1.
Krater
–
A krater or crater was a large vase in Ancient Greece, particularly used for watering down wine. At a Greek symposium, kraters were placed in the center of the room and they were quite large, so they were not easily portable when filled. Thus, the mixture would be withdrawn from the krater with other vessels. In fact, Homers Odyssey describes a steward drawing wine from a krater at a banquet and then running to, the modern Greek word now used for undiluted wine, krasi, originates from the krasis of wine and water in kraters. Kraters were glazed on the interior to make the surface of the clay more impervious for holding water, at the beginning of each symposium a symposiarch, or lord of the common drink, was elected by the participants. He would then control of the wine servants, and thus of the degree of wine dilution and how it changed during the party. The krater and how it was filled and emptied was thus the centerpiece of the symposiarchs authority, an astute symposiarch should be able to diagnose the degree of inebriation of his fellow symposiasts and make sure that the symposium progressed smoothly and without drunken excess. Drinking ákratos wine was considered a faux pas in ancient Greece, enough to characterize the drinker as a drunkard and someone who lacked restraint. By using dehydrated grapes, and could withstand dilution with water better, such wines would have also withstood time and the vagaries of transportation much better. Nevertheless, the ancient writers offer scant details of ancient vinification methods and this form originated in Corinth in the seventh century BCE but was taken over by the Athenians where it is typically black-figure. They ranged in size from 35 centimetres to 56 centimetres in height and were thrown in three pieces, the body/ shoulder area was one, the base another, and the neck/ lip/ rim a third. These are among the largest of the kraters, supposedly developed by the potter Exekias in black figure though in fact almost always seen in red, the lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the body or cul. This type of krater, defined by volute-shaped handles, was invented in Laconia in the early 6th century BC and its production was carried on by Greeks in Apulia until the end of the 4th century BC. This strip would then have been continued downward until the bottom of the handle where the potter would have cut a U-shaped arch in the clay before attaching the handle to the body of the vase and this form looks like an inverted bell. According to most scholars ceramic kraters imitated shapes designed initially for metal vessels, these were common in antiquity, among the largest and most famous metal kraters in antiquity were one in the possession of the Samian tyrant Polycrates, and another one dedicated by Croesus to the Delphic oracle. There are a few extant Archaic bronze kraters, almost exclusively of the volute-type and their main production centres were Sparta, Argos and Corinth, in Peloponnesus
Krater
–
Krater discovered on the
acropolis of
Mycenae, depicting fully armed warriors, date 1200-1100 BC. Located in the
National Archaeological Museum of Athens.
Krater
–
Manner of
Lydos, Black-figured column crater depicting swans, ca. 550 BC, Museum of the
Ancient Agora,
Athens
Krater
–
Euphronios & Euxitheos, Cratère attique à figures rouges, 515-510 B.C.,
Louvre
Krater
–
Darius Painter,
Red-figure volute krater,
Medea at
Eleusis, ca. 340-330 B.C..
Princeton University Art Museum
2.
Louvre Museum
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre Museum
–
the Richelieu wing (2005)
Louvre Museum
–
The only portion of the medieval Louvre still visible
Louvre Museum
–
Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre Museum
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
3.
Hendrick Goltzius
–
Hendrick Goltzius, was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, noted for his sophisticated technique and the exuberance of his compositions. According to A. Hyatt Mayor, Goltzius was the last professional engraver who drew with the authority of a good painter, in middle age he also began to produce paintings. Goltzius was born near Venlo in Bracht or Millebrecht, a then in the Duchy of Julich. His family moved to Duisburg when he was 3 years old, after studying painting on glass for some years under his father, he learned engraving from the Dutch polymath Dirck Volckertszoon Coornhert, who then lived in Cleves. In 1577 he moved with Coornhert to Haarlem in the Dutch Republic, in the same town, he was also employed by Philip Galle to engrave a set of prints of the history of Lucretia. He returned to Haarlem in August 1591, considerably improved in health and his portraits, though mostly miniatures, are masterpieces of their kind, both on account of their exquisite finish, and as fine studies of individual character. Of his larger heads, his life-size self-portrait is probably the most striking example, Goltzius brought to an unprecedented level the use of the swelling line, where the burin is manipulated to make lines thicker or thinner to create a tonal effect from a distance. He also was a pioneer of dot and lozenge technique, where dots are placed in the middle of lozenge shaped spaces created by cross-hatching to further refine tonal shading, hollstein credits 388 prints to him, with a further 574 by other printmakers after his designs. In his command of the burin, Goltzius is said to rival Dürer and he made engravings of Bartholomeus Sprangers paintings, thus increasing the fame of the latter – and his own. Goltzius began painting at the age of forty-two, some of his paintings can be found in Vienna and he also executed a few chiaroscuro woodcuts. He was the stepfather of engraver Jacob Matham and he died, aged 58, in Haarlem. A Hyatt Mayor, Prints and People, Metropolitan Museum of Art/Princeton,1971, cohn, An Interpretation of Four Woodcut Landscape by Hendrick Goltzius, Print Quarterly, XXXI, June 2014, pp. 144–155. Liedtke, Walter A. Flemish paintings in the Metropolitan Museum of Art, new York, The Metropolitan Museum of Art. Web Gallery of Art Retrieved 19-08-2008 Works and literature on Hendrick Goltzius Goltzius engravings from the De Verda collection2
Hendrick Goltzius
–
Self-portrait (c. 1593–94)
Hendrick Goltzius
–
Goltzius's drawing of his right hand
Hendrick Goltzius
–
Lot and his daughters (1616) in the collection of the
Rijksmuseum
Hendrick Goltzius
–
Horatius Cocles, from The Roman Heroes, 1586
4.
Rubens
–
Sir Peter Paul Rubens was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school, the catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects and he painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house and he also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not overly detailed and he also made great use of oil sketches as preparatory studies. For altarpieces he painted on slate to reduce reflection problems. Rubens was born in the city of Siegen to Jan Rubens and he was named in honour of Saint-Peter and Paul, because he was born on their solemnety. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the adviser of Anna of Saxony, the second wife of William I of Orange. Following Jan Rubens imprisonment for the affair, Peter Paul Rubens was born in 1577, the family returned to Cologne the next year. In 1589, two years after his fathers death, Rubens moved with his mother Maria Pypelincks to Antwerp, religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting. In Antwerp, Rubens received a Renaissance humanist education, studying Latin, by fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the leading painters of the time, the late Mannerist artists Adam van Noort. Much of his earliest training involved copying earlier works, such as woodcuts by Hans Holbein the Younger. Rubens completed his education in 1598, at time he entered the Guild of St. Luke as an independent master. In 1600 Rubens travelled to Italy and he stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an effect on Rubenss painting. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601, there, he studied classical Greek and Roman art and copied works of the Italian masters
Rubens
–
Self-portrait, 1623,
Royal Collection
Rubens
–
Rubens and
Isabella Brant, the
Honeysuckle Bower, c. 1609.
Alte Pinakothek
Rubens
–
The garden Rubens planned at
Rubenshuis, in
Antwerpen
Rubens
–
Portrait of a Young Scholar, from 1597
5.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
6.
Greek language
–
Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
Greek language
–
Idealized portrayal of
Homer
Greek language
–
regions where Greek is the official language
Greek language
–
Greek language road sign, A27 Motorway, Greece
7.
