Charles Le Brun was a French painter, physiognomist, art theorist, and a director of several art schools of his time. He served as a court painter to Louis XIV, who declared him "the greatest French artist of all time". Le Brun was a dominant figure in 17th-century French art and was influenced by Nicolas Poussin.
Portrait of Nicolas Le Brun by Charles Le Brun, c. 1635, Residenzgalerie, Salzburg
Venus Clipping Cupid's Wings, c. 1655, Museo de Arte de Ponce, Ponce, Puerto Rico
Part of the ceilling of the Hall of Mirrors in the Palace of Versailles
A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the court artist might also be a court sculptor. In Western Europe, the role began to emerge in the mid-13th century. By the Renaissance, portraits, mainly of the family, made up an increasingly large part of their commissions, and in the early modern period one person might be appointed solely to do portraits, and another for other work, such as decorating new buildings.
Don Carlos by Alonso Sánchez Coello, 1564. Sent to Vienna in an unsuccessful attempt to promote a marriage.
Court style panorama Along the River During the Qingming Festival, an 18th-century copy (the "Qing Court Version") of the 12th century Song dynasty original by Zhang Zeduan. Zhang's original painting is revered by scholars as "one of Chinese civilization’s greatest masterpieces." The scroll begins at the right end, and culminates above as the Emperor boards his yacht to join the festive boats on the river. The scroll is over 10 metres long (35.6 × 1152.8 cm)
The Prado Philip II, now recognised as by Sofonisba Anguissola