1.
Carl Rahl
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Carl Rahl, sometimes spelled Karl Rahl, was an Austrian painter. Rahl was born in Vienna to Carl Heinrich Rahl, an engraver and he attended the Academy of Fine Arts Vienna and won a prize at the age of 19. From there he traveled to Munich, Stuttgart, Hungary, and he remained in Italy from 1836 to 1843, where he in particular studied representatives of the Venetian and Roman schools of art, and painted die Auffindung von Manfreds Leiche. Rahls style, especially his views on color and perspective, were formed during his years in Rome. In this period he painted Manfreds Einzug in Luceria, and die Christenverfolgung in den Katakomben, in 1850, he was appointed professor at the Academy of Fine Arts Vienna, but for political reasons he was soon dismissed from the position. He then opened an art school, which expanded quickly into a studio that produced monumental-scale paintings. Among his notable pupils were Eduard Bitterlich, August Eisenmenger, Joseph Matthäus Aigner, Károly Lotz, Christian Griepenkerl, Gustav Gaul, in addition, Sinas commissioned four paintings depicting heroes of the Greek War of Independence, and a further four paintings to decorate his residence. Rahl decorated the Heinrichshof in 1861 with personifications of Art, Friendship, and Culture, in 1864, he painted a number of allegorical figures in the stairway of the Waffenmuseum. In this period he painted several frescoes, Mädchen aus der Fremde, a composition for a ballroom of a palace in Oldenburg. The central painting show Bavarian king Otto I surrounded by the Muses, in his later years he painted scenic backdrops for the New Opera, which were continued after his death by his pupils. Media related to Carl Rahl at Wikimedia Commons
2.
Dithmarschen
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Dithmarschen is a district in Schleswig-Holstein, Germany. It is bounded by the districts of Nordfriesland, Schleswig-Flensburg, Rendsburg-Eckernförde, and Steinburg, by the state of Lower Saxony, from the 15th century up to 1559 Dithmarschen was an independent peasants republic within the Holy Roman Empire and a member of the Hanseatic League. The district is located on the North Sea and it is embraced by the Elbe estuary to the south and the Eider estuary to the north. Today it forms a kind of island, surrounded by the Eider river in the north. It is a rather flat countryside that was full of fens. To the north it borders on Nordfriesland and Schleswig-Flensburg, to the east on Rendsburg-Eckernförde and its landward boundaries have remained basically the same since the times of Charlemagne. Land reclamation, however, has almost doubled the size of Dithmarschen as land has been wrested from the sea, important towns are Hamburg and Itzehoe to the south, Husum to the north, and Kiel and Rendsburg to the east. The main roads and rail lines in Schleswig-Holstein follow a north-south direction, the district has a maximum north–south length of 54 kilometers and an east–west length of 41 kilometers. The highest point, near Schrum in the geestland, is 78 meters above sea level, Dithmarschens landscape owes its character to the North Sea. From west to east Dithmarschen consists of the Wadden Sea, marsh, bog, the North Sea had a higher sea level 6,500 years ago than today and the coastline then ran along the geestland. About 4,500 years ago, geestland structures were connected by sand, bogs, lakes, and swamps emerged as the area behind the spits no longer flooded. After the first plants took root, the land transformed first to salt marshes and these marshes rank among the most fertile of Germanys soils. Vegetable farming in Dithmarschen produces the highest yields in Schleswig-Holstein, since about the 8th century, the people of Dithmarschen have been living on warfts for protection from the sea. In the 12th century, they began building dikes to protect their pastures, since about the 15th century, they have been reclaiming land from the sea. While the Geest has some woods, trees are found in only in form of wind protection around houses or villages. Traditional are the knicks, tree rows with strong underwood to protect land from the wind. A special position is taken with the Weißes Moor, the only bog still existing in quite natural shape in the Schleswig-Holstein marsh land, part of the Schleswig-Holstein Wadden Sea National Park is in Dithmarschen. It is the most important habitat in the district, here live many molluscs, including Bivalvia and Gastropeda, Worms and Crustacea, which are welcome nourishment to bigger species
3.
