1.
Krater
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A krater or crater was a large vase in Ancient Greece, particularly used for watering down wine. At a Greek symposium, kraters were placed in the center of the room and they were quite large, so they were not easily portable when filled. Thus, the mixture would be withdrawn from the krater with other vessels. In fact, Homers Odyssey describes a steward drawing wine from a krater at a banquet and then running to, the modern Greek word now used for undiluted wine, krasi, originates from the krasis of wine and water in kraters. Kraters were glazed on the interior to make the surface of the clay more impervious for holding water, at the beginning of each symposium a symposiarch, or lord of the common drink, was elected by the participants. He would then control of the wine servants, and thus of the degree of wine dilution and how it changed during the party. The krater and how it was filled and emptied was thus the centerpiece of the symposiarchs authority, an astute symposiarch should be able to diagnose the degree of inebriation of his fellow symposiasts and make sure that the symposium progressed smoothly and without drunken excess. Drinking ákratos wine was considered a faux pas in ancient Greece, enough to characterize the drinker as a drunkard and someone who lacked restraint. By using dehydrated grapes, and could withstand dilution with water better, such wines would have also withstood time and the vagaries of transportation much better. Nevertheless, the ancient writers offer scant details of ancient vinification methods and this form originated in Corinth in the seventh century BCE but was taken over by the Athenians where it is typically black-figure. They ranged in size from 35 centimetres to 56 centimetres in height and were thrown in three pieces, the body/ shoulder area was one, the base another, and the neck/ lip/ rim a third. These are among the largest of the kraters, supposedly developed by the potter Exekias in black figure though in fact almost always seen in red, the lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the body or cul. This type of krater, defined by volute-shaped handles, was invented in Laconia in the early 6th century BC and its production was carried on by Greeks in Apulia until the end of the 4th century BC. This strip would then have been continued downward until the bottom of the handle where the potter would have cut a U-shaped arch in the clay before attaching the handle to the body of the vase and this form looks like an inverted bell. According to most scholars ceramic kraters imitated shapes designed initially for metal vessels, these were common in antiquity, among the largest and most famous metal kraters in antiquity were one in the possession of the Samian tyrant Polycrates, and another one dedicated by Croesus to the Delphic oracle. There are a few extant Archaic bronze kraters, almost exclusively of the volute-type and their main production centres were Sparta, Argos and Corinth, in Peloponnesus
2.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
3.
Hendrik Goltzius
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Hendrick Goltzius, was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, noted for his sophisticated technique and the exuberance of his compositions. According to A. Hyatt Mayor, Goltzius was the last professional engraver who drew with the authority of a good painter, in middle age he also began to produce paintings. Goltzius was born near Venlo in Bracht or Millebrecht, a then in the Duchy of Julich. His family moved to Duisburg when he was 3 years old, after studying painting on glass for some years under his father, he learned engraving from the Dutch polymath Dirck Volckertszoon Coornhert, who then lived in Cleves. In 1577 he moved with Coornhert to Haarlem in the Dutch Republic, in the same town, he was also employed by Philip Galle to engrave a set of prints of the history of Lucretia. He returned to Haarlem in August 1591, considerably improved in health and his portraits, though mostly miniatures, are masterpieces of their kind, both on account of their exquisite finish, and as fine studies of individual character. Of his larger heads, his life-size self-portrait is probably the most striking example, Goltzius brought to an unprecedented level the use of the swelling line, where the burin is manipulated to make lines thicker or thinner to create a tonal effect from a distance. He also was a pioneer of dot and lozenge technique, where dots are placed in the middle of lozenge shaped spaces created by cross-hatching to further refine tonal shading, hollstein credits 388 prints to him, with a further 574 by other printmakers after his designs. In his command of the burin, Goltzius is said to rival Dürer and he made engravings of Bartholomeus Sprangers paintings, thus increasing the fame of the latter – and his own. Goltzius began painting at the age of forty-two, some of his paintings can be found in Vienna and he also executed a few chiaroscuro woodcuts. He was the stepfather of engraver Jacob Matham and he died, aged 58, in Haarlem. A Hyatt Mayor, Prints and People, Metropolitan Museum of Art/Princeton,1971, cohn, An Interpretation of Four Woodcut Landscape by Hendrick Goltzius, Print Quarterly, XXXI, June 2014, pp. 144–155. Liedtke, Walter A. Flemish paintings in the Metropolitan Museum of Art, new York, The Metropolitan Museum of Art. Web Gallery of Art Retrieved 19-08-2008 Works and literature on Hendrick Goltzius Goltzius engravings from the De Verda collection2
4.
