1.
Bordeaux
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Bordeaux is a port city on the Garonne River in the Gironde department in southwestern France. The municipality of Bordeaux proper has a population of 243,626, together with its suburbs and satellite towns, Bordeaux is the centre of the Bordeaux Métropole. With 749,595 inhabitants and 1,178,335 in the area, it is the fifth largest in France, after Paris, Lyon, Marseille and Lille. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department and its inhabitants are called Bordelais or Bordelaises. The term Bordelais may also refer to the city and its surrounding region, Bordeaux is the worlds major wine industry capital. It is home to the main wine fair, Vinexpo. Bordeaux wine has been produced in the region since the 8th century, the historic part of the city is on the UNESCO World Heritage List as an outstanding urban and architectural ensemble of the 18th century. After Paris, Bordeaux has the highest number of preserved buildings of any city in France. In historical times, around 300 BC it was the settlement of a Celtic tribe, the Bituriges Vivisci, the name Bourde is still the name of a river south of the city. In 107 BC, the Battle of Burdigala was fought by the Romans who were defending the Allobroges, a Gallic tribe allied to Rome, the Romans were defeated and their commander, the consul Lucius Cassius Longinus, was killed in the action. The city fell under Roman rule around 60 BC, its importance lying in the commerce of tin, later it became capital of Roman Aquitaine, flourishing especially during the Severan dynasty. In 276 it was sacked by the Vandals, further ravage was brought by the same Vandals in 409, the Visigoths in 414 and the Franks in 498, beginning a period of obscurity for the city. In the late 6th century, the city re-emerged as the seat of a county and an archdiocese within the Merovingian kingdom of the Franks, the city started to play a regional role as a major urban center on the fringes of the newly founded Frankish Duchy of Vasconia. Around 585, a certain Gallactorius is cited as count of Bordeaux, the city was plundered by the troops of Abd er Rahman in 732 after storming the fortified city and overwhelming the Aquitanian garrison. After Duke Eudess defeat, the Aquitanian duke could still save part of its troops, the following year, the Frankish commander descended again over Aquitaine, but clashed in battle with the Aquitanians and left to take on hostile Burgundian authorities and magnates. In 745, Aquitaine faced yet another expedition by Charles sons Pepin and Carloman against Hunald, Hunald was defeated, and his son Waifer replaced him, who in turn confirmed Bordeaux as the capital city. During the last stage of the war against Aquitaine, it was one of Waifers last important strongholds to fall to King Pepin the Shorts troops. Next to Bordeaux, Charlemagne built the fortress of Fronsac on a hill across the border with the Basques, in 778, Seguin was appointed count of Bordeaux, probably undermining the power of the Duke Lupo, and possibly leading to the Battle of Roncevaux Pass that very year
2.
Saint-Germain-en-Laye
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Saint-Germain-en-Laye is a commune in the Yvelines department in the Île-de-France in north-central France. It is located in the suburbs of Paris,19.1 km from the centre of Paris. Inhabitants are called Saint-Germanois or Saint-Germinois, with its elegant tree-lined streets it is one of the more affluent suburbs of Paris, combining both high-end leisure spots and exclusive residential neighborhoods. Saint-Germain-en-Laye is a sub-prefecture of the department, because it includes the National Forest of Saint-Germain-en-Laye, it covers approximately 48 km2, making it the largest commune in the Yvelines. It occupies a large loop of the Seine, Saint-Germain-en-Laye lies at one of the western termini of Line A of the RER. Saint-Germain-en-Laye was founded in 1020 when King Robert the Pious founded a convent on the site of the present Church of Saint-Germain, in 1688, James II, King of England, exiled himself to the city due to religious conflicts in his own country. He spent the remainder of his days there, and died on 16 September 1701, prior to the French Revolution in 1789, it had been a royal town and the Château de Saint-Germain the residence of numerous French monarchs. The old château was constructed in 1348 by King Charles V on the foundations of an old castle dating from 1238 in the time of Saint Louis, francis I was responsible for its subsequent restoration. In 1862, Napoleon III set up the Musée des Antiquités Nationales in the erstwhile royal château and this museum has exhibits ranging from Paleolithic to Celtic times. The Dame de Brassempouy sculpted on a mammoths ivory tusk around 23,000 years ago is the most famous exhibit in the museum, kings Henry IV and Louis XIII left their mark on the town. Louis XIV was born in the château, and established Saint-Germain-en-Laye as his residence from 1661 to 1681. Louis XIV turned over the château to James VII & II of Scotland and England after his exile from Britain after the Glorious Revolution in 1688, James lived in the Château for 13 years, and his daughter Louisa Maria Stuart was born in exile here in 1692. James II is buried in the Church of Saint-Germain, Saint-Germain-en-Laye is famous for its 2. 4-kilometre long stone terrace built by André Le Nôtre from 1669 to 1673. The terrace provides a view over the valley of the Seine and, in the distance, during the French Revolution, the name was changed along with many other places whose names held connotations of religion or royalty. During his reign, Napoleon I established his cavalry officers training school in the Château-Vieux, the Treaty of Saint-Germain was signed in 1919 and was applied on July 16,1920. The treaty officially registered the breakup of the Habsburg empire, which recognized the independence of Czechoslovakia, Poland, Hungary, and the Kingdom of the Serbs, Croats, during the occupation from 1940 to 1944, the town was the headquarters of the German Army. Saint-Germain-en-Laye is served by Saint-Germain-en-Laye station on Paris RER line A and it is also served by two stations on the Transilien Paris – Saint-Lazare suburban rail line, Saint-Germain – Bel-Air – Fourqueux and Saint-Germain – Grande Ceinture. Saint-Germain-en-Laye is also served by Achères – Grand Cormier station on Paris RER line A and this station is located in the middle of the Forest of Saint-Germain-en-Laye, far away from the urbanized part of the commune
3.
Judith Gautier
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Judith Gautier was a French poet and historical novelist, the daughter of Théophile Gautier and Ernesta Grisi, sister of the noted singer and ballet dancer Carlotta Grisi. She was an Oriental scholar and her works dealt mainly with Chinese and Japanese themes and she was a member of the Académie Goncourt. Le Japon et la Chine dans les œuvres de Judith Gautier, thurston, H. T. Colby, F. M. eds. article name needed
4.
French literature
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This article is a general introduction to French literature. For detailed information on French literature in specific periods, see the separate historical articles in the template to the right. Literature written in French language, by citizens of nations such as Belgium, Switzerland, Canada, Senegal, Algeria, Morocco. As of 2006, French writers have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country, France itself ranks first in the list of Nobel Prizes in literature by country. French literature has been for French people an object of pride for centuries. The French language is a dialect derived from Latin and heavily influenced principally by Celtic. Today, French schools emphasize the study of novels, theater, the literary arts are heavily sponsored by the state and literary prizes are major news. The Académie française and the Institut de France are important linguistic and artistic institutions in France, Literature matters deeply to the people of France and plays an important role in their sense of identity. As of 2006, French literary people have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country, a writer must refuse to allow himself to be transformed into an institution, even if it takes place in the most honorable form. For most of the 20th century, French authors had more Literature Nobel Prizes than those of any other nation. M. G, le Clézio 2014 – Patrick Modiano Grand Prix de Littérature Policière – created in 1948, for crime and detective fiction. Grand Prix du roman de lAcadémie française – created 1918, Prix Décembre – created in 1989. Prix Femina – created 1904, decided each year by an exclusively female jury, Prix Goncourt – created 1903, given to the author of the best and most imaginative prose work of the year. Prix Goncourt des Lycéens – created in 1987, Prix Littéraire Valery Larbaud – created in 1957. Prix Médicis – created 1958, awarded to an author whose fame does not yet match their talent, Prix Renaudot – created in 1926. Prix Tour-Apollo Award – 1972–1990, given to the best science fiction published in French during the preceding year. Prix des Deux Magots – created in 1933, a short history of French literature Burgwinkle, William, Nicholas Hammond, and Emma Wilson, eds. The Cambridge history of French literature Cobb, Richard, Promenades, an appreciation of modern French literature Harvey, Paul. The Oxford companion to French literature Denis Hollier, ed, a New History of French Literature, Harvard University Press,1989,1150 pp. France, Peter
5.
