1.
Traditional Chinese characters
–
Traditional Chinese characters are Chinese characters in any character set that does not contain newly created characters or character substitutions performed after 1946. They are most commonly the characters in the character sets of Taiwan, of Hong Kong. Currently, a number of overseas Chinese online newspapers allow users to switch between both sets. In contrast, simplified Chinese characters are used in mainland China, Singapore, the debate on traditional and simplified Chinese characters has been a long-running issue among Chinese communities. Although simplified characters are taught and endorsed by the government of Mainland China, Traditional characters are used informally in regions in China primarily in handwriting and also used for inscriptions and religious text. They are often retained in logos or graphics to evoke yesteryear, nonetheless, the vast majority of media and communications in China is dominated by simplified characters. Taiwan has never adopted Simplified Chinese characters since it is ruled by the Republic of China, the use of simplified characters in official documents is even prohibited by the government in Taiwan. Simplified characters are not well understood in general, although some stroke simplifications that have incorporated into Simplified Chinese are in common use in handwriting. For example, while the name of Taiwan is written as 臺灣, similarly, in Hong Kong and Macau, Traditional Chinese has been the legal written form since colonial times. In recent years, because of the influx of mainland Chinese tourists, today, even government websites use simplified Chinese, as they answer to the Beijing government. This has led to concerns by residents to protect their local heritage. In Southeast Asia, the Chinese Filipino community continues to be one of the most conservative regarding simplification, while major public universities are teaching simplified characters, many well-established Chinese schools still use traditional characters. Publications like the Chinese Commercial News, World News, and United Daily News still use traditional characters, on the other hand, the Philippine Chinese Daily uses simplified. Aside from local newspapers, magazines from Hong Kong, such as the Yazhou Zhoukan, are found in some bookstores. In case of film or television subtitles on DVD, the Chinese dub that is used in Philippines is the same as the one used in Taiwan and this is because the DVDs belongs to DVD Region Code 3. Hence, most of the subtitles are in Traditional Characters, overseas Chinese in the United States have long used traditional characters. A major influx of Chinese immigrants to the United States occurred during the half of the 19th century. Therefore, the majority of Chinese language signage in the United States, including street signs, Traditional Chinese characters are called several different names within the Chinese-speaking world
Traditional Chinese characters
–
Chinese characters
Traditional Chinese characters
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Job announcement in a Filipino Chinese daily newspaper written in Traditional Chinese characters.
Traditional Chinese characters
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A Series of Reading workbook in Traditional Chinese used in some Elementary schools in the Philippines.
2.
Simplified Chinese characters
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Simplified Chinese characters are standardized Chinese characters prescribed in the Table of General Standard Chinese Characters for use in mainland China. Along with traditional Chinese characters, it is one of the two character sets of the contemporary Chinese written language. The government of the Peoples Republic of China in mainland China has promoted them for use in printing since the 1950s and 1960s in an attempt to increase literacy and they are officially used in the Peoples Republic of China and Singapore. Traditional Chinese characters are used in Hong Kong, Macau. Overseas Chinese communities generally tend to use traditional characters, Simplified Chinese characters may be referred to by their official name above or colloquially. Strictly, the latter refers to simplifications of character structure or body, character forms that have existed for thousands of years alongside regular, Simplified character forms were created by decreasing the number of strokes and simplifying the forms of a sizable proportion of traditional Chinese characters. Some simplifications were based on popular cursive forms embodying graphic or phonetic simplifications of the traditional forms, some characters were simplified by applying regular rules, for example, by replacing all occurrences of a certain component with a simplified version of the component. Variant characters with the pronunciation and identical meaning were reduced to a single standardized character. Finally, many characters were left untouched by simplification, and are identical between the traditional and simplified Chinese orthographies. Some simplified characters are very dissimilar to and unpredictably different from traditional characters and this often leads opponents not well-versed in the method of simplification to conclude that the overall process of character simplification is also arbitrary. In reality, the methods and rules of simplification are few, on the other hand, proponents of simplification often flaunt a few choice simplified characters as ingenious inventions, when in fact these have existed for hundreds of years as ancient variants. However, the Chinese government never officially dropped its goal of further simplification in the future, in August 2009, the PRC began collecting public comments for a modified list of simplified characters. The new Table of General Standard Chinese Characters consisting of 8,105 characters was promulgated by the State Council of the Peoples Republic of China on June 5,2013, cursive written text almost always includes character simplification. Simplified forms used in print have always existed, they date back to as early as the Qin dynasty, One of the earliest proponents of character simplification was Lubi Kui, who proposed in 1909 that simplified characters should be used in education. In the years following the May Fourth Movement in 1919, many anti-imperialist Chinese intellectuals sought ways to modernise China, Traditional culture and values such as Confucianism were challenged. Soon, people in the Movement started to cite the traditional Chinese writing system as an obstacle in modernising China and it was suggested that the Chinese writing system should be either simplified or completely abolished. Fu Sinian, a leader of the May Fourth Movement, called Chinese characters the writing of ox-demons, lu Xun, a renowned Chinese author in the 20th century, stated that, If Chinese characters are not destroyed, then China will die. Recent commentators have claimed that Chinese characters were blamed for the problems in China during that time
Simplified Chinese characters
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Chinese characters
Simplified Chinese characters
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The slogan 战无不胜的毛泽东思想万岁 (Zhàn wúbù shèng de Máo Zédōng sīxiǎng wànsuì; Long live the invincible
Mao Zedong Thought) on
Xinhua Gate in Beijing.
Simplified Chinese characters
–
The first batch of Simplified Characters introduced in 1935 consisted of 324 characters.
3.
Standard Chinese
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Its pronunciation is based on the Beijing dialect, its vocabulary on the Mandarin dialects, and its grammar is based on written vernacular Chinese. Like other varieties of Chinese, Standard Chinese is a language with topic-prominent organization. It has more initial consonants but fewer vowels, final consonants, Standard Chinese is an analytic language, though with many compound words. There exist two standardised forms of the language, namely Putonghua in Mainland China and Guoyu in Taiwan, aside from a number of differences in pronunciation and vocabulary, Putonghua is written using simplified Chinese characters, while Guoyu is written using traditional Chinese characters. There are many characters that are identical between the two systems, in English, the governments of China and Hong Kong use Putonghua, Putonghua Chinese, Mandarin Chinese, and Mandarin, while those of Taiwan, Singapore, and Malaysia, use Mandarin. The name Putonghua also has a long, albeit unofficial, history and it was used as early as 1906 in writings by Zhu Wenxiong to differentiate a modern, standard Chinese from classical Chinese and other varieties of Chinese. For some linguists of the early 20th century, the Putonghua, or common tongue/speech, was different from the Guoyu. The former was a prestige variety, while the latter was the legal standard. Based on common understandings of the time, the two were, in fact, different, Guoyu was understood as formal vernacular Chinese, which is close to classical Chinese. By contrast, Putonghua was called the speech of the modern man. The use of the term Putonghua by left-leaning intellectuals such as Qu Qiubai, prior to this, the government used both terms interchangeably. In Taiwan, Guoyu continues to be the term for Standard Chinese. The term Putonghua, on the contrary, implies nothing more than the notion of a lingua franca, Huayu, or language of the Chinese nation, originally simply meant Chinese language, and was used in overseas communities to contrast Chinese with foreign languages. Over time, the desire to standardise the variety of Chinese spoken in these communities led to the adoption of the name Huayu to refer to Mandarin and it also incorporates the notion that Mandarin is usually not the national or common language of the areas in which overseas Chinese live. The term Mandarin is a translation of Guānhuà, which referred to the lingua franca of the late Chinese empire, in English, Mandarin may refer to the standard language, the dialect group as a whole, or to historic forms such as the late Imperial lingua franca. The name Modern Standard Mandarin is sometimes used by linguists who wish to distinguish the current state of the language from other northern. Chinese has long had considerable variation, hence prestige dialects have always existed. Confucius, for example, used yǎyán rather than colloquial regional dialects, rime books, which were written since the Northern and Southern dynasties, may also have reflected one or more systems of standard pronunciation during those times
Standard Chinese
–
A poster outside of high school in
Yangzhou urges people to speak Putonghua
Standard Chinese
–
Zhongguo Guanhua (中国官话/中國官話), or Medii Regni Communis Loquela ("Middle Kingdom's Common Speech"), used on the frontispiece of an early Chinese grammar published by
Étienne Fourmont (with
Arcadio Huang) in 1742
4.
Hanyu Pinyin
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Pinyin, or Hànyǔ Pīnyīn, is the official romanization system for Standard Chinese in mainland China, Malaysia, Singapore, and Taiwan. It is often used to teach Standard Chinese, which is written using Chinese characters. The system includes four diacritics denoting tones, Pinyin without tone marks is used to spell Chinese names and words in languages written with the Latin alphabet, and also in certain computer input methods to enter Chinese characters. The pinyin system was developed in the 1950s by many linguists, including Zhou Youguang and it was published by the Chinese government in 1958 and revised several times. The International Organization for Standardization adopted pinyin as a standard in 1982. The system was adopted as the standard in Taiwan in 2009. The word Hànyǔ means the language of the Han people. In 1605, the Jesuit missionary Matteo Ricci published Xizi Qiji in Beijing and this was the first book to use the Roman alphabet to write the Chinese language. Twenty years later, another Jesuit in China, Nicolas Trigault, neither book had much immediate impact on the way in which Chinese thought about their writing system, and the romanizations they described were intended more for Westerners than for the Chinese. One of the earliest Chinese thinkers to relate Western alphabets to Chinese was late Ming to early Qing Dynasty scholar-official, the first late Qing reformer to propose that China adopt a system of spelling was Song Shu. A student of the great scholars Yu Yue and Zhang Taiyan, Song had been to Japan and observed the effect of the kana syllabaries. This galvanized him into activity on a number of fronts, one of the most important being reform of the script, while Song did not himself actually create a system for spelling Sinitic languages, his discussion proved fertile and led to a proliferation of schemes for phonetic scripts. The Wade–Giles system was produced by Thomas Wade in 1859, and it was popular and used in English-language publications outside China until 1979. This Sin Wenz or New Writing was much more sophisticated than earlier alphabets. In 1940, several members attended a Border Region Sin Wenz Society convention. Mao Zedong and Zhu De, head of the army, both contributed their calligraphy for the masthead of the Sin Wenz Societys new journal. Outside the CCP, other prominent supporters included Sun Yat-sens son, Sun Fo, Cai Yuanpei, the countrys most prestigious educator, Tao Xingzhi, an educational reformer. Over thirty journals soon appeared written in Sin Wenz, plus large numbers of translations, biographies, some contemporary Chinese literature, and a spectrum of textbooks
Hanyu Pinyin
–
A school slogan asking elementary students to speak
Putonghua is annotated with pinyin, but without tonal marks.
