1.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
2.
Bubastis
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Bubastis, also known in Arabic as Tell-Basta or in Egyptian as Per-Bast, was an Ancient Egyptian city. It was the capital of its own nome, located along the River Nile in the Delta region of Lower Egypt, Bubastis is often identified with the biblical Phibeseth. The name of Bubastis in Egyptian is Pr-Bȝśt. t, typically transcribed Per-Bast, PR means house and the second word is the name of the goddess Bast or Bastet. The phrase means House of Bast, Bubastis served as the capital of the nome of Am-Khent, the Bubastite nome, the 18th nome of Lower Egypt. Bubastis was situated southwest of Tanis, upon the side of the Pelusiac branch of the Nile. The nome and city of Bubastis were allotted to the Calasirian division of the Egyptian war-caste and it became a royal residence after Shoshenq I, the first ruler and founder of the 22nd dynasty, became pharaoh in 943 BC. Bubastis was its height during this dynasty and the 23rd and it declined after the Persian conquest by Cambyses II in 525 BC, which heralded the end of the Saite 26th dynasty and the start of the Achaemenid dynasty. After Bubastis was taken by the Persians, its walls were dismantled, from this period it gradually declined, although it appears in ecclesiastical annals among the episcopal sees of the province Augustamnica Secunda. Bubastite coins of the age of Hadrian exist, temples there are more spacious and costlier than that of Bubastis, but none so pleasant to behold. It is after the following fashion, each canal is a hundred feet wide, and its banks are lined with trees. The propylaea are sixty feet in height, and are adorned with nine feet high. Quite round the temple there goes a wall, adorned with sculptures, within the inclosure is a grove of fair tall trees, planted around a large building in which is the effigy. The form of temple is square, each side being a stadium in length. In a line with the entrance is a built of stone about three stadia long, leading eastwards through the public market. The road is about 400 feet broad, and is flanked by exceeding tall trees and it leads to the temple of Hermes. Bubastis was a center of worship for the feline goddess Bast, the cat was the sacred and peculiar animal of Bast, who is represented with the head of a cat or a lioness and frequently accompanies the deity Ptah in monumental inscriptions. The tombs at Bubastis were accordingly the principal depository in Egypt of the mummies of the cat, the most distinguished features of the city and nome of Bubastis were its oracle of Bast, the splendid temple of that goddess and the annual procession in honor of her. The men played on pipes of lotus, the women on cymbals and tambourines, and such as had no instruments accompanied the music with clapping of hands and dances, and other joyous gestures
3.
Sistrum
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A sistrum is a musical instrument of the percussion family, chiefly associated with ancient Iraq and Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze, when shaken the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. Its name in the ancient Egyptian language was sekhem and sesheshet, sekhem is the simpler, hoop-like sistrum, while sesheshet is the naos-shaped one. The sistrum was an instrument in ancient Egypt. It was also shaken to avert the flooding of the Nile, isis in her role as mother and creator was depicted holding a pail symbolizing the flooding of the Nile, in one hand and a sistrum in the other. The goddess Bast too is often depicted holding a sistrum, symbolizing her role as a goddess of dance, joy, Sistra are still used in the Alexandrian Rite and Ethiopic Rite. Besides the depiction in Egyptian art with dancing and expressions of joy, the hieroglyph for the sistrum is shown. The ancient Minoans also used the sistrum, and a number of made of local clay have been found on the island of Crete. Five of these are displayed at the Archaeological Museum of Agios Nikolaos, a sistrum is also depicted on the Harvester Vase, an artifact found at the site of Agia Triada. The sistrum has remained a liturgical instrument in the Ethiopian Orthodox Church throughout the centuries and is played during the dance performed by the debtera on important church festivals and it is also occasionally found in NeoPagan worship & ritual. The sistrum was occasionally revived in 19th century Western orchestral music, nowadays, however, it is replaced by its close modern equivalent, the tambourine. The effect produced by the sistrum in music - when shaken in short, sharp, rhythmic pulses - is to arouse movement, the barcoo dog, a sheep herding tool used in Australian bush band music, is a type of sistrum. Sistrum Media related to Sistra at Wikimedia Commons Sistrum
4.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
5.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
6.