Thebes, Greece
–
Thebes is a city in Boeotia, central Greece. It played an important role in Greek myths, as the site of the stories of Cadmus, Oedipus, Dionysus and others. Archaeological excavations in and around Thebes have revealed a Mycenaean settlement and clay tablets written in the Linear B script, Thebes was the largest city of the ancient region of Boeotia and was the leader of the Boeotian confederacy. It was a rival of ancient Athens, and sided with the Persians during the 480 BC invasion under Xerxes. Theban forces ended the power of Sparta at the Battle of Leuctra in 371 BC under the command of Epaminondas, the Sacred Band of Thebes famously fell at the battle of Chaeronea in 338 BC against Philip II and Alexander the Great. Prior to its destruction by Alexander in 335 BC, Thebes was a force in Greek history. During the Byzantine period, the city was famous for its silks, the modern city contains an Archaeological Museum, the remains of the Cadmea, and scattered ancient remains. Modern Thebes is the largest town of the unit of Boeotia. Thebes is situated in a plain, between Lake Yliki to the north, and the Cithaeron mountains, which divide Boeotia from Attica and its elevation is 215 metres above mean sea level. It is about 50 kilometres northwest of Athens, and 100 kilometres southeast of Lamia, motorway 1 and the Athens–Thessaloniki railway connect Thebes with Athens and northern Greece. The municipality of Thebes covers an area of 830.112 square kilometres, the unit of Thebes 321.015 square kilometres. In 2011, as a consequence of the Kallikratis reform, Thebes was merged with Plataies, Thisvi, and Vagia to form a larger municipality, the other three become units of the larger municipality. Five main cycles of story may be distinguished, The foundation of the citadel Cadmea by Cadmus, the building of a seven-gated wall by Amphion, and the cognate stories of Zethus, Antiope and Dirce. See Theban pederasty and Pederasty in ancient Greece for detailed discussion, the immolation of Semele and the advent of Dionysus. The Greeks attributed the foundation of Thebes to Cadmus, a Phoenician king from Tyre, Cadmus was famous for teaching the Phoenician alphabet and building the Acropolis, which was named the Cadmeia in his honor and was an intellectual, spiritual, and cultural center. Archaeological excavations in and around Thebes have revealed cist graves dated to Mycenaean times containing weapons, ivory, *Tʰēgʷai in LHIIIB lost contact with Egypt but gained it with Miletus and Cyprus. In the late LHIIIB, according to Palaima, *Tʰēgʷai was able to pull resources from Lamos near Mount Helicon, and from Karystos and Amarynthos on the Greek side of the isle of Euboia. As a fortified community, it attracted attention from the invading Dorians, and this centralizing policy is as much the cardinal fact of Theban history as the counteracting effort of the smaller towns to resist absorption forms the main chapter of the story of Boeotia
Thebes, Greece
–
Remains of the Cadmea, the central fortress of ancient Thebes
Thebes, Greece
–
Theban workshop (Oinochoe type), 7th century BC.
Thebes, Greece
–
Map of the Topography of Ancient Thebes.
Thebes, Greece
–
Silver
stater of Thebes (405-395 BC). Obverse: Boeotian shield, reverse: Head of bearded
Dionysus.
8.
Greek hero
–
Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, hero refers to a man who was fighting on either side during the Trojan War, copious renewed offerings begin to be represented, after a hiatus, at sites like Lefkandi, even though the names of the grandly buried dead were hardly remembered. Stories began to be told to individuate the persons who were now believed to be buried in these old, large Mycenaean tholos tombs that betokened a grander past, were often the site of hero-cults. Not all heroes were even known by names, the custom, then, was already established, and there were multiple local heroes. In the heros restricted and local scope he retained the limited, the two exceptions to the above were Heracles and Asclepius, who might be honored as either heroes or gods, with chthonic libation or with burnt sacrifice. Heroes in cult behaved very differently from heroes in myth and they might appear indifferently as men or as snakes, and they seldom appeared unless angered. A Pythagorean saying advises not to eat food that has fallen on the floor, Heroes if ignored or left unappeased could turn malicious, in a fragmentary play by Aristophanes, a chorus of anonymous heroes describe themselves as senders of lice, fever and boils. These all seem to date to the 8th century BC, the cult of Pelops at Olympia dates from the Archaic period. Where local cult venerated figures such as the sacrificial virgin Iphigeneia, other isolated female figures represented priestess-initiators of a local cult. Iconographic and epigraphal evidence marshalled by Larson combine to depict heroines as similar in kind to heroes, Whitley distinguishes four or five essential types of hero cult, Oikist cults of founders. Such cults arose in colonies in the Hellenic world in Magna Graecia and Sicily at the grave of the founder, in the case of cults at the tombs of the recently heroised, it must be assumed that the identity of the occupant of the tomb was unequivocally known. Thucydides gives the example of Brasidas at Amphipolis, battus of Cyrene might also be mentioned. Such historical examples, Whitley warns, have colored the interpretation of certain tomb cults in the Archaic period. Such Archaic sites as the heroon at Lefkandi and that close to the West Gate at Eretria cannot be distinguished by archaeological methods from family observances at tombs and the cult of ancestors. A number of sites known in Classical times were dedicated to known heroes in the Greek and modern senses, especially of the Iliad. The cults of Oedipus at Athens and Pelops at Olympia are examples, such local figures do not figure among the Panhellenic figures of epic. Examples would be Akademos and Erechtheus at Athens and these are represented archaeologically by Iron Age deposits in Mycenaean tombs, not easily interpreted. Because of the gap in time between the Bronze Age collapse and the earliest votive objects, continuity appears to be broken
Greek hero
–
Ruins of a hero-shrine or
heroon at
Sagalassos,
Turkey
Greek hero
–
Cult of
Oedipus on a
Lucanian amphora, ca. 380-70 BC (
Louvre, CA 308)
Greek hero
–
Offerings to a deified hero and another deity, depicted on a Greek marble relief ca. 300 BC
9.
Perseus
–
Perseus beheaded the Gorgon Medusa and saved Andromeda from the sea monster Cetus. Perseus was the son of the mortal Danaë and the god Zeus and he was also the half-brother and great grandfather of Heracles. There is some prospect that it descended into Greek from the Proto-Indo-European language, in that regard Robert Graves has espoused the only Greek derivation available. Perseus might be from the Greek verb, πέρθειν, “to waste, ravage, sack, destroy”, according to Carl Darling Buck, the –eus suffix is typically used to form an agent noun, in this case from the aorist stem, pers-. Pers-eus therefore is a sacker of cities, that is, a soldier by occupation, the origin of perth- is more obscure. J. B. Hofmann lists the possible root as *bher-, from which Latin ferio and this corresponds to Julius Pokorny’s *bher-, “scrape, cut. ”Ordinarily *bh- descends to Greek as ph-. This difficulty can be overcome by presuming a dissimilation from the –th– in perthein, that is, Graves carries the meaning still further, to the perse- in Persephone, goddess of death. the classical Perse. daughter of Oceanus. Whether it may be identified with the first element of Persephone is only speculative. ”A Greek folk etymology connected the name of the Persian people. The native name, however, has always had an -a- in Persian, herodotus recounts this story, devising a foreign son, Perses, from whom the Persians took the name. Apparently the Persians themselves knew the story, as Xerxes tried to use it to suborn the Argives during his invasion of Greece, Perseus was the son of Zeus and Danaë, the daughter of Acrisius, King of Argos. Disappointed by his lack of luck in having a son, Acrisius consulted the oracle at Delphi, who warned him that he would one day be killed by his daughters son. In order to keep Danaë childless, Acrisius imprisoned her in a chamber, open to the sky, in the courtyard of his palace, This mytheme is also connected to Ares, Oenopion, Eurystheus. Zeus came to her in the form of a shower of gold, soon after, their child was born, Perseus—Perseus Eurymedon, for his mother gave him this name as well. Fearful for his future, but unwilling to provoke the wrath of the gods by killing the offspring of Zeus and his daughter, danaës fearful prayer, made while afloat in the darkness, has been expressed by the poet Simonides of Ceos. Mother and child washed ashore on the island of Serifos, where they were taken in by the fisherman Dictys, the brother of Dictys was Polydectes, the king of the island. When Perseus was grown, Polydectes came to fall in love with the beautiful Danaë, Perseus believed Polydectes was less than honourable, and protected his mother from him, then Polydectes plotted to send Perseus away in disgrace. He held a banquet where each guest was expected to bring a gift. Polydectes requested that the guests bring horses, under the pretense that he was collecting contributions for the hand of Hippodamia, Perseus had no horse to give, so he asked Polydectes to name the gift, he would not refuse it
Perseus
–
Perseus
Perseus
–
Greek Mythology
Perseus
–
"
Perseus with the Head of Medusa '" is a common subject for sculpture, here in an 1801 example by
Antonio Canova
10.
