1.
Jacopo Sansovino
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Jacopo dAntonio Sansovino was an Italian sculptor and architect, known best for his works around the Piazza San Marco in Venice. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovinos Biblioteca Marciana was the best building erected since Antiquity, giorgio Vasari uniquely printed his Vita of Sansovino separately. He was born in Florence and apprenticed with Andrea Sansovino whose name he subsequently adopted, in Rome he attracted the notice of Bramante and Raphael and made a wax model of the Deposition of Christ for Perugino to use. He returned to Florence in 1511 where he received commissions for sculptures of St. James for the Duomo. In the period of 1510-17 he shared a studio with the painter Andrea del Sarto, like all sixteenth-century Italian architects, Sansovino devoted considerable energy to elaborate but temporary structures related to courtly ritual. The triumphant entry of Pope Leo X into Florence in 1515 was a highpoint of this genre and he subsequently returned to Rome where he stayed for nine years, leaving for Venice in the year of the Sack of Rome. In 1529, Sansovino became chief architect and superintendent of properties to the Procurators of San Marco, the appointment came with a salary of 80 ducats and an apartment near the clocktower in San Marco. Within a year his salary was raised to 180 ducats per year, among palaces and buildings are the Scuola Grande della Misericordia, Ca de Dio, Palazzo Dolfin Manin, Palazzo Corner, Palazzo Moro, and the Fabbriche Nuove di Rialto. His masterpiece is the Library of Saint Marks, the Biblioteca Marciana, one of Venices most richly decorated Renaissance structures, construction spanned fifty years and cost over 30,000 ducats. In it he made the architectural language of classicism, traditionally associated with severity and restraint. This paved the way for the architecture of Andrea Palladio. He died in Venice and his sepulchre is in the Baptistery of St and his most important follower in the medium of sculpture was Alessandro Vittoria, another disciple was the architect and sculptor Danese Cataneo. Jacopo Sansovinos works Renaissance Classicism Boucher, Bruce, monograph and catalogue raisonné of the sculpture. Jacopo Sansovino Architecture and Patronage in Renaissance Venice
2.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
3.
Mark the Evangelist
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Mark the Evangelist is the traditionally ascribed author of the Gospel of Mark. Mark is said to have founded the Church of Alexandria, one of the most important episcopal sees of Early Christianity and his feast day is celebrated on April 25, and his symbol is the winged lion. According to William Lane, an unbroken tradition identifies Mark the Evangelist with John Mark, however, Hippolytus of Rome in On the Seventy Apostles distinguishes Mark the Evangelist, John Mark, and Mark the cousin of Barnabas. According to Hippolytus, they all belonged to the Seventy Disciples who were sent out by Jesus to saturate Judea with the gospel. According to Eusebius of Caesarea, Herod Agrippa I, in his first year of reign over the whole of Judea, killed James, son of Zebedee and arrested Peter, Peter was saved miraculously by angels, and escaped out of the realm of Herod. Peter went to Antioch, then through Asia Minor, and arrived in Rome in the year of Emperor Claudius. Somewhere on the way, Peter encountered Mark and took him as travel companion, Mark the Evangelist wrote down the sermons of Peter, thus composing the Gospel according to Mark, before he left for Alexandria in the third year of Claudius. Aspects of the Coptic liturgy can be traced back to Mark himself and he became the first bishop of Alexandria and he is honored as the founder of Christianity in Africa. According to Eusebius, Mark was succeeded by Annianus as the bishop of Alexandria in the year of Nero, probably. Later Coptic tradition says that he was martyred in 68, most modern scholars argue the Gospel of Mark was written by an anonymous author, rather than direct witnesses to the reported events. Evidence for Mark the Evangelists authorship of the Gospel that bears his name originates with Papias, scholars of the Trinity Evangelical Divinity School are almost certain that Papias refers to John Mark. The Coptic Church accords with identifying Mark the Evangelist with John Mark, as well as that he was one of the Seventy Disciples sent out by Christ, as Hippolytus confirmed. Furthermore, Mark is also believed to have been among the servants at the Marriage at Cana who poured out the water that Jesus turned to wine, according to the Coptic tradition, Saint Mark was born in Cyrene, a city in the Pentapolis of North Africa. This tradition adds that Mark returned to Pentapolis later in life, after being sent by Paul to Colossae, when Mark returned to Alexandria, the pagans of the city resented his efforts to turn the Alexandrians away from the worship of their traditional gods. In AD68, they placed a rope around his neck, where Saint John Mark is distinguished from Saint Mark, the composer of the earliest Gospel that we have, Saint John Mark is celebrated on September 27 and the writer of the Gospel on April 25. In addition to Saint John Marks in Jerusalem, the Parish Church of Chester Hill with Sefton in the Diocese of Sydney is Saint John Marks and it celebrated its patronal festival on September 27. An icon of Saint John Mark on Cyprus, painted by a Russian Orthodox monk at Walsingham, was formerly in that church and is now in Christ Church Saint Laurence in Sydney. In 828, relics believed to be the body of Saint Mark were stolen from Alexandria by two Venetian merchants with the help of two Greek monks and taken to Venice, a mosaic in St Marks Basilica depicts sailors covering the relics with a layer of pork and cabbage leaves
4.
Patron saint
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Catholics believe that patron saints, having already transcended to the metaphysical, are able to intercede effectively for the needs of their special charges. Historically, a practice has also occurred in many Islamic lands. With regard to the omnipresence of this belief, the late Martin Lings wrote. Traditionally, it has been understood that the saint of a particular place prays for that places wellbeing and for the health. Saints often become the patrons of places where they were born or had been active, professions sometimes have a patron saint owing to that individual being involved somewhat with it, although some of the connections were tenuous. Lacking such a saint, an occupation would have a patron whose acts or miracles in some way recall the profession and it is, however, generally discouraged in some Protestant branches such as Calvinism, where the practice is considered a form of idolatry. In Islam, the veneration or commemoration and recognition of saints is found in many branches of traditional Sunnism
5.
Republic of Venice
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It was based in the lagoon communities of the historically prosperous city of Venice. It was a leading European economic and trading power during the Middle Ages, the Venetian city state was founded as a safe haven for people escaping persecution in mainland Europe after the fall of the Roman Empire. In its early years, it prospered on the salt trade, in subsequent centuries, the city state established a thalassocracy. It dominated trade on the Mediterranean Sea, including commerce between Asia, Europe and North Africa, the Venetian navy was used in the Crusades. Venice achieved territorial conquests along the Adriatic Sea, the city became home to an extremely wealthy merchant class, who patronized renowned art and architecture along the citys lagoons. Venetian merchants were influential financiers in Europe, the city was also the birthplace of great European explorers, including Marco Polo, as well as the classical music composer Vivaldi. The republic was ruled by the Doge, who was elected by members of the Great Council of Venice, the ruling class was an oligarchy of merchants and aristocrats. Venice and other Italian maritime republics played a key role in fostering capitalism, Venetian citizens generally supported the system of governance. The city-state enforced strict laws and employed ruthless tactics in its prisons, the opening of new trade routes to the Americas and the East Indies via the Atlantic Ocean marked the beginning of Venices decline as a maritime republic. The city state suffered defeats from the navy of the Ottoman Empire, in 1797, the country was colonized by Austria and France, following an invasion by Napoleon Bonaparte. Venice became a part of a unified Italy in the 19th century and it was formally known as the Most Serene Republic of Venice and is often referred to as La Serenissima, in reference to its title as one of the Most Serene Republics. He was the first historical Doge of Venice, whichever the case, the first doges had their power base in Heraclea. Ursuss successor, Deusdedit, moved his seat from Heraclea to Malamocco in the 740s and he was the son of Ursus and represented the attempt of his father to establish a dynasty. Such attempts were more commonplace among the doges of the first few centuries of Venetian history. They desired to remain well-connected to the Empire, another faction, republican in nature, believed in continuing along a course towards practical independence. The other main faction was pro-Frankish, supported mostly by clergy, they looked towards the new Carolingian king of the Franks, Pepin the Short, as the best provider of defence against the Lombards. A minor, pro-Lombard faction was opposed to close ties with any of these further-off powers, the successors of Obelerio inherited a united Venice. By the Pax Nicephori, the two emperors had recognised that Venice belonged to the Byzantine sphere of influence, many centuries later, the Venetians claimed that the treaty had recognised Venetian de facto independence, but the truth of this claim is doubted by modern scholars
6.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
7.
