1.
Tour Montparnasse
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Tour Maine-Montparnasse, also commonly named Tour Montparnasse, is a 210-metre office skyscraper located in the Montparnasse area of Paris, France. Constructed from 1969 to 1973, it was the tallest skyscraper in France until 2011, as of March 2017, it is the 14th tallest building in the European Union. The tower was designed by architects Eugène Beaudouin, Urbain Cassan, built on top of the Montparnasse – Bienvenüe Paris Métro station, the 59 floors of the tower are mainly occupied by offices. The 56th floor, with a restaurant called le Ciel de Paris, the view covers a radius of 40 km, aircraft can be seen taking off from Orly Airport. The guard rail, to which various antennae are attached, can be pneumatically lowered, the towers simple architecture, large proportions and monolithic appearance have been often criticised for being out of place in Pariss urban landscape. As a result, two years after its completion the construction of buildings over seven stories high in the city centre was banned, the design of the tower predates architectural trends of more modern skyscrapers today that are often designed to provide a window for every office. Only the offices around the perimeter of each floor of Tour Montparnasse have windows and it is said that the view from the top is the most beautiful in Paris, because it is the only place from which the tower cannot be seen. A2008 poll of editors on Virtualtourist voted the building the second-ugliest building in the world, in 2005, studies showed that the tower contained asbestos material. When inhaled, for instance during repairs, asbestos is a carcinogen, as with the Jussieu Campus, the problem of removing the asbestos material from a large building used by thousands of people is acute. Projected completion times for removal are three years if the building is emptied for the duration of the work and ten years if the building is not emptied, the removal of asbestos began in July 2007. Previously Tour Maine-Montparnasse housed the executive management of Accor, list of tallest buildings and structures in the Paris region Official website Photos of Tour Montparnasse Tour Montparnasse Pictures and info
Tour Montparnasse
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Tour Montparnasse
Tour Montparnasse
Tour Montparnasse
Tour Montparnasse
2.
Urban open space
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In land use planning, urban open space is open space areas for parks, green spaces, and other open areas. The landscape of open spaces can range from playing fields to highly maintained environments to relatively natural landscapes. They are commonly open to access, however, urban open spaces may be privately owned. Areas outside of city boundaries, such as state and national parks as well as space in the countryside, are not considered urban open space. Streets, piazzas, plazas and urban squares are not always defined as open space in land use planning. The term urban open space can describe many types of open areas, one definition holds that, As the counterpart of development, urban open space is a natural and cultural resource, synonymous with neither unused land nor park and recreation areas. In almost all instances, the referred to by the term is, in fact. However, there are examples of green space which, though not publicly owned/regulated, are still considered urban open space. This definition implies a level of community interaction and places a focus on public involvement rather than public ownership or stewardship. Generally considered open to the public, urban open spaces are sometimes privately owned, some examples of such places include higher education campuses, neighborhood/community parks/gardens, and institutional or corporate grounds. These areas still function to provide aesthetic and psychological relief from urban development, nevertheless, most commonly the term is used to reference spaces that are public and green. The benefits that urban open space provides to citizens can be broken into three forms, recreation, ecology, and aesthetic value. Urban open space is often appreciated for the opportunities it provides. Recreation in urban open space may include active recreation or passive recreation, time spent in an urban open space for recreation offers a reprieve from the urban environment. The conservation of nature in an environment has direct impact on people for another reason as well. e. As humans live more and more in man-made surroundings – i. e. cities – he risks harming himself by building and acting in ignorance of natural processes. In a sense, by having the opportunity to be within an urban green space people gain a higher appreciation for the nature around them. As Bill McKibben mentions in his book The End of Nature and he follows in Henry David Thoreaus footsteps when he isolated himself in the Adirondack Mountains in order to get away from society and the overwhelming ideals it carries
Urban open space
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Forsyth Park is a large urban open space area in the downtown district of
Savannah, Georgia.
Urban open space
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Washington Park in
Troy, NY, U.S., an example of privately owned urban open space
Urban open space
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This chart shows the rate ratios of mortality for all causes. The ratios are with respect to the high income group’s incidence of mortality that is taken as 1.0 (base)
3.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
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In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
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Gold coins minted by the Parisii (1st century BC)
Paris
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The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
4.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
France
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One of the
Lascaux paintings: a horse –
Dordogne, approximately 18,000 BC
France
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Flag
France
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The
Maison Carrée was a temple of the
Gallo-Roman city of Nemausus (present-day
Nîmes) and is one of the best preserved vestiges of the
Roman Empire.
France
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With
Clovis ' conversion to Catholicism in 498, the
Frankish monarchy,
elective and
secular until then, became
hereditary and of
divine right.
5.
Eiffel Tower
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The Eiffel Tower is a wrought iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed, the Eiffel Tower is the most-visited paid monument in the world,6.91 million people ascended it in 2015. The tower is 324 metres tall, about the height as an 81-storey building. Its base is square, measuring 125 metres on each side, due to the addition of a broadcasting aerial at the top of the tower in 1957, it is now taller than the Chrysler Building by 5.2 metres. Excluding transmitters, the Eiffel Tower is the second-tallest structure in France after the Millau Viaduct, the tower has three levels for visitors, with restaurants on the first and second levels. The top levels upper platform is 276 m above the ground – the highest observation deck accessible to the public in the European Union, tickets can be purchased to ascend by stairs or lift to the first and second levels. The climb from ground level to the first level is over 300 steps, although there is a staircase to the top level, it is usually only accessible by lift. Eiffel openly acknowledged that inspiration for a tower came from the Latting Observatory built in New York City in 1853, sauvestre added decorative arches to the base of the tower, a glass pavilion to the first level, and other embellishments. Little progress was made until 1886, when Jules Grévy was re-elected as president of France and Édouard Lockroy was appointed as minister for trade. On 12 May, a commission was set up to examine Eiffels scheme and its rivals, which, after some debate about the exact location of the tower, a contract was signed on 8 January 1887. Eiffel was to all income from the commercial exploitation of the tower during the exhibition. He later established a company to manage the tower, putting up half the necessary capital himself. The proposed tower had been a subject of controversy, drawing criticism from those who did not believe it was feasible and these objections were an expression of a long-standing debate in France about the relationship between architecture and engineering. And for twenty years … we shall see stretching like a blot of ink the hateful shadow of the column of bolted sheet metal. Gustave Eiffel responded to criticisms by comparing his tower to the Egyptian pyramids. Will it not also be grandiose in its way, and why would something admirable in Egypt become hideous and ridiculous in Paris. Indeed, Garnier was a member of the Tower Commission that had examined the various proposals, some of the protesters changed their minds when the tower was built, others remained unconvinced. Guy de Maupassant supposedly ate lunch in the restaurant every day because it was the one place in Paris where the tower was not visible
Eiffel Tower
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The Eiffel Tower as seen from the
Champ de Mars
Eiffel Tower
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First drawing of the Eiffel Tower by Maurice Koechlin including size comparison with other Parisian landmarks such as
Notre Dame de Paris, the
Statue of Liberty and the
Vendôme Column
Eiffel Tower
–
A
calligram by
Guillaume Apollinaire
6.