Bellerophon
–
Bellerophon or Bellerophontes is a hero of Greek mythology. Bellerophon was born at Corinth and was the son of the mortal Eurynome by either her husband Glaucus, one possible etymology that has been suggested is, Βελλεροφόντης from βέλεμνον, βελόνη, βέλος and -φόντης from φονεύω. However, Geoffrey Kirk says that Βελλεροφόντης means slayer of Belleros, Belleros could have been a Lycian, a local daimon or a Corinthian nobleman—Bellerophons name clearly invited all sorts of speculation. The Iliad vi. 155–203 contains a narrative told by Bellerophons grandson Glaucus, named for his great-grandfather. Bellerophons father was Glaucus, who was the king of Corinth, Bellerophons grandsons Sarpedon and the younger Glaucus fought in the Trojan War. In the Epitome of pseudo-Apollodorus, a genealogy is given for Chrysaor that would make him a double of Bellerophon, he too is called the son of Glaucus the son of Sisyphus. Chrysaor has no myth save that of his birth, from the neck of Medusa. From this moment we hear no more of Chrysaor, the rest of the tale concerning the stallion only, perhaps also for his brothers sake, by whom in the end he let himself be caught, the immortal horse by his mortal brother. Proetus, by virtue of his kingship, cleansed Bellerophon of his crime, the wife of the king, whether named Anteia or Stheneboea, took a fancy to him, but when he rejected her, she accused Bellerophon of attempting to ravish her. Before opening the tablets, Iobates feasted with Bellerophon for nine days, the Chimera was a fire-breathing monster whose make-up comprised the body of a goat, the head of a lion and the tail being a serpent. This monster had terrorized the nearby countryside, on his way he encountered the famous Corinthian seer Polyeidos who gave him advice about his oncoming battle. Polyeidos told Bellerophon that he would have need of Pegasus, to obtain the services of the untamed winged horse, Polyeidos told Bellerophon to sleep in the temple of Athena. While Bellerophon slept, he dreamed that Athena set a golden bridle beside him, saying Sleepest thou, come, take this charm for the steed and show it to the Tamer thy father as thou makest sacrifice to him of a white bull. It was there when he awoke, Bellerophon had to approach Pegasus while it drank from a well, Polyeidos told him which well—the never-failing Pirene on the citadel of Corinth, the city of Bellerophons birth. Other accounts say that Athena brought Pegasus already tamed and bridled, or that Poseidon the horse-tamer, secretly the father of Bellerophon, brought Pegasus, Bellerophon mounted his steed and flew off to where the Chimera was said to dwell. When he arrived in Lycia, the Chimera was truly ferocious and he felt the heat of the breath the Chimera expelled, and was struck with an idea. He got a block of lead and mounted it on his spear. Then he flew head-on towards the Chimera, holding out the spear as far as he could, before he broke off his attack, he managed to lodge the block of lead inside the Chimeras throat
Bellerophon
–
Bellerophon on
Pegasus spears the
Chimera, on an
Attic red-figure epinetron, 425–420 BC
Bellerophon
–
The eternal fires of
Chimera in
Lycia (modern-day
Turkey) where the
Chimera myth takes place.
Bellerophon
–
Veroli Casket panel detail showing Bellerophon with Pegasus, dating from 900–1000 AD.
Bellerophon
–
Bellerophon riding Pegasus (1914)
11.
Heracles
–
Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of clans who claimed to be Heracleidae. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, details of his cult were adapted to Rome as well. Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him, together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the skin and the club. These qualities did not prevent him from being regarded as a figure who used games to relax from his labors. By conquering dangerous archaic forces he is said to have made the safe for mankind. Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles and his figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known. Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, the core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. Heracles role as a hero, whose death could be a subject of mythic telling, was accepted into the Olympian Pantheon during Classical times. Around him cries of the dead rang out like cries of birds scattering left, in Christian circles a Euhemerist reading of the widespread Heracles cult was attributed to a historical figure who had been offered cult status after his death. The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, what is believed to be an Egyptian Temple of Heracles in the Bahariya Oasis dates to 21 BCE. A reassessment of Ptolemys descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles, several ancient cities were named Heraclea in his honor. A major factor in the tragedies surrounding Heracles is the hatred that the goddess Hera. A full account of Heracles must render it clear why Heracles was so tormented by Hera, Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, thus, Heracles very existence proved at least one of Zeus many illicit affairs, and Hera often conspired against Zeus mortal offspring as revenge for her husbands infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus
Heracles
–
One of the most famous depictions of Heracles, originally by
Lysippos (Marble, Roman copy called Hercules Farnese, 216 CE)
Heracles
–
Greek Mythology
Heracles
–
Heracles capturing the
Cretan bull.
Heracles
–
The Origin of the Milky Way by
Jacopo Tintoretto
12.
Tyre, Lebanon
–
Tyre, sometimes romanized as Sour, is a city in the South Governorate of Lebanon. There were approximately 117,000 inhabitants in 2003, however, the government of Lebanon has released only rough estimates of population numbers since 1932, so an accurate statistical accounting is not possible. Tyre juts out from the coast of the Mediterranean and is located about 80 km south of Beirut, the name of the city means rock after the rocky formation on which the town was originally built. The adjective for Tyre is Tyrian, and the inhabitants are Tyrians, Tyre is an ancient Phoenician city and the legendary birthplace of Europa and Dido. Today it is the fourth largest city in Lebanon and houses one of the major ports. The city has a number of ancient sites, including its Roman Hippodrome which was added to UNESCOs list of World Heritage Sites in 1979. Tyre originally consisted of two urban centres, Tyre itself, which was on an island just off shore. Alexander the Great connected the island to the mainland by constructing a causeway during his siege of the city, the original island city had two harbours, one on the south side and the other on the north side of the island. The harbour on the side has silted over, but the harbour on the north side is still in use. Tyre was founded around 2750 BC according to Herodotus and was built as a walled city upon the mainland. Phoenicians from Tyre settled in houses around Memphis, south of the temple of Hephaestus in a called the Tyrian Camp. Tyres name appears on monuments as early as 1300 BC, philo of Byblos quotes the antiquarian authority Sanchuniathon as stating that it was first occupied by Hypsuranius. Sanchuniathons work is said to be dedicated to Abibalus king of Berytus—possibly the Abibaal who was king of Tyre, there are ten Amarna letters dated 1350 BC from the mayor, Abimilku, written to Akenaten. The subject is often water, wood and the Habiru overtaking the countryside of the mainland, the commerce of the ancient world was gathered into the warehouses of Tyre. The city of Tyre was particularly known for the production of a rare and extraordinarily expensive sort of dye, produced from the murex shellfish. The colour was, in ancient cultures, reserved for the use of royalty or at least the nobility, Tyre was often attacked by Egypt, besieged by Shalmaneser V, who was assisted by the Phoenicians of the mainland, for five years. From 586 until 573 BC, the city was besieged by Nebuchadnezzar II until it agreed to pay a tribute. The Achaemenid Empire conquered the city in 539 BC and kept it under its rule until Alexander the Great laid siege to the city, in 315 BC, Alexanders former general Antigonus began his own siege of Tyre, taking the city a year later
Tyre, Lebanon
–
Tyre fishing harbor
Tyre, Lebanon
–
The Triumphal Arch (reconstructed)
Tyre, Lebanon
–
Remains of ancient columns at Al Mina excavation site – supposed
palaestra
Tyre, Lebanon
–
Rectangular theatre at Al Mina excavation site
13.
