1.
World Heritage Site
–
A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by the United Nations Educational, Scientific and Cultural Organization. Sites are selected on the basis of having cultural, historical, scientific or some form of significance. UNESCO regards these sites as being important to the interests of humanity. The programme catalogues, names, and conserves sites of outstanding cultural or natural importance to the common culture, under certain conditions, listed sites can obtain funds from the World Heritage Fund. The program was founded with the Convention Concerning the Protection of the Worlds Cultural and Natural Heritage, since then,192 state parties have ratified the convention, making it one of the most adhered to international instruments. As of July 2016,1052 sites are listed,814 cultural,203 natural, in 1959, the governments of Egypt and Sudan requested UNESCO to assist their countries to protect and rescue the endangered monuments and sites. In 1960, the Director-General of UNESCO launched an appeal to the Member States for an International Campaign to Save the Monuments of Nubia, the campaign, which ended in 1980, was considered a success. The project cost $80 million, about $40 million of which was collected from 50 countries, the projects success led to other safeguarding campaigns, saving Venice and its lagoon in Italy, the ruins of Mohenjo-daro in Pakistan, and the Borobodur Temple Compounds in Indonesia. UNESCO then initiated, with the International Council on Monuments and Sites, the United States initiated the idea of cultural conservation with nature conservation. The International Union for Conservation of Nature developed similar proposals in 1968, the Convention came into force on 17 December 1975. As of June 2016, it has been ratified by 192 states, including 188 UN member states plus the Cook Islands, the Holy See, Niue, a country must first list its significant cultural and natural sites, the result is called the Tentative List. A country may not nominate sites that have not been first included on the Tentative List, next, it can place sites selected from that list into a Nomination File. The Nomination File is evaluated by the International Council on Monuments and Sites and these bodies then make their recommendations to the World Heritage Committee. There are ten selection criteria – a site must meet at least one of them to be included on the list, up to 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so there is now only one set of ten criteria. Nominated sites must be of outstanding value and meet at least one of the ten criteria. Thus, the Geneva Convention treaty promulgates, Article 53, PROTECTION OF CULTURAL OBJECTS AND OF PLACES OF WORSHIP. There are 1,052 World Heritage Sites located in 165 States Party, of these,814 are cultural,203 are natural and 35 are mixed properties
World Heritage Site
–
Site #252:
Taj Mahal, an example of cultural heritage site
World Heritage Site
–
Logo of the
United Nations Educational, Scientific and Cultural Organization (UNESCO)
World Heritage Committee
World Heritage Site
–
Site #156:
Serengeti National Park, an example of natural heritage site
World Heritage Site
–
Site #274:
Historic Sanctuary of Machu Picchu, an example of mixed heritage site
2.
Greece
–
Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
Greece
–
Fresco displaying the Minoan ritual of "bull leaping", found in
Knossos,
Crete.
Greece
–
Flag
Greece
–
The
Lion Gate,
Mycenae
Greece
–
The
Parthenon on the
Acropolis of Athens is one of the best known symbols of
classical Greece.
3.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
–
Longitude lines are perpendicular and latitude lines are parallel to the equator.
4.
Latin language
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin language
–
Latin inscription, in the
Colosseum
Latin language
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin language
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin language
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
5.
Ancient Greek
–
Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
Ancient Greek
–
Inscription about the construction of the statue of
Athena Parthenos in the
Parthenon, 440/439 BC
Ancient Greek
–
Ostracon bearing the name of
Cimon,
Stoa of Attalos
Ancient Greek
–
The words ΜΟΛΩΝ ΛΑΒΕ as they are inscribed on the marble of the 1955
Leonidas Monument at
Thermopylae
6.
Messenia
–
Messenia is a regional unit in the southwestern part of the Peloponnese, one of 13 regions into which Greece has been divided by the Kallikratis plan, implemented 1 January 2011. Before 2011 Messenia was a nomos, the capital and the biggest city of Messenia in either case has been the city of Kalamata. Messenia borders on Elis to the north, Arcadia to the northeast, the Ionian Sea lies to the west, and the Gulf of Messenia to the south. The most important mountain ranges are the Taygetus in the east, the Kyparissia mountains in the northwest, the main rivers are the Neda in the north and the Pamisos in central Messenia. Off the south coast of the southwesternmost point of Messenia lie the Messenian Oinousses islands, the largest of these are Sapientza, Schiza and Venetiko. The small island Sphacteria closes off the bay of Pylos, all these islands are virtually uninhabited. Climate may vary, in the lowlands, temperatures are a bit warmer than Athens, snow is not common during winter months except for the mountains, especially the Taygetus. Rain and clouds are common inland, before the 2010 reorganization, Messenia was a nomos containing 29 dimoi and 2 koinotites. The total population, based on the 2001 census was 176,876, since 2010, Messenia has been a perifereiake enoteta containing only 6 municipalities, but still with a population of 176,876, i. e. Messenia did not change area in the reorganization. Some 25 municipalities and communities were incorporated politically into the other 6 according to the table below, main agricultural products are olive oil, Kalamata table olives, figs, and black raisins. The variety of products is complemented by a small amount of stockbreeding products. Another key factor for Messenias economy is Costa Navarino, comprising several eco-friendly luxury resorts and golf courses, the Karelia tobacco company is based in Kalamata. The main airport in Messenia is Kalamata International Airport, the name undoubtedly goes back to at least the Bronze Age, but its origins are lost in the world of mythology. The region was one of the largest that was conquered and enslaved as helots by ancient Sparta, in the Middle Ages, Messenia shared the fortunes of the rest of the Peloponnese. Striking reminders of these conflicts are afforded by the extant ruins of the strongholds of Kalamata, Coron, Modon. Messenia was a part of the Byzantine Empire, much of Messenia fell into the hands of the Ottoman Turks, a part of the area remained with the Venetian Republic. In 1534 a group of families, known as the Coroni and they were Arvanites and Greeks from Koroni. During the 1680s, the whole of Messenia was regained by the Venetian Republic in the Morean War, the Mani Peninsula, a part of modern Messenia, was autonomous from Turkish rule due to the fact that it had no harbors
Messenia
–
Kalamata castle
Messenia
–
Kalamata
Messenia
–
Port of
Kalamata
Messenia
–
Messenia from
Mt. Ithome
7.
Arcadia
–
Arcadia is one of the regional units of Greece. It is part of the region of Peloponnese. It is situated in the central and eastern part of the Peloponnese peninsula and it takes its name from the mythological character Arcas. In Greek mythology, it was the home of the god Pan, in European Renaissance arts, Arcadia was celebrated as an unspoiled, harmonious wilderness. Arcadia has its capital at Tripoli. It covers about 18% of the Peloponnese peninsula, making it the largest regional unit on the peninsula, Arcadia has a ski resort on Mount Mainalo, located about 20 km NW of Tripoli. Other mountains of Arcadia are the Parnon in the southeast and the Lykaion in the west, the climate consists of hot summers and mild winters in the eastern part, the southern part, the low-lying areas and the central area at altitudes lower than 1,000 m. The area primarily receives rain during fall and winter months in the rest of Arcadia, winter snow occurs commonly in the mountainous areas for much of the west and the northern part, the Taygetus area, the Mainalon. After the collapse of the Roman power in the west, Arcadia became part of the Greek-speaking Byzantine Empire, the region fell into the hands of the Ottoman Turks in 1460. With the exception of a period of Venetian rule in 1687–1715, the phrase is most often associated with a 1647 painting by Nicolas Poussin, also known as The Arcadian Shepherds. In the painting the phrase appears as an inscription on a tomb discovered by youthful figures in classical garb, Arcadia was one of the centres of the Greek War of Independence which saw victories in their battles including one in Tripoli. After a victorious war, Arcadia was finally incorporated into the newly created Greek state. Arcadia saw economic growth and small emigration, in the 20th century, Arcadia experienced extensive population loss through emigration, mostly to the Americas. Many Arcadian villages lost half their inhabitants, and fears arose that they would turn into ghost towns, Arcadia now has a smaller population than Corinthia. Demographers expected that its population would halve between 1951 and the early 21st century, the population has fallen to 87,000 in 2011. An earthquake measuring 5.9 on the Richter magnitude scale shook Megalopoli, large numbers of buildings were destroyed, leaving people homeless. Within a couple of years, the buildings were rebuilt anti-seismically, in 1967, construction began on the Megalopoli Power Plant, which began operating in 1970, producing additional electricity for southern Greece. A mining area south of the plant is the largest mining area in the peninsula, in July and August 2007 forest fires caused damage in Arcadia, notably in the mountains
Arcadia
–
Mount Lykaion
Arcadia
–
Municipalities of Arcadia
Arcadia
–
"
Les Bergers d’Arcadie " by
Nicolas Poussin.
Arcadia
–
Landscape of Arcadia.
8.
World Heritage List
–
A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by the United Nations Educational, Scientific and Cultural Organization. Sites are selected on the basis of having cultural, historical, scientific or some form of significance. UNESCO regards these sites as being important to the interests of humanity. The programme catalogues, names, and conserves sites of outstanding cultural or natural importance to the common culture, under certain conditions, listed sites can obtain funds from the World Heritage Fund. The program was founded with the Convention Concerning the Protection of the Worlds Cultural and Natural Heritage, since then,192 state parties have ratified the convention, making it one of the most adhered to international instruments. As of July 2016,1052 sites are listed,814 cultural,203 natural, in 1959, the governments of Egypt and Sudan requested UNESCO to assist their countries to protect and rescue the endangered monuments and sites. In 1960, the Director-General of UNESCO launched an appeal to the Member States for an International Campaign to Save the Monuments of Nubia, the campaign, which ended in 1980, was considered a success. The project cost $80 million, about $40 million of which was collected from 50 countries, the projects success led to other safeguarding campaigns, saving Venice and its lagoon in Italy, the ruins of Mohenjo-daro in Pakistan, and the Borobodur Temple Compounds in Indonesia. UNESCO then initiated, with the International Council on Monuments and Sites, the United States initiated the idea of cultural conservation with nature conservation. The International Union for Conservation of Nature developed similar proposals in 1968, the Convention came into force on 17 December 1975. As of June 2016, it has been ratified by 192 states, including 188 UN member states plus the Cook Islands, the Holy See, Niue, a country must first list its significant cultural and natural sites, the result is called the Tentative List. A country may not nominate sites that have not been first included on the Tentative List, next, it can place sites selected from that list into a Nomination File. The Nomination File is evaluated by the International Council on Monuments and Sites and these bodies then make their recommendations to the World Heritage Committee. There are ten selection criteria – a site must meet at least one of them to be included on the list, up to 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so there is now only one set of ten criteria. Nominated sites must be of outstanding value and meet at least one of the ten criteria. Thus, the Geneva Convention treaty promulgates, Article 53, PROTECTION OF CULTURAL OBJECTS AND OF PLACES OF WORSHIP. There are 1,052 World Heritage Sites located in 165 States Party, of these,814 are cultural,203 are natural and 35 are mixed properties
World Heritage List
–
Site #252:
Taj Mahal, an example of cultural heritage site
World Heritage List
–
Logo of the
United Nations Educational, Scientific and Cultural Organization (UNESCO)
World Heritage Committee
World Heritage List
–
Site #156:
Serengeti National Park, an example of natural heritage site
World Heritage List
–
Site #274:
Historic Sanctuary of Machu Picchu, an example of mixed heritage site
9.