Peter Paul Rubens
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Sir Peter Paul Rubens was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school, the catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects and he painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house and he also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not overly detailed and he also made great use of oil sketches as preparatory studies. For altarpieces he painted on slate to reduce reflection problems. Rubens was born in the city of Siegen to Jan Rubens and he was named in honour of Saint-Peter and Paul, because he was born on their solemnety. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the adviser of Anna of Saxony, the second wife of William I of Orange. Following Jan Rubens imprisonment for the affair, Peter Paul Rubens was born in 1577, the family returned to Cologne the next year. In 1589, two years after his fathers death, Rubens moved with his mother Maria Pypelincks to Antwerp, religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting. In Antwerp, Rubens received a Renaissance humanist education, studying Latin, by fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the leading painters of the time, the late Mannerist artists Adam van Noort. Much of his earliest training involved copying earlier works, such as woodcuts by Hans Holbein the Younger. Rubens completed his education in 1598, at time he entered the Guild of St. Luke as an independent master. In 1600 Rubens travelled to Italy and he stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an effect on Rubenss painting. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601, there, he studied classical Greek and Roman art and copied works of the Italian masters
5.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
6.
Thebes, Greece
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Thebes is a city in Boeotia, central Greece. It played an important role in Greek myths, as the site of the stories of Cadmus, Oedipus, Dionysus and others. Archaeological excavations in and around Thebes have revealed a Mycenaean settlement and clay tablets written in the Linear B script, Thebes was the largest city of the ancient region of Boeotia and was the leader of the Boeotian confederacy. It was a rival of ancient Athens, and sided with the Persians during the 480 BC invasion under Xerxes. Theban forces ended the power of Sparta at the Battle of Leuctra in 371 BC under the command of Epaminondas, the Sacred Band of Thebes famously fell at the battle of Chaeronea in 338 BC against Philip II and Alexander the Great. Prior to its destruction by Alexander in 335 BC, Thebes was a force in Greek history. During the Byzantine period, the city was famous for its silks, the modern city contains an Archaeological Museum, the remains of the Cadmea, and scattered ancient remains. Modern Thebes is the largest town of the unit of Boeotia. Thebes is situated in a plain, between Lake Yliki to the north, and the Cithaeron mountains, which divide Boeotia from Attica and its elevation is 215 metres above mean sea level. It is about 50 kilometres northwest of Athens, and 100 kilometres southeast of Lamia, motorway 1 and the Athens–Thessaloniki railway connect Thebes with Athens and northern Greece. The municipality of Thebes covers an area of 830.112 square kilometres, the unit of Thebes 321.015 square kilometres. In 2011, as a consequence of the Kallikratis reform, Thebes was merged with Plataies, Thisvi, and Vagia to form a larger municipality, the other three become units of the larger municipality. Five main cycles of story may be distinguished, The foundation of the citadel Cadmea by Cadmus, the building of a seven-gated wall by Amphion, and the cognate stories of Zethus, Antiope and Dirce. See Theban pederasty and Pederasty in ancient Greece for detailed discussion, the immolation of Semele and the advent of Dionysus. The Greeks attributed the foundation of Thebes to Cadmus, a Phoenician king from Tyre, Cadmus was famous for teaching the Phoenician alphabet and building the Acropolis, which was named the Cadmeia in his honor and was an intellectual, spiritual, and cultural center. Archaeological excavations in and around Thebes have revealed cist graves dated to Mycenaean times containing weapons, ivory, *Tʰēgʷai in LHIIIB lost contact with Egypt but gained it with Miletus and Cyprus. In the late LHIIIB, according to Palaima, *Tʰēgʷai was able to pull resources from Lamos near Mount Helicon, and from Karystos and Amarynthos on the Greek side of the isle of Euboia. As a fortified community, it attracted attention from the invading Dorians, and this centralizing policy is as much the cardinal fact of Theban history as the counteracting effort of the smaller towns to resist absorption forms the main chapter of the story of Boeotia
7.