Phoenix (son of Agenor)
–
In Greek mythology, Phoenix, the eponym of Phoenicia, was a son of Agenor and Telephassa, brother of Cadmus, Cilix and Europa. When Europa was carried off by Zeus, her three brothers were sent out by Agenor to find her, but the search was unsuccessful, Phoenix eventually settled in a country in Asia which he named Phoenicia after himself. Phoenix was believed to have fathered a number of children with different women, by Cassiopeia, he had a daughter Carme and three sons, Cilix, Phineus, and Doryclus, as well as a stepson Atymnius whose natural father was Zeus, by Alphesiboea, he had Adonis. According to the Iliad, Europa was not his sister, telephe, daughter of Epimedusa, is probably the same as Telephassa, whom Moschus calls wife and not mother of Phoenix
Phoenix (son of Agenor)
–
Phoenix from
Guillaume Rouillé 's Promptuarii Iconum Insigniorum
14.
Europa (mythology)
–
In Greek mythology Europa was the mother of King Minos of Crete, a woman with Phoenician origin of high lineage, and for whom the continent Europe was named. This can especially be said of the story of Europa, Europas earliest literary reference is in the Iliad, which is commonly dated to the 8th century BC. Another early reference to her is in a fragment of the Hesiodic Catalogue of Women, the earliest vase-painting securely identifiable as Europa dates from mid-7th century BC. Greek Εὐρώπη Eurṓpē contains the elements εὐρύς, wide, broad and ὤψ/ὠπ-/ὀπτ- eye, broad has been an epithet of Earth herself in the reconstructed Proto-Indo-European religion. It is common in ancient Greek mythology and geography to identify lands or rivers with female figures, thus, Europa is first used in a geographic context in the Homeric Hymn to Delian Apollo, in reference to the western shore of the Aegean Sea. As a name for a part of the world, it is first used in the 6th century BC by Anaximander. Barry adduces the word Ereb on an Assyrian stele with the meaning of night, sunset, in opposition to Asu sunrise and this proposal is mostly considered unlikely or untenable. They call it the temple of Astarte, I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa and this legend I heard from other Phœnicians as well, and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. Thus they do not agree that the temple in question is sacred to Europa, the paradox, as it seemed to Lucian, would be solved if Europa is Astarte in her guise as the full, broad-faced moon. Sources differ in details regarding Europas family, but agree that she is Phoenician, and from a lineage that descended from Io, the mythical nymph beloved of Zeus, who was transformed into a heifer. She is generally said to be the daughter of Agenor, the Phoenician King of Tyre, other sources, such as the Iliad, claim that she is the daughter of Agenors son, the sun-red Phoenix. So some interpret this as her brother Phoenix gave his siblings name to his three children and this Europa is also loved by Zeus, but because of the same name, gave some confusions to others. After arriving in Crete, Europa had three sons fathered by Zeus, Minos, Rhadamanthus, and Sarpedon, the three of whom became the three judges of the Underworld when they died, in Crete she married Asterion also rendered Asterius and became mother of his daughter Crete. There were two competing myths relating how Europa came into the Hellenic world, but they agreed that she came to Crete, the mythical Europa cannot be separated from the mythology of the sacred bull, which had been worshipped in the Levant. There is also a sanctuary of Demeter Europa, the mythographers tell that Zeus was enamored of Europa and decided to seduce or ravish her, the two being near-equivalent in Greek myth. He transformed himself into a white bull and mixed in with her fathers herds. While Europa and her helpers were gathering flowers, she saw the bull, caressed his flanks, Zeus took that opportunity and ran to the sea and swam, with her on his back, to the island of Crete
Europa (mythology)
–
Europa and the bull depicted by
Jean-François de Troy (1716)
Europa (mythology)
–
Terracotta figurine from
Athens, c. 460–480 BCE
Europa (mythology)
–
The birthplace of Europa,
Tyre, Lebanon
Europa (mythology)
–
The Abduction of Europa by
Rembrandt, 1632
15.
Phoenicia
–
The enterprising, sea-based Phoenician civilization spread across the Mediterranean between 1500 BC and 300 BC. Their civilization was organized in city-states, similar to those of Ancient Greece, perhaps the most notable of which were Tyre, Sidon, Arvad, Berytus and Carthage. Each city-state was an independent unit, and it is uncertain to what extent the Phoenicians viewed themselves as a single nationality. In terms of archaeology, language, lifestyle, and religion there was little to set the Phoenicians apart as markedly different from other Semitic Canaanites. The Phoenicians were the first state-level society to make use of alphabets. By their maritime trade, the Phoenicians spread the use of the alphabet to Anatolia, North Africa, and Europe, where it was adopted by the Greeks, the name Phoenicians, like Latin Poenī, comes from Greek Φοίνικες. The word φοῖνιξ phoînix meant variably Phoenician person, Tyrian purple, the word may be derived from φοινός phoinós blood red, itself possibly related to φόνος phónos murder. Beekes has suggested a Pre-Greek origin of the ethnonym, the oldest attested form of the word in Greek may be the Mycenaean po-ni-ki-jo, po-ni-ki, possibly borrowed from Ancient Egyptian fnḫw Asiatics, Semites, although this derivation is disputed. The folk-etymological association of Φοινίκη with φοῖνιξ mirrors that in Akkadian which tied kinaḫni, the land was natively known as knʿn and its people as the knʿny. In the Amarna tablets of the 14th century BC, people from the region called themselves Kenaani or Kinaani, the ethnonym survived in North Africa until the 4th century AD. Herodotus account refers to the myths of Io and Europa, according to the Persians best informed in history, the Phoenicians began the quarrel. The Greek historian Strabo believed that the Phoenicians originated from Bahrain, Herodotus also believed that the homeland of the Phoenicians was Bahrain. The people of Tyre in South Lebanon in particular have long maintained Persian Gulf origins, however, there is little evidence of occupation at all in Bahrain during the time when such migration had supposedly taken place. Canaanite culture apparently developed in situ from the earlier Ghassulian chalcolithic culture, Byblos is attested as an archaeological site from the Early Bronze Age. The Late Bronze Age state of Ugarit is considered quintessentially Canaanite archaeologically, fernand Braudel remarked in The Perspective of the World that Phoenicia was an early example of a world-economy surrounded by empires. The high point of Phoenician culture and sea power is usually placed c, archaeological evidence consistent with this understanding has been difficult to identify. A unique concentration in Phoenicia of silver hoards dated between 1200 and 800 BC, however, contains hacksilver with lead isotope ratios matching ores in Sardinia and Spain. This metallic evidence agrees with the memory of a western Mediterranean Tarshish that supplied Solomon with silver via Phoenicia
Phoenicia
–
Sarcophagus of Eshmunazor II, Phoenician King of Sidon found near Sidon, in southern Lebanon
Phoenicia
–
Map of Phoenicia and its Mediterranean trade routes
Phoenicia
–
Assyrian warship (probably built by Phoenicians) with two rows of oars, relief from
Nineveh, c. 700 BC
Phoenicia
–
A naval action during the siege of Tyre (350 BC). Drawing by
André Castaigne, 1888–1889.
