1.
Samothrace temple complex
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The Samothrace Temple Complex, known as the Sanctuary of the Great Gods, is one of the principal Pan-Hellenic religious sanctuaries, located on the island of Samothrace within the larger Thrace. Built immediately to the west of the ramparts of the city of Samothrace, it was nonetheless independent and it was celebrated throughout Ancient Greece for its Mystery religion, a Chthonic religious practice as renowned as the Eleusinian Mysteries. The temple complex is mentioned by Plato and Aristophanes, during the Hellenistic period, after the investiture of Phillip II, it formed a Macedonian national sanctuary where the successors to Alexander the Great vied to outdo each others munificence. It remained an important religious site throughout the Roman period, hadrian visited, and Varro described the mysteries – before fading from history towards the end of Late Antiquity. The identity and nature of the deities venerated at the sanctuary remains largely enigmatic, the Great Mother, a goddess often depicted on Samothracian coinage as a seated woman, with a lion at her side. Her original secret name was Axiéros and she is associated with the Anatolian Great Mother, the Phrygian Mount, and the Trojan Mother Goddess of Mount Ida. The Greeks associated her equally with the fertility goddess Demeter, the Great Mother is the all-powerful mistress of the wild world of the mountains, venerated on sacred rocks where sacrifices and offerings were made to her. In the sanctuary of Samothrace, these correspond to porphyry outcroppings of various colours. For her faithful, her power manifested itself in veins of magnetic iron. A number of rings were recovered from the tombs in the neighbouring necropolis. Two other masculine deities accompany Kadmylos and these may correspond to the two legendary heroes who founded the Samothracean mysteries, the brothers Dardanos and Éétion. They are associated by the Greeks with the Dioscuri, divine twins popular as protectors of mariners in distress, a pair of underworld deities, Axiokersos and Axiokersa, are identified to Hades and Persephone, but do not appear to be part of the original group of pre-Hellenic deities. The legend of the rape of the goddess of fertility by the god of the underworld also plays a part in the sacred dramas celebrated at Samothrace, although less so than at Eleusis. During a later period this same myth was associated with that of the marriage of Cadmos and Harmony, possibly due to a similarity of names to Kadmilos and Electra. The whole of the sanctuary was open to all who wished to worship the Great Gods and these rituals and ceremonies were presided over by the priestess in service to the people. The head priestess, and often a prophetess, was titled a Sybil, the most common rituals were indistinguishable from practice at other Greek sanctuaries. Prayer and supplications accompanied by blood sacrifices of domestic animals burnt in sacred hearths, a large number of rock altars were used, the largest of which was surrounded by a monumental enclosure at the end of the 4th century BC. The major annual festival, which drew envoys to the island throughout the Greek world
2.
Temple of Vespasian and Titus
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The Temple of Vespasian and Titus is located in Rome at the western end of the Roman Forum between the Temple of Concordia and the Temple of Saturn. It is dedicated to the deified Vespasian and his son, the deified Titus and it was begun by Titus in 79 after Vespasians death and Tituss succession. Titus’ brother, Domitian, completed and dedicated the temple to Titus, throughout Roman history, there was an emphasis on increasing the fame and glory of a family name, often through monuments commemorating the deceased. Therefore, the temple was constructed to honor the Flavian Dynasty, which comprised the emperors Vespasian, Titus, Titus and Vespasian were each deified through the ceremony of apotheosis. In doing so, tradition guaranteed that Roman citizens and subjects would honor Vespasian and this imperial cult worship was as much a sign of allegiance to the emperor of Rome, or as a political and diplomatic gesture, as it was a formal religion. The Temple of Vespasian was in the Corinthian order, hexastyle and it was particularly narrow due to the limited space, measuring 33 meters long and 22 wide. Titus began construction and presumably finished the foundations, made of concrete. Domitian, however, completed the work after Titus’ death. The cella walls were in travertine, lined with marbles imported at great expense from the eastern provinces, the interior is highly ornate and the frieze depicts sacred objects that would have been used as the symbols, or badges, of the various priestly collegia in Rome. Around 200 to 205, Emperors Septimius Severus and his son, Caracalla, the temple suffered significant damage during medieval times, particularly c. 1300, and in Pope Nicholas Vs remodelling of the Forum, all that survives today is the podiums core, parts of the cella, and three Corinthian columns at pronaoss south-east corner. Temple of Vespasian and Titus Digitally Reconstructed Temple Location Temple Remains
3.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
4.