Hanyu Pinyin
–
In
Yiling,
Yichang,
Hubei, text on road signs appears both in Chinese characters and in Hanyu Pinyin
5.
Wu Chinese
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Wu is a group of linguistically similar and historically related varieties of Chinese primarily spoken in the whole city of Shanghai, Zhejiang province, southern Jiangsu province and bordering areas. Major Wu varieties include those of Shanghai, Suzhou, Ningbo, Wuxi, Wenzhou/Oujiang, Hangzhou, Shaoxing, Jinhua, Wu speakers, such as Chiang Kai-shek, Lu Xun and Cai Yuanpei, occupied positions of great importance in modern Chinese culture and politics. Wu can also be found being used in Shaoxing opera, which is only in national popularity to Peking opera, as well as in the performances of the popular entertainer. Wu is also spoken in a number of diaspora communities, with significant centers of immigration originating from Shanghai, Qingtian. Suzhou has traditionally been the center of Wu and was likely the first place the distinct variety of Sinitic known as Wu developed. Suzhou dialect is considered to be the most linguistically representative of the family. Due to the influence of Shanghainese, Wu as a whole is incorrectly labelled in English as simply, Shanghainese, among speakers of other Sinitic languages, Wu is often subjectively judged to be soft, light, and flowing. There is an idiom in Mandarin that specifically describes these qualities of Wu speech, Ngu nung nioe ngiu, Wu varieties have the largest vowel quality inventories in the world. The Jinhui dialect spoken in Shanghais Fengxian District has 20 vowel qualities, Wu Chinese, along with Min, is also of great significance to historical linguists due to their retention of many ancient features. These two languages have proven pivotal in determining the history of the Chinese languages. More pressing concerns of the present are those of language preservation, however, many analysts believe that a stable state of diglossia will endure for at least several generations if not indefinitely. Saying one speaks Wu is akin to saying one speaks a Romance language and it is not a particularly defined entity like Standard Mandarin or Hochdeutsch. They do this by affixing 話 Wo to their locations endonym, for example, 溫州話 Wēnzhōuhuà is used for Wenzhounese. Affixing 閒話 xiánhuà is also common and more typical of the Taihu division, Wu, the formal name and standard reference in dialectology literature. Northern Wu, Wu typically spoken in the north of Zhejiang and it by default includes the Xuanzhou division in Anhui as well, however this division is often neglected in Northern Wu discussions. Southern Wu, Wu spoken in southern Zhejiang and periphery, comprising the Oujiang, Wuzhou, Western Wu, A term gaining in usage as a synonym for the Xuanzhou division and modeled after the previous two terms since the Xuanzhou division is less representative of Northern Wu. Shanghainese, is also a common name, used because Shanghai is the most well-known city in the Wu-speaking region. The term Shanghainese is never used by linguists to refer to anything
Wu Chinese
–
Wu (Wú Yǔ) written in
Chinese characters
6.
Hakka Chinese
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Hakka is not mutually intelligible with Yue, Wu, Southern Min, Mandarin or other branches of Chinese, and itself contains a few mutually unintellegible varieties. It is most closely related to Gan and is classified as a variety of Gan. There is also a possibility that the similarities are just a result of shared areal features, Taiwan, where Hakka is the native language of a significant minority of the islands residents, is a center for the study and preservation of the language. Pronunciation differences exist between the Taiwanese Hakka dialects and Mainland Chinas Hakka dialects, even in Taiwan, two local varieties of Hakka exist. The Meixian dialect of northeast Guangdong in China has been taken as the dialect by the Peoples Republic of China. The Guangdong Provincial Education Department created a romanization of Moiyen in 1960. The name of the Hakka people who are the predominant original native speakers of the variety literally means guest families or guest people, Hak 客 means guest, and ka 家 means family. Among themselves, Hakka people variously called their language Hak-ka-fa 客家話, Hak-fa, 客話, Tu-gong-dung-fa 土廣東話, literally Native Guangdong language, and Ngai-fa 我話, My/our language. The forebears of the Hakka came from present-day Central Plains provinces of Henan and Shaanxi, the presence of many archaic features occur in modern Hakka, including final consonants -p -t -k, as are found in other modern southern Chinese varieties, but which have been lost in Mandarin. Due to the migration of its speakers, Hakka may have influenced by other language areas through which the Hakka-speaking forebears migrated. For instance, common vocabulary is found in Hakka, Min, in recent times, many She people have become Hakka speakers. A regular pattern of change can generally be detected in Hakka, as in most Chinese varieties. Some examples, Characters such as 武 or 屋, are pronounced roughly mwio and uk in Early Middle Chinese, have an initial v phoneme in Hakka, being vu and vuk in Hakka respectively. Like in Mandarin, labiodentalisation process also changed mj- to a sound in Hakka before grave vowels. Middle Chinese initial phonemes /ɲ/ of the characters 人 and 日, among others, for comparison, in Mandarin, /ɲ/ became r-, while in Cantonese, it merged with initial /j/. The initial consonant phoneme exhibited by the character 話 is pronounced f or v in Hakka, the initial consonant of 學 hɔk usually corresponds with an h approximant in Hakka and a voiceless alveo-palatal fricative in Mandarin. Hakka has as many regional dialects as there are counties with Hakka speakers as the majority, some of these Hakka dialects are not mutually intelligible with each other. Surrounding Meixian are the counties of Pingyuan, Dabu, Jiaoling, Xingning, Wuhua, each is said to have its own special phonological points of interest
Hakka Chinese
–
Hak-kâ-fa/Hak-kâ-va (Hakka/Kejia) written in
Chinese characters
7.
Cantonese
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Cantonese, or Standard Cantonese, is a variety of Chinese spoken in the city of Guangzhou in southeastern China. It is the prestige variety of Yue, one of the major subdivisions of Chinese. In mainland China, it is the lingua franca of the province of Guangdong and some neighbouring areas such as Guangxi. In Hong Kong and Macau, Cantonese serves as one of their official languages and it is also spoken amongst overseas Chinese in Southeast Asia and throughout the Western World. When Cantonese and the closely related Yuehai dialects are classified together, Cantonese is viewed as vital part of the cultural identity for its native speakers across large swathes of southeastern China, Hong Kong and Macau. Although Cantonese shares some vocabulary with Mandarin, the two varieties are mutually unintelligible because of differences in pronunciation, grammar and lexicon, sentence structure, in particular the placement of verbs, sometimes differs between the two varieties. This results in the situation in which a Cantonese and a Mandarin text may look similar, in English, the term Cantonese is ambiguous. Cantonese proper is the variety native to the city of Canton and this narrow sense may be specified as Canton language or Guangzhou language in English. However, Cantonese may also refer to the branch of Cantonese that contains Cantonese proper as well as Taishanese and Gaoyang. In this article, Cantonese is used for Cantonese proper, historically, speakers called this variety Canton speech or Guangzhou speech, although this term is now seldom used outside mainland China. In Guangdong province, people call it provincial capital speech or plain speech. In Hong Kong and Macau, as well as among overseas Chinese communities, in mainland China, the term Guangdong speech is also increasingly being used among both native and non-native speakers. Due to its status as a prestige dialect among all the dialects of the Cantonese or Yue branch of Chinese varieties, the official languages of Hong Kong are Chinese and English, as defined in the Hong Kong Basic Law. The Chinese language has different varieties, of which Cantonese is one. Given the traditional predominance of Cantonese within Hong Kong, it is the de facto official spoken form of the Chinese language used in the Hong Kong Government and all courts and it is also used as the medium of instruction in schools, alongside English. A similar situation exists in neighboring Macau, where Chinese is an official language along with Portuguese. As in Hong Kong, Cantonese is the predominant spoken variety of Chinese used in life and is thus the official form of Chinese used in the government. The variant spoken in Hong Kong and Macau is known as Hong Kong Cantonese, Cantonese first developed around the port city of Guangzhou in the Pearl River Delta region of southeastern China
Cantonese
–
Street in
Chinatown, San Francisco. Cantonese has traditionally been the dominant Chinese variant among Chinese populations in the Western world.
Cantonese
–
Gwóngdūng Wah / gwong 2 dung 1 waa 6 (Cantonese) written in
traditional Chinese (left) and
simplified Chinese (right) characters
Cantonese
–
Chinese dictionary from Tang dynasty. Modern Cantonese pronunciation is more similar to Middle Chinese from this era than other Chinese varieties.
8.
