Atlas (architecture)
In classical European architecture, an atlas is a support sculpted in the form of a man, which may take the place of a column, a pier or a pilaster. The Roman term for such a support is telamon. The term atlantes is the Greek plural of the name Atlas – the Titan who was forced to hold the sky on his shoulders for eternity. The alternative term, telamones, is derived from a mythological hero, one of the Argonauts. The caryatid is the precursor of this architectural form in Greece. Caryatids are found at the treasuries at Delphi and the Erechtheion on the Acropolis at Athens for Athene and they usually are in an Ionic context and represented a ritual association with the goddesses worshiped within. Not only did the Caryatids precede them, but similar architectural figures already had made in ancient Egypt out of monoliths. Atlantes originated in Greek Sicily and in Magna Graecia, southern Italy, the earliest surviving atlantes are fallen ones from the Early Classical Greek temple of Zeus, the Olympeion, in Agrigento, Sicily.
Atlantes, have played a significant role in Mannerist. During the eighteenth and nineteenth centuries, many buildings were built with glorious atlantes that look much like the Greek ones. Basilica di Santa Croce, Italy Casa degli Omenoni, Italy Church of St. Georg, Germany Hermitage Museum, St. Petersburg, figured supports, Vitruvius Caryatids and Atlantes
Peloponnese
The Peloponnese or Peloponnesus is a peninsula and geographic region in southern Greece. It is separated from the part of the country by the Gulf of Corinth. During the late Middle Ages and the Ottoman era, the peninsula was known as the Morea, the peninsula is divided among three administrative regions, most belongs to the Peloponnese region, with smaller parts belonging to the West Greece and Attica regions. In 2016, Lonely Planet voted the Peloponnese the top spot of their Best in Europe list, the Peloponnese is a peninsula that covers an area of some 21,549.6 square kilometres and constitutes the southernmost part of mainland Greece. It has two connections with the rest of Greece, a natural one at the Isthmus of Corinth. The peninsula has an interior and deeply indented coasts. The Peloponnese possesses four south-pointing peninsulas, the Messenian, the Mani, the Cape Malea, mount Taygetus in the south is the highest mountain in the Peloponnese, at 2,407 metres. Οther important mountains include Cyllene in the northeast, Aroania in the north and Panachaikon in the northwest, Mainalon in the center, the entire peninsula is earthquake prone and has been the site of many earthquakes in the past.
The longest river is the Alfeios in the west, followed by the Evrotas in the south, extensive lowlands are found only in the west, with the exception of the Evrotas valley in the south and in the Argolid in the northeast. The Peloponnese is home to spectacular beaches, which are a major tourist draw. Two groups of islands lie off the Peloponnesian coast, the Argo-Saronic Islands to the east, the island of Kythera, off the Epidaurus Limera peninsula to the south of the Peloponnese, is considered to be part of the Ionian Islands. The island of Elafonissos used to be part of the peninsula but was separated following the quake of 365 AD. Since antiquity, and continuing to the present day, the Peloponnese has been divided into seven regions, Corinthia, Arcadia, Messinia. Each of these regions is headed by a city, the largest city is Patras in Achaia, followed by Kalamata in Messinia. The peninsula has been inhabited since prehistoric times and its modern name derives from ancient Greek mythology, specifically the legend of the hero Pelops, who was said to have conquered the entire region.
The name Peloponnesos means Island of Pelops, the Mycenaean civilization, mainland Greeces first major civilization, dominated the Peloponnese in the Bronze Age from its stronghold at Mycenae in the north-east of the peninsula. The Mycenean civilization collapsed suddenly at the end of the 2nd millennium BC, archeological research has found that many of its cities and palaces show signs of destruction. The subsequent period, known as the Greek Dark Ages, is marked by an absence of written records
Antwerp
Antwerp is a city in Belgium, the capital of Antwerp province in the region of Flanders. With a population of 510,610, it is the most populous city proper in Belgium and its metropolitan area houses around 1,200,000 people, which is second behind Brussels. Antwerp is on the River Scheldt, linked to the North Sea by the Westerschelde estuary, the Port of Antwerp is one of the biggest in the world, ranking second in Europe and within the top 20 globally. Antwerp has long been an important city in the Low Countries, the inhabitants of Antwerp are nicknamed Sinjoren, after the Spanish honorific señor or French seigneur, referring to the Spanish noblemen who ruled the city in the 17th century. The city hosted the 1920 Summer Olympics, according to folklore, notably celebrated by a statue in front of the town hall, the city got its name from a legend about a giant called Antigoon who lived near the Scheldt river. He exacted a toll from passing boatmen, and for those who refused, he severed one of their hands, eventually the giant was killed by a young hero named Silvius Brabo, who cut off the giants own hand and flung it into the river.
