Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment. The Byzantines liked colour and pattern, and made and exported very richly patterned cloth, especially Byzantine silk, woven and embroidered for the upper classes, and resist-dyed and printed for the lower. A different border or trimming round the edges was very common, and many single stripes down the body or around the upper arm are seen, often denoting class or rank. Taste for the middle and upper classes followed the latest fashions at the Imperial Court.
A 14th-century military martyr wears four layers, all patterned and richly trimmed: a cloak with tablion over a short dalmatic, another layer (?), and a tunic
Mosaic from the San Vitale church in Ravenna. Few later emperors would dress so simply as in a mosaic as Justinian I here, though his dress is far richer at every point than his attendants'. He and they have the tablion diagonally across their torsos. This bishop probably wore this style of dress, which is very close to modern church vestments, for most of the time. Note what appears to be shoes and socks.
Moses has iconographic dress, the others everyday contemporary clothes, 10th century
Kings of Georgia and queens consort wearing Byzantine dress. A fresco from the Gelati Monastery.
Byzantine silk is silk woven in the Byzantine Empire (Byzantium) from about the fourth century until the Fall of Constantinople in 1453.
David, between personifications of Wisdom and Prophecy, is depicted in a chlamys of patterned Byzantine silk. Paris Psalter, 10th century.
Byzantine silk with a pattern of birds and griffins in roundels.
The Shroud of Charlemagne, a polychrome Byzantine silk with a pattern showing a quadriga, 9th century. Paris, musée national du Moyen Âge.
The "Bamberger Gunthertuch", an embroidered imperial hanging depicting the return of John Tzimiskes from a successful campaign of about 970.