Perseus
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Perseus beheaded the Gorgon Medusa and saved Andromeda from the sea monster Cetus. Perseus was the son of the mortal Danaë and the god Zeus and he was also the half-brother and great grandfather of Heracles. There is some prospect that it descended into Greek from the Proto-Indo-European language, in that regard Robert Graves has espoused the only Greek derivation available. Perseus might be from the Greek verb, πέρθειν, “to waste, ravage, sack, destroy”, according to Carl Darling Buck, the –eus suffix is typically used to form an agent noun, in this case from the aorist stem, pers-. Pers-eus therefore is a sacker of cities, that is, a soldier by occupation, the origin of perth- is more obscure. J. B. Hofmann lists the possible root as *bher-, from which Latin ferio and this corresponds to Julius Pokorny’s *bher-, “scrape, cut. ”Ordinarily *bh- descends to Greek as ph-. This difficulty can be overcome by presuming a dissimilation from the –th– in perthein, that is, Graves carries the meaning still further, to the perse- in Persephone, goddess of death. the classical Perse. daughter of Oceanus. Whether it may be identified with the first element of Persephone is only speculative. ”A Greek folk etymology connected the name of the Persian people. The native name, however, has always had an -a- in Persian, herodotus recounts this story, devising a foreign son, Perses, from whom the Persians took the name. Apparently the Persians themselves knew the story, as Xerxes tried to use it to suborn the Argives during his invasion of Greece, Perseus was the son of Zeus and Danaë, the daughter of Acrisius, King of Argos. Disappointed by his lack of luck in having a son, Acrisius consulted the oracle at Delphi, who warned him that he would one day be killed by his daughters son. In order to keep Danaë childless, Acrisius imprisoned her in a chamber, open to the sky, in the courtyard of his palace, This mytheme is also connected to Ares, Oenopion, Eurystheus. Zeus came to her in the form of a shower of gold, soon after, their child was born, Perseus—Perseus Eurymedon, for his mother gave him this name as well. Fearful for his future, but unwilling to provoke the wrath of the gods by killing the offspring of Zeus and his daughter, danaës fearful prayer, made while afloat in the darkness, has been expressed by the poet Simonides of Ceos. Mother and child washed ashore on the island of Serifos, where they were taken in by the fisherman Dictys, the brother of Dictys was Polydectes, the king of the island. When Perseus was grown, Polydectes came to fall in love with the beautiful Danaë, Perseus believed Polydectes was less than honourable, and protected his mother from him, then Polydectes plotted to send Perseus away in disgrace. He held a banquet where each guest was expected to bring a gift. Polydectes requested that the guests bring horses, under the pretense that he was collecting contributions for the hand of Hippodamia, Perseus had no horse to give, so he asked Polydectes to name the gift, he would not refuse it
8.