16.
Zeus
–
Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
Zeus
–
The Jupiter de Smyrne, discovered in
Smyrna in 1680
Zeus
–
The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church.
Zeus
–
Zeus, at the Getty Villa, A.D. 1 - 100 by unknown.
Zeus
–
"
Cave of Zeus ",
Mount Ida (Crete).
17.
Ancient Thebes (Boeotia)
–
Thebes is a city in Boeotia, central Greece. It played an important role in Greek myths, as the site of the stories of Cadmus, Oedipus, Dionysus and others. Archaeological excavations in and around Thebes have revealed a Mycenaean settlement and clay tablets written in the Linear B script, Thebes was the largest city of the ancient region of Boeotia and was the leader of the Boeotian confederacy. It was a rival of ancient Athens, and sided with the Persians during the 480 BC invasion under Xerxes. Theban forces ended the power of Sparta at the Battle of Leuctra in 371 BC under the command of Epaminondas, the Sacred Band of Thebes famously fell at the battle of Chaeronea in 338 BC against Philip II and Alexander the Great. Prior to its destruction by Alexander in 335 BC, Thebes was a force in Greek history. During the Byzantine period, the city was famous for its silks, the modern city contains an Archaeological Museum, the remains of the Cadmea, and scattered ancient remains. Modern Thebes is the largest town of the unit of Boeotia. Thebes is situated in a plain, between Lake Yliki to the north, and the Cithaeron mountains, which divide Boeotia from Attica and its elevation is 215 metres above mean sea level. It is about 50 kilometres northwest of Athens, and 100 kilometres southeast of Lamia, motorway 1 and the Athens–Thessaloniki railway connect Thebes with Athens and northern Greece. The municipality of Thebes covers an area of 830.112 square kilometres, the unit of Thebes 321.015 square kilometres. In 2011, as a consequence of the Kallikratis reform, Thebes was merged with Plataies, Thisvi, and Vagia to form a larger municipality, the other three become units of the larger municipality. Five main cycles of story may be distinguished, The foundation of the citadel Cadmea by Cadmus, the building of a seven-gated wall by Amphion, and the cognate stories of Zethus, Antiope and Dirce. See Theban pederasty and Pederasty in ancient Greece for detailed discussion, the immolation of Semele and the advent of Dionysus. The Greeks attributed the foundation of Thebes to Cadmus, a Phoenician king from Tyre, Cadmus was famous for teaching the Phoenician alphabet and building the Acropolis, which was named the Cadmeia in his honor and was an intellectual, spiritual, and cultural center. Archaeological excavations in and around Thebes have revealed cist graves dated to Mycenaean times containing weapons, ivory, *Tʰēgʷai in LHIIIB lost contact with Egypt but gained it with Miletus and Cyprus. In the late LHIIIB, according to Palaima, *Tʰēgʷai was able to pull resources from Lamos near Mount Helicon, and from Karystos and Amarynthos on the Greek side of the isle of Euboia. As a fortified community, it attracted attention from the invading Dorians, and this centralizing policy is as much the cardinal fact of Theban history as the counteracting effort of the smaller towns to resist absorption forms the main chapter of the story of Boeotia
Ancient Thebes (Boeotia)
–
Remains of the Cadmea, the central fortress of ancient Thebes
Ancient Thebes (Boeotia)
–
Theban workshop (Oinochoe type), 7th century BC.
Ancient Thebes (Boeotia)
–
Map of the Topography of Ancient Thebes.
Ancient Thebes (Boeotia)
–
Silver
stater of Thebes (405-395 BC). Obverse: Boeotian shield, reverse: Head of bearded
Dionysus.
18.
Acropolis
–
An acropolis is a settlement, especially a citadel, built upon an area of elevated ground—frequently a hill with precipitous sides, chosen for purposes of defense. An example in Ireland is the Rock of Cashel, Acropolis is also the term used by archaeologists and historians for the urban Castro culture settlements located in Northwestern Iberian hilltops. The most famous example is the Acropolis of Athens, which, by reason of its historical associations, although originating in the mainland of Greece, use of the acropolis model quickly spread to Greek colonies such as the Dorian Lato on Crete during the Archaic Period. Because of its classical Hellenistic style, the ruins of Mission San Juan Capistranos Great Stone Church in California, other parts of the world developed other names for the high citadel or alcázar, which often reinforced a naturally strong site. In Central Italy, many small rural communes still cluster at the base of a fortified habitation known as La Rocca of the commune. The term acropolis is also used to describe the complex of overlapping structures, such as plazas and pyramids, in many Maya cities, including Tikal
Acropolis
–
View of the Acropolis of
Pergamon in the background, as seen from Via Tecta at the entrance to the
Asclepeion.
Acropolis
–
Acropolis of
Assos
Acropolis
–
The
Acropolis of Athens as seen from
Mount Lycabettus (to its northeast). The wooded
Hill of the Nymphs is half-visible on its right, and Philopappos Hill on the left, immediately behind. The
Philopappos Monument stands where, in the distant background, the coast of
Peloponnese meet the waters of the
Saronic Gulf.
19.
Cadmeia
–
The Cadmea, or Cadmeia, was the citadel of ancient Thebes, Greece, which was named after Cadmus, the legendary founder of Thebes. The area is thought to have settled since at least the early Bronze Age. During the Spartan and Macedonian occupations of Thebes, the garrisons were stationed on the Cadmea. The Cadmea was destroyed in 335 BC by Alexander the Great, cassander, the Macedonian general who inherited the Greek territorial possessions of Alexander the Great after his death, rebuilt the Cadmea in 316 BC. Cadmea is also an ancient name for calamine or zinc carbonate, combined with copper, it was used in ancient times for the production of brass, as mentioned, for instance, by the Roman author, Plinius the elder. The element, cadmium, was, in 1817, first isolated from an impurity in calamine, hence, the name, cadmium
Cadmeia
–
Ruins of the Cadmea.
Cadmeia
–
Map of the Topography of Ancient Thebes showing the location of the Cadmea.
20.