Medieval French literature
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Medieval French literature is, for the purpose of this article, literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century. For historical background, see History of France, France in the Middle Ages or Middle Ages, for other national literary traditions, see Medieval literature. The language in southern France is known as langue doc or the Occitan language family, also known under the name of one of iys dialects, the Western peninsula of Brittany spoke Breton, a Celtic language. Catalan was spoken in the South, and Germanic languages and Franco-Provençal were spoken in the East, the various dialects of Old French developed into what are recognised as regional languages today. Languages which developed from dialects of Old French include Bourguignon, Champenois, Franc-Comtois, Francien, Gallo, Lorrain, Norman, Anglo-Norman, Picard, Poitevin, Saintongeais and Walloon. From 1340 to the beginning of the century, a generalized French language became clearly distinguished from the other competing Oïl languages. This is referred to as Middle French, the vast majority of literary production in Old French is in verse, the development of prose as a literary form was a late phenomenon. The French language does not have a significant stress accent or long and this means that the French metric line is not determined by the number of beats, but by the number of syllables. The most common lengths are the ten-syllable line, the eight-syllable line. Verses could be combined in a variety of ways, blocks of assonanced lines are called laisses, the choice of verse form was generally dictated by the genre. The Old French epics are written in ten-syllable assonanced laisses. The earliest extant French literary texts date from the ninth century, the first literary works written in Old French were saints lives. The Canticle of Saint Eulalie, written in the half of the ninth century, is generally accepted as the first such text. It is a poem that recounts the martyrdom of a young girl. The best known of the early Old French saints lives is the Vie de Saint Alexis, the life of Saint Alexis, a translation/rewriting of a Latin legend. Saint Alexis fled from his familys home in Rome on his wedding night and dwelled as a hermit in Syria until a mystical voice began telling people of his holiness. In order to avoid the earthly honor that came with such fame, he left Syria and was back to Rome. He was only identified later when the pope read his name in a letter held in the saints hand
6.
17th-century French literature
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In reality, 17th-century French literature encompasses far more than just the classicist masterpieces of Jean Racine and Madame de La Fayette. In Renaissance France, literature was largely the product of encyclopaedic humanism, a new conception of nobility, modelled on the Italian Renaissance courts and their concept of the perfect courtier, was beginning to evolve through French literature. In the mid-17th century, there were an estimated 2,200 authors in France, under Cardinal Richelieu, patronage of the arts and literary academies increasingly came under the control of the monarchy. Henry IVs court was considered by contemporaries a rude one, lacking the Italianate sophistication of the court of the Valois kings, the court also lacked a queen, who traditionally served as a focus of a nations authors and poets. Henrys literary tastes were largely limited to the chivalric novel Amadis of Gaul, in the 1620s, the most famous salon was held at the Hôtel de Rambouillet by Madame de Rambouillet, a rival gathering was organized by Madeleine de Scudéry. The word salon first appeared in French in 1664 from the Italian word sala, before 1664, literary gatherings were often called by the name of the room in which they occurred -- cabinet, réduit, alcôve, and ruelle. For instance, the term derives from literary gatherings held in the bedroom. Nobles, lying on their beds, would receive close friends, ruelle refers to the space between a bed and the wall in a bedroom, it became a name for these gatherings, often under the wing of educated women in the first half of the 17th century. In the context of French scholastica, academies were scholarly societies which monitored, fostered, academies first appeared in France during the Renaissance, when Jean-Antoine de Baïf created one devoted to poetry and music, inspired by the academy of Italian Marsilio Ficino. The first half of the 17th century was marked by a growth in private academies. Academies were generally more formal and more focused on criticism and analysis than salons, however, certain salons were closer to the academic spirit. In the mid-17th century, academies gradually came under government control and sponsorship, the first private academy to fall under governmental control was LAcadémie française, which remains the most prestigious governmental academy in France. Founded in 1634 by Cardinal Richelieu, LAcadémie française focuses on the French language, in certain instances, the values of 17th-century nobility played a major part in the literature of the era. Most notable of these values are the aristocratic obsession with glory, the spectacle of power, prestige and luxury found in 17th-century literature may be distasteful or even offensive. The château of Versailles, court ballets, noble portraits, triumphal arches – all of these were representations of glory, the notion of glory was not vanity or boastfulness or hubris, but rather a moral imperative for the aristocracy. Nobles were required to be generous, magnanimous and to great deeds disinterestedly. Ones status in the world demanded appropriate externalisation, nobles indebted themselves to build prestigious urban mansions and to buy clothes, paintings, silverware, dishes and other furnishings befitting their rank. They were also required to show generosity by hosting sumptuous parties, conversely, social parvenus who took on the external trappings of the noble classes were severely criticised, sometimes by legal action
7.
