Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Landscape with Farmhouses and Palm Trees, c. 1853. Galería de Arte Nacional, Caracas
Two Women Chatting by the Sea, St. Thomas, 1856
Jalais Hill, Pontoise, 1867. Metropolitan Museum of Art
Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles
Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York
Poster of the 1889 Exhibition of Paintings by the Impressionist and Synthetist Group, at Café des Arts, known as The Volpini Exhibition, 1889
Henri de Toulouse-Lautrec, Portrait of Émile Bernard, 1886, Tate Gallery London