1.
Milan
–
Milan is a city in Italy, capital of the Lombardy region, and the most populous metropolitan area and the second most populous comune in Italy. The population of the city proper is 1,351,000, Milan has a population of about 8,500,000 people. It is the industrial and financial centre of Italy and one of global significance. In terms of GDP, it has the largest economy among European non-capital cities, Milan is considered part of the Blue Banana and lies at the heart of one of the Four Motors for Europe. Milan is an Alpha leading global city, with strengths in the arts, commerce, design, education, entertainment, fashion, finance, healthcare, media, services, research, and tourism. Its business district hosts Italys Stock Exchange and the headquarters of the largest national and international banks, the city is a major world fashion and design capital, well known for several international events and fairs, including Milan Fashion Week and the Milan Furniture Fair. The city hosts numerous cultural institutions, academies and universities, with 11% of the national total enrolled students, Milans museums, theatres and landmarks attract over 9 million visitors annually. Milan – after Naples – is the second Italian city with the highest number of accredited stars from the Michelin Guide, the city hosted the Universal Exposition in 1906 and 2015. Milan is home to two of Europes major football teams, A. C. Milan and F. C. Internazionale, the etymology of Milan is uncertain. One theory holds that the Latin name Mediolanum comes from the Latin words medio, however, some scholars believe lanum comes from the Celtic root lan, meaning an enclosure or demarcated territory in which Celtic communities used to build shrines. Hence, Mediolanum could signify the central town or sanctuary of a Celtic tribe, indeed, the name Mediolanum is borne by about sixty Gallo-Roman sites in France, e. g. Saintes and Évreux. Alciato credits Ambrose for his account, around 400 BC, the Celtic Insubres settled Milan and the surrounding region. In 222 BC, the Romans conquered the settlement, renaming it Mediolanum, Milan was eventually declared the capital of the Western Roman Empire by Emperor Diocletian in 286 AD. Diocletian chose to stay in the Eastern Roman Empire and his colleague Maximianus ruled the Western one, immediately Maximian built several monuments, such as a large circus 470 m ×85 m, the Thermae Herculeae, a large complex of imperial palaces and several other buildings. With the Edict of Milan of 313, Emperor Constantine I guaranteed freedom of religion for Christians, after the city was besieged by the Visigoths in 402, the imperial residence was moved to Ravenna. In 452, the Huns overran the city, in 539, the Ostrogoths conquered and destroyed Milan during the Gothic War against Byzantine Emperor Justinian I. In the summer of 569, a Teutonic tribe, the Lombards, conquered Milan, some Roman structures remained in use in Milan under Lombard rule. Milan surrendered to the Franks in 774 when Charlemagne took the title of King of the Lombards, the Iron Crown of Lombardy dates from this period
Milan
–
Milan Cathedral,
La Scala opera house and
Porta Nuova business district
Milan
Milan
Milan
2.
Cimitero Monumentale
–
The Cimitero Monumentale is one of the two largest cemeteries in Milan, Italy, the other one being the Cimitero Maggiore. It is noted for the abundance of artistic tombs and monuments, designed by the architect Carlo Maciachini, it was planned to consolidate a number of small cemeteries that used to be scattered around the city into a single location. The Civico Mausoleo Palanti designed by the architect Mario Palanti is a built for meritorious Milanesi. The cemetery has a section for those who do not belong to the Catholic religion. Near the entrance there is a permanent exhibition of prints, photographs and it includes two battery-operated electric hearses built in the 1920s. The section, planned by Carlo Maciachini, was opened in 1872 as a substitute for the Jewish cemeteries of Porta Tenaglia and it is located east of the catholic cemetery and has a separate entrance. The area is the result of an enlarging of 1913 which added a zone in the southern and eastern direction, the central building was originally the entrance to the cemetery. The numbering of the tombs is repeated because the cemetery is subdivided into 6 fields, there are also three common fields one of which for children, with burials between 1873 and 1894, with small gravestones with name, surname and date of death in the ground. The monuments, built between 1866 and our days, are located along the walkways, there are also family shrines, two of which planned by Maciachini, columbariums and ossuaries on the northern and western walls and burials in the central building. The burials are 1778, some of which are in memory of people killed by the nazis in concentration camps or in the lake Maggiore, there are many monuments of artistic value built by important architects and sculptors, described in the guide book by Giovanna Ginex and Ornella Selvafolta. The central building was enriched in May 2015 with artistic windows representing the 12 Israel tribes by artist Diego Pennacchio Ardemagni, signals located throughout the cemetery point visitors to several of the most remarkable tombs and monuments. C. Certosa di Bologna, the site of the monumental cemetery Monumental Cemetery of Staglieno
Cimitero Monumentale
–
The Famedio (the main memorial chapel of the cemetery)
Cimitero Monumentale
–
Alessandro Manzoni 's tomb
Cimitero Monumentale
–
Alessandro Manzoni 's tomb inside the Famedio.
Cimitero Monumentale
–
Carlo Cattaneo 's tomb.
3.
Italians
–
Italians are a nation and ethnic group native to Italy who share a common culture, ancestry and speak the Italian language as a native tongue. The majority of Italian nationals are speakers of Standard Italian. Italians have greatly influenced and contributed to the arts and music, science, technology, cuisine, sports, fashion, jurisprudence, banking, Italian people are generally known for their localism and their attention to clothing and family values. The term Italian is at least 3,000 years old and has a history that goes back to pre-Roman Italy. According to one of the common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The Etruscan civilization reached its peak about the 7th century BC, but by 509 BC, when the Romans overthrew their Etruscan monarchs, its control in Italy was on the wane. By 350 BC, after a series of wars between Greeks and Etruscans, the Latins, with Rome as their capital, gained the ascendancy by 272 BC, and they managed to unite the entire Italian peninsula. This period of unification was followed by one of conquest in the Mediterranean, in the course of the century-long struggle against Carthage, the Romans conquered Sicily, Sardinia and Corsica. Finally, in 146 BC, at the conclusion of the Third Punic War, with Carthage completely destroyed and its inhabitants enslaved, octavian, the final victor, was accorded the title of Augustus by the Senate and thereby became the first Roman emperor. After two centuries of rule, in the 3rd century AD, Rome was threatened by internal discord and menaced by Germanic and Asian invaders. Emperor Diocletians administrative division of the empire into two parts in 285 provided only temporary relief, it became permanent in 395, in 313, Emperor Constantine accepted Christianity, and churches thereafter rose throughout the empire. However, he moved his capital from Rome to Constantinople. The last Western emperor, Romulus Augustulus, was deposed in 476 by a Germanic foederati general in Italy and his defeat marked the end of the western part of the Roman Empire. During most of the period from the fall of Rome until the Kingdom of Italy was established in 1861, Odoacer ruled well for 13 years after gaining control of Italy in 476. Then he was attacked and defeated by Theodoric, the king of another Germanic tribe, Theodoric and Odoacer ruled jointly until 493, when Theodoric murdered Odoacer. Theodoric continued to rule Italy with an army of Ostrogoths and a government that was mostly Italian, after the death of Theodoric in 526, the kingdom began to grow weak
Italians
–
Amerigo Vespucci, the notable geographer and traveller from whose name the word
America is derived.
Italians
Italians
–
Christopher Columbus, the discoverer of the
New World.
Italians
–
Laura Bassi, the first chairwoman of a university in a scientific field of studies.
4.