Campus Martius
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The Campus Martius, was a publicly owned area of ancient Rome about 2 square kilometres in extent. In the Middle Ages, it was the most populous area of Rome, the IV rione of Rome, Campo Marzio, which covers a smaller section of the original area, bears the same name. Washing ashore further downriver, the brothers would return later to found a new city. Romulus, who became Rome’s sole king, ruled for years until sometime in the seventh century B. C. As he came to the end of his life, a cloud descended upon the center of the open field outside the city’s pomerium in order to lift the elderly king to heaven. This land, “between the city and the Tiber, ” became the property of Rome’s last Etruscan king Tarquinius Superbus, after his defeat and exile, the plain was dedicated to the god Mars. Roman men assembled every spring before heading off to fight hostile tribes, surrounding Rome, with the exception of a small altar to Mars near the center of the field, it wasn’t until the fifth century B. C. that any visible changes were made to the field. In 435 B. C. the Villa Publica was established in a prepared 300m clearing, the area was meant to be a gathering space for citizens to congregate every five years, to be counted in a census. Free from any permanent structures, no additions would be made for two centuries. With the advent of the Punic Wars in the mid-third century B. C. Roman military expansion moved out of the Italian peninsula, the number of foreign wars, however, greatly increased the amount of wealth flowing into Rome. Generals who had sworn to various deities to build temples in their honor if victorious, besides temples and wooden markets, entertainment venues were built also, though they were to be temporary. Starting in the time of Sulla, building lots were sold or granted to influential Romans and it later became the place for comitia centuriata, civic meetings with weapons, and for the citys militia. In 55 BC, Pompey constructed a permanent theater made of stone, when the Curia Hostilia burnt down in 52 BC, the theater was sometimes used as a meeting place for the Senate. The area was used as the assembling ground for elections. Julius Caesar planned for the Saepta to be placed there, they were completed by his heir Augustus. In 33 BC, Octavian dedicated the Porticus Octaviae, built from spoils of the Dalmatian War, the Campus Martius also held the Ara Pacis, built by the Senate to mark the establishment of peace by Augustus. It was intended to symbolize the successful completion of Augustus efforts to stabilize the Empire, Marcus Agrippa had the original swampy ground made into a pool and baths in a setting of parkland and temples, the Laconicum Sudatorium or Baths of Agrippa. Also, he built the Porticus Argonautarum and the Pantheon, which was rebuilt by Hadrian as it still stands today
Campus Martius
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Model of the ancient Campus Martius around AD 300.
Campus Martius
–
The
Pantheon, a landmark of the Campus Martius since ancient Rome.
7.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome
Rome
Rome
Rome
8.
Mars (mythology)
–
In ancient Roman religion and myth, Mars was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was second in only to Jupiter and he was the most prominent of the military gods in the religion of the Roman army. Most of his festivals were held in March, the named for him, and in October. Under the influence of Greek culture, Mars was identified with the Greek god Ares, whose myths were reinterpreted in Roman literature and art under the name of Mars. But the character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, Mars was a part of the Archaic Triad along with Jupiter and Quirinus, the latter of whom as a guardian of the Roman people had no Greek equivalent. Mars altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-loving semi-legendary second king of Rome. Although Ares was viewed primarily as a destructive and destabilizing force, Mars represented military power as a way to secure peace, in the mythic genealogy and founding myths of Rome, Mars was the father of Romulus and Remus with Rhea Silvia. Like Ares who was the son of Zeus and Hera, Mars is usually considered to be the son of Jupiter, however, in a version of his birth given by Ovid, he was the son of Juno alone. Jupiter had usurped the mothers function when he gave birth to Minerva directly from his forehead, to restore the balance, Flora obtained a magic flower and tested it on a heifer who became fecund at once. She then plucked a flower ritually using her thumb, touched Junos belly, Juno withdrew to Thrace and the shore of Marmara for the birth. Ovid tells this story in the Fasti, his poetic work on the Roman calendar. In the earliest Roman calendar, March was the first month, Ovid is the only source for the story. The consort of Mars was Nerio or Nerine, Valor and she represents the vital force, power and majesty of Mars. Her name was regarded as Sabine in origin and is equivalent to Latin virtus, in the early 3rd century BC, the comic playwright Plautus has a reference to Mars greeting Nerio, his wife. A source from late antiquity says that Mars and Nerine were celebrated together at a festival held on March 23, in the later Roman Empire, Nerine came to be identified with Minerva. Nerio probably originates as a personification of Mars power, as such abstractions in Latin are generally feminine. Her name appears with that of Mars in an archaic prayer invoking a series of abstract qualities, the influence of Greek mythology and its anthropomorphic gods may have caused Roman writers to treat these pairs as marriages. The union of Venus and Mars held greater appeal for poets and philosophers, in Greek myth, the adultery of Ares and Aphrodite had been exposed to ridicule when her husband Hephaestus caught them in the act by means of a magical snare
Mars (mythology)
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A 1st-century Mars found in the
Forum of Nerva (Capitoline Museums, Rome)
Mars (mythology)
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Marcus Aurelius (
head covered) sacrificing at the Temple of Jupiter
Mars (mythology)
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Wall painting (mid-1st century AD) from which the House of Venus and Mars at
Pompeii takes its name
Mars (mythology)
–
She-wolf and twins from an altar to Venus and Mars
9.
Gare du Champ de Mars
–
Gare du Champ de Mars is a railway station in Paris. The site has accommodated a total of five stations, the last of which in service for Paris RER. The station was built to receive goods necessary for the construction of the pavilions for the Exposition Universelle held in Paris in 1867,1878,1889,1900 and 1937. The location was chosen as it was then a piece of land devoid of buildings, facing the Trocadéro. It was built on the corner of the Avenue de Suffren. The first station was built for the 1867 Exposition Universelle and this station was a terminus and the line ran from the Petite-Ceinture to the Champ de Mars. The station was demolished shortly after the Exposition, a new station was built for the 1878 Exposition Universelle. The building was designed and built by Juste Lisch and it had four dead end tracks as well as four additional parking tracks. This enabled a greater functionality than the previous station, the station was composed of a central metallic rooftop, filled with red bricks. Two side buildings encompassed the passenger concourse which were hidden behind canopies which extended onto the platforms. A buffet was built to the south of the station along the Avenue de Suffren, Champ de Mars remained opened after the world fair and regained popularity for the 1889 World Fair. The Eiffel Tower was built next to the station, in mid 1894, all passenger services ended to permit the demolition of all of the level crossings. A bridge over the river Seine to link the line to the Ligne dAuteuil was built soon afterwards which meant that the station building had to be demolished. It was moved in 1897 and used as the building for Bois-Colombes. For the 1900 Exposition Universelle the station was yet again reopened, the line was extended to the Invalides and moved to the side of the river Seine. The CF de lOuest created a new station which was situated below the Eiffel Tower as well as the newly built Celestial Globe. As well as a station, the CF de lOuest also built a goods station. At the end of the fair all services were transferred to Gare des Invalides
Gare du Champ de Mars
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The 1900 station with the Celestial Globe in the background.
Gare du Champ de Mars
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The station built at
Asnières-sur-Seine after use at
Bois-Colombes.
Gare du Champ de Mars
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The station in February 2006.
Gare du Champ de Mars
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Eastbound JILL train arriving
10.
Grenelle
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Grenelle is a neighbourhood in southwestern Paris, France. It is a part of the 15th arrondissement of the city, there is currently a Boulevard de Grenelle which runs along the North delimitation of the quartier, and a Rue de Grenelle, a few kilometers North-East in the 7th arrondissement. In 52 BC, Garanella plain was the site of the Battle of Lutetia between the troops of the Gaulish chief Camulogène and the Roman legion under General Labienus, despite their courageous resistance, the Gauls were defeated. Towards the middle of the 13th century, Grenelle became a fiefdom of the Abbey of St Genevieve, on May 15,1824, two city councillors from Vaugirard, Jean-Léonard Violet and Alphonse Letellier, bought and divided up Grenelle plain. They did this quickly, and the new quartier Beaugrenelle was founded on June 27,1824. Thenceforth, under the encouragement of a group of entrepreneurs, the continued to develop. Thus, on May 13,1829, following the refusal of the city to install oil lamps, the residents of Beaugrenelle demanded to break off from Vaugirard, however, it was to be short-lived. On 1 January 1860, despite the objections of the residents of Grenelle, Baron Haussmann decided to annex Grenelle, Vaugirard, the 1804 explosion of the Grenelle powder magazine shook Paris and caused many pregnant women to miscarry
Grenelle
–
L'église Saint-Jean-Baptiste de Grenelle
11.