Herodotus
–
Herodotus was a Greek historian who was born in Halicarnassus in the Persian Empire and lived in the fifth century BC, a contemporary of Socrates. The Histories is the work which he is known to have produced. Despite Herodotus historical significance, little is known of his personal life and his place in history and his significance may be understood according to the traditions within which he worked. His work is the earliest Greek prose to have survived intact, of these only fragments of Hecataeuss work survive yet they allow us glimpses into the kind of tradition within which Herodotus wrote his own Histories. In his introduction to Hecataeus’s work, Genealogies, This points forward to the ‘folksy’ yet ‘international’ outlook typical of Herodotus. Yet, one scholar has described the work of Hecataeus as “a curious false start to history” since despite his critical spirit. It is possible that Herodotus borrowed much material from Hecataeus, as stated by Porphyry in a recorded by Eusebius. But Hecataeus did not record events that had occurred in living memory, unlike Herodotus, Herodotus claims to be better informed than his predecessors by relying on empirical observation to correct their excessive schematism. For example, He argues for continental asymmetry as opposed to the theory of a perfectly circular earth with Europe. Yet, he retains idealizing tendencies, as in his notions of the Danube. His debt to previous authors of prose ‘histories’ might be questionable, however, this point is one of the most contentious issues in modern scholarship. It is on account of the strange stories and the folk-tales he reported that his critics in early modern times branded him “The Father of Lies”. Even his own contemporaries found reason to scoff at his achievement, similarly, the Athenian historian Thucydides dismissed Herodotus as a “logos-writer”. Moreover, Thucydides developed a historical topic more in keeping with the Greek world-view, the interplay of civilizations was more relevant to Greeks living in Anatolia, such as Herodotus himself, for whom life within a foreign civilization was a recent memory. Modern scholars generally turn to Herodotus’s own writing for reliable information about his life, supplemented with ancient yet much later sources, modern accounts of his life typically go something like this, Herodotus was born at Halicarnassus around 484 BC. His name is not mentioned later in the tribute list of the Athenian Delian League, the epic poet Panyassis – a relative of Herodotus – is reported to have taken part in a failed uprising. Herodotus expresses affection for the island of Samos, and this is an indication that he might have lived there in his youth. So it is possible that his family was involved in an uprising against Lygdamis, leading to a period of exile on Samos, Herodotus wrote his Histories in the Ionian dialect, yet he was born in Halicarnassus, which was a Dorian settlement
Herodotus
–
A Roman copy (2nd century AD) of a Greek
bust of Herodotus from the first half of the 4th century BC
Herodotus
–
Fragment from the Histories VIII on
Papyrus Oxyrhynchus 2099, early 2nd century AD
Herodotus
–
Relief of Herodotus by
Jean-Guillaume Moitte (1806),
Louvre, Paris
Herodotus
–
The statue of Herodotus in his hometown of
Halicarnassus, modern
Bodrum, Turkey.
21.
Alphabet
–
An alphabet is a standard set of letters that is used to write one or more languages based upon the general principle that the letters represent phonemes of the spoken language. This is in contrast to other types of writing systems, such as syllabaries and logographies, the Proto-Canaanite script, later known as the Phoenician alphabet, is the first fully phonemic script. Thus the Phoenician alphabet is considered to be the first alphabet, the Phoenician alphabet is the ancestor of most modern alphabets, including Arabic, Greek, Latin, Cyrillic, Hebrew, and possibly Brahmic. Under a terminological distinction promoted by Peter T. Daniels, an alphabet is a script that represents both vowels and consonants as letters equally. In this narrow sense of the word the first true alphabet was the Greek alphabet, in other alphabetic scripts such as the original Phoenician, Hebrew or Arabic, letters predominantly or exclusively represent consonants, such a script is also called an abjad. A third type, called abugida or alphasyllabary, is one where vowels are shown by diacritics or modifications of consonantal letters, as in Devanagari. The Khmer alphabet is the longest, with 74 letters, there are dozens of alphabets in use today, the most popular being the Latin alphabet. Many languages use modified forms of the Latin alphabet, with additional letters formed using diacritical marks, while most alphabets have letters composed of lines, there are also exceptions such as the alphabets used in Braille. Alphabets are usually associated with an ordering of letters. This makes them useful for purposes of collation, specifically by allowing words to be sorted in alphabetical order and it also means that their letters can be used as an alternative method of numbering ordered items, in such contexts as numbered lists and number placements. The English word alphabet came into Middle English from the Late Latin word alphabetum, the Greek word was made from the first two letters, alpha and beta. The names for the Greek letters came from the first two letters of the Phoenician alphabet, aleph, which also meant ox, and bet, in the alphabet song in English, the term ABCs is used instead of the word alphabet. Knowing ones ABCs, in general, can be used as a metaphor for knowing the basics about anything, the history of the alphabet started in ancient Egypt. These glyphs were used as guides for logograms, to write grammatical inflections. Based on letter appearances and names, it is believed to be based on Egyptian hieroglyphs and this script had no characters representing vowels, although originally it probably was a syllabary, but unneeded symbols were discarded. An alphabetic cuneiform script with 30 signs including three that indicate the vowel was invented in Ugarit before the 15th century BC. This script was not used after the destruction of Ugarit, the Proto-Sinaitic script eventually developed into the Phoenician alphabet, which is conventionally called Proto-Canaanite before ca.1050 BC. The oldest text in Phoenician script is an inscription on the sarcophagus of King Ahiram and this script is the parent script of all western alphabets
Alphabet
–
Edward Bernard 's "Orbis eruditi", comparing all known alphabets as of 1689.
Alphabet
–
Writing systems
Alphabet
–
A Specimen of
typeset fonts and
languages, by
William Caslon, letter founder; from the 1728
Cyclopaedia.
Alphabet
–
Codex Zographensis in the
Glagolitic alphabet from Medieval
Bulgaria
22.
History of the Greek alphabet
–
The history of the Greek alphabet starts with the adoption of Phoenician letter forms and continues to the present day. This article concentrates on the period, before the codification of the now-standard Greek alphabet. The Greek alphabet was developed by a Greek with first-hand experience of contemporary Phoenician script, almost as quickly as it was established in the Greek mainland, it was rapidly re-exported, eastwards to Phrygia, where a similar script was devised. It was also exported westwards with Euboean or West Greek traders, the earliest known fragmentary Greek inscriptions date from this time, 770–750 BC, and they match Phoenician letter forms of c. Some scholars argue for dates, Naveh for the 11th century BC, Stieglitz for the 14th century, Bernal for the 18th–13th century, some for the 9th. He had seen and described the Cadmean writing engraved on certain tripods in the temple of Apollo at Thebes and he estimated that those tripods dated back to the time of Laius, the great-grandson of Cadmus. On one of the tripods there was this inscription in Cadmean writing, a second tripod bears the inscription in hexameter verse, Σκαῖος πυγμαχέων με ἑκηβόλῳ Ἀπόλλωνι νικήσας ἀνέθηκε τεῒν περικαλλὲς ἄγαλμα. Herodotus estimated that if Scaeus, the son of Hippocoon was the dedicator and not another of the same name, the third tripod bears the inscription again in hexameter verse, Λαοδάμας τρίποδ᾽ αὐτὸς ἐυσκόπῳ Ἀπόλλωνι μουναρχέων ἀνέθηκε τεῒν περικαλλὲς ἄγαλμα. Furthermore, he argues that Gephyraei were Euboeans or Eretrians and he doubts the reliability of Herodotus sources, plutarch and other ancient Greek writers credited the legendary Palamedes of Nauplion on Euboea with the invention of the supplementary letters not found in the original Phoenician alphabet. The distinction between Eta and Epsilon and between Omega and Omicron, adopted in the Ionian standard, was attributed to Simonides of Ceos. Plutarch goes further back to describe an older Greek writing system, agesilaus sent a transcript to Egypt in order to be translated back into Ancient Greek. Agetoridas the Spartan travelled to Memphis of Egypt and gave the transcript to Chonouphis the Egyptian priest, some scholars speculate that this plate was written in Linear B. And therefore, as the story goes, the Egyptian priest, having studied the script and translated it, the majority of the letters of the Phoenician alphabet were adopted into Greek with much the same sounds as they had had in Phoenician. However, Phoenician, like other Semitic scripts, has a range of consonants, commonly called gutturals, that did not exist in Greek, ’āleph, hē, ḥēth, and ‘ayin. For example, the two letters wāw and yōdh stood for both the approximant consonants and, and the vowels and in Phoenician. By this point in time, Greek had lost its sound, so Phoenician yōdh was used only for its vocalic value, upsilon was added at the end of the alphabet, perhaps to avoid upsetting the alphabetic order that was used in Greek numerals. All Phoenician letters had been acrophonic, and they remained so in Greek, only the letter ‘ayin for necessitated a change of name. Phoenician also had an emphatic consonant, ṭēth, which did not exist in Greek, however, Greek had an aspiration distinction that Phoenician lacked, and used ṭēth for the aspirated
History of the Greek alphabet
–
Black figure vessel with double alphabet inscription, showing new letters ΥΧ[Φ]Ψ, and ΥΧΦΨΩ.