Visual arts
–
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, literature, and architecture. Many artistic disciplines involve aspects of the arts as well as arts of other types. Also included within the arts are the applied arts such as industrial design, graphic design, fashion design, interior design. Current usage of the visual arts includes fine art as well as the applied, decorative arts and crafts. The distinction was emphasized by artists of the Arts and Crafts Movement, Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to painting, and to a lesser degree sculpture. The Western hierarchy of genres reflected similar attitudes, training in the visual arts has generally been through variations of the apprentice and workshop systems. Visual arts have now become a subject in most education systems. Drawing is a means of making an image, using any of a variety of tools. Digital tools that simulate the effects of these are also used, the main techniques used in drawing are, line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending. An artist who excels in drawing is referred to as a draftsman or draughtsman, drawing goes back at least 16,000 years to Paleolithic cave representations of animals such as those at Lascaux in France and Altamira in Spain. In ancient Egypt, ink drawings on papyrus, often depicting people, were used as models for painting or sculpture, drawings on Greek vases, initially geometric, later developed to the human form with black-figure pottery during the 7th century BC. Painting taken literally is the practice of applying pigment suspended in a carrier, like drawing, painting has its documented origins in caves and on rock faces. The finest examples, believed by some to be 32,000 years old, are in the Chauvet, in shades of red, brown, yellow and black, the paintings on the walls and ceilings are of bison, cattle, horses and deer. Paintings of human figures can be found in the tombs of ancient Egypt, in the great temple of Ramses II, Nefertari, his queen, is depicted being led by Isis. The Greeks contributed to painting but much of their work has been lost, one of the best remaining representations are the hellenistic Fayum mummy portraits. Another example is mosaic of the Battle of Issus at Pompeii, Greek and Roman art contributed to Byzantine art in the 4th century BC, which initiated a tradition in icon painting. Apart from the manuscripts produced by monks during the Middle Ages
Visual arts
–
Vincent van Gogh:
The Church at Auvers (1890)
Visual arts
–
Mosaic of Battle of Issus
Visual arts
–
Nefertari with Isis
Visual arts
–
Raphael:
Spasimo (1514-1516)
5.
Industrial design
–
Industrial design is a process of design applied to products that are to be manufactured through techniques of mass production. This distinguishes industrial design from craft-based design, where the form of the product is determined by the creator at the time of its creation. The role of a designer is to create and execute design solutions for problems of form, function, usability, physical ergonomics, marketing, brand development, sustainability. The division of labour that underlies the practice of design did have precedents in the pre-industrial era. The use of drawing to specify how something was to be constructed later was first developed by architects and shipwrights during the Italian Renaissance. The emergence of industrial design is linked to the growth of industrialisation and mechanisation that began with the industrial revolution in Great Britain in the mid 18th century. The first use of the industrial design is often attributed to the industrial designer Joseph Claude Sinel in 1919. Christopher Dresser is considered among the first independent industrial designers, Industrial designs origins lie in the industrialization of consumer products. The earliest use of the term may have been in The Art Union, the Practical Draughtsmans Book of Industrial Design by Jacques-Eugène Armengaud was printed in 1853. The subtitle of the work explains, that it wants to offer a course of mechanical, engineering. The study of those types of drawing, according to Armengaud. This work paved the way for a big expansion in the drawing education in France, the United Kingdom. Robert Lepper helped to establish one of the countrys first industrial design programs at Carnegie Institute of Technology. Product design and industrial design overlap in the fields of user interface design, information design, except for certain functional areas of overlap between industrial design and engineering design, educational programs in the U. S. Most industrial designers complete a design or related program at a school or university. Diplomas and degrees take two to four years of study, the study results in a Bachelor of Industrial Design, Bachelor of Science or Bachelor of Fine Arts. Afterwards, the programme can be extended to postgraduate degrees such as Master of Design, Master of Fine Arts. Industrial design studies function and form—and the connection between product, user, and environment, generally, industrial design professionals work in small scale design, rather than overall design of complex systems such as buildings or ships
Industrial design
–
An
iPod, an industrially designed product.
Industrial design
–
KitchenAid 5 qt. Stand Mixer, designed in 1937 by Egmont Arens, remains very successful today
Industrial design
–
Western Electric
Model 302 telephone, found throughout the United States from 1937 until the introduction of touch-tone dialing.
Industrial design
–
Calculator Olivetti Divisumma 24 designed in 1956 by Marcello Nizzoli
6.
Graphic design
–
Graphic design is the process of visual communication and problem-solving using one or more of typography, photography and illustration. The field is considered a subset of visual communication and communication design, Graphic designers create and combine symbols, images and text to form visual representations of ideas and messages. They use typography, visual arts and page layout techniques to create visual compositions, common uses of graphic design include corporate design, editorial design, wayfinding or environmental design, advertising, web design, communication design, product packaging and signage. The term graphic design was coined by William Addison Dwiggins in 1922, however, graphic design-like activities span human existence, from the caves of Lascaux, to Romes Trajans Column to the illuminated manuscripts of the Middle Ages, to the neon lights of Ginza, Tokyo. In Babylon, artisans pressed cuneiform inscriptions into clay bricks or tablets which were used for construction, the bricks gave information such as the name of the reigning monarch, the builder, or some other dignitary. This was the first known road sign announcing the name of the governor of a state or mayor of the city, the Egyptians developed communication by hieroglyphics that used picture symbols dating as far back as 136 B. C. found on the Rosetta Stone. During the Dark Ages, from 500 AD to 1450 AD, monks created elaborate and they share many elements, theories, principles, practices, languages and sometimes the same benefactor or client. In advertising, the objective is the sale of goods. In graphic design, the essence is to order to information, form to ideas, expression. Graphic design in the United States began with Benjamin Franklin who used his newspaper The Pennsylvania Gazette, to master the art of publicity to promote his own books and his invention is still sold today and is known as the Franklin stove. American advertising initially imitated British newspapers and magazines, advertisements were printed in scrambled type and uneven lines that made it difficult to read. Franklin better organized this by adding 14-point type for the first line of the advertisement, although later shortened and centered it, Franklin added illustrations, something that London printers had not attempted. Franklin was the first to utilize logos, which were early symbols that announced such services as opticians by displaying golden spectacles, Franklin taught advertisers that the use of detail was important in marketing their products. Some advertisements ran for 10-20 lines, including color, names, varieties, during the Tang Dynasty wood blocks were cut to print on textiles and later to reproduce Buddhist texts. A Buddhist scripture printed in 868 is the earliest known printed book, beginning in the 11th century, longer scrolls and books were produced using movable type printing, making books widely available during the Song dynasty. During the 17th-18th century movable type was used for handbills or trade cards which were printed from wood or copper engravings and these documents announced a business and its location. English painter William Hogarth used his skill in engraving was one of the first to design for business trade, in Mainz Germany, in 1448, Johann Gutenberg introduced movable type using a new metal alloy for use in a printing press and opened a new era of commerce. Previously, most advertising was word of mouth, in France and England, for example, criers announced products for sale just as ancient Romans had done
Graphic design
–
A Boeing 747 aircraft with
livery designating it as
Air Force One. The cyan forms, the
US flag,
presidential seal and the
Caslon lettering were all designed at different times, by different designers, for different purposes, and combined by designer
Raymond Loewy in this one single aircraft exterior design.
Graphic design
–
Graphic symbols are often
functionalist and anonymous, as these
pictographs from the US
National Park Service illustrate.
Graphic design
–
Color
Graphic design
–
The
pencil is one of the most basic graphic design tools.
7.
