1.
Deesis
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Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. In early examples, it was placed on the templon beam in Orthodox churches or above doors, though it also appears on icons. After the development of the full iconostasis screen there was room for a larger Deesis row or Great Deesis of full-length figures, and the number of figures expanded, in both Byzantium and Russia. Usually this row is above the level of the doors, and below the row depicting the Twelve Great Feasts, the central Christ is therefore above the main door in the screen. Especially in Russian examples, a number of saints of local significance are often included behind these, andrey Rublevs row for the Cathedral of the Dormition in Vladimir were 3.14 metres high. In the Greek tradition the Apostles are more likely to occupy extra panels, the Deesis composition is also commonly found in the West, especially those parts of Italy under Byzantine influence, but also the rest of Europe. It often forms part of a scene of the Last Judgement, the use of the image declined slowly throughout the Middle Ages, and it is never as common as the Western forms of Christ in Majesty. In depictions of the Crucifixion of Jesus Christ on the cross is very often flanked by the Virgin standing on one side. Definition of Deesis -- Includes photos of the Deesis in the Hagia Sophia
2.
Mosaic
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A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
3.
Hagia Sophia
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Hagia Sophia was a Greek Orthodox Christian patriarchal basilica, later an imperial mosque, and now a museum in Istanbul, Turkey. The building was converted into an Ottoman mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935, famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have changed the history of architecture. It remained the worlds largest cathedral for nearly a thousand years and it was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. The church contained a collection of relics and featured, among other things. In 1453, Constantinople was conquered by the Ottoman Empire under Mehmed the Conqueror, by that point, the church had fallen into a state of disrepair. Nevertheless, the Christian cathedral made an impression on the new Ottoman rulers. Islamic features—such as the mihrab, minbar, and four minarets—were added and it remained a mosque until 1931, when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey, Hagia Sophia was, as of 2014, the second-most visited museum in Turkey, attracting almost 3.3 million visitors annually. According to data released by the Turkish Culture and Tourism Ministry, from its initial conversion until the construction of the nearby Sultan Ahmed Mosque in 1616, it was the principal mosque of Istanbul. The first church on the site was known as the Μεγάλη Ἐκκλησία, or in Latin Magna Ecclesia, inaugurated on 15 February 360 by the Arian bishop Eudoxius of Antioch, it was built next to the area where the imperial palace was being developed. The nearby Hagia Eirene church was completed earlier and served as cathedral until the Great Church was completed, both churches acted together as the principal churches of the Byzantine Empire. Writing in 440, Socrates of Constantinople claimed that the church was built by Constantius II, a tradition which is not older than the 7th or 8th century, reports that the edifice was built by Constantine the Great. Zonaras reconciles the two opinions, writing that Constantius had repaired the edifice consecrated by Eusebius of Nicomedia, after it had collapsed. Since Eusebius was bishop of Constantinople from 339 to 341, and Constantine died in 337, the edifice was built as a traditional Latin colonnaded basilica with galleries and a wooden roof. It was preceded by an atrium and it was claimed to be one of the worlds most outstanding monuments at the time. The Patriarch of Constantinople John Chrysostom came into a conflict with Empress Aelia Eudoxia, wife of the emperor Arcadius, during the subsequent riots, this first church was largely burned down. Nothing remains of the first church today, a second church on the site was ordered by Theodosius II, who inaugurated it on 10 October 415
4.