Bellerophon
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Bellerophon or Bellerophontes is a hero of Greek mythology. Bellerophon was born at Corinth and was the son of the mortal Eurynome by either her husband Glaucus, one possible etymology that has been suggested is, Βελλεροφόντης from βέλεμνον, βελόνη, βέλος and -φόντης from φονεύω. However, Geoffrey Kirk says that Βελλεροφόντης means slayer of Belleros, Belleros could have been a Lycian, a local daimon or a Corinthian nobleman—Bellerophons name clearly invited all sorts of speculation. The Iliad vi. 155–203 contains a narrative told by Bellerophons grandson Glaucus, named for his great-grandfather. Bellerophons father was Glaucus, who was the king of Corinth, Bellerophons grandsons Sarpedon and the younger Glaucus fought in the Trojan War. In the Epitome of pseudo-Apollodorus, a genealogy is given for Chrysaor that would make him a double of Bellerophon, he too is called the son of Glaucus the son of Sisyphus. Chrysaor has no myth save that of his birth, from the neck of Medusa. From this moment we hear no more of Chrysaor, the rest of the tale concerning the stallion only, perhaps also for his brothers sake, by whom in the end he let himself be caught, the immortal horse by his mortal brother. Proetus, by virtue of his kingship, cleansed Bellerophon of his crime, the wife of the king, whether named Anteia or Stheneboea, took a fancy to him, but when he rejected her, she accused Bellerophon of attempting to ravish her. Before opening the tablets, Iobates feasted with Bellerophon for nine days, the Chimera was a fire-breathing monster whose make-up comprised the body of a goat, the head of a lion and the tail being a serpent. This monster had terrorized the nearby countryside, on his way he encountered the famous Corinthian seer Polyeidos who gave him advice about his oncoming battle. Polyeidos told Bellerophon that he would have need of Pegasus, to obtain the services of the untamed winged horse, Polyeidos told Bellerophon to sleep in the temple of Athena. While Bellerophon slept, he dreamed that Athena set a golden bridle beside him, saying Sleepest thou, come, take this charm for the steed and show it to the Tamer thy father as thou makest sacrifice to him of a white bull. It was there when he awoke, Bellerophon had to approach Pegasus while it drank from a well, Polyeidos told him which well—the never-failing Pirene on the citadel of Corinth, the city of Bellerophons birth. Other accounts say that Athena brought Pegasus already tamed and bridled, or that Poseidon the horse-tamer, secretly the father of Bellerophon, brought Pegasus, Bellerophon mounted his steed and flew off to where the Chimera was said to dwell. When he arrived in Lycia, the Chimera was truly ferocious and he felt the heat of the breath the Chimera expelled, and was struck with an idea. He got a block of lead and mounted it on his spear. Then he flew head-on towards the Chimera, holding out the spear as far as he could, before he broke off his attack, he managed to lodge the block of lead inside the Chimeras throat
9.
Heracles
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Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of clans who claimed to be Heracleidae. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, details of his cult were adapted to Rome as well. Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him, together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the skin and the club. These qualities did not prevent him from being regarded as a figure who used games to relax from his labors. By conquering dangerous archaic forces he is said to have made the safe for mankind. Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles and his figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known. Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, the core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. Heracles role as a hero, whose death could be a subject of mythic telling, was accepted into the Olympian Pantheon during Classical times. Around him cries of the dead rang out like cries of birds scattering left, in Christian circles a Euhemerist reading of the widespread Heracles cult was attributed to a historical figure who had been offered cult status after his death. The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, what is believed to be an Egyptian Temple of Heracles in the Bahariya Oasis dates to 21 BCE. A reassessment of Ptolemys descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles, several ancient cities were named Heraclea in his honor. A major factor in the tragedies surrounding Heracles is the hatred that the goddess Hera. A full account of Heracles must render it clear why Heracles was so tormented by Hera, Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, thus, Heracles very existence proved at least one of Zeus many illicit affairs, and Hera often conspired against Zeus mortal offspring as revenge for her husbands infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus
10.