18th-century French literature
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In common with a similar movement in England at the same time, the writers of 18th century France were critical, skeptical and innovative. Their lasting contributions were the ideas of liberty, toleration, humanitarianism, equality, and progress, the 18th century saw the gradual weakening of the absolute monarchy constructed by Louis XIV. France was forced to recognize the power of England and Prussia. The Monarchy finally ended with King Louis XVI, who was unable to understand or control the forces of the French Revolution. The new class began to challenge the cultural and social monopoly of the aristocracy, French cities began to have their own theaters, coffee houses and salons, the Rise of the Third Estate culminated in their political victory in the French Revolution. Faith in science and progress was the force behind the first French Encyclopedia of Denis Diderot. The Protestants achieved legal status in France in 1787, the exchange of ideas with other countries also increased. British ideas were important, particularly such ideas as constitutional monarchy and romanticism. Toward the end of the century, a sober style appeared, aimed at illustrating scenery, work. These writers, and others such as the Abbé Sieyès, one of the authors of the Declaration of the Rights of Man and of the Citizen. They came from the upper class or Third Estate, sought a society founded upon talent and merit. Their ideas were influenced by those of John Locke in England. They introduced the values of liberty and equality which became the ideals of the French Republic founded at the end of the century and they defended the freedom of conscience and challenged the role of religious institutions in society. For them, tolerance was a value of society. When the Convention placed the ashes of Voltaire in the Pantheon in Paris, while the philosophes had widely different approaches, they all had as a common objective, both for mankind and for individuals, the ideal of happiness. Some, like Rousseau, dreamed of the happiness of the savage, rapidly disappearing, others, like Voltaire. The philosophes were optimists, and they saw their mission clearly, they did not simply observe, the comedies of Marivaux and of Beaumarchais also played a part in this debate about and diffusion of great ideas. The relaxing of morals under the French Regency brought the return in 1716 of the Comédie-Italienne and his major works include Les Fausses Confidences, le Jeu de lamour et du hasard, and lÎle des esclaves
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19th-century French literature
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19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. French literature enjoyed enormous prestige and success in the 19th century. The first part of the century was dominated by Romanticism, until around the mid-century Realism emerged, in the last half of the century, naturalism, parnassian poetry, and symbolism, among other styles, were often competing tendencies at the same time. Some writers did form into literary groups defined by a name, in other cases, these expressions were merely pejorative terms given by critics to certain writers or have been used by modern literary historians to group writers of divergent projects or methods. Nevertheless, these labels can be useful in describing broad historical developments in the arts and their influence was felt in theatre, poetry, prose fiction. Foreign influences played a big part in this, especially those of Shakespeare, Sir Walter Scott, Byron, Goethe, Le mal du siècle, a sense of loss, disillusion, and aporia, typified by melancholy and lassitude. Romanticism in England and Germany largely predate French romanticism, although there was a kind of pre-romanticism in the works of Senancour and Jean-Jacques Rousseau at the end of the 18th century. French Romanticism took definite form in the works of François-René de Chateaubriand and Benjamin Constant and it found early expression also in the sentimental poetry of Alphonse de Lamartine. The major battles of romanticism in France was in the theater, the dramatic unities of time and place were abolished, tragic and comic elements appeared together and metrical freedom was won. Marked by the plays of Friedrich Schiller, the romantics often chose subjects from historic periods, victor Hugo was the outstanding genius of the Romantic School and its recognized leader. He was prolific alike in poetry, drama, and fiction, all three also wrote novels and short stories, and Musset won a belated success with his plays. Alexandre Dumas, père wrote The Three Musketeers and other novels in an historical setting. Prosper Mérimée and Charles Nodier were masters of shorter fiction, Romanticism is associated with a number of literary salons and groups, the Arsenal, the Cénacle, the salon of Louis Charles Delescluze, the salon of Antoine Deschamps, the salon of Madame de Staël. Romanticism in France defied political affiliation, one finds both liberal, conservative and socialist strains, the expression Realism, when applied to literature of the 19th century, implies the attempt to depict contemporary life and society. The growth of realism is linked to the development of science, history, honoré de Balzac is the most prominent representative of 19th century realism in fiction. His La Comédie humaine, a vast collection of nearly 100 novels, was the most ambitious scheme ever devised by a writer of fiction—nothing less than a contemporary history of his countrymen. Realism also appears in the works of Alexandre Dumas, fils, similar tendencies appeared in the theatrical melodramas of the period and, in an even more lurid and gruesome light, in the Grand Guignol at the end of the century. In addition to melodramas, popular and bourgeois theater in the mid-century turned to realism in the well-made bourgeois farces of Eugène Marin Labiche, from the 1860s on, critics increasingly speak of literary Naturalism
9.
Intellectual
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Socially, intellectuals constitute the intelligentsia, a status class organised either by ideology, or by nationality. Man of Letters The English term Man of Letters derives from the French term belletrist, the term Man of Letters distinguished the literate man from the illiterate man, in a time when literacy was a rare form of cultural capital. In late 19th century, the term became common usage to denote the defenders of the falsely accused artillery officer Alfred Dreyfus. Likewise, in Tsarist Russia, there arose the intelligentsia, who were the class of white-collar workers. As such, politically radical thinkers already had participated in the French Revolution, Robert Darnton said that they were not societal outsiders, but respectable, domesticated, moreover, some intellectuals were anti-academic, despite universities being synonymous with intellectualism. Habermas Structural Transformation of Public Sphere made significant contribution to the notion of public intellectual by historically and conceptually delineating the idea of private, such civil servants earned academic degrees by means of imperial examination, and also were skilled calligraphers, and knew Confucian philosophy. Historian Wing-Tsit Chan concludes that, Generally speaking, the record of these scholar-gentlemen has been a worthy one and it was good enough to be praised and imitated in 18th century Europe. Nevertheless, it has given China a tremendous handicap in their transition from government by men to government by law, and personal considerations in Chinese government have been a curse. In Joseon Korea, the intellectuals were the literati, who knew how to read and write, socially, they constituted the petite bourgeoisie, composed of scholar-bureaucrats who administered the dynastic rule of the Joseon dynasty. The Italian Communist theoretician Antonio Gramsci developed Karl Marx’s conception of the intelligentsia to include political leadership in the public sphere and that, because all knowledge is existentially-based, the intellectuals, who create and preserve knowledge, are spokesmen for different social groups, and articulate particular social interests. That intellectuals occur in social class and throughout the right wing, the centre. That, as a class, the intellectuals view themselves as autonomous from the ruling class of their society. Therefore, the leadership of intellectuals is required for effecting and realizing social change, because, in the formal codification of Leninism, the Hungarian Marxist philosopher, György Lukács identified the intelligentsia as the privileged social class who provide revolutionary leadership. By means of intelligible and accessible interpretation, the intellectuals explain to the workers, the How. and the Why. of the social, economic, and political status quo—the ideological totality of society—and its practical, revolutionary application to the transformation of their society. The term public intellectual describes the intellectual participating in the discourse of society. In Representations of the Intellectual, Edward Saïd said that the … true intellectual is, therefore, always an outsider, living in self-imposed exile, and on the margins of society. An intellectual usually is associated with an ideology or with a philosophy and that intellectuals be mindful of the social and cultural ties created with their words, insights, and ideas, and should be heard as social critics of politics and power. In journalism, the term usually connotes a university academic of the humanities—especially a philosopher—who addresses important social and political matters of the day
10.
Pierre-Auguste Renoir
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Pierre-Auguste Renoir, commonly known as Auguste Renoir, was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has said that Renoir is the final representative of a tradition which runs directly from Rubens to Watteau. He was the father of actor Pierre Renoir, filmmaker Jean Renoir and he was the grandfather of the filmmaker Claude Renoir, son of Pierre. Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841 and his father, Léonard Renoir, was a tailor of modest means, so in 1844, Renoirs family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, although the young Renoir had a natural proclivity for drawing, he exhibited a greater talent for singing. His talent was encouraged by his teacher, Charles Gounod, who was the choir-master at the Church of St Roch at the time. However, due to the financial circumstances, Renoir had to discontinue his music lessons. Although Renoir displayed a talent for his work, he tired of the subject matter. The owner of the factory recognized his apprentice’s talent and communicated this to Renoir’s family, following this, Renoir started taking lessons to prepare for entry into Ecole des Beaux Arts. When the porcelain factory adopted mechanical reproduction processes in 1858, Renoir was forced to other means to support his learning. Before he enrolled in art school, he also painted hangings for overseas missionaries, in 1862, he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet, at times, during the 1860s, he did not have enough money to buy paint. Renoir had his first success at the Salon of 1868 with his painting Lise with a Parasol, although Renoir first started exhibiting paintings at the Paris Salon in 1864, recognition was slow in coming, partly as a result of the turmoil of the Franco-Prussian War. This loss of a favorite painting location resulted in a change of subjects. Renoir was inspired by the style and subject matter of modern painters Camille Pissarro. Although the critical response to the exhibition was largely unfavorable, Renoirs work was well received. That same year, two of his works were shown with Durand-Ruel in London, hoping to secure a livelihood by attracting portrait commissions, Renoir displayed mostly portraits at the second Impressionist exhibition in 1876. He contributed a diverse range of paintings the next year when the group presented its third exhibition, they included Dance at Le Moulin de la Galette
11.
