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History
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Marden in 1975
Marden in 1975
Marden's Briarcliff Manor childhood home
Marden's Briarcliff Manor childhood home
Brice Marden, Gulf (from the New York 10/69 portfolio), 1969, Lithograph, 20 × 25½ in
Brice Marden, Gulf (from the New York 10/69 portfolio), 1969, Lithograph, 20 × 25½ in
Brice Marden, For Pearl, 1970, 96 1/2 x 98 3/4 x 2 1/8 in, Glenstone
Brice Marden, For Pearl, 1970, 96 1/2 x 98 3/4 x 2 1/8 in, Glenstone
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Kenneth Noland, Beginning, 1958, magna on canvas painting, Hirshhorn Museum and Sculpture Garden. Working in Washington, D.C., Noland was a pioneer of
Kenneth Noland, Beginning, 1958, magna on canvas painting, Hirshhorn Museum and Sculpture Garden. Working in Washington, D.C., Noland was a pioneer of the color field movement in the late 1950s.
Henri Matisse, Porte-fenêtre à Collioure (French Window at Collioure), 1914, Centre Georges Pompidou, "Throughout my life, the 20th-century painter wh
Henri Matisse, Porte-fenêtre à Collioure (French Window at Collioure), 1914, Centre Georges Pompidou, "Throughout my life, the 20th-century painter whom I've admired the most has been Matisse", Robert Motherwell 1970.
Jack Bush, Big A, 1968. Bush was a Canadian abstract expressionist painter, born in Toronto, Ontario in 1909. He became closely tied to the two moveme
Jack Bush, Big A, 1968. Bush was a Canadian abstract expressionist painter, born in Toronto, Ontario in 1909. He became closely tied to the two movements that grew out of the efforts of the abstract expressionists: color field painting and lyrical abstraction.
Ronnie Landfield, Rite of Spring, 1985. Landfield's work emerged during the 1960s. His works are reflections of both Chinese landscape painting and th
Ronnie Landfield, Rite of Spring, 1985. Landfield's work emerged during the 1960s. His works are reflections of both Chinese landscape painting and the color field idiom. His paintings bridge color field painting with lyrical abstraction.