Tyre, Lebanon
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Tyre, sometimes romanized as Sour, is a city in the South Governorate of Lebanon. There were approximately 117,000 inhabitants in 2003, however, the government of Lebanon has released only rough estimates of population numbers since 1932, so an accurate statistical accounting is not possible. Tyre juts out from the coast of the Mediterranean and is located about 80 km south of Beirut, the name of the city means rock after the rocky formation on which the town was originally built. The adjective for Tyre is Tyrian, and the inhabitants are Tyrians, Tyre is an ancient Phoenician city and the legendary birthplace of Europa and Dido. Today it is the fourth largest city in Lebanon and houses one of the major ports. The city has a number of ancient sites, including its Roman Hippodrome which was added to UNESCOs list of World Heritage Sites in 1979. Tyre originally consisted of two urban centres, Tyre itself, which was on an island just off shore. Alexander the Great connected the island to the mainland by constructing a causeway during his siege of the city, the original island city had two harbours, one on the south side and the other on the north side of the island. The harbour on the side has silted over, but the harbour on the north side is still in use. Tyre was founded around 2750 BC according to Herodotus and was built as a walled city upon the mainland. Phoenicians from Tyre settled in houses around Memphis, south of the temple of Hephaestus in a called the Tyrian Camp. Tyres name appears on monuments as early as 1300 BC, philo of Byblos quotes the antiquarian authority Sanchuniathon as stating that it was first occupied by Hypsuranius. Sanchuniathons work is said to be dedicated to Abibalus king of Berytus—possibly the Abibaal who was king of Tyre, there are ten Amarna letters dated 1350 BC from the mayor, Abimilku, written to Akenaten. The subject is often water, wood and the Habiru overtaking the countryside of the mainland, the commerce of the ancient world was gathered into the warehouses of Tyre. The city of Tyre was particularly known for the production of a rare and extraordinarily expensive sort of dye, produced from the murex shellfish. The colour was, in ancient cultures, reserved for the use of royalty or at least the nobility, Tyre was often attacked by Egypt, besieged by Shalmaneser V, who was assisted by the Phoenicians of the mainland, for five years. From 586 until 573 BC, the city was besieged by Nebuchadnezzar II until it agreed to pay a tribute. The Achaemenid Empire conquered the city in 539 BC and kept it under its rule until Alexander the Great laid siege to the city, in 315 BC, Alexanders former general Antigonus began his own siege of Tyre, taking the city a year later
11.
Europa (mythology)
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In Greek mythology Europa was the mother of King Minos of Crete, a woman with Phoenician origin of high lineage, and for whom the continent Europe was named. This can especially be said of the story of Europa, Europas earliest literary reference is in the Iliad, which is commonly dated to the 8th century BC. Another early reference to her is in a fragment of the Hesiodic Catalogue of Women, the earliest vase-painting securely identifiable as Europa dates from mid-7th century BC. Greek Εὐρώπη Eurṓpē contains the elements εὐρύς, wide, broad and ὤψ/ὠπ-/ὀπτ- eye, broad has been an epithet of Earth herself in the reconstructed Proto-Indo-European religion. It is common in ancient Greek mythology and geography to identify lands or rivers with female figures, thus, Europa is first used in a geographic context in the Homeric Hymn to Delian Apollo, in reference to the western shore of the Aegean Sea. As a name for a part of the world, it is first used in the 6th century BC by Anaximander. Barry adduces the word Ereb on an Assyrian stele with the meaning of night, sunset, in opposition to Asu sunrise and this proposal is mostly considered unlikely or untenable. They call it the temple of Astarte, I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa and this legend I heard from other Phœnicians as well, and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. Thus they do not agree that the temple in question is sacred to Europa, the paradox, as it seemed to Lucian, would be solved if Europa is Astarte in her guise as the full, broad-faced moon. Sources differ in details regarding Europas family, but agree that she is Phoenician, and from a lineage that descended from Io, the mythical nymph beloved of Zeus, who was transformed into a heifer. She is generally said to be the daughter of Agenor, the Phoenician King of Tyre, other sources, such as the Iliad, claim that she is the daughter of Agenors son, the sun-red Phoenix. So some interpret this as her brother Phoenix gave his siblings name to his three children and this Europa is also loved by Zeus, but because of the same name, gave some confusions to others. After arriving in Crete, Europa had three sons fathered by Zeus, Minos, Rhadamanthus, and Sarpedon, the three of whom became the three judges of the Underworld when they died, in Crete she married Asterion also rendered Asterius and became mother of his daughter Crete. There were two competing myths relating how Europa came into the Hellenic world, but they agreed that she came to Crete, the mythical Europa cannot be separated from the mythology of the sacred bull, which had been worshipped in the Levant. There is also a sanctuary of Demeter Europa, the mythographers tell that Zeus was enamored of Europa and decided to seduce or ravish her, the two being near-equivalent in Greek myth. He transformed himself into a white bull and mixed in with her fathers herds. While Europa and her helpers were gathering flowers, she saw the bull, caressed his flanks, Zeus took that opportunity and ran to the sea and swam, with her on his back, to the island of Crete
12.