Vincenzo Scamozzi
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Vincenzo Scamozzi was an Italian architect and a writer on architecture, active mainly in Vicenza and Republic of Venice area in the second half of the 16th century. He was perhaps the most important figure there between Andrea Palladio, whose unfinished projects he inherited at Palladios death in 1580, and Baldassarre Longhena, Scamozzis only pupil. The great public project of Palladios that Scamozzi inherited early in the process of construction was the Teatro Olimpico at Vicenza, which Palladio had designed in the last months of his life. His father was the surveyor and building contractor Gian Domenico Scamozzi, he was Scamozzis first teacher, imbuing him with the principles of Sebastiano Serlio, vincenzo visited Rome in 1579–1580, and then moved to Venice in 1581. In 1600, he visited France and left a record of his impressions of French architecture. Scamozzi is famous for having inherited several unfinished projects from Andrea Palladio at the time of Palladios death in 1580 and it was originally published with woodcut illustrations at Venice in 1615. Scamozzi depended for sections of his treatment of Vitruvius on Daniele Barbaros commentary, published in 1556 with illustrations by Palladio, at that time, such treatises were becoming a vehicle for self-promotion. His first book entitled Discorsi sopra Lantichita di Roma had been cobbled together with some illustrated commentary on the ruins of Rome. According to his preface to the volumes, the images were stock productions that already existed, over half were copied from a volume published by Hieronymus Cock in Antwerp in 1551. His major book came out one year before his death and was too late to influence his own success, Scamozzis practice is sometimes spoken of as being a source of the neo-Palladian architecture as it was introduced by Inigo Jones, another follower of Andrea Palladios own example. Rudolf Wittkower referred to him as among the father of neo-classicism. Scamozzi moved to Venice in 1581, where he had invited to design the Procuratie Nuove on the Piazza San Marco itself. Eleven bays of this project were completed, and later were extended by Baldassare Longhena to fill the south flank of the piazza. The A. Everett Austin House in Hartford, Connecticut, U. S. A. is an homage to the Villa Ferreti. cesr. univ-tours. fr/Traite/Auteur/Scamozzi. asp
8.
Zecca of Venice
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The Palazzo della Zecca is a 16th-century building in Venice which once housed the official government mint, or offices responsible for coining money. This building, rustic and robust in its surface, stands in stark contrast to the ornately decorated Biblioteca Marciana next door. Both buildings were designed by Jacopo Sansovino, today, the Zecca now serves as the host of the contents of the library of the Biblioteca Marciana. The prior zecca had stood in the Rialto district since 1277 and this Zecca building was erected from 1536-1545, and built from solid blocks of Istrian marble. Since the mint formerly had ovens with high temperature and posed a risk of fire, the entry archway with two Telamons was designed by Sansovino’s pupil, Vincenzo Scamozzi. The statues were carved by Girolamo Campagna and Tiziano Aspetti, the courtyard has a statue of Apollo by Danese Cattaneo. The minting of ducats and coins ceased in 1870, when Venice joined the Kingdom of Italy, during the era of the Republic of Venice various coins were minted here, including, Translated from Italian Wikipedia entry
9.
Pietro Bembo
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Pietro Bembo, O. S. I. H. was an Italian scholar, poet, literary theorist, member of the Knights Hospitaller and a cardinal. He was a figure in the development of the Italian language, specifically Tuscan, as a literary medium. His writings assisted in the 16th-century revival of interest in the works of Petrarch, Bembos ideas were also decisive in the formation of the most important secular musical form of the 16th century, the madrigal. Bembo was born in Venice to an aristocratic family and his father, Bernardo Bembo, cared deeply for the literature of the Italian people, erecting a monument to Dante in his hometown of Ravenna. The father also served as an ambassador for the Republic of Venice, one of the places he visited was Florence, there acquiring a love for the Tuscan form of Italian, a love which was to prove so important in literary and musical history. He studied Greek for two years under the Greek scholar Constantine Lascaris at Messina, and afterwards went to the University of Padua. Further travels included two years spent at the Este court in Ferrara, under the reign of Ercole dEste I, then a significant literary, while there he met Ariosto and commenced writing his first work, Gli Asolani, a dialogue on the subject of courtly love. The poems in book were reminiscent of Boccaccio and Petrarch. Bembo himself preferred his poetry to be performed by a singer accompanied by a lute. In 1502 and 1503 he was again in Ferrara, and had an affair with the notorious Lucrezia Borgia. In 1513 Bembo accompanied Giulio de Medici to Rome, where he was soon after appointed Latin secretary to Pope Leo X, in 1514 he became a member of the Knights Hospitaller, now known as the Knights of Malta. On the pontiffs death in 1521 he retired, with impaired health, to Padua, and there lived for a number of years, during which he continued to write, and in 1525 finally published his famous work. In 1530 he accepted the office of official historian of the Republic of Venice, his homeland, on 20 December 1538 Pope Paul III named him a cardinal in pectore and Bembo returned to Rome. The following year he received Holy Orders as a priest of the Order and he was advanced to the rank of Cardinal Priest in February 1542, with title to the Church of San Crisogono, changed two years later to that of the Basilica of San Clemente. While in Rome Bembo continued to write and revise his work, in addition to studying theology. He received as a reward for his achievements the administration of the dioceses of Gubbio and Bergamo and he died in Rome in his 77th year and was buried in the Church of Santa Maria sopra Minerva, near his papal patron. As a writer, Bembo attempted to restore some of the legendary affect that ancient Greek had on its hearers, but in Tuscan Italian instead. He held as his model, and as the highest example of poetic expression ever achieved in Italian, the work of Petrarch and Boccaccio, two 14th century writers he assisted in bringing back into fashion
10.
Byzantium
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Byzantium was an ancient Greek colony that later became Constantinople, and later still Istanbul. Byzantium was colonised by the Greeks from Megara in c. 657 BC, the etymology of Byzantion is unknown. It has been suggested that the name is of Thraco-Illyrian origin and it may be derived from a Thracian or Illyrian personal name, Byzas. Ancient Greek legend refers to a king Byzas, the leader of the Megarian colonists, the form Byzantium is a Latinisation of the original name. Much later, the name Byzantium became common in the West to refer to the Eastern Roman Empire and this usage was introduced only in 1555 by the historian Hieronymus Wolf, a century after the empire had ceased to exist. During the time of the empire, the term Byzantium was restricted to just the city, the European side featured only two fishing settlements, Lygos and Semistra. The origins of Byzantium are shrouded in legend, the traditional legend has it that Byzas from Megara founded Byzantium in 667 BC when he sailed northeast across the Aegean Sea. The tradition tells that Byzas, son of King Nisos, planned to found a colony of the Dorian Greek city of Megara, Byzas consulted the oracle of Apollo at Delphi, which instructed Byzas to settle opposite the Land of the Blind. Leading a group of Megarian colonists, Byzas found a location where the Golden Horn and he adjudged the Chalcedonians blind not to have recognized the advantages the land on the European side of the Bosphorus had over the Asiatic side. In 667 BC he founded Byzantium at their location, thus fulfilling the oracles requirement and it was mainly a trading city due to its location at the Black Seas only entrance. Byzantium later conquered Chalcedon, across the Bosporus on the Asiatic side, Byzantium was besieged by Greek forces during the Peloponnesian War. As part of Spartas strategy for cutting off supplies to Athens. The Athenian military later took the city in 408 BC, after siding with Pescennius Niger against the victorious Septimius Severus, the city was besieged by Roman forces and suffered extensive damage in 196 AD. Byzantium was rebuilt by Septimius Severus, now emperor, and quickly regained its previous prosperity and it was bound to Perinthos during the period of Septimius Severus. The location of Byzantium attracted Roman Emperor Constantine I who, in 330 AD, after his death the city was called Constantinople. This combination of imperialism and location would affect Constantinoples role as the nexus between the continents of Europe and Asia and it was a commercial, cultural, and diplomatic centre. With its strategic position, Constantinople controlled the trade routes between Asia and Europe, as well as the passage from the Mediterranean Sea to the Black Sea. On May 29,1453, the city fell to the Ottoman Turks, and again became the capital of a powerful state, the Turks called the city Istanbul, the name derives from eis-tin-polin
11.