Hence the name Antwerpen, from Dutch hand werpen, akin to Old English hand and wearpan, a longstanding theory is that the name originated in the Gallo-Roman period and comes from the Latin antverpia. Antverpia would come from Ante Verpia, indicating land that forms by deposition in the curve of a river. Note that the river Scheldt, before a period between 600 and 750, followed a different track. This must have coincided roughly with the current ringway south of the city, many historians think it unlikely that there was a large settlement which would be named Antverpia, but more something like an outpost with a river crossing. However, John Lothrop Motley argues, and so do a lot of Dutch etymologists and historians, aan t werp is possible. This warp is a hill or a river deposit, high enough to remain dry at high tide. Another word for werp is pol hence polders, historical Antwerp allegedly had its origins in a Gallo-Roman vicus. Excavations carried out in the oldest section near the Scheldt, 1952–1961, produced pottery shards, the earliest mention of Antwerp dates from the 4th century.
In the 4th century, Antwerp was first named, having been settled by the Germanic Franks, the name was reputed to have been derived from anda and werpum. The Merovingian Antwerp was evangelized by Saint Amand in the 7th century, at the end of the 10th century, the Scheldt became the boundary of the Holy Roman Empire. Antwerp became a margraviate in 980, by the German emperor Otto I, in the 11th century Godfrey of Bouillon was for some years known as the marquis of Antwerp. In the 12th century, Norbert of Xanten established a community of his Premonstratensian canons at St. Michaels Abbey at Caloes
Great hall
At that time the word great simply meant big, and had not acquired its modern connotations of excellence. Great halls were found especially in France and Scotland, a typical great hall was a rectangular room between one and a half and three times as long as it was wide, and higher than it was wide. It was entered through a passage at one end, and had windows on one of the long sides. There was often a gallery above the screens passage. At the other end of the hall was the dais where the table was situated. The lords familys more private rooms lay beyond the end of the hall. Even royal and noble residences had few living rooms until late in the Middle Ages, and a great hall was a multifunctional room. It was used for receiving guests and it was the place where the household would dine together, including the lord of the house, his gentleman attendants, at night some members of the household might sleep on the floor of the great hall. The hearth was used for heating and for some of the cooking, commonly the fireplace would have an elaborate overmantel with stone or wood carvings or even plasterwork which might contain coats of arms, heraldic mottoes, caryatids or other adornment.
In the upper halls of French manor houses, the fireplaces were usually very large, the great hall had the most beautiful decorations in it, as well as on the window frame mouldings on the outer wall. Many French manor houses have very beautifully decorated external window frames on the large mullioned windows that light the hall and this decoration clearly marked the window as belonging to the lords private hall. In western France, the manor houses were centered on a central ground-floor hall. Later, the reserved for the lord and his high-ranking guests was moved up to the first-floor level. This was called the salle haute or upper hall, in some of the larger three-storey manor houses, the upper hall was as high as second storey roof. The smaller ground-floor hall or salle basse remained but was for receiving guests of any social order and it is very common to find these two halls superimposed, one on top of the other, in larger manor houses in Normandy and Brittany. Access from the hall to the upper hall was normally via an external staircase tower.
The upper hall often contained the bedroom and living quarters off one end. Occasionally the great hall would have a listening device system
Rome
Rome is a special comune and the capital of Italy. Rome serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was taken up by Ovid and Livy. Rome is called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and the birthplace of both the Baroque style and Neoclassicism.