Modernism
–
Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief, the poet Ezra Pounds 1934 injunction to Make it new. Was the touchstone of the approach towards what it saw as the now obsolete culture of the past. In this spirit, its innovations, like the novel, atonal and twelve-tone music, divisionist painting and abstract art. Modernism explicitly rejected the ideology of realism and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision, others focus on modernism as an aesthetic introspection. While J. M. W. Art critic Clement Greenberg describes the Pre-Raphaelite Brotherhood as proto-Modernists, There the proto-Modernists were, of all people, the Pre-Raphaelites actually foreshadowed Manet, with whom Modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, rationalism has also had opponents in the philosophers Søren Kierkegaard and later Friedrich Nietzsche, both of whom had significant influence on existentialism. A major 19th-century engineering achievement was The Crystal Palace, the huge cast-iron, Glass and iron were used in a similar monumental style in the construction of major railway terminals in London, such as Paddington Station and Kings Cross Station. These technological advances led to the building of structures like the Brooklyn Bridge. The latter broke all previous limitations on how tall man-made objects could be and these engineering marvels radically altered the 19th-century urban environment and the daily lives of people. Arguments arose that the values of the artist and those of society were not merely different, but that Society was antithetical to Progress, the philosopher Schopenhauer called into question the previous optimism, and his ideas had an important influence on later thinkers, including Nietzsche. Darwins theory of evolution by natural selection undermined religious certainty and the idea of human uniqueness, in particular, the notion that human beings were driven by the same impulses as lower animals proved to be difficult to reconcile with the idea of an ennobling spirituality. Karl Marx argued that there were fundamental contradictions within the capitalist system, historians, and writers in different disciplines, have suggested various dates as starting points for modernism. Everdell also thinks modernism in painting began in 1885–86 with Seurats Divisionism, the poet Baudelaires Les Fleurs du mal, and Flauberts novel Madame Bovary were both published in 1857. In the arts and letters, two important approaches developed separately in France, the first was Impressionism, a school of painting that initially focused on work done, not in studios, but outdoors. Impressionist paintings demonstrated that human beings do not see objects, the school gathered adherents despite internal divisions among its leading practitioners, and became increasingly influential. A significant event of 1863 was the Salon des Refusés, created by Emperor Napoleon III to display all of the paintings rejected by the Paris Salon. While most were in standard styles, but by artists, the work of Manet attracted tremendous attention
Modernism
Modernism
–
Eugène Delacroix 's
Liberty Leading the People, 1830, a
Romantic work of art
Modernism
–
A
Realist portrait of
Otto von Bismarck
Modernism
–
Odilon Redon, Guardian Spirit of the Waters, 1878, charcoal on paper,
The Art Institute of Chicago
8.
Futurism
–
Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. It glorified modernity and aimed to liberate Italy from the weight of its past, Cubism contributed to the formation of Italian Futurisms artistic style. Important Futurist works included Marinettis Manifesto of Futurism, Boccionis sculpture Unique Forms of Continuity in Space, to some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurism is a movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini, Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. We want no part of it, the past, he wrote, publishing manifestos was a feature of Futurism, and the Futurists wrote them on many topics, including painting, architecture, religion, clothing and cooking. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, the Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists, Cubism offered them a means of analysing energy in paintings and expressing dynamism. They often painted modern urban scenes, carràs Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904. The action of an attack and riot is rendered energetically with diagonals. His Leaving the Theatre uses a Divisionist technique to render isolated, Boccionis The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted, Boccioni developed these ideas at length in his book, Pittura scultura Futuriste, Dinamismo plastico. Ballas Dynamism of a Dog on a Leash exemplifies the Futurists insistence that the world is in constant movement
Futurism
–
Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.),
Museum of Modern Art, New York
Futurism
–
Futurists
Luigi Russolo,
Carlo Carrà,
Filippo Tommaso Marinetti,
Umberto Boccioni and
Gino Severini in front of Le Figaro, Paris, February 9, 1912
Futurism
–
Giacomo Balla, Abstract Speed + Sound, 1913–1914
Futurism
–
Umberto Boccioni, sketch of
The City Rises (1910)
9.
Concrete art
–
Concrete art is an art movement with a strong emphasis on abstraction. Carlsund, Jean Hélion and Leon Tutundjian, the manifesto explained that the resultant art should be non-referential insofar as its components should not refer to, or allude to, the entities normally encountered in the natural, visible world. This is a distinction from abstraction generally, in a more general sense abstract art could and often does include the abstraction of forms in nature. But concrete art was intended to directly from the mind. Concrete art is composed of basic visual features such as planes, colors. Sentiment tends to be absent from concrete art, the hand of the artist may be difficult to detect in finished works of concrete art, concrete art may appear, in some instances, to have been made by a machine. Concrete art often has a visual reference to geometry whereas more general abstract art may find its basis in the components of the natural world. A formulation of a description of concrete art might include a considerable reliance on the qualities of an artwork. Theo Van Doesburgs manifesto stated that art should receive nothing from natures formal properties or from sensuality or sentimentality and we want to exclude lyricism, dramaticism, symbolism, etc…. In concrete art a mathematical equation can serve as a starting point, Concrete art can include painting and sculpture. The term was popularized by the artist Josef Albers, and the artist Max Bill further promoted the ideas associated with concrete art, the movement came to fruition in Northern Italy and France in the 1940s and 1950s through the work of the groups Movimento darte concreta and Espace. In 1960 Max Bill organized an exhibition of Concrete Art in Zürich illustrating 50 years of its development. Concrete art, optical art, kinetic art and programmatic art bring together groups around the world characterized by similar concerns, museum am Kulturspeicher, Concrete Art in Europe after 1945 - The Peter C. Art in the Modern Era, A Guide to Styles, Schools & Movements, michael Delahoyde, commentary on Concrete art Monolith on the Water—Max Bill’s Continuity in a New Location, Deutsche Bank Art works
Concrete art
–
Max Bill, Continuity (Colossus of Frankfurt), 1986, collection:
Deutsche Bank,
Frankfurt am Main. Max Bill "was keen on creating works based on mathematical and geometric foundations—material manifestations of intellectual processes that resisted symbolism." The sculpture, of
Sardinian granite, weighs 66 tons.
10.
Badia Polesine
–
Badia Polesine is a comune in the Province of Rovigo in the Italian region Veneto, located about 70 kilometres southwest of Venice and about 25 kilometres west of Rovigo. It is part of the upper Polesine, and is bounded by the Adige river, badia Polesine borders the following municipalities, Canda, Castagnaro, Castelbaldo, Giacciano con Baruchella, Lendinara, Masi, Piacenza dAdige, Terrazzo, Trecenta. The main sight is the Abbey of Vangadizza, the town has a station on the Verona-Legnago-Rovigo railroad. It can be reached by road through the SS343 Transpolesana national road, badia Polesine is twinned with, Estepa, Spain Saint-Thibault-des-Vignes, France Official website
Badia Polesine
–
Part of
Vangadizza Abbey in the centre of Badia Polesine.
11.