History of the Greek alphabet
–
Dedication in Boeotian alphabet. Black-glaze Boeotian
kantharos, 450–425 BC
History of the Greek alphabet
–
Nestor's Cup inscription,
Euboean alphabet, 8th century BC
23.
Apollo
–
Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
Apollo
–
Apollo Belvedere, ca. 120–140 CE
Apollo
–
Partial view of the temple of Apollo Epikurios (healer) at
Bassae in southern Greece
Apollo
–
Temple of the Delians at
Delos, dedicated to Apollo (478 BC). 19th-century pen-and-wash restoration.
Apollo
–
Temple of Apollo Smintheus at
Çanakkale, Turkey
24.
Ionic Greek
–
Ionic Greek was a subdialect of the Attic–Ionic or Eastern dialect group of Ancient Greek. The Ionic dialect appears to have spread from the Greek mainland across the Aegean at the time of the Dorian invasions. By the end of the Greek Dark Ages in the 5th-century BC, the Ionic dialect was also spoken on islands across the central Aegean and on the large island of Euboea north of Athens. The dialect was spread by Ionian colonization to areas in the northern Aegean, the Black Sea. The Ionic dialect is divided into two major time periods, Old Ionic and New Ionic. The transition between the two is not clearly defined, but 600 BC is a good approximation, the poet Archilochus wrote in late Old Ionic. The most famous New Ionic authors are Anacreon, Theognis, Herodotus, Hippocrates, and, in Roman times, Aretaeus, Arrian, and Lucian. This was further enhanced by the writing reform implemented in Athens in 403 BC, whereby the old Attic alphabet was replaced by the Ionic alphabet and this alphabet eventually became the standard Greek alphabet, its use becoming uniform during the Koine era. It was also the used in the Christian Gospels and the book of Acts. Proto-Greek ā > Ionic ē, in Doric, Aeolic, ā remains, in Attic, ā after e, i, r, in Attic, e, o is not lengthened. Proto-Greek *kórwā > Attic κόρη, Ionic κούρη girl *órwos > ὄρος, οὔρος mountain *ksénwos > ξένος, ξεῖνος guest, Proto-Greek *hāwélios > Attic hēlios, Homeric ēélios sun Ionic contracts less often than Attic. Ionic γένεα, Attic γένη family Proto-Greek *kʷ before a, o > Ionic k, Attic p. Proto-Greek *okʷō > Ionic ὄκως, Attic ὅπως in whatever way, in which way Proto-Greek *ťť > Ionic ss and this Ionic feature made it into Koine Greek. Proto-Greek *táťťō > Ionic τάσσω, Attic τάττω I arrange Ionic had a very analytical word-order, perhaps the most analytical one within ancient Greek dialects
Ionic Greek
–
Doric proper
25.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
Trojan War
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Trojan War
–
The Burning of Troy (1759/62),
oil painting by Johann Georg Trautmann
Trojan War
–
The Judgment of Paris (1904) by
Enrique Simonet
Trojan War
–
Thetis gives her son Achilles weapons forged by Hephaestus (detail of Attic
black-figure hydria, 575–550 BC)
26.
History of the Greek Alphabet
–
The history of the Greek alphabet starts with the adoption of Phoenician letter forms and continues to the present day. This article concentrates on the period, before the codification of the now-standard Greek alphabet. The Greek alphabet was developed by a Greek with first-hand experience of contemporary Phoenician script, almost as quickly as it was established in the Greek mainland, it was rapidly re-exported, eastwards to Phrygia, where a similar script was devised. It was also exported westwards with Euboean or West Greek traders, the earliest known fragmentary Greek inscriptions date from this time, 770–750 BC, and they match Phoenician letter forms of c. Some scholars argue for dates, Naveh for the 11th century BC, Stieglitz for the 14th century, Bernal for the 18th–13th century, some for the 9th. He had seen and described the Cadmean writing engraved on certain tripods in the temple of Apollo at Thebes and he estimated that those tripods dated back to the time of Laius, the great-grandson of Cadmus. On one of the tripods there was this inscription in Cadmean writing, a second tripod bears the inscription in hexameter verse, Σκαῖος πυγμαχέων με ἑκηβόλῳ Ἀπόλλωνι νικήσας ἀνέθηκε τεῒν περικαλλὲς ἄγαλμα. Herodotus estimated that if Scaeus, the son of Hippocoon was the dedicator and not another of the same name, the third tripod bears the inscription again in hexameter verse, Λαοδάμας τρίποδ᾽ αὐτὸς ἐυσκόπῳ Ἀπόλλωνι μουναρχέων ἀνέθηκε τεῒν περικαλλὲς ἄγαλμα. Furthermore, he argues that Gephyraei were Euboeans or Eretrians and he doubts the reliability of Herodotus sources, plutarch and other ancient Greek writers credited the legendary Palamedes of Nauplion on Euboea with the invention of the supplementary letters not found in the original Phoenician alphabet. The distinction between Eta and Epsilon and between Omega and Omicron, adopted in the Ionian standard, was attributed to Simonides of Ceos. Plutarch goes further back to describe an older Greek writing system, agesilaus sent a transcript to Egypt in order to be translated back into Ancient Greek. Agetoridas the Spartan travelled to Memphis of Egypt and gave the transcript to Chonouphis the Egyptian priest, some scholars speculate that this plate was written in Linear B. And therefore, as the story goes, the Egyptian priest, having studied the script and translated it, the majority of the letters of the Phoenician alphabet were adopted into Greek with much the same sounds as they had had in Phoenician. However, Phoenician, like other Semitic scripts, has a range of consonants, commonly called gutturals, that did not exist in Greek, ’āleph, hē, ḥēth, and ‘ayin. For example, the two letters wāw and yōdh stood for both the approximant consonants and, and the vowels and in Phoenician. By this point in time, Greek had lost its sound, so Phoenician yōdh was used only for its vocalic value, upsilon was added at the end of the alphabet, perhaps to avoid upsetting the alphabetic order that was used in Greek numerals. All Phoenician letters had been acrophonic, and they remained so in Greek, only the letter ‘ayin for necessitated a change of name. Phoenician also had an emphatic consonant, ṭēth, which did not exist in Greek, however, Greek had an aspiration distinction that Phoenician lacked, and used ṭēth for the aspirated
History of the Greek Alphabet
–
Black figure vessel with double alphabet inscription, showing new letters ΥΧ[Φ]Ψ, and ΥΧΦΨΩ.
History of the Greek Alphabet
–
Dedication in Boeotian alphabet. Black-glaze Boeotian
kantharos, 450–425 BC
History of the Greek Alphabet
–
Nestor's Cup inscription,
Euboean alphabet, 8th century BC
27.
