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Mansion of the heirs of Goya in the Quinta del Sordo, Madrid, c. 1900. It was demolished in 1909.
Mansion of the heirs of Goya in the Quinta del Sordo, Madrid, c. 1900. It was demolished in 1909.
Exposition Universelle (1878). Paris. On the left: Witches' Sabbath (The Great He-Goat)
Exposition Universelle (1878). Paris. On the left: Witches' Sabbath (The Great He-Goat)
(Saturno devorando a su hijo), Saturn Devouring His Son, 1820–1823
(Saturno devorando a su hijo), Saturn Devouring His Son, 1820–1823
(El perro), The Dog, 1820–1823
(El perro), The Dog, 1820–1823
Francisco de Goya y Lucientes Witches' Sabbath
Francisco de Goya y Lucientes Witches' Sabbath
Merger of two photographs by Jean Laurent taken in 1874, before the removal of badly damaged landscape to the far left and right during the transfer t
Merger of two photographs by Jean Laurent taken in 1874, before the removal of badly damaged landscape to the far left and right during the transfer to canvas. The cutting down significantly altered the painting's centre of balance.
Witches' Sabbath, 1798. Goya's depictions of witchcraft mocked what he saw as medieval fears exploited for political gain.
Witches' Sabbath, 1798. Goya's depictions of witchcraft mocked what he saw as medieval fears exploited for political gain.