Apollo
–
Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
Apollo
–
Apollo Belvedere, ca. 120–140 CE
Apollo
–
Partial view of the temple of Apollo Epikurios (healer) at
Bassae in southern Greece
Apollo
–
Temple of the Delians at
Delos, dedicated to Apollo (478 BC). 19th-century pen-and-wash restoration.
Apollo
–
Temple of Apollo Smintheus at
Çanakkale, Turkey
10.
Parthenon
–
The Parthenon is a former temple, on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power and it was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order and its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an symbol of Ancient Greece, Athenian democracy and western civilization. The Greek Ministry of Culture is currently carrying out a programme of restoration and reconstruction to ensure the stability of the partially ruined structure. The Parthenon itself replaced a temple of Athena, which historians call the Pre-Parthenon or Older Parthenon. The temple is aligned to the Hyades. While a sacred building dedicated to the patron goddess, the Parthenon was actually used primarily as a treasury. For a time, it served as the treasury of the Delian League, in the final decade of the sixth century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest, it was turned into a mosque in the early 1460s, on 26 September 1687, an Ottoman ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion damaged the Parthenon and its sculptures. From 1800 to 1803, Thomas Bruce, 7th Earl of Elgin removed some of the sculptures with the alleged permission of the Ottoman Empire. These sculptures, now known as the Elgin Marbles or the Parthenon Marbles, were sold in 1816 to the British Museum in London, since 1983, the Greek government has been committed to the return of the sculptures to Greece. The Liddell–Scott–Jones Greek–English Lexicon states that this room was the western cella of the Parthenon, jamauri D. Christopher Pelling asserts that Athena Parthenos may have constituted a discrete cult of Athena, intimately connected with, but not identical to, that of Athena Polias. According to this theory, the name of the Parthenon means the temple of the virgin goddess and it has also been suggested that the name of the temple alludes to the maidens, whose supreme sacrifice guaranteed the safety of the city. Parthénos has also applied to the Virgin Mary, Parthénos Maria. The first instance in which Parthenon definitely refers to the building is found in the writings of the 4th century BC orator Demosthenes. In 5th-century building accounts, the structure is simply called ho naos, because the Parthenon was dedicated to the Greek goddess Athena, it has sometimes been referred to as the Temple of Minerva, the Roman name for Athena, particularly during the 19th century
Parthenon
–
The Parthenon
Parthenon
–
Detail of the West metopes, illustrating the current condition of the temple in detail after 2,500 years of war, pollution, erratic conservation, pillage and vandalism
Parthenon
–
Phidias Showing the Frieze of the Parthenon to his Friends, 1868 painting by
Lawrence Alma-Tadema
Parthenon
–
Part of the east pediment still found on the Parthenon
11.
Pausanias (geographer)
–
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece, a work that describes ancient Greece from his first-hand observations. This work provides crucial information for making links between classical literature and modern archaeology, andrew Stewart assesses him as, A careful, pedestrian writer. interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him, yet his honesty is unquestionable, before visiting Greece, he had been to Antioch, Joppa and Jerusalem, and to the banks of the River Jordan. In Egypt, he had seen the pyramids, while at the temple of Ammon, in Macedonia, he appears to have seen the alleged tomb of Orpheus in Libethra. Crossing over to Italy, he had something of the cities of Campania. He was one of the first to write of seeing the ruins of Troy, Alexandria Troas, Pausanias Description of Greece is in ten books, each dedicated to some portion of Greece. He begins his tour in Attica, where the city of Athens, subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris. He famously leaves out key portions of Greece such as Crete, the project is more than topographical, it is a cultural geography. Pausanias digresses from description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them and his work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist by any means, though he does from time to comment on the physical realities of the Greek landscape. He notices the pine trees on the sandy coast of Elis, the deer and the boars in the oak woods of Phelloe. Pausanias is most at home in describing the art and architecture of Olympia. Yet, even in the most secluded regions of Greece, he is fascinated by all kinds of depictions of gods, holy relics, Pausanias has the instincts of an antiquary. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not even mentioned. While he never doubts the existence of the gods and heroes, he criticizes the myths. His descriptions of monuments of art are plain and unadorned and they bear the impression of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance, when he quotes a book at second hand he takes pains to say so
Pausanias (geographer)
–
Manuscript (1485), of Pausanias' Description of Greece at the
Laurentian Library
12.
Tegea
–
Tegea was a settlement in ancient Arcadia, and it is also a former municipality in Arcadia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Tripoli, the municipal unit has an area of 118.350 km2. Its seat was the village Stadio, the reputed prehistoric founder of Tegea was Tegeates, a son of Lycaon. Ancient Tegea was an important religious center of ancient Greece, containing the Temple of Athena Alea, the temenos was founded by Aleus, Pausanias was informed. Votive bronzes at the site from the Geometric and Archaic periods take the forms of horses and deer, there are sealstones, in the Archaic period the nine villages that underlie Tegea banded together in a synoecism to form one city. Tegea was listed in Homers Catalogue of Ships as one of the cities that contributed ships, in the 4th century Tegea joined the Arcadian League and struggled to free itself from Sparta. The Temple of Athena Alea burned in 394 BC and was rebuilt, to designs by Scopas of Paros. Pausanias visited the city in the 2nd century CE, the tombs he saw there were shrines to the chthonic founding daemones, There are also tombs of Tegeates, the son of Lycaon, and of Maira, his wife. Maira was a daughter of Atlas, and Homer makes mention of her in the passage where Odysseus tells to Alkinous his journey to Hades, the city retained civic life under the Roman Empire, Tegea survived being sacked by the Goths in AD 395–396. In the Middle Ages, through some process, Tegea received the name of Amyklion by the 10th century. In 1082, it became the seat of the Diocese of Amyclae, Nikli and the rest of Arcadia were captured by the Crusaders in c. 1206–09, becoming part of the new Frankish Principality of Achaea, the Chronicle of the Morea depicts Nikli as a site of some importance and fortified, which fell to the Crusaders only after a siege. It became the seat of a barony, while a Roman Catholic bishop was installed in the episcopal see. Nikli was still in Frankish hands in 1280, but was lost to the resurgent Byzantines by 1302, the site of ancient Tegea is now located within the modern village of Alea. Alea is located about 10 kilometers southeast of Tripoli, the municipality of Tegea has its seat at Stadio. Yet the Cretans denied this, instead tried to portray these three characters as the offspring of the local heroes Minos and Rhadamantus. Recherches historiques, topographiques et archéologiques sur la principauté d’Achaïe, Η μετά της επισκοπής Αμυκλών ένωσις της πατριαρχικής εξαρχίας Τριπολιτζάς. Deltion of the Christian Archaeological Society, Συμβολή στην ιστορική γεωγραφία της Αρκαδίας
Tegea
–
The temple of Athena Alea at Tegea
13.
Opisthodomos
–
An opisthodomos can refer to either the rear room of an ancient Greek temple or to the inner shrine, also called the adyton, the confusion arises from the lack of agreement in ancient inscriptions. In modern scholarship, it refers to the rear porch of a temple. On the Athenian Acropolis especially, the opisthodomos came to be a treasury and its use in antiquity was not standardised. Architecturally, the opisthodomos balances the pronaos or porch of a temple, the upper portion of its outer wall could be decorated with a frieze, as on the Hephaisteion and the Parthenon
Opisthodomos
–
Plan of a temple with opisthodomos highlighted.
14.
Adyton
–
The adyton or adytum was a restricted area within the cella of a Greek or Roman temple. Its name meant inaccessible or do not enter, the adyton was frequently a small area at the farthest end of the cella from the entrance, at Delphi it measured just nine by twelve feet. The adyton often would house the image of the deity. Adyta were spaces reserved for oracles, priestesses, priests, or acolytes, adyta were found frequently associated with temples of Apollo, as at Didyma, Bassae, Clarus, Delos, and Delphi, although they were also said to have been natural phenomena. In modern usage, the term is extended to similar spaces in other cultural contexts, as in Egyptian temples or the Western mystery school. Holy of Holies Inner sanctum Sanctuary Sanctum sanctorum Mahavira Hall and Hondo, sometimes translated as adytum Broad, the Oracle, The lost secrets and hidden messages of ancient Delphi
Adyton
–
The adyton in the Temple of Apollo in
Didyma
15.
Cella
–
A cella or naos is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture, such as a domus. Its enclosure within walls has given rise to extended meanings, of a hermits or monks cell, in Ancient Greek and Roman temples the cella is a room at the centre of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition the cella may contain a table or plinth to receive votive offerings such as statues, precious and semi-precious stones, helmets, spear and arrow heads, swords. The accumulated offerings made Greek and Roman temples virtual treasuries, the cella is typically a simple, windowless, rectangular room with a door or open entrance at the front behind a colonnaded portico facade. In larger temples, the cella was divided by two colonnades into a central nave flanked by two aisles. A cella may contain an adyton, an inner area restricted to access by the priests—in religions that had a consecrated priesthood—or by the temple guard. With very few exceptions Greek buildings were of a design that placed the cella in the center of the plan, such as the Parthenon. The Romans favoured pseudoperipteral buildings with a portico offsetting the cella to the rear, the pseudoperipteral plan uses engaged columns embedded along the side and rear walls of the cella. The Temple of Venus and Roma built by Hadrian in Rome had two cellae arranged back-to-back enclosed by a single outer peristyle, according to Vitruvius, the Etruscan type of temples had three cellae, side by side, conjoined by a double row of columns on the facade. The cella, also called the naos, holds many box-like shrines, the Greek word naos has been extended by archaeologists to describe the central room of the pyramids. Towards the end of the Old Kingdom, naos construction went from being subterranean to being directly into the pyramid. The naos was surrounded by different paths and rooms, many used to confuse and divert thieves. In early Christian and Byzantine architecture, the cella or naos is an area at the centre of the reserved for performing the liturgy. In later periods a small chapel or monks cell was also called a cella, list of Greco-Roman roofs This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Cella. Trachtenberg and Hyman, Architecture, From Prehistory to Post Modernity Vitruvius, De architectura, Book IV. ch 7, translation, plans and reconstructions of Tuscan cellae
Cella
–
Greek Temple of Apollo at Paestum with centrally located cella.
Cella
–
Temple layout with cella highlighted.
Cella
–
The
Maison Carrée at
Nîmes with its cella offset behind the
hexastyle portico.
16.
