1.
Sicily
Sicily is the largest island in the Mediterranean Sea. It is an autonomous Region of Italy, along with surrounding minor islands, Sicily is located in the central Mediterranean Sea, south of the Italian Peninsula, from which it is separated by the narrow Strait of Messina. Its most prominent landmark is Mount Etna, the tallest active volcano in Europe, the island has a typical Mediterranean climate. The earliest archaeological evidence of activity on the island dates from as early as 12,000 BC. It became part of Italy in 1860 following the Expedition of the Thousand, a revolt led by Giuseppe Garibaldi during the Italian unification, Sicily was given special status as an autonomous region after the Italian constitutional referendum of 1946. Sicily has a rich and unique culture, especially regard to the arts, literature, cuisine. It is home to important archaeological and ancient sites, such as the Necropolis of Pantalica, the Valley of the Temples, Sicily has a roughly triangular shape, earning it the name Trinacria.
To the east, it is separated from the Italian mainland by the Strait of Messina, about 3 km wide in the north, and about 16 km wide in the southern part. The northern and southern coasts are each about 280 km long measured as a line, while the eastern coast measures around 180 km. The total area of the island is 25,711 km2, the terrain of inland Sicily is mostly hilly and is intensively cultivated wherever possible. Along the northern coast, the ranges of Madonie,2,000 m, Nebrodi,1,800 m. The cone of Mount Etna dominates the eastern coast, in the southeast lie the lower Hyblaean Mountains,1,000 m. The mines of the Enna and Caltanissetta districts were part of a leading sulphur-producing area throughout the 19th century and its surrounding small islands have some highly active volcanoes. Mount Etna is the largest active volcano in Europe and still casts black ash over the island with its ever-present eruptions and it currently stands 3,329 metres high, though this varies with summit eruptions, the mountain is 21 m lower now than it was in 1981.
It is the highest mountain in Italy south of the Alps, Etna covers an area of 1,190 km2 with a basal circumference of 140 km. This makes it by far the largest of the three volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. In Greek Mythology, the deadly monster Typhon was trapped under the mountain by Zeus, Mount Etna is widely regarded as a cultural symbol and icon of Sicily. The Aeolian Islands in the Tyrrhenian Sea, to the northeast of mainland Sicily form a volcanic complex, the three volcanoes of Vulcano and Lipari are currently active, although the latter is usually dormant
2.
Depiction of Jesus
No useful description of the physical appearance of Jesus is given in the New Testament and the depiction of Jesus in pictorial form was controversial in the early Church. The depiction of him in art took several centuries to reach a conventional standardized form for his physical appearance, most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen. The conventional image of a fully bearded Jesus with long hair emerged around 300, but did not become established until the 6th century in Eastern Christianity, and much in the West. It has always had the advantage of being easily recognizable, and distinguishing Jesus from other figures shown around him, earlier images were much more varied. Images of Jesus tend to show characteristics similar to those of the culture in which the image has been created. The Shroud of Turin is now the best-known example, though the Image of Edessa, no physical description of Jesus is contained in any of the canonical Gospels.
In the Acts of the Apostles, Jesus is said to have manifested as a light from heaven that temporarily blinded the Apostle Paul and his hair was like wool, and his eyes were like blazing fire. His feet were like bronze glowing in a furnace, and his voice was like the sound of rushing waters, in his right hand he held seven stars, and out of his mouth came a sharp double-edged sword. His face was like the sun shining in all its brilliance, use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself. Exodus 20, 4-6 Thou shalt not make unto thee any graven image is one of the Ten Commandments, Clement of Alexandria and Eusebius of Caesarea disapproved of portrayals in images of Jesus. The issue remained the subject of controversy until the end of the 4th century, initially Jesus was represented indirectly by pictogram symbols such as the Ichthys, the peacock, or an anchor. The staurogram seems to have been an early representation of the crucified Jesus within the sacred texts.