Renaissance humanism
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Renaissance humanism is the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. The term Renaissance humanism is contemporary to that period — Renaissance, Renaissance humanism was a response to the utilitarian approach and what came to be depicted as the narrow pedantry associated with medieval scholasticism. This was to be accomplished through the study of the studia humanitatis, today known as the humanities, grammar, rhetoric, history, poetry, and moral philosophy. Humanism was a cultural mode and not the program of a small elite, a program to revive the cultural legacy, literary legacy. There were important centres of humanism in Florence, Naples, Rome, Venice, Genoa, Mantua, Ferrara, some of the first humanists were great collectors of antique manuscripts, including Petrarch, Giovanni Boccaccio, Coluccio Salutati, and Poggio Bracciolini. Of the four, Petrarch was dubbed the Father of Humanism because of his devotion to Greek, some of the highest officials of the Catholic Church were humanists with the resources to amass important libraries. Such was Cardinal Basilios Bessarion, a convert to the Catholic Church from Greek Orthodoxy, who was considered for the papacy, and was one of the most learned scholars of his time. There were several 15th-century and early 16th-century humanist Popes one of whom, Aeneas Silvius Piccolomini, was a prolific author and these subjects came to be known as the humanities, and the movement which they inspired is shown as humanism. They included Gemistus Pletho, George of Trebizond, Theodorus Gaza, budé was a royal absolutist who was active in civic life, serving as a diplomat for François I and helping to found the Collège des Lecteurs Royaux. Many humanists were churchmen, most notably Pope Pius II, Sixtus IV, and Leo X, humanity—with all its distinct capabilities, talents, worries, problems, possibilities—was the center of interest. It has been said that medieval thinkers philosophised on their knees, inevitably, the rediscovery of classical philosophy and science would eventually challenge traditional religious beliefs. Lorenzo Valla, however, puts a defense of epicureanism in the mouth of one of the interlocutors of one of his dialogues. And if it is names that bother us, no one deserves the name of Epicurean than the revered founder and head of the Christian philosophy Christ. Completely mistaken, therefore, are those who talk in their foolish fashion about Christs having been sad and gloomy in character, on the contrary, he alone shows the most enjoyable life of all and the one most full of true pleasure. This passage exemplifies the way in which the humanists saw pagan classical works, such as the philosophy of Epicurus, Renaissance Neo-Platonists such as Marsilio Ficino attempted to reconcile Platonism with Christianity, according to the suggestions of early Church fathers Lactantius and Saint Augustine. In this spirit, Pico della Mirandola attempted to construct a syncretism of all religions, historian Steven Kreis expresses a widespread view, when he writes that, The period from the fourteenth century to the seventeenth worked in favor of the general emancipation of the individual. The city-states of northern Italy had come into contact with the customs of the East. The writings of Dante, and particularly the doctrines of Petrarch and humanists like Machiavelli, emphasized the virtues of intellectual freedom, in the essays of Montaigne the individualistic view of life received perhaps the most persuasive and eloquent statement in the history of literature and philosophy
12.
Basilios Bessarion
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He has been mistakenly known also as Johannes Bessarion or Giovanni Bessarione due to an erroneous interpretation of Gregory III Mammas. He was born in Trebizond, the Black Sea port in northeastern Anatolia that was the heart of Pontic Greek culture and civilization during the Byzantine, the year of his birth has been given as 1389,1395 or 1403. He was educated in Constantinople, and went in 1423 to the Peloponnese to hear Gemistus Pletho expound the philosophy of Plato, on becoming a tonsured monk, he adopted the name of an old Egyptian anchorite Bessarion, whose story he has related. They had been separated since the Schism of 1054, but the emperor hoped to use the possibility of re-uniting the churches to help from Western Europe against the Turks. Bessarion participated in the Byzantine delegation to the Council of Ferrara-Florence as the most eminent representative of unionists, although originally belonged to the party of anti-unionists. On 6 July 1439 he was the one who read the declaration of the Greek Association of Churches in the cathedral of Florence, in the presence of Pope Eugene IV, some have impugned Bessarions sincerity in adhering to the Union. It has been argued that he was pragmatic patriot and thought religious Union would be the only hope, upon his return to Greece, he found himself bitterly resented for his attachment to the minority party that saw no difficulty in a reconciliation of the two churches. From that time, he resided permanently in Italy, doing much, by his patronage of learned men, by his collection of books and manuscripts and he supported Regiomontanus in this fashion and defended Nicholas of Cusa. He is known in history as the patron of the Greek exiles including Theodore Gaza, George of Trebizond, John Argyropoulos. He held in succession the archbishopric of Siponto and the sees of Sabina. He was opposed for his Greek background by the French Cardinal Alain de Coëtivy and it is probable that the cardinals were less afraid of his Greek training and temperament than they were of his known austerity and passion for reform, Francis A. Burkle-Young has observed. For five years, he was legate at Bologna, and he was engaged on embassies to foreign princes. Other missions were to Germany to encourage Western princes to help their fellow Christians in the East, for these efforts, his fellow humanist Aeneas Silvius Piccolomini, then Pius II, gave him the purely ceremonial title of Latin Patriarch of Constantinople in 1463. As primus Cardinalium —the title Dean of the Sacred College of Cardinals was not yet in use—Cardinal Bessarion presided over the Papal conclave,1464 and Papal conclave,1471. Vexation at an insult offered him by Louis XI is said to have hastened his death and he is buried in the basilica of Santi Apostoli, Rome. Bessarion was one of the most learned scholars of his time, Bessarion, though a Platonist, was not so thoroughgoing in his admiration as Gemistus Pletho, and he strove instead to reconcile the two philosophies. His work, by opening up the relations of Platonism to the questions of religion. It was thanks to him that the Bibliotheca, an important compendium of Greek Mythology, has survived to the present and it was 482 Greek manuscripts and 264 Latin manuscripts
13.