Portico
–
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
Portico
–
Under the portico of the Pantheon
Portico
–
Portico close to piazza Santo Stefano,
Bologna
Portico
–
Temple of Portunus, with its tetrastyle portico of four
Ionic columns
Portico
–
The hexastyle Temple of Concord at
Agrigentum (c. 430 B.C.)
17.
Stylobate
–
In classical Greek architecture, a stylobate is the top step of the crepidoma, the stepped platform upon which colonnades of temple columns are placed. The platform was built on a course that flattened out the ground immediately beneath the temple. Others use the term to refer to the entire platform, the stylobate was often designed to relate closely to the dimensions of other elements of the temple. In Greek Doric temples, the length and width of the stylobate were related, the Romans took a different approach, using a much higher stylobate that typically had steps only in the front, leading to the portico. A Dictionary of Architecture and Landscape Architecture
Stylobate
–
Triple-stepped
crepidoma with stylobate at top, in the
Doric Temple of
Segesta,
Sicily.
Stylobate
–
The Roman
Maison Carrée,
Nîmes, illustrating the Roman version of a stylobate.
18.
Doric order
–
The Doric order was one of the three orders of ancient Greek and later Roman architecture, the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognised by the simple circular capitals at the top of columns and it was the earliest and in its essence the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, the capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. In stone they are purely ornamental, the relatively uncommon Roman and Renaissance Doric retained these, and often introduced thin layers of moulding or further ornament, as well as often using plain columns. The Doric order was used in Greek Revival architecture from the 18th century onwards, often earlier Greek versions were used, with wider columns. Since at least Vitruvius it has been customary for writers to associate the Doric with masculine virtues and it is also normally the cheapest of the orders to use. In their original Greek version, Doric columns stood directly on the pavement of a temple without a base. The Parthenon has the Doric design columns and it was most popular in the Archaic Period in mainland Greece, and also found in Magna Graecia, as in the three temples at Paestum. These are in the Archaic Doric, where the capitals spread wide from the column compared to later Classical forms, pronounced features of both Greek and Roman versions of the Doric order are the alternating triglyphs and metopes. The triglyphs are decoratively grooved with two vertical grooves and represent the original wooden end-beams, which rest on the plain architrave that occupies the half of the entablature. Under each triglyph are peglike stagons or guttae that appear as if they were hammered in from below to stabilize the post-and-beam construction and they also served to organize rainwater runoff from above. The spaces between the triglyphs are the metopes and they may be left plain, or they may be carved in low relief. The spacing of the triglyphs caused problems which some time to resolve. The architecture followed rules of harmony, since the original design probably came from wooden temples and the triglyphs were real heads of wooden beams, every column had to bear a beam which lay across the centre of the column. Triglyphs were arranged regularly, the last triglyph was centred upon the last column and this was regarded as the ideal solution which had to be reached. Changing to stone instead of wooden beams required full support of the architrave load at the last column. At the first temples the final triglyph was moved, still terminating the sequence, even worse, the last triglyph was not centered with the corresponding column. That “archaic” manner was not regarded as a harmonious design, the resulting problem is called the doric corner conflict
Doric order
–
Temple of the Delians,
Delos; 19th century pen-and-wash restoration.
Doric order
–
An example of the early archaic Doric order- Temple of Poseidon in
Paestum, Italy.
Doric order
–
The Doric order of the
Parthenon
Doric order
–
The Roman Doric order from the
Theater of Marcellus: triglyphs centered over the end column
19.
Peristyle
–
In Hellenistic Greek and Roman architecture a peristyle is a continuous porch formed by a row of columns surrounding the perimeter of building or a courtyard. Tetrastoon is a rarely used term for this feature. In the Christian ecclesiastical architecture that developed from Roman basilica, a courtyard peristyle, in rural settings a wealthy Roman could surround a villa with terraced gardens, within the city Romans created their gardens inside the domus. Sometimes the lararium, a shrine for the Lares, the gods of the household, was located in this portico, the courtyard might contain flowers and shrubs, fountains, benches, sculptures and even fish ponds. No new peristyle houses were built after A. D.550
Peristyle
–
Reconstruction of a Roman peristylum (peristyle) and peristylium (courtyard) of Pompeii.
Peristyle
–
"In the Peristyle"
John William Waterhouse (1849-1917). Rochdale Art Gallery,
Rochdale,
England.
Peristyle
–
Ceiling decoration in the peristyle hall of the
Medinet Habu
Peristyle
–
Peristyle of the Diocletian palace in Split, Croatia.
R. Adam 1764
20.
Hexastyle
–
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
Hexastyle
–
Under the portico of the Pantheon
Hexastyle
–
Portico close to piazza Santo Stefano,
Bologna
Hexastyle
–
Temple of Portunus, with its tetrastyle portico of four
Ionic columns
Hexastyle
–
The hexastyle Temple of Concord at
Agrigentum (c. 430 B.C.)
21.
Limestone
–
Limestone is a sedimentary rock, composed mainly of skeletal fragments of marine organisms such as coral, forams and molluscs. Its major materials are the minerals calcite and aragonite, which are different crystal forms of calcium carbonate, about 10% of sedimentary rocks are limestones. The solubility of limestone in water and weak acid solutions leads to karst landscapes, most cave systems are through limestone bedrock. The first geologist to distinguish limestone from dolomite was Belsazar Hacquet in 1778, like most other sedimentary rocks, most limestone is composed of grains. Most grains in limestone are skeletal fragments of organisms such as coral or foraminifera. Other carbonate grains comprising limestones are ooids, peloids, intraclasts and these organisms secrete shells made of aragonite or calcite, and leave these shells behind when they die. Limestone often contains variable amounts of silica in the form of chert or siliceous skeletal fragment, some limestones do not consist of grains at all, and are formed completely by the chemical precipitation of calcite or aragonite, i. e. travertine. Secondary calcite may be deposited by supersaturated meteoric waters and this produces speleothems, such as stalagmites and stalactites. Another form taken by calcite is oolitic limestone, which can be recognized by its granular appearance, the primary source of the calcite in limestone is most commonly marine organisms. Some of these organisms can construct mounds of rock known as reefs, below about 3,000 meters, water pressure and temperature conditions cause the dissolution of calcite to increase nonlinearly, so limestone typically does not form in deeper waters. Limestones may also form in lacustrine and evaporite depositional environments, calcite can be dissolved or precipitated by groundwater, depending on several factors, including the water temperature, pH, and dissolved ion concentrations. Calcite exhibits a characteristic called retrograde solubility, in which it becomes less soluble in water as the temperature increases. Impurities will cause limestones to exhibit different colors, especially with weathered surfaces, Limestone may be crystalline, clastic, granular, or massive, depending on the method of formation. Crystals of calcite, quartz, dolomite or barite may line small cavities in the rock, when conditions are right for precipitation, calcite forms mineral coatings that cement the existing rock grains together, or it can fill fractures. Travertine is a banded, compact variety of limestone formed along streams, particularly there are waterfalls. Calcium carbonate is deposited where evaporation of the leaves a solution supersaturated with the chemical constituents of calcite. Tufa, a porous or cellular variety of travertine, is found near waterfalls, coquina is a poorly consolidated limestone composed of pieces of coral or shells. During regional metamorphism that occurs during the building process, limestone recrystallizes into marble
Limestone
–
Limestone outcrop in the
Torcal de Antequera nature reserve of
Málaga, Spain
Limestone
–
Limestone quarry at
Cedar Creek, Virginia, USA
Limestone
–
Cutting the limestone blocks at a quarry in
Gozo,
Malta
Limestone
–
Limestone as building material
22.
Bassae Frieze
–
The Bassae Frieze is the high relief marble sculpture in 23 panels, 31m long by 0. 63m high, made to decorate the interior of the cella of the Temple of Apollo Epikourios at Bassae. It was discovered in 1811 by Carl Haller and Charles Cockerell, pausanias records that this last sanctuary was dedicated to Apollo Epikourios by the Phigalians in thanks for delivery from the plague of 429 BC. From the style of the frieze it belongs to the High Classical period, nothing is known of its authorship, despite an ascription of the metopes to Paionios, the frieze cannot be associated with any sculptor, workshop or school. Instead Cooper identifies the artists of the frieze on morellian evidence as a group of three anonymous masters, the frieze was bought at auction by the British Museum in 1815 where it is now on permanent display in a specially constructed room in Gallery 16. While the British Museum possesses most of the sculpture, eight fragments believed to belong to the frieze are in the National Museum, copies of this frieze decorate the walls of the Ashmolean Museum and Londons Travellers Club. Bocher of the site, but unfortunately he was unable to survey the place due to his murder on his second visit, though the temple was visited several times in the intervening years, it wasnt until the expedition of 1812 that excavations began. The site was explored in 1812 by British antiquaries who removed the twenty-three slabs of the Ionic cella frieze, the frieze was bought at auction by the British Museum in 1815. This friezes stones were removed by Charles Robert Cockerell, Cockerell decorated the walls of the Ashmolean Museums Great Staircase and that of the Travellers Club with plaster casts of the same frieze. The Frieze was constructed between 420 and 400 BC, unlike the rest of the temple, the blocks were carved from marble. Each of the 23 stones shows sections of the frieze but it is rare to find any continuation of the design from one stone to the next and it has also been proposed that the stones were not eventually installed as they had originally been proposed in the Temple of Apollo. These two complications are important as when the stones were found they had fallen to the ground. So the stones are arranged in one way, but it is not clear if the frieze was actually either intended or designed to be as it now appears. The room where the frieze is displayed was specially constructed to be the size as the main room in the Temple of Apollo. However, in the original placing they would have been seven metres in the air, the reconstruction puts the frieze at an easily viewable height. The table below shows the various proposals for how the frieze may have been designed to be displayed. There have been a number of ideas as to how the frieze should be arranged, in some cases the authors disagree not only about the order but also about which pictures were displayed on which wall. In this case the positions are labelled E, W, S. John Hennings masterpieces were the one-twentieth scale models he created of the Parthenon Frieze and Bassae Frieze, John and his son, also John, used this work to install recreations of both friezes on other buildings
Bassae Frieze
–
The Bassae Frieze in the British Museum.
Bassae Frieze
–
Reconstruction of the temple showing the frieze in situ, note the Corinthian column, a.
Bassae Frieze
–
Charles Cockerell's fanciful reconstruction of the temple, there is no evidence for a barrel roof or skylight.
Bassae Frieze
23.