Famous artists, painters and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum.
Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Forum of Augustus
The Forum of Augustus is one of the Imperial forums of Rome, built by Augustus. It includes the Temple of Mars Ultor and this landmark was built in 42 BCE. The triumvir Octavian vowed to build a temple honoring Mars, the Roman God of War, after winning the battle, with the help of Mark Antony and Lepidus, Octavian had avenged the assassination of his adoptive father Julius Caesar. He became the Princeps of Rome in 27 BC under the name Augustus, the land the Forum was to be built on was already owned by Augustus himself. However, the plans called for more space than he had. This self-proclaimed good deed was more likely just a ploy to save Augustus money. These land issues, as well as numerous architectural mishaps, prolonged construction, the incomplete forum and its temple were inaugurated,40 years after they were first vowed, in 2 BC. In 19 AD Tiberius added two triumphal arches either side of the temple in honour of Drusus the Elder and Germanicus, the educational and cultural use of the exedrae were recorded in the late antiquity.
The last notice of the forum was given in 395, archeological data testifies to the systematic dismantling of the structures in the first half of the 6th century, probably because it was seriously damaged in an earthquake or during the wars. The Forum of Augustus was among the first of the public buildings of Rome which disappeared that explains the rapid loss of the memory of its original name. In the 9th century a Basilian monastery was erected on the podium of the ruined temple, the Forum of Augustus was built to both house a temple honouring Mars, and to provide another space for legal proceedings, as the Roman Forum was very crowded. Before battle, generals set off from the Temple of Mars, other ceremonies took place in the temple including the assumption of the toga virilis by young men. The Senate met at the Temple when discussing war and the victorious generals dedicated their spoils from their triumphs to Mars at the altar, arms or booty recovered from battle were often stored in the Forum as well.
The Forum was filled with a variety of different statues. Most notable were the statues of Augustus in full military outfit in the center of the Forum, in total, there were 108 portrait statues with inscriptions of each individual’s achievements, providing an important idea of how Augustus viewed his role within Roman history. The inscriptions are called elogia by modern scholars and they trace Augustus’ lineage back through the fourteen Alban kings to the founding ancestors Aeneas and Romulus. These figures reinforced the importance of both Roman lineage and of the lineage that Augustus himself held. By advertising this lineage, he reinforced his power and authorities as a leader, also, by placing himself amongst great figures and heroes, he further portrayed himself and his own importance
Delphi
Delphi is famous as the ancient sanctuary that grew rich as the seat of the oracle that was consulted on important decisions throughout the ancient classical world. Moreover, it was considered as the navel of the world by the Greeks as represented by the Omphalos and it occupies an impressive site on the south-western slope of Mount Parnassus overlooking the coastal plain to the south and the valley of Phocis. It is now an archaeological site and the modern town is nearby. The site of Delphi is located in upper central Greece, on multiple plateaux/terraces along the slope of Mount Parnassus, and includes the Sanctuary of Apollo and this semicircular spur is known as Phaedriades, and overlooks the Pleistos Valley. In myths dating to the period of Ancient Greece, the site of Delphi was believed to be determined by Zeus when he sought to find the centre of his Grandmother Earth. He sent two eagles flying from the eastern and western extremities, and the path of the eagles crossed over Delphi where the omphalos, Apollo was said to have slain Python, a drako a serpent or a dragon who lived there and protected the navel of the Earth.
Python is claimed by some to be the name of the site in recognition of Python which Apollo defeated. The Homeric Hymn to Delphic Apollo recalled that the ancient name of this site had been Krisa, others relate that it was named Pytho and that Pythia, the priestess serving as the oracle, was chosen from their ranks by a group of priestesses who officiated at the temple. At the settlement site in Delphi, which was a settlement of the late 9th century. Pottery and bronze work as well as tripod dedications continue in a steady stream, the victors at Delphi were presented with a laurel crown which was ceremonially cut from a tree by a boy who re-enacted the slaying of the Python. Delphi was set apart from the other sites because it hosted the mousikos agon. These Pythian Games rank second among the four stephanitic games chronologically and these games, were different from the games at Olympia in that they were not of such vast importance to the city of Delphi as the games at Olympia were to the area surrounding Olympia.
