The Canary Girls were British women who worked in munitions manufacturing trinitrotoluene (TNT) shells during the First World War (1914–1918). The nickname arose because exposure to TNT is toxic, and repeated exposure can turn the skin an orange-yellow colour reminiscent of the plumage of a canary.
Women workers with TNT shells at Chilwell filling factory, Nottinghamshire, in 1917. Photo: Imperial War Museums
Rosie the Riveter is an allegorical cultural icon in the United States who represents the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. These women sometimes took entirely new jobs replacing the male workers who joined the military. She is widely recognized in the "We Can Do It!" poster as a symbol of American feminism and women's economic advantage. Similar images of women war workers appeared in other countries such as Britain and Australia. The idea of Rosie the Riveter originated in a song written in 1942 by Redd Evans and John Jacob Loeb. Images of women workers were widespread in the media in formats such as government posters, and commercial advertising was heavily used by the government to encourage women to volunteer for wartime service in factories. Rosie the Riveter became the subject and title of a Hollywood film in 1944.
A "Rosie" putting rivets on an Vultee A-31 Vengeance in Nashville, Tennessee, in 1943
Women workers in the ordnance shops of Midvale Steel and Ordnance Company in Nicetown, Pennsylvania, during World War I (1918)
A woman operating a turret lathe (1942)
A man and woman riveting team working on the cockpit shell of a C-47 aircraft at the plant of North American Aviation (1942)