Marinetti
–
Filippo Tommaso Emilio Marinetti was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolists artistic and literary community Abbaye de Créteil between 1907 and 1908, Marinetti is best known as the author of the first Futurist Manifesto, which was written and published in 1909. Emilio Angelo Carlo Marinetti spent the first years of his life in Alexandria, Egypt, enrico was a lawyer from Piedmont, and his mother was the daughter of a literary professor from Milan. They had come to Egypt in 1865, at the invitation of Khedive Ismail Pasha and his love for literature developed during the school years. His mother was a reader of poetry, and introduced the young Marinetti to the Italian and European classics. At age seventeen he started his first school magazine, Papyrus and he first studied in Egypt then in Paris, obtaining a baccalauréat degree in 1894 at the Sorbonne, and in Italy, graduating in law at the University of Pavia in 1899. He decided not to be a lawyer but to develop a literary career and he experimented with every type of literature, signing everything Filippo Tommaso Marinetti. The Abbaye de Créteil was a community founded in the autumn of 1906 by the painter Albert Gleizes. The movement drew its inspiration from the Abbaye de Thélème, a creation by Rabelais in his novel Gargantua. It was closed down by its members early in 1908, Marinetti is known best as the author of the Futurist Manifesto, which he wrote in 1909. It was published in French on the front page of the most prestigious French daily newspaper, Le Figaro, in The Founding and Manifesto of Futurism, Marinetti declared that Art, in fact, can be nothing but violence, cruelty, and injustice. Georges Sorel, who influenced the political spectrum from anarchism to Fascism. Futurism had both anarchist and Fascist elements, Marinetti later became a supporter of Benito Mussolini. Marinetti, who admired speed, had a car accident outside Milan in 1908 when he veered into a ditch to avoid two cyclists. He referred to the accident in the Futurist Manifesto, the Marinetti who was helped out of the ditch was a new man, determined to end the pretense and decadence of the prevailing Liberty style. Together, he wrote, We will glorify war—the worlds only hygiene—militarism, patriotism, the gesture of freedom-bringers, beautiful ideas worth dying for. The Futurist Manifesto was read and debated all across Europe, in April, the opening night of his drama Le Roi bombance, written in 1905, was interrupted by loud, derisive whistling by the audience. And by Marinetti himself, who thus introduced another element of Futurism, Marinetti did, however, fight a duel with a critic he considered too harsh
Marinetti
–
Filippo Tommaso Marinetti
Marinetti
–
Poem of Marinetti on a
wall in Leiden
12.
Futurism (art)
–
Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. It glorified modernity and aimed to liberate Italy from the weight of its past, Cubism contributed to the formation of Italian Futurisms artistic style. Important Futurist works included Marinettis Manifesto of Futurism, Boccionis sculpture Unique Forms of Continuity in Space, to some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurism is a movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini, Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. We want no part of it, the past, he wrote, publishing manifestos was a feature of Futurism, and the Futurists wrote them on many topics, including painting, architecture, religion, clothing and cooking. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, the Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists, Cubism offered them a means of analysing energy in paintings and expressing dynamism. They often painted modern urban scenes, carràs Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904. The action of an attack and riot is rendered energetically with diagonals. His Leaving the Theatre uses a Divisionist technique to render isolated, Boccionis The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted, Boccioni developed these ideas at length in his book, Pittura scultura Futuriste, Dinamismo plastico. Ballas Dynamism of a Dog on a Leash exemplifies the Futurists insistence that the world is in constant movement
Futurism (art)
–
Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.),
Museum of Modern Art, New York
Futurism (art)
–
Futurists
Luigi Russolo,
Carlo Carrà,
Filippo Tommaso Marinetti,
Umberto Boccioni and
Gino Severini in front of Le Figaro, Paris, February 9, 1912
Futurism (art)
–
Giacomo Balla, Abstract Speed + Sound, 1913–1914
Futurism (art)
–
Umberto Boccioni, sketch of
The City Rises (1910)
13.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
14.
Louis Aragon
–
Louis Aragon was a French poet, who was one of the leading voices of the surrealist movement in France, who co-founded with André Breton and Philippe Soupault the surrealist review Littérature. He was also a novelist and editor, a member of the Communist Party. Louis Aragon was born in Paris and he was raised by his mother and maternal grandmother, believing them to be his sister and foster mother, respectively. His biological father, Louis Andrieux, a senator for Forcalquier, was married and thirty years older than Aragons mother. Aragons mother passed Andrieux off to her son as his godfather, Aragon was only told the truth at the age of 19, as he was leaving to serve in the First World War, from which neither he nor his parents believed he would return. Andrieuxs refusal or inability to recognize his son would influence Aragons poetry later on, having been involved in Dadaism from 1919 to 1924, he became a founding member of Surrealism in 1924, with André Breton and Philippe Soupault under the pen-name Aragon. In the 1920s, Aragon became a traveller of the French Communist Party along with several other surrealists. In 1933 he began to write for the newspaper, LHumanité. He would remain a member for the rest of his life, writing political poems including one to Maurice Thorez. Aragon became a member of the committee of the Commune journal in January 1937, along with André Gide, Romain Rolland. The journal then took the name of French literary review for the defence of culture, with Gides withdrawal in August 1937, Vaillant-Couturiers death in autumn 1937 and Romain Rollands old age, Aragon became its effective director. In December 1938, he called as chief editor the young writer Jacques Decour, the Commune journal was strongly involved in the mobilization of French intellectuals in favor of the Spanish Republic. In March 1937, Aragon was called on by the PCF to head the new evening daily, Ce soir, Ce soir attempted to compete with Paris-Soir. Outlawed in August 1939, Ce soir was re-opened after the Liberation, the newspaper, which counted Emile Danoën among its collaborators, closed in March 1953. In 1939 he married Russian-born author Elsa Triolet, the sister of Lilya Brik and he had met her in 1928, and she became his muse starting in the 1940s. Aragon and Triolet collaborated in the left-wing French media before and during World War II, Aragon was mobilized in 1939, and awarded the Croix de guerre and the military medal for acts of bravery. After the May 1940 defeat, he took refuge in the Southern Zone, Otto Abetz was the German governor, and produced a series of black lists of authors forbidden to be read, circulated or sold in Nazi Occupied France. These included anything written by a Jew, a communist, an Anglo-Saxon or anyone else who was anti-Germanic or anti-fascist, Aragon and André Malraux were both on these Otto Lists of forbidden authors
Louis Aragon
–
Louis Aragon
15.
Grazia
–
Grazia is a weekly womens magazine that originated in Italy with international editions printed in Albania, Bahrain, Bulgaria, China, Croatia, France, Germany. Greece, Indonesia, India, Japan, Macedonia, Mexico, the Netherlands, Poland, Portugal, Pakistan, Serbia, Slovenia, South Korea, Spain, Thailand, the Italian edition of Grazia was first published Mondadori in November 1938. The magazine was modelled on the American magazine Harpers Bazaar, the start of Grazia was a return in Italy to traditionalist values such as cooking and child-rearing. During the fascist rule in the country the magazine followed the Fascist policies, following World War II the magazine was renewed, but its conservative stance remained. From its beginning in 1938 to September 1943, Bruno Munari served as the art director for the magazine and for another Mondadori title and this brought international condemnation from animal lovers owing to the number of unwanted pets which are killed in overcrowded shelters each week. A press statement from the British Royal Society for the Prevention of Cruelty to Animals was critical of Grazia, Grazia has international editions in several countries. Its first international edition was published in Bulgaria in March 2004, the British edition of the magazine began publication in February 2005 and is owned in the UK under licence by Bauer Consumer Media. The Greek version was launched in April 2005, in November of the same year its edition in the United Arab Emirates was first issued. The magazine had an edition in Croatia from February 2006 and in Serbia from June 2006, the Russian edition began publication in March 2007, while the Netherlands followed in August 2007. Grazia India was launched in May 2008 and its Australian edition began publication in July 2008, but folded in February 2013. In February 2009 the Chinese version of Grazia was started, being its twelfth international edition, the French version of the magazine was first published in August 2009. The inaugural issue of Grazia Korea was launched on 20 February 2013 and it features a photospread of actors Lee Byung-hun, Bae Soo-bin and Kim Do-hyun for the play based on the film Masquerade. Grazia Pakistan was launched in February 2017, Grazia had a circulation of 374,213 copies in 1984. The Italian version of the magazine had a circulation of 240,000 copies from January to August 2003, the 2007 circulation of the Italian edition was 218,083 copies. In Italy, the circulation of the rose to 382,000 copies in the first half of 2011. During the same period the British edition of the magazine had a circulation of 219,741 copies, the circulation in the UK for the second half of 2013 was 160,019 copies
Grazia
–
Grazia
16.