Latin
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Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
5.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
6.
Skull
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The skull is a bony structure that forms the head of the skeleton in most vertebrates. It supports the structures of the face and provides a cavity for the brain. The skull is composed of two parts, the cranium and the mandible, in the human these two parts are the neurocranium and the viscerocranium or facial skeleton that includes the mandible as its largest bone. The skull forms the anterior most portion of the skeleton and is a product of cephalisation—housing the brain, and several sensory structures such as the eyes, ears, nose, in the human these sensory structures are part of the facial skeleton. In some animals such as horned ungulates, the skull also has a function by providing the mount for the horns. The English word skull is probably derived from Old Norse skulle, while the Latin word cranium comes from the Greek root κρανίον, the skull is made up of a number of fused flat bones, and contains many foramina and processes, and several cavities or sinuses. For details and the constituent bones, see neurocranium and viscerocranium, the human skull is the bony structure that forms the head in the human skeleton. It supports the structures of the face and forms a cavity for the brain, like the skulls of other vertebrates, it protects the brain from injury. The skull consists of two parts, of different embryological origin—the neurocranium and the facial skeleton, the neurocranium forms the protective cranial cavity that surrounds and houses the brain and brainstem. The facial skeleton is formed by the supporting the face. Except for the mandible, all of the bones of the skull are joined together by sutures—synarthrodial joints formed by bony ossification, sometimes there can be extra bone pieces within the suture known as wormian bones or sutural bones. The human skull is considered to consist of twenty-two bones—eight cranial bones. In the neurocranium these are the bone, two temporal bones, two parietal bones, the sphenoid, ethmoid and frontal bones. The bones of the skeleton are the vomer, two nasal conchae, two nasal bones, two maxilla, the mandible, two palatine bones, two zygomatic bones, and two lacrimal bones. Some of these bones—the occipital, parietal, frontal, in the neurocranium, and the nasal, lacrimal, the skull also contains sinus cavities and numerous foramina. The sinuses are lined with respiratory epithelium and their known functions are the lessening of the weight of the skull, the aiding of resonance to the voice and the warming and moistening of the air drawn through the nasal cavity. The foramina are openings in the skull, the largest of these is the foramen magnum that allows the passage of the spinal cord as well as nerves and blood vessels. The many processes of the include the mastoid process and the zygomatic process
7.
Classical architecture
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Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in all be said to draw on a common vocabulary of decorative and constructive elements. The term classical architecture also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture and it can also refer to any architecture that employs classical aesthetic philosophy. The term might be used differently from traditional or vernacular architecture, for contemporary buildings following authentic classical principles, the term New Classical Architecture may be used. Classical architecture is derived from the architecture of ancient Greece and ancient Rome, with the collapse of the western part of the Roman empire, the architectural traditions of the Roman empire ceased to be practised in large parts of western Europe. In the Byzantine Empire, the ancient ways of building lived on, the first conscious efforts to bring back the disused language of form of classical antiquity into Western architecture can be traced to the Carolingian Renaissance of the late 8th and 9th centuries. In general, therefore, they are not considered classical architectural styles in a strict sense, nonetheless, the classical architecture of the Renaissance from the outset represents a highly specific interpretation of the classical ideas. Most of the styles originating in post-renaissance Europe can be described as classical architecture and this broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture. The elements of architecture have been applied in radically different architectural contexts than those for which they were developed. For example, Baroque or Rococo architecture are styles which, although classical at root, during these periods, architectural theory still referred to classical ideas but rather less sincerely than during the Renaissance. Neoclassical architecture held a strong position on the architectural scene c. With the advent of Modernism during the early 20th century, classical architecture arguably almost completely ceased to be practised, as noted above, classical styles of architecture dominated Western architecture for a very long time, roughly from the Renaissance until the advent of Modernism. That is to say, that classical antiquity at least in theory was considered the source of inspiration for architectural endeavours in the West for much of Modern history. Furthermore, it can even be argued that styles of architecture not typically considered classical, like Gothic, therefore, a simple delineation of the scope of classical architecture is difficult to make. The more or less defining characteristic can still be said to be a reference to ancient Greek or Roman architecture, and the architectural rules or theories that derived from that architecture. In the grammar of architecture, the word petrification is often used when discussing the development of sacred structures, such as temples, during the Archaic and early Classical periods, the architectural forms of the earliest temples had solidified and the Doric emerged as the predominant element. And not everyone within the reach of Mediterranean civilization made this transition. Nor was it the lack of knowledge of working on their part that prevented them from making the transition from timber to dressed stone
8.