Delphi would have been a renowned city whether or not it hosted these games, it had other attractions that led to it being labeled the omphalos of the earth, in other words, in the inner hestia of the Temple of Apollo, an eternal flame burned. The name Delphoi comes from the root as δελφύς delphys, womb. Apollo is connected with the site by his epithet Δελφίνιος Delphinios, the epithet is connected with dolphins in the Homeric Hymn to Apollo, recounting the legend of how Apollo first came to Delphi in the shape of a dolphin, carrying Cretan priests on his back. The Homeric name of the oracle is Pytho, another legend held that Apollo walked to Delphi from the north and stopped at Tempe, a city in Thessaly, to pick laurel which he considered to be a sacred plant. In commemoration of this legend, the winners at the Pythian Games received a wreath of laurel picked in the Temple, Delphi became the site of a major temple to Phoebus Apollo, as well as the Pythian Games and the famous prehistoric oracle.
Even in Roman times, hundreds of votive statues remained, described by Pliny the Younger, according to Plutarchs essay on the meaning of the E at Delphi—the only literary source for the inscription—there was inscribed at the temple a large letter E
Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member, the term column applies especially to a large round support with a capital and a base or pedestal and made of stone, or appearing to be so. A small wooden or metal support is called a post. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces, other compression members are often termed columns because of the similar stress conditions. Columns are frequently used to support beams or arches on which the parts of walls or ceilings rest. In architecture, column refers to such an element that has certain proportional. A column might be an element not needed for structural purposes, many columns are engaged. All significant Iron Age civilizations of the Near East and Mediterranean made some use of columns, egyptian columns are famously present in the Great Hypostyle Hall of Karnak, where 134 columns are lined up in 16 rows, with some columns reaching heights of 24 metres.
Some of the most elaborate columns in the ancient world were those of the Persians and they included double-bull structures in their capitals. The Hall of Hundred Columns at Persepolis, measuring 70 ×70 metres, was built by the Achaemenid king Darius I, many of the ancient Persian columns are standing, some being more than 30 metres tall. The Minoans used whole tree-trunks, usually turned upside down in order to prevent re-growth, stood on a set in the stylobate. These were painted as in the most famous Minoan palace of Knossos, the Minoans employed columns to create large open-plan spaces, light-wells and as a focal point for religious rituals. These traditions were continued by the Mycenaean civilization, particularly in the megaron or hall at the heart of their palaces. Being made of wood these early columns have not survived, but their bases have and through these we may see their use. The Greeks developed the classical orders of architecture, which are most easily distinguished by the form of the column and their Doric and Corinthian orders were expanded by the Romans to include the Tuscan and Composite orders.
Columns, or at least large structural exterior ones, became less significant in the architecture of the Middle Ages. Early columns were constructed of stone, some out of a piece of stone. Monolithic columns are among the heaviest stones used in architecture, other stone columns are created out of multiple sections of stone, mortared or dry-fit together
Jacopo Sansovino
Jacopo dAntonio Sansovino was an Italian sculptor and architect, known best for his works around the Piazza San Marco in Venice. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovinos Biblioteca Marciana was the best building erected since Antiquity, giorgio Vasari uniquely printed his Vita of Sansovino separately. He was born in Florence and apprenticed with Andrea Sansovino whose name he subsequently adopted, in Rome he attracted the notice of Bramante and Raphael and made a wax model of the Deposition of Christ for Perugino to use. He returned to Florence in 1511 where he received commissions for sculptures of St. James for the Duomo. In the period of 1510-17 he shared a studio with the painter Andrea del Sarto, like all sixteenth-century Italian architects, Sansovino devoted considerable energy to elaborate but temporary structures related to courtly ritual. The triumphant entry of Pope Leo X into Florence in 1515 was a highpoint of this genre and he subsequently returned to Rome where he stayed for nine years, leaving for Venice in the year of the Sack of Rome.
