1.
Basilica
–
The Latin word basilica has three distinct applications in modern English. The word was used to describe an ancient Roman public building where courts were held, as well as serving other official. To a large extent these were the halls of ancient Roman life. The basilica was centrally located in every Roman town, usually adjacent to the main forum, later, the term came to refer specifically to a large and important Roman Catholic church that has been given special ceremonial rights by the Pope. Roman Catholic basilicas are Catholic pilgrimage sites, receiving tens of millions of visitors per year. In December 2009 the Basilica of Our Lady of Guadalupe in Mexico City set a new record with 6.1 million pilgrims during Friday and Saturday for the anniversary of Our Lady of Guadalupe. The Roman basilica was a public building where business or legal matters could be transacted. The first basilicas had no function at all. The central aisle tended to be wide and was higher than the flanking aisles, the oldest known basilica, the Basilica Porcia, was built in Rome in 184 BC by Cato the Elder during the time he was Censor. Other early examples include the basilica at Pompeii, probably the most splendid Roman basilica is the one begun for traditional purposes during the reign of the pagan emperor Maxentius and finished by Constantine I after 313 AD. In the 3rd century AD, the elite appeared less frequently in the forums. They now tended to dominate their cities from opulent palaces and country villas, rather than retreats from public life, however, these residences were the forum made private. Seated in the tribune of his basilica, the man would meet his dependent clientes early every morning. A private basilica excavated at Bulla Regia, in the House of the Hunt and its reception or audience hall is a long rectangular nave-like space, flanked by dependent rooms that mostly also open into one another, ending in a semi-circular apse, with matching transept spaces. Clustered columns emphasised the crossing of the two axes, the remains of a large subterranean Neopythagorean basilica dating from the 1st century AD were found near the Porta Maggiore in Rome in 1915. The ground-plan of Christian basilicas in the 4th century was similar to that of this Neopythagorean basilica, the usable model at hand, when Constantine wanted to memorialise his imperial piety, was the familiar conventional architecture of the basilicas. In, and often also in front of, the apse was a platform, where the altar was placed. Constantine built a basilica of this type in his complex at Trier, later very easily adopted for use as a church
Basilica
–
St Peter's Basilica,
Vatican City, a
major basilica of the
Roman Catholic Church, is a central-plan building, enlarged by a basilical nave
Basilica
–
St. John in the Lateran is both an architectural and an ecclesiastical basilica
Basilica
–
Remains of the
Basilica of Maxentius and Constantine in Rome. The building's northern aisle is all that remains.
Basilica
–
Floor plan of the Basilica of Maxentius and Constantine
2.
Portico
–
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
Portico
–
Under the portico of the Pantheon
Portico
–
Portico close to piazza Santo Stefano,
Bologna
Portico
–
Temple of Portunus, with its tetrastyle portico of four
Ionic columns
Portico
–
The hexastyle Temple of Concord at
Agrigentum (c. 430 B.C.)
3.
Assisi
–
Assisi is a town and comune of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio. The 19th-century Saint Gabriel of Our Lady of Sorrows was also born in Assisi, around 1000 BC a wave of immigrants settled in the upper Tiber valley as far as the Adriatic Sea, and also in the neighborhood of Assisi. These were the Umbrians, living in fortified settlements on high ground. From 450 BC these settlements were taken over by the Etruscans. The Romans took control of central Italy after the Battle of Sentinum in 295 BC and they built the flourishing municipium Asisium on a series of terraces on Monte Subasio. Roman remains can still be found in Assisi, city walls, the forum, a theatre, an amphitheatre, in 1997, the remains of a Roman villa were also discovered containing several well-preserved rooms with frescoes and mosaics in a condition rarely found outside sites such as Pompei. In 238 AD Assisi was converted to Christianity by bishop Rufino, according to tradition, his remains rest in the Cathedral Church of San Rufino in Assisi. The Ostrogoths of king Totila destroyed most of the town in 545, Assisi then came under the rule of the Lombards as part of the Lombard and then Frankish Duchy of Spoleto. The thriving commune became an independent Ghibelline commune in the 11th century, the city, which had remained within the confines of the Roman walls, began to expand outside these walls in the 13th century. In this period the city was under papal jurisdiction, the city went into a deep decline through the plague of the Black Death in 1348. The city came again under papal jurisdiction under the rule of Pope Pius II, in 1569 construction was started of the Basilica of Santa Maria degli Angeli. During the Renaissance and in later centuries, the city continued to develop peacefully, as the 17th-century palazzi of the Bernabei, now the site of many a pilgrimage, Assisi is linked in legend with its native son, St. Francis. The gentle saint founded the Franciscan order and shares honors with St. Catherine of Siena as the saint of Italy. He is remembered by many, even non-Christians, as a lover of nature, Assisi was hit by two devastating earthquakes, that shook Umbria in September 1997. But the recovery and restoration have been remarkable, although much remains to be done, massive damage was caused to many historical sites, but the major attraction, the Basilica di San Francesco, reopened less than 2 years later. UNESCO collectively designated the Franciscan structures of Assisi as a World Heritage Site in 2000, the Basilica of San Francesco dAssisi. The Franciscan monastery, il Sacro Convento, and the lower and upper church of St Francis were begun immediately after his canonization in 1228, and completed in 1253. The Basilica was badly damaged by an earthquake on 26 September 1997, during part of the vault collapsed, killing four people inside the church
Assisi
–
Panorama of Assisi
Assisi
–
Temple of Minerva in the Piazza del Comune.
Assisi
–
UNESCO World Heritage Site
Assisi
–
Church of San Pietro.
4.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
5.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
–
Longitude lines are perpendicular and latitude lines are parallel to the equator.
6.
List of religions and spiritual traditions
–
Religion is a collection of cultural systems, beliefs and world views that establishes symbols that relate humanity to spirituality and, sometimes to moral values. While religion is hard to define, one model of religion, used in religious studies courses, was proposed by Clifford Geertz. A critique of Geertzs model by Talal Asad categorized religion as an anthropological category, many religions have narratives, symbols, traditions and sacred histories that are intended to give meaning to life or to explain the origin of life or the universe. They tend to derive morality, ethics, religious laws, or a preferred lifestyle from their ideas about the cosmos, according to some estimates, there are roughly 4,200 religions in the world. The word religion is sometimes used interchangeably with faith or belief system, Certain religions also have a sacred language often used in liturgical services. Religious beliefs have also used to explain parapsychological phenomena such as out-of-body experiences, near-death experiences and reincarnation. A group of monotheistic traditions sometimes grouped with one another for comparative purposes, oriental Orthodox Churches, Includes the Armenian Apostolic, Coptic, Syrian Orthodox, Ethiopian and Eritrean Orthodox Churches, as well as a portion of the St. Thomas Christians in India. Greek Old Calendarists Russian Old Believers Bezpopovtsy Popovtsy Spiritual Christianity Doukhobor Molokan Certain Christian groups are difficult to classify as Eastern or Western, irenaeus wrote polemics against them from the standpoint of the then-unified Catholic Church. They are definitely of ancient Israelite origin, but their status as Jews is disputed, falasha or Beta Israel Noahidism Noahidism is a monotheistic ideology based on the Seven Laws of Noah, and on their traditional interpretations within Rabbinic Judaism. According to Jewish law, non-Jews are not obligated to convert to Judaism and they derive from African traditional religions, especially of West and Central Africa, showing similarities to the Yoruba religion in particular. co. uk section on major world religions
List of religions and spiritual traditions
–
Religious symbols in clock-wise order:
Judaism,
Christianity,
Islam,
Bahá'í Faith,
Hinduism,
Taoism,
Buddhism,
Sikhism,
Slavic neopaganism,
Celtic polytheism,
Heathenism (German paganism),
Semitic neopaganism,
Wicca,
Kemetism (Egyptian paganism),
Hellenism,
Italo-Roman neopaganism.
7.
Roman Catholic
–
The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
Roman Catholic
–
Saint Peter's Basilica,
Vatican City
Roman Catholic
–
St. Peter's Basilica,
Vatican City
Roman Catholic
–
Pope Francis, elected in the
papal conclave, 2013
Roman Catholic
–
Traditional graphic representation of the Trinity: The earliest attested version of the diagram, from a manuscript of
Peter of Poitiers ' writings, c. 1210
8.
Minor basilica
–
Minor basilica is a title given to some Roman Catholic church buildings. According to canon law, no church building can be honoured with the title of basilica unless by apostolic grant or from immemorial custom, presently, the authorising decree is granted by the Pope through the Congregation for Divine Worship and the Discipline of the Sacraments. In relation to churches, writers on architecture use the term basilica to describe a church built in a particular style, in the 18th century, the term took on a canonical sense, unrelated to this architectural style. Basilicas in this sense are divided into major and minor basilicas. Today only four, all in Rome, are classified as major basilicas. These external signs, except that of the cappa magna, are still seen in basilicas. It should be large and with an ample sanctuary. It should be renowned for history, relics or sacred images, many basilicas are notable churches, and often receive significant pilgrimages. In December 2009 the Basilica of Our Lady of Guadalupe in Mexico set a record with 6.1 million pilgrims in two days for the feast of Our Lady of Guadalupe. As of June 30,2013, there were four major basilicas and 1,748 minor basilicas in the world, of these 1,748 minor basilicas, three have the title of papal minor basilica and four the title of pontifical minor basilica. The three papal minor basilicas are Saint Lawrence outside the Walls, Rome, and the Basilica of San Francesco dAssisi, All four pontifical minor basilicas now have individual pontifical delegates. For the Bari basilica, which is a dependency of the Secretariat of State, for the basilicas of Loreto and Pompei, which are within their own territorial prelatures, the pontifical delegate is the local territorial prelate. Only for the Paduan basilica is the pontifical delegate distinct from the local bishop, the remaining 1,741 minor basilicas are all classified merely as such. Another such Italian church, recognized as a basilica. This name, qualifying it as both pontifical and royal, is confirmed by other sources. Others are the Pontifical Basilica of Saints Cosmas and Damian in Bitonto, one patriarchal basilica, namely the Patriarchal Cathedral Basilica of St Mark in Venice, called patriarchal because it is the cathedral of the Patriarch of Venice, is a minor basilica. The minor basilicas form the vast majority, including cathedrals, many technically parish churches, some shrines. Some oratories and semi-private places of worship, have raised to the status of a minor basilica
Minor basilica
–
Tintinnabulum and
conopaeum, privileges formerly granted to basilicas
Minor basilica
–
Notre-Dame de Québec Cathedral, the first church in North America north of Mexico elevated to the rank of minor Basilica
Minor basilica
–
Barcelona:
Sagrada Família consecrated and proclaimed a minor basilica by Pope
Benedict XVI in 2010
Minor basilica
–
Ireland:
Basilica Shrine of Our Lady of Knock, Queen of Ireland,
Knock, County Mayo
9.