Filippo Tommaso Marinetti
–
Filippo Tommaso Emilio Marinetti was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolists artistic and literary community Abbaye de Créteil between 1907 and 1908, Marinetti is best known as the author of the first Futurist Manifesto, which was written and published in 1909. Emilio Angelo Carlo Marinetti spent the first years of his life in Alexandria, Egypt, enrico was a lawyer from Piedmont, and his mother was the daughter of a literary professor from Milan. They had come to Egypt in 1865, at the invitation of Khedive Ismail Pasha and his love for literature developed during the school years. His mother was a reader of poetry, and introduced the young Marinetti to the Italian and European classics. At age seventeen he started his first school magazine, Papyrus and he first studied in Egypt then in Paris, obtaining a baccalauréat degree in 1894 at the Sorbonne, and in Italy, graduating in law at the University of Pavia in 1899. He decided not to be a lawyer but to develop a literary career and he experimented with every type of literature, signing everything Filippo Tommaso Marinetti. The Abbaye de Créteil was a community founded in the autumn of 1906 by the painter Albert Gleizes. The movement drew its inspiration from the Abbaye de Thélème, a creation by Rabelais in his novel Gargantua. It was closed down by its members early in 1908, Marinetti is known best as the author of the Futurist Manifesto, which he wrote in 1909. It was published in French on the front page of the most prestigious French daily newspaper, Le Figaro, in The Founding and Manifesto of Futurism, Marinetti declared that Art, in fact, can be nothing but violence, cruelty, and injustice. Georges Sorel, who influenced the political spectrum from anarchism to Fascism. Futurism had both anarchist and Fascist elements, Marinetti later became a supporter of Benito Mussolini. Marinetti, who admired speed, had a car accident outside Milan in 1908 when he veered into a ditch to avoid two cyclists. He referred to the accident in the Futurist Manifesto, the Marinetti who was helped out of the ditch was a new man, determined to end the pretense and decadence of the prevailing Liberty style. Together, he wrote, We will glorify war—the worlds only hygiene—militarism, patriotism, the gesture of freedom-bringers, beautiful ideas worth dying for. The Futurist Manifesto was read and debated all across Europe, in April, the opening night of his drama Le Roi bombance, written in 1905, was interrupted by loud, derisive whistling by the audience. And by Marinetti himself, who thus introduced another element of Futurism, Marinetti did, however, fight a duel with a critic he considered too harsh
Filippo Tommaso Marinetti
–
Filippo Tommaso Marinetti
Filippo Tommaso Marinetti
–
Poem of Marinetti on a
wall in Leiden
17.
World War II
–
World War II, also known as the Second World War, was a global war that lasted from 1939 to 1945, although related conflicts began earlier. It involved the vast majority of the worlds countries—including all of the great powers—eventually forming two opposing alliances, the Allies and the Axis. It was the most widespread war in history, and directly involved more than 100 million people from over 30 countries. Marked by mass deaths of civilians, including the Holocaust and the bombing of industrial and population centres. These made World War II the deadliest conflict in human history, from late 1939 to early 1941, in a series of campaigns and treaties, Germany conquered or controlled much of continental Europe, and formed the Axis alliance with Italy and Japan. Under the Molotov–Ribbentrop Pact of August 1939, Germany and the Soviet Union partitioned and annexed territories of their European neighbours, Poland, Finland, Romania and the Baltic states. In December 1941, Japan attacked the United States and European colonies in the Pacific Ocean, and quickly conquered much of the Western Pacific. The Axis advance halted in 1942 when Japan lost the critical Battle of Midway, near Hawaii, in 1944, the Western Allies invaded German-occupied France, while the Soviet Union regained all of its territorial losses and invaded Germany and its allies. During 1944 and 1945 the Japanese suffered major reverses in mainland Asia in South Central China and Burma, while the Allies crippled the Japanese Navy, thus ended the war in Asia, cementing the total victory of the Allies. World War II altered the political alignment and social structure of the world, the United Nations was established to foster international co-operation and prevent future conflicts. The victorious great powers—the United States, the Soviet Union, China, the United Kingdom, the Soviet Union and the United States emerged as rival superpowers, setting the stage for the Cold War, which lasted for the next 46 years. Meanwhile, the influence of European great powers waned, while the decolonisation of Asia, most countries whose industries had been damaged moved towards economic recovery. Political integration, especially in Europe, emerged as an effort to end pre-war enmities, the start of the war in Europe is generally held to be 1 September 1939, beginning with the German invasion of Poland, Britain and France declared war on Germany two days later. The dates for the beginning of war in the Pacific include the start of the Second Sino-Japanese War on 7 July 1937, or even the Japanese invasion of Manchuria on 19 September 1931. Others follow the British historian A. J. P. Taylor, who held that the Sino-Japanese War and war in Europe and its colonies occurred simultaneously and this article uses the conventional dating. Other starting dates sometimes used for World War II include the Italian invasion of Abyssinia on 3 October 1935. The British historian Antony Beevor views the beginning of World War II as the Battles of Khalkhin Gol fought between Japan and the forces of Mongolia and the Soviet Union from May to September 1939, the exact date of the wars end is also not universally agreed upon. It was generally accepted at the time that the war ended with the armistice of 14 August 1945, rather than the formal surrender of Japan
World War II
–
Clockwise from top left: Chinese forces in the
Battle of Wanjialing, Australian
25-pounder guns during the
First Battle of El Alamein, German
Stuka dive bombers on the
Eastern Front in December 1943, a U.S. naval force in the
Lingayen Gulf,
Wilhelm Keitel signing the
German Instrument of Surrender, Soviet troops in the
Battle of Stalingrad
World War II
–
The
League of Nations assembly, held in
Geneva,
Switzerland, 1930
World War II
–
Adolf Hitler at a German
National Socialist political rally in
Weimar, October 1930
World War II
–
Italian soldiers recruited in 1935, on their way to fight the
Second Italo-Abyssinian War
18.
Gillo Dorfles
–
Gillo Dorfles is an Italian art critic, painter, and philosopher. He turned 100 in April 2010, born in Trieste to a Gorizian father and a Genoese mother, Dorfles graduated in medicine, specializing in psychiatry. He was a professor in aesthetics at the University of Trieste, Milan and Cagliari and, in 1948, established the MAC with artists Atanasio Soldati, Galliano Mazzon, Gianni Monnet, and Bruno Munari. His paintings were displayed in two personal exhibitions held in Milan in 1949 and 1950 and also in numerous collective MAC exhibitions in the 1950s, in 1956 Dorfles co-founded the ADI. According to Dorfles, aesthetics should focus on culture as a whole, among his major works, Larchitettura moderna, Kitsch, La moda della moda, Il feticcio quotidiano, Horror pleni. In the same period, however, Dorfles continued to hold exhibitions, in 1986 his works were displayed in Milan, in 1988 in Aosta. In 2010, for his 100th birthday celebrations, Lavanguardia tradita took place at the Royal Palace of Milan, another exhibition was held in 2012 at the Milan Triennale, organized by Dorfles himself, entitled Dorfles. At 103, Dorfles published a new book, containing previously unpublished poems written from 1941 to 1952, in 2013 he was among the artists that designed the Tibetan pavilion at the 55th Venice Biennale. Gillo Dorfles, Larchitettura moderna,1954 Gillo Dorfles, Il Kitsch, La civiltà del rumore, Castelvecchi Editore,2008 Gillo Dorfles, Conformisti. La morte dellautenticità, Castelvecchi Editore,2008 Gillo Dorfles, Fatti e fattoidi, gli pseudoeventi nellarte e nella società, Castelvecchi Editore,2009 Gillo Dorfles, Irritazioni. Unanalisi del costume contemporaneo, Castelvecchi Editore,2010 Gillo Dorfles, Dal significato alle scelte, Castelvecchi Editore,2010
Gillo Dorfles
–
Gillo Dorfles in 2013
19.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
20.