Istanbul
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Istanbul, historically known as Constantinople and Byzantium, is the most populous city in Turkey and the countrys economic, cultural, and historic center. Istanbul is a city in Eurasia, straddling the Bosphorus strait between the Sea of Marmara and the Black Sea. Its commercial and historical center lies on the European side and about a third of its population lives on the Asian side, the city is the administrative center of the Istanbul Metropolitan Municipality, both hosting a population of around 14.7 million residents. Istanbul is one of the worlds most populous cities and ranks as the worlds 7th-largest city proper, founded under the name of Byzantion on the Sarayburnu promontory around 660 BCE, the city developed to become one of the most significant in history. After its reestablishment as Constantinople in 330 CE, it served as a capital for almost 16 centuries, during the Roman and Byzantine, the Latin. Overlooked for the new capital Ankara during the period, the city has since regained much of its prominence. The population of the city has increased tenfold since the 1950s, as migrants from across Anatolia have moved in, arts, music, film, and cultural festivals were established at the end of the 20th century and continue to be hosted by the city today. Infrastructure improvements have produced a complex transportation network, considered a global city, Istanbul has one of the fastest-growing metropolitan economies in the world. It hosts the headquarters of many Turkish companies and media outlets and accounts for more than a quarter of the gross domestic product. Hoping to capitalize on its revitalization and rapid expansion, Istanbul has bid for the Summer Olympics five times in twenty years, the first known name of the city is Byzantium, the name given to it at its foundation by Megarean colonists around 660 BCE. The name is thought to be derived from a personal name, ancient Greek tradition refers to a legendary king of that name as the leader of the Greek colonists. Modern scholars have hypothesized that the name of Byzas was of local Thracian or Illyrian origin. He also attempted to promote the name Nova Roma and its Greek version Νέα Ῥώμη Nea Romē, the use of Constantinople to refer to the city during the Ottoman period is now considered politically incorrect, even if not historically inaccurate, by Turks. By the 19th century, the city had acquired other names used by foreigners or Turks. Europeans used Constantinople to refer to the whole of the city, pera was used to describe the area between the Golden Horn and the Bosphorus, but Turks also used the name Beyoğlu. The name İstanbul is commonly held to derive from the Medieval Greek phrase εἰς τὴν Πόλιν and this reflected its status as the only major city in the vicinity. The importance of Constantinople in the Ottoman world was reflected by its Ottoman name Der Saadet meaning the gate to Prosperity in Ottoman. An alternative view is that the name evolved directly from the name Constantinople, with the first, a Turkish folk etymology traces the name to Islam bol plenty of Islam because the city was called Islambol or Islambul as the capital of the Islamic Ottoman Empire
5.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
6.
Depiction of Jesus
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No useful description of the physical appearance of Jesus is given in the New Testament and the depiction of Jesus in pictorial form was controversial in the early Church. The depiction of him in art took several centuries to reach a conventional standardized form for his physical appearance, most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen. The conventional image of a fully bearded Jesus with long hair emerged around 300, but did not become established until the 6th century in Eastern Christianity, and much later in the West. It has always had the advantage of being easily recognizable, and distinguishing Jesus from other figures shown around him, earlier images were much more varied. Images of Jesus tend to show characteristics similar to those of the culture in which the image has been created. The Shroud of Turin is now the best-known example, though the Image of Edessa, no physical description of Jesus is contained in any of the canonical Gospels. In the Acts of the Apostles, Jesus is said to have manifested as a light from heaven that temporarily blinded the Apostle Paul and his hair was like wool, and his eyes were like blazing fire. His feet were like bronze glowing in a furnace, and his voice was like the sound of rushing waters, in his right hand he held seven stars, and out of his mouth came a sharp double-edged sword. His face was like the sun shining in all its brilliance, use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself. Exodus 20, 4-6 Thou shalt not make unto thee any graven image is one of the Ten Commandments, irenaeus, Clement of Alexandria, Lactantius and Eusebius of Caesarea disapproved of portrayals in images of Jesus. The issue remained the subject of controversy until the end of the 4th century, initially Jesus was represented indirectly by pictogram symbols such as the Ichthys, the peacock, or an anchor. The staurogram seems to have been an early representation of the crucified Jesus within the sacred texts. It continues the classical Kriophoros, and in cases may also represent the Shepherd of Hermas. The oldest known portrait of Jesus, found in Syria and dated to about 235, shows him as a young man of authoritative. He is depicted dressed in the style of a philosopher, with close-cropped hair and wearing a tunic. The appearance of Jesus had some theological implications, for Augustine he was beautiful as a child, beautiful on earth, beautiful in heaven. There are some surviving scenes from Christs Works of about 235 from the Dura Europos church on the Persian frontier of the Empire, Jesus is sometimes shown performing miracles by means of a wand, as on the doors of Santa Sabina in Rome. He uses the wand to change water to wine, multiply the bread and fishes, when pictured healing, he only lays on hands
7.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
8.