Neolithic
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It ended when metal tools became widespread. The Neolithic is a progression of behavioral and cultural characteristics and changes, including the use of wild and domestic crops, the beginning of the Neolithic culture is considered to be in the Levant about 10, 200–8800 BC. It developed directly from the Epipaleolithic Natufian culture in the region, whose people pioneered the use of wild cereals, which then evolved into true farming. The Natufian period was between 12,000 and 10,200 BC, and the so-called proto-Neolithic is now included in the Pre-Pottery Neolithic between 10,200 and 8800 BC. By 10, 200–8800 BC, farming communities arose in the Levant and spread to Asia Minor, North Africa, Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. Early Neolithic farming was limited to a range of plants, both wild and domesticated, which included einkorn wheat, millet and spelt, and the keeping of dogs, sheep. By about 6900–6400 BC, it included domesticated cattle and pigs, the establishment of permanently or seasonally inhabited settlements, not all of these cultural elements characteristic of the Neolithic appeared everywhere in the same order, the earliest farming societies in the Near East did not use pottery. Early Japanese societies and other East Asian cultures used pottery before developing agriculture, unlike the Paleolithic, when more than one human species existed, only one human species reached the Neolithic. The term Neolithic derives from the Greek νέος néos, new and λίθος líthos, stone, the term was invented by Sir John Lubbock in 1865 as a refinement of the three-age system. In the Middle East, cultures identified as Neolithic began appearing in the 10th millennium BC, early development occurred in the Levant and from there spread eastwards and westwards. Neolithic cultures are attested in southeastern Anatolia and northern Mesopotamia by around 8000 BC. The total excavated area is more than 1,200 square yards, the Neolithic 1 period began roughly 10,000 years ago in the Levant. A temple area in southeastern Turkey at Göbekli Tepe dated around 9500 BC may be regarded as the beginning of the period. This site was developed by nomadic tribes, evidenced by the lack of permanent housing in the vicinity. At least seven stone circles, covering 25 acres, contain limestone pillars carved with animals, insects, Stone tools were used by perhaps as many as hundreds of people to create the pillars, which might have supported roofs. Other early PPNA sites dating to around 9500–9000 BC have been found in Jericho, Israel, Gilgal in the Jordan Valley, the start of Neolithic 1 overlaps the Tahunian and Heavy Neolithic periods to some degree. The major advance of Neolithic 1 was true farming, in the proto-Neolithic Natufian cultures, wild cereals were harvested, and perhaps early seed selection and re-seeding occurred. The grain was ground into flour, emmer wheat was domesticated, and animals were herded and domesticated
9.
