The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
Corot, Road by the Water, c. 1865–70, oil on canvas. Clark Art Institute
Charles-François Daubigny, The Pond at Gylieu, 1853
Théodore Rousseau, Becquigny, Somme, c. 1857
The Gleaners. Jean-François Millet. 1857. Musée d'Orsay, Paris.
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects.
Joachim Patinir (1480–1524), Landscape with Charon Crossing the Styx, 1515–1524. Patinir pioneered the "world landscape" style.
Themistokles von Eckenbrecher (German, 1842–1921), View of Lærdalsøyri, on the Sognefjord, 1901
Dong Yuan (934–962) Dongtian Mountain Hall (Chinese: 洞天山堂圖). 10th century, the Five Dynasties (Chinese). National Palace Museum, Taipei.
Landscape with scene from the Odyssey, Rome, c. 60–40 BCE