Attilio Nicora
–
Attilio Nicora is an Italian cardinal of the Roman Catholic Church, Bishop of Verona Emeritus, and President Emeritus of the Administration of the Patrimony of the Apostolic See. He served as President of the four-person Executive Board of the Vaticans Financial Information Authority from January 2011 until January 2014, Nicora was born in Varese, Italy and ordained a priest in 1964. Prior to being ordained, he had earned a license in Canon law from the Pontifical Gregorian University in Rome as well as a license in theology from the Theological Faculty in Milan, after his ordination, he became a professor of canon law at the Theological Seminary of Venegano. Nicora first became a bishop in 1977, when he was appointed bishop of Milan. Nicora oversaw the 1984 revision of the concordat, between Italy and the Vatican, from 1992 to 1997, he served as bishop of Verona. In 2002, Nicora became President of Administration of the Patrimony of the Apostolic See and this position is comparable to that of a chief financial officer in a corporation. Nicora was made Cardinal-Deacon of San Filippo Neri in Eurosia in 2003 by Pope John Paul II and he participated in the Papal conclave 2005 that elected Pope Benedict XVI and again in the Papal conclave 2013 that elected Pope Francis. On 19 January 2011, Pope Benedict XVI named Cardinal Nicora the President of the four-person Executive Board of the Vaticans recently established Financial Information Authority. On 30 January 2014, Pope Francis accepted his resignation from that position, Pope Benedict XVI appointed Cardinal Nicora Pontifical Legate for the Basilica of St. Francis in Assisi. After being a cardinal-deacon for ten years, he was promoted to cardinal-priest by Pope Francis on 12 June 2014
Attilio Nicora
–
His Eminence Attilio Nicora
10.
Architect
–
An architect is someone who plans, designs, and reviews the construction of buildings. Etymologically, architect derives from the Latin architectus, which derives from the Greek, practical, technical, and academic requirements for becoming an architect vary by jurisdiction. The terms architect and architecture are used in the disciplines of landscape architecture, naval architecture. In most jurisdictions, the professional and commercial uses of the terms architect, throughout ancient and medieval history, most architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder. Until modern times, there was no distinction between architect and engineer. In Europe, the architect and engineer were primarily geographical variations that referred to the same person. It is suggested that various developments in technology and mathematics allowed the development of the gentleman architect. Paper was not used in Europe for drawing until the 15th century, pencils were used more often for drawing by 1600. The availability of both allowed pre-construction drawings to be made by professionals, until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only qualified people with appropriate license, certification, or registration with a relevant body, such licensure usually requires an accredited university degree, successful completion of exams, and a training period. To practice architecture implies the ability to independently of supervision. In many places, independent, non-licensed individuals may perform design services outside the professional restrictions, such design houses, in the architectural profession, technical and environmental knowledge, design and construction management, and an understanding of business are as important as design. However, design is the force throughout the project and beyond. An architect accepts a commission from a client, the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building, throughout the project, the architect co-ordinates a design team. Structural, mechanical, and electrical engineers and other specialists, are hired by the client or the architect, the architect hired by a client is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. In that, the architect must meet with and question the client to ascertain all the requirements, often the full brief is not entirely clear at the beginning, entailing a degree of risk in the design undertaking. The architect may make proposals to the client which may rework the terms of the brief
Architect
–
Filippo Brunelleschi is revered to be one of the most inventive and gifted architects in history.
Architect
–
An architect at work, 1893.
Architect
–
Architect
Rem Koolhaas inspecting a model of the
Seattle Central Library
11.
Church (building)
–
A church building, often simply called a church, is a building used for Christian religious activities, particularly worship services. The term in its sense is most often used by Christians to refer to their religious buildings. In traditional Christian architecture, the church is arranged in the shape of a Christian cross. When viewed from plan view the longest part of a cross is represented by the aisle, towers or domes are often added with the intention of directing the eye of the viewer towards the heavens and inspiring church visitors. The earliest identified Christian church was a church founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, a cathedral is a church, usually Roman Catholic, Anglican, Oriental Orthodox or Eastern Orthodox, housing the seat of a bishop. In standard Greek usage, the word ecclesia was retained to signify both a specific edifice of Christian worship, and the overall community of the faithful. This usage was retained in Latin and the languages derived from Latin, as well as in the Celtic languages. In the Germanic and some Slavic languages, the word kyriak-ós/-ē/-ón was adopted instead, in Old English the sequence of derivation started as cirice, then churche, and eventually church in its current pronunciation. German Kirche, Scottish kirk, Russian церковь, etc. are all similarly derived, according to the New Testament, the earliest Christians did not build church buildings. Instead, they gathered in homes or in Jewish worship places like the Second Temple or synagogues, the earliest archeologically identified Christian church is a house church, the Dura-Europos church, founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, in addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a place for guilds or a hall for banquets. Mystery plays were performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain, a common architecture for churches is the shape of a cross. These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, another common feature is the spire, a tall tower on the west end of the church or over the crossing. The Latin word basilica was used to describe a Roman public building
Church (building)
–
La Madeleine, a
Neoclassical,
Catholic church in
Paris, France.
Church (building)
–
The
Church of Saint Simeon Stylites in
Aleppo, Syria is considered to be one of the oldest surviving church buildings in the world.
Church (building)
–
Evangelical (
Lutheran) church in
Štrba (
Slovakia) - a typical village church in
Europe.
Church (building)
–
The
Frauenkirche in
Munich is a largely
Gothic, medieval church.
12.
Architectural style
–
An architectural style is characterized by the features that make a building or other structure notable or historically identifiable. A style may include such elements as form, method of construction, building materials, styles therefore emerge from the history of a society. They are documented in the subject of architectural history, at any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. Styles often spread to places, so that the style at its source continues to develop in new ways while other countries follow with their own twist. A style may also spread through colonialism, either by foreign colonies learning from their home country, one example is the Spanish missions in California, brought by Spanish priests in the late 18th century and built in a unique style. After a style has gone out of fashion, revivals and re-interpretations may occur, for instance, classicism has been revived many times and found new life as neoclassicism. Each time it is revived, it is different, the Spanish mission style was revived 100 years later as the Mission Revival, and that soon evolved into the Spanish Colonial Revival. Vernacular architecture works slightly differently and is listed separately and it is the native method of construction used by local people, usually using labour-intensive methods and local materials, and usually for small structures such as rural cottages. It varies from region to region even within a country, as western society has developed, vernacular styles have mostly become outmoded due to new technology and to national building standards. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and this type of art history is also known as formalism, or the study of forms or shapes in art. Terms originated to describe architectural periods were often applied to other areas of the visual arts, and then more widely still to music, literature. In architecture stylistic change often follows, and is possible by. While many architectural styles explore harmonious ideals, Mannerism wants to take style a step further and explores the aesthetics of hyperbole, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favours compositional tension and instability rather than balance and clarity, the definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. An example of mannerist architecture is the Villa Farnese at Caprarola. in the country side outside of Rome. The proliferation of engravers during the 16th century spread Mannerist styles more quickly than any previous styles, a center of Mannerist design was Antwerp during its 16th-century boom. Through Antwerp, Renaissance and Mannerist styles were introduced in England, Germany. During the Mannerist Renaissance period, architects experimented with using architectural forms to emphasize solid, the Renaissance ideal of harmony gave way to freer and more imaginative rhythms
Architectural style
–
The Architect's Dream by Thomas Cole (1840) shows a vision of buildings in the historical styles of the Western tradition, from Ancient Egypt through to Classical Revival
Architectural style
–
The rhyolitic
tuff portal of the "church house" at
Colditz Castle,
Saxony, designed by Andreas Walther II (1584), is an example of the exuberance of "Antwerp Mannerism".
Architectural style
–
Town Hall of
Zamość by
Bernardo Morando.
13.
Romanesque architecture
–
Romanesque Architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the date of the Romanesque style, with proposals ranging from the 6th to the late 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches, examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture, each building has clearly defined forms, frequently of very regular, symmetrical plan, the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics, Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great churches, many of which are still standing, more or less complete. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. According to the Oxford English Dictionary, the word Romanesque means descended from Roman and was first used in English to designate what are now called Romance languages, Romance language is not degenerated Latin language. Latin language is degenerated Romance language, Romanesque architecture is not debased Roman architecture. Roman architecture is debased Romanesque architecture, the first use in a published work is in William Gunns An Inquiry into the Origin and Influence of Gothic Architecture. The term is now used for the more restricted period from the late 10th to 12th centuries, Many castles exist, the foundations of which date from the Romanesque period. Most have been altered, and many are in ruins. By far the greatest number of surviving Romanesque buildings are churches, the scope of Romanesque architecture Romanesque architecture was the first distinctive style to spread across Europe since the Roman Empire. In the more northern countries Roman building styles and techniques had never been adopted except for official buildings, although the round arch continued in use, the engineering skills required to vault large spaces and build large domes were lost. There was a loss of continuity, particularly apparent in the decline of the formal vocabulary of the Classical Orders. In Rome several great Constantinian basilicas continued in use as an inspiration to later builders, the largest building is the church, the plan of which is distinctly Germanic, having an apse at both ends, an arrangement not generally seen elsewhere. Another feature of the church is its regular proportion, the plan of the crossing tower providing a module for the rest of the plan. These features can both be seen at the Proto-Romanesque St. Michaels Church, Hildesheim, 1001–1030, the style, sometimes called First Romanesque or Lombard Romanesque, is characterised by thick walls, lack of sculpture and the presence of rhythmic ornamental arches known as a Lombard band
Romanesque architecture
–
Maria Laach Abbey, Germany
Romanesque architecture
–
Tum Collegiate Church, Poland
Romanesque architecture
–
Lessay Abbey, Normandy, France.