Jyutping
–
Jyutping is a romanisation system for Cantonese developed by the Linguistic Society of Hong Kong, an academic group, in 1993. Its formal name is The Linguistic Society of Hong Kong Cantonese Romanisation Scheme, the LSHK promotes the use of this romanisation system. The name Jyutping is a contraction consisting of the first Chinese characters of the terms Jyut6jyu5, only the finals m and ng can be used as standalone nasal syllables. ^ ^ ^ Referring to the pronunciation of these words. There are nine tones in six distinct tone contours in Cantonese, however, as three of the nine are entering tones, which only appear in syllables ending with p, t, and k, they do not have separate tone numbers in Jyutping. Jyutping and the Yale Romanisation of Cantonese represent Cantonese pronunciations with the letters in, The initials, b, p, m, f, d, t, n, l, g, k, ng, h, s, gw, kw. The vowel, aa, a, e, i, o, u, the coda, i, u, m, n, ng, p, t, k. But they differ in the following, The vowels eo and oe represent /ɵ/ and /œː/ respectively in Jyutping, the initial j represents /j/ in Jyutping whereas y is used instead in Yale. The initial z represents /ts/ in Jyutping whereas j is used instead in Yale, the initial c represents /tsʰ/ in Jyutping whereas ch is used instead in Yale. In Jyutping, if no consonant precedes the vowel yu, then the initial j is appended before the vowel, in Yale, the corresponding initial y is never appended before yu under any circumstances. Jyutping defines three finals not in Yale, eu /ɛːu/, em /ɛːm/, and ep /ɛːp/ and these three finals are used in colloquial Cantonese words, such as deu6, lem2, and gep6. To represent tones, only tone numbers are used in Jyutping whereas Yale traditionally uses tone marks together with the letter h. Jyutping and Cantonese Pinyin represent Cantonese pronunciations with the letters in, The initials, b, p, m, f, d, t, n, l, g, k, ng, h, s, gw, kw. The vowel, aa, a, e, i, o, u, the coda, i, u, m, n, ng, p, t, k. But they have differences, The vowel oe represents both /ɵ/ and /œː/ in Cantonese Pinyin whereas eo and oe represent /ɵ/ and /œː/ respectively in Jyutping. The vowel y represents /y/ in Cantonese Pinyin whereas both yu and i are used in Jyutping, the initial dz represents /ts/ in Cantonese Pinyin whereas z is used instead in Jyutping. The initial ts represents /tsʰ/ in Cantonese Pinyin whereas c is used instead in Jyutping. To represent tones, the numbers 1 to 9 are usually used in Cantonese Pinyin, however, only the numbers 1 to 6 are used in Jyutping
Jyutping
–
Jyutping Romanization.
9.
Southern Min
–
Southern Min, or Minnan, is a branch of Min Chinese spoken in certain parts of China including southern Fujian, eastern Guangdong, Hainan, and southern Zhejiang, and in Taiwan. The Min Nan dialects are spoken by descendants of emigrants from these areas in diaspora, most notably the Philippines, Indonesia, Malaysia. In common parlance, Southern Min usually refers to Hokkien, including Amoy and Taiwanese Hokkien, the Southern Min dialect group also includes Teochew, though Teochew has limited mutual intelligibility with Hokkien. Hainanese is not mutually intellgible with other Southern Min and is considered a separate branch of Min. Southern Min is not mutually intelligible with Eastern Min, Pu-Xian Min, any other Min branch, Hakka, Cantonese, Shanghainese or Mandarin. Southern Min dialects are spoken in the part of Fujian. The variant spoken in Leizhou, Guangdong as well as Hainan is Hainanese and is not mutually intelligible with other Southern Min or Teochew, Hainanese is classified in some schemes as part of Southern Min and in other schemes as separate. Puxian Min was originally based on the Quanzhou dialect, but over time became heavily influenced by Eastern Min, eventually losing intellegility with Minnan. A forms of Southern Min spoken in Taiwan, collectively known as Taiwanese, Southern Min is a first language for most of the Hoklo people, the main ethnicity of Taiwan. The correspondence between language and ethnicity is not absolute, as some Hoklo have very limited proficiency in Southern Min while some non-Hoklo speak Southern Min fluently, there are many Southern Min speakers also among Overseas Chinese in Southeast Asia. Many ethnic Chinese immigrants to the region were Hoklo from southern Fujian and brought the language to what is now Burma, Indonesia and present-day Malaysia and Singapore. In general, Southern Min from southern Fujian is known as Hokkien, Hokkienese, many Southeast Asian ethnic Chinese also originated in the Chaoshan region of Guangdong and speak Teochew language, the variant of Southern Min from that region. Southern Min-speakers form the majority of Chinese in Singapore, with the largest group being Hokkien, despite the similarities the two groups are rarely seen as part of the same Minnan Chinese subgroups. The variants of Southern Min spoken in Zhejiang province are most akin to that spoken in Quanzhou, the variants spoken in Taiwan are similar to the three Fujian variants and are collectively known as Taiwanese. Those Southern Min variants that are known as Hokkien in Southeast Asia also originate from these variants. The variants of Southern Min in the Chaoshan region of eastern Guangdong province are known as Teochew or Chaozhou. Teochew is of importance in the Southeast Asian Chinese diaspora, particularly in Malaysia, Thailand, Cambodia, Vietnam, Sumatra. The Philippines variant is mostly from the Quanzhou area as most of their forefathers are from the aforementioned area, the Southern Min language variant spoken around Shanwei and Haifeng differs markedly from Teochew and may represent a later migration from Zhangzhou
Southern Min
–
Koa-a books, Min Nan written in Chinese characters
Southern Min
–
Distribution of Southern Min.
10.
Hokkien
–
Hokkien /hɒˈkiɛn/ is a group of Southern Min dialects spoken throughout Southeastern China, Taiwan, Southeast Asia and by other overseas Chinese. Hokkien originated in southern Fujian, the Min-speaking province and it is closely related to Teochew, though there is limited mutual intelligibility, and is somewhat more distantly related to Hainanese and Leizhou dialect. Besides Hokkien, there are also other Min and Hakka dialects in Fujian province, the term Hokkien is etymologically derived from the Southern Min pronunciation for Fujian, the province from which the language hails. The variety is known by other terms such as the more general Min Nan or Southern Min. Fujianese and Fukienese are also used, although they are somewhat imprecise, the term Hokkien is not usually used in Mainland China or Taiwan. Conversely Hokkien is the name in Southeast Asia in both English, Chinese or other languages. Speakers of Hokkien, particularly those in Southeast Asia, typically refer to Hokkien as a dialect, people in Taiwan most often refer to Hokkien as the Taiwanese language, with Minnan and Holo also being used and 福建話 is not as common. Hokkien originated in the area of Fujian province, an important center for trade and migration. The major pole of Hokkien varieties outside of Fujian is Taiwan, the Taiwanese version mostly have origins with the Quanzhou and Zhangzhou variants, but since then, the Amoy dialect is becoming the modern prestige standard for the language. There are many Hokkien speakers among overseas Chinese in Southeast Asia as well as in the United States, many ethnic Han Chinese emigrants to the region were Hoklo from southern Fujian, and brought the language to what is now Burma, Indonesia and present day Malaysia and Singapore. Many of the Hokkien dialects of this region are similar to Taiwanese and Amoynese. Hokkien is reportedly the native language of up to 80% of the Chinese people in the Philippines, Hokkien speakers form the largest group of overseas Chinese in Singapore, Malaysia, Indonesia and Philippines. Southern and part of western Fujian is home to four principal Hokkien dialects, Chinchew, Amoy, Chiangchew and Longyan, originating from the cities of Quanzhou, Xiamen, Zhangzhou and Longyan. As Xiamen is the city of southern Fujian, Amoy is considered the most important, or even the prestige dialect. It is a hybrid of the Quanzhou and Zhangzhou dialects, same as Amoy dialect, the varieties of Hokkien spoken in Taiwan are hybrids of the Quanzhou and Zhangzhou dialects, and are collectively known as Taiwanese Hokkien or just Taiwanese. Used by a majority of the population, it bears much importance from a socio-political perspective, the varieties of Hokkien in Southeast Asia originate from these dialects. The Singaporeans, Southern Malaysians and people in Indonesias Riau and surrounding islands variant is from the Quanzhou area and they speak a distinct form of Quanzhou Hokkien called Southern Peninsular Malaysian Hokkien. Among ethnic Chinese inhabitants of Penang, and other states in Northern Malaysia and Medan, with areas in North Sumatra, Indonesia
Hokkien
–
Distribution of Min Nan dialects. Hokkien is dark green.
11.
Vietnamese alphabet
–
The Vietnamese alphabet is the modern writing system for the Vietnamese language. The many diacritics, often two on the letter, make written Vietnamese easily recognizable. There are 29 letters in the Vietnamese alphabet, note, Naming b bê bò and p bê phở is to avoid confusion in some dialects or some contexts, the same for s xờ mạnh and x xờ nhẹ, i i ngắn and y i dài. Q, q is always followed by u in every word and phrase in Vietnamese, e. g. quang, quần, quyến rũ, etc. The alphabet is derived from the Portuguese, although the usage of gh and gi was borrowed from Italian. The correspondence between the orthography and pronunciation is somewhat complicated, in some cases, the same letter may represent several different sounds, and different letters may represent the same sound. This may be because the orthography was designed centuries ago and the language has changed. The letters y and i are mostly equivalent, and there is no rule that says when to use one or the other, except in sequences like ay. Most people and the media continue to use the spelling that they are most accustomed to. The uses of the i and y to represent the phoneme /i/ can be categorized as standard and non-standard as follows. This standard set by Nhà Xuất bản Giáo dục is not definite and it is unknown why the literature books use Lí while the history books use Lý. The table below matches the vowels of Hanoi Vietnamese and their respective orthographic symbols used in the writing system. Notes, The vowel /i/ is, usually written i, /si/ = sĩ. sometimes written y after h, k, l, m, s, t, v, /mi/ = Mỹ America. It is always written y when, preceded by a vowel, /xwiən/ = khuyên to advise, at the beginning of a word derived from Chinese. The vowel /ɔ/ is written oo before c or ng, /ʔɔk/ = oóc organ and this generally only occurs in recent loanwords or when representing dialectal pronunciation. Similarly, the vowel /o/ is written ôô before c or ng, the diphthong /uə/ is written, ua in open syllables, /muə/ = mua to buy, uô before a consonant, /muən/ = muôn ten thousand. The diphthong /ɨə/ is written, ưa in open syllables, /mɨə/ = mưa to rain, ươ before consonants, Vietnamese is a tonal language, i. e. the meaning of each word depends on the tone in which it is pronounced. There are six tones in the standard northern dialect
Vietnamese alphabet
–
A page from Alexandre de Rhodes' 1651 dictionary
12.