Anatolia
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Anatolia, in geography known as Asia Minor, Asian Turkey, Anatolian peninsula, or Anatolian plateau, is the westernmost protrusion of Asia, which makes up the majority of modern-day Turkey. The region is bounded by the Black Sea to the north, the Mediterranean Sea to the south, the Sea of Marmara forms a connection between the Black and Aegean Seas through the Bosphorus and Dardanelles straits and separates Anatolia from Thrace on the European mainland. Traditionally, Anatolia is considered to extend in the east to a line between the Gulf of Alexandretta and the Black Sea to the Armenian Highlands, thus, traditionally Anatolia is the territory that comprises approximately the western two-thirds of the Asian part of Turkey. The Turkification of Anatolia began under the Seljuk Empire in the late 11th century, however, various non-Turkic languages continue to be spoken by minorities in Anatolia today, including Kurdish, Assyrian, Armenian, Arabic, Laz, Georgian, and Greek. Traditionally, Anatolia is considered to extend in the east to a line running from the Gulf of Alexandretta to the Black Sea. This traditional geographical definition is used, for example, in the latest edition of Merriam-Websters Geographical Dictionary, under this definition, Anatolia is bounded to the east by the Armenian Highlands, and the Euphrates before that river bends to the southeast to enter Mesopotamia. To the southeast, it is bounded by the ranges that separate it from the Orontes valley in Syria, the first name the Greeks used for the Anatolian peninsula was Ἀσία, presumably after the name of the Assuwa league in western Anatolia. As the name of Asia came to be extended to areas east of the Mediterranean. The name Anatolia derives from the Greek ἀνατολή meaning “the East” or more literally “sunrise”, the precise reference of this term has varied over time, perhaps originally referring to the Aeolian, Ionian and Dorian colonies on the west coast of Asia Minor. In the Byzantine Empire, the Anatolic Theme was a theme covering the western, the modern Turkish form of Anatolia is Anadolu, which again derives from the Greek name Aνατολή. The Russian male name Anatoly and the French Anatole share the same linguistic origin, in English the name of Turkey for ancient Anatolia first appeared c. It is derived from the Medieval Latin Turchia, which was used by the Europeans to define the Seljuk controlled parts of Anatolia after the Battle of Manzikert. Human habitation in Anatolia dates back to the Paleolithic, neolithic Anatolia has been proposed as the homeland of the Indo-European language family, although linguists tend to favour a later origin in the steppes north of the Black Sea. However, it is clear that the Anatolian languages, the oldest branch of Indo-European, have spoken in Anatolia since at least the 19th century BC. The earliest historical records of Anatolia stem from the southeast of the region and are from the Mesopotamian-based Akkadian Empire during the reign of Sargon of Akkad in the 24th century BC, scholars generally believe the earliest indigenous populations of Anatolia were the Hattians and Hurrians. The region was famous for exporting raw materials, and areas of Hattian-, one of the numerous cuneiform records dated circa 20th century BC, found in Anatolia at the Assyrian colony of Kanesh, uses an advanced system of trading computations and credit lines. They were speakers of an Indo-European language, the Hittite language, originating from Nesa, they conquered Hattusa in the 18th century BC, imposing themselves over Hattian- and Hurrian-speaking populations. According to the most widely accepted Kurgan theory on the Proto-Indo-European homeland, however, the Hittites adopted the cuneiform script, invented in Mesopotamia
10.
Metope
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Metopes often had painted or sculptural decoration, the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow an idea of their original appearance. In terms of structure, metopes may be carved from a block with a triglyph, or they may be cut separately. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast, although they tend to be close to square in shape, some metopes are noticeably larger in height or in width. Classical architecture Classical order Doric order Robertson, D. S. Handbook of Greek and Roman Architecture
11.
Triglyph
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The raised spaces between the channels themselves are called femur in Latin or meros in Greek. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the beam ends of the typical primitive hut, as described by Vitruvius. The wooden beams were notched in three places in order to cast their rough-cut ends mostly in shadow. The channels could also have a function in channeling rainwater, of the two groups of 6th-century metopes from Foce del Sele, now in the museum at Paestum, the earlier uses the first method, the later the second. In the evolution of the Doric order, the placing of the triglyphs evolved somewhat, in post-Renaissance architecture the strict conventions are sometimes abandoned, and guttae and triglyphs, alone or together, may be used somewhat randomly as ornaments. For example, the Baroque Černín Palace in Prague has triglyphs and guttae as ornaments at the top of arches, classical order This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed
12.
Frieze
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In architecture the frieze /ˈfriːz/ is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on a wall it lies upon the architrave and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous and this style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail, by extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels, the material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. In an example of a frieze on the façade of a building. A pulvinated frieze is convex in section, such friezes were features of 17th-century Northern Mannerism, especially in subsidiary friezes, and much employed in interior architecture and in furniture. The concept of a frieze has been generalized in the construction of frieze patterns. Media related to Friezes at Wikimedia Commons Frieze
13.