Codex
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A codex is a book constructed of a number of sheets of paper, vellum, papyrus, or similar materials, with hand-written contents. The book is bound by stacking the pages and fixing one edge. Some codices are continuously folded like a concertina, the alternative to paged codex format for a long document is the continuous scroll. Examples of folded codices include the Maya codices, sometimes people use the term for a book-style format, including modern printed books but excluding folded books. The Romans developed the form from wooden writing tablets, the codexs gradual replacement of the scroll—the dominant book form in the ancient world—has been called the most important advance in book making before the invention of printing. The codex transformed the shape of the book itself, and offered a form that lasted for centuries, the spread of the codex is often associated with the rise of Christianity, which adopted the format for use with the Bible early on. In fact, any combination of codices and scrolls with papyrus and parchment is technically feasible, the codex began to replace the scroll almost as soon as it was invented. In Egypt, by the century, the codex outnumbered the scroll by ten to one based on surviving examples. By the sixth century, the scroll had almost vanished as a medium for literature, technically, even modern paperbacks are codices, but publishers and scholars reserve the term for manuscript books produced from Late antiquity until the Middle Ages. The scholarly study of manuscripts from the point of view of the bookbinding craft is called codicology. The study of ancient documents in general is called paleography, the Romans used precursors made of reusable wax-covered tablets of wood for taking notes and other informal writings. Two ancient polyptychs, a pentatych and octotych, excavated at Herculaneum used a connecting system that presages later sewing on of thongs or cords. Julius Caesar may have been the first Roman to reduce scrolls to pages in the form of a note-book. At the turn of the 1st century AD, a kind of folded parchment notebook called pugillares membranei in Latin became commonly used for writing in the Roman Empire, theodore Cressy Skeat theorized that this form of notebook was invented in Rome and then spread rapidly to the Near East. Codices are described in works by the Classical Latin poet. He wrote a series of five couplets meant to accompany gifts of literature that Romans exchanged during the festival of Saturnalia. ”Early codices of parchment or papyrus appear to have widely used as personal notebooks. The parchment notebook pages were commonly washed or scraped for re-use and consequently, writings in a codex were often considered informal, as early as the early 2nd century, there is evidence that a codex—usually of papyrus—was the preferred format among Christians. In the library of the Villa of the Papyri, Herculaneum, however, in the Nag Hammadi library, hidden about AD390, all texts are codices
14.
Incunable
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An incunable, or sometimes incunabulum, is a book, pamphlet, or broadside that was printed—not handwritten—before the year 1501 in Europe. Incunable is the singular form of incunabula, Latin for swaddling clothes or cradle. A former term for incunable is fifteener, referring to the 15th century, but since 2009 we know that this lexical invention should no more be assigned to Mallinckrodt, dated 1569, it has to be credited to the Dutch Physician Hadrianus Junius. The term came to denote the printed books themselves in the late 17th century, post-incunable typically refers to books printed after 1500 up to another arbitrary end date such as 1520 or 1540. As of 2014, there are about 30,000 distinct incunable editions known to be extant, many authors reserve the term incunabula for the typographic ones only. The spread of printing to cities both in the north and in Italy ensured that there was great variety in the chosen for printing. Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles, standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various local vernaculars began to appear. Other printers of incunabula were Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges, the first incunable to have woodcut illustrations was Ulrich Boners Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461. The data in this section were derived from the Incunabula Short-Title Catalogue, printing towns, The number of printing towns and cities stands at 282. These are situated in some 18 countries in terms of present-day boundaries, illustrations, Only about one edition in ten has any illustrations, woodcuts or metalcuts. Survival, The commonest incunable is Schedels Nuremberg Chronicle of 1493, very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a complete incunable may consist of a slip, or up to ten volumes. Formats, In terms of format, the 29, 000-odd editions comprise,2,000 broadsides,9,000 folios,15,000 quartos,3,000 octavos,18 12mos,230 16mos,20 32mos, and 3 64mos. Caxton, ISTC at present cites 528 extant copies of books printed by Caxton, dispersal, Apart from migration to mainly North American and Japanese universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to less than 2,000 copies – i. e. about 97. 75% remain north of the equator. However many incunabula are sold at auction or through the book trade every year. The British Librarys Incunabula Short Title Catalogue now records over 29,000 titles, studies of incunabula began in the 17th century. Hain was expanded in subsequent editions, by Walter A, North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue
15.
Petrarch's library
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The poet Petrarch arranged to leave his personal library to the city of Venice, but it never arrived. The Venetian tradition that this was the founding of the Biblioteca Marciana is an anachronism, when Petrarch broke up his personal collections at Parma and Vaucluse he had formed the habit of traveling with large bales of manuscripts in a long cavalcade. In his middle age he became tired of carrying his large collection of manuscripts and he came to the conclusion that he would offer his collection of manuscripts to the Republic of Venice, on condition that it should be properly housed, and should never be sold or divided. This was in exchange for a permanent residence that he and his daughters family could live in and he called on his Venetian friend Grand Chancellor Benintendi de Ravagnani on this matter. Benintendi enthusiastically took on the idea of receiving Petrarchs books and manuscripts and he immediately prepared the Deliberation for the Great Council meeting in the beginning of September 1362 on this issue. It gave its approval for the donation of Petrarchs books to the church of Saint Mark as the protector of this precious gift, the agreement between Petrarch and the Republic of Venice was that none of the ancient books nor Petrarchs manuscripts were to be dispersed. They were to be preserved in a place in memory. In return for this Petrarch was to have the use of a residence at public expense during his lifetime. Petrarch received the Palazzo Molina, known locally as Casa Molin delle due Torri, the memoradum agreement stipulated that Petrarch could keep his library until his death and did not say he had to live in Venice. Petrarch and his daughter Francesca with his son-in-law Francescuolo da Brossano moved there in 1362 and it became their prime residence from 1362–1367 along with his personal library of books and manuscripts. Petrarchs library was transferred to the quayside of Riva degli Schiavoni. This collection had about two hundred codices and this is actually thought to be a much higher number of titles however, given that a codex often contained more than one work within it. All this fit perfectly to form the library of a man of culture. Sometime in the year 1367, however, Petrarch decided to leave Venice because the scholars were not interested in his personal library. Venetian scholars were interested in scientific knowledge rather than humanistic culture. When Petrarch left Venice in 1368, he settled in the territory of Padua, normally hostile to Venice, Petrarch built himself a small house about ten miles outside of Arquà, in Paduan territory. A little vineyard with some trees were sufficient for his modest household needs at this time. While his health was poor he eased his mind by reading, there he wrote to his beloved brother Gerard admiring his faithful religious duties
16.
British Library
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The British Library is the national library of the United Kingdom and the second largest library in the world by number of items catalogued. It holds well over 150 million items from many countries, as a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a public body sponsored by the Department for Culture, Media. The Librarys collections include around 14 million books, along with holdings of manuscripts. In addition to receiving a copy of every publication produced in the UK and Ireland, the Library adds some three million items every year occupying 9.6 kilometres of new shelf space. Prior to 1973, the Library was part of the British Museum, the Euston Road building is classified as a Grade I listed building, of exceptional interest for its architecture and history. The British Library was created on 1 July 1973 as a result of the British Library Act 1972. Prior to this, the library was part of the British Museum. In 1983, the Library absorbed the National Sound Archive, which holds many sound and video recordings, with over a million discs, the core of the Librarys historical collections is based on a series of donations and acquisitions from the 18th century, known as the foundation collections. From 1997 to 2009 the main collection was housed in this new building. Construction work on the Newspaper Storage Building was completed in 2013, the collection has now been split between the St Pancras and Boston Spa sites. The British Library Document Supply Service and the Librarys Document Supply Collection is based on the site in Boston Spa. Collections housed in Yorkshire, comprising low-use material and the newspaper and Document Supply collections, the Library previously had a book storage depot in Woolwich, south-east London, which is no longer in use. The new library was designed specially for the purpose by the architect Colin St John Wilson, facing Euston Road is a large piazza that includes pieces of public art, such as large sculptures by Eduardo Paolozzi and Antony Gormley. It is the largest public building constructed in the United Kingdom in the 20th century, in December 2009 a new storage building at Boston Spa was opened by Rosie Winterton. The building was Grade I listed on 1 August 2015, in England, Legal Deposit can be traced back to at least 1610. The other five libraries are, the Bodleian Library at Oxford, the University Library at Cambridge, the Trinity College Library at Dublin, in 2003 the Ipswich MP Chris Mole introduced a Private Members Bill which became the Legal Deposit Libraries Act 2003. The Act extends United Kingdom legal deposit requirements to electronic documents, such as CD-ROMs, the Library also holds the Asia, Pacific and Africa Collections which include the India Office Records and materials in the languages of Asia and of north and north-east Africa
17.