Montparnasse Cemetery
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Montparnasse Cemetery is a cemetery in the Montparnasse quarter of Paris, part of the citys 14th arrondissement. Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud, cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery, Montparnasse Cemetery is the resting place of many of Frances intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also graves of foreigners who have made France their home, as well as monuments to police. The cemetery is divided by Rue Émile Richard, the small section is usually referred to as the small cemetery and the large section as the big cemetery. Although Baudelaire is buried in this cemetery, there is also a cenotaph to him, because of the many notable people buried there, it is a highly popular tourist attraction. Divisions 5 and 30 were originally Jewish enclosures and contain many Jewish graves, the main entrance to the cemetery is on Boulevard Edgar Quinet which leads to the big cemetery. There are smaller entrances to both the big and small cemeteries on Rue Émile Richard, list of burials at Montparnasse Cemetery A list of many buried at the cemetery Montparnasse Cemetery at Find a Grave Information and help in touring Montparnasse cemetery In English
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Gwendoline (opera)
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Gwendoline is an opera in two acts and three scenes by the French composer Emmanuel Chabrier, with a libretto by Catulle Mendès. It was first performed at the Théâtre de la Monnaie, Brussels, further performances followed in Carlsruhe in 1889, Leipzig in 1890 and then in Lyons and Paris in 1893. Gwendoline was Chabriers attempt to write an opera in the style of Richard Wagner. The Saxon village, situated in a valley, not far from the sea, Saxon villagers prepare for the days work. Gwendoline warns her father, the Saxon chief Armel, about the menace of Danish pirates, after the menfolk leave, Gwendoline recounts her vision of being carried off by a Danish raider. Suddenly the Saxon men return, victims of a surprise Danish raid and he orders Armel to reveal the location of his hoard, and when Armel refuses, Harald prepares to execute him. Gwendoline begs him to spare her father, spellbound by her, Gwendoline sings a spinning song and succeeds in getting him to spin. Harald asks Armel to give his daughter in marriage – to which the Saxon elder consents while assuring his compatriots that revenge will come following the wedding feast, the two lovers take up the spinning song again as the act closes. A choral wedding procession is heard, while Armel plots with Aella and Erick to take the Danes weapons, Gwendoline and Harald enter and Armel blesses their union. But Armel slips a dagger to Gwendoline for her to kill Harald that evening, alone with Harald, Gwendoline urges him to flee, without revealing her fathers intentions. They sing of their love but are interrupted by shouts of pirates being killed, Harald leaves to join his companions, Gwendoline gives him the dagger, swearing to join him in death. A rocky ravine by the sea, as the Danes are being slaughtered, Harald staggers on and is trapped against a tree but laughs defiantly. Seeing her beloved dying, Gwendoline seizes the dagger and stabs herself to death, the two lovers stand together embracing as a ray of light illuminates them, with the Danish ships alight in a ball of fire. ISBN 978-2-213-60508-1 Holden, Amanda, The New Penguin Opera Guide, New York, French Opera at the Fin de Siècle, Gwendoline. Online sources Full and vocal scores, Scores at the International Music Score Library Project Del Teatro Amadeus Online
13.
Emmanuel Chabrier
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Alexis Emmanuel Chabrier was a French Romantic composer and pianist. Although known primarily for two of his works, España and Joyeuse marche, he left an important corpus of operas, songs. He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, Chabrier was also associated with some of the leading writers and painters of his time. He was especially friendly with the painters Claude Monet and Édouard Manet, a number of such paintings from his personal collection are now housed in some of the worlds leading art museums. Alexis-Emmanuel Chabrier was born in Ambert, a town in the Auvergne region of central France and his father was an attorney, his childhood nanny Anne Delayre remained close to him throughout her life. He began his music lessons at the age of six, the earliest of his compositions to survive in manuscript are piano works from 1849, a piano piece from this period, Le Scalp. was later modified into the Marche des Cipayes. In 1856 the family made Paris their home, and the young Chabrier continued serious studies in both of his chosen fields, despite this, his passion was music, during the 1860s he composed a number of minor piano works. His enthusiasm for Wagners music began at this time, and he copied out the score of Tannhäuser. From 1862 he entered the circle of the Parnassians in Paris and his passion for poetry led to a long friendship with Paul Verlaine, who contributed librettos to two early operettas that Chabrier did not complete. The wife of Renoir, a friend of Chabrier, wrote, one day Chabrier came and it sounded as if a hurricane had been let loose. He pounded and pounded the keyboard, the street was full of people, and they were listening, fascinated. When Chabrier reached the last crashing chords, I swore to myself I would never touch the piano again Besides, Chabrier had broken several strings and put the piano out of action. Alfred Bruneau recalled that he played the piano as no one has played it before. During the Franco-Prussian War and Commune, Chabrier continued with his job as the ministry moved from Tours to Bordeaux to Versailles. In 1873, he married Marie Alice Dejean, with whom he had three sons, one of whom died in early childhood and he began several stage works during the 1870s. His first one to be completed was Létoile, which achieved 48 successful performances at the Théâtre des Bouffes Parisiens in 1877, on a trip to Munich with Henri Duparc in 1879, he discovered Wagners opera Tristan und Isolde. This event led him to realize his passion for composition. That year he composed his piano cycle Pièces pittoresques, of which the Idylle greatly influenced Francis Poulenc, Chabrier plunged himself into the scores of Wagner, and became an assistant to Charles Lamoureux in preparing concert performances of the German composers works in Paris
14.
Isoline (opera)
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Isoline is an opera, described as a conte de fées in three acts and ten tableaux, on a text by Catulle Mendès, with music by André Messager. Messager had already composed music for Le petit Poucet, a féérie staged at the Théâtre de la Gaîté in 1885. Messager probably wrote some of the score at Montivillers, near to Le Havre, in order to complete the orchestration in time, he was assisted by Paul Lacome, a composer and friend of Chabrier. Just after the première, the theatre started heading towards bankruptcy, Isoline was premiered at the Théâtre de la Renaissance, Paris on 26 December 1888. In the initial run Isoline was staged for one matinee and 57 evenings, in 1930, Reynaldo Hahn directed a single performance at the Casino in Cannes. The Opéra-Comique gave a series of performances in 1958 directed by Jean-Pierre Ponnelle, liliane Berton sang Isoline, Gabriel Bacquier Obéron, and Isolin was made into a tenor, sung by Alain Vanzo. Only the young page Rosélio is allowed in her presence, prologue - Le rêve dIsoline The opera opens on a coast with lemon trees, their branches covered – by magic – with flowers and fruit. A golden galley approaches – the boat of Oberon, king of the elves, in disguise as Eros, en route to Cythère, with happy loving couples as passengers. Oberon then conjures a vision of the handsome young Prince Isolin, son of the Emperor of Credizon, richly dressed, but this was all just a dream. Sur la tour Captive in her dark castle room, Isoline recalls her dream, Titania, the godmother of Isoline promises to protect the princess against the plans of Oberon. Oberons magic brings Isolin to her side and each declares their love, la vérité sur le mariage Oberon next makes the walls of the turret room collapse, and Isoline and Isolin fly off on a golden dragon – despite the despairing cries of her surveillants. However, Titania brings the lovers down – to a sad land where the queen is so ugly that all mirrors are banned, rivers and lakes are drained, Le pays sans miroirs Oberon appears as a holy man, and proposes that Isolin should marry his fiancée Isoline. Delighted by this, Isolin goes off with the disguised Oberon to arrange the ceremony, Titania, herself disguised as an old beggar, makes Isoline believe that she has become ugly, which drives her to despair. When Isolin returns, Isoline, thinking he wants to marry her through pity, la Chimère dor et de neige Despairing, the young man draws his dagger to stab himself, but Isoline sees her true reflection in the dagger’s blade, and responds once more to his ardour. Le joyeux pays However, the ceremony is interrupted when the army of Queen Amalasonthe appears, to prevent the union of Isoline. Au bord de létang So the stage is set for battle, Isolin and his 1,000 soldiers against Amalasonthe’s army, Oberon then finds Titania asleep and reflects on his feelings for her, but their duet fails to heal their rift. La forêt de Brocéliande A few hours later in the forest of Brocéliande Titania gets the fairies to use their charms to hold captive the prince Isolin, but in battle the forces of Isolin are victorious and Queen Amalasonthe surrenders – Isoline may become his wife. Le soir des noces The marriage ceremony goes ahead, but Titania has ensured that while Isoline is transformed into a boy on her first kiss from Isolin, lembarquement pour Cythère So ‘Isolin’ and ‘Isoline’ can set sail for Cythère
15.