Duchy of Holstein
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The Duchy of Holstein was the northernmost state of the Holy Roman Empire, located in the present German state of Schleswig-Holstein. It was established when King Christian I of Denmark had his County of Holstein-Rendsburg elevated to a duchy by Emperor Frederick III in 1474, Holstein was ruled jointly with the Duchy of Schleswig by members of the Danish House of Oldenburg for its entire existence. From 1490 to 1523 and again from 1544 to 1773 the Duchy was partitioned between various Oldenburg branches, most notably the dukes of Holstein-Glückstadt and Holstein-Gottorp, the Duchy ceased to exist when it was annexed by the Kingdom of Prussia in 1866 after the Second Schleswig War. The lands of Schleswig beyond the river remained a fief of the Danish Crown, while Holstein became a part of East Francia, the Kingdom of Germany. Adolf VIII, the last Count of Holstein-Rendsburg and Duke of Schleswig had died without heirs in 1459. As Schleswig had been a Danish fief, it had to back to King Christian I of Denmark. He was backed by the nobility, who supported the continued common administration of both lands and by the 1460 Treaty of Ribe proclaimed him as the new Count of Holstein. Nevertheless, the comital Holstein lands south of the Eider River officially remained a fief held by the Ascanian dukes of Saxe-Lauenburg. In 1474 Emperor Frederick III conferred Imperial immediacy to Christian by elevating him to a Duke of Holstein, from 1648 the royal parts of Schleswig and Holstein were administered out of Glückstadt and became known as the Duchy of Schleswig-Holstein-Glückstadt. Before 1773 its Holstein territory consisted of the following Ämter, Rendsburg, South Dithmarschen, Steinburg, Segeberg, the Duchy of Schleswig-Holstein in Haderslev, held by Duke Hans the Elder. Hans had no issue and after his death in 1580, his territories were divided among his brothers, the Duchy of Schleswig-Holstein in Gottorp, held by Duke Adolf and his successors. In addition, significant parts of Holstein were jointly administered by the Dukes of Holstein-Glückstadt, in 1640, the County of Holstein-Pinneberg, whose ruling house was extinct, was merged in the royal part of the Duchy of Holstein. In 1713, during the Great Northern War, the estates of the Dukes of Schleswig-Holstein-Gottorp in Schleswig including Schloss Gottorf were conquered by royal Danish troops, in the 1720 Treaty of Frederiksborg, Duke Charles Frederick of Schleswig-Holstein-Gottorp ceded them to his liege lord the Danish crown. His remaining territories formed the Duchy of Holstein-Gottorp, administered from Kiel, with the dissolution of the Holy Roman Empire in 1806, the Duchy of Holstein gained sovereignty. Denmark defended its rule over Holstein in the First Schleswig War of 1848-51 against the Kingdom of Prussia, however, in Second Schleswig War Prussian and Austrian troops conquered Schleswig. Christian IX of Denmark had to renounce both Schleswig and Holstein in the Treaty of Vienna, Holstein was put under Austrian administration, until annexed by Prussia in 1866 after the Austro-Prussian War. The Danish king in his function as duke of Holstein, and duke of Schleswig, 1523/45–1550, Johan Rantzau 1550–1556, Count Bertram von Ahlefeldt 1556–1598, Heinrich Rantzau 1598–1600, vacancy. Peace of Prague List of rulers of Schleswig-Holstein Schleswig-Holstein at Worldstatesmen
4.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
5.
Austrian Empire
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The Austrian Empire was an empire in Central Europe created out of the realms of the Habsburgs by proclamation in 1804. It was an empire and one of Europes great powers. Geographically it was the second largest country in Europe after the Russian Empire and it was also the third most populous after Russia and France, as well as the largest and strongest country in the German Confederation. Proclaimed in response to the First French Empire, it overlapped with the Holy Roman Empire until the dissolution in 1806. The Ausgleich of 1867 elevated Hungarys status and it became a separate entity from the Empire entirely, joining with it in the dual monarchy of Austria-Hungary. Changes shaping the nature of the Holy Roman Empire took place during conferences in Rastatt, on 24 March 1803, the Imperial Recess was declared, which reduced the number of ecclesiastical states from 81 to only 3 and the free imperial cities from 51 to 6. This measure was aimed at replacing the old constitution of the Holy Roman Empire, taking this significant change into consideration, the German Emperor Francis II created the title Emperor of Austria, for himself and his successors. In 1804 the Holy Roman Emperor Francis II, who was ruler of the lands of the Habsburg Monarchy, founded the Empire of Austria. In doing so he created a formal overarching structure for the Habsburg Monarchy, to safeguard his dynastys imperial status he adopted the additional hereditary title of Emperor of Austria. Hungarys affairs remained administered by its own institutions as they had been beforehand, thus under the new arrangements no Imperial institutions were involved in its internal government. The fall and dissolution of the Holy Roman Empire was accelerated by French intervention in the Empire in September 1805, on 20 October 1805, an Austrian army led by general Karl Mack von Leiberich was defeated by French armies near the town of Ulm. The French victory resulted in the capture of 20,000 Austrian soldiers, Napoleons army won another victory at Austerlitz on 2 December 1805. Francis was forced into negotiations with the French from 4 to 6 December 1805, the French victories encouraged rulers of certain imperial territories to assert their formal independence from the Empire. On 10 December 1805, the prince-elector Duke of Bavaria proclaimed himself King, finally, on 12 December, the Margrave of Baden was given the title of Grand Duke. In addition, each of these new countries signed a treaty with France, the Treaty of Pressburg between France and Austria, signed in Pressburg on 26 December, enlarged the territory of Napoleons German allies at the expense of defeated Austria. Certain Austrian holdings in Germany were passed to French allies—the King of Bavaria, the King of Württemberg, Austrian claims on those German states were renounced without exception. On 12 July 1806, the Confederation of the Rhine was established, comprising 16 sovereigns and this confederation, under French influence, put an end to the Holy Roman Empire. On 6 August 1806, even Francis recognized the new state of things and proclaimed the dissolution of the Holy Roman Empire, as he did not want Napoleon to succeed him
6.