Ange-Jacques Gabriel
–
Ange-Jacques Gabriel was the most prominent French architect of his generation. Ange-Jacques Gabriel was born on October 23,1698 to a Parisian family of architects and he was initially trained by the royal architect Robert de Cotte and his father Jacques Gabriel, whom he assisted in the creation of the Place Royale in Bordeaux. He was made a member of the Académie royale darchitecture in 1728, gabriels symmetrical palace-like façades for the hôtels particuliers that enclose the north side of the Place Louis XV, Paris, were begun in 1754 and completed in 1763. That on the right housed the storerooms for the furnishings, with luxurious apartments for the intendant. His sober rationality in planning and detail promoted the transition from Rococo to Neoclassicism, for forty years, Gabriel supplied all designs not only for exterior construction and also for the constant remodeling of interiors at Versailles. His Petit Trianon at Versailles is one of the gems of French Classicism and he died in Paris in 1782. Extension and transformations at the Château de Choisy, 1740–1777 Château de Compiègne,1750 onwards The Pavillon du Butard,1750 at La Celle-Saint-Cloud, the Architecture of the French Enlightenment, pp. 38–44. Les architectes parisiens du XVIIIe siècle, dictionnaire biographique et critique, Architecture in France in the Eighteenth Century, pp. 145–160. 2, pp. 133–144, in Macmillan Encyclopedia of Architects,4 volumes,11, pp. 882–884, in The Dictionary of Art,34 volumes, edited by Jane Turner. Ange-Jacques Gabriel at Great Buildings Online
Ange-Jacques Gabriel
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Ange Jacques Gabriel by
Jean-Baptiste Greuze
Ange-Jacques Gabriel
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Château of the Petit Trianon in the park at
Versailles
Ange-Jacques Gabriel
–
Pavillon Butard
Ange-Jacques Gabriel
–
Place de la Bourse, Bordeaux
12.
Riverine
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A river is a natural flowing watercourse, usually freshwater, flowing towards an ocean, sea, lake or another river. In some cases a river flows into the ground and becomes dry at the end of its course without reaching another body of water, small rivers can be referred to using names such as stream, creek, brook, rivulet, and rill. There are no official definitions for the term river as applied to geographic features. Many names for small rivers are specific to geographic location, examples are run in parts of the United States, burn in Scotland and northeast England. Sometimes a river is defined as being larger than a creek, but not always, Rivers are part of the hydrological cycle. Potamology is the study of rivers while limnology is the study of inland waters in general. Extraterrestrial rivers of liquid hydrocarbons have recently found on Titan. Channels may indicate past rivers on other planets, specifically outflow channels on Mars and rivers are theorised to exist on planets, a river begins at a source, follows a path called a course, and ends at a mouth or mouths. The water in a river is confined to a channel. In larger rivers there is also a wider floodplain shaped by flood-waters over-topping the channel. Floodplains may be wide in relation to the size of the river channel. This distinction between river channel and floodplain can be blurred, especially in areas where the floodplain of a river channel can become greatly developed by housing. Rivers can flow down mountains, through valleys or along plains, the term upriver refers to the direction towards the source of the river, i. e. against the direction of flow. Likewise, the term describes the direction towards the mouth of the river. The term left bank refers to the bank in the direction of flow. The river channel typically contains a stream of water, but some rivers flow as several interconnecting streams of water. Extensive braided rivers are now found in only a few regions worldwide and they also occur on peneplains and some of the larger river deltas. Anastamosing rivers are similar to braided rivers and are quite rare
Riverine
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Melting toe of Athabasca Glacier,
Jasper National Park,
Alberta, Canada
Riverine
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The River Cam from the Green Dragon Bridge, Cambridge (United Kingdom)
Riverine
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Nile River delta, as seen from Earth orbit. The Nile is an example of a wave-dominated delta that has the classic Greek letter delta (Δ) shape after which river deltas were named.
Riverine
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A radar image of a 400-kilometre (250 mi) river of methane and ethane near the north pole of Saturn's moon
Titan
13.
River Seine
–
The Seine is a 777-kilometre-long river and an important commercial waterway within the Paris Basin in the north of France. It rises at Source-Seine,30 kilometres northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and it is navigable by ocean-going vessels as far as Rouen,120 kilometres from the sea. There are 37 bridges within Paris and dozens more spanning the river outside the city, examples in Paris include the Pont Alexandre III and Pont Neuf, the latter of which dates back to 1607. Outside the city, examples include the Pont de Normandie, one of the longest cable-stayed bridges in the world, the Seine rises in the commune of Source-Seine, about 30 kilometres northwest of Dijon. The source has been owned by the city of Paris since 1864, a number of closely associated small ditches or depressions provide the source waters, with an artificial grotto laid out to highlight and contain a deemed main source. The grotto includes a statue of a nymph, on the same site are the buried remains of a Gallo-Roman temple. Small statues of the dea Sequana Seine goddess and other ex voti found at the place are now exhibited in the Dijon archeological museum. The Seine is dredged and oceangoing vessels can dock at Rouen,120 kilometres from the sea, commercial riverboats can use the river from Bar-sur-Seine,560 kilometres to its mouth. At Paris, there are 37 bridges, the river is only 24 metres above sea level 446 kilometres from its mouth, making it slow flowing and thus easily navigable. The Seine Maritime,105.7 kilometres from the English Channel at Le Havre to Rouen, is the portion of the Seine used by ocean-going craft. The tidal section of the Seine Maritime is followed by a section with four large multiple locks until the mouth of the Oise at Conflans-Sainte-Honorine. Multiple locks at Bougival / Chatou and at Suresnes lift the vessels to the level of the river in Paris, upstream from Paris seven locks ensure navigation to Saint Mammès, where the Loing mouth is situated. Through an eighth lock the river Yonne is reached at Montereau-Fault-Yonne, from the mouth of the Yonne, larger ships can continue upstream to Nogent-sur-Seine. From there on, the river is only by small craft. All navigation ends abruptly at Marcilly-sur-Seine, where the ancient Canal de la Haute-Seine used to allow vessels to continue all the way to Troyes and this canal has been abandoned for many years. The average depth of the Seine today at Paris is about 9.5 metres. Until locks were installed to raise the level in the 1800s, the river was much shallower within the city most of the time, today the depth is tightly controlled and the entire width of the river between the built-up banks on either side is normally filled with water. The average flow of the river is low, only a few cubic metres per second
River Seine
–
The Seine in Paris
River Seine
–
Seine source
River Seine
–
The
Pont de Normandie over the Seine, between
Le Havre and
Honfleur, on the
Normandy coast
River Seine
–
The Seine and Eiffel Tower
14.
