1.
Corinthian order
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The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order, when classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders, characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and it was employed in southern Gaul at the Maison Carrée, Nîmes and at the comparable podium temple at Vienne. Other prime examples noted by Mark Wilson Jones are the order of the Basilica Ulpia and the arch at Ancona the column of Phocas. The Corinthian order is named for the Greek city-state of Corinth, however, according to the architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket. Its earliest use can be traced back to the Late Classical Period, the earliest Corinthian capital was found in Bassae, dated at 427 BC. In its proportions, the Corinthian column is similar to the Ionic column, though it is more slender, the abacus upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman Colosseum, holding up the least weight and their height to width ratio is about 10,1. One variant is the Tivoli Order, found at the Temple of Vesta, the Tivoli Orders Corintinan Capital has two rows of Acanthus and its abacus is decorated with oversize fleuron in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops, the frieze exhibits fruit swag suspended between bucrania. Above each swag is a rosette, the cornice does not have modillions. Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent and these capitals are typically dated to the 1st centuries of our era, and constitute important elements of Greco-Buddhist art of Gandhara. The classical design was adapted, usually taking a more elongated form. Indo-Corinthian capitals also incorporated figures of the Buddha or Bodhisattvas, usually as central figures surrounded, the Corinthian architrave is divided in two or three sections, which may be equal, or they may bear interesting proportional relationships, one with another. Above the plain, unadorned architrave lies the frieze, which may be carved with a continuous design or left plain. At the Capitol the proportions of architrave to frieze are exactly 1,1, above that, the profiles of the cornice moldings are like those of the Ionic order. If the cornice is deep, it may be supported by brackets or modillions. The Corinthian column is almost always fluted, if it is not, it is often worth pausing to unravel the reason why
2.
Mythology
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Mythology refers variously to the collected myths of a group of people or to the study of such myths. Myths are the people tell to explain nature, history. Myth is a feature of every culture, mythologizing continues, as shown in contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A cultures collective mythology helps convey belonging, shared and religious experiences, behavioral models, the study of myth began in ancient history. Rival classes of the Greek myths by Euhemerus, Plato and Sallustius were developed by the Neoplatonists, the nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science, a disease of language, or a misinterpretation of magical ritual. Recent approaches often view myths as manifestations of psychological, cultural, or societal truths, the term mythology predates the word myth by centuries. It first appeared in the fifteenth-century, borrowed from the Middle French term mythologie, the word mythology, comes from Middle French mythologie, from Late Latin mythologia, from Greek μυθολογία mythología from μῦθος mythos and -λογία -logia. The word mythología appears in Plato, but was used as a term for fiction or story-telling of any kind, combining mỹthos. From Lydgate until the seventeenth or eighteenth-century, mythology was similarly used to mean a moral, fable, from its earliest use in reference to a collection of traditional stories or beliefs, mythology implied the falsehood of the stories being described. It came to be applied by analogy with similar bodies of traditional stories among other cultures around the world. The Greek loanword mythos and Latinate mythus both appeared in English before the first example of myth in 1830, in present use, mythology usually refers to the collected myths of a group of people, but may also mean the study of such myths. For example, Greek mythology, Roman mythology and Hittite mythology all describe the body of myths retold among those cultures, dundes defined myth as a sacred narrative that explains how the world and humanity evolved into their present form. Lincoln defined myth as ideology in narrative form, scholars in other fields use the term myth in varied ways. In a broad sense, the word can refer to any traditional story, due to this pejorative sense, some scholars opted for the term mythos. Its use was similarly pejorative and now commonly refers to its Aristotelian sense as a plot point or to a collective mythology. The term is distinguished from didactic literature such as fables. Main characters in myths are usually gods, demigods or supernatural humans, however, many exceptions or combinations exist, as in the Iliad, Odyssey and Aeneid. Myths are often endorsed by rulers and priests and are linked to religion or spirituality
3.