Library of Congress
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The Library of Congress is the research library that officially serves the United States Congress and is the de facto national library of the United States. It is the oldest federal cultural institution in the United States, the Library is housed in three buildings on Capitol Hill in Washington, D. C. it also maintains the Packard Campus in Culpeper, Virginia, which houses the National Audio-Visual Conservation Center. The Library of Congress claims to be the largest library in the world and its collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 450 languages. Two-thirds of the books it acquires each year are in other than English. The Library of Congress moved to Washington in 1800, after sitting for years in the temporary national capitals of New York. John J. Beckley, who became the first Librarian of Congress, was two dollars per day and was required to also serve as the Clerk of the House of Representatives. The small Congressional Library was housed in the United States Capitol for most of the 19th century until the early 1890s, most of the original collection had been destroyed by the British in 1814, during the War of 1812. To restore its collection in 1815, the bought from former president Thomas Jefferson his entire personal collection of 6,487 books. After a period of growth, another fire struck the Library in its Capitol chambers in 1851, again destroying a large amount of the collection. The Library received the right of transference of all copyrighted works to have two copies deposited of books, maps, illustrations and diagrams printed in the United States. It also began to build its collections of British and other European works and it included several stories built underground of steel and cast iron stacks. Although the Library is open to the public, only high-ranking government officials may check out books, the Library promotes literacy and American literature through projects such as the American Folklife Center, American Memory, Center for the Book, and Poet Laureate. James Madison is credited with the idea for creating a congressional library, part of the legislation appropriated $5,000 for the purchase of such books as may be necessary for the use of Congress. And for fitting up an apartment for containing them. Books were ordered from London and the collection, consisting of 740 books and 3 maps, was housed in the new Capitol, as president, Thomas Jefferson played an important role in establishing the structure of the Library of Congress. The new law also extended to the president and vice president the ability to borrow books and these volumes had been left in the Senate wing of the Capitol. One of the only congressional volumes to have survived was a government account book of receipts and it was taken as a souvenir by a British Commander whose family later returned it to the United States government in 1940. Within a month, former president Jefferson offered to sell his library as a replacement
18.
Santi Giovanni e Paolo, Venice
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The Basilica di San Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy. One of the largest churches in the city, it has the status of a minor basilica, after the 15th century the funeral services of all of Venices doges were held here, and twenty-five doges are buried in the church. The huge brick edifice was designed in the Italian Gothic style and it is the principal Dominican church of Venice, and as such was built to hold large congregations. In 1246, Doge Jacopo Tiepolo donated some swampland to the Dominicans after dreaming of a flock of white doves flying over it, the first church was demolished in 1333, when the current church was begun. It was not completed until 1430, San Giovanni e Paolo is a parish church of the Vicariate of San Marco-Castello. Other churches of the parish are San Lazzaro dei Mendicanti, the Ospedaletto, the Renaissance Equestrian Statue of Bartolomeo Colleoni, by Andrea del Verrocchio, is located next to the church. The belltower has 3 bells in D major, the famous The Feast in the House of Levi, painted for the refectory, is now in the Accademia Gallery. After the 15th century the funeral services of all of Venices doges were held in San Giovanni e Paolo
19.
Padua
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Padua is a city and comune in Veneto, northern Italy. It is the capital of the province of Padua and the economic, the city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, which has a population of c. Padua stands on the Bacchiglione River,40 kilometres west of Venice and 29 km southeast of Vicenza, the Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain, to the citys south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer, Padua is the setting for most of the action in Shakespeares The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde, titled The Duchess Of Padua, the original significance of the Roman name Patavium is uncertain. It may be connected with the ancient name of the River Po, additionally, the root pat-, in the Indo-European language may refer to a wide open plain as opposed to nearby hills. The ending -ium, signifies the presence of villages that have united themselves together, Padua claims to be the oldest city in northern Italy. According to a tradition dated at least to the time of Virgils Aeneid and to Livys Ab Urbe Condita, Padua was founded in around 1183 BC by the Trojan prince Antenor. After the Fall of Troy, Antenor led a group of Trojans and their Paphlagonian allies, the Eneti or Veneti, thus, when a large ancient stone sarcophagus was exhumed in the year 1274, officials of medieval commune declared the remains within to be those of Antenor. Nevertheless, archeological remains confirm a date for the foundation of the center of the town to between the 11th and 10th centuries BC. The Roman historian Livy records an invasion of the Spartan king Cleonimos around 302 BC. The Spartans came up the river but were defeated by the Veneti in a naval battle, still later, the Veneti of Padua successfully defended themselves against the aggression of Etruscans and Gauls. According to Livy and Silius Italicus, the Veneti, including those of Padua, formed an alliance with the Romans by 226 BC, against their common enemy, men from Padua fought and died besides the Romans at Cannae. As the Romans advanced northward, Padua was gradually assimilated into the Roman Republic, in 175 BC, Padua requested the aid of Rome in putting down a local civil war. In 91 BC, Padua, along with cities of the Veneti. Around 49 BC, Padua was made a Roman municipium under the Lex Julia Municipalis and its citizens ascribed to the Roman tribe, at that time the population of the city was perhaps 40,000. The city was reputed for its excellent breed of horses and the wool of its sheep, in fact, the poet Martial remarks on the thickness of the tunics made there
20.
Contarini
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Contarini is one of the founding families of Venice and of which in total eight Doges to the Republic of Venice emerged, as well as other notables. Alvise Contarini was given the fiefdoms of San Giacomo Belmineo and Solarino as part of the dowry, the family remains in Sicily today, carrying the title Duke of Castrofilippo. 853 AD marks the first officially verified documentation of the Contarini in the Republic of Venice, with Andrea Contarini named in the testament of Orso Partecipazio and his grandson, Lucius Aurelius Cotta was elected prefect of the Reno, the area around the Reno near Bologna. His first and second son and his male grandchildren continued in this position and added the cognomen Reno, the last person to register Cottareno was Marcus Aurelius Cottareno in Padua in 290 AD and subsequently the family name was written as Contareno, or Contarini in Venetian. In the Republic of Venice in 1043 Domenico I was elected, by 1797, when the last Doge was forced to abdicate, the family had produced eight Doges of their own. The Contarini also counts various important diplomats, cardinals and navy commanders among them, the Venetian Republic, in one form or another, lasted as a functioning independent state for over 1100 years until Napoleons march into Venice sounded its demise. Andrea Palladio, who was employed by the Contarini and their relatives, importantly, his works satisfied his clients, which, full-circle, he had helped to create. Many such works are found to have favored a minimalist, if neo-classical. London and New York, Frederick Warne
21.