Jacques Charles
–
Jacques Alexandre César Charles was a French inventor, scientist, mathematician, and balloonist. He was sometimes called Charles the Geometer and their pioneering use of hydrogen for lift led to this type of balloon being named a Charlière. Charless law, describing how gases tend to expand when heated, was formulated by Joseph Louis Gay-Lussac in 1802, Charles was elected to the Académie des Sciences in 1795 and subsequently became professor of physics at the Académie de Sciences. Charles was born in Beaugency-sur-Loire in 1746, He married Julie Françoise Bouchaud des Hérettes, Charles outlived her and died in Paris on April 7,1823. They used alternate strips of red and white silk, but the discolouration of the process left a red. Jacques Charles and the Robert brothers launched the worlds first hydrogen filled balloon on August 27,1783, from the Champ de Mars, the balloon was comparatively small, a 35 cubic metre sphere of rubberised silk, and only capable of lifting about 9 kg. It was filled with hydrogen that had made by pouring nearly a quarter of a tonne of sulphuric acid onto a half a tonne of scrap iron. The hydrogen gas was fed into the balloon via lead pipes, daily progress bulletins were issued on the inflation, and the crowd was so great that on the 26th the balloon was moved secretly by night to the Champ de Mars, a distance of 4 kilometres. The project was funded by a subscription organised by Barthelemy Faujas de Saint-Fond, at 13,45 on December 1,1783 Jacques Charles and the Robert brothers launched a new manned balloon from the Jardin des Tuileries in Paris. Jacques Charles was accompanied by Nicolas-Louis Robert as co-pilot of the 380-cubic-metre, the envelope was fitted with a hydrogen release valve and was covered with a net from which the basket was suspended. Sand ballast was used to control altitude and they ascended to a height of about 1,800 feet and landed at sunset in Nesles-la-Vallée after a 2-hour 5 minute flight covering 36 km. The chasers on horseback, who were led by the Duc de Chartres, Jacques Charles then decided to ascend again, but alone this time because the balloon had lost some of its hydrogen. This time it ascended rapidly to an altitude of about 3,000 metres and he began suffering from aching pain in his ears so he valved to release gas, and descended to land gently about 3 km away at Tour du Lay. Unlike the Robert brothers, Charles never flew again, although a hydrogen balloon came to be called a Charlière in his honour, among the special enclosure crowd was Benjamin Franklin, the diplomatic representative of the United States of America. Also present was Joseph Montgolfier, whom Charles honoured by asking him to release the small, bright green, pilot balloon to assess the wind and weather conditions. This event took place ten days after the worlds first manned flight by Jean-François Pilâtre de Rozier using a Montgolfier brothers hot air balloon. Simon Schama wrote in Citizens, Montgolfiers principal scientific collaborator was M. Charles, who had been the first to propose the gas produced by vitriol instead of the burning, dampened straw and wood that he had used in earlier flights. Charles himself was eager to ascend but had run into a firm veto from the King
Jacques Charles
–
Jacques Alexandre César Charles, 1820
Jacques Charles
–
The balloon built by Jacques Charles and the Robert brothers is attacked by terrified villagers in Gonesse.
Jacques Charles
–
Contemporary illustration of the first flight by Prof. Jacques Charles with Nicolas-Louis Robert, December 1, 1783. Viewed from the
Place de la Concorde to the
Tuileries Palace (destroyed in 1871)
Jacques Charles
–
Meusnier's dirigible
15.
Robert brothers
–
For the inventor of the Fourdrinier paper manufacturing machine, see Louis-Nicolas Robert. For the 17th Century French miniaturist and engraver, see Nicolas Robert, les Frères Robert were two French brothers. Anne-Jean Robert and Nicolas-Louis Robert were the engineers who built the worlds first hydrogen balloon for professor Jacques Charles and they went on to build the worlds first manned hydrogen balloon, and on 1 December 1783 Nicolas-Louis accompanied Jacques Charles on a 2-hour, 5-minute flight. Their barometer and thermometer made it the first balloon flight to provide measurements of the atmosphere above the Earths surface. The brothers subsequently experimented with an elliptical shape for the hydrogen envelope in a balloon they attempted to power and steer by means of oars. In September 1784 the brothers flew 186 km from Paris to Beuvry, the Robert brothers were skilled engineers with a workshop at the Place des Victoires in Paris, who worked with professor Jacques Charles to build the first usable hydrogen balloon in 1783. Jacques Charles designed the balloon and the Robert brothers invented the methodology for constructing the lightweight, airtight gas bag. They dissolved rubber in a solution of turpentine and varnished the sheets of silk that were stitched together to make the main envelope and they used alternate strips of red and white silk, but the discolouration of the varnishing/rubberising process left a red and yellow result. The balloon was comparatively small, a 35 cubic-metre sphere of rubberised silk and it was filled with hydrogen that had been made by pouring nearly a quarter of a tonne of sulphuric acid onto half a tonne of scrap iron. The hydrogen gas was fed into the envelope through lead pipes, daily progress bulletins were issued on the inflation, and the crowd was so great that on the 26th the balloon was moved secretly by night to the Champ-de-Mars, a distance of 4 kilometres. The project was funded by a subscription organised by Barthélemy Faujas de Saint-Fond, at 13,45 on December 1,1783, Professor Jacques Charles and the Robert brothers launched a new manned balloon from the Jardin des Tuileries in Paris, amid vast crowds and excitement. Jacques Charles was accompanied by Nicolas-Louis Robert as co-pilot of the 380-cubic-metre, hydrogen-filled, the envelope was fitted with a hydrogen release valve and was covered with a net from which the basket was suspended. Sand ballast was used to control altitude and they ascended to a height of about 1,800 feet and landed at sunset in Nesles-la-Vallée after a 2-hour, 5-minute flight covering 36 km. The chasers on horseback, who were led by the Duc de Chartres, Jacques Charles then decided to ascend again, but alone this time because the balloon had lost some of its hydrogen. The balloon ascended rapidly to an altitude of approximately 3,000 metres, rising into the sunlight again and he began suffering from aching pain in his ears so he valved to release gas, and descended to land gently about 3 km away at Tour du Lay. Unlike the Robert brothers, Charles never flew again, among the special enclosure crowd was Benjamin Franklin, the diplomatic representative of the United States of America. Also present was Joseph Montgolfier, whom Charles honoured by asking him to release the small, bright green, pilot balloon to assess the wind and weather conditions. This event took place ten days after the worlds first manned flight by Jean-François Pilâtre de Rozier using a Montgolfier brothers hot air balloon
Robert brothers
–
The world's first manned hydrogen balloon flight. 1783
Robert brothers
–
The balloon built by Jacques Charles and the Robert brothers is attacked by terrified villagers in Gonesse.
Robert brothers
–
Contemporary illustration of the first flight by Prof. Jacques Charles with Nicolas-Louis Robert, December 1, 1783. Viewed from the Place de la Concorde to the
Tuileries Palace (destroyed in 1871)
Robert brothers
–
Meusnier's dirigible
16.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
French Revolution
–
The
August Insurrection in 1792 precipitated the last days of the monarchy.
French Revolution
–
The French government faced a fiscal crisis in the 1780s, and King Louis XVI was blamed for mishandling these affairs.
French Revolution
–
Caricature of the Third Estate carrying the First Estate (clergy) and the Second Estate (nobility) on its back.
French Revolution
–
The meeting of the Estates General on 5 May 1789 at Versailles.
17.