Dionysus
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Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. Wine played an important role in Greek culture, and the cult of Dionysus was the religious focus for its unrestrained consumption. He may have been worshipped as early as c, 1500–1100 BC by Mycenean Greeks, traces of Dionysian-type cult have also been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms, some are described by ancient sources as Thracian, in some cults, he arrives from the east, as an Asiatic foreigner, in others, from Ethiopia in the South. He is a god of epiphany, the god that comes and his festivals were the driving force behind the development of Greek theatre. The earliest cult images of Dionysus show a male, bearded and robed. He holds a staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth, in its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession is made up of female followers and bearded satyrs with erect penises, some are armed with the thyrsus. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers and this procession is presumed to be the cult model for the followers of his Dionysian Mysteries. He is also known as Bacchus, the adopted by the Romans. His thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios, his wine, music and ecstatic dance free his followers from self-conscious fear and care and those who partake of his mysteries are possessed and empowered by the god himself. The cult of Dionysus is also a cult of the souls, his maenads feed the dead through blood-offerings and he is sometimes categorised as a dying-and-rising god. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity, Dionysus had a strange birth that evokes the difficulty in fitting him into the Olympian pantheon. His mother was a woman, Semele, the daughter of king Cadmus of Thebes, and his father was Zeus. Zeus wife, Hera, discovered the affair while Semele was pregnant, appearing as an old crone, Hera befriended Semele, who confided in her that Zeus was the actual father of the baby in her womb. Hera pretended not to believe her, and planted seeds of doubt in Semeles mind, curious, Semele demanded of Zeus that he reveal himself in all his glory as proof of his godhood
4.
Theatre of ancient Greece
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The ancient Greek drama, is a theatrical culture that flourished in ancient Greece from c.700 BC. Tragedy, comedy, and the play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies and allies in order to promote a cultural identity. The word τραγῳδία, from which the tragedy is derived, is a compound of two Greek words, τράγος or goat and ᾠδή meaning song, from ἀείδειν, to sing. This etymology indicates a link with the practices of the ancient Dionysian cults and it is impossible, however, to know with certainty how these fertility rituals became the basis for tragedy and comedy. The classical Greeks valued the power of word, and it was their main method of communication. Bahn and Bahn write, To Greeks the spoken word was a living thing, socrates himself believed that once something was written down, it lost its ability for change and growth. For these reasons, among others, oral storytelling flourished in Greece. Greek tragedy as we know it was created in Athens around the time of 532 BC, being a winner of the first theatrical contest held in Athens, he was the exarchon, or leader, of the dithyrambs performed in and around Attica, especially at the rural Dionysia. By Thespis time, the dithyramb had evolved far away from its cult roots, under the influence of heroic epic, Doric choral lyric and the innovations of the poet Arion, it had become a narrative, ballad-like genre. Thus, Thespiss true contribution to drama is unclear at best, the dramatic performances were important to the Athenians – this is made clear by the creation of a tragedy competition and festival in the City Dionysia. This was organized possibly to foster loyalty among the tribes of Attica, the festival was created roughly around 508 BC. While no drama texts exist from the sixth century BC, we do know the names of three competitors besides Thespis, Choerilus, Pratinas, and Phrynichus, each is credited with different innovations in the field. He won his first competition between 511 BC and 508 BC and he produced tragedies on themes and subjects later exploited in the golden age such as the Danaids, Phoenician Women and Alcestis. He was the first poet we know of to use a historical subject – his Fall of Miletus, produced in 493-2 and he is also thought to be the first to use female characters. This century is regarded as the Golden Age of Greek drama. The centre-piece of the annual Dionysia, which took place once in winter, each submitted three tragedies, plus a satyr play. Beginning in a first competition in 486 BC each playwright submitted a comedy, aristotle claimed that Aeschylus added the second actor, and that Sophocles introduced the third
5.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
6.