Playwright
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A playwright, also known as a dramatist, is a person who writes plays. The term is not a variant spelling of playwrite, but something quite distinct, hence the prefix and the suffix combine to indicate someone who has wrought words, themes, and other elements into a dramatic form - someone who crafts plays. The homophone with write is in this case entirely coincidental, the term playwright appears to have been coined by Ben Jonson in his Epigram 49, To Playwright, as an insult, to suggest a mere tradesman fashioning works for the theatre. Jonson described himself as a poet, not a playwright, since plays during that time were written in meter and this view was held as late as the early 19th century. The term playwright later lost this negative connotation, the earliest playwrights in Western literature with surviving works are the Ancient Greeks. These early plays were written for annual Athenian competitions among playwrights held around the 5th century BC, such notables as Aeschylus, Sophocles, Euripides, and Aristophanes established forms still relied on by their modern counterparts. For the ancient Greeks, playwriting involved poïesis, the act of making and this is the source of the English word poet. In the 4th century BCE, Aristotle wrote his Poetics, the first play-writing manual, in this famous text, Aristotle established the principle of action or praxis as the basis for all drama. He then included a hierarchy of elements for the beginning with plot, character, thought, diction, music. The ends of drama were plot, character, and thought, the means of drama were language and music, since the myths, upon which Greek tragedy were based, were widely known, plot had to do with the arrangement and selection of existing material. Character was equated with choice as rather than psychology, so that character was determined by action, in tragedy, the notion of ethical choice determined the character of the individual. Thought had more to do and the imitation of an action that is serious, thus, he developed his notion of hamartia, or tragic flaw, an error in judgment by the main character or protagonist. It provides the basis for the play, a term still held as the sine qua non of dramaturgy. The Poetics, while very brief and highly condensed, is studied today. Perhaps the most Aristotelian of contemporary playwrights is David Mamet, who embraces the idea of character as agent of the action, and emphasizes causality in the structure of his plays. His recently revived, Speed-the-Plow, is quintessentially Aristotelian, in that it observes the unities and builds its plot through a causal stream of discoveries and reversals. The Italian Renaissance brought about a stricter interpretation of Aristotle, as this long-lost work came to light in the late 15th century. The neoclassical ideal, which was to reach its apogee in France during the 17th century, dwelled upon the unities, of action, place, and time
7.
Holstein
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Holstein is the region between the rivers Elbe and Eider. It is the half of Schleswig-Holstein, the northernmost state of Germany. Holstein once existed as the County of Holstein, the later Duchy of Holstein, the history of Holstein is closely intertwined with the history of the Danish Duchy of Schleswig. The capital of Holstein is Kiel, Holsteins name comes from the Holcetae, a Saxon tribe mentioned by Adam of Bremen as living on the north bank of the Elbe, to the west of Hamburg. The name means dwellers in the wood, after the Migration Period of the Early Middle Ages, Holstein was adjacent to The Obotrites on the coast of the Baltic Sea and the land of the Danes in Jutland. With the conquest of Old Saxony by Charlemagne circa 800, he granted land north of the Eider River to the Danes by the Treaty of Heiligen signed in 811. The ownership of Holstein was given to The Obotrites, namely the Wagrians, after 814, the Saxons were restored to Western Holstein. The new county of Holstein was established in 1111, it was first a fief of the Duchy of Saxony, then of the Duchy of Saxe-Lauenburg, with the establishment of the new territorial unit, expansion to the East began and the Wagrians were finally defeated in 1138. The County of Holstein was ruled by the House of Schaumburg, Holstein was occupied by Denmark after the Battle of Stellau, but was reconquered by the Count of Schauenburg and his allies in the Battle of Bornhöved. He thus became as Gerhard II duke of Schleswig, until 1390 the Rendsburg branch united by inheritance all branches except of that of Holstein-Pinneberg. Through the Treaty of Ribe Christian was elected Count of Holstein-Rendsburg, in 1474 Lauenburgs liege lord Emperor Frederick III elevated Christian I as Count of Holstein-Rendsburg to Duke of Holstein, thus becoming an immediate imperial vassal. The Duchy of Holstein retained that status until the dissolution of the Empire in 1806, in 1490, the Duchy of Holstein was divided into Holstein-Segeberg and Holstein-Gottorp. Holstein-Segeberg remained with the Danish king and was known as Royal Holstein. Holstein-Gottorp, also known as Ducal Holstein, was given to a branch of the House of Oldenburg. Between 1533 and 1544 King Christian III of Denmark ruled the entire Duchies of Holstein and of Schleswig also in the name of his still minor half-brothers John the Elder. The elder three brothers determined their youngest brother Frederick for a career as Lutheran administrator of a state within the Holy Roman Empire. The secular rule in the fiscally divided duchies thus became a condominium of the parties, as dukes of Holstein and Schleswig the rulers of both houses bore the formal title of Duke of Schleswig, Holstein, Ditmarsh and Stormarn. Between 1648 and 1773 the royal share used to be called Holstein-Glückstadt after its capital Glückstadt, parts of the former County of Holstein-Pinneberg were transformed 1649/50 into the Imperial County of Rantzau, which fell back to the Danish Crown in 1726
8.