Ancient Greek religion
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Ancient Greek religion encompasses the collection of beliefs, rituals, and mythology originating in ancient Greece in the form of both popular public religion and cult practices. These groups varied enough for it to be possible to speak of Greek religions or cults in the plural, many ancient Greeks recognized the twelve major gods and goddesses, although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. Different cities often worshiped the deities, sometimes with epithets that distinguished them. Greek religion was tempered by Etruscan cult and belief to form much of the later ancient Roman religion, while there were few concepts universal to all the Greek peoples, there were common beliefs shared by many. Ancient Greek theology was polytheistic, based on the assumption there were many gods. There was a hierarchy of deities, with Zeus, the king of the gods, having a level of control all the others. Some deities had dominion over aspects of nature. Other deities ruled over abstract concepts, for instance Aphrodite controlled love, while being immortal, the gods were certainly not all-good or even all-powerful. They had to obey fate, known to Greek mythology as the Moirai, which overrode any of their divine powers or wills. For instance, in mythology, it was Odysseus fate to return home to Ithaca after the Trojan War, and the gods could only lengthen his journey and make it harder for him, the gods acted like humans, and had human vices. They would interact with humans, sometimes even spawning children with them, at times certain gods would be opposed to others, and they would try to outdo each other. In the Iliad, Aphrodite, Ares and Apollo support the Trojan side in the Trojan War, while Hera, Athena, some gods were specifically associated with a certain city. Athena was associated with the city of Athens, Apollo with Delphi and Delos, Zeus with Olympia, other deities were associated with nations outside of Greece, Poseidon was associated with Ethiopia and Troy, and Ares with Thrace. The Greeks believed in an underworld where the spirits of the dead went after death, one of the most widespread areas of this underworld was ruled over by Hades, a brother of Zeus, and was known as Hades. Other well known realms are Tartarus, a place of torment for the damned, and Elysium, in the early Mycenean religion all the dead went to Hades, but the rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium. Such beliefs are found in the most ancient of Greek sources, such as Homer and this belief remained strong even into the Christian era. For most people at the moment of death there was, however, no hope of anything, some Greeks, such as the philosophers Pythagoras and Plato, also embraced the idea of reincarnation, though this was only accepted by a few. Epicurus taught that the soul was simply atoms which dissolved at death, Greek religion had an extensive mythology
7.
Sekhmet
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In Egyptian mythology, Sekhmet (/ˈsɛkˌmɛt/ or Sachmis is a warrior goddess as well as goddess of healing. She is depicted as a lioness, the fiercest hunter known to the Egyptians and it was said that her breath formed the desert. She was seen as the protector of the pharaohs and led them in warfare. Her cult was so dominant in the culture that when the first pharaoh of the dynasty, Amenemhat I, moved the capital of Egypt to Itjtawy. Religion, the lineage, and the authority to govern were intrinsically interwoven in ancient Egypt during its approximately three millennia of existence. Sekhmet also is a Solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and she bears the Solar disk and the uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being an arbiter of the goddess Maat in the Judgment Hall of Osiris, associating her with the Wadjet. Sekhmets name comes from the Ancient Egyptian word sekhem which means power or might, Sekhmets name suits her function and means the powerful. She also was given such as the Before Whom Evil Trembles, Mistress of Dread, Lady of Slaughter. In order to placate Sekhmets wrath, her priestesses performed a ritual before a different statue of the goddess on each day of the year and this practice resulted in many images of the goddess being preserved. It is estimated more than seven hundred statues of Sekhmet once stood in one funerary temple alone. She was envisioned as a lioness, and in art, was depicted as such, or as a woman with the head of a lioness, who was dressed in red. Sometimes the dress she wears exhibits a pattern over each breast, an ancient leonine motif. Occasionally, Sekhmet was also portrayed in her statuettes and engravings with minimal clothing or naked, tame lions were kept in temples dedicated to Sekhmet at Leontopolis. To pacify Sekhmet, festivals were celebrated at the end of battle, participation in the festival was great, including the priestesses and the population. Historical records of tens of thousands attending the festival exist and these findings were made in the temple of Mut because when Thebes rose to greater prominence, Mut absorbed some characteristics of Sekhmet. These temple excavations at Luxor discovered a porch of drunkenness built onto the temple by the Pharaoh Hatshepsut, in a myth about the end of Ras rule on the earth, Ra sends Hathor or Sekhmet to destroy mortals who conspired against him. Mistaking the beer for blood, she became so drunk that she gave up the slaughter, Sekhmet later was considered to be the mother of Maahes, a deity who appeared during the New Kingdom period
8.