It continues the classical Kriophoros, and in cases may represent the Shepherd of Hermas. The oldest known portrait of Jesus, found in Syria and dated to about 235, shows him as a young man of authoritative. He is depicted dressed in the style of a philosopher, with close-cropped hair and wearing a tunic. The appearance of Jesus had some theological implications, for Augustine he was beautiful as a child, beautiful on earth, beautiful in heaven. There are some surviving scenes from Christs Works of about 235 from the Dura Europos church on the Persian frontier of the Empire, Jesus is sometimes shown performing miracles by means of a wand, as on the doors of Santa Sabina in Rome. He uses the wand to change water to wine, multiply the bread and fishes, when pictured healing, he only lays on hands
3.
Blessing
A blessing is the infusion of something with holiness, spiritual redemption, or divine will. The modern English language term bless likely derives from the 1225 term blessen, due to this, the term is related to the term blōd, meaning blood. References to this practice, Blót, exist in related Icelandic sources. To be blessed means to be favored by God, Blessings therefore are directly associated with God and come from God. Thus to express a blessing is like bestowing a wish on someone that they experience the favor of God. May you have a blessed Christmas, therefore can be translated as, a curse, at least in its most formal sense, is the opposite of a blessing. In the Bible and curses are related, the book of Deuteronomy prescribes that obedience to the Law of Moses brings Gods blessing, similar constructions appear in the New Testament, as in the blessings and curses of Jesus recorded in the Beatitudes of Luke 6, 20-22. One of the first incidences of blessing in the Bible is in Genesis 12, 1-2 where Abram is ordered by the LORD to leave his country and is told, I will bless you, I will make your name great.
In Judaism, a blessing is recited at a moment during a prayer, ceremony or other activity, especially before. The function of these blessings is to acknowledge God as the source of all blessing, a berakhah typically starts with the words, Blessed are You, Lord our God, King of the universe. Judaism teaches that food ultimately is a gift of the one great Provider, within Roman Catholicism, Eastern Orthodoxy, Anglicanism and similar traditions, formal blessings of the church are performed by bishops and deacons. Particular formulas may be associated with episcopal blessings and papal blessings and they give blessings to begin divine services and at the dismissal at the end. In the Orthodox Church liturgical blessings are performed over people, objects, or are given at specific points during divine services. A priest or bishop blesses with his hand, but may use a blessing cross, candles, an icon. When blessing with the hand, a priest uses his hand, holding his fingers so that they form the Greek letters IC XC.
A bishop does the same, except he uses both hands, or may hold the crozier in his hand, using both to make the Sign of the Cross. A bishop may bless with special candlesticks known as the dikirion and trikirion, when blessing an object, the rubrics often instruct Orthodox bishops and priests to make use of such substances as incense and holy water. Also, formal ecclesiastical permission to undertake an action is referred to as a blessing, the blessing may be bestowed by a bishop or priest, or by ones own spiritual father
4.
Cross
A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally, a cross of oblique lines, in the shape of the Latin letter X, is termed a saltire in heraldic terminology. The word [[wikt, cross|crossded from Old Irish, possibly via Old Norse, ultimately from the Latin crux, the English verb to cross arises from the noun c. 1200, first in the sense to make the sign of the cross, the Latin word was, influenced by popular etymology by a native Germanic word reconstructed as*krukjo. This word, by conflation with Latin crux, gave rise to Old French crocier, Latin crux referred to the gibbet where criminals were executed, a stake or pole, but not necessarily to intersecting or cruciform beams. The Latin word derived from the verb crucio to torture, Latin crux originally referred to the tree or stake on which criminals were crucified in the pre-imperial period. This was specified as crux acuta or crux simplex, the method of execution may have been adopted from the Phoenicians.
