1.
Switzerland
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Switzerland, officially the Swiss Confederation, is a federal republic in Europe. It consists of 26 cantons, and the city of Bern is the seat of the federal authorities. The country is situated in western-Central Europe, and is bordered by Italy to the south, France to the west, Germany to the north, and Austria and Liechtenstein to the east. Switzerland is a country geographically divided between the Alps, the Swiss Plateau and the Jura, spanning an area of 41,285 km2. The establishment of the Old Swiss Confederacy dates to the medieval period, resulting from a series of military successes against Austria. Swiss independence from the Holy Roman Empire was formally recognized in the Peace of Westphalia in 1648. The country has a history of armed neutrality going back to the Reformation, it has not been in a state of war internationally since 1815, nevertheless, it pursues an active foreign policy and is frequently involved in peace-building processes around the world. In addition to being the birthplace of the Red Cross, Switzerland is home to international organisations. On the European level, it is a member of the European Free Trade Association. However, it participates in the Schengen Area and the European Single Market through bilateral treaties, spanning the intersection of Germanic and Romance Europe, Switzerland comprises four main linguistic and cultural regions, German, French, Italian and Romansh. Due to its diversity, Switzerland is known by a variety of native names, Schweiz, Suisse, Svizzera. On coins and stamps, Latin is used instead of the four living languages, Switzerland is one of the most developed countries in the world, with the highest nominal wealth per adult and the eighth-highest per capita gross domestic product according to the IMF. Zürich and Geneva have each been ranked among the top cities in the world in terms of quality of life, with the former ranked second globally, according to Mercer. The English name Switzerland is a compound containing Switzer, a term for the Swiss. The English adjective Swiss is a loan from French Suisse, also in use since the 16th century. The name Switzer is from the Alemannic Schwiizer, in origin an inhabitant of Schwyz and its associated territory, the Swiss began to adopt the name for themselves after the Swabian War of 1499, used alongside the term for Confederates, Eidgenossen, used since the 14th century. The data code for Switzerland, CH, is derived from Latin Confoederatio Helvetica. The toponym Schwyz itself was first attested in 972, as Old High German Suittes, ultimately related to swedan ‘to burn’
2.
Lost Illusions (painting)
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Lost Illusions is a painting by Charles Gleyre and his student Leon Dussart, commissioned by William Thompson Walters in 1865. Charles Gleyre was known as an artist of classic methods but romantic tastes who often modified heroism into idyllic scenes, however, in execution he was not considered romantic, due to his use of pale colors, his delicate drawing style, and uncertain light. At the 1843 Salon, Gleyre received praise for The Evening, in 1865, William T. Walters would commission a replica of the painting which was completed by Gleyre and Dussart and is now also known as Lost Illusions. Lost Illusions depicts a vision Gleyre experienced one evening while on the banks of the Nile and it represents a despondent scene and uses softened tones. In the scene, an aging poet watches as a mysterious bark drifts away with his youthful illusions, the illusions are represented by maidens playing instruments and a cupid scattering flowers. Currently, Lost Illusions is being featured in Off the Wall, a reproduction of the painting, the original is part of The Walters Art Museum collection, was on display through January 2014 in ODonnell Square. The National Gallery in London began the concept of bringing art out of doors in 2007, the Off the Wall reproductions of the Walters paintings are done on weather-resistant vinyl and include a description of the painting and a QR code for smart phones
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France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
4.
Paul Delaroche
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Paul Delaroche was a French painter who achieved his greater successes painting history. He became famous in Europe for his scenes that often portrayed subjects from English. Delaroche aimed to depict his subjects and history with pragmatic realism, Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists like Thomas Couture, Jean-Léon Gérôme, and Francisque Millet. Delaroche was born into a generation that saw the conflicts between Romanticism and Davidian Classicism. Davidian Classicism was widely accepted and enjoyed by society so as a developing artist at the time of the introduction of Romanticism in Paris, later in the 1830s, Delaroche exhibited the first of his major religious works. His change of subject and “the painting’s austere manner” were ill-received by critics and after 1837, at the time of his death in 1856, he was painting a series of four scenes from the Life of the Virgin. Only one work from this series was completed, the Virgin Contemplating the Crown of Thorns and he was born, worked, and died in Paris. His studio was in the rue Mazarin and his subjects were painted with a firm, solid, smooth surface, which gave an appearance of the highest finish. This texture was the manner of the day and was found in the works of Vernet, Ary Scheffer, Louis Léopold Robert. Among his students were British landscape artist Henry Mark Anthony, British history painters Edward Armitage and Charles Lucy, the first Delaroche picture exhibited was the large Jehosheba saving Joash. This exhibition led to his acquaintance with Théodore Géricault and Eugène Delacroix and he visited Italy in 1838 and 1843, when his father-in-law, Horace Vernet, was director of the French Academy in Rome. In 1845, he was elected into the National Academy of Design, New York, paul Delaroche was born into a family of artists, dealers, collectors, and art administrators. His father, Gregoire-Hippolyte Delaroche, was a prominent art dealer in Paris, paul Delaroche was the second of two sons and was introduced to fine art at a young age. At age nineteen, Delaroche was afforded by his father the opportunity to study at LÉcole des Beaux-Arts under the instruction of Louis Étienne Watelet. Delaroche was influenced by his father to focus on landscapes while he was at L’École because his brother, Jules-Hippolyte Delaroche, after two years at L’École, Delaroche voiced his disinterest in landscapes and acted on his overall disagreement to the French academic system. He left LÉcole des Beaux-Art in at the end of 1817, in the year 1818, Delaroche entered the studio of Antoine-Jean Gros where he could pursue his greater interest of history painting. Delaroche’s debuted at the Salon in 1822 where he exhibited Christ Descended from the Cross, the latter was a product of Gros’s influence and was praised by Géricault who supported the beginning of Romanticism. His painting, Joan of Arc in Prison, which was exhibited in the Salon of 1824, Delaroche studied the recent tradition of English history painting at the time, which he incorporated into his own productions
5.