Gelehrtenschule des Johanneums
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The Gelehrtenschule des Johanneums is a Gymnasium in Hamburg, Germany. It is Hamburgs oldest school and was founded in 1529 by Johannes Bugenhagen, the school´s focus is on the teaching of Latin and ancient Greek. It is proud of having educated some of Germanys political leaders as well as some of Germanys notable scientists, the school is operated and financed by the city of Hamburg. The school is twinned with the two London schools Latymer Upper School and Godolphin and Latymer School, in Jules Vernes novel, Journey to the Centre of the Earth, one of the main characters, Otto Lidenbrock is a professor at the Johanneum. Hödhütte is the house of the Gelehrtenschule des Johanneums. Leased by the school since 1970, it is located in the Radstädter Tauern, all pupils are required to spend 11 days at Hördhütte during their seventh year of schooling. This is believed to build community spirit and strengthen character, the students will also learn how to ski. Students from all years have the opportunity to spend their holidays in Hödhütte, the school feels that every student should have the opportunity of experiencing the sites of classical antiquity at first hand. The Verein zur Förderung von Schulreisen an klassische Stätten e. V. was formed fund this activity, the library of the school is called Bibliotheca Johannei. It has 55,000 books written in Latin, Ancient Greek, English, French, the library prides itself in having the first editions of many of the milestones of European literature. The oldest book is a Latin bible dating from 1491, the school has an alumni society called Verein ehemaliger Schüler der Gelehrtenschule des Johanneums zu Hamburg e. V. One of its tasks is to provide money for school activities
9.
Amalie Schoppe
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Amalie Schoppe was a German author. She was also known by her pseudonyms Adalbert von Schonen, Amalia and she is most notable as the author of books for children and young people, with an oeuvre totaling 200 volumes. The Amalie-Schoppe-Weg in the Hamburg-Barmbek-Nord district of Hamburg and the Amalie-Schoppe-Straße in Burg auf Fehmarn are named after her, Schoppe showed talent in her youth above all for languages and medicine. In 1814 she married F. H. Schoppe, later to become a lawyer, after her husbands death she provided for her family by her prolific writing, as well as occasionally running a girls reformatory alongside Fanny Tarnow. Her friends included Rosa Maria Assing, Justinus Kerner and Adelbert von Chamisso, along with the young poet Friedrich Hebbel, from 1827 to 1846 she edited the Pariser Modeblätter as well writing literary articles for it. ISBN 978-3-89528-687-2 Carsten Erich Carstens, Schoppe, Amalia, vol 32, Duncker & Humblot, Leipzig 1891, S.368 f. Vol 23, Duncker & Humblot, Berlin 2007, S.74 f, beate Mitterer, Der historische Roman von Schriftstellerinnen der ersten Hälfte des 19. Darstellung und Bewertung von Geschichte in den historischen Romanen von Wilhelmine von Gersdorf, kurt Schleucher, Das Leben der Amalia Schoppe und Johanna Schopenhauer
10.
University of Hamburg
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The University of Hamburg is a comprehensive university in Hamburg, Germany. It was founded on 28 March 1919, having grown out of the previous General lecture system, in spite of its relatively short history, six Nobel Prize Winners and serials of scholars are affiliated to the university. University of Hamburg is the biggest research and education institution in Northern Germany, the main campus is located in the central district of Rotherbaum, with affiliated institutes and research centres spread around the city state. On a national scale, U. S. News & World Report ranks UHH 7th, progress was made however, since proponents of a university founded the Hamburg Science Foundation in 1907 and the Hamburg Colonial Institute in 1908. In the same year, the citizenry approved a site on the Moorweide for the establishment of a lecture building. However, the plans for the foundation of the university itself had to be shelved, after the war, the first freely elected senate choose von Melle as mayor. He and Rudolf Ross made a push for reform in Hamburg, and their law establishing the university. On March 28,1919 the University of Hamburg opened its gates, the number of full professorships in Hamburg was increased from 19 to 39. Both the Colonial Institute and the General Lecture system were absorbed into the university, the first faculties created by the university were Law and Political Science, Medicine, Philosophy and Natural Sciences. During the Weimar Republic, the university grew into importance. Several thousand students were enrolled, and it drew scholars like Albrecht Mendelssohn Bartholdy, Aby Warburg. The number of professors had by 1931 grown to 75. Because many students were suffering due to the bad situation that prevailed in the early republic. Ernst Cassirer became principal of the university in 1929, one of the first Jewish scholars with that role in Germany, the academic situation shifted quickly after the general election in March 1933. Already on May 1 of that year – the university held a ceremony to honor Adolf Hitler as its leader, massive political influence by the Nazis followed, including the removal of books from the libraries and harassment against alleged enemies of the people. About fifty scientists, including Ernst Cassirer and William Stern, had to leave the university, at least ten students working with the White Rose in Hamburg were suspected and arrested, four of them died in custody or were executed. In the foyer of the hall a design by Fritz Fleer commemorative plate was taken in 1971 in memory of the four resistance fighters. After the Second World War, the university was reopened in the winter of 1945 with 17,800 employees, the smallest number joined the Faculty of Mathematics and Natural Sciences with 506 students in total
11.
