1.
Jesus
–
In Christology, the Person of Christ refers to the study of the human and divine natures of Jesus Christ as they co-exist within one person. There is no discussion in the New Testament regarding the dual nature of the Person of Christ as both divine and human. Hence, since the days of Christianity theologians have debated various approaches to the understanding of these natures. In the period following the Apostolic Age, specific beliefs such as Arianism and Docetism were criticized. On the other end of the spectrum, Docetism argued that Jesus physical body was an illusion, docetic teachings were attacked by St. Ignatius of Antioch and were eventually abandoned by proto-orthodox Christians. However, after the First Council of Nicaea in 325 the Logos, historically in the Alexandrian school of christology, Jesus Christ is the eternal Logos paradoxically humanized in history, a divine Person who became enfleshed, uniting himself to the human nature. The views of these schools can be summarized as follows, Alexandria, Antioch, Logos assumes a specific human being The First Council of Ephesus in 431 debated a number of views regarding the Person of Christ. At the same gathering the council debated the doctrines of monophysitism or miaphysitism. The council rejected Nestorianism and adopted the term hypostatic union, referring to divine, the language used in the 431 declaration was further refined at the 451 Council of Chalcedon. However, the Chalcedon creed was not accepted by all Christians, because Saint Augustine died in 430 he did not participate in the Council of Ephesus in 431 or Chalcedon in 451, but his ideas had some impact on both councils. On the other hand, the major theological figure of the Middle Ages. The Third Council of Constantinople in 680 held that both divine and human wills exist in Jesus, with the divine will having precedence, leading and guiding the human will. John Calvin maintained that there was no element in the Person of Christ which could be separated from the person of The Word. Calvin also emphasized the importance of the Work of Christ in any attempt at understanding the Person of Christ, the study of the Person of Christ continued into the 20th century, with modern theologians such as Karl Rahner and Hans von Balthasar. Balthasar argued that the union of the human and divine natures of Christ was achieved not by the absorption of human attributes, thus in his view the divine nature of Christ was not affected by the human attributes and remained forever divine
2.
Early Christian art and architecture
–
In practice identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine and it is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a group from producing durable works of art. Since Christianity was largely a religion of the classes in this period, the lack of surviving art may reflect a lack of funds for patronage. The Old Testament restrictions against the production of images may also have constrained Christians from producing art. Christians may have made or purchased art with pagan iconography, but given it Christian meanings, if this happened, Christian art would not be immediately recognizable as such. Early Christianity used the artistic media as the surrounding pagan culture. These media included fresco, mosaics, sculpture, and manuscript illumination, Early Christian art not only used Roman forms, it also used Roman styles. Late classical style included a portrayal of the human body. Late classical style is seen in early Christian frescos, such as those in the Catacombs of Rome, Early Christians adapted Roman motifs and gave new meanings to what had been pagan symbols. Among the motifs adopted were the peacock, grapevines, and the Good Shepherd, Early Christians also developed their own iconography, for example, such symbols as the fish, were not borrowed from pagan iconography. The earlier period being called the Pre-Constantinian or Ante-Nicene Period and after being the period of the First seven Ecumenical Councils, the earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of Christian tombs in the catacombs of Rome. From literary evidence, there may well have been panel icons which, initially Jesus was represented indirectly by pictogram symbols such as the Ichthys, peacock, Lamb of God, or an anchor. The image of The Good Shepherd, a youth in pastoral scenes collecting sheep, was the most common of these images. These images bear some resemblance to depictions of figures in Greco-Roman art. The almost total absence from Christian monuments of the period of persecutions of the plain, the dove is a symbol of peace and purity. It can be found with a halo or celestial light, in one of the earliest known Trinitarian images, the Throne of God as a Trinitarian image, the dove represents the Spirit. It is flying above an empty throne representing God, in the throne are a chlamys, the Chi-Rho monogram, XP, apparently first used by Constantine I, consists of the first two characters of the name Christos in Greek
3.