Claude Monet
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Monets ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the son of Claude Adolphe Monet and Louise Justine Aubrée Monet. On 20 May 1841, he was baptized in the parish church, Notre-Dame-de-Lorette, as Oscar-Claude. Despite being baptized Catholic, Monet later became an atheist, in 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the familys ship-chandling and grocery business and his mother was a singer, and supported Monets desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts, locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, Boudin taught Monet en plein air techniques for painting. Both received the influence of Johan Barthold Jongkind, on 28 January 1857, his mother died. At the age of sixteen, he left school and went to live with his widowed, childless aunt, when Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window. Monet was in Paris for several years and met other painters, including Édouard Manet and others who would become friends. After drawing a low number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry in Algeria for a seven-year period of military service. His prosperous father could have purchased Monets exemption from conscription but declined to do so when his son refused to give up painting. While in Algeria Monet did only a few sketches of scenes, a single landscape. In a Le Temps interview of 1900 however he commented that the light, after about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monets aunt intervened to get him out of the army if he agreed to complete a course at an art school and it is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter
6.
Pierre-Auguste Renoir
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Pierre-Auguste Renoir, commonly known as Auguste Renoir, was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has said that Renoir is the final representative of a tradition which runs directly from Rubens to Watteau. He was the father of actor Pierre Renoir, filmmaker Jean Renoir and he was the grandfather of the filmmaker Claude Renoir, son of Pierre. Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841 and his father, Léonard Renoir, was a tailor of modest means, so in 1844, Renoirs family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, although the young Renoir had a natural proclivity for drawing, he exhibited a greater talent for singing. His talent was encouraged by his teacher, Charles Gounod, who was the choir-master at the Church of St Roch at the time. However, due to the financial circumstances, Renoir had to discontinue his music lessons. Although Renoir displayed a talent for his work, he tired of the subject matter. The owner of the factory recognized his apprentice’s talent and communicated this to Renoir’s family, following this, Renoir started taking lessons to prepare for entry into Ecole des Beaux Arts. When the porcelain factory adopted mechanical reproduction processes in 1858, Renoir was forced to other means to support his learning. Before he enrolled in art school, he also painted hangings for overseas missionaries, in 1862, he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet, at times, during the 1860s, he did not have enough money to buy paint. Renoir had his first success at the Salon of 1868 with his painting Lise with a Parasol, although Renoir first started exhibiting paintings at the Paris Salon in 1864, recognition was slow in coming, partly as a result of the turmoil of the Franco-Prussian War. This loss of a favorite painting location resulted in a change of subjects. Renoir was inspired by the style and subject matter of modern painters Camille Pissarro. Although the critical response to the exhibition was largely unfavorable, Renoirs work was well received. That same year, two of his works were shown with Durand-Ruel in London, hoping to secure a livelihood by attracting portrait commissions, Renoir displayed mostly portraits at the second Impressionist exhibition in 1876. He contributed a diverse range of paintings the next year when the group presented its third exhibition, they included Dance at Le Moulin de la Galette
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Alfred Sisley
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Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. Over the years Sisleys power of expression and colour intensity increased, Sisley was born in Paris to affluent British parents. His father, William Sisley, was in the silk business, in 1857 at the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris in 1861. Together they would paint landscapes en plein air rather than in the studio and this approach, innovative at the time, resulted in paintings more colourful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work and their works were usually rejected by the jury of the most important art exhibition in France, the annual Salon. During the 1860s, though, Sisley was in a financial position than some of his fellow artists. In 1866, Sisley began a relationship with Eugénie Lesouezec, a Breton living in Paris, the couple had two children, son Pierre and daughter Jeanne. At the time, Sisley lived not far from Avenue de Clichy and the Café Guerbois, in 1868, his paintings were accepted at the Salon, but the exhibition did not bring him financial or critical success, nor did subsequent exhibitions. In 1870 the Franco-Prussian War began, and as a result Sisleys fathers business failed, for the remainder of his life he would live in poverty, as his paintings did not rise significantly in monetary value until after his death. Occasionally, however, Sisley would be backed by patrons, the first of these occurred in 1874 after the first independent Impressionist exhibition. Here, as art historian Anne Poulet has said, the landscapes with their constantly changing atmosphere were perfectly attuned to his talents. Unlike Monet, he never sought the drama of the ocean or the brilliantly colored scenery of the Côte dAzur. In 1881 Sisley made a brief voyage to Britain. In 1897 Sisley and his partner visited Britain again, and were married in Cardiff Register Office on 5 August. They stayed at Penarth, where Sisley painted at least six oils of the sea, in mid-August they moved to the Osborne Hotel at Langland Bay on the Gower Peninsula, where he produced at least eleven oil paintings in and around Langland Bay and Rotherslade Bay. They returned to France in October and this was Sisleys last voyage to his ancestral homeland
8.