The addition of a bar, to which the criminal would be fastened with nails or cords. The Latin name of the cross is crux decussata, the heraldic term saltire is introduced only towards the end of the medieval period. The Greek equivalent of Latin crux stake, gibbet is σταυρός stauros stake, the letter Tau was associated with the stauros or crux, while the notion of cruciform shapes, i. e. intersecting lines, were associated with the letter Chi. The Greek term for crossing was χίασμα chiasma, from a verb χιάζω chiázō to shape like the letter Chi, Latin had the comparable decussatus shaped like the numeral ten. Also of prehistoric age are numerous variants of the cross mark, including the crux gammata with curving or angular lines. Speculation of this kind became popular in the mid- to late-19th century in the context of comparative mythology seeking to tie Christian mythology to ancient cosmological myths. Influential works in this vein included G. de Mortillet, L. Müller, W. W. Blake, Ansault, in the European Bronze Age the cross symbol appeared to carry a religious meaning, perhaps as a symbol of consecration, especially pertaining to burial.
The cross sign occurs trivially in tally marks, and develops into a number symbol independently in the Roman numerals, the Chinese rod numerals and the Brahmi numerals. In the Phoenician alphabet and derived scripts, the symbol represented the phoneme /t/, i. e. the letter taw. The letter name taw means mark, presumably continuing the Egyptian hieroglyph two crossed sticks, according to W. E. Vines Expository Dictionary of New Testament Words, worshippers of Tammuz in Chaldea and thereabouts used the cross as symbol of that god. The shape of the cross, as represented by the letter T, clements contemporary Tertullian rejects the accusation that Christians are crucis religiosi, and returns the accusation by likening the worship of pagan idols to the worship of poles or stakes
5.
Gospel
A gospel is an account describing the life and resurrection of Jesus of Nazareth. Christianity places a value on the four canonical gospels, which it considers to be revelations from God. This position however, requires a view of Biblical inerrancy. The word gospel derives from the Old English gōd-spell, meaning good news or glad tidings, the gospel was considered the good news of the coming Kingdom of Messiah, and of redemption through the life and death and resurrection of Jesus, the central Christian message. The Greek word euangelion is the source of the terms evangelist, the authors of the four canonical Christian gospels are known as the Four Evangelists. Paul the Apostle used the term εὐαγγέλιον when he reminded the people of the church at Corinth of the gospel I preached to you, the earliest extant use of gospel to denote a particular genre of literature dates to the 2nd century. Justin Martyr in the Apology wrote of. the apostles, in the memoirs composed by them, more generally, gospels compose a genre of early Christian writings.
Gospels that did not become canonical circulated in Early Christianity, such as the work known today as Gospel of Thomas, lack the narrative framework typical of a gospel. Scholars hold a wide spectrum of views on the origins and composition of the gospels, for example, the vast majority of material in Mark is present in either Luke or Matthew or both, suggesting that Mark was a source for Matthew and Luke. He writes that the four gospels were probably all written by the end of the first century. But they did not yet at that time have a consistent narrative, in 170 Tatian sought to find a solution by composing a single narrative out of Matthew and Luke, with some additional oral material. Richies concludes that the gospel passages themselves can be unclear, and some of the messages within are straightforwardly ambiguous, the gospels of Matthew and Luke are considered synoptic gospels on the basis of many similarities between them that are not shared by the Gospel of John. Synoptic means here that they can be seen or read together, the fourth gospel, the Gospel of John, presents a very different picture of Jesus and his ministry from the synoptics.
Of the many gospels written in antiquity, only four came to be accepted as part of the New Testament. An insistence upon there being a canon of four gospels, and no others, was a theme of Irenaeus of Lyons. Irenaeus was ultimately successful in declaring that the four gospels collectively and he supported reading each gospel in light of the others. This canon, which corresponds to the modern Catholic canon, was used in the Vulgate, Gospel of Matthew Gospel of John Gospel of Luke Gospel of Mark This order is found in the following manuscripts, Monacensis, Tischendorfianus IV, Uncial 0234. Although there is no set order of the four gospels in patristic lists or discussions, moody Smith suggests that the standard order of Matthew-Mark-Luke-John projects a kind of intention that can scarcely be ignored
6.