Roman emperor
–
The Roman emperor was the ruler of the Roman Empire during the imperial period. The emperors used a variety of different titles throughout history, often when a given Roman is described as becoming emperor in English, it reflects his taking of the title Augustus or Caesar. Another title often used was imperator, originally a military honorific, early Emperors also used the title princeps. Emperors frequently amassed republican titles, notably Princeps Senatus, Consul, the first emperors reigned alone, later emperors would sometimes rule with co-Emperors and divide administration of the Empire between them. The Romans considered the office of emperor to be distinct from that of a king, the first emperor, Augustus, resolutely refused recognition as a monarch. Although Augustus could claim that his power was authentically republican, his successor, Tiberius, nonetheless, for the first three hundred years of Roman Emperors, from Augustus until Diocletian, a great effort was made to emphasize that the Emperors were the leaders of a Republic. Elements of the Republican institutional framework were preserved until the end of the Western Empire. The Eastern emperors ultimately adopted the title of Basileus, which had meant king in Greek, but became a title reserved solely for the Roman emperor, other kings were then referred to as rēgas. In addition to their office, some emperors were given divine status after death. The Western Roman Empire collapsed in the late 5th century, Romulus Augustulus is often considered to be the last emperor of the west after his forced abdication in 476, although Julius Nepos maintained a claim to the title until his death in 480. Constantine XI was the last Byzantine Roman emperor in Constantinople, dying in the Fall of Constantinople to the Ottomans in 1453, a Byzantine group of claimant Roman Emperors existed in the Empire of Trebizond until its conquest by the Ottomans in 1461. In western Europe the title of Roman Emperor was revived by Germanic rulers, the Holy Roman Emperors, in 800, at the end of the Roman Republic no new, and certainly no single, title indicated the individual who held supreme power. Insofar as emperor could be seen as the English translation of imperator, then Julius Caesar had been an emperor, however, Julius Caesar, unlike those after him, did so without the Senates vote and approval. Julius Caesar held the Republican offices of four times and dictator five times, was appointed dictator in perpetuity in 45 BC and had been pontifex maximus for a long period. He gained these positions by senatorial consent, by the time of his assassination, he was the most powerful man in the Roman world. In his will, Caesar appointed his adopted son Octavian as his heir, a decade after Caesars death, Octavians victory over his erstwhile ally Mark Antony at Actium put an end to any effective opposition and confirmed Octavians supremacy. His restoration of powers to the Senate and the people of Rome was a demonstration of his auctoritas, some later historians such as Tacitus would say that even at Augustus death, the true restoration of the Republic might have been possible. Instead, Augustus actively prepared his adopted son Tiberius to be his successor, the Senate disputed the issue but eventually confirmed Tiberius as princeps
4.
Byzantine art
–
Byzantine art is the name for the artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. A number of states contemporary with the Byzantine Empire were culturally influenced by it, after the fall of the Byzantine capital of Constantinople in 1453, art produced by Eastern Orthodox Christians living in the Ottoman Empire was often called post-Byzantine. Byzantine art never lost sight of this classical heritage, the Byzantine capital, Constantinople, was adorned with a large number of classical sculptures, although they eventually became an object of some puzzlement for its inhabitants. And indeed, the art produced during the Byzantine Empire, although marked by periodic revivals of an aesthetic, was above all marked by the development of a new aesthetic. The most salient feature of new aesthetic was its abstract. The nature and causes of this transformation, which took place during late antiquity, have been a subject of scholarly debate for centuries. Giorgio Vasari attributed it to a decline in skills and standards. Although this point of view has been revived, most notably by Bernard Berenson. Alois Riegl and Josef Strzygowski, writing in the early 20th century, were all responsible for the revaluation of late antique art. Riegl saw it as a development of pre-existing tendencies in Roman art. In any case, the debate is purely modern, it is clear that most Byzantine viewers did not consider their art to be abstract or unnaturalistic, religious art was not, however, limited to the monumental decoration of church interiors. One of the most important genres of Byzantine art was the icon, an image of Christ, the illumination of manuscripts was another major genre of Byzantine art. The most commonly illustrated texts were religious, both scripture itself and devotional or theological texts, secular texts were also illuminated, important examples include the Alexander Romance and the history of John Skylitzes. Small ivories were also mostly in relief, Byzantine ceramics were relatively crude, as pottery was never used at the tables of the rich, who ate off silver. Two events were of importance to the development of a unique. First, the Edict of Milan, issued by the emperors Constantine I and Licinius in 313, allowed for public Christian worship, second, the dedication of Constantinople in 330 created a great new artistic centre for the eastern half of the Empire, and a specifically Christian one. Major Constantinopolitan churches built under Constantine and his son, Constantius II, included the foundations of Hagia Sophia. The next major building campaign in Constantinople was sponsored by Theodosius I, the most important surviving monument of this period is the obelisk and base erected by Theodosius in the Hippodrome
5.