Order of Friars Minor Capuchin
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The Order of Friars Minor Capuchin is an Order of friars in the Catholic Church, among the chief offshoots of the Franciscans. The worldwide head of the Order, called the Minister General, is currently Mauro Jöhri and he sought to return to the primitive way of life of solitude and penance as practiced by the founder of their Order. The popular name of their Order originates from this feature of their religious habit, in 1528, Friar Matteo obtained the approval of Pope Clement VII and was given permission to live as a hermit and to go about everywhere preaching to the poor. These permissions were not only for himself, but for all such as might join him in the attempt to restore the most literal observance possible of the Rule of St. Francis, Matteo and the original band were soon joined by others. The Observants, the branch of the Franciscan Order at that time. In 1529, they had four houses and held their first General Chapter, the eremitical idea was abandoned, but the life was to be one of extreme austerity, simplicity and poverty — in all things as near an approach to St Francis ideals as was practicable. Neither the monasteries nor the Province should possess anything, nor were any loopholes to be resorted to for evading this law, no large provision against temporal wants should be made, and the supplies in the house should never exceed what was necessary for a few days. Everything was to be obtained by begging, and the friars were not allowed even to touch money, the communities were to be small, eight being fixed as the normal number and twelve as the limit. In furniture and clothing extreme simplicity was enjoined and the friars were discalced, required to go bare-footed — without even sandals, like the Observants, the Capuchins wore a brown habit. By visual analogy, the Capuchin monkey and the style of coffee are both named after the shade of brown used for their habit. Besides the canonical choral celebration of the Divine Office, a portion of which was recited at midnight, the fasts and disciplines were rigorous and frequent. The great external work was preaching and spiritual ministrations among the poor, in theology the Capuchins abandoned the later Franciscan School of Scotus, and returned to the earlier school of St. Bonaventure. The movement at the outset of its history underwent a series of severe blows. Years later, claims that he had written in favor of polygamy and Unitarianism caused him to be exiled from that city and he fled again, first to Poland and then to Slovakia, where he died. As a result, the province came under the suspicion of heretical tendencies. He was dissuaded with difficulty, but the Capuchins were forbidden to preach, despite earlier setbacks, the authorities were eventually satisfied as to the soundness of the general body of Capuchin friars and the permission to preach was restored. They are said to have had at that time 1500 houses divided into fifty provinces, the activities of the Capuchins were not confined to Europe. From an early date they undertook missions to non-Catholics in America, Asia and Africa, due to this strong missionary thrust, a large number of Capuchins have suffered martyrdom over the centuries
7.
Monastery
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A monastery is a building or complex of buildings comprising the domestic quarters and workplaces of monastics, monks or nuns, whether living in communities or alone. A monastery generally includes a place reserved for prayer which may be a chapel, church or temple, a monastery complex typically comprises a number of buildings which include a church, dormitory, cloister, refectory, library, balneary and infirmary. These may include a hospice, a school and a range of agricultural and manufacturing such as a barn. In English usage, the monastery is generally used to denote the buildings of a community of monks. In modern usage, convent tends to be applied only to institutions of female monastics, historically, a convent denoted a house of friars, now more commonly called a friary. Various religions may apply these terms in specific ways. The earliest extant use of the term monastērion is by the 1st century AD Jewish philosopher Philo in On The Contemplative Life, in England the word monastery was also applied to the habitation of a bishop and the cathedral clergy who lived apart from the lay community. Most cathedrals were not monasteries, and were served by canons secular, however, some were run by monasteries orders, such as York Minster. Westminster Abbey was for a time a cathedral, and was a Benedictine monastery until the Reformation. They are also to be distinguished from collegiate churches, such as St Georges Chapel, in most of this article, the term monastery is used generically to refer to any of a number of types of religious community. In the Roman Catholic religion and to some extent in certain branches of Buddhism, there is a more specific definition of the term. Buddhist monasteries are generally called vihara, viharas may be occupied by males or females, and in keeping with common English usage, a vihara populated by females may often be called a nunnery or a convent. However, vihara can also refer to a temple, in Tibetan Buddhism, monasteries are often called gompa. In Thailand, Laos and Cambodia, a monastery is called a wat, in Burma, a monastery is called a kyaung. A Christian monastery may be an abbey, or a priory and it may be a community of men or of women. A charterhouse is any monastery belonging to the Carthusian order, in Eastern Christianity, a very small monastic community can be called a skete, and a very large or important monastery can be given the dignity of a lavra. The great communal life of a Christian monastery is called cenobitic, as opposed to the life of an anchorite. In Hinduism monasteries are called matha, mandir, koil, or most commonly an ashram, jains use the Buddhist term vihara
8.
