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The term bara translates literally to "rose" in Japanese, and has historically been used as a pejorative for gay men roughly equivalent to the English
The term bara translates literally to "rose" in Japanese, and has historically been used as a pejorative for gay men roughly equivalent to the English language term "pansy".
A musha-e print by Utagawa Kuniyoshi (c. 1834)
A musha-e print by Utagawa Kuniyoshi (c. 1834)
Gengoroh Tagame, whose manga in G-men is credited with shifting the aesthetics of gay manga towards masculine men
Gengoroh Tagame, whose manga in G-men is credited with shifting the aesthetics of gay manga towards masculine men
Gay manga often features masculine men with varying degrees of muscle, body fat, and body hair. This is a drawing of a muscular man without defined ab
Gay manga often features masculine men with varying degrees of muscle, body fat, and body hair. This is a drawing of a muscular man without defined abdominal muscles, which provides a typical example of a gachimuchi body type.
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Old Buddhist, by Utagawa Kuniyoshi. Note the exposed bare feet of the boy indicating the sexual demeanor while the brocade Kesa robe indicates the wea
Old Buddhist, by Utagawa Kuniyoshi. Note the exposed bare feet of the boy indicating the sexual demeanor while the brocade Kesa robe indicates the wealthy status of cleric.
Man and youth, Miyagawa Isshō, ca. 1750; Panel from a series of ten on a shunga-style painted hand scroll (kakemono-e); sumi, color and gofun on silk.
Man and youth, Miyagawa Isshō, ca. 1750; Panel from a series of ten on a shunga-style painted hand scroll (kakemono-e); sumi, color and gofun on silk. Private collection. Note that the youth on the left is wearing a kimono whose style (furisode) and color was considered appropriate for adolescents of both sexes but not adult men, which along with the partially shaved pate denotes the boy's wakashū age status while the exposed bare feet indicates the purely sexual demeanor.
A wakashū (wearing headscarf) sneaks a kiss from a female prostitute behind his patron's back. Nishikawa Sukenobu, c. 1716–1735. Hand-colored print.
A wakashū (wearing headscarf) sneaks a kiss from a female prostitute behind his patron's back. Nishikawa Sukenobu, c. 1716–1735. Hand-colored print.