James Abbott McNeill Whistler
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James Abbott McNeill Whistler was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and was a proponent of the credo art for arts sake. His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail, the symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative. Finding a parallel between painting and music, Whistler entitled many of his paintings arrangements, harmonies, and nocturnes and his most famous painting is Arrangement in Grey and Black No. 1, commonly known as Whistlers Mother, the revered and oft-parodied portrait of motherhood, Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers. James Abbott Whistler was born in Lowell, Massachusetts, on July 10,1834 and his father was a railroad engineer, and Anna was his second wife. James lived the first three years of his life in a modest house at 243 Worthen Street in Lowell, today, the house is a museum dedicated to Whistler. During the Ruskin trial, Whistler claimed St. Petersburg, Russia, as his birthplace, declaring, I shall be born when and where I want, in 1837, the Whistlers moved from Lowell to Stonington, Connecticut, where George Whistler worked for the Stonington Railroad. Sadly, during this period, three of George and Anna Whistlers children died in infancy, in 1839, the Whistlers fortunes improved considerably when George Whistler received the appointment that would make his fortune and fame - that of chief engineer for the Boston & Albany Railroad. Thus, the moved to Springfield, Massachusetts, then one of the United States most prosperous cities. The Whistlers lived in Springfield until they left the United States in late 1842, Nicholas I of Russia learned of George Whistlers ingenuity in engineering the Boston & Albany Railroad, and offered Whistler a position in 1842 engineering a railroad from St. Petersburg to Moscow. In the winter of 1842, the Whistlers moved from Springfield to St. Petersburg, in later years, James Whistler played up his mothers connection to the American South and its roots, and presented himself as an impoverished Southern aristocrat. After her death, he adopted her name, using it as an additional middle name. Young Whistler was a moody child prone to fits of temper and insolence and his parents discovered in his early youth that drawing often settled him down and helped focus his attention. Beginning in 1842, his father was employed to work on a railroad in Russia, after moving to St. Petersburg to join his father a year later, the young Whistler took private art lessons, then enrolled in the Imperial Academy of Fine Arts at age eleven. In 1844, he met the noted artist Sir William Allan, Whistlers mother noted in her diary, the great artist remarked to me Your little boy has uncommon genius, but do not urge him beyond his inclination. In 1847-48, his family spent some time in London with relatives, Whistlers brother-in-law Francis Haden, a physician who was also an artist, spurred his interest in art and photography. Haden took Whistler to visit collectors and to lectures, and gave him a set with instruction
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Auguste Toulmouche
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Auguste Toulmouche was a French painter who painted in the academic realism style. This trend in art was towards realism but also towards greater idealism, the figures depicted were made more abstract and idealized. His themes were in the Regency revival style of genre painting and this would involve both generalizing the forms seen in nature, and subordinating them to the unity and theme of the artwork. He studied with Charles Gleyre and is mainly for his portraits of Parisian women. He was made a Chevalier of the Legion of Honour, works of Toulmouche at Artrenewal. org Artwork by Auguste Toulmouche
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Lyon
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Lyon or Lyons is a city in east-central France, in the Auvergne-Rhône-Alpes region, about 470 km from Paris and 320 km from Marseille. Inhabitants of the city are called Lyonnais, Lyon had a population of 506,615 in 2014 and is Frances third-largest city after Paris and Marseille. Lyon is the capital of the Metropolis of Lyon and the region of Auvergne-Rhône-Alpes, the metropolitan area of Lyon had a population of 2,237,676 in 2013, the second-largest in France after Paris. The city is known for its cuisine and gastronomy and historical and architectural landmarks and is a UNESCO World Heritage Site, Lyon was historically an important area for the production and weaving of silk. It played a significant role in the history of cinema, Auguste, the city is also known for its famous light festival, Fête des Lumières, which occurs every 8 December and lasts for four days, earning Lyon the title of Capital of Lights. Economically, Lyon is a centre for banking, as well as for the chemical, pharmaceutical. The city contains a significant software industry with a focus on video games. Lyon hosts the headquarters of Interpol, Euronews, and International Agency for Research on Cancer. Lyon was ranked 19th globally and second in France for innovation in 2014 and it ranked second in France and 39th globally in Mercers 2015 liveability rankings. These refugees had been expelled from Vienne by the Allobroges and were now encamped at the confluence of the Saône and Rhône rivers, dio Cassius says this task was to keep the two men from joining Mark Antony and bringing their armies into the developing conflict. The Roman foundation was at Fourvière hill and was officially called Colonia Copia Felix Munatia, a name invoking prosperity, the city became increasingly referred to as Lugdunum. The earliest translation of this Gaulish place-name as Desired Mountain is offered by the 9th-century Endlicher Glossary, in contrast, some modern scholars have proposed a Gaulish hill-fort named Lugdunon, after the Celtic god Lugus, and dúnon. It then became the capital of Gaul, partly due to its convenient location at the convergence of two rivers, and quickly became the main city of Gaul. Two emperors were born in city, Claudius, whose speech is preserved in the Lyon Tablet in which he justifies the nomination of Gallic senators. Today, the archbishop of Lyon is still referred to as Primat des Gaules, the Christians in Lyon were martyred for their beliefs under the reigns of various Roman emperors, most notably Marcus Aurelius and Septimus Severus. Local saints from this period include Blandina, Pothinus, and Epipodius, in the second century AD, the great Christian bishop of Lyon was the Easterner, Irenaeus. Burgundian refugees fleeing the destruction of Worms by the Huns in 437 were re-settled by the commander of the west, Aëtius. This became the capital of the new Burgundian kingdom in 461, in 843, by the Treaty of Verdun, Lyon, with the country beyond the Saône, went to Lothair I
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Jean-Claude Bonnefond
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Claude Bonnefond, or Jean-Claude Bonnefond was a French painter and lithographer, noted for his portrayals of peasant life. His work was influenced by a visit to Italy. His father was a baker who died shortly after Jean-Claude was born and his mother remarried in 1797, to another baker who was an associate of her first husband. An elder brother died in military service, in 1808, at the age of twelve, he entered the École nationale supérieure des beaux-arts de Lyon, where he studied with Pierre Revoil and Alexis Grognard. In 1816, he was exempted from service for being his familys only surviving son. The following year, he had his first exhibit at the Salon, at the age of 28, he and Victor Orsel went to Paris to work in the studios of Pierre-Narcisse Guérin. Shortly after, Guérin was named Director of the Villa Medici, in 1830, Victor Prunelle, the Mayor of Lyon, offered him the directorship of the École des Beaux-arts. He accepted, replacing Revoil, and held position for thirty years. He created a school of engraving, operated by Victor Vibert, in 1834, he was named a Knight in the Legion of Honor. His own work continued to be in the Italian style until 1840 and he died of what was described as blood congestion after a long period of illness. Nelly Colin, Jean-Claude Bonnefond et lItalie, in Lyon et lItalie, six études dHistoire de lart, edited by Daniel Ternois, Paris, CNRS,1984 ISBN 978-2-222-03497-1 ArtNet, More works by Bonnefond
12.