Romanesque architecture
–
Portal, Church of Santa Maria, Viu de Llevata,
Catalonia, Spain
14.
Italian Gothic architecture
–
Gothic architecture appeared in Italy in the 12th century. Aesthetically, in Italy the vertical development was rarely important, Gothic architecture was imported into Italy, just as it was in many other European countries. The Benedictine Cistercian order was, through their new edifices, the carrier of this new architectural style. It spread from Burgundy, their area, over the rest of Western Europe. The stained glass windows are reduced in size and colorless, in the exterior bell towers and belfries are absent. Always present, however, are oval rectangular groin vaults and clustered piers, composed by an ensemble of smaller columns, the capitals have very simple decorations, usually not figurative. The stone-dressing is very accurate as well, the result is a quasi-modern cleanness, lacking embellishments. Both strove for a certain cleanness, when not poverty, in their edifices, as previously stressed, the first Italian Gothic edifices were Cistercian abbeys. They spread throughout Italian territory, often adapting construction techniques to local traditions, there were in fact brickwork edifices in the Pianura Padana, while stone prevailed in central Italy and Tuscany. In the latter was sometimes present the by-chrome wall decoration from the local Romanesque tradition, the most important edifices include the Chiaravalle Abbey in northern Italy and the Casamari Abbey in central Italy. This century saw the construction of numerous Gothic buildings for the Mendicant Orders, around the late 13th century several important Gothic or Gothic-like edifices were begun, which were to be completed in the following century. In the 15th century no new major Gothic edifices were built in Italy, while the construction of large basilicas and cathedrals begun continued
Italian Gothic architecture
–
Architecture of Italy
Italian Gothic architecture
–
Duomo di Milano from the Square
Italian Gothic architecture
–
Basilica di San Francesco,
Assisi
Italian Gothic architecture
–
Siena Cathedral
15.
Nave
–
The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
Nave
–
The nave of the
Saint-Sulpice Church in Paris, France
Nave
–
Schematical illustration of a plan view of a cathedral, with the coloured area showing the nave.
Nave
–
The Romanesque nave of the abbey church of
Saint-Georges-de-Boscherville, Normandy, France, has a triforium passage above the aisle vaulting.
Nave
–
A fresco showing Old St Peter's Basilica, built in the 4th century: the central area, illuminated by high windows, is flanked by aisles.
16.
World Heritage Site
–
A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by the United Nations Educational, Scientific and Cultural Organization. Sites are selected on the basis of having cultural, historical, scientific or some form of significance. UNESCO regards these sites as being important to the interests of humanity. The programme catalogues, names, and conserves sites of outstanding cultural or natural importance to the common culture, under certain conditions, listed sites can obtain funds from the World Heritage Fund. The program was founded with the Convention Concerning the Protection of the Worlds Cultural and Natural Heritage, since then,192 state parties have ratified the convention, making it one of the most adhered to international instruments. As of July 2016,1052 sites are listed,814 cultural,203 natural, in 1959, the governments of Egypt and Sudan requested UNESCO to assist their countries to protect and rescue the endangered monuments and sites. In 1960, the Director-General of UNESCO launched an appeal to the Member States for an International Campaign to Save the Monuments of Nubia, the campaign, which ended in 1980, was considered a success. The project cost $80 million, about $40 million of which was collected from 50 countries, the projects success led to other safeguarding campaigns, saving Venice and its lagoon in Italy, the ruins of Mohenjo-daro in Pakistan, and the Borobodur Temple Compounds in Indonesia. UNESCO then initiated, with the International Council on Monuments and Sites, the United States initiated the idea of cultural conservation with nature conservation. The International Union for Conservation of Nature developed similar proposals in 1968, the Convention came into force on 17 December 1975. As of June 2016, it has been ratified by 192 states, including 188 UN member states plus the Cook Islands, the Holy See, Niue, a country must first list its significant cultural and natural sites, the result is called the Tentative List. A country may not nominate sites that have not been first included on the Tentative List, next, it can place sites selected from that list into a Nomination File. The Nomination File is evaluated by the International Council on Monuments and Sites and these bodies then make their recommendations to the World Heritage Committee. There are ten selection criteria – a site must meet at least one of them to be included on the list, up to 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so there is now only one set of ten criteria. Nominated sites must be of outstanding value and meet at least one of the ten criteria. Thus, the Geneva Convention treaty promulgates, Article 53, PROTECTION OF CULTURAL OBJECTS AND OF PLACES OF WORSHIP. There are 1,052 World Heritage Sites located in 165 States Party, of these,814 are cultural,203 are natural and 35 are mixed properties
World Heritage Site
–
Site #252:
Taj Mahal, an example of cultural heritage site
World Heritage Site
–
Logo of the
United Nations Educational, Scientific and Cultural Organization (UNESCO)
World Heritage Committee
World Heritage Site
–
Site #156:
Serengeti National Park, an example of natural heritage site
World Heritage Site
–
Site #274:
Historic Sanctuary of Machu Picchu, an example of mixed heritage site
17.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
Italian language
–
Dante Alighieri (above) and
Petrarch (below) were influential in establishing their
Tuscan dialect as the most prominent literary language in all of
Italy in the
Late Middle Ages
Italian language
–
The geographic distribution of the Italian language in the world: large Italian-speaking communities are shown in green; light blue indicates areas where the Italian language was used officially during the Italian colonial period.
Italian language
Italian language
–
Pietro Bembo was an influential figure in the development of the Italian language from the Tuscan dialect, as a literary medium, codifying the language for standard modern usage
18.
Latin language
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin language
–
Latin inscription, in the
Colosseum
Latin language
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin language
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin language
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
19.
Mother church
–
Mother church is a term depicting the Christian Church as a mother in its functions of nourishing and protecting the believer. It may also refer to the church of a Christian denomination or diocese i. e. Cathedral or a metropolitan church. The term has specific meanings within different Christian traditions, the first see, or primatial see, of a regional or national church is sometimes referred to as the Mother Church of that nation. For example, the local Church of Armagh is the see of Ireland. Similarly, Rome is the see of Italy, and Baltimore of the United States. The first local church in all of Christianity is that of Jerusalem and this term is most often used among Roman Catholics as the Holy Mother Church or Sancta Mater Ecclesiae. The Church is considered to be a mother to its members because it is the Bride of Christ, another term often used in Catechism in many pious Catholic countries is the title Mater et Magistra, referencing its matrimonial espousement to Jesus Christ. It is used as Designating the whole Christian Church or all Christians collectively, the National Baptist Convention, USA, Inc. is often referred to as the mother church among African-American Baptists. This Convention is the oldest and largest of the Conventions and all other National Baptists trace origin to her, not only do all National Baptists trace origination from the NBCUSA but several large Pentecostal Organizations do as well. Apostolic sees are those churches founded by one of the Twelve Apostles or Paul the Apostle. Bingham, in 1855 wrote, Ecclesia matrix, a mother-church, is taken for an original church planted immediately by the Apostles. And in this sense the Church of Jerusalem is called the mother-church of all churches in the world and he also refers to Arles the mother church of France, because supposed to be planted by the Apostles missionary Trophimus, first bishop of the place. The Mother Church of Christianity is the Church of the Resurrection in Jerusalem and it sits on the holiest sites of Christianity, the place of Jesus death, burial, and resurrection. Mother church may also be a title of distinction based on a churchs hierarchical importance, the church of the bishop of an episcopal see is often considered the mother church of the diocese. Holy Name Cathedral in Chicago, Illinois falls under this category, while it was not the first Roman Catholic cathedral of the city, it became the mother church due to the presence of the episcopal cathedra. Under these circumstances it is considered the mother church of all Hawaii. Similarly, the Mission San Carlos Borromeo in Carmel, California is considered the church of California. The term may also relate to the churches of the religious institutes
Mother church
–
Mother church (Ecclesia Mater) architecturally represented in a
mosaic of a fifth-century chapel floor (
tomb marker/cover of a certain Valentia with the added invocation to rest in peace: Valentia in Pace). Bardo Museum,
Tunis.
Mother church
–
"Most Holy Lateran Church, of all the churches in the city and the world, the mother and head" ("Sacros[ancta] Lateran[ensis] eccles[ia] omnium urbis et orbis ecclesiarum mater et caput") Inscription on the façade of the
Basilica of St. John Lateran (
Rome).
Mother church
–
Mother church of the
Missionaries of the Precious Blood in
Minster, Ohio.
Mother church
–
The Greater Refuge Temple in Harlem, New York City, the mother church of the
Pentecostal Church of Our Lord Jesus Christ of the Apostolic Faith
20.
Order of Friars Minor Conventual
–
The Order of Friars Minor Conventual sought to spread the ideals of Saint Francis throughout the new urban social order of the Middle Ages. Some friars settled in the slums, or the suburbs the medieval neighbourhoods where the huts. In London, the first settlement of the friars was set in what was called Stinking Lane, since the suburbs were also the place where hospitals were set up, the friars were often commissioned by the city government to facilitate the care of the sick. The friars also helped to construct buildings, replacing the previous huts. Robert Grosseteste, then Bishop of Lincoln, marvelled that the run to the friars for instruction as well as for confession and direction. Though keeping Francis remains in the Basilica of St. Francis, the Friars of the Community sought to take Franciss ideals to the far reaches of a universal Church. After the founders death, they began the task of translating Franciss earthly existence into a socially relevant spiritual message for current, the Conventual Franciscans nestled their large group homes into small areas of land surrounded by poverty. They used their abilities to combat the hardships and injustices of the poverty stricken areas where they settled, the friaries focused on disciplined austerity, generosity, harmonized prayer, and service to others
Order of Friars Minor Conventual
–
St. Francis of Assisi, Novaliches (Philippines)
Order of Friars Minor Conventual
–
Basilica of St. Francis,
Assisi, the most important church of the Order, where the saint's body is preserved.