Bastille Day
–
Bastille Day is the common name given in English-speaking countries/lands to the French National Day, which is celebrated on 14 July each year. In France, it is called la Fête nationale and commonly and legally le 14 juillet. On 19 May 1789, Louis XVI invited Estates-General to air their grievances, the deputies of the Third Estate, representing the common people—the two others were the Catholic clergy and the nobility —decided to break away and form a National Assembly. The Third Estate took the Tennis Court Oath, swearing not to separate until a constitution had been established and they were gradually joined by delegates of the other estates, Louis XVI started to recognize the validity of their concerns on 27 June. The assembly renamed itself the National Constituent Assembly on 9 July, jacques Necker, the finance minister, who was sympathetic to the Third Estate, was dismissed on 11 July. As it happened, at the time of the attack in July 1789 there were only seven inmates, the crowd was eventually reinforced by mutinous Gardes Françaises, whose usual role was to protect public buildings. They proved a match for the forts defenders, and Governor de Launay. However, possibly because of a misunderstanding, fighting resumed, shortly after the storming of the Bastille, late in the evening of 4 August, after a very stormy session of the Assemblée Constituante, feudalism was abolished. On 26 August, the Declaration of the Rights of Man, the Fête de la Fédération on 14 July 1790 was a celebration of the unity of the French nation during the French Revolution. The aim of this celebration, one year after the Storming of the Bastille, was to symbolize peace, the event took place on the Champ de Mars, which was at the time far outside Paris. The place had been transformed on a basis by the population of Paris. A mass was celebrated by Talleyrand, bishop of Autun, the popular General Lafayette, as captain of the National Guard of Paris and a confidant of the king, took his oath to the constitution, followed by King Louis XVI. On 30 June 1878, a feast was arranged in Paris to honour the French Republic. On 14 July 1879, there was another feast, with a semi-official aspect, the days events included a reception in the Chamber of Deputies, organised and presided over by Léon Gambetta, a military review at Longchamp, and a Republican Feast in the Pré Catelan. All through France, Le Figaro wrote, people feasted much to honour the storming of the Bastille, on 21 May 1880, Benjamin Raspail proposed a law to have the Republic choose the 14 July as a yearly national holiday. The Assembly voted in favour of the proposal on 21 May and 8 June, the Senate approved it on 27 and 29 June, favouring 14 July against 4 August. The law was made official on 6 July 1880, and the Ministry of the Interior recommended to Prefects that the day should be celebrated with all the brilliance that the local resources allow, indeed, the celebrations of the new holiday in 1880 were particularly magnificent. This day cannot be blamed for having shed a drop of blood and it was the consecration of the unity of France
Bastille Day
–
Storming of the Bastille, by Jean-Pierre-Louis-Laurent Houel
Bastille Day
–
Claude Monet, Rue Montorgueil, Paris, Festival of 30 June 1878
Bastille Day
–
Horseman of the
French Republican Guard during the 2007
military parade on the Champs-Élysées.
Bastille Day
–
Budapest, Hungary; Bastille Day fireworks
18.
Champ de Mars Massacre
–
The Champ de Mars Massacre took place on 17 July 1791 in Paris in the midst of the French Revolution. The event is named after the site of the massacre, the Champ de Mars, two days before, the National Constituent Assembly issued a decree that the king, Louis XVI, would remain king under a constitutional monarchy. This decision came after King Louis XVI and his family had tried to flee France in the Flight to Varennes the month before. Later that day, leaders of the republicans in France rallied against this decision, jacques Pierre Brissot, editor and main writer of Le Patriote français and president of the Comité des Recherches of Paris, drew up a petition demanding the removal of the king. A crowd of 50,000 people gathered at the Champ de Mars on July 17 to sign the petition, jean Sylvain Bailly, the mayor of Paris, used this incident to declare martial law. The Marquis de Lafayette and the National Guard, which was under his command, were able to disperse the crowd, later in the afternoon, the crowd, led by Danton and Camille Desmoulins, returned in even greater numbers. The larger crowd was more determined than the first. Lafayette again tried to disperse it, in retaliation, the crowd threw stones at the National Guard. After firing unsuccessful warning shots, the National Guard opened fire directly on the crowd, the exact numbers of dead and wounded are unknown, estimates range from a dozen to fifty dead. When Louis XVI and his family fled to Varennes, it set off political turmoil, earlier, information had been received by the assembly that there was potentially a plan for the king to flee. The idea that Louis planned on fleeing the Tuileries palace began in early 1791 and was one of the causes of the Day of Daggers on 28 February 1791. The escape event was not subtly planned, and enough suspicions were aroused in those working in the palace that the information trickled down to newspapers. The Marquis de Lafayette promised on his own life such a thing was not true. Lafayette and the Assembly created a lie that the king had been kidnapped, ultimately the king and his family were brought back and the assembly decided that he needed to be a part of the government if he agreed to consent to the constitution. At the time of the massacre, divisions within the Third Estate had already began to grow, many workers were already angered by the closing of various workshops, which took away jobs, leaving some unemployed. Higher skilled journeymen were also angered due to a lack of increase in wages since the beginning of the Revolution, the attempted flight of the King only increased the tensions between groups. The massacre was the result of various factions reacting to the decree by the Constituent Assembly in different ways. The Cordeliers Club, a populist group, chose to create a petition for a protest and this was originally backed by the Jacobins, though support was withdrawn at Robespierres suggestion
Champ de Mars Massacre
–
Lafayette orders his troops to fire
19.
Jean Sylvain Bailly
–
Jean Sylvain Bailly was a French astronomer, mathematician, freemason, and political leader of the early part of the French Revolution. He presided over the Tennis Court Oath, served as the mayor of Paris from 1789 to 1791, and was ultimately guillotined during the Reign of Terror. Born in Paris, Bailly was the son of Jacques Bailly, an artist and supervisor of the Louvre, as a child he originally intended to follow in his familys footsteps and pursue a career in the arts. He became deeply attracted to science, however, particularly astronomy and he participated in the construction of an observatory at the Louvre. These achievements along with others got him elected to the French Academy of Sciences in 1763, in the years prior to the French Revolution, Baillys distinctive reputation as a French astronomer led to his recognition and admiration by the European scientific community. Due to his popularity amongst the groups, in 1777. Bailly published his Essay on The Theory of the Satellites of Jupiter in 1766. a The essay was an expansion of a presentation he had made to the Academy in 1763 and he later released the noteworthy dissertation On the Inequalities of Light of the Satellites of Jupiterb in 1771. In 1778, he was elected a member of the Royal Swedish Academy of Sciences. He was admitted to the Académie française on 26 February 1784, from then on, Bailly devoted himself to the history of science. In a short period of time, Bailly made his way up the judicial ranks, from being the deputy of Paris, he was elected Estates-General on 20 May 1789. Soon after he was elected president of the National Assembly and led the famous proceedings in the Tennis Court on 20 June. Shortly after the storming of the Bastille on 14 July 1789, on 15 July 1789, Bailly took office as the mayor of Paris. Two days later he was met by Louis XVI at the Hôtel de Ville who was there to endorse the Revolution, Bailly presented him with the new symbol of the revolution, the tricolour cockade. In his function as mayor, he was attacked by Camille Desmoulins, Bailly continuously sought to promote the authority of the mayor while limiting the power of the General Assembly of the Commune. During his reign as mayor, Bailly secured the passage of a decree that declared Jews to be French citizens on 17 September 1791 and he was met with threats and ridicule for this action. This decree repealed the taxes that had been imposed on the Jews. After a failed attempt by the family to flee the country. On 17 July 1791, he imposed martial law and ordered the National Guard to disperse a large riotous assembly calling for the deposition of the King and he was thus, with Lafayette, held responsible for the Champ de Mars Massacre
Jean Sylvain Bailly
–
Jean Sylvain Bailly by
Jean-Laurent Mosnier (1789) (
Carnavalet Museum,
Paris)
Jean Sylvain Bailly
–
Sketch by
Jacques-Louis David of the Tennis Court Oath. Bailly is pictured in the centre, facing the viewer, his right hand raised.
Jean Sylvain Bailly
–
J.S.Bailly, by Garneray and Alix, after the David's scene above
20.