Louis Hersent
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Louis Hersent was a French painter. He became a pupil of David, and obtained the Prix de Rome in 1797, in the Salon of 1802 he showed Metamorphosis of Narcissus, and he continued to exhibit with rare interruptions up to 1831. He married Louise-Marie-Jeanne Mauduit in 1821 and he continued in favour under Charles X, for whom was executed Monks of Mount St Gotthard, exhibited in 1824. After this date Hersent ceased to exhibit at the yearly salons and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed
13.
Richard Parkes Bonington
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Becoming, after his very early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of scenes, with a low horizon and large sky, showing a brilliant handling of light. He also painted small cabinet paintings in a freely-handled version of the troubadour style. Richard Parkes Bonington was born in the town of Arnold, four miles from Nottingham and his father also known as Richard was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paintings at the Liverpool Academy at the age of eleven, in 1817, Boningtons family moved to Calais, France, where his father had set up a lace factory. In 1818, the Bonington family moved to Paris to open a lace shop, there he met and became friends with Eugène Delacroix. He worked for a time producing copies of Dutch and Flemish landscapes in the Louvre, in 1820, he started attending the École des Beaux-Arts in Paris, where he studied under Antoine-Jean, Baron Gros. It was around this time that Bonington started going on sketching tours in the suburbs of Paris and his first paintings were exhibited at the Paris Salon in 1822. He also began to work in oils and lithography, illustrating Baron Taylors Voyages pittoresques dans lancienne France and his own architectural series Restes et Fragmens. In 1824, he won a medal at the Paris Salon along with John Constable and Anthony Vandyke Copley Fielding. He also developed a technique mixing watercolour with gouache and gum, in 1826 he visited northern Italy, staying in Venice for a month, and London again in 1827-8. In late 1828 his tuberculosis worsened and his parents sent him back to London for treatment, Bonington died of tuberculosis on 23 September 1828 at 29 Tottenham Street in London, aged 25. Delacroix paid tribute to Boningtons work in a letter to Théophile Thoré in 1861 and it reads, in part, When I met him for the first time, I too was very young and was making studies in the Louvre, this was around 1816 or 1817. Already in this genre, which was an English novelty at that time, to Laurence Binyon however, Boningtons extraordinary technical gift was also his enemy. There is none of the interest of struggle in his painting, Bonington had a number of close followers, such as Roqueplan and Isabey in France, and Thomas Shotter Boys, James Holland, William Callow and John Scarlett Davis in England. In addition, there were copies and forgeries of his work made in the period immediately after his death. A statue to him was erected outside the Nottingham School of Art by Watson Fothergill, in addition, the house in which he was born is now named ‘Bonington House’ and is Grade II listed. The Wallace Collection has a large group of 35 works
14.
Horace Vernet
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Émile Jean-Horace Vernet was a French painter of battles, portraits, and Orientalist Arab subjects. Vernet was born to Carle Vernet, another painter, who was himself a son of Claude Joseph Vernet. He was born in the Paris Louvre, while his parents were staying there during the French Revolution, Vernet quickly developed a disdain for the high-minded seriousness of academic French art influenced by Classicism, and decided to paint subjects taken mostly from contemporary culture. Therefore, he began depicting the French soldier in a familiar, vernacular manner rather than in an idealized. Some of his paintings that represent French soldiers in a direct, less idealizing style, include Dog of the Regiment, Trumpeters Horse. He gained recognition during the Bourbon Restoration for a series of paintings commissioned by the duc dOrleans. Critics marvelled at the speed with which he painted. Many of his paintings made during early phase of his career were noted for their historical accuracy as well as their charged landscapes. Examples of paintings in style include his Four Battles series, The Battle of Jemappes, The Battle of Montmirail, The Battle of Hanau. Over the course of his career, Horace Vernet was honoured with dozens of important commissions. King Louis-Philippe was one of his most prolific patrons and his depictions of Algerian battles, such as the Capture of the Smahla and the Capture of Constantine, were well-received, as they were vivid depictions of the French army in the heat of battle. After the fall of the July Monarchy during the Revolution of 1848 and he continued to paint representations of the heroic French army during the Second Empire and maintained his commitment to representing war in an accessible and realistic way. He accompanied the French Army during the Crimean War, producing paintings, including one of the Battle of the Alma. Vernet died in his hometown of Paris in 1863, in Arthur Conan Doyles Sherlock Holmes story The Adventure of the Greek Interpreter Holmes claims to be related to Vernet, stating, My ancestors were country squires. Was the sister of Vernet, the French artist, without further clarifying whether this is Claude Joseph Vernet, Carle Vernet, or Horace Vernet. Harkett, Daniel and Katie Hornstein, eds, Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Dartmouth College Press/University Press of New England Ruutz-Rees, Janet E. Horace Vernet, works by Horace Vernet at Open Library
15.
