag balls, depending on the place, time, and type, were public or private balls, celebrated mainly in the first third of the twentieth century, where cross-dressing and ballroom dancing with same sex partners was allowed. By the 1900s, the balls had become important cultural events for gays and lesbians, even attracting tourists. Their golden age was during the Interwar period, mainly in Berlin and Paris, even though they could be found in many big cities in Europe and the Americas such as Mexico City and New York City.
"Molly" or "macaroni" from the 18th century
Hermann von Teschenberg (1866-1911) dressed as woman. Teschenberg, a cross-dresser, was one of the founders of the Scientific-Humanitarian Committee.
The Eldorado of the Motzstraße, in Berlin, 1932. The sign includes their motto: "Hier ist's Richtig!".
Dance scene (dancing people in Eldorado) (1910), sketch by Ernst Ludwig Kirchner (1880-1938)