Heidelberg University
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Heidelberg University is a public research university in Heidelberg, Baden-Württemberg, Germany. Founded in 1386 on instruction of Pope Urban VI, Heidelberg is Germanys oldest university and it was the third university established in the Holy Roman Empire. Heidelberg has been an institution since 1899. The university consists of twelve faculties and offers programmes at undergraduate, graduate. The language of instruction is usually German, while a number of graduate degrees are offered in English. Associated with 31 Nobel Prize laureates, the university places an emphasis on research, modern scientific psychiatry, psychopharmacology, psychiatric genetics, environmental physics, and modern sociology were introduced as scientific disciplines by Heidelberg faculty. Approximately 1,000 doctorates are completed every year, with more than one third of the students coming from abroad. International students from some 130 countries account for more than 20 percent of the student body. The universitys noted alumni include eleven domestic and foreign Heads of State or Heads of Government, the Great Schism of 1378 made it possible for Heidelberg, a relatively small city and capital of the Electorate of the Palatinate, to gain its own university. The Great Schism was initiated by the election of two popes after the death of Pope Gregory XI in the same year, one successor resided in Avignon and the other in Rome. Rupert I recognized the opportunity and initiated talks with the Curia, as specified in the papal charter, the university was modelled after University of Paris and included four faculties, philosophy, theology, jurisprudence, and medicine. On 18 October 1386 a special Pontifical High Mass in the Heiliggeistkirche was the ceremony that established the university, on 19 October 1386 the first lecture was held, making Heidelberg the oldest university in Germany. In November 1386, Marsilius of Inghen was elected first rector of the university, the rector seal motto was semper apertus—i. e. The book of learning is always open, the university grew quickly and in March 1390,185 students were enrolled at the university. This resulted in establishing a reputation for the university and its professors. Due to the influence of Marsilius, the university initially taught the nominalism or via moderna, the transition from scholastic to humanistic culture was effected by the chancellor and bishop Johann von Dalberg in the late 15th century. Humanism was represented at Heidelberg University particularly by the founder of the older German Humanistic School Rudolph Agricola, Conrad Celtes, Jakob Wimpfeling, and Johann Reuchlin. Æneas Silvius Piccolomini was chancellor of the university in his capacity of provost of Worms, in 1482, Pope Sixtus IV permitted laymen and married men to be appointed professors in the ordinary of medicine through a papal dispensation
12.
Ludwig Maximilian University of Munich
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Ludwig-Maximilians-Universität in Munich is a public research university located in Munich, Germany. The University of Munich is among Germanys oldest universities, in 1802, the university was officially named Ludwig-Maximilians-Universität by King Maximilian I of Bavaria in his as well as the universitys original founders honour. Among these were Wilhelm Röntgen, Max Planck, Werner Heisenberg, Otto Hahn, pope Benedict XVI was also a student and professor at the university. The LMU has recently been conferred the title of university under the German Universities Excellence Initiative. LMU is currently the second-largest university in Germany in terms of student population, in the semester of 2015/2016. Of these,8,671 were freshmen while international students totalled 7,812 or almost 15% of the student population, the university was founded with papal approval in 1472 as the University of Ingolstadt, with faculties of philosophy, medicine, jurisprudence and theology. Its first rector was Christopher Mendel of Steinfels, who became bishop of Chiemsee. In the period of German humanism, the universitys academics included names such as Conrad Celtes, the theologian Johann Eck also taught at the university. From 1549 to 1773, the university was influenced by the Jesuits, the Jesuit Petrus Canisius served as rector of the university. At the end of the 18th century, the university was influenced by the Enlightenment, in 1800, the Prince-Elector Maximilianv IV Joseph moved the university to Landshut, due to French aggression that threatened Ingolstadt during the Napoleonic Wars. In 1802, the university was renamed the Ludwig Maximilian University in honour of its two founders, Louis IX, Duke of Bavaria and Maximilian I, Elector of Bavaria. The Minister of Education, Maximilian von Montgelas, initiated a number of reforms sought to modernize the rather conservative. In 1826, it was moved to Munich, the capital of the Kingdom of Bavaria, the university was situated in the Old Academy until a new building in the Ludwigstraße was completed. The locals were critical of the number of Protestant professors Maximilian. They were dubbed the Nordlichter and especially physician Johann Nepomuk von Ringseis was quite angry about them, in the second half of the 19th century, the university rose to great prominence in the European scientific community, attracting many of the worlds leading scientists. It was also a period of great expansion, from 1903, women were allowed to study at Bavarian universities, and by 1918, the female proportion of students at LMU had reached 18%. In 1918, Adele Hartmann became the first woman in Germany to earn the Habilitation, during the Third Reich, academic freedom was severely curtailed. In 1943 the White Rose group of anti-Nazi students conducted their campaign of opposition to the National Socialists at this university, the university has continued to be one of the leading universities of West Germany during the Cold War and in the post-reunification era
13.
Tragedy
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Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. In the wake of Aristotles Poetics, tragedy has been used to make genre distinctions, in the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects against models of tragedy, taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word tragedy appears to have used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag-aoidiā = goat song, scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was that around which a chorus danced prior to the animals ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis says that the form of the word was trygodia from trygos and ode. There is some dissent to the origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-Hellenic fertility and burial rites has been suggested, friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy. Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the genre developed. Scott Scullion writes, There is abundant evidence for tragoidia understood as song for the prize goat, and as prize was established the billy goat, the clearest is Eustathius 1769.45, They called those competing tragedians, clearly because of the song over the billy goat. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days, each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play. The four plays sometimes featured linked stories, only one complete trilogy of tragedies has survived, the Oresteia of Aeschylus. The Greek theatre was in the air, on the side of a hill. Performances were apparently open to all citizens, including women, the theatre of Dionysus at Athens probably held around 12,000 people
14.
