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Painting of William Caslon, founder of the Caslon type foundry, by Francis Kyte. He holds his specimen of his types.
Painting of William Caslon, founder of the Caslon type foundry, by Francis Kyte. He holds his specimen of his types.
William Caslon's specimen sheet (dated 1734 but actually issued from 1738 onwards). Some of the types shown were not cut by Caslon, most notably the F
William Caslon's specimen sheet (dated 1734 but actually issued from 1738 onwards). Some of the types shown were not cut by Caslon, most notably the French Canon roman (probably cut by Joseph Moxon)
The Caslon family chest tomb at St Luke's, Old Street
The Caslon family chest tomb at St Luke's, Old Street
During the late 18th century the poster began to appear, creating a new market for printing. A watercolour of a theatre shows posters outside
During the late 18th century the poster began to appear, creating a new market for printing. A watercolour of a theatre shows posters outside
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A punch (left) and the respective matrix produced from it (right). The small letters at the base of the matrix are founders marks.
A punch (left) and the respective matrix produced from it (right). The small letters at the base of the matrix are founders marks.
A counter-punch and a punch for letter A
A counter-punch and a punch for letter A
A punchcutter working for the Imprimerie Nationale demonstrates cutting a punch for a Qu ligature.
A punchcutter working for the Imprimerie Nationale demonstrates cutting a punch for a Qu ligature.
A demonstration by punchcutter Nelly Gable. The candle is to transfer soot onto the punch to make a smoke proof, a check of the punch's current impres
A demonstration by punchcutter Nelly Gable. The candle is to transfer soot onto the punch to make a smoke proof, a check of the punch's current impression on paper.