Xavier Leroux
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Xavier Henry Napoleón Leroux was a French composer. Leroux was the son of a military bandleader and he studied at the Paris Conservatory under Jules Massenet and Théodore Dubois, and won the Prix de Rome in 1885 with the cantata Endymion. From 1896 he taught harmony there, notable students include Marc Delmas, Paul Paray, Roger Désormière, Eugène Bigot, Georges Dandelot, Albert Wolff, Henri Mulet and Louis Fourestier. Leroux composed several orchestral and choral works, songs, and piano pieces, free scores by Xavier Leroux at the International Music Score Library Project
16.
La reine Fiammette
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La reine Fiammette is an opera in four acts by composer Xavier Leroux. The opera uses a French language libretto by Catulle Mendès which is based on Mendèss 1898 work of the same name, the operas premiere was given by the Opéra-Comique at the Salle Favart theatre in Paris on 23 December 1903. The production was directed by Albert Carré and conducted by André Messager, the United States premiere of the work was given at the Metropolitan Opera in New York City on 24 January 1919. Up to the Second World War the opera received 59 performances at the Opéra-Comique
17.
Charles Lecocq
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Alexandre Charles Lecocq was a French musical composer. Lecocq was born in Paris, where he was admitted into the Conservatoire in 1849 and he studied under François Bazin, François Benoist, and Fromental Halévy, winning the first prize for harmony in 1850, and the second prize for fugue in 1852. He first gained notice by sharing with Georges Bizet the first prize for an operetta in a competition instituted by Jacques Offenbach and his opéra comique, Le Docteur Miracle, was performed at the Théâtre des Bouffes Parisiens in 1857. After that he wrote constantly for theatres, but produced nothing especially successful until Fleur-de-thé, les cent vierges was also favorably received. After 1873, Lecocq produced a number of operettas, though he never equalled his early triumph in La fille de Madame Angot. Camille Saint-Saëns was a friend of Lecocqs, and never ceased to admire the latters music, Lecocq died in his home city of Paris, aged 85. See List of operas and operettas by Lecocq, warrack, John and West, Ewan, The Oxford Dictionary of Opera,782 pp. ISBN 0-19-869164-5 Free scores by Charles Lecocq at the International Music Score Library Project
18.
Reynaldo Hahn
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Reynaldo Hahn was a Venezuelan, naturalised French, composer, conductor, music critic, diarist, theatre director, and salon singer. Best known as a composer of songs, he wrote in the French classical tradition of the mélodie, Reynaldo Hahn was born in Caracas, Venezuela, the youngest of twelve children. His father knew the Venezuelan President Antonio Guzmán Blanco, but the volatile political atmosphere at the end of his first term caused his father to retire. Hahns family moved to Paris when he was three years old, although he showed interest in his native music of Caracas in his youth, France would determine and define Hahns musical identity in later life. The city and its resources, the Paris Opéra, the Paris Opéra Ballet. A child prodigy, Reynaldo made his début at the salon of the eccentric Princess Mathilde, at the age of eight, Hahn composed his first songs. Despite the Paris Conservatoires tradition of antipathy towards child prodigies—Franz Liszt had famously been rebuffed by the many years before—Hahn entered the school at the age of ten. His teachers included Jules Massenet, Charles Gounod, Camille Saint-Saëns, alfred Cortot and Maurice Ravel were fellow students. In 1888 Reynaldo composed Si mes vers avaient des ailes to a poem by Victor Hugo, from this exposure and publicity, Hahn came into contact with many leading artists in Paris. The famed soprano Sybil Sanderson and the writer Alphonse Daudet invited Hahn into their social sphere, Hahn had a special gift of attracting important people to his side. Like many other French song composers of the time, Hahn was attracted to Hugos poetry, paul Verlaine, another poet whose lyrics inspired many of Reynaldos songs, had on one occasion a chance to hear the young composers settings of his poems. The poet wept to hear Hahns songs, stéphane Mallarmé, also present, wrote the following stanza, Le pleur qui chante au langage Du poète, Reynaldo Hahn, tendrement le dégage Comme en lallée un jet deau. By the age of nineteen in 1894, Hahn had written songs about love, however. He had close friendships with women, and they were clearly fond of the gallant. Cléopatre-Diane de Mérode, a beauty of le beau monde and three years older than Hahn, inspired him to write, I worship her as a great. Despite this tribute to her, he loved her only at a distance his whole life. The famed courtesan Liane de Pougy referred to Hahn in her diary as the sweetness in her life, though close friends, their relationship ended when de Pougy married. Hahn famously told her, Goodbye Lianon, Hahn was a closeted homosexual, even though in his personal letters he was frequently critical of homosexuals and homosexuality
19.