Doric order
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The Doric order was one of the three orders of ancient Greek and later Roman architecture, the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognised by the simple circular capitals at the top of columns and it was the earliest and in its essence the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, the capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. In stone they are purely ornamental, the relatively uncommon Roman and Renaissance Doric retained these, and often introduced thin layers of moulding or further ornament, as well as often using plain columns. The Doric order was used in Greek Revival architecture from the 18th century onwards, often earlier Greek versions were used, with wider columns. Since at least Vitruvius it has been customary for writers to associate the Doric with masculine virtues and it is also normally the cheapest of the orders to use. In their original Greek version, Doric columns stood directly on the pavement of a temple without a base. The Parthenon has the Doric design columns and it was most popular in the Archaic Period in mainland Greece, and also found in Magna Graecia, as in the three temples at Paestum. These are in the Archaic Doric, where the capitals spread wide from the column compared to later Classical forms, pronounced features of both Greek and Roman versions of the Doric order are the alternating triglyphs and metopes. The triglyphs are decoratively grooved with two vertical grooves and represent the original wooden end-beams, which rest on the plain architrave that occupies the half of the entablature. Under each triglyph are peglike stagons or guttae that appear as if they were hammered in from below to stabilize the post-and-beam construction and they also served to organize rainwater runoff from above. The spaces between the triglyphs are the metopes and they may be left plain, or they may be carved in low relief. The spacing of the triglyphs caused problems which some time to resolve. The architecture followed rules of harmony, since the original design probably came from wooden temples and the triglyphs were real heads of wooden beams, every column had to bear a beam which lay across the centre of the column. Triglyphs were arranged regularly, the last triglyph was centred upon the last column and this was regarded as the ideal solution which had to be reached. Changing to stone instead of wooden beams required full support of the architrave load at the last column. At the first temples the final triglyph was moved, still terminating the sequence, even worse, the last triglyph was not centered with the corresponding column. That “archaic” manner was not regarded as a harmonious design, the resulting problem is called the doric corner conflict
14.
Relief
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Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise, to create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a surface of stone or wood is a lowering of the field. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting. There are different degrees of relief depending on the degree of projection of the form from the field. There is also sunk relief, which was restricted to Ancient Egypt. However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only used to discuss most work. Hyphens may or may not be used in all these terms, works in the technique are described as in relief, and, especially in monumental sculpture, the work itself is a relief. Reliefs are common throughout the world on the walls of buildings and a variety of settings. Relief is more suitable for depicting complicated subjects with figures and very active poses, such as battles. Most ancient architectural reliefs were painted, which helped to define forms in low relief. Rock reliefs are carved into solid rock in the open air. This type is found in cultures, in particular those of the Ancient Near East and Buddhist countries. A stele is a standing stone, many of these carry reliefs. The distinction between high and low relief is somewhat subjective, and the two are often combined in a single work. In particular, most later high reliefs contain sections in low relief, a low relief or bas-relief is a projecting image with a shallow overall depth, for example used on coins, on which all images are in low relief. Other versions distort depth much less and it is a technique which requires less work, and is therefore cheaper to produce, as less of the background needs to be removed in a carving, or less modelling is required
15.