Cult of the Supreme Being
–
The Cult of the Supreme Being was a form of deism established in France by Maximilien Robespierre during the French Revolution. It was intended to become the religion of the new French Republic and a replacement for Roman Catholicism and its rival. The French Revolution had occasioned many radical changes in France, the first new major organized school of thought emerged under the umbrella name of the Cult of Reason. Advocated by radicals like Jacques Hébert and Antoine-François Momoro, the Cult of Reason distilled a mixture of largely atheistic views into an anthropocentric philosophy, no gods at all were worshiped in the Cult—the guiding principle was devotion to the abstract conception of Reason. This rejection of all godhead appalled the rectitudinous Robespierre and its offense was compounded by the scandalous scenes and wild masquerades attributed to its practice. In late 1793, Robespierre delivered a fiery denunciation of the Cult of Reason and of its proponents, devised almost entirely by Robespierre, Le culte de lÊtre suprême was formally announced before the French National Convention on 7 May 1794. Robespierre believed that reason is only a means to an end, and he sought to move beyond simple deism to a new and, in his view, more rational devotion to the Godhead. The primary principles of the Cult of the Supreme Being were a belief in the existence of a god and this type of virtue could only be attained through active fidelity to liberty and democracy. Belief in a god and a higher moral code, he said, were constant reminders of justice. The establishment of the Cult of the Supreme Being represented the beginning of the reversal of the wholesale de-Christianization process that had looked upon previously with official favour. Simultaneously it marked the apogee of Robespierres power, though in theory he was just an equal member of the Committee of Public Safety, Robespierre at this point possessed a national prominence bordering on the imperial. Every locality was mandated to hold an event, but the event in Paris was designed on a massive scale. The festival was organized by the artist Jacques-Louis David and took place around a mountain on the Champ de Mars. Robespierre assumed full leadership of the event, forcefully—and, to many, ostentatiously—declaring the truth, the Cult of the Supreme Being and its festival can be said to have contributed to the Thermidorian Reaction and the downfall of Robespierre. With his death at the guillotine on 28 July 1794, the cult lost all official sanction and disappeared from public view. It was officially banned by Napoleon Bonaparte on 8 April 1802 with his Law on Cults of 18 Germinal, Year X. Cult of Reason Dechristianisation of France during the French Revolution Doyle, the Oxford History of the French Revolution. Historical Dictionary of the French Revolution, the Revolutionary Career of Maximilien Robespierre. A Cultural History of the French Revolution, lyman, Richard W. Spitz, Lewis W. Major Crises in Western Civilization, Vol.2
Cult of the Supreme Being
–
Maximilien Robespierre (6 May 1758 – 28 July 1794).
Cult of the Supreme Being
–
Inscription on the typanum of the
Cathedral of Clermont-Ferrand, saying: "The French people recognize the Supreme Being and the immortality of the soul". Note the traces of the original frieze around the sign.
Cult of the Supreme Being
–
The Festival of the Supreme Being, by
Pierre-Antoine Demachy (1794).
21.
Jacques-Louis David
–
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. David later became a supporter of the French Revolution and friend of Maximilien Robespierre. Imprisoned after Robespierres fall from power, he aligned himself with yet another political regime upon his release, at this time he developed his Empire style, notable for its use of warm Venetian colours. After Napoleons fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, then in the United Kingdom of the Netherlands, where he remained until his death. David had a number of pupils, making him the strongest influence in French art of the early 19th century. Jacques-Louis David was born into a family in Paris on 30 August 1748. When he was nine his father was killed in a duel. He covered his notebooks with drawings, and he said, I was always hiding behind the instructors chair. Soon, he desired to be a painter, but his uncles and he overcame the opposition, and went to learn from François Boucher, the leading painter of the time, who was also a distant relative. Boucher was a Rococo painter, but tastes were changing, Boucher decided that instead of taking over Davids tutelage, he would send David to his friend, Joseph-Marie Vien, a painter who embraced the classical reaction to Rococo. There David attended the Royal Academy, based in what is now the Louvre, each year the Academy awarded an outstanding student the prestigious Prix de Rome, which funded a three- to five-year stay in the Eternal City. Each pensionnaire was lodged in the French Academys Roman outpost, which from the years 1737 to 1793 was the Palazzo Mancini in the Via del Corso. David competed for, and failed to win, the prize for three years, each failure contributing to his lifelong grudge against the institution. After his second loss in 1772, David went on a hunger strike, confident he now had the support and backing needed to win the prize, he resumed his studies with great zeal—only to fail to win the Prix de Rome again the following year. Finally, in 1774, David was awarded the Prix de Rome on the strength of his painting of Erasistratus Discovering the Cause of Antiochus Disease, a subject set by the judges. In October 1775 he made the journey to Italy with his mentor, Joseph-Marie Vien, while in Italy, David especially studied the works of 17th-century masters such as Poussin, Caravaggio, and the Carracci. Mengs principled, historicizing approach to the representation of classical subjects profoundly influenced Davids pre-revolutionary painting, such as The Vestal Virgin, mengs also introduced David to the theoretical writings on ancient sculpture by Johann Joachim Winckelmann, the German scholar held to be the founder of modern art history. In 1779, David toured the newly excavated ruins of Pompeii, while in Rome, David also assiduously studied the High Renaissance painters, Raphael making a profound and lasting impression on the young French artist
Jacques-Louis David
–
Self portrait of Jacques-Louis David, 1794,
Musée du Louvre
Jacques-Louis David
–
Mademoiselle Guimard as Terpsichore, 1774–5, an early work
Jacques-Louis David
–
Equestrian portrait of Stanisław Kostka Potocki (1781)
Jacques-Louis David
–
Oath of the Horatii (from 1786)
22.
Exposition Universelle (1867)
–
The International Exposition of 1867, was the second worlds fair to be held in Paris, from 1 April to 3 November 1867. Forty two nations were represented at the fair, following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. In 1864, Napoleon III decreed that an international exposition should be held in Paris in 1867, a commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. In addition to the building, there were nearly 100 smaller buildings on the grounds. There were 50,226 exhibitors, of whom 15,055 were from France and her colonies,6176 from Great Britain and Ireland,703 from the United States and a small contingent from Canada. In the gallery of Labour History Jacques Boucher de Perthes, exposes one of the first prehistoric tools whose authenticity has been recognized with the accuracy of these theories. The exhibition also included two prototypes of the acclaimed and prize-winning hydrochronometer invented in 1867 by Gian Battista Embriaco. Farcot and sculptor Albert-Ernest Carrier-Be Belleuse, farcot exhibited several units, one of them it is currently in the Roosevelt Hotel in New Orleans. Its base, which features the face and inner mechanical movements, is carved from solid onyx marble. Atop the base, a sculpture depicting a robed female figure holds a scepter. Rotating soundlessly from the subjects hand, the scepter provides consistent motion that adds to the clocks sense of grandeur. From its base to the top of the figure stands at nearly 10 feet tall. Carrier de Belleuse was one of the most important and renowned sculptors of the 19th century, the exposition was formally opened on 1 April and closed on 31 October 1867, and was visited by 9,238,967 persons, including exhibitors and employees. This exposition was the greatest up to its time of all international expositions, for the first time Japan presented art pieces to the world in a national pavilion, especially pieces from the Satsuma and Saga clans in Kyushu. The Paris street near Champs de Mars, Rue de LExposition was named in hommage to this 1867 universal exhibition. Jules Verne visited the exhibition in 1867, his take on the newly publicized discovery of electricity inspiring him heavily in his writing of 20,000 Leagues Under the Sea. A famous revival of the ballet Le Corsaire was staged by the Ballet Master Joseph Mazilier in honor of the exhibition at the Théâtre Impérial de l´Opéra on 21 October 1867. The World Rowing Championships were held on the Seine River in July and was won by the underdog Canadian team from Saint John, rejtan This article incorporates text from a publication now in the public domain, Gilman, D. C
Exposition Universelle (1867)
–
Main building at Champ de Mars
Exposition Universelle (1867)
–
Official bird's-eye view of Exposition Universelle of 1867.
Exposition Universelle (1867)
–
Napoleon III receives the rulers and illustrious men who visited the 'Exposition universelle of 1867".
Exposition Universelle (1867)
–
Swedish
folk costumes on display at the International Exposition in 1867.
23.