Phoenician alphabet
–
The Phoenician alphabet, called by convention the Proto-Canaanite alphabet for inscriptions older than around 1050 BC, is the oldest verified alphabet. The Phoenician alphabet is an abjad consisting of 22 letters, all consonants and it was used for the writing of Phoenician, a Northern Semitic language, used by the civilization of Phoenicia. The Phoenician alphabet is derived from Egyptian hieroglyphs and it became one of the most widely used writing systems, spread by Phoenician merchants across the Mediterranean world, where it evolved and was assimilated by many other cultures. The Paleo-Hebrew alphabet was derived from Phoenician. Another derivative script is the Aramaic alphabet, which was the ancestor of the modern Arabic script, the Modern Hebrew script is a stylistic variant of the Aramaic script. The Greek alphabet was derived from Phoenician. Phoenician was usually written from right to left, although there are texts written in boustrophedon. The earliest known inscriptions are the so-called Proto-Sinaitic script sporadically attested in the Sinai and in Canaan in the late Middle. The script was not widely used until the rise of new Semitic kingdoms in the 13th and 12th centuries BC, the Phoenician alphabet is a direct continuation of the Proto-Canaanite script of the Bronze Age collapse period. Beginning in the 9th century BC, adaptations of the Phoenician alphabet -- such as Greek, Old Italic, Anatolian, and the Paleohispanic scripts -- were very successful. This simple system contrasted with the scripts in use at the time, such as cuneiform and Egyptian hieroglyphs. Another reason for its success was the trading culture of Phoenician merchants. Phoenician inscriptions have been found in sites at a number of former Phoenician cities and colonies around the Mediterranean, such as Byblos. Later finds indicate earlier use in Egypt, Phoenician had long-term effects on the social structures of the civilizations that came in contact with it. As mentioned above, the script was the first widespread phonetic script and its simplicity not only allowed it to be used in multiple languages, but it also allowed the common people to learn how to write. The Phoenician alphabet was first uncovered in the 17th century, and it was at first believed that the script was a direct variation of Egyptian hieroglyphs. This idea was popular due to the recent decipherment of hieroglyphs. However, scholars could not find any link between the two writing systems, nor to hieratic or cuneiform, the theories of independent creation ranged from the idea of a single man conceiving it, to the Hyksos people forming it from corrupt Egyptian
Phoenician alphabet
–
Phoenician alphabet
28.
Bronze Age collapse
–
The palace economy of the Aegean Region and Anatolia that characterised the Late Bronze Age broke down to the isolated village cultures of the Greek Dark Ages. In the first phase of period, almost every city between Pylos and Gaza was violently destroyed, and many abandoned, examples include Hattusa, Mycenae. A very few states, particularly Assyria and Elam, were largely unaffected by the Bronze Age collapse. Before the Bronze Age collapse, Anatolia was dominated by a number of Indo-European peoples, Luwians, Hittites, Mitanni, and Mycenaean Greeks, together with the Semitic Assyrians, and Hurrians. From the 17th century BC, the Mitanni formed a ruling class over the Hurrians, similarly, the Hittites absorbed the Hattians, a people speaking a language that may have been of the North Caucasian group or a Language Isolate. Hattusas, the Hittite capital, was burned, abandoned, karaoğlan, near the present day city of Ankara, was burned and the corpses left unburied. Many other sites that were not destroyed were abandoned, the Hittite Empire was destroyed by the Indo-European-speaking Phrygians and by the Semitic-speaking Aramaeans. Troy was destroyed at least twice, before being abandoned until Roman times, other groups of Indo-European warriors followed into the region, most prominently the Lydians, the Cimmerians, and Scythians. The Semitic Arameans, Kartvelian-speaking Colchians, and Hurro-Urartuans also made an appearance in parts of the region, during the reign of the Hittite king Tudhaliya IV, the island was briefly invaded by the Hittites, either to secure the copper resource or as a way of preventing piracy. Shortly afterwards, the island was reconquered by his son around 1200 BC, some towns show traces of destruction at the end of LCII. Whether or not this is really an indication of a Mycenean invasion is contested, originally, two waves of destruction in c.1230 BC by the Sea Peoples and c.1190 BC by Aegean refugees have been proposed. The smaller settlements of Ayios Dhimitrios and Kokkinokremnos, as well as a number of sites, were abandoned. Kokkinokremos was a settlement, where various caches concealed by smiths have been found. That no one returned to reclaim the treasures suggests that they were killed or enslaved. Recovery occurred only in the Early Iron Age with Phoenician and Greek settlement and these sites in Cyprus show evidence of the collapse, Palaeokastro Kition Sinda Enkomi Ancient Syria had been initially dominated by a number of indigenous Semitic-speaking peoples. The East Semitic speaking Eblaites, the Canaanites language speaking Amorites, Syria during this time was known as The land of the Amurru. Levantine sites previously showed evidence of links with Mesopotamia, Egypt. Evidence, at Ugarit, shows that the destruction there occurred after the reign of Merneptah, the last Bronze Age king of the Semitic state of Ugarit, Ammurapi, was a contemporary of the Hittite king Suppiluliuma II
Bronze Age collapse
–
The
fall of Troy, an event recounted in
Greek mythology at the end of the Bronze Age, as represented by the 17th century painter
Kerstiaen De Keuninck
29.
Linear B
–
Linear B is a syllabic script that was used for writing Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries, the oldest Mycenaean writing dates to about 1450 BC. It is descended from the older Linear A, an earlier script used for writing the Minoan language, as is the later Cypriot syllabary. Linear B, found mainly in the archives at Knossos, Cydonia, Pylos, Thebes and Mycenae. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing and it is also the only one of the prehistoric Aegean scripts to have been deciphered, by English architect and self-taught linguist Michael Ventris. Linear B consists of around 87 syllabic signs and over 100 ideographic signs and these ideograms or signifying signs symbolize objects or commodities. They have no value and are never used as word signs in writing a sentence. The application of Linear B appears to have been confined to administrative contexts, in all the thousands of clay tablets, a relatively small number of different hands have been detected,45 in Pylos and 66 in Knossos. It is possible that the script was used only by a guild of professional scribes who served the central palaces, once the palaces were destroyed, the script disappeared. Linear B has roughly 200 signs, divided into syllabic signs with phonetic values, the representations and naming of these signs have been standardized by a series of international colloquia starting with the first in Paris in 1956. Colloquia continue, the 13th occurred in 2010 in Paris, many of the signs are identical or similar to those in Linear A, however, Linear A encodes an as-yet unknown language, and it is uncertain whether similar signs had the same phonetic values. The grid developed during decipherment by Michael Ventris and John Chadwick of phonetic values for syllabic signs is shown below, initial consonants are in the leftmost column, vowels are in the top row beneath the title. The transcription of the syllable is listed next to the sign along with Bennetts identifying number for the sign preceded by an asterisk, in cases where the transcription of the sign remains in doubt, Bennetts number serves to identify the sign. The signs on the tablets and sealings often show considerable variation from each other, discovery of the reasons for the variation and possible semantic differences is a topic of ongoing debate in Mycenaean studies. Many of these were identified by the edition and are shown in the special values below. The second edition relates, It may be taken as axiomatic that there are no true homophones, the unconfirmed identifications of *34 and *35 as ai2 and ai3 were removed. Other values remain unknown, mainly because of scarcity of evidence concerning them, note that *34 and *35 are mirror images of each other but whether this graphic relationship indicates a phonetic one remains unconfirmed. In recent times, CIPEM inherited the authority of Bennett
Linear B
–
Linear B
Linear B
–
Linear B tablet discovered by Arthur Evans
Linear B
–
Tablets
30.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
Homer
–
Idealized portrayal of Homer dating to the
Hellenistic period.
British Museum.
Homer
–
Part of an 11th-century manuscript, "the Townley Homer". The writing on the top and right side are
scholia.
Homer
–
Homer and His Guide, by
William-Adolphe Bouguereau (1825–1905), portraying Homer on
Mount Ida, beset by dogs and guided by the goatherder Glaucus (as told in
Pseudo-Herodotus)
Homer
–
Raphael 's inspired Homer on
Mount Parnassus.
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Cadmus". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Media related to Cadmus at Wikimedia Commons