Basilica Aemilia
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The Basilica Aemilia was a civil basilica in the Roman forum, in Rome, Italy. Today only the plan and some elements can be seen. The Basilica was 100 meters long and about 30 meters wide, along the sides were two orders of 16 arches, and it was accessed through one of three entrances. The new basilica was built on a site of the 5th-century BC tabernae lanienae, the latter housed the citys bankers, and after a fire were renamed tabernae novae. The square had two facing rows of shops, a first basilica had been built behind the tabernae argentariae between 210 BC and 195-191 BC, date in which it is mentioned by Plautus. Archaeological studies have shown that this building comprised three naves paved with tuff from Monteverde, the back façade having a portico which opened to the Forum Piscatorium and it was erected in 179 BC by censor Marcus Fulvius Nobilior with the name of Basilica Fulvia. After the latters death, his colleague Marcus Aemilius Lepidus completed it, the 78 BC consul, also called Marcus Aemilius Lepidus, embellished it with the clipei. This intervention is recalled in a coin from 61 BC by his son, according to other scholars, however, the Basilica Aemilia formed a different edifice from the Basilica Fulvia. A new edifice in substitution of the Basilica Fulvia was begun in 55 BC by Lucius Aemilius Lepidus Paullus and this edifice had similar lines to the preceding one, however with a reduced length and a second nave in lieu of the back portico. The columns in the nave, in African marble, had Corinthian capitals. The columns in the row were in cipolline marble and, finally. After a fire, Augustus in 14 BC heavily restored the edifice, in this occasion the tabernae which preceded it towards the Forum square and the portico were totally rebuilt. The latter was dedicated to the two grandsons, it had two orders of arcades with pilasters and Doric semi-columns. The two upper floors of the basilica were totally rebuilt, over the upper order an attic was built, decorated with vegetable elements and statues of barbarians. The basilica was restored again in 22 AD, on its two-hundredth anniversary, the Basilica Aemilia was considered by Pliny to be one of the most beautiful buildings in Rome. It was a place for business and, in the porticus of Gaius and Lucius fronting the Roman Forum, the main hall or court was located behind the shops. The wooden roof, the Tabernae as well as the facade of the basilica were completely destroyed by fire when Rome was sacked by Alaric the Visigoth in 410 AD. On the colored marble floor one still can see the green stains of bronze coins from the fifth century that melted in the fire
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Roman Forum
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The Roman Forum is a rectangular forum surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the Forum Magnum, here statues and monuments commemorated the citys great men. The teeming heart of ancient Rome, it has called the most celebrated meeting place in the world. Many of the oldest and most important structures of the ancient city were located on or near the Forum, the Roman kingdoms earliest shrines and temples were located on the southeastern edge. Other archaic shrines to the northwest, such as the Umbilicus Urbis and this is where the Senate—as well as Republican government itself—began. The Senate House, government offices, tribunals, temples, memorials, over time the archaic Comitium was replaced by the larger adjacent Forum and the focus of judicial activity moved to the new Basilica Aemilia. Some 130 years later, Julius Caesar built the Basilica Julia, along with the new Curia Julia, eventually much economic and judicial business would transfer away from the Forum Romanum to the larger and more extravagant structures to the north. The reign of Constantine the Great saw the construction of the last major expansion of the Forum complex—the Basilica of Maxentius and this returned the political center to the Forum until the fall of the Western Roman Empire almost two centuries later. This is the case despite attempts, with success, to impose some order there, by Sulla, Julius Caesar, Augustus. By the Imperial period, the public buildings that crowded around the central square had reduced the open area to a rectangle of about 130 by 50 metres. Its long dimension was oriented northwest to southeast and extended from the foot of the Capitoline Hill to that of the Velian Hill, the Forums basilicas during the Imperial period—the Basilica Aemilia on the north and the Basilica Julia on the south—defined its long sides and its final form. The Forum proper included this square, the buildings facing it and, sometimes, originally, the site of the Forum had been a marshy lake where waters from the surrounding hills drained. This was drained by the Tarquins with the Cloaca Maxima, because of its location, sediments from both the flooding of the Tiber and the erosion of the surrounding hills have been raising the level of the Forum floor for centuries. Excavated sequences of remains of paving show that sediment eroded from the hills was already raising the level in early Republican times. As the ground around buildings rose, residents simply paved over the debris that was too much to remove and its final travertine paving, still visible, dates from the reign of Augustus. Excavations in the 19th century revealed one layer on top of another, the deepest level excavated was 3.60 metres above sea level. Archaeological finds show human activity at that level with the discovery of carbonised wood, an important function of the Forum, during both Republican and Imperial times, was to serve as the culminating venue for the celebratory military processions known as Triumphs. Victorious generals entered the city by the western Triumphal Gate and circumnavigated the Palatine Hill before proceeding from the Velian Hill down the Via Sacra, from here they would mount the Capitoline Rise up to the Temple of Jupiter Optimus Maximus on the summit of the Capitol
