1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Celine Dion
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Céline Marie Claudette Dion, CC OQ ChLD is a Canadian singer and businesswoman. Dion first gained recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest where she represented Switzerland. Following a series of French albums during the 1980s, she signed on to Epic Records in the United States, in 1990, Dion released her debut English-language album, Unison, establishing herself as a viable pop artist in North America and other English-speaking areas of the world. During the 1990s, with the help of Angélil, she achieved fame after releasing several English albums along with additional French albums. Her albums, Falling into You and Lets Talk About Love, were certified diamond in the US while Deux became the best-selling French-language album of all time. However, in 1999 at the height of her success, Dion announced a hiatus from entertainment to start a family and spend time with her husband and she returned to the top of pop music in 2002 and signed to perform nightly in A New Day. A five-star theatrical show at the Colosseum at Caesars Palace, Paradise and it became the most successful residency show of all time, grossing US $385 million. Dions music has influenced by genres ranging from rock and R&B to gospel. Her recordings are mainly in French and English, although she sings in Spanish, Italian, German, Latin, Japanese. While her releases have received mixed critical reception, she is regarded as one of pop musics most influential voices. Dion has won five Grammy Awards, including Album of the Year and she is the second best-selling female artist in the US during the Nielsen SoundScan era. In 2003, Dion was honoured by the International Federation of the Phonographic Industry for selling over 50 million albums in Europe, Dion remains the best-selling Canadian artist and one of the best-selling artists of all time with record sales of over 200 million copies worldwide. Dion was born in Charlemagne, Quebec, Canada, the youngest of 14 children of Thérèse, a homemaker, and Adhémar Dion, Dion was raised a Roman Catholic in a poverty-stricken, but, by her own account, happy home in Charlemagne. Music had always been a part of the Dion family, indeed, Dion herself was named after the song Céline. Thereafter, she continued to perform with her siblings in her parentss small piano bar called Le Vieux Baril, from an early age, Dion had dreamed of being a performer. In a 1994 interview with People magazine, she recalled, I missed my family and my home, I had one dream, I wanted to be a singer. At age 12, Dion collaborated with her mother and her brother Jacques to write and compose her first song, Ce nétait quun rêve, whose title translates as It Was Only a Dream or Nothing But A Dream. Her brother, Michel Dion, sent the recording to music manager René Angélil, Angélil was moved to tears by Dions voice and decided to make her a star
3.
Jacques Brel
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He was widely considered a master of the modern chanson. In French-speaking countries, Brel was also an actor, appearing in ten films. He also directed two films, one of which, Le Far West, was nominated for the Palme dOr at the Cannes Film Festival in 1973, having sold over 25 million records worldwide, Brel is the third best-selling Belgian recording artist of all time. Brel married Thérèse Miche Michielsen in 1950 and the couple had three children and he also had a romantic relationship with actress and dancer Maddly Bamy from 1972 until his death in 1978. Jacques Romain Georges Brel was born on 8 April 1929 in Schaerbeek, Brussels, to Élisabeth Lisette and he came from a family of Flemish descent, who had adopted the French language, part of his family originated in Zandvoorde, near Ypres. His father worked for Cominex, a firm, and later became co-director of a company that manufactured cardboard. Jacques and his older brother Pierre grew up in an austere household, in Brussels, the family lived at 138 Avenue du Diamant in Schaerbeek, then moved to 26 Boulevard Belgica–Belgicalaan in Sint-Jans-Molenbeek, and finally settled at 7 Rue Jacques-Manne in Anderlecht. Jacques was close to his mother, fascinated by her generosity and sense of humour, in September 1941, his parents enrolled Jacques at the Institut Saint-Louis at rue du Marais near the Botanical Garden of Brussels. Although he did poorly in many subjects, he did well in history and French and he helped set up the schools drama club, taking on his first stage roles with great enthusiasm. He wrote short stories, poems, and essays, in 1944, at the age of 15, Jacques began playing the guitar. The following year he formed his own group with friends. In the spring of 1947, during his year at Saint-Louis. Published pseudonymously, the story is about a man on his death bed who encourages his grandson to run away while the rest of the family makes arrangements for his funeral. Despite his growing talent for writing, Jacques was never a good student, with an academic career not in his future, the 18-year-old Jacques went to work at his fathers cardboard factory in August 1947. His job at Vanneste and Brel was predictable and uninspiring—a routine that involved fixing prices, apart from joining the company football team, he showed little interest in the companys social activities and events. Perhaps to offset the boredom of his office routine, he joined a local Catholic youth organisation La Franche Cordée. Dedicated to philanthropic work, the group organised religious retreats, fundraising events, Jacques supported these activities with great enthusiasm and believed strongly in FCs mission. His parents were pleased with their sons dedication, and provided him with the company van and family car to support his FC activities
4.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
5.
Compact Cassette
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The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
6.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
7.