Hanja
–
Hanja is the Korean name for Chinese characters. Borrowed from Chinese and incorporated into the Korean language with Korean pronunciation, hanja-mal or hanja-eo refers to words that can be written with hanja, and hanmun refers to Classical Chinese writing, although hanja is sometimes used loosely to encompass these other concepts. Because hanja never underwent major reform, they are almost entirely identical to traditional Chinese, only a small number of hanja characters are modified or unique to Korean. By contrast, many of the Chinese characters currently in use in Japan and Mainland China have been simplified, and contain fewer strokes than the corresponding hanja characters. Today, a working knowledge of Chinese characters is still important for anyone who wishes to study older texts. Learning a certain number of hanja is very helpful for understanding the etymology of Sino-Korean words, hanja are not used to write native Korean words, which are always rendered in hangul, and even words of Chinese origin—hanja-eo —are written with the hangul alphabet most of the time. A major motivation for the introduction of Chinese characters into Korea was the spread of Buddhism, the major Chinese text that introduced hanja to Koreans, however, was not a religious text but the Chinese text, Cheonjamun. One way of adapting hanja to write Korean in such systems was to represent native Korean grammatical particles, for example, Gugyeol uses the characters 爲尼 to transcribe the Korean word hăni, in modern Korean, that means does, and so. However, in Chinese, the characters are read as the expression wéi ní. This is an example of Gugyeol words where the radical is read in Korean for its meaning. Hanja was the means of writing Korean until King Sejong the Great promoted the invention of hangul in the 15th century. However, even after the invention of hangul, most Korean scholars continued to write in hanmun and it was not until the 20th century that hangul truly replaced hanja. Officially, hanja has not been used in North Korea since June 1949, additionally, many words borrowed from Chinese have been replaced in the North with native Korean words. However, there are a number of Chinese-borrowed words in widespread usage in the North. The replacement has been less total in South Korea where, although usage has declined over time, some remains in common usage in some contexts. Each hanja is composed of one of 214 radicals plus in most cases one or more additional elements, the vast majority of hanja use the additional elements to indicate the sound of the character, but a few hanja are purely pictographic, and some were formed in other ways. This dual meaning-sound reading of a character is called eumhun, the word or words used to denote the meaning are often—though hardly always—words of native Korean origin, and are sometimes archaic words no longer commonly used. South Korean primary schools abandoned the teaching of hanja in 1971 and it is taught in separate courses in South Korean high schools, separately from the normal Korean-language curriculum
Hanja
–
Chinese characters
Hanja
–
Hanja
Hanja
–
Korean writing systems
Hanja
–
Calligraphy
13.
Revised Romanization of Korean
–
The Revised Romanization of Korean is the official Korean language romanization system in South Korea proclaimed by Ministry of Culture and Tourism to replace the older McCune–Reischauer system. The new system eliminates diacritics in favor of digraphs and adheres closely to Korean phonology than to a suggestive rendition of Korean phonetics for non-native speakers. The Revised Romanization limits itself to the ISO basic Latin alphabet, apart from limited and it was developed by the National Academy of the Korean Language from 1995 and was released to the public on 7 July 2000 by South Koreas Ministry of Culture and Tourism in Proclamation No. 2000-8, which cites these reasons for the new system, It promotes consistent romanization by native Korean speakers by the transcription of important language characteristics. It reduces the confusion caused by the frequent omission of apostrophes and it rationalizes the Korean language with the plain ASCII text of internet domain names. Basic principles of romanization are, Romanization is based on standard Korean pronunciation, symbols other than Roman letters are avoided to the greatest extent possible. These are notable features of the Revised Romanization system, Vowels ㅓ/ʌ/ and ㅡ/ɯ/ are written as digraphs, however, ㅝ/wʌ/ is written as wo, and ㅢ/ɰi/ is written as ui. Unlike McCune–Reischauer, aspirated consonants have no apostrophe, k, t, p and their unaspirated counterparts are written with letters that are voiced in English, g, d, b, j. ㅅ/s/ is written as s regardless of the vowels and semivowels, there is no sh, 사 → sa. When followed by another consonant or when in position, it is written as t, 옷 → ot. ㄹ/l/ is r before a vowel or a semivowel and l everywhere else, 리을 → rieul, 철원 → Cheorwon, 울릉도 → Ulleungdo, other rules and recommendations include the following, A hyphen optionally disambiguates syllables, 가을 → ga-eul versus 개울 → gae-ul. However, few official publications make use of this provision since actual instances of ambiguity among names are rare, however, names for geographic features and artificial structures are not hyphenated, 설악산 → Seoraksan, 해인사 → Haeinsa Proper nouns are capitalized. Given names and commercial names are encouraged to change, but it is not required, all Korean textbooks were required to comply with the new system by February 28,2002. English-language newspapers in South Korea initially resisted the new system by citing its flaws, the Korea Times was the last major English-language newspaper to do so and switched only in May 2006. North Korea continues to use a version of the McCune–Reischauer system of Romanization, textbooks and dictionaries intended for students of the Korean language tend to include this Romanization. However, some publishers have acknowledged the difficulties or confusion it can cause for non-native Korean speakers who are unused to the conventions of style of Romanization. ㄱ, ㄷ, ㅂ, and ㄹ are usually transcribed as g, d, b, and r when appearing before a vowel, and as k, t, p, and l when followed by another consonant or when appearing at the end of a word. The revised romanization transcribes certain phonetic changes that occur with combinations of the consonant of a character
Revised Romanization of Korean
–
Korean writing systems
14.
Kanji
–
Kanji, or kanji, are the adopted logographic Chinese characters that are used in the modern Japanese writing system along with hiragana and katakana. The Japanese term kanji for the Chinese characters literally means Han characters and is using the same characters as the Chinese word hànzì. Chinese characters first came to Japan on official seals, letters, swords, coins, mirrors, the earliest known instance of such an import was the King of Na gold seal given by Emperor Guangwu of Han to a Yamato emissary in 57 AD. Chinese coins from the first century AD have been found in Yayoi-period archaeological sites, however, the Japanese of that era probably had no comprehension of the script, and would remain illiterate until the fifth century AD. The earliest Japanese documents were written by bilingual Chinese or Korean officials employed at the Yamato court. For example, the correspondence from King Bu of Wa to Emperor Shun of Liu Song in 478 has been praised for its skillful use of allusion. Later, groups of people called fuhito were organized under the monarch to read, during the reign of Empress Suiko, the Yamato court began sending full-scale diplomatic missions to China, which resulted in a large increase in Chinese literacy at the Japanese court. The Japanese language had no form at the time Chinese characters were introduced. Chinese characters also came to be used to write Japanese words, around 650 CE, a writing system called manyōgana evolved that used a number of Chinese characters for their sound, rather than for their meaning. Manyōgana written in cursive style evolved into hiragana, or onna-de, that is, ladies hand, major works of Heian-era literature by women were written in hiragana. Katakana emerged via a path, monastery students simplified manyōgana to a single constituent element. Thus the two writing systems, hiragana and katakana, referred to collectively as kana, are descended from kanji. Katakana are mostly used for representing onomatopoeia, non-Japanese loanwords, the names of plants and animals, and for emphasis on certain words. In 1946, following World War II and under the Allied Occupation of Japan and this was done with the goal of facilitating learning for children and simplifying kanji use in literature and periodicals. The number of characters in circulation was reduced, and formal lists of characters to be learned during each grade of school were established, some characters were given simplified glyphs, called shinjitai. Many variant forms of characters and obscure alternatives for common characters were officially discouraged and these are simply guidelines, so many characters outside these standards are still widely known and commonly used, these are known as hyōgaiji. The kyōiku kanji are 1,006 characters that Japanese children learn in elementary school, originally the list only contained 881 characters. This was expanded to 996 characters in 1977 and it was not until 1982 the list was expanded to its current size
Kanji
–
Chinese characters
Kanji
–
A young woman practicing kanji.
Ukiyo-e woodblock print by
Yōshū Chikanobu, 1897
Kanji
–
Nihon Shoki (720 AD), considered by historians and archaeologists as the most complete extant historical record of ancient Japan, was written entirely in kanji.
Kanji
–
A jūbako (重箱
?), which has a mixed on-kun reading.
15.
Hiragana
–
Hiragana is a Japanese syllabary, one component of the Japanese writing system, along with katakana, kanji, and in some cases rōmaji. It is a lettering system. The word hiragana literally means ordinary or simple kana, Hiragana and katakana are both kana systems. With one or two exceptions, each sound in the Japanese language is represented by one character in each system. Because the characters of the kana do not represent single consonants, words that do have common kanji renditions may also sometimes be written instead in hiragana, according to an individual authors preference, for example to impart an informal feel. Hiragana is also used to write furigana, a reading aid that shows the pronunciation of kanji characters, There are two main systems of ordering hiragana, the old-fashioned iroha ordering and the more prevalent gojūon ordering. Of the 50 theoretically possible combinations, yi and wu do not exist in the language, wo is usually pronounced as a vowel in modern Japanese, and is preserved in only one use, as a particle. Romanization of the kana does not always follow the consonant-vowel scheme laid out in the table. For example, ち, nominally ti, is very often romanised as chi in an attempt to represent the actual sound in Japanese. These basic characters can be modified in various ways, by adding a dakuten marker, a voiceless consonant is turned into a voiced consonant, k→g, ts/s→z, t→d, h→b and ch/sh→j. Hiragana beginning with an h can also add a handakuten marker changing the h to a p, a small version of the hiragana for ya, yu or yo may be added to hiragana ending in i. This changes the i vowel sound to a glide to a, u or o, for example, き plus ゃ becomes きゃ. Addition of the small y kana is called yōon, a small tsu っ, called a sokuon, indicates that the following consonant is geminated. In Japanese this is an important distinction in pronunciation, for example, the sokuon also sometimes appears at the end of utterances, where it denotes a glottal stop, as in いてっ. However, it cannot be used to double the na, ni, nu, ne, no syllables consonants – to double these, Hiragana usually spells long vowels with the addition of a second vowel kana, for example, おかあさん. In informal writing, small versions of the five vowel kana are used to represent trailing off sounds. Standard and voiced iteration marks are written in hiragana as ゝ and ゞ respectively, the following table shows the complete hiragana together with the Hepburn romanization and IPA transcription in the gojūon order. Hiragana with dakuten or handakuten follow the gojūon kana without them, obsolete and normally unused kana are shown in gray
Hiragana
–
Hiragana characters' shapes were derived from the Chinese
cursive script (sōsho). Shown here is a sample of the cursive script by Chinese
Tang Dynasty calligrapher
Sun Guoting, from the late 7th century.