Hans Christian Andersen
–
Hans Christian Andersen (/ˈhɑːnz ˈkrɪstʃən ˈændərsən/, Danish, often referred to in Scandinavia as H. C. Although a prolific writer of plays, travelogues, novels, and poems, Andersens popularity is not limited to children, his stories, called eventyr in Danish, express themes that transcend age and nationality. Some of his most famous fairy tales include The Emperors New Clothes, The Little Mermaid, The Nightingale, The Snow Queen, The Ugly Duckling, Thumbelina and his stories have inspired ballets, animated and live-action films and plays. Hans Christian Andersen was born in the town of Odense, Denmark, Andersens father, also Hans, considered himself related to nobility. His paternal grandmother had told his father that their family had in the past belonged to a social class. A persistent theory suggests that Andersen was a son of King Christian VIII. Andersens father, who had received an education, introduced Andersen to literature. Andersens mother, Anne Marie Andersdatter, was uneducated and worked as a washerwoman following his fathers death in 1816, she remarried in 1818. Andersen was sent to a school for poor children where he received a basic education and was forced to support himself, working as an apprentice for a weaver and, later. At 14, he moved to Copenhagen to seek employment as an actor, having an excellent soprano voice, he was accepted into the Royal Danish Theatre, but his voice soon changed. A colleague at the theatre told him that he considered Andersen a poet, taking the suggestion seriously, Andersen began to focus on writing. Jonas Collin, director of the Royal Danish Theatre, felt a great affection for Andersen and sent him to a school in Slagelse. Andersen had already published his first story, The Ghost at Palnatokes Grave, though not a keen pupil, he also attended school at Elsinore until 1827. He later said his years in school were the darkest and most bitter of his life, at one school, he lived at his schoolmasters home. There he was abused and was told that it was to improve his character and he later said the faculty had discouraged him from writing in general, causing him to enter a state of depression. A very early fairy tale by Andersen, called The Tallow Candle, was discovered in a Danish archive in October 2012, the story, written in the 1820s, was about a candle who did not feel appreciated. It was written while Andersen was still in school and dedicated to a benefactor, in 1829, Andersen enjoyed considerable success with the short story A Journey on Foot from Holmens Canal to the East Point of Amager. Its protagonist meets characters ranging from Saint Peter to a talking cat, Andersen followed this success with a theatrical piece, Love on St. Nicholas Church Tower, and a short volume of poems
Hans Christian Andersen
–
Photograph taken by
Thora Hallager, 1869
Hans Christian Andersen
–
Andersen's childhood home in Odense
Hans Christian Andersen
–
Paper chimney sweep
cut by Andersen
Hans Christian Andersen
–
Painting of Andersen, 1836, by
Christian Albrecht Jensen
21.
New York City
–
The City of New York, often called New York City or simply New York, is the most populous city in the United States. With an estimated 2015 population of 8,550,405 distributed over an area of about 302.6 square miles. Located at the tip of the state of New York. Home to the headquarters of the United Nations, New York is an important center for international diplomacy and has described as the cultural and financial capital of the world. Situated on one of the worlds largest natural harbors, New York City consists of five boroughs, the five boroughs – Brooklyn, Queens, Manhattan, The Bronx, and Staten Island – were consolidated into a single city in 1898. In 2013, the MSA produced a gross metropolitan product of nearly US$1.39 trillion, in 2012, the CSA generated a GMP of over US$1.55 trillion. NYCs MSA and CSA GDP are higher than all but 11 and 12 countries, New York City traces its origin to its 1624 founding in Lower Manhattan as a trading post by colonists of the Dutch Republic and was named New Amsterdam in 1626. The city and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, New York served as the capital of the United States from 1785 until 1790. It has been the countrys largest city since 1790, the Statue of Liberty greeted millions of immigrants as they came to the Americas by ship in the late 19th and early 20th centuries and is a symbol of the United States and its democracy. In the 21st century, New York has emerged as a node of creativity and entrepreneurship, social tolerance. Several sources have ranked New York the most photographed city in the world, the names of many of the citys bridges, tapered skyscrapers, and parks are known around the world. Manhattans real estate market is among the most expensive in the world, Manhattans Chinatown incorporates the highest concentration of Chinese people in the Western Hemisphere, with multiple signature Chinatowns developing across the city. Providing continuous 24/7 service, the New York City Subway is one of the most extensive metro systems worldwide, with 472 stations in operation. Over 120 colleges and universities are located in New York City, including Columbia University, New York University, and Rockefeller University, during the Wisconsinan glaciation, the New York City region was situated at the edge of a large ice sheet over 1,000 feet in depth. The ice sheet scraped away large amounts of soil, leaving the bedrock that serves as the foundation for much of New York City today. Later on, movement of the ice sheet would contribute to the separation of what are now Long Island and Staten Island. The first documented visit by a European was in 1524 by Giovanni da Verrazzano, a Florentine explorer in the service of the French crown and he claimed the area for France and named it Nouvelle Angoulême. Heavy ice kept him from further exploration, and he returned to Spain in August and he proceeded to sail up what the Dutch would name the North River, named first by Hudson as the Mauritius after Maurice, Prince of Orange
New York City
–
Clockwise, from top:
Midtown Manhattan,
Times Square, the
Unisphere in
Queens, the
Brooklyn Bridge,
Lower Manhattan with
One World Trade Center,
Central Park, the
headquarters of the United Nations, and the
Statue of Liberty
New York City
–
New Amsterdam, centered in the eventual
Lower Manhattan, in 1664, the year
England took control and renamed it "New York".
New York City
–
The
Battle of Long Island, the largest battle of the
American Revolution, took place in
Brooklyn in 1776.
New York City
–
Broadway follows the Native American Wickquasgeck Trail through Manhattan.
22.
Lego
–
Lego is a line of plastic construction toys that are manufactured by The Lego Group, a privately held company based in Billund, Denmark. The companys flagship product, Lego, consists of interlocking plastic bricks accompanying an array of gears, figurines called minifigures. Lego pieces can be assembled and connected in ways, to construct objects, vehicles, buildings. Anything constructed can then be taken again, and the pieces used to make other objects. The Lego Group began manufacturing the interlocking toy bricks in 1949, since then a global Lego subculture has developed. Supporting movies, games, competitions, and six Legoland amusement parks have developed under the brand. As of July 2015,600 billion Lego parts had been produced, in February 2015, Lego replaced Ferrari as Brand Finances worlds most powerful brand. The Lego Group began in the workshop of Ole Kirk Christiansen, a carpenter from Billund, Denmark, in 1934, his company came to be called Lego, derived from the Danish phrase leg godt, which means play well. In 1947, Lego expanded to begin producing plastic toys, in 1949 Lego began producing, among other new products, an early version of the now familiar interlocking bricks, calling them Automatic Binding Bricks. These bricks were based in part on the Kiddicraft Self-Locking Bricks, Lego modified the design of the Kiddicraft brick after examining a sample that they received from the supplier of an injection-molding machine that Lego purchased. The bricks, originally manufactured from cellulose acetate, were a development of the traditional wooden blocks of the time. The Lego Groups motto is det bedste er ikke for godt which means only the best is the best. This motto, which is used today, was created by Ole Kirk to encourage his employees never to skimp on quality. Although a common sentiment, Lego toys seem to have become a significant exception to the dislike of plastic in childrens toys, by 1954, Christiansens son, Godtfred, had become the junior managing director of the Lego Group. It was his conversation with a buyer that led to the idea of a toy system. In 1958, the brick design was developed, however, it took another five years to find the right material for it. The modern Lego brick design was patented on 28 January 1958, in 1978, Lego produced the first minifigures, which have since become a staple in most sets. The results will be shared with schools as part of an educational project, in May 2013, the largest model ever created was displayed in New York and was made of over 5 million bricks, a 1,1 scale model of an X-wing fighter
Lego
–
Lego bricks
Lego
–
Lego
Lego
–
Lego building at NASA's
Kennedy Space Center
Lego
–
A model of
Trafalgar Square, London, in
Legoland Windsor
23.