John Lowell Jr. (philanthropist)
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John Lowell, Jr. was a U. S. businessman, early philanthropist, and through his will, founder of the Lowell Institute. Lowell was the son of pioneer industrialist Francis Cabot Lowell, one of the founders of the textile industry. After receiving his education in the Boston public schools, young Lowell was taken by his father to Europe. In 1813, at the age of 14, he returned to America, plagued with ill health, he left college after two years and entered his family’s mercantile firm, sailing before the mast to India, the East Indies, and England. The continuing erosion of the cultural authority was deeply troubling to Lowell. Within a few months in 1830 and 1831, tragedy struck Lowells household, with the deaths of his wife. Heartbroken, John Lowell retired from business and attempted to assuage his grief with travel, first to the states and subsequently in Europe, the Middle East, Africa. Lowell became gravely ill during a trip across the Egyptian desert and died on March 4,1836, shortly after arriving in Bombay. Having spent much of his youth in England, Lowell was undoubtedly familiar with the Royal Institution – an entity that sponsored basic scientific research and popular lectures and demonstrations. Lowell, a supporter of the Lyceum movement, first showed interest in providing education for the public as a member of the Boston Society for the Diffusion of Useful Knowledge in 1830. Despite this odd restriction, the Institute proved to be an extraordinarily innovative philanthropic force, the first lecture supported by the trust, by Yale geologist Benjamin Silliman, was offered in December 1839. Under its first trustee, the cousin, John Amory Lowell. Lowell was both a man of extraordinary financial acumen and a man of high intellect, the lectures were so immensely popular that crowds crushed the windows of the Old Corner Bookstore where the tickets were distributed and certain series had to be repeated by popular demand. Lowell family First Families of Boston Lowell Institute Charles Gleyre Chisholm, Hugh, ed. Lowell, the American Lyceum, New York, Oxford University Press. Enterprising Elite, The Boston Associates and the World They Made, Cambridge, trustee for a City, Ralph Lowell of Boston, Boston, Northeastern University Press. The John Lowell, Jr. papers, Boston, Massachusetts Historical Society, the History of the Lowell Institute, Boston, Lamson and Wolffe. The Forging of an Aristocracy, Harvard and Bostons Upper Class, Middletown, the Lowells and Their Institute, Boston, Little Brown
16.
Lebanon
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Lebanon, officially known as the Lebanese Republic, is a sovereign state in Western Asia. It is bordered by Syria to the north and east and Israel to the south, Lebanons location at the crossroads of the Mediterranean Basin and the Arabian hinterland facilitated its rich history and shaped a cultural identity of religious and ethnic diversity. At just 10,452 km2, it is the smallest recognized country on the entire mainland Asian continent, the earliest evidence of civilization in Lebanon dates back more than seven thousand years, predating recorded history. Lebanon was the home of the Canaanites/Phoenicians and their kingdoms, a culture that flourished for over a thousand years. In 64 BC, the region came under the rule of the Roman Empire, in the Mount Lebanon range a monastic tradition known as the Maronite Church was established. As the Arab Muslims conquered the region, the Maronites held onto their religion, however, a new religious group, the Druze, established themselves in Mount Lebanon as well, generating a religious divide that has lasted for centuries. During the Crusades, the Maronites re-established contact with the Roman Catholic Church, the ties they established with the Latins have influenced the region into the modern era. The region eventually was ruled by the Ottoman Empire from 1516 to 1918, following the collapse of the empire after World War I, the five provinces that constitute modern Lebanon came under the French Mandate of Lebanon. The French expanded the borders of the Mount Lebanon Governorate, which was populated by Maronites and Druze. Lebanon gained independence in 1943, establishing confessionalism, a unique, foreign troops withdrew completely from Lebanon on 31 December 1946. Lebanon has been a member of the Organisation internationale de la francophonie since 1973, despite its small size, the country has developed a well-known culture and has been highly influential in the Arab world. Before the Lebanese Civil War, the experienced a period of relative calm and renowned prosperity, driven by tourism, agriculture, commerce. At the end of the war, there were efforts to revive the economy. In spite of troubles, Lebanon has the highest Human Development Index and GDP per capita in the Arab world. The name of Mount Lebanon originates from the Phoenician root lbn meaning white, occurrences of the name have been found in different Middle Bronze Age texts from the library of Ebla, and three of the twelve tablets of the Epic of Gilgamesh. The name is recorded in Ancient Egyptian as Rmnn, where R stood for Canaanite L, the name occurs nearly 70 times in the Hebrew Bible, as לְבָנוֹן. The borders of contemporary Lebanon are a product of the Treaty of Sèvres of 1920 and its territory was the core of the Bronze Age Phoenician city-states. After the 7th-century Muslim conquest of the Levant, it was part of the Rashidun, Umyayad, Abbasid Seljuk, with the dissolution of the Ottoman Empire, Greater Lebanon fell under French mandate in 1920, and gained independence under president Bechara El Khoury in 1943
17.