Deesis
–
Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. In early examples, it was placed on the templon beam in Orthodox churches or above doors, though it also appears on icons. After the development of the full iconostasis screen there was room for a larger Deesis row or Great Deesis of full-length figures, and the number of figures expanded, in both Byzantium and Russia. Usually this row is above the level of the doors, and below the row depicting the Twelve Great Feasts, the central Christ is therefore above the main door in the screen. Especially in Russian examples, a number of saints of local significance are often included behind these, andrey Rublevs row for the Cathedral of the Dormition in Vladimir were 3.14 metres high. In the Greek tradition the Apostles are more likely to occupy extra panels, the Deesis composition is also commonly found in the West, especially those parts of Italy under Byzantine influence, but also the rest of Europe. It often forms part of a scene of the Last Judgement, the use of the image declined slowly throughout the Middle Ages, and it is never as common as the Western forms of Christ in Majesty. In depictions of the Crucifixion of Jesus Christ on the cross is very often flanked by the Virgin standing on one side. Definition of Deesis -- Includes photos of the Deesis in the Hagia Sophia
6.
John the Baptist
–
John the Baptist, also known as John the Baptizer, was a Jewish itinerant preacher in the early first century AD. John is revered as a religious figure in Christianity, Islam, the Baháí Faith. He is called a prophet by all of these traditions, and is honoured as a saint in many Christian traditions, John used baptism as the central symbol or sacrament of his messianic movement. Most scholars agree that John baptized Jesus, scholars generally believe Jesus was a follower or disciple of John and several New Testament accounts report that some of Jesus early followers had previously been followers of John. John the Baptist is also mentioned by the Jewish historian Josephus, according to the New Testament, John anticipated a messianic figure greater than himself. Christians commonly refer to John as the precursor or forerunner of Jesus, John is also identified with the prophet Elijah. John the Baptist is mentioned in all four canonical Gospels and the non-canonical Gospel of the Nazarenes, the Synoptic Gospels describe John baptising Jesus, in the Gospel of John it is implied in John 1, 32-34. The Gospel of Mark introduces John as a fulfilment of a prophecy from the Book of Isaiah about a messenger being sent ahead, John is described as wearing clothes of camels hair, living on locusts and wild honey. John proclaims baptism of repentance for the forgiveness of sin, and says another will come after him who will not baptize with water, Jesus comes to John, and is baptized by him in the river Jordan. The account describes how, as he emerges from the water, the heavens open, a voice from heaven then says, You are my Son, the Beloved, with you I am well pleased. Later in the gospel there is an account of Johns death and it is introduced by an incident where the Tetrarch Herod Antipas, hearing stories about Jesus, imagines that this is John the Baptist raised from the dead. It then explains that John had rebuked Herod for marrying Herodias, Herodias demands his execution, but Herod, who liked to listen to John, is reluctant to do so because he fears him, knowing he is a righteous and holy man. The account then describes how Herods daughter Herodias dances before Herod, when the girl asks her mother what she should request, she is told to demand the head of John the Baptist. Reluctantly, Herod orders the beheading of John, and his head is delivered to her, at her request, Johns disciples take the body away and bury it in a tomb. There are a number of difficulties with this passage, the Gospel wrongly identifies Antipas as King and the ex-husband of Herodias is named as Philip, but he is known to have been called Herod. Although the wording clearly implies the girl was the daughter of Herodias, many texts describe her as Herods daughter, Herodias. Since these texts are early and significant and the reading is difficult, many see this as the original version, corrected in later versions and in Matthew. Josephus says that Herodias had a daughter by the name of Salome, scholars have speculated about the origins of the story
7.
Renaissance
–
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
8.
Baroque
–
The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
9.
Mosaic
–
A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
10.
