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An Eugène Flandin's impression of a gunpowder depot near old Tehran (eighteenth century).
An Eugène Flandin's impression of a gunpowder depot near old Tehran (eighteenth century).
A military diagram demonstrating the key manoeuvres in the campaign of Afghanistan
A military diagram demonstrating the key manoeuvres in the campaign of Afghanistan
Painting of Battle of Damghan, illustrating Persian decisive artillery fire against the Afghans in 1729
Painting of Battle of Damghan, illustrating Persian decisive artillery fire against the Afghans in 1729
Isfahan (here depicted from the north-to-south direction), as the capital of Iran, was the ultimate objective of Nader's campaign for the liberation o
Isfahan (here depicted from the north-to-south direction), as the capital of Iran, was the ultimate objective of Nader's campaign for the liberation of Iran from Hotaki rule
Contemporary portrait of Nader Shah. Artist unknown, created in c. 1740 in Iran. Now located in the British Library in London.
Contemporary portrait of Nader Shah. Artist unknown, created in c. 1740 in Iran. Now located in the British Library in London.
Statue of Nader Shah at his tomb
Statue of Nader Shah at his tomb
Court scene with Tahmasp II in the centre, and Nader to his left. From an illustrated Indian copy of the Jahangosha-ye Naderi, dated 1757/58.
Court scene with Tahmasp II in the centre, and Nader to his left. From an illustrated Indian copy of the Jahangosha-ye Naderi, dated 1757/58.
Nader Shah and two of his sons
Nader Shah and two of his sons