Simon bar Kokhba
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Simon bar Kokhba was the Jewish leader of what is known as the Bar Kokhba revolt against the Roman Empire in 132 CE, establishing an independent Jewish state which he ruled for three years as Nasi. His state was conquered by the Romans in 135 following a two and half-year war, documents discovered in the 20th century in the Cave of Letters give his original name, with variations, Simeon bar Kosevah, Bar Koseva or Ben Koseva. It is probable that his name was Bar Koseva. The name may indicate that his father or his place of origin was named Koseva, the name Bar Kokhba does not appear in the Talmud but in ecclesiastical sources. Rabbinical writers subsequent to Rabbi Akiva did not share Rabbi Akivas estimation of ben Kosiva, Akivas disciple, Yose ben Halaphta, in the Seder Olam called him bar Koziba, meaning, son of the lie. Bar Kokhba, the leader of resistance at the time. Two and a years later, the war had ended. The Roman Emperor Hadrian at this time barred Jews from entering Jerusalem, the second Jewish rebellion took place 60 years after the first and established an independent state lasting three years. For many Jews of the time, this turn of events was heralded as the long hoped for Messianic Age, the excitement was short-lived, however, and after a brief span of glory, the revolt was crushed by the Roman legions. Bar Kokhba took up refuge in the fortress of Betar, If you should come to take into account, you would find that they amounted to three-hundred measures. ”Rabban Gamliel said, “Five-hundred schools were in Betar, while the smallest of them wasnt less than three-hundred children. So costly was the Roman victory that the Emperor Hadrian, when reporting to the Roman Senate, did not see fit to begin with the customary greeting If you, for I and the army are all in good health. These letters can now be seen at the Israel Museum, according to Israeli archaeologist Yigael Yadin, Bar Kokhba tried to revive Hebrew and make Hebrew the official language of the Jews as part of his messianic ideology. Simon bar Kokhba is portrayed in literature as being somewhat irrational. The Talmud says that he presided over an army of Jewish insurgents numbering some 200,000, the Sages of Israel complained to him why he marred the people of Israel with such blemishes. Whenever he would go forth into battle, he was reported as saying, O Master of the universe, there is no need for you to assist us, Bar Kokhba was a ruthless leader, punishing any Jew who refused to join his ranks. According to Eusebius Chronicon, he punished the sect of Christians with death by different means of torture for their refusal to fight against the Romans. The work was written in the wake of pogroms against Jews following the 1881 assassination of Czar Alexander II of Russia, haye Bar-Kokhba A Star in Its Course, The Life of Bar-Kokhba, a Hebrew novel by S. J. John Zorns Masada Chamber Ensemble recorded an album called Bar Kokhba, showing a photograph of the Letter of Bar Kokhba to Yeshua, son of Galgola on the cover
20.
Camille Erlanger
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Camille Erlanger was a Parisian-born French opera composer. He studied at the Paris Conservatory under Léo Delibes, Georges Mathias, as well as Émile Durand, in 1888 he won the Prix de Rome for his cantata Velléda. His most famous opera, Le Juif polonais, was produced at the Opéra-Comique in 1900, Erlanger died in Paris and was buried in the Père Lachaise Cemetery. Stanley Sadie ISBN 0-333-73432-7 Free scores by Camille Erlanger at the International Music Score Library Project
21.
Bacchus (opera)
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Bacchus is an opera in four acts by Jules Massenet to a French libretto by Catulle Mendès after Greek mythology. It was first performed at the Palais Garnier in Paris on 5 May 1909, the story is based on the mythology surrounding Bacchus and Ariadne. The Gods, among them demi-god Bacchus, appear in form in ancient India to attempt to persuade the people away from the pervading Buddhist influence. Ariane has followed them, convinced that Bacchus is in fact Theseus, in the end, Ariane sacrifices herself to save humanity and in doing so, Bacchus becomes a God. Although not a sequel, as Ariane dies in both pieces, Bacchus is a companion to Massenets earlier opera, Ariane. Of Massenets twenty-five operas, Bacchus is probably the least known, the story of this opera is also related to that of Ariadne auf Naxos from Richard Strauss. Archived from the original on 2011-07-24, cS1 maint, BOT, original-url status unknown
22.
Jules Massenet
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Jules Émile Frédéric Massenet was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon and Werther and he also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to Frances principal music college, there he studied under Ambroise Thomas, whom he greatly admired. After winning the top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres. Massenet had a sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the composer of opera in France in the late 19th. Like many prominent French composers of the period, Massenet became a professor at the Conservatoire and he taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn, by the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, Massenet was born at Montaud, then an outlying hamlet and now a part of the city of Saint-Étienne, in the Loire. He was the youngest of the four children of Alexis Massenet and his second wife Eléonore-Adelaïde née Royer de Marancour, Massenet senior was a prosperous ironmonger, his wife was a talented amateur musician who gave Jules his first piano lessons. By early 1848 the family had moved to Paris, where settled in a flat in Saint-Germain-des-Prés. Massenet was educated at the Lycée Saint-Louis and, from either 1851 or 1853 and his biographer Demar Irvine dates the audition and admission as January 1853. Both sources agree that Massenet continued his education at the lycée in tandem with his musical studies. At the Conservatoire Massenet studied solfège with Augustin Savard and the piano with François Laurent and he pursued his studies, with modest distinction, until the beginning of 1855, when family concerns disrupted his education. Alexis Massenets health was poor, and on advice he moved from Paris to Chambéry in the south of France. On his return he lodged with relations in Montmartre and resumed his studies, the familys finances were no longer comfortable, and to support himself Massenet took private piano students and played as a percussionist in theatre orchestras. His work in the pit gave him a good working knowledge of the operas of Gounod and other composers, classic. He gained some work as a piano accompanist, in the course of which he met Wagner who, in 1861 Massenets music was published for the first time, the Grande Fantasie de Concert sur le Pardon de Ploërmel de Meyerbeer, a virtuoso piano work in nine sections
23.
Jules Scalbert
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Jules Scalbert was born in Douai, France in 1851. He was a pupil of Isidore Pils and Henri Lehmann and he depicted historical and genre scenes, allegorical subjects, figures, flowers, and worked in pastel technique. The artist started exhibiting at Paris Salon in 1876, afterwards showed his works in Salon des Artistes Francais, Scalbert obtained an honorary award in 1889 as well as medals in 1891 and 1901. His works achieve remarkable prices at international auctions
24.
Ludwig II of Bavaria
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Ludwig II was King of Bavaria from 1864 until his death in 1886. He is sometimes called the Swan King or der Märchenkönig and he also held the titles of Count Palatine of the Rhine, Duke of Bavaria, Duke of Franconia, and Duke in Swabia. He succeeded to the throne aged 18, two years later Bavaria and Austria fought a war against Prussia, which they lost. However, in the Franco-Prussian War of 1870 Bavaria sided with Prussia against France and he commissioned the construction of two lavish palaces and the Neuschwanstein Castle, and was a devoted patron of the composer Richard Wagner. Ludwig spent all his royal revenues on these projects, borrowed extensively and this extravagance was used against him to declare him insane, an accusation which has since come under scrutiny. Today, his architectural and artistic legacy includes many of Bavarias most important tourist attractions, born in Nymphenburg Palace, he was the elder son of Maximilian II of Bavaria of the House of Wittelsbach, and his wife Princess Marie of Prussia. His younger brother, born three years later, was named Otto, like many young heirs in an age when kings governed most of Europe, Ludwig was continually reminded of his royal status. King Maximilian wanted to both of his sons in the burdens of royal duty from an early age. Ludwig was both extremely indulged and severely controlled by his tutors and subjected to a regimen of study. There are some who point to these stresses of growing up in a family as the causes for much of his odd behavior as an adult. Ludwig was not close to either of his parents, King Maximilians advisers had suggested that on his daily walks he might like, at times, to be accompanied by his future successor. The King replied, But what am I to say to him, after all, my son takes no interest in what other people tell him. Later, Ludwig would refer to his mother as my predecessors consort and he was far closer to his grandfather, the deposed and notorious King Ludwig I, who came from a family of eccentrics. Ludwigs childhood years did have happy moments and he lived for much of the time at Castle Hohenschwangau, a fantasy castle his father had built near the Alpsee near Füssen. It was decorated in the Gothic Revival style with frescoes depicting heroic German sagas. The family also visited Lake Starnberg, as an adolescent, Ludwig became close friends with his aide de camp, Prince Paul, a member of Bavarias wealthy Thurn und Taxis family. The two young men together, read poetry aloud, and staged scenes from the Romantic operas of Richard Wagner. The friendship ended when Paul became engaged in 1866, during his youth Ludwig also initiated a lifelong friendship with his cousin, Duchess Elisabeth in Bavaria, later Empress of Austria
25.
