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Sailing order for the Swedish fleet in late 1675. The illustration shows that the Swedish navy had not adapted to the realities of the line of battle.
Sailing order for the Swedish fleet in late 1675. The illustration shows that the Swedish navy had not adapted to the realities of the line of battle. It still followed the patterns of "melee tactics" where small groups of ships acted individually, aiming for close combat and boarding.
Detail of engraving of Stockholm from Suecia antiqua et hodierna by Erik Dahlberg and Willem Swidde, printed in 1693. The view shows the Swedish capit
Detail of engraving of Stockholm from Suecia antiqua et hodierna by Erik Dahlberg and Willem Swidde, printed in 1693. The view shows the Swedish capital as a bustling port, and in the foreground the peak of Kastellholmen next to the royal shipyards on Skeppsholmen.
A contemporary depiction that divides the battle into three phases: (1) the two fleets sailing northwards along the coast of Öland, just passing the s
A contemporary depiction that divides the battle into three phases: (1) the two fleets sailing northwards along the coast of Öland, just passing the southern tip of Öland, (2) Kronan exploding and Svärdet surrounded, and (3) the Swedish fleet fleeing in disorder, pursued by allied ships. Copper engraving by Romeyn de Hooghe, 1676.
Charles XI pointing to the spot of the new main naval base of the Swedish navy, what would later become the town of Karlskrona; painting by Pehr Hille
Charles XI pointing to the spot of the new main naval base of the Swedish navy, what would later become the town of Karlskrona; painting by Pehr Hilleström
Contemporary portrait of Lorentz Creutz
Contemporary portrait of Lorentz Creutz