Exposition Universelle (1878)
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The third Paris Worlds Fair, called an Exposition Universelle in French, was held from 1 May through to 10 November 1878. It celebrated the recovery of France after the 1870–71 Franco-Prussian War, however, efforts made in April were prodigious, and by 1 June, a month after the formal opening, the exhibition was finally completed. This exposition was on a far larger scale than any previously held anywhere in the world and it covered over 66 acres, the main building in the Champ de Mars and the hill of Chaillot, occupying 54 acres. The Gare du Champ de Mars was rebuilt with four tracks to receive rail traffic occasioned by the exposition, the Pont dIéna linked the two exhibition sites along the central allée. The French exhibits filled one-half of the space, with the remaining exhibition space divided among the other nations of the world. Germany was the major country which was not represented. The United States exhibition was headed by a series of commissioners, young, a former United States Congressman and major general in the Confederate States Army and Floyd Perry Baker, a Kansas newspaper editor, as well as other generals, politicians, and celebrities. The United Kingdoms expenditure was defrayed out of the consolidated revenue, the UK display was under the control of a royal commission, of which the Prince of Wales was president. The Gallery of Machines was a building, an industrial showcase of low transverse arches. Many of the buildings and statues were made of staff, a low-cost temporary building material invented in Paris in 1876, which consisted of fiber, plaster of Paris. On the northern bank of the Seine River, a palace was constructed for the exhibition at the tip of the Place du Trocadéro. It was a handsome Moorish structure, with towers 76 metres in height, on 30 June 1878, the completed head of the Statue of Liberty was showcased in the garden of the Trocadéro palace, while other pieces were on display in the Champs de Mars. Among the many inventions on display was Alexander Graham Bells telephone, thomas Edison had on display a megaphone and phonograph. International juries judged the various exhibits, awarding medals of gold, silver, one popular feature was a human zoo, called a negro village, composed of 400 indigenous people. Gold award for painting, Jan Matejko, for the The Hanging of the Sigismund Bell, Union of Lublin, gold award for photography, Aimé Dupont Over 13 million people paid to attend the exposition, making it a financial success. In addition to the impetus given to French trade, the revenue from customs. Concurrent with the exposition, a number of meetings and conferences were held to gain consensus on international standards, French writer Victor Hugo led the Congress for the Protection of Literary Property, which led to the eventual formulation of international copyright laws. Similarly, other meetings led to efforts to standardize the flow of mail from country to country, the International Congress for the Amelioration of the Condition of Blind People led to the worldwide adoption of the Braille System of touch-reading
Exposition Universelle (1878)
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The
Palais du Trocadéro built for the occasion was reused for the
Exposition Universelle of 1900, when this postcard was printed
Exposition Universelle (1878)
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Aerial view of the Exposition Universelle of 1878
Exposition Universelle (1878)
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Félix du Temple 's 1874
Monoplane was displayed at the 1878 Exposition Universelle.
Exposition Universelle (1878)
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Souvenir ribbon from the exhibition
24.
Exposition Universelle (1889)
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The Exposition Universelle of 1889 was a worlds fair held in Paris, France, from 6 May to 31 October 1889. It was held during the year of the 100th anniversary of the storming of the Bastille, an event considered symbolic of the beginning of the French Revolution. The 1889 Exposition covered an area of 0.96 km2, including the Champ de Mars, the Trocadéro, the quai dOrsay, a part of the Seine. Transport around the Exposition was partly provided by a 3 kilometre 600 millimetre gauge railway by Decauville and it was claimed that the railway carried 6,342,446 visitors in just six months of operation. Some of the used on this line later saw service on the Chemins de Fer du Calvados. The main symbol of the Fair was the Eiffel Tower, which served as the arch to the Fair. The 1889 fair was held on the Champ de Mars in Paris, which had been the site of the earlier Paris Universal Exhibition of 1867, since the lifts had not been completed when the Exposition opened, the first visitors had to walk up to the second floor platform. Workers had worked through the night the day before the exhibition opened to complete the construction needed to safely allow patrons to set foot upon the structure. No one other than construction personnel were allowed higher than the second floor platform, an equally significant building constructed for the fair was the Galerie des machines, designed by architect Ferdinand Dutert and engineer Victor Contamin. It was reused at the exposition of 1900 and then destroyed in 1910, at 111 meters, the Galerie spanned the longest interior space in the world at the time, using a system of hinged arches made of steel or iron. Although often described as being constructed of steel, it was made of iron. There is a description, with illustrations, of the Expositions two famous buildings in the British journal Engineering. A follow-up report appears a late issue with this summation, the exhibition will be famous for four distinctive features, the 28 June issue of Engineering also mentions a remarkable Great Model of the Earth created by Theodore Villard and Charles Cotard. There were unseasonal thunderstorms in Paris during that summer of 1889, causing distress to the canopies and decoration of the exposition. The Exhibition included a building by the Paris architect Pierre-Henri Picq and this was an elaborate iron and glass structure decorated with ceramic tiles in a Byzantine-Egyptian-Romanesque style. After the Exposition the building was shipped to Fort de France and reassembled there, known as the Schoelcher Library, initially it contained the 10,000 books that Victor Schoelcher had donated to the island. Today it houses over 250,000 books and an ethnographic museum, a Negro village where 400 people were displayed constituted the major attraction. At the Exposition, the French composer Claude Debussy first heard Javanese gamelan music and this influenced some of his later compositions
Exposition Universelle (1889)
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General view of the exhibition
Exposition Universelle (1889)
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Central Dome of the Gallerie des Machines, Exposition Universelle de Paris, 1889, by
Louis Béroud (1852-1930).
Exposition Universelle (1889)
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EXPO
Paris 1889
Exposition Universelle (1889)
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Plan of the fair
25.
Exposition Universelle (1900)
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The style that was universally present in the Exposition was Art Nouveau. The staging of the first International Exhibition in 1855 was motivated by a desire to re-establish pride, the succession of exhibitions followed the same theme, the regeneration of nationality after war. Eight years before the launch of the 1900 Paris Exposition Universelle, countries from around the world were invited by France to showcase their achievements and lifestyles, the Exposition Universelle was a uniting and learning experience. It presented the opportunity for foreigners to realize the similarities between nations as well as their unique differences, new cultures were experienced and an overall better understanding of the values each country had to offer was gained. The learning atmosphere aided in attempts to increase cultural tolerance, deemed necessary after a period of war, the early announcement and the massively positive response disenchanted the interest that had been circling around the first German International Exposition. It is suspected that the Exposition Universelle did not do as well financially as expected because the public did not have the funds to participate in the fair. The 1900 Paris Exposition Universelle was so expensive to organize and run that the cost per visitor ended up being about six hundred more than the price of admission. The exhibition lost a total of 82,000 francs after six months in operation. Many Parisians had invested money in shares sold to raise money for the event, with a much larger expected turnout the exhibit sites had gone up in value. Continuing to pay rent for the sites became increasingly hard for concessionaires as they were receiving fewer customers than anticipated, the concessionaires went on strike, which ultimately resulted in the closure of a large part of the exposition. To resolve the matter, the concessionaires were given a refund of the rent they had paid. The financial consequences of the 1900 Exposition Universelle were devastating for many Parisians, the Exposition Universelle was where talking films and escalators were first publicized, and where Campbells Soup was awarded a gold medal. At the exposition Rudolf Diesel exhibited his engine, running on peanut oil. Brief films of excerpts from opera and ballet were apparently the first films exhibited publicly with projection of both image and recorded sound, the exposition also featured many panoramic paintings and extensions of the panorama technique, such as the Cinéorama, Mareorama, and Trans-Siberian Railway Panorama. The centrepiece of the Palais de lOptique was the 1. 25-metre-diameter Great Exposition Refractor and this telescope was the largest refracting telescope at that time. The optical tube assembly was 60 meters long and 1.5 meters in diameter, light from the sky was sent into the tube by a movable 2-meter mirror. Partly organized by Booker Washington and W. E. B, du Bois, this exhibition aimed at showing African Americans positive contributions to American society. Many of the buildings constructed for the Exposition Universelle were demolished after the conclusion of the exposition, many of the buildings were built on a framework of wood, and covered with staff, which was formed into columns, statuary, walls, stairs, etc
Exposition Universelle (1900)
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Exposition Universelle view
Exposition Universelle (1900)
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Photos of the
Hampton Institute by
Frances Benjamin Johnston, which were displayed in the Exposé nègre to demonstrate Afro-Americans' positive contributions to American society
Exposition Universelle (1900)
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Exposition Universelle
Exposition Universelle (1900)
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Tour du Monde pavilions displaying oriental architectures; such as Siam, Japan, and India
26.