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Giuliano da Sangallo
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Giuliano da Sangallo was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the architect of Lorenzo de Medici. In this role, Giuliano designed a villa for Lorenzo as well as a monastery for Augustinian monks, additionally, Giuliano was commissioned to build multiple structures for Pope Julius II and Pope Leo X. Giuliano da Sangallo was born in 1443 in Florence. His father, Francesco Giamberti, was a woodworker and an architect who worked closely with Cosimo de Medici. This proved to be helpful to Giuliano and his brother, Antonio, later in life as it helped them to develop a working relationship and friendship with Cosimos grandson. As a child, Giuliano became an apprentice to a joiner, as an apprentice, his woodworking, building and sculpting skills drew the attention of Lorenzo de Medici. Through this, he was able to develop his eye, learn about classical design. Giulianos first major, independent commission came from other than the Medici family and it showed not only his architectural skill. Lorenzo the Magnificent called upon Giuliano to build fortifications and manage the artillery in the town of Castellina against an invasion led by the Duke of Calabria. In this role, Giuliano successfully pushed out the Calabrian forces and showed his talent for military building. The victory at Calabria gave Lorenzo de Medici confidence to keep working with Giuliano, consequently, Lorenzo commissioned him to design a villa in Poggio a Caiano after holding a competition to determine the best design. Giuliano was able to use Leon Battista Albertis design for the Villa Medici in Fiesole as his initial inspiration, construction on the villa began in 1485 and remained largely unfinished throughout Lorenzos life. His son, Giovanni, oversaw its completion after being elected pope as Pope Leo X. Giulianos design featured classical design elements including Ionic columns and an ancient temple style façade. The Medici Villa in Poggia a Caiano is one of the oldest examples of Renaissance-style country villas and served as an inspiration for many future architects of the era. In 1484, a child from the town of Prato claimed to have seen a painting of the Virgin Mary, Santa Maria delle Carceri was commissioned after the townspeople declared this a miracle and decided that a church should be built at the site of the vision to commemorate it. For this project, Lorenzo de Medici once again hired his favorite architect and his designs relied heavily on his study of the work of Alberti and Brunelleschi. Specifically, Sangallo used a Greek cross plan and this is a classical layout design that features four arms of equal length extending off of a central nave and it had not been used extensively in the Renaissance before that point. Construction began on the church in 1486 but the façade remains unfinished to this day, in 1488, after the initial plans were set for the villa in Poggia a Caiano, Lorenzo de Medici commissioned Giuliano to build a castle for Ferrante of Aragon, the King of Naples
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Patera
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In the material culture of classical antiquity, a phiale or patera is a shallow ceramic or metal libation bowl. It often has an indentation in the center underside to facilitate holding it. It typically has no handles, and no feet, although the two terms may be used interchangeably, particularly in the context of Etruscan culture, phiale is more common in reference to Greek forms, and patera in a Roman setting. Libation was a central and vital aspect of ancient Greek religion and it is one of the basic religious acts that define piety in ancient Greece, dating back to the Bronze Age and even prehistoric Greece. Libations were a part of life, and the pious might perform them every day in the morning and evening. A libation most often consisted of mixed wine and water, but could also be unmixed wine, honey, oil, water, the form of libation called spondē is typically the ritualized pouring of wine from a jug or bowl held in the hand. The most common ritual was to pour the liquid from an oinochoē into a phiale, the Greeks stood when they prayed, either with their arms uplifted, or in the act of libation with the right arm extended to hold the phiale. After the wine offering was poured from the phiale, the remainder of the contents was drunk by the celebrant, in Roman art, the libation is shown performed at an altar, mensa, or tripod. It was the simplest form of sacrifice, and could be a sufficient offering by itself, the introductory rite to an animal sacrifice included an incense and wine libation onto a burning altar. Both emperors and divinities are frequently depicted, especially on coins, scenes of libation and the patera itself commonly signify the quality of pietas, religious duty or reverence. In architecture, oval features on plaster friezes on buildings may be called paterae, parabiago patera, which is actually a platter or plate
