Catherine de' Medici's court festivals
A series of lavish and spectacular court entertainments, sometimes called magnificences, were laid on by Catherine de' Medici, the queen consort of France from 1547 to 1559 and queen mother from 1559 until her death in 1589. As wife of Henry II of France, Catherine showed interest in the arts and theatre, but it was not until she attained real political and financial power as queen mother that she began the series of tournaments and entertainments that dazzled her contemporaries and continue to fascinate scholars. Biographer Leonie Frieda suggests that "Catherine, more than anyone, inaugurated the fantastic entertainments for which later French monarchs also became renowned".
Ball at the Court of Henri III (detail), Franco-Flemish school, c. 1582.
In the Ballet Comique de la Reine, 1581, a fountain chariot carried Queen Louise and her ladies and musicians. Engraving by Jacques Patin.
One of the Valois Tapestries, depicting entertainments at Fontainebleau in 1564, including the mock rescue of captive damsels from an enchanted island.
Water Festival at Bayonne, a tapestry design by Antoine Caron, records entertainments laid on by Catherine de' Medici for the Franco-Spanish summit meeting of 1565.
Catherine de' Medici was an Italian (Florentine) noblewoman born into the Medici family. She was Queen of France from 1547 to 1559 by marriage to King Henry II and the mother of French kings Francis II, Charles IX, and Henry III. The years during which her sons reigned have been called "the age of Catherine de' Medici" since she had extensive, if at times varying, influence on the political life of France.
Portrait c. 1560
Giulio di Giuliano de' Medici, Pope Clement VII, by Sebastiano del Piombo, c.1531. Clement called Catherine's betrothal to Henry of Orléans "the greatest match in the world".
Catherine and Henry's marriage, painted seventeen years after the event
Henry, Duke of Orléans, by Corneille de Lyon. During his childhood, Henry spent almost four and a half years as a hostage in Spain, an ordeal that marked him for life, leaving him introverted and gloomy.