Richard Wagner
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works and he described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen and his advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music, Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, until his final years, Wagners life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century, his influence spread beyond composition into conducting, philosophy, literature, Richard Wagner was born to an ethnic German family in Leipzig, where his family lived at No. 3, the Brühl in the Jewish quarter and he was baptized at St. Thomas Church. He was the child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine. Wagners father Carl died of typhus six months after Richards birth, afterwards his mother Johanna lived with Carls friend, the actor and playwright Ludwig Geyer. In August 1814 Johanna and Geyer probably married—although no documentation of this has found in the Leipzig church registers. She and her family moved to Geyers residence in Dresden, until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father, Geyers love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel, in late 1820, Wagner was enrolled at Pastor Wetzels school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a scale at the keyboard and preferred playing theatre overtures by ear. Following Geyers death in 1821, Richard was sent to the Kreuzschule, at the age of nine he was hugely impressed by the Gothic elements of Carl Maria von Webers opera Der Freischütz, which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright and his first creative effort, listed in the Wagner-Werk-Verzeichnis as WWV1, was a tragedy called Leubald. Begun when he was in school in 1826, the play was influenced by Shakespeare
26.
Bluebird
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The bluebirds are a group of medium-sized, mostly insectivorous or omnivorous bird in the order of Passerines in the genus Sialia of the thrush family. Bluebirds are one of the few genera in the Americas. They have blue, or blue and rose beige, plumage, female birds are less brightly colored than males, although color patterns are similar and there is no noticeable difference in size between the two sexes. This is similar to the behaviour of species of woodpecker. Bluebirds can typically produce between two and four broods during the spring and summer, if the female accepts the male and the nesting site, she alone builds the nest and incubates the eggs. Predators of young bluebirds in the nests can include snakes, cats, bluebirds are attracted to platform bird feeders, filled with grubs of the darkling beetle, sold by many online bird product wholesalers as mealworms. Bluebirds will also eat raisins soaked in water, in addition, in winter bluebirds use backyard heated birdbaths. This upsurge can be attributed largely to a movement of establishing and maintaining bluebird trails. Of all the birds a gardener could choose to attract, the bluebird is the quintessential helpful garden bird, gardeners go to extreme lengths to attract and keep them in the garden for their advantageous properties. Bluebirds are voracious insect consumers, quickly ridding a garden of insect pests, in traditional Iroquois cosmology, the call of the bluebird is believed to ward off the icy power of Sawiskera, also referred to as Flint, the spirit of the winter. Its call caused Sawiskera to flee in fear and the ice to recede, maurice Maeterlinck introduced the concept of a blue bird of happiness in his play The Blue Bird. The bird in that play is not actually a bluebird, but merely a bird that is blue, subsequent use of the phrase, however, as a result, bluebirds became a widely recognized symbol of happiness and cheer, and have been used as such by numerous songwriters. Songwriters have also portrayed the bluebird as a muse, as in the song Voices in the Sky by the British rock group The Moody Blues, from their 1968 album In Search of the Lost Chord
27.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
28.
Wikisource
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Wikisource is an online digital library of free content textual sources on a wiki, operated by the Wikimedia Foundation. Wikisource is the name of the project as a whole and the name for each instance of that project, the projects aims are to host all forms of free text, in many languages, and translations. Originally conceived as an archive to store useful or important historical texts, the project officially began in November 24,2003 under the name Project Sourceberg. The name Wikisource was adopted later that year and it received its own domain name seven months later, the project has come under criticism for lack of reliability but it is also cited by organisations such as the National Archives and Records Administration. The project holds works that are either in the domain or freely licensed, professionally published works or historical source documents, not vanity products. Verification was initially made offline, or by trusting the reliability of digital libraries. Now works are supported by online scans via the ProofreadPage extension, some individual Wikisources, each representing a specific language, now only allow works backed up with scans. While the bulk of its collection are texts, Wikisource as a whole hosts other media, some Wikisources allow user-generated annotations, subject to the specific policies of the Wikisource in question. Wikisources early history included several changes of name and location, the original concept for Wikisource was as storage for useful or important historical texts. These texts were intended to support Wikipedia articles, by providing evidence and original source texts. The collection was focused on important historical and cultural material. The project was originally called Project Sourceberg during its planning stages, in 2001, there was a dispute on Wikipedia regarding the addition of primary source material, leading to edit wars over their inclusion or deletion. Project Sourceberg was suggested as a solution to this, perhaps Project Sourceberg can mainly work as an interface for easily linking from Wikipedia to a Project Gutenberg file, and as an interface for people to easily submit new work to PG. Wed want to complement Project Gutenberg--how, exactly, and Jimmy Wales adding like Larry, Im interested that we think it over to see what we can add to Project Gutenberg. It seems unlikely that primary sources should in general be editable by anyone -- I mean, Shakespeare is Shakespeare, unlike our commentary on his work, the project began its activity at ps. wikipedia. org. The contributors understood the PS subdomain to mean either primary sources or Project Sourceberg, however, this resulted in Project Sourceberg occupying the subdomain of the Pashto Wikipedia. A vote on the name changed it to Wikisource on December 6,2003. Despite the change in name, the project did not move to its permanent URL until July 23,2004, since Wikisource was initially called Project Sourceberg, its first logo was a picture of an iceberg
29.
Project Gutenberg
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Project Gutenberg is a volunteer effort to digitize and archive cultural works, to encourage the creation and distribution of eBooks. It was founded in 1971 by Michael S. Hart and is the oldest digital library, most of the items in its collection are the full texts of public domain books. The project tries to make these as free as possible, in long-lasting, as of 3 October 2015, Project Gutenberg reached 50,000 items in its collection. The releases are available in plain text but, wherever possible, other formats are included, such as HTML, PDF, EPUB, MOBI, most releases are in the English language, but many non-English works are also available. There are multiple affiliated projects that are providing additional content, including regional, Project Gutenberg is also closely affiliated with Distributed Proofreaders, an Internet-based community for proofreading scanned texts. Project Gutenberg was started by Michael Hart in 1971 with the digitization of the United States Declaration of Independence, Hart, a student at the University of Illinois, obtained access to a Xerox Sigma V mainframe computer in the universitys Materials Research Lab. Through friendly operators, he received an account with an unlimited amount of computer time. Hart has said he wanted to back this gift by doing something that could be considered to be of great value. His initial goal was to make the 10,000 most consulted books available to the public at little or no charge and this particular computer was one of the 15 nodes on ARPANET, the computer network that would become the Internet. Hart believed that computers would one day be accessible to the general public and he used a copy of the United States Declaration of Independence in his backpack, and this became the first Project Gutenberg e-text. He named the project after Johannes Gutenberg, the fifteenth century German printer who propelled the movable type printing press revolution, by the mid-1990s, Hart was running Project Gutenberg from Illinois Benedictine College. More volunteers had joined the effort, all of the text was entered manually until 1989 when image scanners and optical character recognition software improved and became more widely available, which made book scanning more feasible. Hart later came to an arrangement with Carnegie Mellon University, which agreed to administer Project Gutenbergs finances, as the volume of e-texts increased, volunteers began to take over the projects day-to-day operations that Hart had run. Starting in 2004, an online catalog made Project Gutenberg content easier to browse, access. Project Gutenberg is now hosted by ibiblio at the University of North Carolina at Chapel Hill, Italian volunteer Pietro Di Miceli developed and administered the first Project Gutenberg website and started the development of the Project online Catalog. In his ten years in this role, the Project web pages won a number of awards, often being featured in best of the Web listings, Hart died on 6 September 2011 at his home in Urbana, Illinois at the age of 64. In 2000, a corporation, the Project Gutenberg Literary Archive Foundation. Long-time Project Gutenberg volunteer Gregory Newby became the foundations first CEO, also in 2000, Charles Franks founded Distributed Proofreaders, which allowed the proofreading of scanned texts to be distributed among many volunteers over the Internet
30.