Christmas music
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Christmas music comprises a variety of genres of music normally performed or heard around the Christmas season. Music was a feature of the Christmas season and its celebrations. The earliest examples are hymnographic works intended for use in observance of both the Feast of the Nativity and Theophany, many of which are still in use by the Eastern Orthodox Church. The 13th century saw the rise of the written in the vernacular. In the Middle Ages, the English combined circle dances with singing, later, the word carol came to mean a song in which a religious topic is treated in a style that is familiar or festive. From Italy, it passed to France and Germany, and later to England, Music in itself soon became one of the greatest tributes to Christmas, and Christmas music includes some of the noblest compositions of the great musicians. During the Commonwealth of England government under Cromwell, the Rump Parliament prohibited the practice of singing Christmas carols as Pagan, like other customs associated with popular Catholic Christianity, it earned the disapproval of Protestant Puritans. Famously, Cromwells interregnum prohibited all celebrations of the Christmas holiday and this attempt to ban the public celebration of Christmas can also be seen in the early history of Father Christmas. The Westminster Assembly of Divines established Sunday as the holy day in the calendar in 1644. The new liturgy produced for the English church recognised this in 1645 and its celebration was declared an offence by Parliament in 1647. There is some debate as to the effectiveness of this ban, Puritans generally disapproved of the celebration of Christmas—a trend which continually resurfaced in Europe and the USA through the eighteenth, nineteenth and twentieth centuries. William Sandyss Christmas Carols Ancient and Modern, contained the first appearance in print of many now-classic English carols, singing carols in church was instituted on Christmas Eve 1880 in Truro Cathedral, Cornwall, England, which is now seen in churches all over the world. Christmas festivities, including music, are celebrated in a more secular fashion by such institutions as the Santa Claus Village, in Rovaniemi. The tradition of singing Christmas carols in return for alms or charity began in England in the century after the Restoration. Also from the century, there was the English custom, predominantly involving women, of taking a wassail bowl to their neighbours to solicit gifts. The status of Christmas as an important feast within the year also means there is a long tradition of music specially composed for celebrating the season. S. This is in due to the efforts of amateur choral societies during the nineteenth century. When it was composed, it was performed during Passiontide, jakub Jan Ryba, Czech Christmas Mass Hey, Master
8.
Bucks Fizz
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Bucks Fizz are a British pop group that achieved success in the 1980s, most notably for winning the 1981 Eurovision Song Contest with the song Making Your Mind Up. The group was formed in January 1981 specifically for the contest and comprised four vocalists, Bobby G, Cheryl Baker, Mike Nolan and they achieved instant attention with the dance routine which accompanied the song, involving a skirt-rip. They also had UK Top 10 hits with Now Those Days Are Gone, If You Cant Stand the Heat, When We Were Young and their worldwide record sales have exceeded 15 million. The line-up of the group has changed a number of times over the years, in late 1980, Nichola Martin and Andy Hill sought to create a new group to enter their song Making Your Mind Up in the Eurovision Song Contest. The first member to be recruited was Mike Nolan, who was known to Martin, together, they recorded a demo of the song and entered it for inclusion in A Song for Europe – the preliminary heats for the contest. Realising that a name was needed for the artists, Martin quickly decided on Bucks Fizz. In January, Martin contacted Cheryl Baker to join them, as he remembered her from the 1978 Eurovision group, concurrent to this, Martin was holding auditions for another male vocalist and female vocalist, should Baker turn down the position. At the end of auditions, Martin had found a male singer, Stephen Fischer and female. Fischer then became unavailable as he was starring in a musical at the time and Martin hired another auditionee, the four members met for the first time on 11 January 1981. An associate of Martins, Jill Shirley agreed to manage the group, the routine itself was choreographed by Chrissie Wickham, a former member of dance troupe, Hot Gossip, although Martin, Baker and Aston have all since laid claim to the skirt-rip idea. On 11 March, A Song for Europe took place with the unknown Bucks Fizz competing against well-known act Liquid Gold, as well as Hill and Martins own group, Making Your Mind Up became an easy winner and the group recorded the song with Hill as producer. Later in the month it was released as a single and entered the charts at No.24, by the time the contest was staged, the single had risen to No.2. On 4 April, Bucks Fizz represented United Kingdom in the 1981 Eurovision Song Contest, although they were favourites to win, the song faced stiff competition and after a vocally unsound rendition, the early votes were poor. Halfway through the process, Bucks Fizz took the lead. Ultimately, Bucks Fizz won the contest by a margin of four points, Making Your Mind Up became a major hit around the continent, reaching No.1 in the UK as well as eight other countries. It charted highly in other such as Australia, eventually selling four million copies worldwide. A follow-up single was recorded amid promotional tours and the image was revamped. In May, the single Piece of the Action was released, the song boasted a contemporary pop sound and high production values, in contrast to the rocknroll style of Making Your Mind Up
9.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
10.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