In 1529, Sansovino became chief architect and superintendent of properties to the Procurators of San Marco, the appointment came with a salary of 80 ducats and an apartment near the clocktower in San Marco. Within a year his salary was raised to 180 ducats per year, among palaces and buildings are the Scuola Grande della Misericordia, Ca de Dio, Palazzo Dolfin Manin, Palazzo Corner, Palazzo Moro, and the Fabbriche Nuove di Rialto. His masterpiece is the Library of Saint Marks, the Biblioteca Marciana, one of Venices most richly decorated Renaissance structures, construction spanned fifty years and cost over 30,000 ducats. In it he made the architectural language of classicism, traditionally associated with severity and restraint. This paved the way for the architecture of Andrea Palladio. He died in Venice and his sepulchre is in the Baptistery of St and his most important follower in the medium of sculpture was Alessandro Vittoria, another disciple was the architect and sculptor Danese Cataneo.
Jacopo Sansovinos works Renaissance Classicism Boucher, Bruce and catalogue raisonné of the sculpture. Jacopo Sansovino Architecture and Patronage in Renaissance Venice
Doge's Palace
The Doges Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the authority of the former Republic of Venice. Today, it is one of the 11 museums run by the Fondazione Musei Civici di Venezia. In 810, Doge Angelo Partecipazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci, a ducal palace, should be built. However, no remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani, a great reformer, he would drastically change the entire layout of the St. The new palace was built out of fortresses, one façade to the Piazzetta, political changes in the mid-13th century led to the need to re-think the palaces structure due to the considerable increase in the number of the Great Councils members.
The new Gothic palaces constructions started around 1340, focusing mostly on the side of the building facing the lagoon, in 1483, a violent fire broke out in the side of the palace overlooking the canal, where the Doges Apartments were. Once again, an important reconstruction became necessary and was commissioned from Antonio Rizzo, another huge fire in 1547 destroyed some of the rooms on the second floor, but fortunately without undermining the structure as a whole. However, there are some classical features — for example, since the 16th century, as well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed. Venice was subjected first to French rule, to Austrian, over this period, the palace was occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city. In 1923, the Italian State, owner of the building, since 1996, the Doge’s Palace has been part of the Venetian museums network, which has been under the management of the Fondazione Musei Civici di Venezia since 2008.
The ground floor arcade and the loggia above are decorated with 14th- and 15th-century capitals, in 1438–1442, Giovanni Bon and Bartolomeo Bon built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. In the space above the cornice, there is a portrait of the Doge Francesco Foscari kneeling before the St. This is, however, a 19th-century work by Luigi Ferrari, the public entrance to the Doges Palace is via the Porta del Frumento, on the waterfront side of the building. The north side of the courtyard is closed by the junction between the palace and St, mark’s Basilica, which used to be the Doge’s chapel. At the center of the courtyard stand two well-heads dating from the mid-16th century, in 1485, the Great Council decided that a ceremonial staircase should be built within the courtyard. Since 1567, the Giants’ Staircase is guarded by Sansovino’s two colossal statues of Mars and Neptune, which represents Venice’s power by land and by sea, members of the Senate gathered before government meetings in the Senator’s Courtyard, to the right of the Giants’ Staircase
Augustus Saint-Gaudens
Augustus Saint-Gaudens was an American sculptor of the Beaux-Arts generation who most embodied the ideals of the American Renaissance. In his years he founded the Cornish Colony, a colony that included notable painters, writers. His brother Louis Saint-Gaudens was a sculptor with whom he occasionally collaborated. Born in Dublin to a French father and an Irish mother, Saint-Gaudens was raised in New York, in 1861, he became an apprentice to a cameo-cutter, Louis Avet, and took evening art classes at the Cooper Union. Two years later, he was hired as an apprentice of Jules Le Brethon, another cameo cutter, at age 19, his apprenticeship completed and he traveled to Paris in 1867, where he studied in the atelier of François Jouffroy at the École des Beaux-Arts. In 1870, he left Paris for Rome, to art and architecture. Pierrepont, a phrenologist, proved to be a demanding client insisting that Saint-Gaudens make his head larger, in 1876, he won a commission for a bronze David Farragut Memorial. He rented a studio at 49 rue Notre Dame des Champs and it was unveiled on May 25,1881, in Madison Square Park.