Monument
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The term monument is often applied to buildings or structures that are considered examples of important architectural and/or cultural heritage. Monuments have been created for thousands of years, and they are often the most durable, in more recent times, monumental structures such as the Statue of Liberty and Eiffel Tower have become iconic emblems of modern nation-states. The term monumentality relates to the status and physical presence of a monument. Monuments are frequently used to improve the appearance of a city or location, planned cities such as Washington D. C. New Delhi and Brasília are often built around monuments, for example, the Washington Monuments location was conceived by LEnfant to help organize public space in the city, before it was designed or constructed. Older cities have monuments placed at locations that are important or are sometimes redesigned to focus on one. As Shelley suggested in his famous poem Ozymandias, the purpose of monuments is often to impress or awe. Structures created for purposes that have been made notable by their age. This can happen because of age and size, as in the case of the Great Wall of China. Monuments are also designed to convey historical or political information. They can be used to reinforce the primacy of political power. The social meanings of monuments are rarely fixed and certain and are contested by different social groups. This contention of meaning is a theme of modern post processual archaeological discourse. Until recently, it was customary for archaeologists to study large monuments, New ideas about what constitutes the archaeological record have revealed that certain legislative and theoretical approaches to the subject are too focused on earlier definitions of monuments. An example has been the United Kingdoms Scheduled Ancient Monument laws, recently, more and more monuments are being preserved digitally through organisations as CyArk. Cenotaphs and other memorials to commemorate the dead, usually war casualties, e. g. India Gate and Vimy Ridge Memorial, or disaster casualties, such as the Titanic Memorial, Belfast. Church monuments to commemorate the dead, located above or near their grave, often featuring an effigy, columns, often topped with a statue, e. g. Berlin Victory Column, Nelsons Column in London, and Trajans Column in Rome. Gravestones, small monuments to the deceased, placed at their gravesites, e. g. the tombs and vaults of veterans in Les Invalides, mausoleums and tombs to honor the dead, e. g. the Great Pyramid of Giza and Taj Mahal
9.
Demosthenes
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Demosthenes was a Greek statesman and orator of ancient Athens. His orations constitute a significant expression of contemporary Athenian intellectual prowess and provide an insight into the politics, Demosthenes learned rhetoric by studying the speeches of previous great orators. He delivered his first judicial speeches at the age of 20, for a time, Demosthenes made his living as a professional speech-writer and a lawyer, writing speeches for use in private legal suits. Demosthenes grew interested in politics during his time as a logographer and he went on to devote his most productive years to opposing Macedons expansion. He idealized his city and strove throughout his life to restore Athens supremacy, after Philips death, Demosthenes played a leading part in his citys uprising against the new king of Macedonia, Alexander the Great. However, his efforts failed and the revolt was met with a harsh Macedonian reaction, to prevent a similar revolt against his own rule, Alexanders successor in this region, Antipater, sent his men to track Demosthenes down. Demosthenes took his own life, in order to avoid being arrested by Archias, the Alexandrian Canon compiled by Aristophanes of Byzantium and Aristarchus of Samothrace recognised Demosthenes as one of the ten greatest Attic orators and logographers. Longinus likened Demosthenes to a thunderbolt, and argued that he perfected to the utmost the tone of lofty speech, living passions, copiousness, readiness. Quintilian extolled him as lex orandi, and Cicero said about him that inter omnis unus excellat, Demosthenes was born in 384 BC, during the last year of the 98th Olympiad or the first year of the 99th Olympiad. His father—also named Demosthenes—who belonged to the tribe, Pandionis. Aeschines, Demosthenes greatest political rival, maintained that his mother Kleoboule was a Scythian by blood—an allegation disputed by modern scholars. Demosthenes was orphaned at the age of seven, although his father provided well for him, his legal guardians, Aphobus, Demophon and Therippides, mishandled his inheritance. As soon as Demosthenes came of age in 366 BC, he demanded they render an account of their management, according to Demosthenes, the account revealed the misappropriation of his property. Although his father left an estate of nearly fourteen talents, Demosthenes asserted his guardians had left nothing except the house, and fourteen slaves and thirty silver minae. At the age of 20 Demosthenes sued his trustees in order to recover his patrimony and delivered five orations, the courts fixed Demosthenes damages at ten talents. When all the trials came to an end, he succeeded in retrieving a portion of his inheritance. According to Pseudo-Plutarch, Demosthenes was married once, the only information about his wife, whose name is unknown, is that she was the daughter of Heliodorus, a prominent citizen. Demosthenes also had a daughter, the one who ever called him father
10.