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Boscoreale
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Boscoreale Italian pronunciation, is an Italian comune and town in the Metropolitan City of Naples, Campania, with a population of 27,457 in 2011. Located in the Parco Nazionale del Vesuvio, under the slopes of Mount Vesuvius, it is known for the fruit, there is also a fine Vesuvian lava stone production. The villa of P. Fannius Synistor was built and decorated shortly after mid-first century BC, the quality of its frescoes seems to have preserved them from changes in fashion, before the villa was entombed in the eruption. The neighboring Boscotrecase yielded some elite works of art to excavators at the time, in particular at the Villa of Agrippa Postumus. The municipality is part of Naples metropolitan area, and borders with Boscotrecase, Poggiomarino, Pompei, Scafati, Terzigno and it counts the hamlets of Cangiani, Marchesa, Marra, Passanti, and Pellegrini. Frankfurt am Main, Germany, FBP Music Publishing, Nel mio bosco Reale - debut album of Veronica Vitale a. k. a. Ivee, international pop artist and multi-talented researcher in the field of systems theory and her first album released worldwide in 2011 is entitled Nel mio bosco Reale, outright inspired to her ancient hometown Boscoreale. Because of her outstanding works done as scientist and artist abroad her own country Veronica Vitale has got the Excellency Honor from Boscoreale Town on 27 September 2014, with Nel mio bosco Reale album, achieves the Amazon. Frankfurt am Main, FBP Music Publishing,1100 autobiographical song from Nel mio bosco Reale - dedicated to Boscoreale. Le Trésor dorfèvrerie romaine de Boscoreale
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Mount Vesuvius
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Mount Vesuvius is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km east of Naples and a short distance from the shore. It is one of several volcanoes which form the Campanian volcanic arc, Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera caused by the collapse of an earlier and originally much higher structure. Mount Vesuvius is best known for its eruption in AD79 that led to the burying and destruction of the Roman cities of Pompeii and Herculaneum, more than 1,000 people died in the eruption, but exact numbers are unknown. The only surviving account of the event consists of two letters by Pliny the Younger to the historian Tacitus. Vesuvius has erupted many times since and is the volcano on the European mainland to have erupted within the last hundred years. Vesuvius has a historic and literary tradition. An inscription from Capua to IOVI VESVVIO indicates that he was worshipped as a power of Jupiter and it was inhabited by bandits, the sons of the Earth, who were giants. With the assistance of the gods he pacified the region and went on, the facts behind the tradition, if any, remain unknown, as does whether Herculaneum was named after it. An epigram by the poet Martial in 88 AD suggests that both Venus, patroness of Pompeii, and Hercules were worshipped in the devastated by the eruption of 79. Mount Vesuvius was regarded by the Romans as being devoted to the hero, Vesuvius was a name of the volcano in frequent use by the authors of the late Roman Republic and the early Roman Empire. Its collateral forms were Vesaevus, Vesevus, Vesbius and Vesvius, writers in ancient Greek used Οὐεσούιον or Οὐεσούιος. Many scholars since then have offered an etymology, as peoples of varying ethnicity and language occupied Campania in the Roman Iron Age, the etymology depends to a large degree on the presumption of what language was spoken there at the time. Naples was settled by Greeks, as the name Nea-polis, New City, the Oscans, a native Italic people, lived in the countryside. The Latins also competed for the occupation of Campania, etruscan settlements were in the vicinity. Other peoples of unknown provenance are said to have been there at some time by various ancient authors. Some theories about its origin are, From Greek οὔ = not prefixed to a root from or related to the Greek word σβέννυμι = I quench, from Greek ἕω = I hurl and βίη violence, hurling violence, *vesbia, taking advantage of the collateral form. From an Indo-European root, *eus- < *ewes- < *wes-, shine sense the one who lightens, the Gran Cono was produced during the A. D.79 eruption. For this reason, the volcano is also called Somma-Vesuvius or Somma-Vesuvio, the caldera started forming during an eruption around 17,000 years ago and was enlarged by later paroxysmal eruptions, ending in the one of AD79
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Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
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