Marble
–
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Geologists use the marble to refer to metamorphosed limestone, however. Marble is commonly used for sculpture and as a building material and this stem is also the basis for the English word marmoreal, meaning marble-like. In Hungarian it is called márvány, Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most commonly limestone or dolomite rock. Metamorphism causes variable recrystallization of the carbonate mineral grains. The resulting marble rock is composed of an interlocking mosaic of carbonate crystals. Primary sedimentary textures and structures of the carbonate rock have typically been modified or destroyed. Pure white marble is the result of metamorphism of a very pure limestone or dolomite protolith, green coloration is often due to serpentine resulting from originally magnesium-rich limestone or dolostone with silica impurities. These various impurities have been mobilized and recrystallized by the intense pressure, examples of historically notable marble varieties and locations, White marble has been prized for its use in sculptures since classical times. This preference has to do with its softness, which made it easier to carve, relative isotropy and homogeneity, construction marble is a stone which is composed of calcite, dolomite or serpentine which is capable of taking a polish. More generally in construction, specifically the dimension stone trade, the marble is used for any crystalline calcitic rock useful as building stone. For example, Tennessee marble is really a dense granular fossiliferous gray to pink to maroon Ordovician limestone that geologists call the Holston Formation. Ashgabat, the city of Turkmenistan, was recorded in the 2013 Guinness Book of Records as having the worlds highest concentration of white marble buildings. According to the United States Geological Survey, U. S. domestic marble production in 2006 was 46,400 tons valued at about $18.1 million, compared to 72,300 tons valued at $18.9 million in 2005. Crushed marble production in 2006 was 11.8 million tons valued at $116 million, of which 6.5 million tons was finely ground calcium carbonate and the rest was construction aggregate. For comparison,2005 crushed marble production was 7.76 million tons valued at $58.7 million, of which 4.8 million tons was finely ground calcium carbonate, U. S. dimension marble demand is about 1.3 million tons. The DSAN World Demand for Marble Index has shown a growth of 12% annually for the 2000–2006 period, the largest dimension marble application is tile. In 1998, marble production was dominated by 4 countries that accounted for almost half of production of marble
Marble
–
Marble in Carrrara marble quarry, Italy
Marble
Marble
–
The
Taj Mahal is entirely clad in marble.
Marble
–
Carlo Franzoni's sculptural marble
chariot clock depicting
Clio, the Greek
muse of history.
24.
Pronaos
–
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
Pronaos
–
Under the portico of the Pantheon
Pronaos
–
Portico close to piazza Santo Stefano,
Bologna
Pronaos
–
Temple of Portunus, with its tetrastyle portico of four
Ionic columns
Pronaos
–
The hexastyle Temple of Concord at
Agrigentum (c. 430 B.C.)
25.
Cult statue
–
In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. Cultus, the outward religious formulas of cult, often centers upon the treatment of cult images, religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts cult image specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple. The term idol is often synonymous with cult image, but may be used especially of an image believed not just to depict or represent a deity or spirit. Sometimes the image is believed to have its own powers, to grant wishes or otherwise affect the world, in cultures where idolatry is not viewed negatively, the word idol is not generally seen as pejorative, such as in Indian English. Cult of images is the practice of worshipping or venerating religious or cult images representing divine figures, common in a number of ancient religions, the practice continues most prominently today in Hinduism. Assertions by others outside the group concerned that such beliefs are held by the group are however common. Cult images were a presence in Ancient Egypt, and still are in modern-day Kemetism. A common example of an image in ancient Egypt was the Apis Bull. The term is confined to the relatively small images, typically in gold. These images usually showed the god in their sacred barque or boat, the Parthenon contained a cult image of Athena, the Greek goddess of civilization and the noble side of war. This cult image, known as Athena Parthenos, was created by Phidias and this cult image was used for religious sacrifices at this Athenian temple. Hinduism allows for many forms of worship and therefore it neither prescribes nor proscribes worship of images, in Hinduism, a murti typically refers to an image that expresses a Divine Spirit. Meaning literally embodiment, a murti is a representation of a divinity, made usually of stone, wood, or metal, hindus consider a murti worthy of serving as a focus of divine worship only after the divine is invoked in it for the purpose of offering worship. The depiction of the divinity must reflect the gestures and proportions outlined in religious tradition, members of Abrahamic religions identify cult images as idols and their worship as idolatry, the worship of hollow forms. The avoidance of such a degrading paradox was expressed in the early Christian idea of miraculous icons that were not made by human hands, acheiropoietoi. Catholic and Eastern Orthodox Christians make an exception for the veneration of image of saints, the word idol entered Middle English in the 13th century from Old French idole adapted in Ecclesiastical Latin from the Greek eidolon. Greek eidos was employed by Plato and the Platonists to signify perfect immutable forms, the local tribes, of the Arabian peninsula, came to this centre of commerce to place their idols in the Kaaba, in the process being charged tithes
Cult statue
–
African Songye Power Figure
Cult statue
–
Vermilion on a stone is a common form of a Hindu
murti
Cult statue
–
A fanciful reconstruction of
Phidias '
Statue of Zeus at Olympia, 1572
Cult statue
–
A clay
Ganesha murti, worshipped during
Ganesh Chaturthi festival.
26.
Entasis
–
In architecture, entasis is the application of a convex curve to a surface for aesthetic purposes. Its best-known use is in certain orders of Classical columns that curve slightly as their diameter is decreased from the bottom upward and it also may serve an engineering function regarding strength. The word we apply to the principle is used by the Roman architectural historian Vitruvius. Creating the illusion of greater strength or perception of height may have been an objective in the application of entasis, examples of this design principle may be found in cultures throughout the world, from ancient times to contemporary architecture. The first known use of entasis was in the construction of Egyptian pyramids and it also may be observed among Classical period Greek column designs, built a thousand years later, for example, in the Doric-order temples in Segesta, Selinus, Agrigento, and Paestum. It was used frequently in Hellenistic and Roman period architecture. The Roman temples built during these periods were higher than those of the Greeks, chinese carpenters of the Song Dynasty followed designs in the AD1103 Yingzao Fashi that specified straight columnns or those with an entasis on the upper third of the shaft. Noted architects, such as the Renaissance master Andrea Palladio, also used entasis in the designs of their buildings and it also may be seen in the sloping or battered walls of some Tibetan monastery and fortress architecture, as well as that of Bhutan. The lower parts of walls, approximately one third, have a slight inward curve. If one builds a wall as a straight, sloping surface. An example in Bhutan is the Dobji dzong, the early Classical builders did not leave an explanation of their reasons for using entasis in their columns. Extensive conjecture about the purpose of its application by them exists, some descriptions of entasis, state simply, that the technique was an enhancement applied to the more primitive conical columns to make them appear more substantial. Other descriptions argue that the technique emphasizes the substantiality of, not the columns, because their discussion of the application of the principle has never been discovered, it is unknown, however, whether the early Greeks knew this. If the column originally was a reference to, or analogous to, the palm tree. That could account for the replication of a principle in nature that became a tradition. Die Schwellung der Säule bei den Architekturtheoretikern bis in das XVIII
Entasis
–
Entasis columns at
Hōryū-ji, Japan
Entasis
–
The
first Hera temple (so called Basilica) at Paestum
27.
Metope (architecture)
–
Metopes often had painted or sculptural decoration, the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow an idea of their original appearance. In terms of structure, metopes may be carved from a block with a triglyph, or they may be cut separately. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast, although they tend to be close to square in shape, some metopes are noticeably larger in height or in width. Classical architecture Classical order Doric order Robertson, D. S. Handbook of Greek and Roman Architecture
Metope (architecture)
–
Metope from the Parthenon marbles depicting part of the battle between the Centaurs and the Lapiths.
Metope (architecture)
–
A metope (L) and triglyph (R) cut from one block from Stratos.
Metope (architecture)
–
Metopes made from marble slotted into the frieze of the Stoa at
Brauron.
28.
British Museum
–
The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
British Museum
–
British Museum
British Museum
–
The centre of the museum was redeveloped in 2001 to become the
Great Court, surrounding the original
Reading Room.
British Museum
–
Sir
Hans Sloane
British Museum
–
Montagu House, c. 1715
29.
Classical orders
–
An Order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. The three orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece, to these the Romans added, in practice if not in name, the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian. The Architectural Order of a building is akin to the mode or key of classical music. It is established by certain modules like the intervals of music, Columns shrank into half-columns emerging from walls or turned into pilasters. This treatment continued after the conscious and correct use of the orders, initially following exclusively Roman models, Greek Revival architecture, inspired by increasing knowledge of Greek originals, returned to more authentic models, including ones from relatively early periods. Each style has distinctive capitals at the top of columns and horizontal entablatures which it supports, the column shaft and base also varies with the order, and is sometimes articulated with vertical hollow grooves known as fluting. The capital rests on the shaft and it has a load-bearing function, which concentrates the weight of the entablature on the supportive column, but it primarily serves an aesthetic purpose. The necking is the continuation of the shaft, but is separated by one or many grooves. The echinus lies atop the necking and it is a circular block that bulges outwards towards the top to support the abacus, which is a square or shaped block that in turn supports the entablature. The entablature consists of three layers, all of which are visually separated from each other using moldings or bands. There are names for all the parts of the orders. The height of columns are calculated in terms of a ratio between the diameter of the shaft at its base and the height of the column, sometimes this is phrased as lower diameters high, to establish which part of the shaft has been measured. There are three orders in Ancient Greek architecture, Doric, Ionic, and Corinthian. These three were adopted by the Romans, who modified their capitals, the Roman adoption of the Greek orders took place in the 1st century BC. The three Ancient Greek orders have since been used in neo-classical European architecture. Sometimes the Doric order is considered the earliest order, but there is no evidence to support this, rather, the Doric and Ionic orders seem to have appeared at around the same time, the Ionic in eastern Greece and the Doric in the west and mainland. Both the Doric and the Ionic order appear to have originated in wood, the Temple of Hera in Olympia is the oldest well-preserved temple of Doric architecture. It was built just after 600 BC, the Doric order later spread across Greece and into Sicily where it was the chief order for monumental architecture for 800 years
Classical orders
–
Table of architecture,
Cyclopaedia, 1728
Classical orders
–
An illustration of the Five Architectural Orders engraved for the
Encyclopédie, vol. 18, showing the
Tuscan and
Doric orders (top row); two versions of the
Ionic order (center row);
Corinthian and
Composite orders (bottom row).
Classical orders
–
Greek orders with full height
Classical orders
–
The Doric order of the
Parthenon
30.