Salon (Paris)
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The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world, at the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it has been managed by the Société des Artistes Français, in 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture, held its first semi-public art exhibit at the Salon Carré. The Salons original focus was the display of the work of recent graduates of the École des Beaux-Arts, exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least the next 200 years. Exhibition in the Salon marked a sign of royal favor, in 1725, the Salon was held in the Palace of the Louvre, when it became known as Salon or Salon de Paris. In 1737, the exhibitions, held from 18 August 1737 to 5 September 1737 at the Grand Salon of the Louvre and they were held, at first, annually, and then biennially, in odd-numbered years. They would start on the feast day of St. Louis, once made regular and public, the Salons status was never seriously in doubt. In 1748 a jury of awarded artists was introduced, from this time forward, the influence of the Salon was undisputed. The Salon exhibited paintings floor-to-ceiling and on every inch of space. The jostling of artwork became the subject of other paintings. Printed catalogues of the Salons are primary documents for art historians, critical descriptions of the exhibitions published in the gazettes mark the beginning of the modern occupation of art critic. The French revolution opened the exhibition to foreign artists, the vernissage of opening night was a grand social occasion, and a crush that gave subject matter to newspaper caricaturists like Honoré Daumier. Charles Baudelaire, Denis Diderot and others wrote reviews of the Salons, the 1848 revolution liberalized the Salon. The amount of refused works was greatly reduced, the increasingly conservative and academic juries were not receptive to the Impressionist painters, whose works were usually rejected, or poorly placed if accepted. The Salon opposed the Impressionists shift away from traditional painting styles, in 1863 the Salon jury turned away an unusually high number of the submitted paintings. An uproar resulted, particularly from regular exhibitors who had been rejected, in order to prove that the Salons were democratic, Napoleon III instituted the Salon des Refusés, containing a selection of the works that the Salon had rejected that year. It opened on 17 May 1863, marking the birth of the avant-garde, the Impressionists held their own independent exhibitions in 1874,1876,1877,1879,1880,1881,1882 and 1886. In 1881, the government withdrew official sponsorship from the annual Salon, in December 1890, the leader of the Société des Artistes Français, William-Adolphe Bouguereau, propagated the idea that Salon should be an exhibition of young, not-yet awarded, artists
18.
Lyre
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The lyre is a string instrument known for its use in Greek classical antiquity and later periods. The lyre is similar in appearance to a small harp but with distinct differences, the word comes via Latin from the Greek, the earliest reference to the word is the Mycenaean Greek ru-ra-ta-e, meaning lyrists and written in the Linear B script. The lyres of Ur, excavated in ancient Mesopotamia, date to 2500 BC, the earliest picture of a lyre with seven strings appears in the famous sarcophagus of Hagia Triada. The sarcophagus was used during the Mycenaean occupation of Crete, the recitations of the Ancient Greeks were accompanied by lyre playing. The lyre of classical antiquity was ordinarily played by being strummed with a plectrum, the fingers of the free hand silenced the unwanted strings in the chord. However, later lyres were played with a bow in Europe, one example from Wales that has been resurrected recently is the crwth. In organology, lyres are defined as yoke lutes, being lutes in which the strings are attached to a yoke which lies in the plane as the sound-table. A classical lyre has a body or sound-chest, which. Extending from this sound-chest are two raised arms, which are hollow, and are curved both outward and forward. They are connected near the top by a crossbar or yoke, an additional crossbar, fixed to the sound-chest, makes the bridge which transmits the vibrations of the strings. They were stretched between the yoke and bridge, or to a tailpiece below the bridge, according to ancient Greek mythology, the young god Hermes stole a herd of sacred cows from Apollo. In order not to be followed, he made shoes for the cows which forced them to walk backwards, Apollo, following the trails, could not follow where the cows were going. Along the way, Hermes slaughtered one of the cows and offered all, from the entrails and a tortoise/turtle shell, he created the Lyre. Apollo, figuring out it was Hermes who had his cows, Apollo was furious, but after hearing the sound of the lyre, his anger faded. Apollo offered to trade the herd of cattle for the lyre, hence, the creation of the lyre is attributed to Hermes. Other sources credit it to Apollo himself, locales in southern Europe, western Asia, or north Africa have been proposed as the historic birthplace of the genus. The instrument is played in north-eastern parts of Africa. Some of the cultures using and developing the lyre were the Aeolian and Ionian Greek colonies on the coasts of Asia bordering the Lydian empire, some mythic masters like Musaeus, and Thamyris were believed to have been born in Thrace, another place of extensive Greek colonization
19.
Jean-Louis Hamon
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Jean-Louis Hamon was a French painter. He was born at Plouha, in todays Côtes-dArmor département, in France, the works which he exhibited in 1849 Une Affiche romaine, LÉgalité au sérail, and Perroquet jasant avec deux jeunes filles obtained no marked success. His lack of success led Hamon to accept a job as a designree in the Sèvres porcelein factory and he received a medal, and, inspired by his success, left his post to try his chances again at the Salon of 1852. La Comédie humaine, which he exhibited, turned the tide of his fortune. Hamon now spent some time in Italy, chiefly at Capri, whence in 1864 he sent to Paris LAurore and his last work, Le Triste Rivage, appeared at the Salon of 1873. It was painted at Saint-Raphaël, where Hamon had finally settled in a house on the shores of the Mediterranean. In this house he died on 29 May 1874, a school in his home town of Plouha was named after him, and a monument was erected to him by the Blues of Brittany. Jean-Louis This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Hamon
20.