16.
Historical kana usage
–
By that point the historical orthography was no longer in accord with Japanese pronunciation. It differs from usage in the number of characters and the way those characters are used. The historical orthography is found in most Japanese dictionaries, such as Kōjien, ellipses are used to save space when the historical and modern spellings are identical. Older editions of the Kōjien gave priority to the historical orthography, the historical orthography should not be confused with hentaigana, alternate kana that were declared obsolete with the orthographic reforms of 1900. This section uses Nihon-shiki romanization for づ, ず, ぢ, じ, ゐ, in historical kana usage, Two kana are used that are obsolete today, ゐ/ヰ wi and ゑ/ヱ we. These are today read as i and e, words that formerly contained those characters are now written using い/イ i and え/エ e respectively. Outside of its use as a particle, the を wo kana is used to represent the o sound in some, but not all, words. Yōon sounds, such as しょう shō or きょう kyō, are not written with a kana, depending on the word. If written with two kana and the last one is や ya, ゆ yu, or よ yo, then it represents a syllable of one mora. If written with two or three kana and the last one is う u or ふ fu, then it represents a syllable of two moras. The first kana is not always the same as one used in the spelling, as in 今日 kyō today. The series of kana ha hi fu he ho are used to represent, in some words, precedence is given to grammar over pronunciation. For example, the verb warau, is written わらふ warafu, and in accordance with Japanese grammar rules, waraō, the kana づ du and ぢ di, which are mostly only used in rendaku in modern kana usage, are more common. Modern kana usage replaces them with the identically-pronounced ず zu and じ ji in most cases, for example, ajisai is written あぢさゐ adisawi. Most of the historical kana usage has found to accurately represent certain aspects of the way words sounded during the Heian period. As the spoken language has continued to develop, some orthography looks odd to the modern eye, as these peculiarities follow fairly regular patterns, they are not difficult to learn. However, some of the historical kana usages are simply mistakes, in particular, yōon sounds occur almost exclusively in the Chinese-derived readings that are usually only seen in Kanji compounds, and therefore do not look any different. It is also for this reason that many dictionaries continue to include the historical spellings
Historical kana usage
–
Japanese writing
17.
Hepburn romanization
–
The system was originally proposed by the Romanization Club in 1885. The revised edition by Romaji-Hirome-kai in 1908 is called standard style romanization, Hepburn is based on English phonology and has competed with the alternative Nihon-shiki romanization, which was developed in Japan as a replacement of Japanese script. In 1930, a Special Romanization Study Commission was appointed to compare the two, the ordinance was temporarily overturned by the Supreme Commander for the Allied Powers during the Occupation of Japan, but was reissued in 1954. In 1972, a version of Hepburn was codified as ANSI standard Z39. 11-1972. It was proposed in 1989 as a draft for ISO3602, the ANSI Z39. 11-1972 standard was consequently deprecated on October 6,1994. As of 1978, the Ministry of Foreign Affairs, the Ministry of International Trade and Industry, in addition The Japan Times, the Japan Travel Bureau, and many other private organizations used Hepburn instead of Kunrei-shiki. The National Diet Library used Kunrei-shiki, although Hepburn is not a government standard, some government agencies mandate it. In many other areas where it de jure status, Hepburn remains the de facto standard. Signs and notices in city offices and police stations, at shrines, temples, English-language newspapers and media use the simplified form of Hepburn. Cities and prefectures use it in information for English-speaking residents and visitors, official tourism information put out by the government uses it, as do guidebooks, local and foreign, on Japan. Many students of Japanese as a foreign language learn Hepburn, there are many variants of Hepburn romanization. The two most common styles are, Traditional Hepburn, as defined in various editions of Hepburns dictionary and this variant is characterized by the rendering of syllabic n as m before the consonants b, m and p, e. g. Shimbashi for 新橋. Modified Hepburn, also known as Revised Hepburn, in which the rendering of syllabic n as m before certain consonants is no longer used, in Japan itself, there are some variants officially mandated for various uses, Railway Standard, which follows the Hyōjun-shiki Rōmaji. All JR railways and other major railways use this type for station names, Ministry of Land, Infrastructure, Transport and Tourism Standard, which follows the modified Hepburn style. This is used for road signs, Ministry of Foreign Affairs Passport Standard, a permissive standard which explicitly allows the use of non-Hepburn romaji in personal names, notably for passports. In particular, rendering the syllabic n as m before b, m, p, details of these variants can be found below. The romanizations set out in the first and second versions of Hepburns dictionary are primarily of historical interest, supporters argue that Hepburn is not intended as a linguistic tool. The long vowels are indicated by macrons
Hepburn romanization
–
Former
JNR -style board of
Toyooka Station. Between the two adjacent stations, “
GEMBUDŌ ” follows the Hepburn romanization system, but “
KOKUHU ” follows the
Nihon-shiki /
Kunrei-shiki romanization system.
18.
Calligraphy
–
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a broad tip instrument, brush, a contemporary calligraphic practice can be defined as, the art of giving form to signs in an expressive, harmonious, and skillful manner. Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable, classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may practice both. It is also used for props and moving images for film and television, testimonials, birth and death certificates, maps, the principal tools for a calligrapher are the pen and the brush. Calligraphy pens write with nibs that may be flat, round, for some decorative purposes, multi-nibbed pens—steel brushes—can be used. However, works have also created with felt-tip and ballpoint pens. There are some styles of calligraphy, like Gothic script, which require a stub nib pen, Writing ink is usually water-based and is much less viscous than the oil-based inks used in printing. Normally, light boxes and templates are used to achieve straight lines without pencil markings detracting from the work, ruled paper, either for a light box or direct use, is most often ruled every quarter or half inch, although inch spaces are occasionally used. This is the case with litterea unciales, and college-ruled paper often acts as a guideline well, common calligraphy pens and brushes are, Quill Dip pen Ink brush Qalam Fountain pen Western calligraphy is recognizable by the use of the Latin script. The Latin alphabet appeared about 600 BC, in Rome, and by the first century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, in the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was more suitable for copying the Bible. It was the monasteries which preserved calligraphic traditions during the fourth and fifth centuries, at the height of the Empire, its power reached as far as Great Britain, when the empire fell, its literary influence remained. The Semi-uncial generated the Irish Semi-uncial, the small Anglo-Saxon, each region developed its own standards following the main monastery of the region, which are mostly cursive and hardly readable. Christian churches promoted the development of writing through the copying of the Bible, particularly the New Testament. Two distinct styles of writing known as uncial and half-uncial developed from a variety of Roman bookhands, the 7th-9th centuries in northern Europe were the heyday of Celtic illuminated manuscripts, such as the Book of Durrow, Lindisfarne Gospels and the Book of Kells. Charlemagnes devotion to improved scholarship resulted in the recruiting of a crowd of scribes, according to Alcuin, Alcuin developed the style known as the Caroline or Carolingian minuscule. The first manuscript in hand was the Godescalc Evangelistary — a Gospel book written by the scribe Godescalc. Carolingian remains the one hand from which modern booktype descends
Calligraphy
–
Calligraphy
Calligraphy
–
Calligraphy of the German word "Urkunde"(deed)
Calligraphy
–
Folio 27r from the Lindisfarne Gospels (c.700) contains the
incipit from the
Gospel of Matthew.
Calligraphy
–
Calligraphy in a
Latin Bible of 1407 on display in
Malmesbury Abbey,
Wiltshire, England. This bible was hand written in Belgium, by Gerard Brils, for reading aloud in a
monastery.
19.
China
–
China, officially the Peoples Republic of China, is a unitary sovereign state in East Asia and the worlds most populous country, with a population of over 1.381 billion. The state is governed by the Communist Party of China and its capital is Beijing, the countrys major urban areas include Shanghai, Guangzhou, Beijing, Chongqing, Shenzhen, Tianjin and Hong Kong. China is a power and a major regional power within Asia. Chinas landscape is vast and diverse, ranging from forest steppes, the Himalaya, Karakoram, Pamir and Tian Shan mountain ranges separate China from much of South and Central Asia. The Yangtze and Yellow Rivers, the third and sixth longest in the world, respectively, Chinas coastline along the Pacific Ocean is 14,500 kilometers long and is bounded by the Bohai, Yellow, East China and South China seas. China emerged as one of the worlds earliest civilizations in the basin of the Yellow River in the North China Plain. For millennia, Chinas political system was based on hereditary monarchies known as dynasties, in 1912, the Republic of China replaced the last dynasty and ruled the Chinese mainland until 1949, when it was defeated by the communist Peoples Liberation Army in the Chinese Civil War. The Communist Party established the Peoples Republic of China in Beijing on 1 October 1949, both the ROC and PRC continue to claim to be the legitimate government of all China, though the latter has more recognition in the world and controls more territory. China had the largest economy in the world for much of the last two years, during which it has seen cycles of prosperity and decline. Since the introduction of reforms in 1978, China has become one of the worlds fastest-growing major economies. As of 2016, it is the worlds second-largest economy by nominal GDP, China is also the worlds largest exporter and second-largest importer of goods. China is a nuclear weapons state and has the worlds largest standing army. The PRC is a member of the United Nations, as it replaced the ROC as a permanent member of the U. N. Security Council in 1971. China is also a member of numerous formal and informal multilateral organizations, including the WTO, APEC, BRICS, the Shanghai Cooperation Organization, the BCIM, the English name China is first attested in Richard Edens 1555 translation of the 1516 journal of the Portuguese explorer Duarte Barbosa. The demonym, that is, the name for the people, Portuguese China is thought to derive from Persian Chīn, and perhaps ultimately from Sanskrit Cīna. Cīna was first used in early Hindu scripture, including the Mahābhārata, there are, however, other suggestions for the derivation of China. The official name of the state is the Peoples Republic of China. The shorter form is China Zhōngguó, from zhōng and guó and it was then applied to the area around Luoyi during the Eastern Zhou and then to Chinas Central Plain before being used as an occasional synonym for the state under the Qing
China
–
Yinxu, ruins of an ancient
palace dating from the
Shang Dynasty (14th century BCE)
China
–
Flag
China
–
Some of the thousands of life-size
Terracotta Warriors of the
Qin Dynasty, c. 210 BCE
China
–
The
Great Wall of China was built by several dynasties over two thousand years to protect the sedentary agricultural regions of the
Chinese interior from incursions by
nomadic pastoralists of the northern
steppes.