Basilica of San Lorenzo, Milan
–
Located close to the mediaeval Ticino gate, it is one of the oldest churches in Milan. It is near the city park called Basilicas Park, which both the Basilica of San Lorenzo and the Basilica of SantEustorgio, as well as the Roman Colonne di San Lorenzo. The basilica was built between the fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it, according to some scholars San Lorenzo was erected to coincide with the “Basilica Portiana”, which was built by the “Augusto of the West” to please the Bishop of Milan Aussenzzio of the Arian faith. If this were to be true, San Lorenzo would have preceded the foundation of the four Ambrosian basilicas, a second proposition gives the date of the foundation of the church to a later period, between 390 and 402, and attributes its commissioning to Theodosius I or Stilicho. Evidence for this comes from archaeological investigations carried out between 2002 and 2004. What is certain is that at the time of its construction the basilica was the largest, the dedication of the temple to St. Laurence the martyr has been certified only from 590, when Milan was already controlled by the Lombards. By 1167, with the construction of the walls, the basilica was to be found within the city. The basilica of San Lorenzo remained throughout the Middle Ages a symbol of the legacy of the Roman Empire in Milan, painted references to the church from that era can be identified. On 5 June 1573 the dome of the basilica suddenly collapsed, construction of a new dome in a more modern style began immediately and were completed in 1619. Following this event, donations increased enabling more rapid progress in the reconstruction, in 1626, the Madonna del Latte was transferred to the high altar where it remains to this day. After the bombings of 1944-1945 the houses that had destroyed were not rebuilt enabling the park of the basilicas to be created. In 1934 in place of the houses a sort of a courtyard was formed. The building had a central plan approached by a four-sided portico, access to the portico was through a colonnade which in turn gave access to three portals leading to the main body of the building. This consisted of a square hall inscribed as a building with four apses, around this space ran the ambulatory surmounted by a space later used as a womens gallery. Towers rose at the four corners of the square building, the whole was topped by a dome of which we know little, this having been lost. The interior was lit by windows, and probably decorated with marble in the lower parts and with mosaics in the vaults. Of the two buildings, the smaller was in the east, opposite the entrance, a chapel in the shape of a Greek cross, later on octagonal
11.
Saint Peter
–
Saint Peter, also known as Simon Peter, Simeon, or Simōn pronunciation, according to the New Testament, was one of the Twelve Apostles of Jesus Christ, leaders of the early Christian Great Church. Hippolytus of Rome, a 3rd-century theologian, gave him the title of Apostle of the Apostles, according to Catholic teaching, Peter was ordained by Jesus in the Rock of My Church dialogue in Matthew 16,18. He is traditionally counted as the first Bishop of Rome and by Eastern Christian tradition also as the first Patriarch of Antioch. The ancient Christian churches all venerate Peter as a saint and as founder of the Church of Antioch. The New Testament indicates that Peter was the son of John and was from the village of Bethsaida in the province of Galilee or Gaulanitis and his brother Andrew was also an apostle. According to New Testament accounts, Peter was one of twelve apostles chosen by Jesus from his first disciples, originally a fisherman, he played a leadership role and was with Jesus during events witnessed by only a few apostles, such as the Transfiguration. According to the gospels, Peter confessed Jesus as the Messiah, was part of Jesuss inner circle, thrice denied Jesus and wept bitterly once he realised his deed, according to Christian tradition, Peter was crucified in Rome under Emperor Nero Augustus Caesar. It is traditionally held that he was crucified upside down at his own request, Tradition holds that he was crucified at the site of the Clementine Chapel. His remains are said to be contained in the underground Confessio of St. Peters Basilica. According to Catholic doctrine, the direct successor to Saint Peter is the incumbent pope. Two general epistles in the New Testament are ascribed to Peter, the Gospel of Mark was traditionally thought to show the influence of Peters preaching and eyewitness memories. Peters original name was Shimon or Simeon and he was later given the name Peter, New Testament Greek Πέτρος derived from πέτρα, which means rock. In the Latin translation of the Bible this became Petrus, a form of the feminine petra. Another version of this name is Aramaic, , after his name in Hellenised Aramaic. The English, Dutch and German Peter, French Pierre, the Italian Pietro, the Spanish and Portuguese Pedro, the Syriac or Aramaic word for rock is kepa, which in Greek became Πέτρος, also meaning rock. He is also known as Simon Peter, Cephas and Kepha, both Cephas and Kepha also mean rock. In the New Testament, he is among the first of the disciples called during Jesus ministry, Peter became the first listed apostle ordained by Jesus in the early church. Peter was a fisherman in Bethsaida and he was named Simon, son of Jonah or John
Media related to Majestas Domini at Wikimedia Commons