House of Gonzaga
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Their family includes a saint, twelve cardinals and fourteen bishops. Two Gonzaga descendants became empresses of the Holy Roman Empire, the first members of the family of historical importance are known to have collaborated with the Guelph faction alongside the monks of the Polirone Abbey. Starting from the 12th century they became a dominant family in Mantua, growing in wealth when their allies, the Bonacolsi, defeated the traditional familiar enemy, the Casalodi. Ludovico was succeeded by Guido and Ludovico II, while Feltrino, lord of Reggio until 1371, formed the cadet branch of the Gonzaga of Novellara, whose state existed until 1728. Francesco I abandoned the alliance with the Visconti of Milan. In 1530 Federico II received the title of Duke of Mantua, in 1531, the family acquired the Marquisate of Montferrat through marriage. Through maternal ancestors, the Gonzagas inherited also the Imperial Byzantine ancestry of the Paleologus, the Gonzaga-Nevers later came to rule Mantua again when Louiss son Charles inherited Mantua and Montferrat, triggering the War of the Mantuan Succession. Another cadet branch were first sovereign counts, later dukes of Guastalla and they descended from Ferrante, a younger son of Duke Francesco II of Mantua. Ferrantes grandson, Ferrante II, also played a role in the War of the Mantuan Succession, a further cadet branch was that of Sabbioneta, founded by Gianfrancesco, son of Ludovico III. Marie Louise Gonzaga, daughter of Prince Charles Gonzaga-Nevers, was a Polish queen consort from 1645 to her death in 1667. Two daughters of the house, both named Eleanor Gonzaga, became Holy Roman Empresses, by marrying emperors Ferdinand II of Germany and Ferdinand III, Holy Roman Emperor, from the latter Empress Eleanor, the current heirs of the Gonzaga descend. St. Aloysius Gonzaga was a member of a branch of this family. The House of Gonzaga is the inspiration for the play-within-the-play in Shakespeares Hamlet, in Act 3 scene 2, they act out a play called The Murder of Gonzago. Gonzaga rule continued in Mantua until 1708 and in Guastalla until 1746, both ruling lines became extinct, and the headship of the House of Gonzaga passed to the Vescovato line, descended from Giovanni, a son of Federico I Gonzaga. That branch, shorn of sovereign domains, is extant and its head is Don Maurizio Ferrante Gonzaga, Principe del Sacro Romano Impero, Marchese Gonzaga, Conte di Villanova, Conte di Cassolnovo, Marchese del Vodice, Signore di Vescovato, Patrizio Veneto. The branches of the Gonzaga family, showing marquises and dukes of Mantua in bold, dukes of Nevers and Rethel in italics and the Guastalla line to the right
22.
Marco Polo
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He learned the mercantile trade from his father and uncle, Niccolò and Maffeo, who travelled through Asia and met Kublai Khan. In 1269, they returned to Venice to meet Marco for the first time, the three of them embarked on an epic journey to Asia, returning after 24 years to find Venice at war with Genoa, Marco was imprisoned and dictated his stories to a cellmate. He was released in 1299, became a merchant, married. He died in 1324 and was buried in the church of San Lorenzo in Venice, Marco Polo was not the first European to reach China, but he was the first to leave a detailed chronicle of his experience. This book inspired Christopher Columbus and many other travellers, there is a substantial literature based on Polos writings, he also influenced European cartography, leading to the introduction of the Fra Mauro map. Marco Polo was born in 1254 in Venice Republic and his exact date and place of birth are archivally unknown. Some historians mentioned that he was born on September 15 but that date is not endorsed by mainstream scholarship, Marco Polos birthplace is generally considered Venice, but also varies between Constantinople, and the island of Korčula. There is dispute as to whether the Polo family is of Venetian origin, the first recorded Polo is Venetian Domenico Polo who was mentioned in 971 regarding the prohibition of trade with the Arabs. Later other Polos were also mentioned in the service of the realm, whether they were related with the family of Marco Polo is uncertain, but this could indicate that his ancestors travelled between Venice and Dalmatia. Some of the first indications of where his family originated and were resident come from Venetian documents and manuscripts. Some scholars argued that this account could go along with the note from Il Milione that his father and uncle, Niccolò and Maffeo Polo, the non-Venetian i. e. Sanuto also mentioned a captain from Korčula, Antonio di Polo. Moule cited two early 17th century Venetian manuscripts questi ueneno de dalmatia, Polo questi uene de Dalmatia, scholars etymologically argued that his family name derives from Latin Paulus, the name of a certain bird species, or like Albert tSerstevens considered - from Eastern origin. However, the habitat of the shorebird is non-existent on Korčula, the surname Polo seems related with other widespread Dalmatian surnames. The lack of evidence makes the Korčula theory as a specific birthplace strongly disputed, in 1168, his great-uncle, Marco Polo, borrowed money and commanded a ship in Constantinople. His grandfather, Andrea Polo of the parish of San Felice, had three sons, Maffeo, yet another Marco, and the travellers father Niccolò and this genealogy, described by Ramusio, is not universally accepted as there is no additional evidence to support it. His father, Niccolò Polo, a merchant, traded with the Near East, becoming wealthy, Niccolò and his brother Maffeo set off on a trading voyage before Marcos birth. In 1260, Niccolò and Maffeo, while residing in Constantinople, then the capital of the Latin Empire, foresaw a political change, they liquidated their assets into jewels and moved away. According to The Travels of Marco Polo, they passed through much of Asia, and met with Kublai Khan and their decision to leave Constantinople proved timely
23.
Napoleon
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Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
24.
Doge's Palace
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The Doges Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the authority of the former Republic of Venice. Today, it is one of the 11 museums run by the Fondazione Musei Civici di Venezia. In 810, Doge Angelo Partecipazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci, a ducal palace, should be built. However, no remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani, a great reformer, he would drastically change the entire layout of the St. The new palace was built out of fortresses, one façade to the Piazzetta, political changes in the mid-13th century led to the need to re-think the palaces structure due to the considerable increase in the number of the Great Councils members. The new Gothic palaces constructions started around 1340, focusing mostly on the side of the building facing the lagoon, in 1483, a violent fire broke out in the side of the palace overlooking the canal, where the Doges Apartments were. Once again, an important reconstruction became necessary and was commissioned from Antonio Rizzo, another huge fire in 1547 destroyed some of the rooms on the second floor, but fortunately without undermining the structure as a whole. However, there are some classical features — for example, since the 16th century, as well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed. Venice was subjected first to French rule, then to Austrian, over this period, the palace was occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city. In 1923, the Italian State, owner of the building, since 1996, the Doge’s Palace has been part of the Venetian museums network, which has been under the management of the Fondazione Musei Civici di Venezia since 2008. The ground floor arcade and the loggia above are decorated with 14th- and 15th-century capitals, in 1438–1442, Giovanni Bon and Bartolomeo Bon built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. In the space above the cornice, there is a portrait of the Doge Francesco Foscari kneeling before the St. This is, however, a 19th-century work by Luigi Ferrari, nowadays, the public entrance to the Doges Palace is via the Porta del Frumento, on the waterfront side of the building. The north side of the courtyard is closed by the junction between the palace and St, mark’s Basilica, which used to be the Doge’s chapel. At the center of the courtyard stand two well-heads dating from the mid-16th century, in 1485, the Great Council decided that a ceremonial staircase should be built within the courtyard. Since 1567, the Giants’ Staircase is guarded by Sansovino’s two colossal statues of Mars and Neptune, which represents Venice’s power by land and by sea, members of the Senate gathered before government meetings in the Senator’s Courtyard, to the right of the Giants’ Staircase
25.
Museo Correr
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The Museo Correr is a museum in Venice, northern Italy. Marks Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia, the museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice, the Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. Upon his death, all material was donated to the city. The nobleman also left the city funds to be used in conserving and extending the collections, several collections ended up being bought by foreigners, but in the early decades of the 19th century there were still many pieces on the market. An insatiable collector, Correr, from his youth bought all sorts of objects, Correr would reveal himself to have a sharp eye, putting together a collection that was undoubtedly very original. He was explicit about his intention that the collections should be available to the public. Subsequent bequests, donations and acquisitions would be added to the collection, in 1887, the enlarged collection was moved from Palazzo Correr to the nearby Fondaco dei Turchi, where it was laid out in a new display. However, in 1922, the Museo Correr was moved again to its present location in Piazza San Marco, in the 1990s, the entire civic museums system was redesigned, all under a single municipal administration. In 1996, thanks to an agreement with the Italian Ministry of Culture, the St. Finally, in March 2008, the building that encloses the far end of the Piazza San Marco is known as the Napoleonic Wing. The design and early building works date from the period when Venice was part of the Kingdom of Italy, when the city came under Napoleonic rule, the French emperor and his court realized that public representation of imperial power posed certain logistical and political problems. Having rejected the Doges Palace because of its complex past, these turned to the Procuratie Nuove, the former residence of the Procuratore di San Marco, along the southern edge of the Square. From 1586 to 1596, works were complete on the ten arcades that extended beyond Sansovinos Library, and then, around 1640, and this was the building which, by January 1807, Napoleon decreed should become the Imperial Palace. All the interiors within the Procuratie Nuove were changed with the re-decoration reflecting the taste for Neoclassicism, marks Basilica – which was designed by Giuseppe Soli and Lorenzo Santi and incorporated to the palace. When Venice moved under Austrian dominion in 1814, the served as the House of Habsburg. In 1866, after Venice became part of unified Italy, the passed to the House of Savoy. In 1919, Victor Emmanuel III, king of Italy, handed it over to the State for use by the Ministry of Education. Hence, in 1920, part of the building was used to house the Museo Archeologico Nazionale, an antechamber leads into the Napoleonic Gallery which runs across the end of the Piazza San Marco
26.
Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below
27.
Procuratie
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The Procuratie are three connected buildings on St Marks Square in Venice. They are also connected to St Marks Clocktower and they are historic buildings over arcades, the last of them completed, to finish off the square, under Napoleons occupation. They were rebuilt after a fire in the century to a three-storey design by Codussi which still betrays something of its Gothic roots. The two buildings originally had wings on the west side of the Square, separated only by a small church, in about 1810, the wings and the church were demolished and replaced by the third building, the Napoleonic Wing of the Procuraties. It was designed by Giuseppe Maria Soli in a Neoclassical manner, the ridotti were extremely fashionable in Venice. Today, the Napoleonic Wing and part of the Procuratie Nuove house the Correr Museum
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Piazza San Marco
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Piazza San Marco, often known in English as St Marks Square, is the principal public square of Venice, Italy, where it is generally known just as la Piazza. All other urban spaces in the city are called campi, the Piazzetta is an extension of the Piazza towards the lagoon in its south east corner. The two spaces together form the social, religious and political centre of Venice and are considered together. This article relates to both of them, a remark usually attributed to Napoleon calls the Piazza San Marco the drawing room of Europe. The Square is dominated at its end by the great church of St Mark. It is described here by a perambulation starting from the west front of the church, the Piazzetta dei Leoncini is an open space on the north side of the church named after the two marble lions, but now officially called the Piazzetta San Giovanni XXIII. The neo-classic building on the east side adjoining the Basilica is the Palazzo Patriarcale, beyond that is the Clock Tower, completed in 1499, above a high archway where the street known as the Merceria leads through shopping streets to the Rialto, the commercial and financial centre. To the right of the clock-tower is the church of San Basso, designed by Baldassarre Longhena. Mark, high officers of state in the days of the republic of Venice and they were built in the early 16th century. The arcade is lined with shops and restaurants at ground level, turning left at the end, the arcade continues along the west end of the Piazza, which was rebuilt by Napoleon about 1810 and is known as the Ala Napoleonica. It holds, behind the shops, a staircase which was to have led to a royal palace. Turning left again, the arcade continues down the side of the Piazza. Again, the floor has shops and also the Caffè Florian, a famous cafe opened in 1720 by Floriano Francesconi. The upper floors were intended by Napoleon to be a palace for his stepson Eugène de Beauharnais, his viceroy in Venice, at the far end the Procuratie meet the north end of Sansovinos Libreria, whose main front faces the Piazzetta and is described there. The arcade continues round the corner into the Piazzetta, opposite to this, standing free in the Piazza, is the Campanile of St Marks church, rebuilt in 1912 comera, dovera after the collapse of the former campanile on 14 July 1902. Across the Piazza in front of the church are three large mast-like flagpoles with bronze bases decorated in relief by Alessandro Leopardi in 1505. The Venetian flag of St Mark used to fly them in the time of the republic of Venice. The Piazzetta di San Marco is not part of the Piazza, the Piazzetta lies between the Doges Palace on the east and Jacopo Sansovinos Biblioteca which holds the Biblioteca Marciana on the west
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Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
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Francesco Cavalli
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Francesco Cavalli was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is known by that of Cavalli, the name of his patron Federico Cavalli. Cavalli was born at Crema, Lombardy and he became a singer at St Marks Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665 and he is chiefly remembered for his operas. He began to write for the stage in 1639 soon after the first public house opened in Venice. He established so great a reputation that he was summoned to Paris from 1660 until 1662 and he died in Venice at the age of 73. Cavalli was the most influential composer in the genre of public opera in mid-17th-century Venice. Cavalli introduced melodious arias into his music and popular types into his libretti, Cavalli wrote forty-one operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana in Venice. Copies of some of the operas also exist in other locations, cavallis music was revived in the twentieth century. The Glyndebourne production of La Calisto is an example, the discography is extensive and Cavalli has featured in BBC Radio 3s Composer of the Week series. Music of Venice Notes Further reading Bukofzer, Manfred, Music in the Baroque Era, new York, W. W. Norton & Company,1947. ISBN 0-393-09745-5 Glixon, Beth L. and Jonathan E. Inventing the Business of Opera, The Impresario, ISBN 0-312-12546-1 Rosand, Ellen, Opera in Seventeenth-Century Venice. ISBN 0-520-06808-4 Selfridge-Field, Eleanor, Venetian Instrumental Music, from Gabrieli to Vivaldi, ISBN 0-486-28151-5 This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Cavalli, Francesco. Free scores by Francesco Cavalli in the Choral Public Domain Library Rodrigo, free scores by Francesco Cavalli at the International Music Score Library Project
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Domenico Scarlatti
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Giuseppe Domenico Scarlatti was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, Domenico Scarlatti was born in Naples, Kingdom of Naples, belonging to Spanish Crown, in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti, domenicos older brother Pietro Filippo was also a musician. He probably first studied music under his father, other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom may have influenced his musical style. He was appointed as composer and organist at the chapel in Naples in 1701. In 1704, he revised Carlo Francesco Pollarolos opera Irene for performance at Naples, soon afterwards, his father sent him to Venice. After this, nothing is known of Scarlattis life until 1709, later in life, he was known to cross himself in veneration when speaking of Handels skill. In Rome, Scarlatti composed several operas for Queen Casimires private theatre and he was Maestro Di Cappella at St. Peters from 1715 to 1719. In 1719 he travelled to London to direct his opera Narciso at the Kings Theatre, according to Vicente Bicchi, Domenico Scarlatti arrived in Lisbon on 29 November 1719. There he taught music to the Portuguese princess Maria Magdalena Barbara and he left Lisbon on 28 January 1727 for Rome, where he married Maria Caterina Gentili on 6 May 1728. In 1729 he moved to Seville, staying for four years, in 1733 he went to Madrid as music master to Princess Maria Barbara, who had married into the Spanish royal house. The Princess later became Queen of Spain, Scarlatti remained in the country for the remaining twenty-five years of his life, and had five children there. After the death of his first wife in 1742, he married a Spaniard, among his compositions during his time in Madrid were a number of the 555 keyboard sonatas for which he is best known. Scarlatti befriended the castrato singer Farinelli, a fellow Neapolitan also enjoying royal patronage in Madrid, the musicologist and harpsichordist Ralph Kirkpatrick commented that Farinellis correspondence provides most of the direct information about Scarlatti that has transmitted itself to our day. Domenico Scarlatti died in Madrid, at the age of 71 and his residence on Calle Leganitos is designated with a historical plaque, and his descendants still live in Madrid. He was buried at a convent there, in Madrid, only a small fraction of Scarlattis compositions were published during his lifetime, Scarlatti himself seems to have overseen the publication in 1738 of the most famous collection, his 30 Essercizi. These were well received throughout Europe, and were championed by the foremost English writer on music of the eighteenth century, the many sonatas which were unpublished during Scarlattis lifetime have appeared in print irregularly in the two and a half centuries since. Scarlattis 555 keyboard sonatas are single movements, mostly in form, and some in early sonata form
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Codex Nanianus