Copenhagen
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Copenhagen, Danish, København, Latin, Hafnia) is the capital and most populous city of Denmark. Copenhagen has an population of 1,280,371. The Copenhagen metropolitan area has just over 2 million inhabitants, the city is situated on the eastern coast of the island of Zealand, another small portion of the city is located on Amager, and is separated from Malmö, Sweden, by the strait of Øresund. The Øresund Bridge connects the two cities by rail and road, originally a Viking fishing village founded in the 10th century, Copenhagen became the capital of Denmark in the early 15th century. Beginning in the 17th century it consolidated its position as a centre of power with its institutions, defences. After suffering from the effects of plague and fire in the 18th century and this included construction of the prestigious district of Frederiksstaden and founding of such cultural institutions as the Royal Theatre and the Royal Academy of Fine Arts. Later, following the Second World War, the Finger Plan fostered the development of housing, since the turn of the 21st century, Copenhagen has seen strong urban and cultural development, facilitated by investment in its institutions and infrastructure. The city is the cultural, economic and governmental centre of Denmark, Copenhagens economy has seen rapid developments in the service sector, especially through initiatives in information technology, pharmaceuticals and clean technology. Since the completion of the Øresund Bridge, Copenhagen has become integrated with the Swedish province of Scania and its largest city, Malmö. With a number of connecting the various districts, the cityscape is characterized by parks, promenades. Copenhagen is home to the University of Copenhagen, the Technical University of Denmark, the University of Copenhagen, founded in 1479, is the oldest university in Denmark. Copenhagen is home to the FC København and Brøndby football clubs, the annual Copenhagen Marathon was established in 1980. Copenhagen is one of the most bicycle-friendly cities in the world, the Copenhagen Metro serves central Copenhagen while the Copenhagen S-train network connects central Copenhagen to its outlying boroughs. Serving roughly 2 million passengers a month, Copenhagen Airport, Kastrup, is the largest airport in the Nordic countries, the name of the city reflects its origin as a harbour and a place of commerce. The original designation, from which the contemporary Danish name derives, was Køpmannæhafn, meaning merchants harbour, the literal English translation would be Chapmans haven. The English name for the city was adapted from its Low German name, the abbreviations Kbh. or Kbhvn are often used in Danish for København, and kbh. for københavnsk. The chemical element hafnium is named for Copenhagen, where it was discovered, the bacterium Hafnia is also named after Copenhagen, Vagn Møller of the State Serum Institute in Copenhagen named it in 1954. Excavations in Pilestræde have also led to the discovery of a well from the late 12th century, the remains of an ancient church, with graves dating to the 11th century, have been unearthed near where Strøget meets Rådhuspladsen
15.
Christian VIII of Denmark
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Christian VIII was the King of Denmark from 1839 to 1848 and, as Christian Frederick, King of Norway in 1814. He was the eldest son of Hereditary Prince Frederick of Denmark and Norway and his paternal grandparents were King Frederick V of Denmark and his second wife, Duchess Juliana Maria of Brunswick-Wolfenbüttel. Christian was born at Christiansborg Palace in Copenhagen, Christians upbringing was marked by a thorough and broad-spectrum education with exposure to artists and scientists who were linked to his fathers court. Christian inherited the talents of his highly gifted mother, and his amiability, Christian first married his cousin Duchess Charlotte Frederica of Mecklenburg-Schwerin at Ludwigslust on 21 June 1806. Charlotte Frederica was a daughter of Friedrich Franz I, Grand Duke of Mecklenburg-Schwerin and his first-born son was Christian Frederik, who was born and died at Schloss Plön on 8 April 1807. His second son became Frederick VII of Denmark, the marriage was dissolved by divorce in 1810 after Charlotte Frederica was accused of adultery. Christian married his wife, Princess Caroline Amalie of Schleswig-Holstein-Sonderburg-Augustenburg at Augustenborg Palace on 22 May 1815. The couple was childless and lived in retirement as leaders of the literary. Christian had ten children, for whom he carefully provided. It is rumored that among these children included the fairy tale author Hans Christian Andersen. Christian did all he could personally to strengthen the bonds between the Norwegians and the house of Denmark. He was elected Regent of Norway by an assembly of notables on 16 February 1814, Christian next attempted to interest the great powers in Norways cause, but without success. Sweden refused Christians conditions and a military campaign ensued in which the Norwegian army was defeated by the forces of the Swedish crown prince Charles John. The brief war concluded with the Convention of Moss on 14 August 1814, by the terms of this treaty, King Christian Frederick transferred executive power to the Storting, then abdicated and returned to Denmark. The Storting in its turn adopted the constitutional amendments necessary to allow for a union with Sweden. On 13 December 1839 he ascended the Danish throne as Christian VIII, the Liberal party had high hopes of “the giver of constitutions, ” but he disappointed his admirers by steadily rejecting every Liberal project. Administrative reform was the reform he would promise. In his attitude to the growing national unrest in the duchies of Schleswig and Holstein he often seemed hesitated and half-hearted
16.