20.
Chinese cultural sphere
–
The Sinosphere, or East Asian cultural sphere, refers to a grouping of countries and regions in East Asia that were historically influenced by the culture of China. The East Asian cultural sphere shares a Confucian ethical philosophy, Buddhism, political and legal structures, the core regions of the East Asian cultural sphere are Mainland China, Taiwan Island, North Korea, South Korea, Ryukyu Islands, Japan and Vietnam. Although Mongolia and parts of Central Asia are sometimes included and perhaps more on an ethnic basis, the terms East Asian cultural sphere and Chinese character cultural sphere are used interchangeably with Sinosphere but have different denotations. British historian Arnold J. Toynbee listed the Far Eastern civilization as one of the main civilizations outlined in his book and he included Japan and Korea in his Far Eastern civilization, and proposed that it grew out of the Sinic civilization that originated in the Yellow River basin. Toynbee compared the relationship between the Sinic and Far Eastern civilization with that of the Hellenic and Western civilizations, according to Toynbee, the Hellenic and Western civilizations had an apparentation-affiliation relationship, while the Far Eastern world was controlled by the ghost of the Sinic universal state. Japanese historian Nishijima Sadao conceived a Chinese or East Asian cultural sphere largely isolated from other cultures, according to Sadao, this cultural sphere shared the philosophy of Confucianism, the religion of Buddhism, and similar political and social structures. His cultural sphere includes China, Japan, Korea, Vietnam, the American Sinologist and historian Edwin O. Reischauer grouped China, Korea, and Japan together into a cultural sphere that he called the Sinic world. These countries are centralized states that share a Confucian ethical philosophy, Reischauer states that this culture originated in Northern China, and compared the relationship between Northern China and East Asia with that of Greco-Roman civilization and Europe. The elites of East Asia were tied together through a written language based on Chinese characters. Political scientist Samuel P. Huntington considered the Sinic world as one of civilizations in his The Clash of Civilizations. Huntingtons Sinic civilization includes China, North Korea, South Korea, Mongolia, Vietnam, of the many civilizations that Huntington discusses, the Sinic world is the only one that is based on a cultural, rather than religious, identity. Huntingtons theory was that in a post-Cold War world, humanity identify with groups, tribes, ethnic groups, religious communities. Huntington argued that the Sinic world would eventually oppose the Wests hegemony in Asia, countries from the East Asian cultural sphere share a common architectural style stemming from the architecture of ancient China. The countries of China, Japan, Korea, Taiwan, Confucianism focuses on the cultivation of virtue and maintenance of ethics, the most basic of which are rén, yì, and lǐ. Mid-Imperial Chinese philosophy is defined by the development of Neo-Confucianism. During the Tang Dynasty, Buddhism from India also became a prominent philosophical, Neo-Confucianism has its origins in the Tang Dynasty, the Confucianist scholar Han Yu is seen as a forebear of the Neo-Confucianists of the Song Dynasty. The Song Dynasty philosopher Zhou Dunyi is seen as the first true pioneer of Neo-Confucianism, elsewhere in East Asia, Japanese philosophy began to develop as indigenous Shinto beliefs fused with Buddhism, Confucianism and other schools of Chinese philosophy. Similar to Japan, in Korean philosophy elements of Shamanism were integrated into the Neo-Confucianism imported from China, East Asian literary culture was based on the use of Literary Chinese, which became the medium of scholarship and government across the region
Chinese cultural sphere
–
East Asian cultural sphere
21.
Japan
–
Japan is a sovereign island nation in Eastern Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asia Mainland and stretches from the Sea of Okhotsk in the north to the East China Sea, the kanji that make up Japans name mean sun origin. 日 can be read as ni and means sun while 本 can be read as hon, or pon, Japan is often referred to by the famous epithet Land of the Rising Sun in reference to its Japanese name. Japan is an archipelago consisting of about 6,852 islands. The four largest are Honshu, Hokkaido, Kyushu and Shikoku, the country is divided into 47 prefectures in eight regions. Hokkaido being the northernmost prefecture and Okinawa being the southernmost one, the population of 127 million is the worlds tenth largest. Japanese people make up 98. 5% of Japans total population, approximately 9.1 million people live in the city of Tokyo, the capital of Japan. Archaeological research indicates that Japan was inhabited as early as the Upper Paleolithic period, the first written mention of Japan is in Chinese history texts from the 1st century AD. Influence from other regions, mainly China, followed by periods of isolation, from the 12th century until 1868, Japan was ruled by successive feudal military shoguns who ruled in the name of the Emperor. Japan entered into a period of isolation in the early 17th century. The Second Sino-Japanese War of 1937 expanded into part of World War II in 1941, which came to an end in 1945 following the bombings of Hiroshima and Nagasaki. Japan is a member of the UN, the OECD, the G7, the G8, the country has the worlds third-largest economy by nominal GDP and the worlds fourth-largest economy by purchasing power parity. It is also the worlds fourth-largest exporter and fourth-largest importer, although Japan has officially renounced its right to declare war, it maintains a modern military with the worlds eighth-largest military budget, used for self-defense and peacekeeping roles. Japan is a country with a very high standard of living. Its population enjoys the highest life expectancy and the third lowest infant mortality rate in the world, in ancient China, Japan was called Wo 倭. It was mentioned in the third century Chinese historical text Records of the Three Kingdoms in the section for the Wei kingdom, Wa became disliked because it has the connotation of the character 矮, meaning dwarf. The 倭 kanji has been replaced with the homophone Wa, meaning harmony, the Japanese word for Japan is 日本, which is pronounced Nippon or Nihon and literally means the origin of the sun. The earliest record of the name Nihon appears in the Chinese historical records of the Tang dynasty, at the start of the seventh century, a delegation from Japan introduced their country as Nihon
Japan
–
The
Golden Hall and
five-storey pagoda of
Hōryū-ji, among the oldest wooden buildings in the world,
National Treasures, and a
UNESCO World Heritage Site
Japan
Japan
–
Samurai warriors face Mongols, during the
Mongol invasions of Japan. The
Kamikaze, two storms, are said to have saved Japan from Mongol fleets.
Japan
–
Samurai could
kill a commoner for the slightest insult and were widely feared by the Japanese population.
Edo period, 1798
22.
Korea
–
Korea is a historical state in East Asia, since 1945 divided into two distinct sovereign states, North Korea and South Korea. Located on the Korean Peninsula, Korea is bordered by China to the northwest and it is separated from Japan to the east by the Korea Strait and the Sea of Japan. Korea emerged as a political entity after centuries of conflict among the Three Kingdoms of Korea. Later Silla divided into three states during the Later Three Kingdoms period. Goryeo, which had succeeded Goguryeo, defeated the two states and united the Korean Peninsula. Around the same time, Balhae collapsed and its last crown prince fled south to Goryeo, Goryeo, whose name developed into the modern exonym Korea, was a highly cultured state that created the worlds first metal movable type in 1234. However, multiple invasions by the Mongol Yuan Dynasty during the 13th century greatly weakened the nation, following the Yuan Dynastys collapse, severe political strife followed, and Goryeo eventually fell to a coup led by General Yi Seong-gye, who established Joseon in 1388. The first 200 years of Joseon were marked by peace and saw the creation of the Korean alphabet by Sejong the Great in the 14th century. During the later part of the dynasty, however, Koreas isolationist policy earned it the Western nickname of the Hermit Kingdom, by the late 19th century, the country became the object of imperial design by the Empire of Japan. Despite attempts at modernization by the Korean Empire, in 1910 Korea was annexed by Japan and these circumstances soon became the basis for the division of Korea by the two superpowers, exacerbated by their incapability to agree on the terms of Korean independence. To date, both continue to compete with each other as the sole legitimate government of all of Korea. Korea is the spelling of Corea, a name attested in English as early as 1614. It is a derived from Cauli, Marco Polos transcription of the Chinese 高麗. This was the Hanja for the Korean kingdom of Goryeo or Koryŏ, Goryeos name was a continuation of the earlier Goguryeo or Koguryŏ, the northernmost of the Samguk, which was officially known by the shortened form Goryeo after the 5th-century reign of King Jangsu. The original name was a combination of the go with the name of a local Yemaek tribe. The name Korea is now used in English contexts by both North and South Korea. In South Korea, Korea as a whole is referred to as Hanguk, the name references the Samhan—Ma, Jin, and Byeon—who preceded the Three Kingdoms in the southern and central end of the peninsula during the 1st centuries BC and AD. It has been linked with the title khan used by the nomads of Manchuria
Korea
Korea
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Anapji (Anap Pond) in
Gyeongju Historic Areas.
Korea
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The
Gyeongbokgung Palace
23.