Exposition Universelle (1937)
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The Exposition Internationale des Arts et Techniques dans la Vie Moderne was held from 25 May to 25 November 1937 in Paris, France. Both the Musée de lHomme and the Palais de Tokyo, which houses the Musée dArt Moderne de la Ville de Paris, were created for this exhibition. At first the centerpiece of the exposition was to be a 2, 300-foot tower which was to have a road to a parking garage located at the top. The idea was abandoned as far too expensive, paintings by Brunet, sculpted panels on the outside of the structure, and several thematic stands inside the Canadian pavilion depicted aspects of Canadian culture. The Spanish pavilion attracted attention as the took place during the Spanish Civil War. The Spanish pavilion was built by the Spanish architect Josep Lluis Sert, two of the other notable pavilions were those of Nazi Germany and the Soviet Union. The organization of the exhibition had placed the German and the Soviet pavilions directly across from each other. Hitler had desired to withdraw from participation, but his architect Albert Speer convinced him to participate after all, showing Hitler his plans for the German pavilion. Speer later revealed in his autobiographies that he had had a look at the plans for the Soviet pavilion. The preparation and construction of the exhibits were plagued by delay, on the opening day of the exhibition, only the German and the Soviet pavilions had been completed. This, as well as the fact that the two faced each other, turned the exhibition into a competition between the two great ideological rivals. Speers pavilion was culminated by a tower crowned with the symbols of the Nazi state, an eagle. The pavilion was conceived as a monument to German pride and achievement and it was to broadcast to the world that a new and powerful Germany had a restored sense of national pride. At night, the pavilion was illuminated by floodlights, the architect of the Soviet pavilion was Boris Iofan. Vera Mukhina designed the large sculpture on the pavilion. The grand building was topped by Worker and Kolkhoz Woman, a large momentum-exerting statue, of a worker and a female peasant, their hands together, thrusting a hammer. The statue was meant to symbolize the union of workers and peasants, Britain had not been expecting such a competitive exposition, and its planned budget was only a small fraction of Germanys. Frank Pick, the chairman of the Council for Art and Industry, appointed Oliver Hill as architect but told him to avoid modernism and its contents were crafts objects arranged according to English words which had become loanwords in French, such as sport and weekend
Exposition Universelle (1937)
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The Eiffel tower, with the German pavilion on left and the Soviet pavilion on the right
Exposition Universelle (1937)
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Map of the exhibition
Exposition Universelle (1937)
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The Nazi German pavilion
Exposition Universelle (1937)
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The Soviet pavilion
27.
United Buddy Bears
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Buddy Bears is the name given to painted, life-size fibreglass bear sculptures developed by Klaus and Eva Herlitz, in cooperation with sculptor Roman Strobl. The raised arms of the standing Buddy Bears are aligned on the dissemination of friendliness and optimism, the Buddy Bear has become an unofficial ambassador for Germany and is a symbol of Berlin since 2001. The story of the Buddy Bears started with an event in Berlin in 2001. Inspired by the idea of bringing art in the streets of a metropolis like the cow parade in Zurich, in addition to the Classic Buddy Bears presented far beyond Berlin’s city limits, the circle of United Buddy Bears came into being in 2002. The Exhibition travel around the world promoting peace, international understanding and tolerance among the nations, cultures, the first activities were presented as the Buddy Bear Berlin Show. In 2001, artists painted approximately 350 bears to appear in the public domain, four different bear designs took part in this activity in the city centre of Berlin. Afterwards, many of the bears were sold at auctions in aid of relief organisations. Nowadays, these Berlin Buddy Bears are exclusively presented on private premises, in front of hotels, there have already been exhibitions of the original Buddy Bears — designed by local artists — in the cities of Shanghai, Buenos Aires and St. Gallen / Switzerland. United Buddy Bears is an art exhibition with more than 140 two metre tall fibreglass bears. The bears stand hand in hand in a peaceful circle, the bears were on display between June and November 2002, in a circle around the Brandenburg Gate. Around 1.5 million people visited this first exhibition, on 6 November 2002, the bears were moved to new locations, including their respective countries embassies in Berlin, or back to country that they were based on. Some of the bears were auctioned off to raise money for UNICEF, after the circle of United Buddy Bears had been such an overwhelming success in 2002, a new circle was created in 2003. The idea was to send the circle on a global tour, on their global tour, the United Buddy Bears promote peace, love, tolerance and international understanding. The circle changes every time it reaches a new city and this is not only due to the local conditions, but also to their constantly changing order, as the bears are always set up in alphabetic order, following the local language of the host country. This always leads to new and sometimes very interesting proximities. Entry to the exhibitions is always free, during past exhibitions more than 35 million visitors have already admired the colourful United Buddy Bears. In every metropolis, the United Buddy Bears exhibitions are supported by the government, the ministries, the mayors. United Buddy Bears Special Ambassador is the actress Dennenesch Zoudé, in 2003, Iraq took part in the circle for the first time and Ustinov gave the opening address of the exhibition in the presence of more than 70 ambassadors
United Buddy Bears
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One World Buddy Bear
United Buddy Bears
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United Buddy Bears, Exhibition
Rio de Janeiro, Copacabana 2014
United Buddy Bears
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United Buddy Bears — Exhibition Paris 2012
United Buddy Bears
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Two Buddy Bears at
Kurfürstendamm 21, Berlin
28.
James Bond
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The James Bond series focuses on a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. The latest novel is Trigger Mortis by Anthony Horowitz, published in September 2015, additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny. The character has also adapted for television, radio, comic strip, video games. As of 2017, there have been twenty-four films in the Eon Productions series, the most recent Bond film, Spectre, stars Daniel Craig in his fourth portrayal of Bond, he is the sixth actor to play Bond in the Eon series. There have also two independent productions of Bond films, Casino Royale and Never Say Never Again. In 2015, the franchise was estimated to be worth $19.9 billion, the Bond films are renowned for a number of features, including the musical accompaniment, with the theme songs having received Academy Award nominations on several occasions, and two wins. Other important elements which run through most of the films include Bonds cars, his guns, the films are also noted for Bonds relationships with various women, who are sometimes referred to as Bond girls. Ian Fleming created the character of James Bond as the central figure for his works. Bond is an officer in the Secret Intelligence Service, commonly known as MI6. Bond is known by his number,007, and was a Royal Naval Reserve Commander. Among those types were his brother, Peter, who had involved in behind-the-lines operations in Norway. Aside from Flemings brother, a number of others also provided some aspects of Bonds make up, including Conrad OBrien-ffrench, Patrick Dalzel-Job and Bill Biffy Dunderdale. The name James Bond came from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies. He further explained that, When I wrote the first one in 1953, I wanted Bond to be a dull, uninteresting man to whom things happened. When I was casting around for a name for my protagonist I thought by God, is the dullest name I ever heard. On another occasion, Fleming said, I wanted the simplest, dullest, plainest-sounding name I could find, James Bond was much better than something more interesting, like Peregrine Carruthers. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is certainly good-looking. Rather like Hoagy Carmichael in a way and that black hair falling down over the right eyebrow
James Bond
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Ian Fleming 's image of James Bond; commissioned to aid the
Daily Express comic strip artists.
James Bond
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Hoagy Carmichael —Fleming's view of James Bond
James Bond
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Goldeneye, in Jamaica, where Fleming wrote all the Bond novels
James Bond
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John McLusky's rendition of James Bond.