Christine Enghaus
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Christine Enghaus, pseudonym of Johanne Louise Christine Engehausen, was a German actress and wife of the German playwright Friedrich Hebbel. Christine Engehausen was born in Braunschweig, and grew up under poor circumstances in a large family and she had work early to contribute to the living of the family, because her father died before she turned seven. On the initiative of her mother, she was sent to the ballet at the state theatre at Braunschweig at the age of seven. Due to her talent she soon had little roles in plays and was finally discovered and supported by K. Köchy. Starting in 1829, Enghaus belonged to the ensemble of the theatre in Braunschweig. She had her breakthrough in 1833 when she played Joan of Arc in Bremen and was hired to play in this city. Soon after she played in the city theater of Hamburg where she was first spotted on stage by her later husband, in 1840, already famous, she was engaged to play at the Burgtheater and belonged to the ensemble until 1875. Christine Enghaus and Friedrich Hebbel married in Vienna on 26 May 1846, after the marriage, Enghaus stayed in Vienna but also played in Weimar and mostly personified tragic female characters from her husbands plays. She had two children, Emil and Christine and she died in Vienna at the age of 95. The importance of Christine Enghausen can also be seen in the fact that two novels exist with her as the leading character, Die beiden Frauen im Leben Friedrich Hebbels. Heide, Boyens 1986 ISBN 3-8042-0366-3 Else Hoppe, Die Ebenbürtigen, Christine Engehausens Ehe mit Friedrich Hebbel, Braunschweig 1943 Garzmann, Schuegraf, Pingel, Braunschweiger Stadtlexikon - Ergänzungsband, Braunschweig 1996 Hans Knudsen, Hebbel, Christine
17.
Weimar
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Weimar is a city in the federal state of Thuringia, Germany. It is located between Erfurt in the west and Jena in the east, approximately 80 kilometres southwest of Leipzig,170 kilometres north of Nuremberg and 170 kilometres west of Dresden. Together with the neighbour-cities Erfurt and Jena it forms the metropolitan area of Thuringia with approximately 500,000 inhabitants. Weimar is well known because of its cultural heritage and its importance in German history. The city was a point of the German Enlightenment and home of the leading characters of the literary genre of Weimar Classicism. Until 1948, Weimar was the capital of Thuringia, today, many places in the city centre have been designated as UNESCO World Heritage sites and tourism is one of the leading economic sectors of Weimar. Relevant institutions in Weimar are the Bauhaus University, the Liszt School of Music, in 1999, Weimar was the European Capital of Culture. Archaeological finds dating back to the Thuringii epoch show that the Weimar part of the Ilm valley was settled early, the oldest records regarding Weimar date to 899. Its name changed over the centuries from Wimares through Wimari to Wimar and finally Weimar, it is derived from Old High German wīh-, another theory derives the first element from OHG win. The place was the seat of the County of Weimar, first mentioned in 949, in 1062 it was united with the County of Orlamünde to the new County of Weimar-Orlamünde, which existed until the Thuringian Counts War in 1346 and fell to the Wettins afterwards. The Weimar settlement emerged around the wooden castle and two small churches dedicated to St Peter, and to St James. In 1240, the count founded the monastery in Oberweimar. Soon after, the counts of Weimar founded the town, which was an independent parish since 1249, from 1262 the citizens used their own seal. Nevertheless, the influence of the Weimar counts was declining as the influence of the Wettins in Thuringia increased. Hence, the new town was relatively marginal in a regional context. The settlement around St James Church developed into a suburb during the 13th century, after becoming part of the Wettins territory in 1346, urban development improved. The Wettins fostered Weimar by abolishing socage and granting privileges to the citizens, now Weimar became equal to other Wettinian cities like Weißensee and grew during the 15th century, with the establishment of a town hall and the current main church. Weimar acquired woad trade privileges in 1438, the castle and the walls were finished in the 16th century, making Weimar into a full city
18.
Peter Cornelius
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Carl August Peter Cornelius was a German composer, writer about music, poet and translator. He was born in Mainz to Carl Joseph Gerhard and Friederike Cornelius, actors in Mainz, from an early age he played the violin and composed, eventually studying with Tekla Griebel-Wandall and composition with Heinrich Esser in 1841. Corneliuss first mature works were composed during his stay in Weimar. His next place of residence was Vienna, where he lived for five years and it was in Vienna that Cornelius began a friendship with Richard Wagner. At the latters behest, Cornelius moved to Munich in 1864, in Britain to this day, Corneliuss best-known work is The Three Kings, a song for voice and piano in which the soloist sings Three Kings from Persian lands afar. While from the piano is heard the tune of Philipp Nicolai. An arrangement by Ivor Atkins of The Three Kings for solo voice and choir is included in the first volume of the popular David Willcocks and Reginald Jacques compilation Carols for Choirs. During his last few years in Berlin, Cornelius wrote music criticism for several major Berlin journals and entered into friendships with Joseph von Eichendorff, Paul Heyse and Hans von Bülow. Despite his long-standing association with Wagner and Franz Liszt, Corneliuss relations with the so-called New German School of composition were sometimes rocky, for instance, he did not attend the premiere of Tristan und Isolde, using the premiere of his own opera Der Cid as an excuse. Corneliuss third and final project, Gunlöd, based on the Norse eddas, was left incomplete at his death in Mainz. He was buried in the citys Hauptfriedhof, and his grave can still be seen there, Der Barbier von Bagdad, opera buffa Brautlieder Weihnachtslieder op
19.
