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Title page of "Beowulf: The Monsters and the Critics", 1936
Title page of "Beowulf: The Monsters and the Critics", 1936
Tolkien's essay repeatedly responds to comments by William Paton Ker. Late 19th century portrait by Johnston Forbes-Robertson
Tolkien's essay repeatedly responds to comments by William Paton Ker. Late 19th century portrait by Johnston Forbes-Robertson
First folio of the Beowulf manuscript, c. 975-1025
First folio of the Beowulf manuscript, c. 975-1025
The poet and Beowulf translator Seamus Heaney praised The Monsters and the Critics.
The poet and Beowulf translator Seamus Heaney praised The Monsters and the Critics.
Beowulf
Remounted page, British Library Cotton Vitellius A.XV
Remounted page, British Library Cotton Vitellius A.XV
The traditional view is that Beowulf was composed for performance, chanted by a scop (left) to string accompaniment, but modern scholars have suggeste
The traditional view is that Beowulf was composed for performance, chanted by a scop (left) to string accompaniment, but modern scholars have suggested its origin as a piece of written literature borrowed from oral traditions. Illustration by J. R. Skelton, c. 1910