Accademia dei Lincei
–
The Accademia dei Lincei is an Italian science academy, located at the Palazzo Corsini on the Via della Lungara in Rome, Italy. Founded in 1603 by Federico Cesi, it was one of the first academies of science to exist in the World as a locus for the incipient scientific revolution, the academy was named after the lynx, an animal whose sharp vision symbolizes the observational prowess that science requires. The Lincei did not long survive the death in 1630 of Cesi, its founder and patron and it was revived in the 1870s to become the national academy of Italy, encompassing both literature and science among its concerns. The Pontifical Academy of Science also claims a heritage descending from the first two incarnations of the Academy, by way of the Accademia Pontificia dei Nuovi Lincei, founded in 1847. The first Accademia dei Lincei was founded in 1603 by Federico Cesi, Cesis father disapproved of the research career that Federico was pursuing. His mother, Olimpia Orsini, supported him financially and morally. The Academy struggled due to this disapproval, but after the death of Fredericos father he had money to allow the academy to flourish. Cesi founded the Accademia dei Lincei with three friends, the Dutch physician Johannes Van Heeck and two fellow Umbrians, mathematician Francesco Stelluti and polymath Anastasio de Filiis, at the time of the Accademias founding Cesi was only 18, and the others only 8 years older. Cesi and his friends aimed to understand all of the natural sciences, the literary and antiquarian emphasis set the Lincei apart from the host of sixteenth and seventeenth century Italian Academies. While originally an association, the Academy became a semi-public establishment during the Napoleonic domination of Rome. This shift allowed local scientific elite to carve out a place for themselves in larger scientific networks, however, as a semi-public establishment, the Academys focus was directed by Napoleonic politics. This focus directed the efforts towards stimulating industry, turning public opinion in favor of the French regime. Accademia dei Linceis symbols were both a lynx and an eagle, animals with, or reputed to have, keen sight, the academys motto, chosen by Cesi, was, Take care of small things if you want to obtain the greatest results. When Cesi visited Naples, he met many scientists in fields of interest to him including the botanist, Fabio Colonna, the natural history writer, Ferrante Imperato. Della Porta encouraged Cesi to continue with his endeavours, giambattista della Porta joined Cesis academy in 1610. While in Naples, Cesi also met with Nardo Antonio Recchi to negotiate the acquisition of a collection of material describing Aztec plants and this collection of material would eventually become the Tesoro Messicano. Galileo was inducted to the exclusive Academy on April 25,1611, Galileo clearly felt honoured by his association with the Academy for he adopted Galileo Galilei Linceo as his signature. The Academy published his works and supported him during his disputes with the Roman Inquisition, with this publication, the first, most famous phase of the Lincei was concluded
Accademia dei Lincei
–
Palazzo Corsini
Accademia dei Lincei
–
Federico Cesi
24.
Ulm
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The University of Louisiana at Monroe is a coeducational public university in Monroe, Louisiana, United States and part of the University of Louisiana System. ULM opened in 1931 as Ouachita Parish Junior College, three years later it became the Northeast Center of Louisiana State University. In 1936 and 1937, its dean was Stephen A. Caldwell and its name changed again in 1949, to Northeast Junior College of Louisiana State University. A year later, it became an autonomous institution as Northeast Louisiana State College. In 1969, it granted doctoral degrees for the first time and was elevated to university status as Northeast Louisiana University, much growth occurred during the administration of president George T. Walker from 1958 to 1976. Under Walker, enrollment increased from 2,100 to 9,700, NLU became the largest university in North Louisiana in terms of enrollment and state appropriations. In 1999, NLU was renamed to its present name, a 2002 Reclaim Our Campus effort targeted recovery from financial and auditing difficulties. In 2010, James Erwin Cofer Sr. left the ULM presidency after eight years to head Missouri State University in Springfield and he was succeeded by Nick Bruno as the eighth president of ULM. Kitty DeGree, a Monroe real estate developer, was the largest single donor to ULM in the last decade of her life, the school of nursing is named in her honor. The College of Business and Social Sciences seeks to prepare students for productive careers, the college benefits students, businesses and the community through research and service. ULM offers AACSB accredited undergraduate and graduate MBA degree programs, U. S. News & World Report has ranked ULM’s Master of Business Administration degree as the number 57 program in the nation – up 30 spots from the 2014 ranking of 87. The English department publishes Turnrow, a journal of short fiction, poetry, visual art. A doctoral program in marriage and family therapy was approved by the Louisiana Board of Regents, established in 1956, the College of Pharmacy is accredited by the American Council on Pharmacy Education, including one of seven Toxicology programs in the U. S. In 2007, the College of Pharmacy moved from the campus to the off-campus building. There are satellite campuses in Shreveport and Baton Rouge, the College of Pharmacy at ULM is Louisianas only publicly supported comprehensive center for pharmaceutical education, research, and service. The College includes several modern specialized instructional and health facilities and numerous affiliated off-campus teaching hospitals. ULM is home to the Emy-Lou Biedenharn Recital Hall, named for the singer and daughter of the Coca-Cola entrepreneur Joseph A. Biedenharn. The universitys Natural History Museum is home to the 6-million-specimen Neil Douglas fish collection, U. S. ULM joined the Sun Belt Conference for all sports on July 1,2006 after playing in the Southland Conference in all sports except football
Ulm
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ULM sign
Ulm
Ulm
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Bayou Desiard crosses the ULM campus.
Ulm
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Warhawks emblem across from the ULM Library
25.
Harvard University
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Although never formally affiliated with any denomination, the early College primarily trained Congregationalist and Unitarian clergy. Its curriculum and student body were gradually secularized during the 18th century, james Bryant Conant led the university through the Great Depression and World War II and began to reform the curriculum and liberalize admissions after the war. The undergraduate college became coeducational after its 1977 merger with Radcliffe College, Harvards $34.5 billion financial endowment is the largest of any academic institution. Harvard is a large, highly residential research university, the nominal cost of attendance is high, but the Universitys large endowment allows it to offer generous financial aid packages. Harvards alumni include eight U. S. presidents, several heads of state,62 living billionaires,359 Rhodes Scholars. To date, some 130 Nobel laureates,18 Fields Medalists, Harvard was formed in 1636 by vote of the Great and General Court of the Massachusetts Bay Colony. In 1638, it obtained British North Americas first known printing press, in 1639 it was named Harvard College after deceased clergyman John Harvard an alumnus of the University of Cambridge who had left the school £779 and his scholars library of some 400 volumes. The charter creating the Harvard Corporation was granted in 1650 and it offered a classic curriculum on the English university model—many leaders in the colony had attended the University of Cambridge—but conformed to the tenets of Puritanism. It was never affiliated with any denomination, but many of its earliest graduates went on to become clergymen in Congregational. The leading Boston divine Increase Mather served as president from 1685 to 1701, in 1708, John Leverett became the first president who was not also a clergyman, which marked a turning of the college toward intellectual independence from Puritanism. When the Hollis Professor of Divinity David Tappan died in 1803 and the president of Harvard Joseph Willard died a year later, in 1804, in 1846, the natural history lectures of Louis Agassiz were acclaimed both in New York and on the campus at Harvard College. Agassizs approach was distinctly idealist and posited Americans participation in the Divine Nature, agassizs perspective on science combined observation with intuition and the assumption that a person can grasp the divine plan in all phenomena. When it came to explaining life-forms, Agassiz resorted to matters of shape based on an archetype for his evidence. Charles W. Eliot, president 1869–1909, eliminated the position of Christianity from the curriculum while opening it to student self-direction. While Eliot was the most crucial figure in the secularization of American higher education, he was motivated not by a desire to secularize education, during the 20th century, Harvards international reputation grew as a burgeoning endowment and prominent professors expanded the universitys scope. Rapid enrollment growth continued as new schools were begun and the undergraduate College expanded. Radcliffe College, established in 1879 as sister school of Harvard College, Harvard became a founding member of the Association of American Universities in 1900. In the early 20th century, the student body was predominately old-stock, high-status Protestants, especially Episcopalians, Congregationalists, by the 1970s it was much more diversified
Harvard University
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Engraving of
Harvard College by
Paul Revere, 1767
Harvard University
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Harvard University
Harvard University
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John Harvard statue,
Harvard Yard
Harvard University
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Richard Rummell's 1906 watercolor landscape view, facing northeast.