Phoenicia
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The enterprising, sea-based Phoenician civilization spread across the Mediterranean between 1500 BC and 300 BC. Their civilization was organized in city-states, similar to those of Ancient Greece, perhaps the most notable of which were Tyre, Sidon, Arvad, Berytus and Carthage. Each city-state was an independent unit, and it is uncertain to what extent the Phoenicians viewed themselves as a single nationality. In terms of archaeology, language, lifestyle, and religion there was little to set the Phoenicians apart as markedly different from other Semitic Canaanites. The Phoenicians were the first state-level society to make use of alphabets. By their maritime trade, the Phoenicians spread the use of the alphabet to Anatolia, North Africa, and Europe, where it was adopted by the Greeks, the name Phoenicians, like Latin Poenī, comes from Greek Φοίνικες. The word φοῖνιξ phoînix meant variably Phoenician person, Tyrian purple, the word may be derived from φοινός phoinós blood red, itself possibly related to φόνος phónos murder. Beekes has suggested a Pre-Greek origin of the ethnonym, the oldest attested form of the word in Greek may be the Mycenaean po-ni-ki-jo, po-ni-ki, possibly borrowed from Ancient Egyptian fnḫw Asiatics, Semites, although this derivation is disputed. The folk-etymological association of Φοινίκη with φοῖνιξ mirrors that in Akkadian which tied kinaḫni, the land was natively known as knʿn and its people as the knʿny. In the Amarna tablets of the 14th century BC, people from the region called themselves Kenaani or Kinaani, the ethnonym survived in North Africa until the 4th century AD. Herodotus account refers to the myths of Io and Europa, according to the Persians best informed in history, the Phoenicians began the quarrel. The Greek historian Strabo believed that the Phoenicians originated from Bahrain, Herodotus also believed that the homeland of the Phoenicians was Bahrain. The people of Tyre in South Lebanon in particular have long maintained Persian Gulf origins, however, there is little evidence of occupation at all in Bahrain during the time when such migration had supposedly taken place. Canaanite culture apparently developed in situ from the earlier Ghassulian chalcolithic culture, Byblos is attested as an archaeological site from the Early Bronze Age. The Late Bronze Age state of Ugarit is considered quintessentially Canaanite archaeologically, fernand Braudel remarked in The Perspective of the World that Phoenicia was an early example of a world-economy surrounded by empires. The high point of Phoenician culture and sea power is usually placed c, archaeological evidence consistent with this understanding has been difficult to identify. A unique concentration in Phoenicia of silver hoards dated between 1200 and 800 BC, however, contains hacksilver with lead isotope ratios matching ores in Sardinia and Spain. This metallic evidence agrees with the memory of a western Mediterranean Tarshish that supplied Solomon with silver via Phoenicia
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Cadmus". Encyclopædia Britannica (11th ed.). Cambridge University Press.
This article incorporates text from a publication now in the 
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