Cat
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The domestic cat is a small, typically furry, carnivorous mammal. They are often called house cats when kept as pets or simply cats when there is no need to distinguish them from other felids. Cats are often valued by humans for companionship and for their ability to hunt vermin, there are more than 70 cat breeds, though different associations proclaim different numbers according to their standards. Cats are similar in anatomy to the felids, with a strong flexible body, quick reflexes, sharp retractable claws. Cat senses fit a crepuscular and predatory ecological niche, cats can hear sounds too faint or too high in frequency for human ears, such as those made by mice and other small animals. They can see in near darkness, like most other mammals, cats have poorer color vision and a better sense of smell than humans. Cats, despite being solitary hunters, are a species and cat communication includes the use of a variety of vocalizations. Cats have a high breeding rate, under controlled breeding, they can be bred and shown as registered pedigree pets, a hobby known as cat fancy. Failure to control the breeding of pet cats by neutering, as well as the abandonment of former household pets, has resulted in numbers of feral cats worldwide. In certain areas outside cats native range, this has contributed, along with destruction and other factors. Cats have been known to extirpate a bird species within specific regions, a genetic study in 2007 concluded that domestic cats are descended from Near Eastern wildcats, having diverged around 8,000 BC in the Middle East. As of a 2007 study, cats are the second most popular pet in the US by number of pets owned, in a 2010 study they were ranked the third most popular pet in the UK, after fish and dogs, with around 8 million being owned. The domestic cat is believed to have evolved from the Near Eastern wildcat, the felids are a rapidly evolving family of mammals that share a common ancestor only 10–15 million years ago and include lions, tigers, cougars and many others. Within this family, domestic cats are part of the genus Felis, members of the genus are found worldwide and include the jungle cat of southeast Asia, European wildcat, African wildcat, the Chinese mountain cat, and the Arabian sand cat, among others. The domestic cat was first classified as Felis catus by Carl Linnaeus in the 10th edition of his Systema Naturae published in 1758, because of modern phylogenetics, domestic cats are usually regarded as another subspecies of the wildcat, F. silvestris. This has resulted in mixed usage of the terms, as the cat can be called by its subspecies name. Wildcats have also referred to as various subspecies of F. catus, but in 2003. The most common name in use for the cat remains F. catus
9.