Order of Friars Minor Conventual
–
Odoric de Porderone
Order of Friars Minor Conventual
–
Polish Conventual martyrsː Michael Tomaszek & Zbigniew Strzalkowski
21.
Francis of Assisi
–
Saint Francis of Assisi, born Giovanni di Pietro di Bernardone, informally named as Francesco, was an Italian Roman Catholic friar and preacher. He founded the mens Order of Friars Minor, the women’s Order of Saint Clare, the Third Order of Saint Francis, Francis is one of the most venerated religious figures in history. Pope Gregory IX canonized Francis on 16 July 1228, along with Saint Catherine of Siena, he was designated Patron saint of Italy. In 1219, he went to Egypt in an attempt to convert the Sultan to put an end to the conflict of the Crusades, by this point, the Franciscan Order had grown to such an extent that its primitive organizational structure was no longer sufficient. He returned to Italy to organize the Order, once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis is also known for his love of the Eucharist, in 1223, Francis arranged for the first Christmas live nativity scene. He died during the hours of 3 October 1226, while listening to a reading he had requested of Psalm 142. Pietro was in France on business when Francis was born in Assisi, upon his return to Assisi, Pietro took to calling his son Francesco, possibly in honor of his commercial success and enthusiasm for all things French. Since the child was renamed in infancy, the change can hardly have had anything to do with his aptitude for learning French, as some have thought. While going off to war in 1202, Francis had a vision that directed him back to Assisi, in 1205, Francis left for Apulia to enlist in the army of Walter III, Count of Brienne. Francis lived the high-spirited life typical of a young man. In 1201, he joined an expedition against Perugia and was taken as a prisoner at Collestrada. It is possible that his conversion was a gradual process rooted in this experience. Upon his return to Assisi in 1203, Francis returned to his carefree life, in 1204, a serious illness led him to a spiritual crisis. A strange vision made him return to Assisi, deepening his ecclesiastical awakening, on a pilgrimage to Rome, he joined the poor in begging at St. Peters Basilica, an experience that moved him to live in poverty. Francis returned home, began preaching on the streets, and soon gathered followers and his Order was authorized by Pope Innocent III in 1210. He then founded the Order of Poor Clares, which became a religious order for women. As a youth, Francesco became a devotee of troubadours and was fascinated with all things Transalpine, in this account, he was selling cloth and velvet in the marketplace on behalf of his father when a beggar came to him and asked for alms
Francis of Assisi
–
The Stigmata of Saint Francis by
Bartolomeo della Gatta, tempera on wood circa 1487
Francis of Assisi
–
The house where Francis of Assisi lived when young
Francis of Assisi
–
Francis of Assisi by
Cimabue
Francis of Assisi
–
Francis considered his
stigmata part of the
Imitation of Christ.
Cigoli, 1699
22.
Pilgrimage
–
A pilgrimage is a journey or search of moral or spiritual significance. Typically, it is a journey to a shrine or other location of importance to a persons beliefs and faith, a person who makes such a journey is called a pilgrim. As a common experience, pilgrimage has been proposed as a Jungian archetype by Wallace Clift. The Holy Land acts as a point for the pilgrimages of the Abrahamic religions of Judaism, Christianity. Baháulláh decreed pilgrimage to two places in the Kitáb-i-Aqdas, the House of Baháulláh in Baghdad, Iraq, and the House of the Báb in Shiraz, later, Abdul-Bahá designated the Shrine of Baháulláh at Bahji, Israel as a site of pilgrimage. Other pilgrimage places in India and Nepal connected to the life of Gautama Buddha are, Savatthi, Pataliputta, Nalanda, Gaya, Vesali, Sankasia, Kapilavastu, Kosambi, Rajagaha, Varanasi, other famous places for Buddhist pilgrimage include, India, Sanchi, Ellora, Ajanta. Thailand, Sukhothai, Ayutthaya, Wat Phra Kaew, Wat Doi Suthep, tibet, Lhasa, Mount Kailash, Lake Nam-tso. Sri Lanka, Polonnaruwa, Temple of the Tooth, Anuradhapura, malaysia, Kek Lok Si, Cheng Hoon Teng, Maha Vihara Myanmar, Bagan, Sagaing Hill. The Four Sacred Mountains Japan, Shikoku Pilgrimage,88 Temple pilgrimage in the Shikoku island, Japan 100 Kannon, pilgrimage composed of the Saigoku, Bandō and Chichibu pilgrimages. Saigoku 33 Kannon, pilgrimage in the Kansai region, Bandō33 Kannon, pilgrimage in the Kantō region. Chichibu 34 Kannon, pilgrimage in Saitama Prefecture, Chūgoku 33 Kannon, pilgrimage in the Chūgoku region. Christian pilgrimage was first made to sites connected with the birth, life, pilgrimages were, and are, also made to Rome and other sites associated with the apostles, saints and Christian martyrs, as well as to places where there have been apparitions of the Virgin Mary. A popular pilgrimage journey is along the Way of St. James to the Santiago de Compostela Cathedral, in Galicia, Spain, chaucers The Canterbury Tales recounts tales told by Christian pilgrims on their way to Canterbury Cathedral and the shrine of Thomas Becket. According to Karel Werners Popular Dictionary of Hinduism, most Hindu places of pilgrimage are associated with events from the lives of various gods. Almost any place can become a focus for pilgrimage, but in most cases they are sacred cities, rivers, lakes, Hindus are encouraged to undertake pilgrimages during their lifetime, though this practice is not considered absolutely mandatory. Most Hindus visit sites within their region or locale, Kumbh Mela, Kumbh Mela is one of the largest gatherings of humans in the world. The location is rotated among Allahabad, Haridwar, Nashik, Char Dham, The four holy sites Puri, Rameswaram, Dwarka, and Badrinath compose the Char Dham pilgrimage circuit. Kanwar Pilgrimage, The Kanwar is Indias largest annual religious pilgrimage, as part of this phenomenon, millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Śiva shrines
Pilgrimage
–
David Teniers the younger: Female Pilgrim
Pilgrimage
–
Ancient excavated Buddha-image at the Mahaparinirvana Temple,
Kushinagar
Pilgrimage
–
Tibetans on a pilgrimage to
Lhasa, doing full-body
prostrations, often for the entire length of the journey
Pilgrimage
–
Pilgrims
23.
Sacro Convento
–
The Sacro Convento is a Franciscan friary in Assisi, Umbria, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco dAssisi, where the friars custody with great reverence the body of Saint Francis. The Conventual Franciscans consider Assisi as the town and the monastery as spiritual centre of their order. Pope Gregory IX laid the cornerstone for the Basilica of San Francesco dAssisi and the friary on 17 July 1228, historians generally agree that the complex with church and monastery was completed with 11 years, by 1239. The original part of the Sacro Convento consisted of a refectory, dormitory, chapter hall, papal hall, for the first 200 years of its existence, the library rivaled the Sorbonne and Avignon with a comparable number of manuscripts. In the 15th century, during the reign of Pope Sixtus IV, in the 17th century, the kings of Spain endowed the Sacro Convento with a larger hospice so that the friars could better provide for the many infirm pilgrims. It also became the training centre for diocesan seminarians, as well as for lay women and men seeking advanced degrees in Religious Studies. Sacro Convento Istituto Superiore di Scienze Religiose di Assisi
Sacro Convento
–
Basilica and monastery.
Sacro Convento
–
Grave of Saint Francis in the
Crypt of the
Basilica of San Francesco d'Assisi.
24.
Crypt
–
A crypt is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics, originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the level, such as St Michaels Church in Hildesheim. Crypt developed as a form of the Latin vault as it was carried over into Late Latin. It also served as a vault for storing important and/or sacred items, crypta, however, is also the female form of crypto hidden. The earliest known origin of both is in the Ancient Greek κρύπτω, the first person singular indicative of the verb to conceal, first known in the early Christian period, in particular North Africa at Chlef and Djemila in Algeria, and Byzantium at Saint John Studio in Constantinople. Where Christian churches have been built over mithraea, the mithraeum has often been adapted to serve as a crypt, crypts were introduced into Frankish church building in the mid-8th century, as a feature of its Romanization. Their popularity then spread widely in western Europe under Charlemagne. Examples from this period are most common in the early medieval West, for example in Burgundy at Dijon, after the 10th century the early medieval requirements of a crypt faded, as church officials permitted relics to be held in the main level of the church. By the Gothic period crypts were built, however burial vaults continued to be constructed beneath churches. In more modern terms, a crypt is most often a stone chambered burial vault used to store the deceased, crypts are usually found in cemeteries and under public religious buildings, such as churches or cathedrals, but are also occasionally found beneath mausolea or chapels on personal estates. Wealthy or prestigious families will often have a family crypt or vault in which all members of the family are interred, many royal families, for example, have vast crypts containing the bodies of dozens of former royalty. In some localities an above ground crypt is more commonly called a mausoleum, there was a trend in the 19th century of building crypts on medium to large size family estates, usually subtly placed on the edge of the grounds or more commonly incorporated into the cellar. After a change of owner these are often blocked up and the house deeds will not allow this area to be re-developed, catacomb Mausoleum Tumulus Ossuary Tomb Cemetery Media related to Crypt at Wikimedia Commons Chisholm, Hugh, ed. Crypt
Crypt
–
A crypt in
Wola Gułowska,
Lublin Province,
Poland
Crypt
–
Early color photo of the family vault of the
Swedish royal dynasty of
Bernadotte.
Crypt
–
Crypt of
Bayeux Cathedral,
France (11th century)
Crypt
–
Crypt of
Bayeux Cathedral,
France
25.
Gothic architecture
–
Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
Gothic architecture
–
Façade of
Reims Cathedral, France
Gothic architecture
–
The interior of the western end of Reims Cathedral
Gothic architecture
–
Overview of Reims Cathedral from north-east
Gothic architecture
–
South side of
Chartres Cathedral.
26.
Fresco
–
Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
Fresco
–
Fresco in the church Mariä Verkündigung in Fuchstal,
Bavaria, Germany from Thomas Springer
Fresco
–
Fresco
Sistine Chapel in the
Vatican, Rome, Italy.
Fresco
–
Etruscan fresco of Velia Velcha from the
Tomb of Orcus,
Tarquinia.