Taiwan
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Taiwan, officially the Republic of China, is a state in East Asia. Neighbours include China to the west, Japan to the northeast, Taiwan is the most populous state that is not a member of the United Nations, and the one with the largest economy. The island of Taiwan, also known as Formosa, was inhabited by Taiwanese aborigines before the 17th century. After a brief rule by the Kingdom of Tungning, the island was annexed by the Qing dynasty, the Qing ceded Taiwan to Japan in 1895 after the Sino-Japanese War. While Taiwan was under Japanese rule, the Republic of China was established on the mainland in 1912 after the fall of the Qing dynasty, following the Japanese surrender to the Allies in 1945, the ROC took control of Taiwan. However, the resumption of the Chinese Civil War led to the ROCs loss of the mainland to the Communists, and the flight of the ROC government to Taiwan in 1949. As a founding member of the United Nations, the ROC continued to represent China at the United Nations until 1971, in the early 1960s, Taiwan entered a period of rapid economic growth and industrialization, creating a stable industrial economy. In the 1980s and early 1990s, it changed from a one-party military dictatorship dominated by the Kuomintang to a multi-party democracy with universal suffrage, Taiwan is the 22nd-largest economy in the world, and its high-tech industry plays a key role in the global economy. It is ranked highly in terms of freedom of the press, health care, public education, economic freedom, the PRC has consistently claimed sovereignty over Taiwan and asserted the ROC is no longer in legitimate existence. Under its One-China Policy the PRC refused diplomatic relations with any country that recognizes the ROC, the PRC has threatened the use of military force in response to any formal declaration of independence by Taiwan or if PRC leaders decide that peaceful unification is no longer possible. There are various names for the island of Taiwan in use today, the former name Formosa dates from 1542, when Portuguese sailors sighted the main island of Taiwan and named it Ilha Formosa, which means beautiful island. The name Formosa eventually replaced all others in European literature and was in use in English in the early 20th century. This name was adopted into the Chinese vernacular as the name of the sandbar. The modern word Taiwan is derived from this usage, which is seen in forms in Chinese historical records. Use of the current Chinese name was formalized as early as 1684 with the establishment of Taiwan Prefecture, through its rapid development, the entire Formosan mainland eventually became known as Taiwan. The official name of the state is the Republic of China and it was a member of the United Nations representing China until 1971, when it lost its seat to the Peoples Republic of China. Over subsequent decades, the Republic of China has become known as Taiwan. In some contexts, especially ones from the ROC government
Taiwan
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A young
Tsou man
Taiwan
–
Flag
Taiwan
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Overview of
Fort Zeelandia, painted around 1635
Taiwan
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Japanese colonial soldiers march Taiwanese captured after the
Tapani Incident from the
Tainan jail to court, 1915.
24.
Vietnam
–
Vietnam, officially the Socialist Republic of Vietnam, is the easternmost country on the Indochina Peninsula in Southeast Asia. With an estimated 92.7 million inhabitants as of 2016, it is the worlds 14th-most-populous country, and its capital city has been Hanoi since the reunification of North and South Vietnam in 1976, with Ho Chi Minh City as a historical city as well. The northern part of Vietnam was part of Imperial China for over a millennium, an independent Vietnamese state was formed in 939, following a Vietnamese victory in the Battle of Bạch Đằng River. Following a Japanese occupation in the 1940s, the Vietnamese fought French rule in the First Indochina War, thereafter, Vietnam was divided politically into two rival states, North Vietnam, and South Vietnam. Conflict between the two sides intensified in what is known as the Vietnam War, the war ended with a North Vietnamese victory in 1975. Vietnam was then unified under a communist government but remained impoverished, in 1986, the government initiated a series of economic and political reforms which began Vietnams path towards integration into the world economy. By 2000, it had established relations with all nations. Since 2000, Vietnams economic growth rate has been among the highest in the world and its successful economic reforms resulted in its joining the World Trade Organization in 2007. It is also a member of the Asia-Pacific Economic Cooperation and the Organisation Internationale de la Francophonie, Vietnam remains one of the worlds four remaining one-party socialist states officially espousing communism. The name Việt Nam is a variation of Nam Việt, a name that can be traced back to the Triệu Dynasty of the 2nd century BC. The word Việt originated as a form of Bách Việt. The form Vietnam is first recorded in the 16th-century oracular poem Sấm Trạng Trình, the name has also been found on 12 steles carved in the 16th and 17th centuries, including one at Bao Lam Pagoda in Haiphong that dates to 1558. Then, as recorded, rewarded Yuenan/Vietnam as their nations name, to also show that they are below the region of Baiyue/Bach Viet. Between 1804 and 1813, the name was used officially by Emperor Gia Long and it was revived in the early 20th century by Phan Bội Châus History of the Loss of Vietnam, and later by the Vietnamese Nationalist Party. The country was usually called Annam until 1945, when both the government in Huế and the Viet Minh government in Hanoi adopted Việt Nam. Archaeological excavations have revealed the existence of humans in what is now Vietnam as early as the Paleolithic age, Homo erectus fossils dating to around 500,000 BC have been found in caves in Lạng Sơn and Nghệ An provinces in northern Vietnam. The oldest Homo sapiens fossils from mainland Southeast Asia are of Middle Pleistocene provenance, teeth attributed to Homo sapiens from the Late Pleistocene have also been found at Dong Can, and from the Early Holocene at Mai Da Dieu, Lang Gao and Lang Cuom. The Hồng Bàng dynasty of the Hùng kings is considered the first Vietnamese state, in 257 BC, the last Hùng king was defeated by Thục Phán, who consolidated the Lạc Việt and Âu Việt tribes to form the Âu Lạc, proclaiming himself An Dương Vương
Vietnam
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A
Đông Sơn bronze drum, c.800 BC.
Vietnam
–
Flag
Vietnam
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The
Imperial City in
Huế.
Vietnam
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French Indochina in 1913.
25.
East Asian script styles
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In Chinese calligraphy, Chinese characters can be written according to five major styles. These styles are intrinsically linked to the history of Chinese script, the Japanese syllabaries of katakana and hiragana are used in calligraphy, the katakana were derived from the shapes of regular script characters and hiragana from those of cursive script. In Korea, the post-Korean War period saw the use of hangul. The seal script is the script of the Qín system of writing. Today, this style of Chinese writing is used predominantly in seals, most people today cannot read the seal script, so it is considered an ‘ancient’ script, generally not used outside the fields of calligraphy and carved seals. Compared with the seal script, forms are strikingly rectilinear, however, some curvature. Seal script tended towards uniformity of stroke width, but clerical script gave the brush freer rein, most noticeable is the dramatically flared tail of one dominant horizontal or downward-diagonal stroke, especially that to the lower right. This characteristic stroke has famously been called silkworm head and wild goose tail due to its distinctive shape, the clerical script remains common as a typeface used for decorative purposes, but other than in artistic calligraphy, adverts and signage, it is not commonly written. The semi-cursive script approximates normal handwriting in which strokes and, more rarely, in writing in the semi-cursive script, the brush leaves the paper less often than in the regular script. Characters appear less angular and rounder, in general, an educated person in China or Japan can read characters written in the semi-cursive script with relative ease, but may have occasional difficulties with certain idiosyncratic shapes. Entire characters may be written without lifting the brush from the paper at all, strokes are modified or eliminated completely to facilitate smooth writing and to create a beautiful, abstract appearance. Characters are highly rounded and soft in appearance, with a lack of angular lines. The cursive script is the source of Japanese hiragana, as well as many modern simplified forms in Simplified Chinese characters and it emerged from a neatly written, early period semi-cursive form of clerical script. As the name suggests, the script is regular, with each of the strokes placed slowly and carefully. The regular script is also the most easily and widely recognized style, as it is the script to which children in East Asian countries and beginners of East Asian languages are first introduced. In the regular script samples to the right, the characters in the column are in Traditional Chinese while those to the right are in Simplified Chinese. These styles are not taught in Japanese calligraphy schools. Chinese and Korean people can read edomoji, but the style has a distinct Japanese feel to it and it is therefore commonly used in China and Korea to advertise Japanese restaurants
East Asian script styles
–
Chinese characters
East Asian script styles
–
Seal
East Asian script styles
East Asian script styles
26.
Ink and wash painting
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Ink wash painting, also known as literati painting, is an East Asian type of brush painting of Chinese origin that uses black ink—the same as used in East Asian calligraphy, in various concentrations. For centuries, this most prestigious form of Chinese art was practiced by highly educated scholar gentlemen or literati, names used in the cultures concerned include, in Chinese shuǐ mò huà, in Japanese sumi-e or suibokuga, in Korean sumukhwa, and in Vietnamese tranh thủy mặc. Textual evidence suggests that Shan shui style painting existed during Chinas Liu Song dynasty of the fifth century, ink wash painting developed further during the Tang dynasty. The 8th-century poet/painter Wang Wei is generally credited as the painter who applied color to existing ink wash paintings, the art was further developed into a more polished style during the Song Dynasty. It was introduced to Korea shortly after Chinas discovery of the ink, Asian aesthetic writing is generally consistent in stating the goal of ink and wash painting is not simply to reproduce the appearance of the subject, but to capture its spirit. To paint a horse, the ink wash painting artist must understand its temperament better than its muscles and bones, to paint a flower, there is no need to perfectly match its petals and colors, but it is essential to convey its liveliness and fragrance. East Asian ink wash painting may be regarded as a form of art that captures the unseen. In landscape painting the scenes depicted are typically imaginary, or very loose adaptations of actual views, mountain landscapes are by far the most common, often evoking particular areas traditionally famous for their beauty, from which the artist may have been very distant. East Asian ink wash painting has inspired modern artists in the West. In his classic book Composition, American artist and educator Arthur Wesley Dow wrote this about ink wash painting, put upon the paper the fewest possible lines and tones, just enough to cause form, texture and effect to be felt. Every brush-touch must be full-charged with meaning, and useless detail eliminated, put together all the good points in such a method, and you have the qualities of the highest art. Dow strived for harmonic compositions through three elements, line, shading, and color and he advocated practicing with East Asian brushes and ink to develop aesthetic acuity with line and shading. Ink wash painting artists spend years practicing basic brush strokes to refine their brush movement, in the hand of a master, a single stroke can produce astonishing variations in tonality, from deep black to silvery gray. Ink wash painting is usually done on paper or washi both of which are highly absorbent and unsized. Silk is also used in forms of ink painting. Many types of paper and washi do not lend themselves readily to a smooth wash the way watercolor paper does. Each brush stroke is visible, so any wash in the sense of Western style painting requires partially sized paper, paper manufacturers today understand artists demands for more versatile papers and work to produce kinds that are more flexible. In ink wash paintings, as in calligraphy, artists usually grind inkstick over an inkstone to obtain black ink, most inksticks are made of soot from pine or oil combined with animal glue
Ink and wash painting
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Ink wash painting
Ink and wash painting
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Mountain landscapes are by far the most common scenes depicted in ink wash
landscape paintings. Pictured:
Landscape by Sesshū
Ink and wash painting
–
Brush rest in the shape of a praying mantis
Ink and wash painting
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Autumn Landscape (Shūkei-sansui).