Louis Philippe I
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Louis Philippe I was King of the French from 1830 to 1848 as the leader of the Orléanist party. He spent 21 years in exile after he left France in 1793 and he was proclaimed king in 1830 after his cousin Charles X was forced to abdicate in the wake of the events of the July Revolution of that year. His government, known as the July Monarchy, was dominated by members of a wealthy French elite and he followed conservative policies, especially under the influence of the French statesman François Guizot during the period 1840–48. He also promoted friendship with Britain and sponsored colonial expansion, notably the conquest of Algeria and his popularity faded as economic conditions in France deteriorated in 1847, and he was forced to abdicate after the outbreak of the French Revolution of 1848. He lived out his life in exile in Great Britain, Louis Philippe was born in the Palais Royal, the residence of the Orléans family in Paris, to Louis Philippe, Duke of Chartres, and Louise Marie Adélaïde de Bourbon. As a member of the reigning House of Bourbon, he was a Prince of the Blood and his mother was an extremely wealthy heiress who was descended from Louis XIV of France through a legitimized line. Louis Philippe was the eldest of three sons and a daughter, a family that was to have erratic fortunes from the beginning of the French Revolution to the Bourbon Restoration. Louis Philippes father was exiled from the court, and the Orléans confined themselves to studies of the literature. Louis Philippe was tutored by the Countess of Genlis, beginning in 1782 and she instilled in him a fondness for liberal thought, it is probably during this period that Louis Philippe picked up his slightly Voltairean brand of Catholicism. When Louis Philippes grandfather died in 1785, his father succeeded him as Duke of Orléans, from October 1788 to October 1789, the Palais Royal was a meeting-place for the revolutionaries. Louis Philippe grew up in a period that changed Europe as a whole and, following his fathers support for the Revolution. In his diary, he reports that he took the initiative to join the Jacobin Club. In June 1791, Louis Philippe got his first opportunity to become involved in the affairs of France, in 1785, he had been given the hereditary appointment of Colonel of the 14th Regiment of Dragoons. With war on the horizon in 1791, all proprietary colonels were ordered to join their regiments, Louis Philippe showed himself to be a model officer, and he demonstrated his personal bravery in two famous instances. The young colonel broke through the crowd and extricated the two priests, who then fled, at a river crossing on the same day, another crowd threatened to harm the priests. Louis Philippe put himself between a peasant armed with a carbine and the priests, saving their lives, the next day, Louis Philippe dove into a river to save a drowning local engineer. For this action, he received a crown from the local municipality. His regiment was moved north to Flanders at the end of 1791 after the Declaration of Pillnitz, Louis Philippe served under his fathers crony, the Duke of Biron, along with several officers who later gained distinction in Napoleons empire and afterwards
21.
Alsace-Lorraine
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The Alsatian part lay in the Rhine Valley on the west bank of the Rhine River and east of the Vosges Mountains. The Lorraine section was in the upper Moselle valley to the north of the Vosges, the territory was made up of 93% of Alsace and 26% of Lorraine, the remaining portions of these regions continued to be part of France. For historical reasons, specific legal dispositions are still applied in the territory in the form of a local law, in relation to its special legal status, since its reversion to France following World War I, the territory has been referred to administratively as Alsace-Moselle. Alsace-Lorraine had an area of 14,496 km2. France long sought to attain and preserve its boundaries, which are the Pyrenees to the southwest, the Alps to the southeast. These strategic claims led to the annexation of territories located west of the Rhine river in the Holy Roman Empire of the German Nation. What is now known as Alsace was progressively conquered by Louis XIV in the 17th century and we Germans who know Germany and France know better what is good for the Alsatians than the unfortunates themselves. In the perversion of their French life they have no idea of what concerns Germany. In 1871, the newly created German Empires demand for Alsace from France after its victory in the Franco-Prussian War was not simply a punitive measure. The transfer was controversial even among the Germans, The German Chancellor, Otto von Bismarck, was opposed to it. Some German industrialists did not want the competition from Alsatian industries, from an ethnic perspective, the transfer involved people who for the most part spoke Alemannic German dialects. From a military perspective, by early 1870s standards, shifting the frontier away from the Rhine would give the Germans a strategic buffer against feared future French attacks, however, domestic politics in the new Reich may have been decisive. Although it was led by Prussia, the new German Empire was a decentralized federal state. As recently as the 1866 Austro-Prussian War, these states had been Prussias enemies, in the new Empires constitution, both states, but especially Bavaria, had been given concessions with regard to local autonomy, including partial control of their military forces. For this reason, the Prussian General Staff argued that it was necessary for the Reichs frontier with France to be under direct Prussian control, thus, by annexing Alsace-Lorraine, Berlin was able to avoid complications with Baden and Bavaria on such matters as new fortifications. Memories of the Napoleonic Wars were still fresh in the 1870s. In the years before 1870, it is arguable that the Germans feared the French more than the French feared the Germans. Many Germans at the thought that the creation of the new Empire in itself would be enough to earn permanent French enmity
22.
Hippolyte Taine
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Hippolyte Adolphe Taine was a French critic and historian. He was the chief influence of French naturalism, a major proponent of sociological positivism. Literary historicism as a movement has been said to originate with him. Taine is particularly remembered for his approach to the contextual study of a work of art, based on the aspects of what he called race, milieu. The tomb of Hippolyte Taine is in Roc de Chère National Nature Reserve, in Talloires, near the Lake Annecy. Taine was born in Vouziers, but entered a boarding school and he excelled as a student, receiving a number of prizes in both scientific and humanistic subjects, and taking two Baccalauréat degrees at the École Normale before he was 20. Taines contrarian politics led to difficulties keeping teaching posts, and his academic career was decidedly mixed. After his dissertation on sensation was rejected, he abandoned his studies in the social sciences, feeling that literature was safer. He completed a doctorate at the Sorbonne in 1853, with more success in his new field, his dissertation, Essai sur les fables de La Fontaine. This reaction led Taine to reject the French Constitution of 1793 as a Jacobin document, Taine is best known now for his attempt at a scientific account of literature, based on the categories of race, milieu, and moment. Taine argued that literature was largely the product of the environment. In this sense he was a sociological positivist, though with important differences, Taine did not mean race in the specific sense now common, but rather the collective cultural dispositions that govern everyone without their knowledge or consent. What differentiates individuals within this race, for Taine, was milieu. Taines influence on French intellectual culture and literature was enormous and he had a special relationship, in particular, with Émile Zola. In addition, post-modern literary critics concerned with the relationship between literature and social history continue to cite Taines work, and to use of the idea of race, milieu. The critic John Chapple, for example, has used the term as an illustration of his own concept of composite history, Taine shared a correspondence with the philosopher Friedrich Nietzsche, who later referred to him in Beyond Good and Evil as the first of living historians. He was also the subject of Stefan Zweigs doctoral thesis, The Philosophy of Hippolyte Taine, similarly, Gustave Lanson argued that race, milieu, and moment could not among themselves account for genius, Taine, he felt, explained mediocrity better than he explained greatness. A distinct criticism concerns the possible sloppiness of the logic and scientific basis of the three concepts, bolesław Prus Piotr Chmielowski Thomas Blackwell Belloc, Hilaire
23.