Alabaster
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Alabaster is a mineral or rock that is soft and often used for carving, as well as being processed for plaster powder. The term is used in different ways by archaeologists and the processing industry on the one hand. The first use is in a meaning, covering varieties of two different minerals, the fine-grained massive type of gypsum, as well as the fine-grained banded type of calcite. Geologists only define the gypsum variety as alabaster, chemically, gypsum is a hydrous sulfate of calcium, while calcite is a carbonate of calcium. Both types of alabaster have broadly similar properties and they are usually light-coloured, translucent and soft stones that have been used throughout human history mainly for carving decorative artifacts. Onyx-marble must be understood as a traditional, but geologically inaccurate term, in general, ancient alabaster is calcite in the wider Middle East, including Egypt and Mesopotamia, while it is gypsum in medieval Europe. Modern alabaster is calcite, but may be either. Both are easy to work and slightly water-soluble and they have been used for making a variety of indoor artworks and carvings, as they will not survive long outdoors. Moreover, calcite alabaster, being a carbonate, effervesces when treated with hydrochloric acid, the origin of the word alabaster is in Middle English through Old French alabastre, in turn derived from the Latin alabaster, and that from Greek ἀλάβαστρος or ἀλάβαστος. The Greek words were used to identify a vase made of alabaster and this name may be derived further from the Ancient Egyptian word a-labaste, which refers to vessels of the Egyptian goddess Bast. She was represented as a lioness and frequently depicted as such in figures placed atop these alabaster vessels, other suggestions include derivation from the town of Alabastron in Egypt, described in sometimes contradictory manner by Roman-era authors Pliny and Ptolemy and whose location is not yet known. The purest alabaster is a material of fine uniform grain, but it often is associated with an oxide of iron. The coarser varieties of gypsum alabaster are converted by calcination into plaster of Paris, the softness of alabaster enables it to be carved readily into elaborate forms, but its solubility in water renders it unsuitable for outdoor work. If alabaster with a smooth, polished surface is washed with dishwashing liquid, it will become rough, dull and whiter, losing most of its translucency and lustre. The finer kinds of alabaster are employed largely as a stone, especially for ecclesiastical decoration and for the rails of staircases. Alabaster is mined and then sold in blocks to alabaster workshops, the effect of heating appears to be a partial dehydration of the gypsum. If properly treated, it closely resembles true marble and is known as marmo di Castellina. Alabaster is a stone and can be dyed into any colour or shade
10.
Solar deity
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A solar deity is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms, the Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun stems from Proto-Germanic *sunnǭ, the Neolithic concept of a solar barge is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky, as the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun, Osiris became the divine heir to Atums power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes, or that it is within the cow, Hathor, during the night, being reborn each morning as her son. Mesopotamian Shamash plays an important role during the Bronze Age, similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Proto-Indo-European religion has a chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios, svarog is the Slavic solar deity, represented as a spirit of fire. During the Roman Empire, a festival of the birth of the Unconquered Sun was celebrated on the winter solstice—the rebirth of the sun—which occurred on December 25 of the Julian calendar. In late antiquity, the centrality of the sun in some Imperial religious systems suggest a form of a solar monotheism. The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ, the Tiv people consider the Sun to be the son of the supreme being Awondo and the Moon Awondos daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi, some Sara people also worship the sun. Even where the sun god is equated with the supreme being, the Ancient Egyptian god of creation, Amun is also believed to reside inside the sun. So is the Akan creator deity, Nyame and the Dogon deity of creation, also in Egypt, there was a religion that worshiped the sun directly, and was among the first monotheistic religions, Atenism. Sun worship was prevalent in ancient Egyptian religion, the earliest deities associated with the sun are all goddesses, Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus, Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus. From at least the 4th Dynasty of Ancient Egypt, the sun was worshipped as the deity Re, and portrayed as a falcon headed god surmounted by the solar disk, and surrounded by a serpent
11.
Eye of Ra