The statue stood on a 300-foot-high tower, making Diana the highest point in the city and it was the first statue in that part of Manhattan to be lit at night by electricity. The statue and its tower was a landmark until 1925 when the building was demolished, in New York, he was a member of the Tilers, a group of prominent artists and writers, including Winslow Homer, William Merritt Chase and Arthur Quartley. He was a member of the Salmagundi Club in New York, two grand equestrian monuments to Civil War generals are outstanding, to General John A. For the Lincoln Centennial in 1909, Saint-Gaudens produced another statue of the president, a seated figure, Abraham Lincoln, The Head of State, is in Chicagos Grant Park. Saint-Gaudens completed the work and had begun casting the statue at the time of his death—his workshop completed it. The statues head was used as the model for the postage stamp issued on the 100th anniversary of Lincolns birth. Saint-Gaudens created the statue for the monument of Charles Stewart Parnell, with minor modifications, this medallion was reproduced for the Stevenson memorial in St.
Giles Cathedral, Edinburgh. Stevensons cousin and biographer, Graham Balfour, deemed the work the most satisfactory of all the portraits of Stevenson, Balfour noted that Saint-Gaudens greatly admired Stevenson and had once said he would gladly go a thousand miles for the sake of a sitting with him. Such pieces stand testament to both his appeal and the respect that was given to him by his contemporaries. His medals have been sold at auction for varying sums, a statue of philanthropist Robert Randall stands in the gardens of Sailors Snug Harbor in New York
Appian Way
The Appian Way was one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy and its importance is indicated by its common name, recorded by Statius, Appia longarum. The Appian Way was used as a route for military supplies since its construction for that purpose in 312 B. C. The Appian Way was the first long road built specifically to transport troops outside the region of greater Rome. The few roads outside the city were Etruscan and went mainly to Etruria. By the late Republic, the Romans had expanded over most of Italy and were masters of road construction, Rome had an affinity for the people of Campania, like themselves, traced their backgrounds to the Etruscans. The Samnite Wars were instigated by the Samnites when Rome attempted to ally itself with the city of Capua in Campania, the Italic speakers in Latium had long ago been subdued and incorporated into the Roman state. They were responsible for changing Rome from a primarily Etruscan to a primarily Italic state, dense populations of sovereign Samnites remained in the mountains north of Capua, which is just north of the Greek city of Neapolis.
Around 343 BC, Rome and Capua attempted to form an alliance, the Samnites reacted with military force. Between Capua and Rome lay the Pontine Marshes, a swamp infested with malaria, a tortuous coastal road wound between Ostia at the mouth of the Tiber and Neapolis. The via Latina followed its ancient and scarcely more accessible path along the foothills of Monti Laziali and Monti Lepini, in the First Samnite War the Romans found they could not support or resupply troops in the field against the Samnites across the marsh. A revolt of the Latin League drained their resources further and they gave up the attempted alliance and settled with Samnium. The Romans were only biding their time while they looked for a solution, the first answer was the colonia, a cultivation of settlers from Rome, who would maintain a permanent base of operations. The Second Samnite War erupted when Rome attempted to place a colony at Cales in 334, the Samnites, now a major power after defeating the Greeks of Tarentum, occupied Neapolis to try to ensure its loyalty.
The Neapolitans appealed to Rome, which sent an army and expelled the Samnites from Neapolis, in 312 BC, Appius Claudius Caecus became censor at Rome. He was of the gens Claudia, who were descended from the Sabines taken into the early Roman state. He had been given the name of the ancestor of the gens. He was a populist, i. e. an advocate of the common people, a man of inner perspicacity, in the years of success he was said to have lost his outer vision and thus acquired the name caecus, blind