Fresco
–
Fresco of "
Sappho " from
Pompeii, c. 50 CE.
27.
Late Middle Ages
–
The Late Middle Ages or Late Medieval Period was the period of European history generally comprising the 14th and 15th centuries. The Late Middle Ages followed the High Middle Ages and preceded the onset of the modern era. Around 1300, centuries of prosperity and growth in Europe came to a halt, a series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it was before the calamities. Along with depopulation came social unrest and endemic warfare, France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants Revolt, as well as over a century of intermittent conflict in the Hundred Years War. To add to the problems of the period, the unity of the Catholic Church was shattered by the Western Schism. Collectively these events are called the Crisis of the Late Middle Ages. Despite these crises, the 14th century was also a time of progress in the arts. Following a renewed interest in ancient Greek and Roman texts that took root in the High Middle Ages, combined with this influx of classical ideas was the invention of printing, which facilitated dissemination of the printed word and democratized learning. These two things would lead to the Protestant Reformation. Toward the end of the period, the Age of Discovery began, the rise of the Ottoman Empire, culminating in the Fall of Constantinople in 1453, eroded the last remnants of the Byzantine Empire and cut off trading possibilities with the east. Europeans were forced to seek new trading routes, leading to the expedition of Columbus to the Americas in 1492 and their discoveries strengthened the economy and power of European nations. The changes brought about by these developments have led scholars to view this period as the end of the Middle Ages and beginning of modern history. However, the division is artificial, since ancient learning was never entirely absent from European society. As a result there was continuity between the ancient age and the modern age. Some historians, particularly in Italy, prefer not to speak of the Late Middle Ages at all, but rather see the period of the Middle Ages transitioning to the Renaissance. The term Late Middle Ages refers to one of the three periods of the Middle Ages, along with the Early Middle Ages and the High Middle Ages, leonardo Bruni was the first historian to use tripartite periodization in his History of the Florentine People. Flavio Biondo used a framework in Decades of History from the Deterioration of the Roman Empire. Tripartite periodization became standard after the German historian Christoph Cellarius published Universal History Divided into an Ancient, Medieval, for 18th-century historians studying the 14th and 15th centuries, the central theme was the Renaissance, with its rediscovery of ancient learning and the emergence of an individual spirit
Late Middle Ages
–
Silver mining and processing in
Kutná Hora, Bohemia, 15th century
Late Middle Ages
–
Western/Central Europe
Holy Roman Empire France Gascony Bohemia Eastern Europe
Teutonic Order Golden Horde G. Horde Vassals Genovese Prov. Poland Mazovia Wallachia Hungary Lithuania Italian peninsula
Two Sicilies (Sicily) Two Sicilies (Naples) Papal states Sardinia Venice Genoa
Late Middle Ages
–
Ottoman miniature of the
siege of Belgrade in 1456
Late Middle Ages
–
The peasants preparing the fields for the winter with a
harrow and sowing for the winter grain. The background contains the
Louvre, c. 1410
28.
Cimabue
–
Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was a Florentine painter and designer of mosaics. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style, according to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasaris claim, citing earlier sources which suggest this was not the case, little is known about Cimabues early life. One source that recounts his career is Giorgio Vasaris Lives of the Most Excellent Painters, Sculptors and he was born in Florence and died in Pisa. Hayden Maginnis speculates he could have trained in Florence under masters culturally connected to Byzantine art, many scholars today discount Vasaris claim that he later had Giotto as his pupil, citing earlier sources which suggest this was not the case. Cimabues Christ is bent and the clothes have the golden striations introduced by Coppo di Marcovaldo, around 1272 Cimabue is documented as being present in Rome, and a little later he made another Crucifix for the Florentine church of Santa Croce. In the same period, Cimabue painted the Maestà, originally displayed in the church of San Francesco at Pisa and this work established a style which was followed subsequently by numerous artists, including Duccio di Buoninsegna in his Rucellai Madonna, as well as Giotto. A workshop painting, perhaps assignable to a later period, is the Maestà with Saints Francis. During the pontificate of Pope Nicholas IV, the first Franciscan pope, at Assisi, in the transept of the Lower Basilica of San Francesco, he created a fresco named Madonna with Child Enthroned, Four Angels and St Francis. The left portion of this fresco is lost, but it may have shown St Anthony of Padua, Cimabue was subsequently commissioned to decorate the apse and the transept of the Upper Basilica of Assisi, in the same period of time that Roman artists were decorating the nave. The cycle he created there comprises scenes from the Gospels, the lives of the Virgin Mary, St Peter and these paintings are now in poor condition due to the oxidation of the brighter colors which the artist used. The Maestà of Santa Trinità, dated to c, 1290–1300, which was originally painted for the church of Santa Trinità in Florence, is now in the Uffizi Gallery. The softer expression of the characters suggests that it was influenced by Giotto, Cimabue spent the last period of his life,1301 to 1302, in Pisa. There he was commissioned to finish a mosaic of Christ Enthroned, originally begun by Maestro Francesco, Cimabue was to create the part of the mosaic depicting St John the Evangelist, which remains the sole surviving work documented as being by the artist. Cimabue died around the year 1302. he would destroy the work. His nickname, Cenni di Pepo, translates as ‘bull-head’, but also possibly as ‘one who crushes the views of others’, from the Latin word cimare, meaning top, shear, and blunt. The conclusion for the meaning is drawn from similar commentaries on Dante. History has long regarded Cimabue as the last of an era that was overshadowed by the Italian Renaissance, in painting Cimabue thought he held the field but now its Giotto has the cry, so that the others fame is dimmed
Cimabue
–
Maestà, 1280–1285,
Uffizi Gallery, Florence
Cimabue
–
Fresco in the Lower Basilica of Assisi
Cimabue
–
St. Francis of Assisi
Cimabue
–
Crucifix, 1287–1288, Panel, 448 cm × 390 cm (176.4 in × 153.5 in),
Basilica di Santa Croce, Florence
29.
Giotto di Bondone
–
Giotto di Bondone, known mononymously as Giotto and Latinized as Giottus, was an Italian painter and architect from Florence in the late Middle Ages. He is generally considered the first in a line of artists who contributed to the Renaissance. Giottos masterwork is the decoration of the Scrovegni Chapel in Padua, also known as the Arena Chapel and this fresco cycle depicts the Life of the Virgin and the Life of Christ. It is regarded as one of the masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the Commune of Florence in 1334 to design the new campanile of Florences Cathedral are among the few certainties of his biography. Tradition holds that Giotto was born in a farmhouse, perhaps at Colle di Romagnano or Romignano, since 1850, a tower house in nearby Colle Vespignano has borne a plaque claiming the honor of his birthplace, an assertion commercially publicized. However, recent research has suggested that he was born in Florence. His fathers name was Bondone, and he is described in surviving records as a person of good standing. Most authors accept that Giotto was his name, but it is likely to have been an abbreviation of Ambrogio or Angelo. The year of his birth is calculated from the fact that Antonio Pucci, however, the word seventy fits into the rhyme of the poem better than would have a longer and more complex age, so it is possible that Pucci used artistic license. In his Lives, Giorgio Vasari states that Giotto was a shepherd boy, the great Florentine painter Cimabue discovered Giotto drawing pictures of his sheep on a rock. They were so lifelike that Cimabue approached Giotto and asked if he could take him on as an apprentice, Cimabue was one of the two most highly renowned painters of Tuscany, the other being Duccio, who worked mainly in Siena. Vasari recounts a number of stories about Giottos skill as a young artist. He tells of one occasion when Cimabue was absent from the workshop, later when Cimabue returned, he tried in vain several times to brush the fly off. The messenger departed ill pleased, not doubting that he had made a fool of. The messenger brought other artists drawings back to the Pope in addition to Giottos, many scholars today are uncertain about Giottos training, and consider Vasaris account that he was Cimabues pupil as legend, citing earlier sources which suggest that Giotto was not Cimabues pupil. About 1290, Giotto married Ciuta, the daughter of Lapo del Pela of Florence, the marriage produced four daughters and four sons, one of whom became a painter. By 1301, Giotto owned a house in Florence, and when he was not traveling he would return there and live in comfort with his family
Giotto di Bondone
–
Statue representing Giotto, outside the Uffizi
Giotto di Bondone
–
A portrait of
Dante by Giotto
Giotto di Bondone
–
One of the Legend of St. Francis frescoes at
Assisi, the authorship of which is disputed
Giotto di Bondone
–
The
Crucifixion of Rimini
30.
Simone Martini
–
Simone Martini was an Italian painter born in Siena. He was a figure in the development of early Italian painting. It is thought that Martini was a pupil of Duccio di Buoninsegna, martinis brother-in-law was the artist Lippo Memmi. Very little documentation of Simones life survives, and many attributions are debated by art historians, Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maestà of 1315 in the Palazzo Pubblico in Siena, a copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simones prototypes would have on other artists throughout the 14th century. During this stay, putative pupils were his son Francesco, Gennaro di Cola, francis Petrarch became a friend of Simones while in Avignon, and two of Petrarchs sonnets make reference to a portrait of Laura de Noves that Simone supposedly painted for the poet. A Christ Discovered in the Temple is in the collections of Liverpools Walker Art Gallery, Simone Martini died while in the service of the Papal court at Avignon in 1344. Memmo di Filippuccio Vasari, Giorgio, translation by George Bull, Art of Simone Martini Simone Martini – Gothic Painter
Simone Martini
–
Petrarch 's Virgil (title page) (c. 1336) Illuminated manuscript, 29,5 x 20 cm Biblioteca Ambrosiana, Milan
Simone Martini
–
The
Annunciation with St. Margaret and St. Ansanus, 1333
Simone Martini
–
Saint Catherine of Alexandria Polyptych, 1319
Simone Martini
–
Virgin and Child with Saints (Boston Polyptych), c. 1321-5
31.