Adam and Eve
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Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman and the ancestors of all humans. It provides the basis for the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. It also provides much of the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity. In the Book of Genesis of the Hebrew Bible, chapters one through five, in the first, Adam and Eve are not mentioned. Instead, God created humankind in Gods image and instructed them to multiply, in the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can till the ground and eat freely of all the trees in the garden, except for a tree of the knowledge of good, subsequently, Eve is created from one of Adams ribs to be Adams companion. They are innocent and unashamed about their nakedness, however, a serpent deceives Eve into eating fruit from the forbidden tree, and she gives some of the fruit to Adam. These acts give them additional knowledge, but it gives them the ability to conjure negative and destructive concepts such as shame, God later curses the serpent and the ground. God prophetically tells the woman and the man what will be the consequences of their sin of disobeying God, then he banishes them from the Garden of Eden. The story underwent extensive elaboration in later Abrahamic traditions, and it has been analyzed by modern biblical scholars. The story of Adam and Eve is often depicted in art, the story of the fall of Adam is often understood to be an allegory. There is no evidence that Adam and Eve ever literally existed. In the Book of Genesis, the Genesis creation narrative tells of the creation of the first humans, humankind, in Genesis 1, scholars recognize two separate accounts of the creation in the Old Testament. In the Priestly narrative, God creates the world in six days, culminating in the creation of humanity, here, in the Priestly narrative, the emphasis is on the entirety of the universe and its creation. Here, in the Jahwist narrative, the emphasis is on the Earth within the universe, and humankinds residence on the Earth. Contrast, for example, the order of terms in Genesis 1,1 where it says that God made the heavens and the Earth with Genesis 2,4 where it says God made the Earth and the heavens. In the Jahwist version of the story, God places the man in a garden in Eden where he is permitted to till the land and tend the garden and animals, Genesis 2, 8–15. But none of the animals are found to be a companion for the man, so God causes the man to sleep
24.
Heinrich Heine
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Christian Johann Heinrich Heine was a German poet, journalist, essayist, and literary critic. He is best known outside Germany for his lyric poetry. Heines later verse and prose are distinguished by their satirical wit and he is considered part of the Young Germany movement. His radical political views led to many of his works being banned by German authorities, Heine spent the last 25 years of his life as an expatriate in Paris. Heine was born at Düsseldorf in what was then the Duchy of Berg and he was called Harry in childhood but became known as Heinrich after his conversion to Lutheranism in 1825. Heines father, Samson Heine, was a textile merchant and his mother Peira, née van Geldern, was the daughter of a physician. Heinrich was the eldest of four children, Heine was also a third cousin once removed of philosopher and economist Karl Marx, also born to a German Jewish family in the Rhineland, with whom he became a frequent correspondent in later life. Düsseldorf was then a town with a population of around 16,000. The French Revolution and subsequent Revolutionary and Napoleonic Wars involving Germany complicated Düsseldorfs political history during Heines childhood and it had been the capital of the Duchy of Jülich-Berg, but was under French occupation at the time of his birth. It then went to the Elector of Bavaria before being ceded to Napoleon in 1806 and it was first ruled by Joachim Murat, then by Napoleon himself. Upon Napoleons downfall in 1815 it became part of Prussia, thus Heines formative years were spent under French influence. The adult Heine would always be devoted to the French for introduction of the Napoleonic Code and he glossed over the negative aspects of French rule in Berg, heavy taxation, conscription, and economic depression brought about by the Continental Blockade. Heines parents were not particularly devout, as a young child they sent him to a Jewish school where he learned a smattering of Hebrew, but thereafter he attended Catholic schools. Here he learned French, which would be his second language - although he spoke it with a German accent. He also acquired a love for Rhineland folklore. In 1814 Heine went to a school in Düsseldorf where he learned to read English. The most successful member of the Heine family was his uncle Salomon Heine, in 1816 Heine moved to Hamburg to become an apprentice at Heckscher & Co, his uncles bank, but displayed little aptitude for business. He learned to hate Hamburg with its ethos, but it would become one of the poles of his life alongside Paris
25.
Public domain
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The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival
26.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
27.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
28.
Historical Dictionary of Switzerland
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The encyclopedia is published by a foundation under the patronage of the Swiss Academy of Humanities and Social Sciences and the Swiss Historical Society and is financed by national research grants. Besides a staff of 35 at the offices, the contributors include 100 academic advisors,2500 historians and 100 translators. The encyclopedia is being edited simultaneously in three languages of Switzerland, German, French and Italian. The first of 13 volumes was published in 2002, the last volume was published in 2014. The 36,000 headings are grouped in, Biographies Articles on families and it makes accessible, for free, all articles ready for publication in print, but no illustrations. It also lists all 36,000 topics that are to be covered, lexicon Istoric Retic is a two volume version with a selection of articles published in Romansh. It includes articles not available in the other languages, the first volume was published in 2010, the second in 2012. An on-line version is also available
29.
National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
30.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
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Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Gleyre, Marc Charles Gabriel". Encyclopædia Britannica (11th ed.). Cambridge University Press.
This article incorporates text from a publication now in the 