English landscape garden
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The English garden presented an idealized view of nature. The work of Lancelot Capability Brown was particularly influential, by the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a influence on the form of the public parks. These parks featured vast lawns, woods, and pieces of architecture and these gardens, modelled after the gardens of Versailles, were designed to impress visitors with their size and grandeur. William Kent was an architect, painter and furniture designer who introduced Palladian style architecture to England and his gardens were designed to complement the Palladian architecture of the houses he built. He collaborated with Kent on several major gardens, providing the botanical expertise which allowed Kent to realize his architectural visions, Kent created one of the first true English landscape gardens at Chiswick House for Richard Boyle, 3rd Earl of Burlington. Between 1733 and 1736, he redesigned the garden, adding lawns sloping down to the edge of the river, for the first time the form of a garden was inspired not by architecture, but by an idealized version of nature. Rousham House in Oxfordshire is considered by some as the most accomplished, the patron was General Dormer, who commissioned Bridgeman to begin the garden in 1727, then brought in Kent to recreate it in 1737. Bridgeman had built a series of gardens, including a grotto of Venus, on the slope along the river Cherwell, finally, he added cascades modelled on those of the garden of Aldobrandini and Pratolino in Italy, to add movement and drama. Stowe, in Buckinghamshire, was a more radical departure from the formal French garden. In the early 18th century, Richard Temple, 1st Viscount Cobham, had commissioned Charles Bridgeman to design a formal garden, bridgemans design included an octagonal lake and a Rotunda designed by Vanbrugh. In the 1730s, William Kent and James Gibbs were appointed to work with Bridgeman, Kent remade the lake in a more natural shape, and created a new kind of garden, which took visitors on a tour of picturesque landscapes. The garden attracted visitors from all over Europe, including Jean-Jacques Rousseau and it became the inspiration for landscape gardens in Britain and on the Continent. Stourhead, in Wiltshire, created by banker Henry Hoare, was one of the first picturesque gardens, Hoare had travelled to Italy on the Grand Tour and had returned with a painting by Claude Lorrain. He sought to create an ideal landscape out of the English countryside and he created artificial lakes and used dams and canals to transform streams or springs into the illusion that a river flowed through the garden. He compared his own role as a designer to that of a poet or composer. Here I put a comma, there, when its necessary to cut the view, I put a parenthesis, there I end it with a period, the most important were, Petworth in 1752, Chatsworth in 1761, Bowood in 1763, Blenheim Palace in 1764. Humphry Repton was the last great English landscape designer of the eighteenth century, to help clients visualize his designs, Repton produced Red Books with explanatory text and watercolors with a system of overlays to show before and after views
11.
Lord Byron
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George Gordon Byron, 6th Baron Byron, FRS, commonly known simply as Lord Byron, was a British poet, peer, politician, and a leading figure in the Romantic movement. Among his best-known works are the narrative poems, Don Juan and Childe Harolds Pilgrimage. Byron is regarded as one of the greatest British poets and remains widely read and influential and he travelled extensively across Europe, especially in Italy, where he lived for seven years with the struggling poet Percy Bysshe Shelley. Later in his life, Byron joined the Greek War of Independence fighting the Ottoman Empire. He died in 1824 at the age of 36 from a fever contracted while in Missolonghi, ethel Colburn Mayne states that George Gordon Byron was born on 22 January 1788 in a house on 24 Holles Street in London. However, Robert Charles Dallas in his Recollections states that Byron was born in Dover and he was the son of Captain John Mad Jack Byron and his second wife, the former Catherine Gordon, a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byrons father had seduced the married Marchioness of Carmarthen and, after she divorced her husband. His treatment of her was described as brutal and vicious, in order to claim his second wifes estate in Scotland, Byrons father took the additional surname Gordon, becoming John Byron Gordon, and he was occasionally styled John Byron Gordon of Gight. Byron himself used this surname for a time and was registered at school in Aberdeen as George Byron Gordon, at the age of 10, he inherited the English Barony of Byron of Rochdale, becoming Lord Byron, and eventually dropped the double surname. Byrons paternal grandparents were Vice-Admiral the Hon. John Foulweather Jack Byron, vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as the Wicked Lord. He was christened, at St Marylebone Parish Church, George Gordon Byron after his maternal grandfather George Gordon of Gight, a descendant of James I of Scotland, Mad Jack Byron married his second wife for the same reason that he married his first, her fortune. In a move to avoid his creditors, Catherine accompanied her husband to France in 1786. He was born on 22 January in lodgings at Holles Street in London, Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husbands continuing to borrow money from her. As a result, she fell even further into debt to support his demands and it was one of these importunate loans that allowed him to travel to Valenciennes, France, where he died in 1791. When Byrons great-uncle, the wicked Lord Byron, died on 21 May 1798, described as a woman without judgment or self-command, Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent and she once retaliated and, in a fit of temper, referred to him as a lame brat. Langley-Moore questions the Galt claim that she over-indulged in alcohol, upon the death of Byrons mother-in-law Judith Noel, the Hon