26.
Industrial Design
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Industrial design is a process of design applied to products that are to be manufactured through techniques of mass production. This distinguishes industrial design from craft-based design, where the form of the product is determined by the creator at the time of its creation. The role of a designer is to create and execute design solutions for problems of form, function, usability, physical ergonomics, marketing, brand development, sustainability. The division of labour that underlies the practice of design did have precedents in the pre-industrial era. The use of drawing to specify how something was to be constructed later was first developed by architects and shipwrights during the Italian Renaissance. The emergence of industrial design is linked to the growth of industrialisation and mechanisation that began with the industrial revolution in Great Britain in the mid 18th century. The first use of the industrial design is often attributed to the industrial designer Joseph Claude Sinel in 1919. Christopher Dresser is considered among the first independent industrial designers, Industrial designs origins lie in the industrialization of consumer products. The earliest use of the term may have been in The Art Union, the Practical Draughtsmans Book of Industrial Design by Jacques-Eugène Armengaud was printed in 1853. The subtitle of the work explains, that it wants to offer a course of mechanical, engineering. The study of those types of drawing, according to Armengaud. This work paved the way for a big expansion in the drawing education in France, the United Kingdom. Robert Lepper helped to establish one of the countrys first industrial design programs at Carnegie Institute of Technology. Product design and industrial design overlap in the fields of user interface design, information design, except for certain functional areas of overlap between industrial design and engineering design, educational programs in the U. S. Most industrial designers complete a design or related program at a school or university. Diplomas and degrees take two to four years of study, the study results in a Bachelor of Industrial Design, Bachelor of Science or Bachelor of Fine Arts. Afterwards, the programme can be extended to postgraduate degrees such as Master of Design, Master of Fine Arts. Industrial design studies function and form—and the connection between product, user, and environment, generally, industrial design professionals work in small scale design, rather than overall design of complex systems such as buildings or ships
Industrial Design
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An
iPod, an industrially designed product.
Industrial Design
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KitchenAid 5 qt. Stand Mixer, designed in 1937 by Egmont Arens, remains very successful today
Industrial Design
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Western Electric
Model 302 telephone, found throughout the United States from 1937 until the introduction of touch-tone dialing.
Industrial Design
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Calculator Olivetti Divisumma 24 designed in 1956 by Marcello Nizzoli
27.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
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Screenshot 2012
28.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
Integrated Authority File
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GND screenshot
29.
Union List of Artist Names
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The Union List of Artist Names is an online database using a controlled vocabulary currently containing around 293,000 names and other information about artists. Names in ULAN may include names, pseudonyms, variant spellings, names in multiple languages. Among these names, one is flagged as the preferred name, the focus of each ULAN record is an artist. Currently there are around 120,000 artists in the ULAN, in the database, each artist record is identified by a unique numeric ID. Linked to each artist record are names, related artists, sources for the data, the temporal coverage of the ULAN ranges from Antiquity to the present and the scope is global. The ULAN includes proper names and associated information about artists, artists may be either individuals or groups of individuals working together. Artists in the ULAN generally represent creators involved in the conception or production of visual arts, repositories and some donors are included as well. Work on the ULAN began in 1984, when the Getty decided to merge, in 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community, although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. Its scope was broadened to include corporate bodies such as firms and repositories of art. The ULAN was founded under the management of Eleanor Fink, the ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy and machine-readable files, given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing, final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, entities in the Person facet typically have no children. Entities in the Corporate Body facet may branch into trees, there may be multiple broader contexts, making the ULAN structure polyhierarchical. In addition to the relationships, the ULAN also has equivalent. Contributors to the Getty Vocabularies and implementers of the licensed vocabulary data may consult these guidelines as well
Union List of Artist Names
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Contents
30.
National Diet Library
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The National Diet Library is the only national library in Japan. It was established in 1948 for the purpose of assisting members of the National Diet of Japan in researching matters of public policy, the library is similar in purpose and scope to the United States Library of Congress. The National Diet Library consists of two facilities in Tokyo and Kyoto, and several other branch libraries throughout Japan. The Diets power in prewar Japan was limited, and its need for information was correspondingly small, the original Diet libraries never developed either the collections or the services which might have made them vital adjuncts of genuinely responsible legislative activity. Until Japans defeat, moreover, the executive had controlled all political documents, depriving the people and the Diet of access to vital information. The U. S. occupation forces under General Douglas MacArthur deemed reform of the Diet library system to be an important part of the democratization of Japan after its defeat in World War II. In 1946, each house of the Diet formed its own National Diet Library Standing Committee, hani Gorō, a Marxist historian who had been imprisoned during the war for thought crimes and had been elected to the House of Councillors after the war, spearheaded the reform efforts. Hani envisioned the new body as both a citadel of popular sovereignty, and the means of realizing a peaceful revolution, the National Diet Library opened in June 1948 in the present-day State Guest-House with an initial collection of 100,000 volumes. The first Librarian of the Diet Library was the politician Tokujirō Kanamori, the philosopher Masakazu Nakai served as the first Vice Librarian. In 1949, the NDL merged with the National Library and became the national library in Japan. At this time the collection gained a million volumes previously housed in the former National Library in Ueno. In 1961, the NDL opened at its present location in Nagatachō, in 1986, the NDLs Annex was completed to accommodate a combined total of 12 million books and periodicals. The Kansai-kan, which opened in October 2002 in the Kansai Science City, has a collection of 6 million items, in May 2002, the NDL opened a new branch, the International Library of Childrens Literature, in the former building of the Imperial Library in Ueno. This branch contains some 400,000 items of literature from around the world. Though the NDLs original mandate was to be a library for the National Diet. In the fiscal year ending March 2004, for example, the library reported more than 250,000 reference inquiries, in contrast, as Japans national library, the NDL collects copies of all publications published in Japan. The NDL has an extensive collection of some 30 million pages of documents relating to the Occupation of Japan after World War II. This collection include the documents prepared by General Headquarters and the Supreme Commander of the Allied Powers, the Far Eastern Commission, the NDL maintains a collection of some 530,000 books and booklets and 2 million microform titles relating to the sciences
National Diet Library
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Tokyo Main Library of the National Diet Library
National Diet Library
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Kansai-kan of the National Diet Library
National Diet Library
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The National Diet Library
National Diet Library
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Main building in Tokyo
31.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
Netherlands Institute for Art History
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As the logos on the window show, the RKD shares the same building located at
Den Haag Centraal with the National Archives, the Nederlands Letterkundig Museum (nl) (LM), the
Huygens ING, the
Netherlands Music Institute (NMI) and the
Koninklijke Bibliotheek.
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