Ionic order
–
The Ionic order forms one of the three classical orders of classical architecture, the other two canonic orders being the Doric and the Corinthian. There are two orders, the Tuscan, and the rich variant of Corinthian called the composite order. The Ionic columns are the thinnest and smallest columns out of the three canonic orders, the Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform, since Vitruvius a female character has been ascribed to the Ionic, in contrast to the masculine Doric. The major features of the Ionic order are the volutes of its capital, the only tools required to design these features were a straight-edge, a right angle, string and a compass. Originally the volutes lay in a plane, then it was seen that they could be angled out on the corners. Ionic columns are most often fluted, after a little early experimentation, the number of hollow flutes in the shaft settled at 24. This standardization kept the fluting in a proportion to the diameter of the column at any scale. Roman fluting leaves a little of the surface between each hollow, Greek fluting runs out to a knife edge that was easily scarred. In some instances, the fluting has been omitted, mohr included 8 unfluted Ionic frontal columns on his 1928 design for the railroads St. Louis suburban stop Delmar Station. Pictorial often narrative bas-relief frieze carving provides a feature of the Ionic order. Roman and Renaissance practice condensed the height of the entablature by reducing the proportions of the architrave, the Ionic order originated in the mid-6th century BC in Ionia, the southwestern coastland and islands of Asia Minor settled by Ionian Greeks, where an Ionian dialect was spoken. The Ionic order column was being practiced in mainland Greece in the 5th century BC and it was most popular in the Archaic Period in Ionia. The first of the great Ionic temples was the Temple of Hera on Samos and it stood for only a decade before it was leveled by an earthquake. A longer-lasting 6th century Ionic temple was the Temple of Artemis at Ephesus, the Parthenon, although it conforms mainly to the Doric order, also has some Ionic elements. A more purely Ionic mode to be seen on the Athenian Acropolis is exemplified in the Erechtheum, following the conquests of Alexander the Great in the east, a few examples of the Ionic order can be found as far as Pakistan with the Jandial temple near Taxila. Several examples of capitals displaying Ionic influences can seen as far away as Patna, especially with the Pataliputra capital. Renaissance architectural theorists took his hints, to interpret the Ionic order as matronly in comparison to the Doric order, the Ionic is a natural order for post-Renaissance libraries and courts of justice, learned and civilized
Ionic order
–
Architects' first real look at the Greek Ionic order: Julien David LeRoy, Les ruines plus beaux des monuments de la Grèce Paris, 1758 (Plate XX)
Ionic order
–
Drawing by Piranesi of the
Temple of Portunus
Ionic order
–
Ionic capital at Priene
Ionic order
–
Scamozzian Ionic capitals on
Castle Coole portico
31.
Corinthian order
–
The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order, when classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders, characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and it was employed in southern Gaul at the Maison Carrée, Nîmes and at the comparable podium temple at Vienne. Other prime examples noted by Mark Wilson Jones are the order of the Basilica Ulpia and the arch at Ancona the column of Phocas. The Corinthian order is named for the Greek city-state of Corinth, however, according to the architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket. Its earliest use can be traced back to the Late Classical Period, the earliest Corinthian capital was found in Bassae, dated at 427 BC. In its proportions, the Corinthian column is similar to the Ionic column, though it is more slender, the abacus upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman Colosseum, holding up the least weight and their height to width ratio is about 10,1. One variant is the Tivoli Order, found at the Temple of Vesta, the Tivoli Orders Corintinan Capital has two rows of Acanthus and its abacus is decorated with oversize fleuron in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops, the frieze exhibits fruit swag suspended between bucrania. Above each swag is a rosette, the cornice does not have modillions. Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent and these capitals are typically dated to the 1st centuries of our era, and constitute important elements of Greco-Buddhist art of Gandhara. The classical design was adapted, usually taking a more elongated form. Indo-Corinthian capitals also incorporated figures of the Buddha or Bodhisattvas, usually as central figures surrounded, the Corinthian architrave is divided in two or three sections, which may be equal, or they may bear interesting proportional relationships, one with another. Above the plain, unadorned architrave lies the frieze, which may be carved with a continuous design or left plain. At the Capitol the proportions of architrave to frieze are exactly 1,1, above that, the profiles of the cornice moldings are like those of the Ionic order. If the cornice is deep, it may be supported by brackets or modillions. The Corinthian column is almost always fluted, if it is not, it is often worth pausing to unravel the reason why
Corinthian order
–
The
Pantheon provided a prominent model for Renaissance and later architects, through the medium of
engravings
Corinthian order
–
Corinthian columns in
Jerash, Jordan
Corinthian order
–
Figure of the Buddha, within a Corinthian capital,
Gandhara, 3–4th century,
Musee Guimet.
Corinthian order
–
Vincenzo Scamozzi offers his version of the Corinthian capital, in a portrait by
Veronese (Denver Art Museum)
32.
Capital (architecture)
–
In architecture the capital or chapiter forms the topmost member of a column. It mediates between the column and the load thrusting down upon it, broadening the area of the supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order, concave, as in the bell of the Corinthian order, or scrolling out. These form the three types on which all capitals are based. The Composite order, established in the 16th century on a hint from the Arch of Titus, from the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation, and is often the clearest indicator of the architectural order. The treatment of its detail may be an indication of the buildings date, the decoration underneath the bracket capital comes from art and designs from the many cultures that the Persian Empire conquered and assimilated including Egypt, Babylon, and Lydia. But of course these decorations below the bracket capital serve no purpose and are simply there for show. The earliest Aegean capital is shown in the frescoes at Knossos in Crete, it was of the convex type. The Doric capital is the simplest of the five Classical orders, it consists of the abacus above an ovolo molding, the sloping side of the echinus becomes flatter in the later examples, and in the Colosseum at Rome forms a quarter round. In the Ionic capital, spirally coiled volutes are inserted between the abacus and the ovolo. In the Ionic capitals of the archaic Temple of Artemis at Ephesus the width of the abacus is twice that of its depth, a century later, in the temple on the Ilissus, the abacus has become square. It has been suggested that the foliage of the Greek Corinthian capital was based on the Acanthus spinosus, not all architectural foliage is as realistic as Isaac Wares however. The leaves are carved in two ranks or bands, like one leafy cup set within another. The various orders are discussed in Vitruvius books iii and iv, Vitruvius describes Roman practice in a practical fashion. He gives some tales about the invention of each of the Orders, the increasing adoption of composite capitals signalled a trend towards freer, more inventive capitals in Late Antiquity. The top of an anta is often decorated, usually with bands of floral motifs. The designs often respond to an order of columns, but usually with a different set of design principles, in order not to protude excessively from the wall surface, these structures tend to have a rather flat surface, forming brick-shaped capitals, called anta capitals
Capital (architecture)
–
Ionic capital, from the temple of
Athena Polias,
Priene,
Ionia, in a 19th-century engraving
Capital (architecture)
–
Column capital from the magnificent ancient Persian city of
Persepolis
Capital (architecture)
–
Decorated capitals inside
Ramesseum, part of the Theban Necropolis, Luxor, Egypt.
Capital (architecture)
–
Neo classical columns and capitals of
Panthéon de Paris.
33.
Frieze
–
In architecture the frieze /ˈfriːz/ is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on a wall it lies upon the architrave and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous and this style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail, by extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels, the material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. In an example of a frieze on the façade of a building. A pulvinated frieze is convex in section, such friezes were features of 17th-century Northern Mannerism, especially in subsidiary friezes, and much employed in interior architecture and in furniture. The concept of a frieze has been generalized in the construction of frieze patterns. Media related to Friezes at Wikimedia Commons Frieze
Frieze
–
The Circus (Bath), UK. Architectural detail of the frieze showing the alternating
triglyphs and
metope. (
John Wood, the Elder, architect)
Frieze
–
Frieze of animals, mythological episodes at the base of
Hoysaleswara temple,
India
34.
Amazons
–
In Greek mythology, the Amazons were a tribe of women warriors. The Scythian women may have inspired the myth, apollonius Rhodius, at Argonautica, mention that Amazons were the daughters of Ares and Harmonia. They were brutal and aggressive, and their concern in life was war. Later, he says, they established Mitylene a little way beyond the Caïcus, Aeschylus, at Prometheus Bound, places the original home of the Amazons in the country about Lake Maeotis and they later moved to Themiscyra on the Thermodon. Homer tells that the Amazons were sought and found somewhere near Lycia, Diodorus mention that the Amazons traveled from the Libya under Queen Myrina. Amazon warriors were often depicted in battle with Greek warriors in amazonomachies in classical art, the Amazons have become associated with many historical people throughout the Roman Empire period and Late Antiquity. In Roman historiography, there are accounts of Amazon raids in Anatolia. From the early period, their name has become a term for female warriors in general. Greeks also used epithets for them. Herodotus used the Androktones and Androleteirai, in Iliad they also called Antianeirai and Aeschylus in his work, Prometheus Bound, the origin of the word is uncertain. Πέρσαι», where it appears together with the Indo-Iranian root *kar- make, alternatively, a Greek derivation from *ṇ-mṇ-gw-jon-es manless, without husbands has been proposed, an explanation deemed unlikely by Hjalmar Frisk. 19th century scholarship also connected the term to the ethnonym Amazigh, a further explanation proposes Iranian *ama-janah virility-killing as source. The Hittite researcher Friedrich Cornelius assumes that there had been the land Azzi with the capital Chajasa in the area of the Thermodon-Iris Delta on the coast of the Black Sea and he brings its residents in direct relation to the Amazons, namely based on its name and its customs. The location of land as well as his conclusions are controversial. There is no indication of such a practice in ancient works of art, adrienne Mayor suggests the origin of this myth was due to the words etymology. Herodotus and Strabo placed them on the banks of the Thermodon, later, he says, they established Mitylene a little way beyond the Caïcus. Aeschylus, at Prometheus Bound, places the home of the Amazons in the country about Lake Maeotis. According to Pseudo-Plutarch, the Amazons lived in and about the Tanais river, formerly called the Amazonian or Amazon river, the Amazons later moved to Themiscyra on the River Thermodon
Amazons
–
Wounded Amazon of the Capitol, Rome.
Amazons
–
Amazon preparing for a battle (Queen Antiop or Armed Venus), by
Pierre-Eugène-Emile Hébert 1860 (
National Gallery of Art,
Washington, D.C.).
Amazons
–
Amazon wearing trousers and carrying a shield with an attached patterned cloth and a quiver.
Ancient Greek Attic white-ground
alabastron, c. 470 BCE,
British Museum, London.
Amazons
–
Thalestris, Queen of the Amazons, visits
Alexander (1696)
35.