Internet Archive
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The Internet Archive is a San Francisco–based nonprofit digital library with the stated mission of universal access to all knowledge. As of October 2016, its collection topped 15 petabytes, in addition to its archiving function, the Archive is an activist organization, advocating for a free and open Internet. Its web archive, the Wayback Machine, contains over 150 billion web captures, the Archive also oversees one of the worlds largest book digitization projects. Founded by Brewster Kahle in May 1996, the Archive is a 501 nonprofit operating in the United States. It has a budget of $10 million, derived from a variety of sources, revenue from its Web crawling services, various partnerships, grants, donations. Its headquarters are in San Francisco, California, where about 30 of its 200 employees work, Most of its staff work in its book-scanning centers. The Archive has data centers in three Californian cities, San Francisco, Redwood City, and Richmond, the Archive is a member of the International Internet Preservation Consortium and was officially designated as a library by the State of California in 2007. Brewster Kahle founded the Archive in 1996 at around the time that he began the for-profit web crawling company Alexa Internet. In October 1996, the Internet Archive had begun to archive and preserve the World Wide Web in large quantities, the archived content wasnt available to the general public until 2001, when it developed the Wayback Machine. In late 1999, the Archive expanded its collections beyond the Web archive, Now the Internet Archive includes texts, audio, moving images, and software. It hosts a number of projects, the NASA Images Archive, the contract crawling service Archive-It. According to its web site, Most societies place importance on preserving artifacts of their culture, without such artifacts, civilization has no memory and no mechanism to learn from its successes and failures. Our culture now produces more and more artifacts in digital form, the Archives mission is to help preserve those artifacts and create an Internet library for researchers, historians, and scholars. In August 2012, the Archive announced that it has added BitTorrent to its file download options for over 1.3 million existing files, on November 6,2013, the Internet Archives headquarters in San Franciscos Richmond District caught fire, destroying equipment and damaging some nearby apartments. The nonprofit Archive sought donations to cover the estimated $600,000 in damage, in November 2016, Kahle announced that the Internet Archive was building the Internet Archive of Canada, a copy of the archive to be based somewhere in the country of Canada. The announcement received widespread coverage due to the implication that the decision to build an archive in a foreign country was because of the upcoming presidency of Donald Trump. Kahle was quoted as saying that on November 9th in America and it was a firm reminder that institutions like ours, built for the long-term, need to design for change. For us, it means keeping our cultural materials safe, private and it means preparing for a Web that may face greater restrictions
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LibriVox
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On 6 August 2016, the project completed project number 10,000. Most releases are in the English language, but many works are also available. There are multiple affiliated projects that are providing additional content, LibriVox is closely affiliated with Project Gutenberg from where the project gets some of its texts, and the Internet Archive that hosts their offerings. LibriVox was started in August 2005 by Montreal-based writer Hugh McGuire, who set up a blog, the first recorded book was The Secret Agent by Joseph Conrad. LibriVox is an invented word inspired by Latin words liber in its genitive form libri and vox, the word was also coined because of other connotations as liber also means child and free, independent, unrestricted. As the LibriVox forum says it, We like to think LibriVox might be interpreted as child of the voice, finally, the other link we like is library so you could imagine it to mean Library of Voice. There has been no decision or consensus by LibriVox founders or the community of volunteers for a single pronunciation of LibriVox and it is accepted that any audible pronunciation is accurate. LibriVox is a volunteer-run, free content, Public Domain project and it has no budget or legal personality. The development of projects is managed through an Internet forum, supported by an admin team, in early 2010, LibriVox ran a fundraising drive to raise $20,000 to cover hosting costs for the website of about $5, 000/year and improve front- and backend usability. Volunteers can choose new projects to start, either recording on their own or inviting others to join them, once a volunteer has recorded his or her contribution, it is uploaded to the site, and proof-listened by members of the LibriVox community. Finished audiobooks are available from the LibriVox website, and MP3, recordings are also available through other means, such as iTunes, and, being free of copyright, they are frequently distributed independently of LibriVox on the Internet and otherwise. LibriVox only records material that is in the domain in the United States. Because of copyright restrictions, LibriVox produces recordings of only a number of contemporary books. These have included, for example, the 9/11 Commission Report and it contains much popular classic fiction, but also includes less predictable texts, such as Immanuel Kants Critique of Pure Reason and a recording of the first 500 digits of pi. The collection also features poetry, plays, religious texts and non-fiction of various kinds, in January 2009, the catalogue contained approximately 55 percent fiction and drama,25 percent non-fiction and 20 percent poetry. By the end of 2016, the most viewed item was The Adventures of Tom Sawyer in a 2006 solo recording by John Greenman, around 90 percent of the catalogue is recorded in English, but recordings exist in 31 languages altogether. Chinese, French and German are the most popular languages other than English amongst volunteers, LibriVox has garnered significant interest, in particular from those interested in the promotion of volunteer-led content and alternative approaches to copyright ownership on the Internet. It has received support from the Internet Archive and Project Gutenberg, intellectual freedom and commons proponent Mike Linksvayer described it in 2008 as perhaps the most interesting collaborative culture project this side of Wikipedia
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Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
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Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
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Bibsys
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BIBSYS is an administrative agency set up and organized by the Ministry of Education and Research in Norway. They are a provider, focusing on the exchange, storage and retrieval of data pertaining to research. BIBSYS are collaborating with all Norwegian universities and university colleges as well as research institutions, Bibsys is formally organized as a unit at the Norwegian University of Science and Technology, located in Trondheim, Norway. The board of directors is appointed by Norwegian Ministry of Education, BIBSYS offer researchers, students and others an easy access to library resources by providing the unified search service Oria. no and other library services. They also deliver integrated products for the operation for research. As a DataCite member BIBSYS act as a national DataCite representative in Norway and thereby allow all of Norways higher education, all their products and services are developed in cooperation with their member institutions. The purpose of the project was to automate internal library routines, since 1972 Bibsys has evolved from a library system supplier for two libraries in Trondheim, to developing and operating a national library system for Norwegian research and special libraries. The target group has expanded to include the customers of research and special libraries. BIBSYS is an administrative agency answerable to the Ministry of Education and Research. In addition to BIBSYS Library System, the product consists of BISBYS Ask, BIBSYS Brage, BIBSYS Galleri. All operation of applications and databases is performed centrally by BIBSYS, BIBSYS also offer a range of services, both in connection with their products and separate services independent of the products they supply
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