Pietro Lorenzetti
–
Pietro Lorenzetti was an Italian painter, active between c.1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art, in their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. That the men were brothers was unknown to Vasari because he misread Pietros surname on a painting in Pistoias church of San Francesco as Laurati, thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena and his work suggests the influence of Duccio, Giotto, and Giovanni Pisano. According to Vasari, it was Pietros frescoes that adorned the facade of Sienas Ospedale della Scala that first bought him to the attention of his contemporaries. Unfortunately, the frescoes – now believed to be the work of both Lorenzetti brothers – were destroyed in 1720 and subsequently whitewashed over, many of his religious works may still be seen in churches and museums in the Tuscan towns of Arezzo, Assisi, and Siena. Although Lorenzettis integration of frame and painted architecture in the Nativity of the Virgin is usually thought to be unique, it is evident in the frescoes of Assisi some decades earlier. One probable conclusion can be made that he did not read Latin as there was documentation of a translator being paid in association with his work on The Birth of the Virgin. The narrative influence of Giottos frescoes in the Bardi and Peruzzi Chapels in Santa Croce, Sienese iconography, generally more mystical and fantastic than that of the more naturalistic Florentines, sometimes resembles a modern surrealist landscape. The gilded three-story altarpiece, the Arezzo Polyptych, was commissioned in 1320 by bishop Guido Tarlati for the Santa Maria della Pieve in Arezzo. At its centre is the Madonna and child, flanked by John the Evangelist, John the Baptist, Saint Matthew, the rich colours, graceful lines, decorative detail, and supple figures, endow the piece with a vivacity rare in contemporary Sienese art. The polyptych is Lorenzettis first dated work and one of four with verifiable documentation including the Carmelite Altarpiece, the Uffizi Madonna. “The dating has allowed scholars to identify with precision a specific stage of the painters activity, perhaps Lorenzettis most ambitious work is the Passion fresco cycle in the left transept of the Lower Church of San Francesco in Assisi. The conditions for the execution of the frescoes would have been difficult as very little natural light would be available and the lower church would be near darkness. The exact time line of the frescoes is in question, some believed the cycle was painted in sections over several years as the style had some similarities to Lorenzettis Carmelite Altarpiece. The reasons are varied, from painting only in the dry season to the skirmishes in the area at the time. The more recent technical and stylistic evidence presented by Maginnis poses strong arguments that Lorenzettis Passion Cycle was completed in one campaign between the years 1316 or 1317 and 1319. Believed to be one of his earliest works is the Madonna and Child with Saint Francis and John the Baptist, according to Maginnis the “finest and most complete realization of the ambition to conjoin real and painted space was left to Pietro Lorenzetti, working in the left transept
Pietro Lorenzetti
–
Pietro Lorenzetti,
Assisi Basilica, 1310–1329
Pietro Lorenzetti
–
Pietro Lorenzetti, Arezzo Polyptych, 1320. Arezzo, Santa Maria della Pieve
Pietro Lorenzetti
–
Last Supper, Basilica of San Francesco d'Assisi
Pietro Lorenzetti
–
Crucifixion, Basilica of San Francesco d'Assisi
32.
Pietro Cavallini
–
Pietro Cavallini was an Italian painter and mosaic designer working during the late Middle Ages. Little is known about his biography, though it is known he was from Rome and his first notable works were the fresco cycles for the Basilica di San Paolo fuori le Mura, with stories from the New and Old Testament. They were destroyed by the fire of 1823 and his Last Judgment in the Church of Santa Cecilia in Trastevere in Rome, painted c.1293 and considered Cavallinis masterwork, demonstrates an artistic style known as Roman naturalism. This naturalism influenced the work of working in other Italian cities such as Florence. In Florence, the influence of classical Roman forms combined with the Byzantine artistic heritage of the region to spark an interest in volumetric, naturalistic paintings and this work is in stark contrast to the comparatively flat and ornamented Gothic, International Gothic, and Byzantine styles. This naturalism is also evident in the Basilica of San Francesco dAssisi in Assisi, as the shrine was commissioned by the Roman church, its interior is painted in the Roman tradition. The identities of the artists at work in this church are for the most part not known and he returned to Rome before 1325, beginning the external decoration of the Basilica di San Paolo fuori le Mura in 1321, with a series of Byzantine-style mosaics. Cavallinis pupils included Giovanni di Bartolommeo and his works include, Jael and Tisseran, watercolour Scenes from the life of Mary, mosaics at the apse of Basilica di Santa Maria in Trastevere in Rome. The six scenes were made by the order of Bertoldo Stefaneschi, brother of Cardinal Giacomo Gaetani Stefaneschi, the apse paintings at San Giorgio al Velabro, Rome, have been attributed to him on the basis of stylistic similarity to the Trastevere paintings. The apse mosaic of the San Crisogono church in the Trastevere district, sebastian and Chrysogonos, is also attributed to Cavallini. Enio Sindona, Pietro Cavallini, editorial Italian Institute, Milan 1958, guglielmo Matthiae, Pietro Cavallini, De Luca, Rome 1972. Paul Hetherington, Pietro Cavallini, a study in the art of Late Medieval Rome, The Sagittarius Press, ISBN 978-0-9503163-3-8 Angiola Maria Romanini, The Eyes of Isaac. Classicism and scientific curiosity between Giotto and Arnolfo di Cambio, in Medieval art, ns, I. Emma Simi Varanelli, contribution to the history of medieval perspectiva communis, in Medieval Art, ns III, p. 115-143. Serena Romano, Eclipse in Rome, mural painting in Rome and Lazio by Boniface VIII to Martin V, Argos, ISBN8885897142 Alessandro Parronchi, Cavallini disciple of Giotto, Florence 1994. ISBN8885977154 Pierluigi De Vecchi and Elda Cerchiari, The Times of art, Volume 1 Simon and Schuster, Milano 1999 Alessandro Tomei, Pietro Cavallini, Silvana, Cinisello Balsamo 2000. ISBN8882151654 Bruno Zanardi, Giotto and Pietro Cavallini, the question of Assisi, ISBN8884910560 Roman paintings of Giotto and Cavallini, catalog of the exhibition held in Rome in 2004 by Thomas Angelo and Strinati Tartuferi, Electa, Milano 2004. ISBN8837030622 Pietro Cavallinis The Last Judgement, Smarthistory
Pietro Cavallini
–
The Annunciation,
Santa Maria in Trastevere
33.
Art of Italy
–
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. Ancient Rome finally emerged as the dominant Italian and European power, Italy retained its artistic dominance into the 17th century with Mannerism and the Baroque, and cultural tourism became a major prop to an otherwise faltering economy. In the 18th century Neoclassicism originated in Rome, but this was the last such Italian-born style that spread to all Western art, Italian art has influenced several major movements throughout the centuries and has produced several great artists, including painters, architects and sculptors. Italy is home to 51 World Heritage Sites, the largest number of any country in the world, Etruscan bronze figures and a terracotta funerary reliefs include examples of a vigorous Central Italian tradition which had waned by the time Rome began building her empire on the peninsula. The Etruscan paintings that have survived to modern times are mostly wall frescoes from graves and these are the most important example of pre-Roman figurative art in Italy known to scholars. The frescoes consist of painting on top of fresh plaster, so that when the plaster is dried the painting part of the plaster and an integral part of the wall. Colours were made from stones and minerals in different colours that ground up and mixed in a medium, from the mid 4th century BC chiaroscuro began to be used to portray depth and volume. Sometimes scenes of life are portrayed, but more often traditional mythological scenes. The concept of proportion does not appear in any surviving frescoes, one of the best-known Etruscan frescoes is that of Tomb of the Lioness at Tarquinia. The Etruscan were responsible for constructing Romes earliest monumental buildings, Roman temples and houses were closely based on Etruscan models. Elements of Etruscan influence in Roman temples included the podium and the emphasis on the front at the expense of the three sides. Large Etruscan houses were grouped around a hall in much the same way as Roman town Large houses were later built around an atrium. The influence of Etruscan architecture gradually declined during the republic in the face of influences from elsewhere, Etruscan architecture was itself influenced by the Greeks, so that when the Romans adopted Greek styles, it was not a totally alien culture. During the 2nd century BC, the flow of these works, by the end of the republic, when Vitruvius wrote his treatise on architecture, Greek architectural theory and example were dominant. With the expansion of the empire, Roman architecture spread over a wide area, in many areas elements of style were influenced by local tastes, particularly decoration, but the architecture remained recognizably Roman. Styles of vernacular architecture were influenced to varying degrees by Roman architecture, by the 1st century AD, Rome had become the biggest and most advanced city in the world. The ancient Romans came up with new technologies to improve the citys sanitation systems, roads and they developed a system of aqueducts that piped freshwater into the city, and they built sewers that removed the citys waste. The wealthiest Romans lived in houses with gardens
Art of Italy
–
Rome under the emperor
Constantine.
Art of Italy
–
The statue known as the
Augustus of Prima Porta.
Art of Italy
–
David of Michelangelo.
Art of Italy
–
Caravaggio's The Calling of St. Matthew
34.
Friary
–
A priory is a monastery of men or women under religious vows that is headed by a prior or prioress. Priories may be houses of mendicant friars or religious sisters, or monasteries of monks or nuns, houses of canons regular and canonesses regular also use this term, the alternative being canonry. In pre-Reformation England, if an Abbey church was raised to cathedral status, the bishop, in effect, took the place of the abbot, and the monastery itself was headed by a prior. Priories first came to existence as subsidiaries to the Abbey of Cluny, many new houses were formed that were all subservient to the abbey of Cluny and called Priories. As such, the priory came to represent the Benedictine ideals espoused by the Cluniac reforms as smaller, lesser houses of Benedictines of Cluny. There were likewise many conventual priories in Germany and Italy during the Middle Ages, the Benedictines and their offshoots, the Premonstratensians, and the military orders distinguish between conventual and simple or obedientiary priories. Conventual priories are those autonomous houses which have no abbots, either because the required number of twelve monks has not yet been reached. Simple or obedientiary priories are dependencies of abbeys and their superior, who is subject to the abbot in everything, is called a prior. These monasteries are satellites of the mother abbey, the Cluniac order is notable for being organised entirely on this obedientiary principle, with a single abbot at the Abbey of Cluny, and all other houses dependent priories. Priory may also refer to schools operated or sponsored by the Benedictines, Priory is also used to refer to the geographic headquarters of several commanderies of knights. This article incorporates text from a now in the public domain, Herbermann, Charles
Friary
–
The Priory de Graville, France
35.