Lapith
–
The Lapiths are a legendary people of Greek mythology, whose home was in Thessaly, in the valley of the Peneus and on the mountain Pelion. Like the Myrmidons and other Thessalian tribes, the Lapiths were natives of Thessaly, lapithes was a valiant warrior, but Centaurus was a deformed being who later mated with mares from whom the race of half-man, half-horse Centaurs then came. Lapithes was the ancestor of the Lapith people, and his descendants include Lapith warriors and kings, such as Ixion, Pirithous, Caeneus, and Coronus. In the Iliad the Lapiths send forty manned ships to join the Greek fleet in the Trojan War, commanded by Polypoetes, the Lapiths were credited with inventing the bridles bit. In fiction, the Lapith king Pirithous was marrying the horsewoman Hippodameia, tamer of horses, at the wedding feast that made a battle, the best-known legend with which the Lapiths are connected is their battle with the Centaurs at the wedding feast of Pirithous, the Centauromachy. The Centaurs had been invited, but, unused to wine, when the bride was presented to greet the guests, the centaur Eurytion leapt up and attempted to rape her. All the other centaurs were up in a moment, straddling women, in the battle that ensued, Theseus came to the Lapiths aid. They cut off Eurytions ears and nose and threw him out, in the battle the Lapith Caeneus was killed, and the defeated Centaurs were expelled from Thessaly to the northwest. Caeneus was a well-known Lapith, originally a girl named Caenis and the favorite of Poseidon, such warrior women, indistinguishable from men, were familiar among the Scythian horsemen too. In the Centaur battle, Caeneus proved invulnerable, until the Centaurs simply crushed him with rocks and trunks of trees and he disappeared into the depths of the earth unharmed and was released as a sandy-headed bird. In later contests, the Centaurs were not so easily beaten, mythic references explained the presence into historic times of primitive Lapiths in Malea and in the brigand stronghold of Pholoe in Elis as remnants of groups driven there by the Centaurs. Some historic Greek cities bore names connected with Lapiths, and the Kypselides of Corinth claimed descent from Cæneus, the Battle of the Lapiths and Centaurs was a familiar symposium theme for the vase-painters. A sonnet vividly evoking the battle by the French poet José María de Heredia was included in his volume Les Trophées, in the Renaissance, the battle became a favorite theme for artists, an excuse to display close-packed bodies in violent confrontation. The young Michelangelo executed a marble bas-relief of the subject in Florence about 1492, piero di Cosimos panel Battle of Centaurs and Lapiths, now at the National Gallery, London, was painted during the following decade. If it was part of a marriage chest, or cassone. A frieze with a Centauromachy was also painted by Luca Signorelli in his Virgin Enthroned with Saints, inspired by a Roman sarcophagus found at Cortona, in Tuscany, during the early 15th century. Dictionary of Greek and Roman Biography and Mythology vol.11 p.721 Ovid Metamorphoses XII passim, Odyssey XXI,330 –340, Iliad xii. 128,181, Pausanias 1.17.2,5.10.8, Strabo ix.39, Greek Mythology Link - Lapiths, an annotated list of Lapith names, mainly in Metamorphoses, and some Lapith descendants Theoi Project
Lapith
–
Battle of Centaurs and Lapiths, by
Piero di Cosimo (notice the female
centaur with a male centaur in the foreground).
36.
Centaur
–
A centaur, or occasionally hippocentaur, is a mythological creature with the upper body of a human and the lower body of a horse. The centaurs were usually said to have born of Ixion. Another version, however, makes them children of a certain Centaurus and this Centaurus was either himself the son of Ixion and Nephele or of Apollo and Stilbe, daughter of the river god Peneus. In the later version of the story his twin brother was Lapithes, ancestor of the Lapiths, Centaurs were said to have inhabited the region of Magnesia and Mount Pelion in Thessaly, the Foloi oak forest in Elis, and the Malean peninsula in southern Laconia. Another tribe of centaurs was said to have lived on Cyprus, according to Nonnus, they were fathered by Zeus, who, in frustration after Aphrodite had eluded him, spilled his seed on the ground of that land. Unlike those of mainland Greece, the Cyprian centaurs were horned, there were also the Lamian Pheres, twelve rustic daimones of the Lamos river. They were set by Zeus to guard the infant Dionysos, protecting him from the machinations of Hera, the Lamian Pheres later accompanied Dionysos in his campaign against the Indians. Centaurs subsequently featured in Roman mythology, and were familiar figures in the medieval bestiary and they remain a staple of modern fantastic literature. The strife among these cousins is a metaphor for the conflict between the lower appetites and civilized behavior in humankind, theseus, a hero and founder of cities, who happened to be present, threw the balance in favour of the right order of things, and assisted Pirithous. The Centaurs were driven off or destroyed, another Lapith hero, Caeneus, who was invulnerable to weapons, was beaten into the earth by Centaurs wielding rocks and the branches of trees. Centaurs are thought of in many Greek myths as wild as untamed horses, like the Titanomachy, the defeat of the Titans by the Olympian gods, the contests with the Centaurs typify the struggle between civilization and barbarism. The Centauromachy is most famously portrayed in the Parthenon metopes by Phidias, a painted terracotta centaur was found in the Heros tomb at Lefkandi, and by the Geometric period, centaurs figure among the first representational figures painted on Greek pottery. An often-published Geometric period bronze of a warrior face-to-face with a centaur is at the Metropolitan Museum of Art, in Greek art of the Archaic period, centaurs are depicted in three different forms. Some centaurs are depicted with a human torso attached to the body of a horse at the withers, where the neck would be. Class B centaurs are depicted with a body and legs, joined at the waist with the hindquarters of a horse. A third type, designated Class C, depicts centaurs with human forelegs terminating in hooves, Baur describes this as an apparent development of Aeolic art, which never became particularly widespread. At a later period, paintings on some amphoras depict winged centaurs, Centaurs were also frequently depicted in Roman art. The most common theory holds that the idea of centaurs came from the first reaction of a culture, as in the Minoan Aegean world
Centaur
–
Greek, possibly Athenian, Statuette of a centaur, ca. 530 B.C., in the
Princeton University Art Museum
Centaur
–
Brooklyn Museum - Centauress - John La Farge - overall
Centaur
–
Centauromachy, tondo of an
Attic red-figure kylix, ca. 480 BC
Centaur
–
Boeotian kantharos,
Late Geometric period
37.
Charles Robert Cockerell
–
Charles Robert Cockerell RA was an English architect, archaeologist, and writer. From the age of sixteen, he trained in the practice of his father, who held the post of surveyor to East India House. From 1809 to 1810 Cockerell became an assistant to Robert Smirke, on 14 April 1810 he set off on the Grand Tour. Due to the Napoleonic Wars much of Europe was closed to the British, so he headed for Cadiz, Malta and Constantinople, from there he went to Troy, finally arriving in Athens, in Constantinople he met John Foster who would accompany him on his tour. In April 1811 he was in Aegina where he helped excavate the Temple of Aphaea, finding fallen fragmentary pediment sculptures, on 18 August 1811 he set out with three companions from Zakynthos on a tour of Morea, aiming for the temple of Apollo Epicurius at Bassae in Arcadia. The magnificent Bassae Frieze that Cockerell discovered at the temple was eventually excavated and his tour continued visiting, Sparta, Argos, Tiryns, Mycenae, Epidaurus and Corinth returning to Athens. They arrived in Malta on 18 July 1812, where Cockerell was confined to bed for three weeks with a fever. By 28 August 1812 they were in Sicily, where they stayed several months studying the chief Greek temples, drawing a reconstruction of the Temple of the Olympian Zeus, Agrigento. On his recovery he continued his travels, in January 1814 he was in Ioannina, returning to Athens, before going on in May 1814 to Zakynthos to attend the sale of the Bassae Frieze. In December 1814 he returned to the Temple of Aphaea for a fortnight to check, in a letter of 23 December 1814 he details his re-discovery of entasis, he enclosed a sketch for Robert Smirke of one of the Parthenon columns showing its outline. Much of his time in Rome was spent on preparing his drawings for publication, in 1816 Cockrell moved on to Florence. Cockerell was presented to Ferdinand III, Grand Duke of Tuscany and was awarded the diploma of Academician of the Accademia delle Arti del Disegno, in June he suffered another bout of ill health. Cockerell returned to London on 17 June 1817, over seven years since his departure, Cockerell set about preparing his drawings of Greek antiquities for exhibition at the Royal Academy. Cockerell was living and working at 8 Old Burlington Street, it was owned by his father, from 1832 to 1836 he rented as his office 34 Savile Row. Cockerell was a member of three clubs, Athenaeum Club, London, Travellers Club and Grillions to which he was elected in 1822. In 1819 he was appointed surveyor to St. Pauls Cathedral and he was elected an Associate of the Royal Academy on 2 November 1829, and an academician on 10 February 1836, his diploma work being his design for the Palace of Westminster competition. In September 1839, he was appointed Professor of Architecture at the Academy and he won the first Royal Gold Medal for architecture in 1848 and became president of the Royal Institute of British Architects in 1860. Replicas of these reliefs were included in the frieze of the library of the Travellers Club
Charles Robert Cockerell
–
Charles Robert Cockerell (portrait by
Ingres, 1817)
Charles Robert Cockerell
–
Cockerell's depiction of the temple of Apollo at Bassae, 1860
Charles Robert Cockerell
–
Cockerell's Hanover Chapel, in 1828
Charles Robert Cockerell
–
Entrance portico, Ashmolean Museum
38.
Elgin Marbles
–
They were originally part of the temple of the Parthenon and other buildings on the Acropolis of Athens. In 1801, Thomas Bruce, 7th Earl of Elgin obtained a permit from the Sublime Porte, from 1801 to 1812, Elgins agents removed about half of the surviving sculptures of the Parthenon, as well as sculptures from the Propylaea and Erechtheum. The Marbles were transported by sea to Britain, in Britain, the acquisition of the collection was supported by some, while others, such as Lord Byron, likened Elgins actions to vandalism or looting. Greece disputes the subsequent purchase of the Marbles by the British Government, in November 1798 the Earl of Elgin was appointed as Ambassador Extraordinary and Minister Plenipotentiary of His Britannic Majesty to the Sublime Porte of Selim III, Sultan of Turkey. According to Lord Elgin, the answer of the Government, Lord Elgin decided to carry out the work and employed artists to take casts and drawings under the supervision of the Neapolitan court painter Giovani Lusieri. According to a Turkish local, marble sculptures that fell were being burned to obtain lime for building, although the original intention was only to document the sculptures, in 1801 Lord Elgin began to remove material from the Parthenon and its surrounding structures under the supervision of Lusieri. Pieces were also removed from the Acropolis, the Erechtheion, the Propylaia, the excavation and removal was completed in 1812 at a personal cost of around £70,000. Elgin intended to use the marbles to decorate his house in Scotland. He sold the Parthenon Marbles to the British government for less than the cost to them, declining higher offers from other potential buyers. As such, they represent more than half of what now remains of the sculptural decoration of the Parthenon. As the Acropolis was still an Ottoman military fort, Elgin required special permission to enter the site, including the Parthenon and he stated that he had obtained from the Sultan a firman to allow his artists access to the site, but was unable to produce the original documentation. However, a document claimed to be an English translation of an Italian copy made at the time was presented by Elgin in its stead, and its authenticity has been questioned, as it lacked the formalities characterising edicts from the sultan. The document was recorded in an appendix of an 1816 parliamentary committee report, the committee permission had convened to examine a request by Elgin asking the British government to purchase the marbles. The report said that the document in the appendix was a translation in English of an Ottoman firman dated July 1801. In Elgins view it amounted to an Ottoman authorisation to remove the marbles, the committee was told that the original document was given to Ottoman officials in Athens in 1801. Researchers have so far failed to locate it despite the fact that the Ottoman archives in Istanbul still hold a number of documents dating from the same period. The parliamentary record shows that the Italian copy of the firman was not presented to the committee by Elgin himself but by one of his associates, the clergyman Rev. Philip Hunt. Hunt, who at the time resided in Bedford, was the last witness to appear before the committee and he went on to explain that he had not brought the document, because, upon leaving Bedford, he was not aware that he was to testify as a witness
Elgin Marbles
–
Elgin Marbles
Elgin Marbles
–
Parthenon Selene Horse
Elgin Marbles
–
Metope from the Elgin marbles depicting a
Centaur and a
Lapith fighting
Elgin Marbles
–
Statuary from the east
pediment
39.
