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Caslon
William Caslon in an engraved portrait by John Faber the younger
William Caslon in an engraved portrait by John Faber the younger
William Caslon's specimen sheet (dated 1734 but actually issued from 1738 onwards). Some of the types shown were not cut by Caslon, most notably the F
William Caslon's specimen sheet (dated 1734 but actually issued from 1738 onwards). Some of the types shown were not cut by Caslon, most notably the French Canon roman (probably cut by Joseph Moxon).
The Fry type foundry's imitations of first Baskerville (above) and then Caslon type (below), shown in a specimen attached to an edition of The Printer
The Fry type foundry's imitations of first Baskerville (above) and then Caslon type (below), shown in a specimen attached to an edition of The Printer's Grammar, 1787. Mosley describes them as "a very close copy that is not easy to tell from the original."
The History of Henry Esmond, a novel by Thackeray written as a fictional memoir. The first edition, of 1852, was printed in Caslon type, then just com
The History of Henry Esmond, a novel by Thackeray written as a fictional memoir. The first edition, of 1852, was printed in Caslon type, then just coming back into fashion. The goal was to achieve a period feel appropriate to its early eighteenth-century setting.
Cover of the issue from May 30, 1925, illustrated by Ilonka Karasz, a regular cover artist for The New Yorker
Cover of the issue from May 30, 1925, illustrated by Ilonka Karasz, a regular cover artist for The New Yorker