Canonization
–
Originally, persons were recognized as saints without any formal process. Later, different processes were developed, such as used today in the Eastern Orthodox Church. The first persons honored as saints were the martyrs, pious legends of their deaths were considered affirmations of the truth of their faith in Christ. The Roman Rites Canon of the Mass contains only the names of martyrs, along with that of the Blessed Virgin Mary and, since 1962, that of St. Joseph her spouse. By the fourth century, however, confessors—people who had confessed their faith not by dying but by word, examples of such people are Saint Hilarion and Saint Ephrem the Syrian in the East, and Saint Martin of Tours and Saint Hilary of Poitiers in the West. Their names were inserted in the diptychs, the lists of saints venerated in the liturgy. Since the witness of their lives was not as unequivocal as that of the martyrs and this process is often referred to as local canonization. This approval was required even for veneration of a reputed martyr, and Saint Cyprian recommended that the utmost diligence be observed in investigating the claims of those who were said to have died for the faith. Evidence was sought from the records of the trials or from people who had been present at the trials. Saint Augustine of Hippo tells of the procedure which was followed in his day for the recognition of a martyr, the bishop of the diocese in which the martyrdom took place set up a canonical process for conducting the inquiry with the utmost severity. Other churches still use the older practice, in the Catholic Church, canonization is a decree that allows universal veneration of the saint in the liturgy of the Roman Rite. For permission to venerate merely locally, only beatification is needed, only acceptance of the cultus by the Pope made the cultus universal, because he alone can rule the universal Catholic Church. In the Medieval West, the Apostolic See was asked to intervene in the question of canonizations so as to more authoritative decisions. Swibert by Pope Leo III in 804, thereafter, recourse to the judgment of the Pope was had more frequently. Pope Urban II, Pope Calixtus II, and Pope Eugene III conformed to this discipline, a decree of Pope Alexander III1170 gave the prerogative to the ope thenceforth, so far as the Western Church was concerned. However, the procedure initiated by the decretal of Pope Alexander III was confirmed by a bull of Pope Innocent III issued on the occasion of the canonization of St. Cunegunda in 1200. The bull of Pope Innocent III resulted in increasingly elaborate inquiries to the Apostolic See concerning canonizations and he further regulated both of these acts by issuing his Decreta servanda in beatificatione et canonizatione Sanctorum on 12 March 1642. His work published from 1734-8 governed the proceedings until 1917, the article Beatification and canonization process in 1914 describes the procedures followed until the promulgation of the Codex of 1917
Canonization
–
Icon of
St. Cyprian of Carthage, who urged diligence in the process of canonization
Canonization
–
Pope Pius II canonizes
Catherine of Siena
Canonization
–
The Turkish
atrocities in Bulgaria (1876). On 3 April 2011, Batak massacre victims were canonized as saints.
36.
Capital punishment
–
Capital punishment, also known as the death penalty, is a government sanctioned practice whereby a person is put to death by the state as a punishment for a crime. The sentence that someone be punished in such a manner is referred to as a death sentence, etymologically, the term capital in this context alluded to execution by beheading. Fifty-six countries retain capital punishment,103 countries have abolished it de jure for all crimes, six have abolished it for ordinary crimes. Capital punishment is a matter of controversy in various countries and states. In the European Union, Article 2 of the Charter of Fundamental Rights of the European Union prohibits the use of capital punishment, also, the Council of Europe, which has 47 member states, prohibits the use of the death penalty by its members. The United Nations General Assembly has adopted, in 2007,2008,2010,2012 and 2014, non-binding resolutions calling for a moratorium on executions. Although most nations have abolished capital punishment, over 60% of the population live in countries where executions take place, such as China, India. Execution of criminals and political opponents has been used by nearly all societies—both to punish crime, in most countries that practise capital punishment it is reserved for murder, terrorism, war crimes, espionage, treason, defection or as part of military justice. In many countries use the death penalty, drug trafficking is also a capital offence. In China, human trafficking and serious cases of corruption are punished by the death penalty, in militaries around the world courts-martial have imposed death sentences for offences such as cowardice, desertion, insubordination, and mutiny. The use of formal execution extends to the beginning of recorded history, most historical records and various primitive tribal practices indicate that the death penalty was a part of their justice system. Communal punishment for wrongdoing generally included compensation by the wrongdoer, corporal punishment, shunning, banishment, usually, compensation and shunning were enough as a form of justice. The response to crime committed by neighbouring tribes or communities included a formal apology, a blood feud or vendetta occurs when arbitration between families or tribes fails or an arbitration system is non-existent. This form of justice was common before the emergence of a system based on state or organized religion. It may result from crime, land disputes or a code of honour, acts of retaliation underscore the ability of the social collective to defend itself and demonstrate to enemies that injury to property, rights, or the person will not go unpunished. However, in practice, it is difficult to distinguish between a war of vendetta and one of conquest. Elaborations of tribal arbitration of feuds included peace settlements often done in a religious context, compensation was based on the principle of substitution which might include material compensation, exchange of brides or grooms, or payment of the blood debt. Settlement rules could allow for animal blood to replace human blood, the person offered for execution did not have to be an original perpetrator of the crime because the system was based on tribes, not individuals
Capital punishment
–
Anarchist
Auguste Vaillant guillotined in France in 1894
Capital punishment
–
Hanged, drawn and quartered: the execution of
Hugh Despenser the Younger, as depicted in the
Froissart of Louis of Gruuthuse
Capital punishment
–
The Christian Martyrs' Last Prayer, by
Jean-Léon Gérôme (1883).
Roman Colosseum.
Capital punishment
–
Giovanni Battista Bugatti, executioner of the
Papal States between 1796 and 1865,
carried out 516 executions (Bugatti pictured offering
snuff to a condemned prisoner).
Vatican City abolished
its capital punishment statute in 1969.
37.
Canonized
–
Originally, persons were recognized as saints without any formal process. Later, different processes were developed, such as used today in the Eastern Orthodox Church. The first persons honored as saints were the martyrs, pious legends of their deaths were considered affirmations of the truth of their faith in Christ. The Roman Rites Canon of the Mass contains only the names of martyrs, along with that of the Blessed Virgin Mary and, since 1962, that of St. Joseph her spouse. By the fourth century, however, confessors—people who had confessed their faith not by dying but by word, examples of such people are Saint Hilarion and Saint Ephrem the Syrian in the East, and Saint Martin of Tours and Saint Hilary of Poitiers in the West. Their names were inserted in the diptychs, the lists of saints venerated in the liturgy. Since the witness of their lives was not as unequivocal as that of the martyrs and this process is often referred to as local canonization. This approval was required even for veneration of a reputed martyr, and Saint Cyprian recommended that the utmost diligence be observed in investigating the claims of those who were said to have died for the faith. Evidence was sought from the records of the trials or from people who had been present at the trials. Saint Augustine of Hippo tells of the procedure which was followed in his day for the recognition of a martyr, the bishop of the diocese in which the martyrdom took place set up a canonical process for conducting the inquiry with the utmost severity. Other churches still use the older practice, in the Catholic Church, canonization is a decree that allows universal veneration of the saint in the liturgy of the Roman Rite. For permission to venerate merely locally, only beatification is needed, only acceptance of the cultus by the Pope made the cultus universal, because he alone can rule the universal Catholic Church. In the Medieval West, the Apostolic See was asked to intervene in the question of canonizations so as to more authoritative decisions. Swibert by Pope Leo III in 804, thereafter, recourse to the judgment of the Pope was had more frequently. Pope Urban II, Pope Calixtus II, and Pope Eugene III conformed to this discipline, a decree of Pope Alexander III1170 gave the prerogative to the ope thenceforth, so far as the Western Church was concerned. However, the procedure initiated by the decretal of Pope Alexander III was confirmed by a bull of Pope Innocent III issued on the occasion of the canonization of St. Cunegunda in 1200. The bull of Pope Innocent III resulted in increasingly elaborate inquiries to the Apostolic See concerning canonizations and he further regulated both of these acts by issuing his Decreta servanda in beatificatione et canonizatione Sanctorum on 12 March 1642. His work published from 1734-8 governed the proceedings until 1917, the article Beatification and canonization process in 1914 describes the procedures followed until the promulgation of the Codex of 1917
Canonized
–
Icon of
St. Cyprian of Carthage, who urged diligence in the process of canonization
Canonized
–
Pope Pius II canonizes
Catherine of Siena
Canonized
–
The Turkish
atrocities in Bulgaria (1876). On 3 April 2011, Batak massacre victims were canonized as saints.
38.
Pope Gregory IX
–
Pope Gregory IX Latin, Gregorius IX, was Pope from 19 March 1227 to his death in 1241. The successor of Pope Honorius III, he inherited the traditions of Pope Gregory VII and of his cousin Pope Innocent III. The date of his birth varies in sources between c.1145 and 1170 and he received his education at the Universities of Paris and Bologna. He was created Cardinal-Deacon of the church of SantEustachio by his cousin Innocent III in December 1198, in 1206 he was promoted to the rank of Cardinal Bishop of Ostia e Velletri. He became Dean of the Sacred College of Cardinals in 1218 or 1219, upon the special request of Saint Francis, in 1220, Pope Honorius III appointed him Cardinal Protector of the order of the Franciscans. As Cardinal Bishop of Ostia, he cultivated a wide range of acquaintances, among them the Queen of England, Gregory IX was elevated to the papacy in the papal election of 1227. He took the name Gregory because he assumed the papal office at the monastery of Saint Gregory ad Septem Solia. Gregorys Bull Parens scientiarum of 1231, after the University of Paris strike of 1229 and this pope, being a remarkably skillful and learned lawyer, caused to be prepared Nova Compilatio decretalium, which was promulgated in numerous copies in 1234. The supplement completed the work, which provided the foundation for papal legal theory, in the 1234 Decretals, he invested the doctrine of perpetua servitus iudaeorum – perpetual servitude of the Jews – with the force of canonical law. According to this, the followers of the Talmud would have to remain in a condition of political servitude until Judgment Day, the doctrine then found its way into the doctrine of servitus camerae imperialis, or servitude immediately subject to the Emperors authority, promulgated by Frederick II. The Jews were thus suppressed from having influence over the political process. In 1239, under the influence of Nicholas Donin, a Jewish convert to Christianity, following a public disputation between Christians and Jewish theologians, this culminated in a mass burning of some 12,000 handwritten Talmudic manuscripts on 12 June 1242, in Paris. Gregory was a supporter of the mendicant orders which he saw an excellent means for counteracting by voluntary poverty the love of luxury and he was a friend of Saint Dominic as well as Clare of Assisi. On 17 January 1235, he approved the Order of Our Lady of Mercy for the redemption of captives. He appointed ten cardinals and canonized Saints Elisabeth of Hungary, Dominic de Guzmán, Anthony of Padua and he transformed a chapel to Our Lady in the church of Santa Maria del Popolo in Rome. Gregory IX endorsed the Northern Crusades and attempts to bring Orthodox Slavic peoples in Eastern Europe under Papacys fold, at the coronation of Frederick II in Rome,22 November 1220, the emperor made a vow to embark for the Holy Land in August 1221. Gregory IX began his pontificate by suspending the Holy Roman Emperor Frederick II, Frederick II appealed to the sovereigns of Europe complaining of his treatment. The suspension was followed by excommunication and threats of deposition, as deeper rifts appeared, Frederick II went to the Holy Land and in fact managed to take possession of Jerusalem
Pope Gregory IX
–
Pope Gregory IX
Pope Gregory IX
–
Giotto. Dream of Pope Gregory IX with St Francis of Assisi
Pope Gregory IX
–
Edicts of Gregory IX with glosses of Bernardo di Bottone. An example of books burned by the Germans.