Ashmolean Museum
–
The Ashmolean Museum on Beaumont Street, Oxford, England, is the worlds first university museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677, the museum reopened in 2009 after a major redevelopment. In November 2011, new galleries focusing on Egypt and Nubia were also unveiled, in May 2016, the museum opened new galleries of 19th century Art. The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper, the first building, which became known as the Old Ashmolean, is sometimes attributed to Sir Christopher Wren or Thomas Wood. After the various specimens had been moved into new museums, the Old Ashmolean building on Broad Street was used as space for the Oxford English Dictionary. The present building dates from 1841–45 and it was designed by Charles Cockerell in a classical style and stands on Beaumont Street. One wing of the building is occupied by the Taylor Institution and this wing of the building dates from 1845–48 and was also designed by Charles Cockerell, using the Ionic order of Greek architecture. The main museum contains collections of archaeological specimens and fine art. It has one of the best collections of Pre-Raphaelite paintings, majolica pottery, the archaeology department includes the bequest of Arthur Evans and so has an excellent collection of Greek and Minoan pottery. The department also has a collection of antiquities from Ancient Egypt and the Sudan. Charles Buller Heberden left £1,000 to the University, which was used for the Coin Room at the museum, in 2012, the Ashmolean was awarded a grant of $1. 1m by the Andrew W. Mellon Foundation to establish the University Engagement Programme or UEP. The programme employs three Teaching Curators and a Programme Director to develop the use of the Museums collections in the teaching, the interior of the Ashmolean has been extensively modernised in recent years and now includes a restaurant and large gift shop. In 2000, the Chinese Picture Gallery, designed by van Heyningen and Haward Architects, the gallery was inserted into a lightwell in the Grade 1 listed building, and was designed to support future construction from its roof. Apart from the original Cockerell spaces, this gallery was the part of the museum retained in the rebuilding. It houses the Ashmolean’s own collection, but is used from time to time for the display of loan exhibitions. It is the museum gallery in Britain devoted to Chinese paintings. Between 2006 and 2009, the museum was expanded to the designs of architect Rick Mather, the $98.2 million rebuilding resulted in five floors instead of three, with a doubling of the display space, as well as new conservation studios and an education centre. The renovated museum re-opened on 7 November 2009, on 26 November 2011, the Ashmolean opened to the public the new galleries of Ancient Egypt and Nubia
Ashmolean Museum
–
Engraving of the Ashmolean c. 1845
Ashmolean Museum
–
Main Museum Entrance
Ashmolean Museum
–
Renovated Ashmolean central atrium
Ashmolean Museum
–
Ashmolean Rooftop Terrace 2014
40.
Travellers Club
–
The Travellers Club is a gentlemens club situated at 106 Pall Mall, London, United Kingdom. It is the oldest of the surviving Pall Mall clubs, having established in 1819. It was described as the quintessential English gentlemans club by the Los Angeles Times in 2004, the original concept of the club, by Lord Castlereagh and others, dates from the conclusion of the Napoleonic Wars. They envisaged a club where gentlemen who travelled abroad might meet, the original rules of 1819 excluded from membership anyone “who has not travelled out of the British islands to a distance of at least five hundred miles from London in a direct line”. The members of the clubs first Committee included the Earl of Aberdeen, Lord Auckland, novelist Anthony Powell was a member and the club is featured in various guises in the work of Graham Greene, Jules Verne, William Makepeace Thackeray and John Le Carre. Other well known current members include Field Marshal Lord Bramall, Terry Waite, Sir Christopher Ondaatje, Douglas Hurd, Bruce Anderson, the clubs original premises were at 12 Waterloo Place. It moved to 49 Pall Mall in 1821, the architect was Sir Charles Barry who was later to be the architect for the Houses of Parliament, and the Travellers Club building proved to be one of his masterpieces. It takes the form of a Renaissance palace which is said to have inspired by Raphaels Palazzo Pandolfini in Florence. It was completed in 1832, with the tower added in 1842, the club building includes a smoking room, the cocktail bar and adjacent Bramall room, the Outer Morning Room, and the dining room. The Times on 10 January 2004 noted the dining, heavy on fish and game with echoes of school food. The magnificent library is decorated with a cast of the Bassae Frieze from the 5th century BCE Greek temple of Apollo Epicurius at Bassae. The originals of this frieze were discovered by the architect Charles Robert Cockerell, who was on the first Committee of the Club in 1819, the library has a large and important collection of books, from the antiquarian to the modern, mainly on travel. There are a number of bedrooms at the club for out-of-town members, gentlemen are required to wear a jacket and tie, denim, sports shoes and other casual attire are not permitted. H. S. Escott, Chapter VIII, Club Makers and Club Members, Sturgis & Walton Company, New York,19142003 article on secret diplomatic negotiations with Libya at the Travellers Club
Travellers Club
–
The Travellers Club
41.
Zante
–
Zakynthos or Zante is a Greek island in the Ionian Sea. It is the third largest of the Ionian Islands, Zakynthos is a separate regional unit of the Ionian Islands region, and its only municipality. It covers an area of 405.55 km2 and its coastline is roughly 123 km in length, the name, like all similar names ending in -nthos, is pre-Mycenaean or Pelasgian in origin. In Greek mythology the island was said to be named after Zakynthos, Zakynthos is a tourist destination, with an international airport served by charter flights from northern Europe. The islands nickname is To fioro tou Levante, given by the Venetians, Zakynthos was inhabited from the Paelolithic and Neolithic Age, as some archaeological excavations have proved. The island was important during the Mycenaean period as it is mentioned three times on Linear B tablets from Pylos, there were also Zakynthian rowers present in the Mycenaean Messenian state. The Mycenaean presence is attested by the monumental Mycenaean built. Most important is the Mycenaean cemetery that was discovered during road construction in 1971 near the town of Kambi. The ancient Greek poet Homer mentioned the island in the Iliad, before being renamed Zakynthos, the island was said to have been called Hyrie. The island was conquered by King Arkesios of Kefalonia. According to some sources Saguntum in Spain was founded by the Zakynthians, some sources claim this occurred 200 years before the Trojan War. Zakynthos participated in the Trojan War and is listed in the Homeric Catalogue of Ships, in the Odyssey, Homer mentions 20 nobles from Zakynthos among a total of 108 of Penelopes suitors. In 430 BC, the Lacedaemonians made an attack upon Zakynthos. The Zakynthians are enumerated among the allies of Athens in the disastrous Sicilian expedition. These exiles must have belonged to the party as the Zakynthian rules applied for help to the Spartans who sent a fleet of 25 sail to the island. The importance of this alliance for Athens was that it provided them with a source of tar, tar is a more effective protector of ship planking than pitch. The Athenian trireme fleet needed protection from rot, decay and the teredo, the tar was dredged up from the bottom of a lake using leafy myrtle branches tied to the ends of poles. It was then collected in pots and could be carried to the beach, alternatively, the tar could be shipped to the Athenian naval yard at the Piraeus for storage
Zante
–
View of Zakynthos City
Zante
–
Statue of
Dionysios Solomos with the Byzantine museum in the background.
Zante
–
Faneromeni church, Zakynthos city;
Zante
–
The cultural centre, Dionysios Solomos Square.
42.
Carl Haller von Hallerstein
–
Johann Carl Christoph Wilhelm Joachim Haller von Hallerstein was a German architect, archaeologist and art historian. Hallerstein studied architecture at the Carlsakademie in Stuttgart and then at the Berliner Bauakademie under David Gilly and he was then engaged in 1806 as a royal building inspector in Nuremberg. He visited Rome in 1808 to study its early Christian architecture, in June 1810 he accompanied Jakob Linkh, Peter Oluf Brøndsted, Otto Magnus von Stackelberg and Georg Koës to Athens, via Naples, Corfu and Corinth. In 1811 in Athens he met the English architects Charles Robert Cockerell and John Foster, in 1811 he, Linkh and von Stackelberg discovered the temple of Aphaia on the island of Aegina, a part of whose sculptures are in the Munich Glyptothek as a result. In the same year, von Hallerstein excavated the ruins of the temple of Apollo in Bassae, sadly Hallers drawings were lost at sea. Later he led yet more excavations on Ithaka and in the ruins of the theatre on Milos, Haller died in Thessaly in 1817 after catching a fever. He was temporarily buried there but then moved to Athens. Klaus Frässle, Carl Haller von Hallerstein, hansgeorg Bankel, Und die Erde gebar ein Lächeln, der erste deutsche Archäologe in Griechenland Carl Haller von Hallerstein 1774 -1817. Hansgeorg Bankel, Carl Haller von Hallerstein in Griechenland 1810 -1817, Architekt, ISBN 3-496-00840-7 R. Lullies, W. Schiering, Archäologenbildnisse, Porträts und Kurzbiographien von Klassischen Archäologen deutscher Sprache
Carl Haller von Hallerstein
–
Hallerstein by Stackelberg in 1814
43.
Aegina
–
Aegina is one of the Saronic Islands of Greece in the Saronic Gulf,27 kilometres from Athens. Tradition derives the name from Aegina the mother of the hero Aeacus, during ancient times Aegina was a rival of Athens, the great sea power of the era. The municipality of Aegina consists of the island of Aegina and a few offshore islets and it is part of the Islands regional unit, Attica region. The municipality is subdivided into the five communities, Aegina Kypseli Mesagros Perdika Vathy The capital is the town of Aegina. Due to its proximity to Athens, it is a vacation place during the summer months. The province of Aegina was one of the provinces of the Piraeus Prefecture and its territory corresponded with that of the current municipalities Aegina and Agkistri. Aegina is roughly triangular in shape, approximately 15 km from east to west and 10 km from north to south, with an area of 87.41 km2, an extinct volcano constitutes two thirds of Aegina. Economically, the fisheries are of notable importance. The southern volcanic part of the island is rugged and mountainous and its highest rise is the conical Mount Oros in the south, and the Panhellenian ridge stretches northward with narrow fertile valleys on either side. The beaches are also a popular tourist attraction, hydrofoil ferries from Piraeus take only forty minutes to reach Aegina, the regular ferry takes about an hour, with ticket prices for adults within the 4–15 euro range. There are regular bus services from Aegina town to destinations throughout the island such as Agia Marina, portes is a fishing village on the east coast. Aegina, according to Herodotus, was a colony of Epidaurus and its placement between Attica and the Peloponnesus made it a site of trade even earlier, and its earliest inhabitants allegedly came from Asia Minor. Minoan ceramics have been found in contexts of ca.2000 BC, the famous Aegina Treasure, now in the British Museum is estimated to date between 1700 and 1500 BC. It is probable that the island was not doricised before the 9th century BC. e. not later than the half of the 7th century BC. Its early history reveals that the importance of the island dates back to pre-Dorian times. It is usually stated on the authority of Ephorus, that Pheidon of Argos established a mint in Aegina, the first city-state to issue coins in Europe, one stamped stater can be seen in the Bibliothèque Nationale of Paris. It is an electrum stater of a turtle, a sacred to Aphrodite. The fact that the Aeginetic standard of weights and measures was one of the two standards in use in the Greek world is sufficient evidence of the early commercial importance of the island
Aegina
–
View of Aegina's seafront
Aegina
–
A panorama of the island of Aegina, from the Mediterranean sea.