Paul the Apostle
Paul the Apostle, commonly known as Saint Paul, and known by his native name Saul of Tarsus was an apostle who taught the gospel of the Christ to the first century world. He is generally considered one of the most important figures of the Apostolic Age, in the mid-30s to the mid-50s AD, he founded several churches in Asia Minor and Europe. Paul took advantage of his status as both a Jew and a Roman citizen to minister to both Jewish and Roman audiences, according to writings in the New Testament, Paul was dedicated to the persecution of the early disciples of Jesus in the area of Jerusalem. He was struck blind but, after three days, his sight was restored by Ananias of Damascus, and Paul began to preach that Jesus of Nazareth is the Jewish Messiah, approximately half of the book of Acts deals with Pauls life and works. Fourteen of the books in the New Testament have traditionally been attributed to Paul. Seven of the epistles are undisputed by scholars as being authentic, Pauline authorship of the Epistle to the Hebrews is not asserted in the Epistle itself and was already doubted in the 2nd and 3rd centuries.
It was almost unquestioningly accepted from the 5th to the 16th centuries that Paul was the author of Hebrews, but that view is now almost universally rejected by scholars. The other six are believed by scholars to have come from followers writing in his name. Other scholars argue that the idea of an author for the disputed epistles raises many problems. Today, Pauls epistles continue to be roots of the theology and pastoral life in the Catholic and Protestant traditions of the West. Augustine of Hippo developed Pauls idea that salvation is based on faith, martin Luthers interpretation of Pauls writings influenced Luthers doctrine of sola fide. The main source for information about Pauls life is the material found in his epistles, the epistles contain little information about Pauls past. The book of Acts recounts more information but leaves several parts of Pauls life out of its narrative, such as his probable, some scholars believe Acts contradicts Pauls epistles on multiple accounts, in particular concerning the frequency of Pauls visits to the church in Jerusalem.
It has been assumed that Sauls name was changed when he converted from Judaism to Christianity. His Jewish name was Saul, perhaps after the biblical King Saul, a fellow Benjamite, according to the Book of Acts, he inherited Roman citizenship from his father. As a Roman citizen, he bore the Latin name of Paul—in biblical Greek, Παῦλος. It was quite usual for the Jews of that time to have two names, one Hebrew, the other Latin or Greek. Jesus called him Saul, Saul in the Hebrew tongue in the book of Acts, later, in a vision to Ananias of Damascus, the Lord referred to him as Saul, of Tarsus
7.
Sinai Peninsula
The Sinai Peninsula or simply Sinai is a peninsula in Egypt, situated between the Mediterranean Sea to the north and the Red Sea to the south, serving as a land bridge between Asia and Africa. It is the part of Egyptian territory located in Asia. Sinai has an area of about 60,000 km2. The bulk of the peninsula is divided administratively into two of Egypts 27 governorates, the Sinai Peninsula has been a part of Egypt from the First Dynasty of ancient Egypt. In periods of occupation, the Sinai was, like the rest of Egypt and controlled by foreign empires, in more recent history the Ottoman Empire. Israel invaded and occupied Sinai during the Suez Crisis of 1956, on 6 October 1973, Egypt launched the Yom Kippur War to retake the peninsula, which was the site of fierce fighting between Egyptian and Israeli forces. Today, Sinai has become a tourist destination due to its setting, rich coral reefs. Mount Sinai is one of the most religiously significant places in Abrahamic faiths, in addition to its formal name, Egyptians refer to it as Arḍ ul-Fairūz.