Pope Gregory IX
–
Bas-relief of Gregory IX in the
US House of Representatives
39.
Vicar General
–
A vicar general is the principal deputy of the bishop of a diocese for the exercise of administrative authority and possesses the title of local ordinary. The title normally occurs only in Western Christian churches, such as the Latin Church of the Catholic Church, the title for the equivalent officer in the Eastern churches is protosyncellus. The term is used by religious orders of men in a similar manner. In the Catholic Church, a bishop must appoint at least one vicar general for his diocese. The vicar general by virtue of office is the agent in administration. Vicars general must be priests, auxiliary bishops, or coadjutor bishops—if a coadjutor bishop exists for a diocese, other auxiliary bishops are usually appointed vicars general or at least episcopal vicars. A vicar general is an ordinary and, as such, acquires his powers by virtue of office. He is to possess a doctorate or at least a licentiate in law or theology or be truly expert in these fields. These might include issues concerning religious institutes or the faithful of a different rite and these too must be priests or auxiliary bishops. The equivalent officer in the Eastern Churches is called the syncellus, priests appointed as vicars general or episcopal vicars are freely appointed or removed by the diocesan bishop, and are appointed for a fixed duration. They lose their office when the term expires, or when the see falls vacant. Auxiliary bishops may also be removed from the office of vicar general, an auxiliary bishop who is an episcopal vicar, or a coadjutor bishop who is vicar general, may only be removed from office for a grave reason. A coadjutor bishop has the right of succession, so if the see falls vacant he becomes the bishop immediately. These offices should not be confused with the vicar forane or dean/archpriest, the appointment of a vicar general is also a useful tool for a diocesan bishop who has additional functions attached to his episcopate. The most notable example is in the diocese of Rome, the Vicar General of Rome also serves the same role for the suburbicarian diocese of Ostia, the traditional see of the Dean of the College of Cardinals, since it was merged with the diocese of Rome. The Vicar General of Rome, who is normally a cardinal, the current Vicar General of Rome is Cardinal Agostino Vallini. A similar example is found in the United States and this had the status of an apostolic vicariate, and functioned as the equivalent of a diocese defined by quality rather than by geography. The archbishop had two separate administrations, therefore, and two sets of vicars general to manage each and this arrangement ended with the establishment of the wholly separate Archdiocese for the Military Services, USA
Vicar General
–
Saint Peter
Vicar General
–
Coat of arms of a Vicar General
40.
Pentecost
–
The Christian holiday of Pentecost is celebrated 50 days from Easter Sunday, counting inclusive of Easter Sunday itself, i. e.49 days or 7 weeks after Easter Sunday. Therefore it always occurs on a Sunday and it is also the tenth day after Ascension Thursday, which itself is 40 days from Easter, counting inclusive of Easter Sunday itself. Subsequently, Pentecost may refer to the Pentecost of the New Testament, Shavuot is a significant event shared by Jews and Christians but Christians do not commonly celebrate it as a separate holiday. In the Christian liturgical year it became a feast commemorating what is described by some Christians as the Birthday of the Church. The holy day is also called White Sunday or Whitsunday, especially in the United Kingdom, the Monday after Pentecost is a legal holiday in many European nations. Pentecost is the old Greek and Latin name for the Jewish Festival of Weeks which can be found in the Hebrew Bible and it is called by that name in Exodus 34,22 and Deuteronomy 16,10. It is also called the Festival of Reaping in Exodus 23,16, Jews traditionally read the Book of Ruth at Pentecost, as the story links with the grain harvest theme of the festival. The Talmud refers to Shavuot as Atzeret, referring to the prohibition against work on this holiday and to the conclusion of the holiday, since Shavuot occurs 49 days after the first day of Passover, Hellenistic Jews gave it the name Pentecost. According to Jewish tradition, Pentecost commemorates Gods giving of the Ten Commandments at Mount Sinai,49 days after the Exodus, the Talmud derives this from a calculation based on Biblical texts. There is a Jewish tradition that King David was born and died at Pentecost, in the Apostle Peters first sermon, recorded in Acts 2, 14–39, he linked the life, death and Ascension of Jesus to King Davids death, burial and hope of immortality. The biblical narrative of Pentecost is given in the chapter of the Book of Acts. Present were about one hundred and twenty followers of Christ, including the Twelve Apostles, his mother Mary, various other women disciples and his brothers. Their reception of the Holy Spirit in the Upper Room is recounted in Acts 2, 1–6, And when the day of Pentecost was fully come, they were all with one accord in one place. And suddenly there came a sound from heaven as of a mighty wind. And there appeared unto them cloven tongues like as of fire, and they were all filled with the Holy Spirit, and began to speak with other languages, as the Spirit gave them utterance. And there were dwelling at Jerusalem Jews, devout men, out of every nation under heaven, Now when this was noised abroad, the multitude came together, and were confounded, because that every man heard them speak in his own language. He also mentions that it was the hour of the day. Acts 2,41 then reports, Then they that gladly received his word were baptized, Peter stated that this event was the beginning of a continual outpouring that would be available to all believers from that point on, Jews and Gentiles alike
Pentecost
–
An
Eastern Orthodox icon of the Christian Pentecost. This is the Icon of the Descent of the
Holy Spirit on the
Apostles. At the bottom is an
allegorical figure, called
Kosmos, which symbolizes the world.
Pentecost
–
The
Cenacle on
Mount Zion, claimed to be the location of the
Last Supper and Pentecost.
Bargil Pixner claims the original
Church of the Apostles is located under the current structure.
Pentecost
–
A Protestant church altar, decorated for Pentecost with red burning candles and red banners and altar cloth depicting the movement of the Holy Spirit
Pentecost
–
A Protestant church altar and font, decorated for Pentecost with red flowering plants and green birch branches
41.
Procession
–
A procession is an organized body of people walking in a formal or ceremonial manner. Processions have in all peoples and at all times been a form of public celebration, as forming an orderly. Connected with the triumph was the pompa circensis, or solemn procession that preceded the games in the circus and it first came into use at the Ludi Romani, when the games were preceded by a great procession from the Capitol to the Circus. The praetor or consul who appeared in the ponipa circensis wore the robes of a triumphing general, there were other local processions connected with the primitive worship of the country people, which remained unchanged, but they were eventually overshadowed by the popular piety of the Church. In this sense it appears to be used by Pope Leo I, as to public processions, these seem to have come into rapid vogue after the recognition of Christianity as the religion of the empire. Those at Jerusalem would seem to have long established when described by the author of the Peregrinatio Sylviae towards the end of the 4th century. Very early were the processions accompanied by hymns and prayers, known as litaniae and it is to such a procession that reference appears to be made in a letter of St Basil, which would thus be the first recorded mention of a public Christian procession. The first mention for the Western Church occurs in St Ambrose, in both these cases the litanies are stated to have been long in use. There is also mention of a procession accompanied by hymns, organized at Constantinople by St John Chrysostom in opposition to a procession of Arians, in Sozomen. In times of calamity litanies were held, in which the people walked in robes of penitence, fasting, barefooted, the cross was carried at the head of the procession and often the gospel and the relics of the saint were carried. So, too, Gregory the Great writes to the Sicilian bishops to hold processions to prevent an invasion of Sicily. A famous instance of these penitential litanies is the litania septiformis ordered by Gregory the Great in the year 590, when Rome had been inundated and pestilence had followed. In this litany seven processions, of clergy, laymen, monks, nuns, matrons, the poor and this litany has often been confused with the litania major, introduced at Rome in 598, but is quite distinct from it. From the time of the emperor Constantine I these processions were of great magnificence, Festivals involving processions were adopted by the Christian Church from the pagan calendar of Rome. The litaniae majores et minores, which are stated by Hermann Usener to have been first instituted by Pope Liberius and it is generally acknowledged that they are the equivalent of the Christian Church of the Roman lustrations of the crops in spring, the Ambarvalia, &c. The litania major, or great procession on St Marks day is shown to both in date and ritual with the Roman Robigalia, which took place ad. The litania major followed the route as far as the Milvian bridge, when it turned off and returned to St Peters. This was already established as a festival by 598, as is shown by a document of Gregory the Great that inculcates the duty of celebrating litaniam
Procession
–
A funeral procession, illustrated in a manuscript of the Hours of the Virgin. Fifteenth century.
British Museum, Add. MS. 27697.
Procession
–
Preparations for
Estonian Song Festival procession by
University of Tartu Folk Art Ensemble. Over 42 000 persons participated in that procession in 2014.
Procession
–
The Petit Doudou actors in the procession of the Golden Car in
Mons (
Belgium)
Procession
–
Royal procession, design from the 14th century.
Italy