Names of God in Judaism
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The name of God used most often in the Hebrew Bible is the Tetragrammaton YHWH. It is frequently anglicized as Jehovah and Yahweh and written in most English editions of the Bible as the Lord owing to the Jewish tradition of reading it as Adonai out of respect. Rabbinic Judaism describes seven names which are so holy that, once written, should not be erased, The Tetragrammaton, El, Eloah, Elohim, Shaddai, Ehyeh, and Tzevaot. The documentary hypothesis proposes that the Torah was compiled from original sources. The seven names of God that, once written, cannot be erased because of their holiness are the Tetragrammaton, El, Elohim, Eloah, Elohai, El Shaddai, in addition, the name Jah—because it forms part of the Tetragrammaton—is similarly protected. Rabbi Jose considered Tzevaot a common name and Rabbi Ishmael that Elohim was, all other names, such as Merciful, Gracious and Faithful, merely represent attributes that are also common to human beings. The name of God used most often in the Hebrew Bible is YHWH, Hebrew is a right-to-left abjad, so the words letters Yōd, Hē, Vav, Hē are usually taken for consonants and expanded to Yahweh or Jehovah in English. The Tetragrammaton first appears in Genesis and occurs 6828 times in total in the Stuttgart edition of the Masoretic Text and it is thought to be an archaic third-person singular imperfect tense of the verb to be. This agrees with the passage in Exodus where God names Himself as I Will Be What I Will Be using the first-person singular imperfect tense. Rabbinical Judaism teaches that the name is forbidden to all except the High Priest and he then pronounces the name just as it is written. As each blessing was made, the people in the courtyard were to prostrate themselves completely as they heard it spoken aloud. As the Temple has been destroyed since CE70, most modern Jews never pronounce YHWH but instead read Adonai during prayer and while reading the Torah and as HaShem at other times. Similarly, the Vulgate used Dominus and most English translations of the Bible write the Lord for YHWH and the Lord God for Adonai YHWH instead of transcribing the name. Or Theos for occurrences of the name. )El appears in Ugaritic, Phoenician and other 2nd, in the Hebrew Bible El appears very occasionally alone, but usually with some epithet or attribute attached, in which cases it can be understood as the generic god. A common name of God in the Hebrew Bible is Elohim, despite the -im ending common to many plural nouns in Hebrew, the word Elohim when referring to God is grammatically singular, and takes a singular verb in the Hebrew Bible. When the Hebrew Bible uses elohim not in reference to God, there are a few other such uses in Hebrew, for example Behemoth. In Modern Hebrew, the singular word baalim looks plural, a number of scholars have traced the etymology to the Semitic root *yl, to be first, powerful, despite some difficulties with this view. Elohim is thus the plural construct powers, Hebrew grammar allows for this form to mean He is the Power over powers, just as the word Baalim means owner
9.
Hebrew Bible
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They are composed mainly in Biblical Hebrew, with some passages in Biblical Aramaic. The term does not comment upon the naming, numbering or ordering of books, the term Hebrew Bible is an attempt to provide specificity with respect to contents but avoid allusion to any particular interpretative tradition or theological school of thought. Hebrew Bible refers to the Jewish biblical canon, in its Latin form, Biblia Hebraica, it traditionally serves as a title for printed editions of the Masoretic Text. Many biblical studies scholars advocate use of the term Hebrew Bible as a substitute to terms with religious connotations. Hebrew Bible Old Testament without prescribing the use of either, however, he accepts that there is no reason why non-Christians should feel obliged to refer to these books as the Old Testament, apart from custom of use. Modern Christian formulations of this tension include Supersessionism, Covenant Theology, New Covenant Theology, Dispensationalism, in terms of canon, Christian usage of Old Testament does not refer to a universally agreed upon set of books but, rather, varies depending on denomination. The Hebrew Bible includes small portions in Aramaic, written and printed in Aramaic square-script, the books that constitute the Hebrew Bible developed over roughly a millennium. The oldest texts seem to come from the 11th or 10th centuries BCE and they are edited works, being collections of various sources intricately and carefully woven together. Since the 19th century, most biblical scholars have agreed that the Pentateuch consists of four sources which have been woven together and these four sources are J, D, E and P sources. They were combined to form the Pentateuch sometime in the 6th century BCE and this theory is now known as the documentary hypothesis, and has been the dominant theory for the past two hundred years. The Deuteronomist credited with the Pentateuchs book of Deuteronomy is also said to be the source of the books of Joshua, Judges, Samuel, several editions, all titled Biblia Hebraica, have been produced by various German publishers since 1906. Between 1906 and 1955, Rudolf Kittel published nine editions of it,1966, the Deutsche Bibelgesellschaft published the renamed Biblia Hebraica Stuttgartensia in six editions until 1997. Since 2004 the Deutsche Bibelgesellschaft has published the Biblia Hebraica Quinta, other projects include, Hebrew University Bible Project Hebrew Bible, A Critical Edition Biblical canon Books of the Bible Non-canonical books referenced in the Bible Torah Brueggemann, Walter. An introduction to the Old Testament, the canon and Christian imagination, the People of Ancient Israel, an introduction to Old Testament Literature, History, and Thought, Harper and Row,1974. Sinai and Zion, An Entry into the Jewish Bible, archived from the original on 14 March 2012. The Ancient Near East, Volume I, Princeton, New Jersey, Princeton University Press. An abridgement of Ancient Near Eastern Texts Relating to the Old Testament Noth, how the Bible Became a Book. The Old Testament, A Literary History, hebrew-English Tanakh, the Jewish Bible Complete, fully vocalized, contilated, Masoretic text of the Hebrew Bible, together with the classic English translation by the Jewish Publication Society
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