Aegina
–
Silver
stater of Aegina, 550-530 BC. Obv.
Sea turtle with large pellets down center. Rev. incuse square with eight sections.
Aegina
–
Silver
drachma of Aegina, 404-340 BC. Obverse: Land
tortoise. Reverse: inscription ΑΙΓ(INA) "Aegina" and dolphin.
44.
Peloponnese
–
The Peloponnese or Peloponnesus is a peninsula and geographic region in southern Greece. It is separated from the part of the country by the Gulf of Corinth. During the late Middle Ages and the Ottoman era, the peninsula was known as the Morea, the peninsula is divided among three administrative regions, most belongs to the Peloponnese region, with smaller parts belonging to the West Greece and Attica regions. In 2016, Lonely Planet voted the Peloponnese the top spot of their Best in Europe list, the Peloponnese is a peninsula that covers an area of some 21,549.6 square kilometres and constitutes the southernmost part of mainland Greece. It has two connections with the rest of Greece, a natural one at the Isthmus of Corinth. The peninsula has an interior and deeply indented coasts. The Peloponnese possesses four south-pointing peninsulas, the Messenian, the Mani, the Cape Malea, mount Taygetus in the south is the highest mountain in the Peloponnese, at 2,407 metres. Οther important mountains include Cyllene in the northeast, Aroania in the north, Erymanthos and Panachaikon in the northwest, Mainalon in the center, the entire peninsula is earthquake prone and has been the site of many earthquakes in the past. The longest river is the Alfeios in the west, followed by the Evrotas in the south, extensive lowlands are found only in the west, with the exception of the Evrotas valley in the south and in the Argolid in the northeast. The Peloponnese is home to spectacular beaches, which are a major tourist draw. Two groups of islands lie off the Peloponnesian coast, the Argo-Saronic Islands to the east, the island of Kythera, off the Epidaurus Limera peninsula to the south of the Peloponnese, is considered to be part of the Ionian Islands. The island of Elafonissos used to be part of the peninsula but was separated following the quake of 365 AD. Since antiquity, and continuing to the present day, the Peloponnese has been divided into seven regions, Achaia, Corinthia, Argolid, Arcadia, Laconia, Messinia. Each of these regions is headed by a city, the largest city is Patras in Achaia, followed by Kalamata in Messinia. The peninsula has been inhabited since prehistoric times and its modern name derives from ancient Greek mythology, specifically the legend of the hero Pelops, who was said to have conquered the entire region. The name Peloponnesos means Island of Pelops, the Mycenaean civilization, mainland Greeces first major civilization, dominated the Peloponnese in the Bronze Age from its stronghold at Mycenae in the north-east of the peninsula. The Mycenean civilization collapsed suddenly at the end of the 2nd millennium BC, archeological research has found that many of its cities and palaces show signs of destruction. The subsequent period, known as the Greek Dark Ages, is marked by an absence of written records
Peloponnese
–
The
Corinth Canal separates the Peloponnese from mainland Greece.
Peloponnese
–
Landscape of
Arcadia
Peloponnese
–
Map of the Peloponnese of
Classical Antiquity.
45.
Karl Bryullov
–
Karl Pavlovich Bryullov, also transliterated Briullov or Briuloff and referred to by his friends as The Great Karl, was a Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism, Karl Bryullov was born on December, 12th,1799 in St. Petersburg, in a family of the academician, the woodcarver and engraver Pavel Ivanovich Briullo who was of Huguenot descent. He felt drawn to Italy from his early years, despite his education at the Imperial Academy of Arts, Bryullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Bryullov. His best-known work, The Last Day of Pompeii, is a vast composition compared by Pushkin and Gogol to the best works of Rubens and it created a sensation in Italy and established Bryullov as one of the finest European painters of his day. An anecdote concerning Bryullov appeared in Leo Tolstoys essay Why Do Men Stupefy Themselves. while he was working on the plafond of St Isaacs Cathedral, his health suddenly deteriorated. Following advice of his doctors, Bryullov left Russia for Madeira in 1849 and he died in the village of Manziana near Rome and is buried at the Cimitero Acattolico there. List of Russian artists Paintings by Bryullov Karl - high res Online gallery of Briullov paintings Brullovs paintings at the Russian Art Gallery Karl Brulloff
Karl Bryullov
–
Self-portrait (1848)
Karl Bryullov
–
A Dream of a Girl Before a Sunrise, 1830-1833,
Pushkin Museum
Karl Bryullov
–
Daughters of
Pacini, Giovannina and Amacilia, 1832,
Tretyakov Gallery
Karl Bryullov
–
The Last Day of Pompeii (1833)
46.
Pushkin Museum of Fine Arts
–
The Pushkin State Museum of Fine Arts is the largest museum of European art in Moscow, located in Volkhonka street, just opposite the Cathedral of Christ the Saviour. The International musical festival Svyatoslav Richters December nights has been held in the Pushkin museum since 1981. The museums current name is misleading, in that it has no direct associations with the famous Russian poet Alexander Pushkin. The facility was founded by professor Ivan Tsvetaev, Tsvetaev persuaded the millionaire and philanthropist Yuriy Nechaev-Maltsov and the fashionable architect Roman Klein of the urgent need to give Moscow a fine arts museum. The Pushkin State Museum of Fine Arts building was designed by Roman Klein and Vladimir Shukhov, construction work began in 1898 and continued till 1912. Ivan Rerberg headed structural engineering effort on the site for 12 years. In 2008, President Dmitri A. Medvedev announced plans for a $177 million restoration, in 2014, Russian architect Yuri Grigoryan, and his firm Project Meganom, were chosen to take over the project. Tsvetaevs dream was realised in May 1912, when the museum opened its doors to the public, the museum was originally named after Alexander III, although the government provided only 200,000 rubles toward its construction, in comparison with over 2 million from Nechaev-Maltsev. Its first exhibits were copies of ancient statuary, thought indispensable for the education of art students, the only genuinely ancient items - Moscow Mathematical Papyrus and Story of Wenamun - had been contributed by Vladimir Golenishchev three years earlier. After the Russian capital was moved to Moscow in 1918, the Soviet government decided to transfer thousands of works from St Petersburgs Hermitage Museum to the new capital, the entire collection of Western art from the Museum Roumjantsev was added too. These paintings formed a nucleus of the Pushkin museums collections of Western art, but the most important paintings were added later from the State Museum of New Western Art. These comprised Impressionist and Post-Impressionist artwork, including top works by Van Gogh, Gauguin, Picasso, Dufrénoy, Derain, among them, Van Goghs La Vigne Rouge, apparently the only painting sold during the artists lifetime. In 1937, Pushkins name was appended to the museum, because the Soviet Union marked the centenary of the death that year. After World War II the evacuated Dresden Gallery had been stored in Moscow for 10 years, the Pushkin Museum has a numismatic collection which is unpublished. It includes archaeological material from Central Asia, such as a hoard of Kushano-Sasanian coins acquired in 2002 William Craft Brumfield
Pushkin Museum of Fine Arts
–
Pushkin Museum of Fine Arts.
Pushkin Museum of Fine Arts
–
André Derain, 1905, Le séchage des voiles (The Drying Sails), oil on canvas, 82 x 101 cm. Exhibited at the 1905
Salon d'Automne
Pushkin Museum of Fine Arts
–
Eberswalde Hoard
Pushkin Museum of Fine Arts
–
Priam's Treasure
47.
Moscow
–
Moscow is the capital and most populous city of Russia, with 13.2 million residents within the city limits and 17.8 million within the urban area. Moscow has the status of a Russian federal city, Moscow is a major political, economic, cultural, and scientific center of Russia and Eastern Europe, as well as the largest city entirely on the European continent. Moscow is the northernmost and coldest megacity and metropolis on Earth and it is home to the Ostankino Tower, the tallest free standing structure in Europe, the Federation Tower, the tallest skyscraper in Europe, and the Moscow International Business Center. Moscow is situated on the Moskva River in the Central Federal District of European Russia, the city is well known for its architecture, particularly its historic buildings such as Saint Basils Cathedral with its brightly colored domes. Moscow is the seat of power of the Government of Russia, being the site of the Moscow Kremlin, the Moscow Kremlin and Red Square are also one of several World Heritage Sites in the city. Both chambers of the Russian parliament also sit in the city and it is recognized as one of the citys landmarks due to the rich architecture of its 200 stations. In old Russian the word also meant a church administrative district. The demonym for a Moscow resident is москвич for male or москвичка for female, the name of the city is thought to be derived from the name of the Moskva River. There have been proposed several theories of the origin of the name of the river and its cognates include Russian, музга, muzga pool, puddle, Lithuanian, mazgoti and Latvian, mazgāt to wash, Sanskrit, majjati to drown, Latin, mergō to dip, immerse. There exist as well similar place names in Poland like Mozgawa, the original Old Russian form of the name is reconstructed as *Москы, *Mosky, hence it was one of a few Slavic ū-stem nouns. From the latter forms came the modern Russian name Москва, Moskva, in a similar manner the Latin name Moscovia has been formed, later it became a colloquial name for Russia used in Western Europe in the 16th–17th centuries. From it as well came English Muscovy, various other theories, having little or no scientific ground, are now largely rejected by contemporary linguists. The surface similarity of the name Russia with Rosh, an obscure biblical tribe or country, the oldest evidence of humans on the territory of Moscow dates from the Neolithic. Within the modern bounds of the city other late evidence was discovered, on the territory of the Kremlin, Sparrow Hills, Setun River and Kuntsevskiy forest park, etc. The earliest East Slavic tribes recorded as having expanded to the upper Volga in the 9th to 10th centuries are the Vyatichi and Krivichi, the Moskva River was incorporated as part of Rostov-Suzdal into the Kievan Rus in the 11th century. By AD1100, a settlement had appeared on the mouth of the Neglinnaya River. The first known reference to Moscow dates from 1147 as a place of Yuri Dolgoruky. At the time it was a town on the western border of Vladimir-Suzdal Principality
Moscow
–
Left to right, top to bottom:
Moscow State University,
Spasskaya Clocktower,
Cathedral of Christ the Saviour;
Bolshoi Theatre,
Moscow International Business Center;
Red Square
Moscow
–
Tatar raid upon Moscow
Moscow
–
Map of Moscow, 1784
Moscow
–
Red Square, painting by
Fedor Alekseev, 1801