Sesshū Tōyō (1420-1506), Japanese
27.
Chinese seal
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China, Japan, Taiwan, and Korea currently use a mixture of seals and hand signatures, and increasingly, electronic signatures. It is used to an extent in Vietnam by authorised organisations and businesses. Chinese seals are made of stone, sometimes of metals, wood, bamboo, plastic, or ivory. The colloquial name chop, when referring to these kinds of seals, was adapted from the Hindi word chapa, in the past, fingerprints and handprints were used in East Asia for this function, being first impressed in clay, then printed on paper. This has been recorded since the 3rd century BCE in China – continuing for at least a millennium, see history of fingerprints for details and reference. Earlier similar devices are the seals used in Babylonia to make impressions on clay tablets. Zhuwen seals imprint the Chinese characters in red ink, sometimes referred to as yang seals, baiwen seals imprint the background in red, leaving white characters, sometimes referred to as yin seals. These were usually made of jade, and were square in shape. They were changed to a rectangular form during the Song dynasty, the Heirloom Seal was passed down through several dynasties, but had been lost by the beginning of the Ming dynasty. These seals typically bore the titles of the offices, rather than the names of the owners, different seals could be used for different purposes, for example, the Qianlong Emperor had a number of informal appreciation seals used on select paintings in his collection. The most popular style of script for government seals in the eras of China is the Nine-fold Script. The government of the Republic of China has continued to use traditional square seals of up to about 13 centimetres each side, known by a variety of names depending on the users hierarchy. Part of the ceremony for the President of the Republic of China includes bestowing on him the Seal of the Republic of China. In the Peoples Republic of China, the seal of the Central Peoples Government from 1949 to 1954 was a square, the inscription reads Seal of the Central Peoples Government of the Peoples Republic of China. Notably, the uses the relatively modern Song typeface rather than the more ancient seal scripts. Government seals in the Peoples Republic of China today are usually circular in shape, the name of the governmental institution is arranged around the star in a semicircle. There are many classes of personal seals, are the equivalent of todays email signature, and can contain the persons personal philosophy or literary inclination. These can be any shape, ranging from ovals to dragon-shaped, carry the name of the persons private studio 書齋, which most literati in ancient China had, although probably in lesser forms
Chinese seal
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A Baiwen name seal, read up-down-right-left: 葉昊旻印 (pinyin: Ye Hao Min Yin, lit. "Seal of Ye Haomin")
Chinese seal
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A Zhuwen leisure seal; Read top-bottom, right-left; Ning Hai Bi Bo
Chinese seal
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Xu Yong Yu Yin 徐永裕印, rotating character seal of Xu Yongyu
Chinese seal
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Chinese seal and red seal paste
28.
Inkstone
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An inkstone is a stone mortar for the grinding and containment of ink. In addition to stone, inkstones are also manufactured from clay, bronze, iron, the device evolved from a rubbing tool used for rubbing dyes dating around 6000 to 7000 years ago. Traditional East Asian ink is solidified into inksticks, usually, some water is applied onto the inkstone before the bottom end of the inkstick is placed on the grinding surface and then gradually ground to produce the ink. The Chinese grind their ink in a motion with the end flat on the surface whilst the Japanese push one edge of the end of the inkstick back. Water can be stored in a cavity on the inkstone itself. The water-holding cavity or water reservoir in time became an ink reservoir on later inkstones, water was usually kept in a ceramic container and sprinkled on the inkstone. The inkstone, together with the ink brush, inkstick and Xuan paper, are the four writing implements traditionally known as the Four Treasures of the Study, the inkstone is Chinese in origin and is used in calligraphy and painting. Extant inkstones date from antiquity in China. The device evolved from a tool used for rubbing dyes dating around 6000 to 7000 years ago. The earliest excavated inkstone is dated from the 3rd century BC, usage of the inkstone was popularized during the Han Dynasty. Stimulated by the economy and culture, the demand for inkstones increased during the Tang Dynasty. Song Dynasty inkstones can be of size and often display a delicacy of carving. Song Dynasty inkstones can also exhibit a roughness in their finishing, dragon designs of the period often reveal an almost humorous rendition, the dragons often seem to smile. From the subsequent Yuan Dynasty, in contrast, dragons display a ferocious appearance, the Qianlong Emperor had his own imperial collection of inkstones catalogued into a twenty-four chapter compendium entitled Xiqing yanpu. Many of these inkstones are housed in the National Palace Museum collection in Taipei, books and scholarship on the various inkstones of China existed chiefly in Japan, where a long bibliography on the subject exists. Inkstones should be appreciated in the context of the traditional scholars studio culture, members of the Chinese literati, such as the Song Dynastys Ouyang Xiu, contributed greatly to this new culture. For serious calligraphers and painters, a good inkstone is as important as the quality of the ink, an inkstone will affect the quality and texture of the ink that is ground upon it. Four kinds of Chinese inkstones are especially noted in art history and are popularly known as the Four Famous Inkstones
Inkstone
–
Green Duan inkstone from
Song Dynasty,
China (Nantoyōsō Collection,
Japan)
Inkstone
–
Scheme of an inkstone and its use.
Inkstone
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She inkstone from Song Dynasty, China (Nantoyōsō Collection, Japan)
Inkstone
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Taohe inkstone from Song Dynasty, China, with
Ming Dynasty inscription (Nantoyōsō Collection, Japan)
29.
Pinyin
–
Pinyin, or Hànyǔ Pīnyīn, is the official romanization system for Standard Chinese in mainland China, Malaysia, Singapore, and Taiwan. It is often used to teach Standard Chinese, which is written using Chinese characters. The system includes four diacritics denoting tones, Pinyin without tone marks is used to spell Chinese names and words in languages written with the Latin alphabet, and also in certain computer input methods to enter Chinese characters. The pinyin system was developed in the 1950s by many linguists, including Zhou Youguang and it was published by the Chinese government in 1958 and revised several times. The International Organization for Standardization adopted pinyin as a standard in 1982. The system was adopted as the standard in Taiwan in 2009. The word Hànyǔ means the language of the Han people. In 1605, the Jesuit missionary Matteo Ricci published Xizi Qiji in Beijing and this was the first book to use the Roman alphabet to write the Chinese language. Twenty years later, another Jesuit in China, Nicolas Trigault, neither book had much immediate impact on the way in which Chinese thought about their writing system, and the romanizations they described were intended more for Westerners than for the Chinese. One of the earliest Chinese thinkers to relate Western alphabets to Chinese was late Ming to early Qing Dynasty scholar-official, the first late Qing reformer to propose that China adopt a system of spelling was Song Shu. A student of the great scholars Yu Yue and Zhang Taiyan, Song had been to Japan and observed the effect of the kana syllabaries. This galvanized him into activity on a number of fronts, one of the most important being reform of the script, while Song did not himself actually create a system for spelling Sinitic languages, his discussion proved fertile and led to a proliferation of schemes for phonetic scripts. The Wade–Giles system was produced by Thomas Wade in 1859, and it was popular and used in English-language publications outside China until 1979. This Sin Wenz or New Writing was much more sophisticated than earlier alphabets. In 1940, several members attended a Border Region Sin Wenz Society convention. Mao Zedong and Zhu De, head of the army, both contributed their calligraphy for the masthead of the Sin Wenz Societys new journal. Outside the CCP, other prominent supporters included Sun Yat-sens son, Sun Fo, Cai Yuanpei, the countrys most prestigious educator, Tao Xingzhi, an educational reformer. Over thirty journals soon appeared written in Sin Wenz, plus large numbers of translations, biographies, some contemporary Chinese literature, and a spectrum of textbooks
Pinyin
–
A school slogan asking elementary students to speak
Putonghua is annotated with pinyin, but without tonal marks.
Pinyin
–
In
Yiling,
Yichang,
Hubei, text on road signs appears both in Chinese characters and in Hanyu Pinyin
30.
Han characters
–
Chinese characters are logograms used in the writing of Chinese and some other Asian languages. In Standard Chinese, and sometimes also in English, they are called hànzì. They have been adapted to write a number of languages including, Japanese, where they are known as kanji, Korean, where they are known as hanja. Collectively, they are known as CJK characters, in English, they are sometimes called Han characters. Chinese characters constitute the oldest continuously used system of writing in the world, Chinese characters number in the tens of thousands, though most of them are minor graphic variants encountered only in historical texts. Studies in China have shown that literacy in written Chinese requires a knowledge of between three and four thousand characters. In Japan,2,136 are taught through secondary school, the characters used in Japan are distinct from those used in China in many respects. There are various national standard lists of characters, forms, in South Korea, when Chinese characters are used they are of the traditional variant and are almost identical to those used in places like Taiwan and Hong Kong. In Old Chinese, most words were monosyllabic and there was a correspondence between characters and words. Rather, a character almost always corresponds to a syllable that is also a morpheme. However, there are a few exceptions to this correspondence, including bisyllabic morphemes. Modern Chinese has many homophones, thus the same syllable may be represented by many characters. A single character may also have a range of meanings, or sometimes quite distinct meanings, cognates in the several varieties of Chinese are generally written with the same character. They typically have similar meanings, but often quite different pronunciations and these foreign adaptations of Chinese pronunciation are known as Sino-Xenic pronunciations, and have been useful in the reconstruction of Middle Chinese. When the script was first used in the late 2nd millennium BC, words of Old Chinese were generally monosyllabic, increasing numbers of polysyllabic words have entered the language from the Western Zhou period to the present day. The process has accelerated over the centuries as phonetic change has increased the number of homophones and it has been estimated that over two thirds of the 3,000 most common words in modern Standard Chinese are polysyllables, the vast majority of those being disyllables. The most common process has been to form compounds of existing words, words have also been created by adding affixes, reduplication and borrowing from other languages. Polysyllabic words are written with one character per syllable
Han characters
–
Chinese characters
Han characters
–
"Chinese character" in
traditional (left) and
simplified form (right)
Han characters
–
Ox scapula with oracle bone inscription
Han characters
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