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The Eye of Ra or Eye of Re is a being in ancient Egyptian mythology that functions as a feminine counterpart to the sun god Ra and a violent force that subdues his enemies. The Eye goddess acts as mother, sibling, consort, and she is his partner in the creative cycle in which he begets the renewed form of himself that is born at dawn. The Eyes violent aspect defends Ra against the agents of disorder that threaten his rule and this dangerous aspect of the Eye goddess is often represented by a lioness or by the uraeus, or cobra, a symbol of protection and royal authority. The Eye of Ra is similar to the Eye of Horus, which belongs to a different god, Horus, but represents many of the same concepts. The disastrous effects when the Eye goddess rampages out of control, the Eye of Ra was involved in many areas of ancient Egyptian religion, including in the cults of the many goddesses who are equated with it. Its life-giving power was celebrated in temple rituals, and its dangerous aspect was invoked in the protection of the pharaoh, of sacred places, the Egyptians often referred to the sun and the moon as the eyes of particular gods. The right eye of the god Horus, for instance, was equated with the sun, however, in Egyptian belief, many terms and concepts are fluid, so the sun could also be called the Eye of Horus. The yellow or red disk-like sun emblem in Egyptian art represents the Eye of Ra, because of the great importance of the sun in Egyptian religion, this emblem is among the most common religious symbols in all of Egyptian art. Although Egyptologists usually call this emblem the sun disk, its shape in Egyptian relief sculpture suggests that the Egyptians may have envisioned it as a sphere. The emblem often appears atop the heads of solar-associated deities, including Ra himself, the disk could even be regarded as Ras physical form. At other times, the sun god, in forms, is depicted inside the disk shape as if enclosed within it. The disk is often called Ras daughter in Egyptian texts, as the sun, the Eye of Ra is a source of heat and light, and it is associated with fire and flames. It is also equated with the red light that appears before sunrise, the presence of the feminine suffix -t in jrt may explain why these independent eyes were thought of as female. The Eye of Ra, in particular, is involved in the sun gods creative actions. In Egyptian mythology, the emergence from the horizon each morning is likened to Ras birth, an event that revitalizes him. Ra emerges from the body of a goddess who represents the sky—usually Nut, depictions of the rising sun often show Ra as a child contained within the solar disk. In this context, the Egyptologist Lana Troy suggests, the disk may represent the womb from which he is born or the placenta that emerges with him. The Eye of Ra can also take the form of a goddess, Ra was sometimes said to enter the body of the sky goddess at sunset, impregnating her and setting the stage for his rebirth at sunrise
12.
Aegis
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The aegis or aigis, as stated in the Iliad, is carried by Athena and Zeus, but its nature is uncertain. It had been interpreted as a skin or a shield. There may be a connection with a deity named Aex or Aix, a daughter of Helios, the aegis of Athena is referred to in several places in the Iliad. It produced a sound as from a myriad roaring dragons and was borne by Athena in battle, the modern concept of doing something under someones aegis means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word aegis is identified with protection by a force with its roots in Greek mythology and adopted by the Romans, there are parallels in Norse mythology. Where the Greek word aegis is applied by extension, some of the Attic vase-painters retained an archaic tradition that the tassels had originally been serpents in their representations of the aegis. When the Olympian deities overtook the older deities of Greece and she was born of Metis and re-born through the head of Zeus fully clothed, when the Olympian shakes the aegis, Mount Ida is wrapped in clouds, the thunder rolls and men are struck down with fear. Aegis-bearing Zeus, as he is in the Iliad, sometimes lends the fearsome aegis to Athena. In the Iliad when Zeus sends Apollo to revive the wounded Hector, Apollo, holding the aegis, charges the Achaeans, according to Edith Hamiltons Mythology, Timeless Tales of Gods and Heroes, the Aegis is the breastplate of Zeus, and was awful to behold. However, Zeus is normally portrayed in sculpture holding a thunderbolt or lightning, bearing neither a shield nor a breastplate. Classical Greece interpreted the Homeric aegis usually as a cover of some kind borne by Athena, the Douris cup shows that the aegis was represented exactly as the skin of the great serpent, with its scales clearly delineated. John Tzetzes says that aegis was the skin of the monstrous giant Pallas whom Athena overcame and whose name she attached to her own. The aegis appears in works of art sometimes as an animals skin thrown over Athenas shoulders and arms, occasionally with a border of snakes, usually bearing the Gorgon head. In some pottery it appears as a cover over Athenas dress. It is sometimes represented on the statues of Roman emperors, heroes, and warriors, herodotus thought he had identified the source of the ægis in ancient Libya, which was always a distant territory of ancient magic for the Greeks. Athenes garments and ægis were borrowed by the Greeks from the Libyan women, in this context, Graves identifies the aegis as clearly belonging first to Athena. The Greek αἰγίς aigis, has many meanings including, violent windstorm, the shield of a deity as described above. Goatskin coat, from treating the word as meaning something grammatically feminine pertaining to goat, Greek αἴξ aix = goat, + suffix -ίς -is
) may have moved to a position before the accented syllable, ꜣbst.[5] By the first millennium, then, bꜣstt would have been something like *Ubaste (< *Ubastat) in Egyptian speech, later becoming Coptic Oubaste.[5]
