The Cheap Repository Tracts consisted of more than two hundred moral, religious and occasionally political tracts issued in a number of series between March 1795 and 1817, and subsequently re-issued in various collected editions until the 1830s. They were devised by Hannah More and intended for sale or distribution to literate poor people, as an alternative to what she regarded as the immoral traditional broadside ballad and chapbook publications. The tracts proved to be enormously successful with more than two million copies sold or distributed during the first year of the scheme.
Divine Songs ... for children - the seventh Cheap Repository Tract to be issued, printed at Bath by Samuel Hazard in March 1795
The Carpenter, 1795 in the format of a broadside ballad. Both Hazard and Marshall are described as 'Printer to the Cheap Repository'
’’The contented cobler’’ (1798) one of John Marshall's 'unofficial' series of tracts.
The Black Prince, printed by John Evans in 1798.
Hannah More was an English religious writer, philanthropist, poet, and playwright in the circle of Johnson, Reynolds and Garrick, who wrote on moral and religious subjects. Born in Bristol, she taught at a school her father founded there and began writing plays. She became involved in the London literary elite and a leading Bluestocking member. Her later plays and poetry became more evangelical. She joined a group opposing the slave trade. In the 1790s she wrote Cheap Repository Tracts on moral, religious and political topics, to distribute to the literate poor. Meanwhile, she broadened her links with schools she and her sister Martha had founded in rural Somerset. These curbed their teaching of the poor, allowing limited reading but no writing. More was noted for her political conservatism, being described as an anti-feminist, a "counter-revolutionary", or a conservative feminist.
More in 1821
More (standing, left, as a personification of Melpomene, muse of tragedy), in the company of other "bluestockings" (1778).
Biscuit porcelain figure by Mintons, 1830s
Blue plaque on the wall of Keepers Cottage, in Brislington, Bristol