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Codex Nanianus, designated by siglum U or 030, ε90, is a Greek uncial manuscripts of the New Testament on parchment, dated palaeographically to the 9th century. The manuscript has complex contents, with full marginalia, the codex is named after its last owner. It is also known as Codex Venetus Marcianus, the text of the codex usually follows the majority text, but with departures, some of them represent Alexandrian tradition. The manuscript is cited in the present critical editions of the Greek New Testament. The codex contains 291 parchment leaves, with a text of the four Gospels. The leaves are arranged in quarto, the text is written in two columns per page, and 21 lines per column, in brown ink. According to Scrivener the manuscript is carefully and luxury written, the ornaments are in gold and colours. The initial letters in gold and decorated, the letters are high, and round. It is a codex, with full marginalia, as well illuminations such as pictures. It is written in well rounded uncials, Letters are in general an imitation of those used before the introduction of compressed uncials, the letters are compressed only at the end of line. It is shown in Tregelles facsimile, the oblong omicrons creep at the end of lines 2 and 4, the text is divided according to the κεφαλαια, whose numbers are given at the margin, and their τιτλοι at the top of the pages. There is also another division according to the smaller Ammonian Sections, number of sections in Gospel of Mark is 233, the last section in 16,8. Before Gospel of Mark it has picture with the baptism of Jesus, before Gospel of John it has picture with the rays from the clouds, John stands, the Greek text of this codex is a representative of the Byzantine text-type. The non-Byzantine readings are confirmed by Codex Monacensis and minuscule 1071, the manuscript stands in some relationship to the Codex Basilensis and other textual members of the textual family Family E, but Nanianus does not belong to this family. Hermann von Soden classified its text to the his textual group Io which refers to nine manuscripts in Luke and they do not form a group. According to Soden textual group Io, is a result of recension Pamphilus from Caeasarea, Aland placed it in Category V, though it is not pure the Byzantine text, with a number non-Byzantine readings. According to the Claremont Profile Method it represents textual family Kx in Luke 10, in Luke 1 and it is close to minuscules 974 and 1006 in Luke 1 and Luke 10. It contains the ending of Mark, but there is not the Ammonian Sections
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Codex Cumanicus
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The Codex Cumanicus was a linguistic manual of the Middle Ages, designed to help Catholic missionaries communicate with the Cumans, a nomadic Turkic people. It is currently housed in the Library of St. Mark, the Codex likely developed over time. Mercantile, political and religious leaders, particularly in Hungary, sought effective communication with the Cumans from the time of their ascendency in the mid-11th century. As Italian city-states such as Genoa began to establish trade posts and colonies along the Black Sea coastline, the earliest parts of the Codex are believed to have originated in the 12th century or 13th century. It was likely added to substantially over time, the copy preserved in Venice dates from 1330. The Codex consists of a number of independent works which were combined under one cover. This section has been styled the Italian Part or the Interpreters Book of the Codex, whether the Persian parts came through Kipchak intermediaries or whether Persian was a lingua franca for Mediterranean trade well known in Western Europe is a matter hotly debated by scholars. The second part is a collection of religious texts and riddles in Kipchak, translated into Latin. This part of the Codex is referred to as the German or Missionarys Book and is believed to have been compiled by German Franciscans, the Codex is generally regarded as accurate, but it differs slightly from other sources on Kipchak language. The Cuman Riddles are a source for the study of early Turkic folklore. Andreas Tietze referred to them as the earliest variants of types that constitute a common heritage of the Turkic-speaking nations. Some of these riddles reached our days practically unchanged in Kazakh language, among the riddles in the Codex are the following excerpts, Aq küymengin avuzı yoq. In Kazakh, Aq küymeniñ auzı joq, ol jumırtqa The white kibitka has no mouth. In Kazakh, Kökşe lağım kögende semirer, ol qauın my bluish kid at the tethering rope grows fat, The melon. Oturğanım oba yer basqanım baqır canaq, in Kazakh, Otırğanım oba jer basqanım baqır şanaq. Ol uzengi Where I sit is a hilly place, where I tread is a copper bowl. The Codexs Pater Noster reads, Atamız kim köktesiñ, alğışlı bolsun seniñ atıñ, kelsin seniñ xanlığıñ, bolsun seniñ tilemekiñ – neçik kim kökte, alay yerde. Dağı yazuqlarımıznı bizge boşatqıl – neçik biz boşatırbız bizge yaman etkenlerge, in English, the text is, Our Father which art in heaven
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Minuscule 205
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Minuscule 205, δ500, is a Greek minuscule manuscript of the New Testament, on parchment, from the 15th century. The codex contains the text of the New Testament on 441 parchment leaves, the order of books, Gospels, Acts of the Apostles, Catholic epistles, Pauline epistles, and Apocalypse. It is written in one column per page, in 55-56 lines per page, text of Mark 16, 8-20 is marked by an obelus. It contains also the Old Testament, the Greek text of the codex is a representative of the Caesarean text-type in the Gospels and the Byzantine text-type in rest of books of the codex. Aland placed it in Category III in Gospels and Revelation, and it is a member of the Family 1 in the Gospels. It creates a pair with 209, paleographically it has been assigned to the 15th century. The manuscript was written by John Rhosus to Cardinal Bessarion, together with the codices 354 and 357, in 1468 it was sent to the library of Cardinal. It was examined by Birch and Burgon, G. F. Rinck considers it in the Gospels a mere copy of the codex 209. Burgon argued that both were transcribed from the same uncial archetype as codex 209, C. R. Gregory saw it in 1886. It is currently housed at the Biblioteca Marciana, at Venice, together with the 205abs, however, more recently Welsby has demonstrated that 205 is in fact the copy and 205abs the original. 205abs is now known as minuscule 2886 in the Gregory-Aland classification, list of New Testament minuscules Biblical manuscript Textual criticism G. F. Rinck, Lucubratio critica in Acta Apostolorum, Epistolas catholicas et Paulinas, Sumtu Fel. Kirsopp Lake, Codex 1 of the Gospels and its Allies, Texts and Studies, minuscule 205 at the Encyclopedia of Textual Criticism
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Minuscule 354
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Minuscule 354, Θε13, is a Greek minuscule manuscript of the New Testament, on parchment. Paleographically it has been assigned to the 11th century, the codex contains the text of the Gospel of Matthew 1, 1-27,66 on 442 parchment leaves with a Commentary of Theophylact. The text us written in one column per page, in 22 lines per page and it was written in a very large hand. The Greek text of the codex is a representative of the Byzantine text-type, aland placed it in Category V. The manuscript was bought by Theodor Constantin, in 1415, in Constantinople and it once belonged to Cardinal Bessarion. The manuscript was added to the list of New Testament manuscripts by Scholz, C. R. Gregory saw it in 1886. The manuscript is housed at the Biblioteca Marciana in Venice. List of New Testament minuscules Biblical manuscript Textual criticism Gregory, Caspar René
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Minuscule 357
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Minuscule 357, A135, is a Greek minuscule manuscript of the New Testament, on parchment. Palaeographically it has been assigned to the 11th century, the codex contains the text of the Gospel of Luke and Gospel of John on 281 parchment leaves with catena. The text is written in one column per page, in 35 lines per page, the text is divided according to the κεφαλαια, whose numbers are given at the margin, and their τιτλοι at the top of the pages. It contains the tables of the κεφαλαια before each Gospel, lectionary markings at the margin for liturgical use, the Greek text of the codex is a representative of the Byzantine text-type. Aland placed it in Category V and it was not examined by using the Claremont Profile Method. The manuscript once belonged to Cardinal Bessarion, in 1722 it was in the hands of Hieronymus Venerius. The manuscript was added to the list of New Testament manuscripts by Scholz, C. R. Gregory saw it in 1886. The manuscript is housed at the Biblioteca Marciana in Venice. List of New Testament minuscules Biblical manuscript Textual criticism Gregory, Caspar René