The ancient Egyptians called it Ta Mefkat, or land of turquoise, Sinai is triangular in shape, with northern shore lying on the southern Mediterranean Sea, and southwest and southeast shores on Gulf of Suez and Gulf of Aqaba of the Red Sea. It is linked to the African continent by the Isthmus of Suez,125 kilometres wide strip of land, the eastern isthmus, linking it to the Asian mainland, is around 200 kilometres wide. The peninsulas eastern shore separates the Arabian plate from the African plate, the southernmost tip is the Ras Muhammad National Park. Most of the Sinai Peninsula is divided among the two governorates of Egypt, South Sinai and North Sinai, they comprise around 60,000 square kilometres and have a population of 597,000. Three more governates span the Suez Canal, crossing into African Egypt, Suez is on the end of the Suez Canal, Ismailia in the centre. The largest city of Sinai is Arish, capital of the North Sinai, other larger settlements include Sharm el-Sheikh and El-Tor, on the southern coast.
Inland Sinai is arid and sparsely populated, the largest settlements being Saint Catherine, Sinai is one of the coldest provinces in Egypt because of its high altitudes and mountainous topographies. Winter temperatures in some of Sinais cities and towns reach −16 °C, the mines were worked intermittently and on a seasonal basis for thousands of years. Modern attempts to exploit the deposits have been unprofitable and these may be the first historically attested mines. According to the Hebrew Bible, the peninsula was crossed by the Israelites during the Exodus from Egypt and this included numerous halts over a 40-year period of travel sometime towards the end of the Bronze Age
8.
Hagia Sophia
Hagia Sophia was a Greek Orthodox Christian patriarchal basilica, an imperial mosque, and now a museum in Istanbul, Turkey. The building was converted into an Ottoman mosque from 29 May 1453 until 1931. It was secularized and opened as a museum on 1 February 1935, famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have changed the history of architecture. It remained the worlds largest cathedral for nearly a thousand years and it was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. The church contained a collection of relics and featured, among other things. In 1453, Constantinople was conquered by the Ottoman Empire under Mehmed the Conqueror, by that point, the church had fallen into a state of disrepair. Nevertheless, the Christian cathedral made an impression on the new Ottoman rulers. Islamic features—such as the mihrab and four minarets—were added and it remained a mosque until 1931, when it was closed to the public for four years.
It was re-opened in 1935 as a museum by the Republic of Turkey, Hagia Sophia was, as of 2014, the second-most visited museum in Turkey, attracting almost 3.3 million visitors annually. According to data released by the Turkish Culture and Tourism Ministry, from its initial conversion until the construction of the nearby Sultan Ahmed Mosque in 1616, it was the principal mosque of Istanbul. The first church on the site was known as the Μεγάλη Ἐκκλησία, or in Latin Magna Ecclesia, inaugurated on 15 February 360 by the Arian bishop Eudoxius of Antioch, it was built next to the area where the imperial palace was being developed. The nearby Hagia Eirene church was completed earlier and served as cathedral until the Great Church was completed, both churches acted together as the principal churches of the Byzantine Empire. Writing in 440, Socrates of Constantinople claimed that the church was built by Constantius II, a tradition which is not older than the 7th or 8th century, reports that the edifice was built by Constantine the Great.
Zonaras reconciles the two opinions, writing that Constantius had repaired the edifice consecrated by Eusebius of Nicomedia, after it had collapsed. Since Eusebius was bishop of Constantinople from 339 to 341, and Constantine died in 337, the edifice was built as a traditional Latin colonnaded basilica with galleries and a wooden roof. It was preceded by an atrium and it was claimed to be one of the worlds most outstanding monuments at the time. The Patriarch of Constantinople John Chrysostom came into a conflict with Empress Aelia Eudoxia, wife of the emperor Arcadius, during the subsequent riots, this first church was largely burned down. Nothing remains of the first church today, a second church on the site was ordered by Theodosius II, who inaugurated it on 10 October 415
9.
Iconoclasm
Iconoclasm is the destruction of religious icons and other images or monuments for religious or political motives. Over time, the word, usually in the form, has come to refer to aggressive statements or actions against any well-established status quo. It is a frequent component of political or religious changes. The term does not generally encompass the destruction of images of a ruler after his death or overthrow. Conversely, one who reveres or venerates religious images is called an iconolater, in a Byzantine context, Iconoclasm may be carried out by people of a different religion, but is often the result of sectarian disputes between factions of the same religion. The Church Fathers identified Jews and Judaism with heresy and they saw deviations from orthodox Christianity and opposition to the veneration of images as heresies that were essentially Jewish in spirit. The degree of iconoclasm among Christian branches greatly varies, Islam, in general, tends to be more iconoclastic than Christianity, with Sunni Islam being more iconoclastic than Shia Islam.
Akhenatens actions are described thusly, In rebellion against the old religion, public references to Akhenaten were destroyed soon after his death. Comparing the ancient Egyptians with the Israelites, Jan Assmann writes, For Egypt, in the eyes of the Israelites, the erection of images meant the destruction of divine presence, in the eyes of the Egyptians, this same effect was attained by the destruction of images. In Egypt, iconoclasm was the most terrible crime, in Israel. It is more probable that these traditions evolved under mutual influence. In this respect and Akhenaten became, after all, the period after the reign of Byzantine Emperor Justinian evidently saw a huge increase in the use of images, both in volume and quality, and a gathering aniconic reaction. In the Eastern Roman Empire, government-led iconoclasm began with Byzantine Emperor Leo III, the religious conflict created political and economic divisions in Byzantine society. It was generally supported by the Eastern, non-Greek peoples of the Empire who had to frequently with raids from the new Muslim Empire.
On the other hand, the wealthier Greeks of Constantinople, and the peoples of the Balkan and Italian provinces, within the Byzantine Empire the government had probably been adopting Christian images more frequently. One notable change came in 695, when Justinian IIs government added an image of Christ on the obverse of imperial gold coins. The change caused the Caliph Abd al-Malik to stop his earlier adoption of Byzantine coin types and he started a purely Islamic coinage with lettering only. As a result, individuals attacked statues and images, however, in most cases, civil authorities removed images in an orderly manner in the newly reformed Protestant cities and territories of Europe
10.
Middle Ages
In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired in the Middle Ages.
In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period.
Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date.
English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
11.
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and certain Eastern Catholic churches. The most common subjects include Christ, saints and/or angels, icons may be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity are generally not described as icons, Eastern Orthodox tradition holds that the creation of Christian images dates back to the very early days of Christianity, and there is has been a continuous tradition since then. The icons of centuries can be linked, often closely, to images from the 5th century onwards, there was enormous destruction of images during the Byzantine Iconoclasm of 726-842, although this did settle for good the question of the appropriateness of images. Since icons have had a continuity of style and subject. At the same time there has been change and development, Christian tradition dating from the 8th century identifies Luke the Evangelist as the first icon painter.
Aside from the legend that Pilate had made an image of Christ and he relates that King Abgar of Edessa sent a letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. In this version there is no image, further legends relate that the cloth remained in Edessa until the 10th century, when it was taken to Constantinople. It went missing in 1204 when Crusaders sacked Constantinople, but by numerous copies had firmly established its iconic type. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and the rest. They have other modes of honouring these images, after the manner of the Gentiles. And he called him and said, what do you mean by this matter of the portrait, can it be one of thy gods that is painted here. For I see that you are living in heathen fashion. Later in the passage John says, But this that you have now done is childish and imperfect, at least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century.
At the Spanish non-ecumenical Synod of Elvira bishops concluded, Pictures are not to be placed in churches, so that they do not become objects of worship and adoration. to our religion. After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313 and this period of Christianization probably saw the use of Christian images became very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states By the early century, we know of the ownership of private icons of saints. 480-500, we can be sure that the inside of a saints shrine would be adorned with images and votive portraits, when Constantine himself apparently converted to Christianity, the majority of his subjects remained pagans
12.
Iconography
The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print.
In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates.
The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
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