Max Reger
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Johann Baptist Joseph Maximilian Reger, commonly known as Max Reger, was a German composer, pianist, organist, conductor, and academic teacher. Reger first composed mainly Lieder, chamber music, choral music and works for piano and he later turned to orchestral compositions, such as the popular Variations and Fugue on a Theme by Mozart, and to works for choir and orchestra such as Gesang der Verklärten, Der 100. Psalm, Der Einsiedler and the Hebbel Requiem, born in Brand, Bavaria, Reger studied music theory in Sondershausen, then piano and theory in Wiesbaden. The first compositions to which he assigned numbers were chamber music. A concert pianist himself, he composed works for piano and organ. His first work for choir and piano to which he assigned a number was Drei Chöre. Reger returned to his home in 1898, where he composed his first work for choir and orchestra, Hymne an den Gesang. From 1899, he courted Elsa von Bercken who first rejected him and he composed many songs such as Sechs Lieder, Op.35, on love poems by five authors. Reger moved to Munich in September 1901, where he obtained concert offers, during his first Munich season, Reger appeared in ten concerts as an organist, chamber pianist and accompanist. Income from publishers, concerts and private teaching enabled him to marry in 1902, because his wife Elsa was a divorced Protestant, he was excommunicated from the Catholic Church. He continued to compose without interruption, for example Gesang der Verklärten, in 1907, Reger was appointed musical director at the Leipzig University Church, a position he held until 1908, and professor at the Royal Conservatory in Leipzig. In 1908 he began to compose Der 100, Psalm, Op.106, a setting of Psalm 100 for mixed choir and orchestra, for the 350th anniversary of Jena University. Part I was premiered on 31 July that year, Reger completed the composition in 1909, premiered in 1910 simultaneously in both Chemnitz and Breslau. In 1911 Reger was appointed Hofkapellmeister at the court of Duke Georg II of Saxe-Meiningen and he retained his master class at the Leipzig conservatory. In 1913 he composed four poems on paintings by Arnold Böcklin, including Die Toteninsel. He gave up the position in 1914 for health reasons. In response to World War I, he thought in 1914 already to compose a work to commemorate the fallen of the war. He began to set the Latin Requiem but abandoned the work as a fragment and he composed eight motets forming Acht geistliche Gesänge für gemischten Chor, Op.138, as a master of new simplicity
20.
Requiem (Reger)
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Max Regers 1915 Requiem, Op. 144b, is a late Romantic setting of Friedrich Hebbels poem Requiem for alto or baritone solo, chorus and orchestra. It is Regers last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden. The setting is of the Latin Requiem, the Catholic service for the dead, the Hebbel Requiem was published by N. Simrock in 1916, after the composers death, with another choral composition, Der Einsiedler, Op. 144a, to a poem by Joseph von Eichendorff. That publication was titled Zwei Gesänge für gemischten Chor mit Orchester, Reger provided a piano transcription of the orchestral parts. Max Beckschäfer arranged the work for voice, chorus and organ in 1985, the Hebbel Requiem was first performed in Heidelberg on 16 July 1916 as part of a memorial concert for Reger, conducted by Philipp Wolfrum. Reger thought the Hebbel Requiem was among the most beautiful things he ever wrote and it has been described as of lyrical beauty, a dramatic compactness, and economy of musical means in which the composers mastery of impulse, technique, and material is apparent. Reger was a German composer, born in Brand in 1873 and he established himself as a keyboard composer, performer, and teacher of piano and organ. The first compositions to which he assigned numbers were chamber music. In 1891 he composed his Sechs Lieder, Op.4, the first, Gebet, was on a text by Friedrich Hebbel, who also wrote the poem on which two of Regers Requiem settings are based. Reger returned to his home in 1898, where he composed his first work for choir and orchestra, Hymne an den Gesang. He moved to Munich in 1901, income from publishers, concerts and private teaching enabled him to marry in 1902. His wife, Elsa von Bercken, was a divorced Protestant, in 1907 he was appointed musical director at Leipzig University and professor at the Royal Conservatory in Leipzig. In 1911 Reger was appointed Hofkapellmeister at the court of Duke Georg II of Saxe-Meiningen, in 1912 he set Hebbels poem Requiem as a motet for unaccompanied male choir, which was published as No.10 of his collection Op.83. In 1913 he composed four poems on paintings by Arnold Böcklin, including the painting Die Toteninsel. He gave up the position in 1914 for health reasons. That year, in response to the World War, he set out to compose a work to commemorate the soldiers who had died or were mortally wounded. He began to set the Latin Requiem but abandoned the work as a fragment, in 1915 he moved to Jena but continued teaching in Leipzig. In Jena, he composed the Hebbel Requiem for soloist, choir and orchestra, Op. 144b, again on Hebbels poem, following a full day of teaching in Leipzig, Reger died of a heart attack while staying at a hotel there on 11 May 1916
21.
Robert Schumann
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Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era, Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, Schumann then focused his musical energies on composing. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and his writings about music appeared mostly in the Neue Zeitschrift für Musik, a Leipzig-based publication which he jointly founded. In 1840, Schumann married Friedrich Wiecks daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favor of Clara and Robert. Clara also composed music and had a concert career as a pianist. After a suicide attempt in 1854, Schumann was admitted to an asylum, at his own request. Diagnosed with psychotic melancholia, Schumann died two years later in 1856 without having recovered from his mental illness, Schumann was born in Zwickau, in the Kingdom of Saxony, the fifth and last child of Johanna Christiane and August Schumann. Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, the boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of composition, he created works regarded as admirable for his age. At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Schiller and Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul, a German writer whose influence is seen in Schumanns youthful novels Juniusabende, completed in 1826, and Selene. Schumanns interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad and his father, who had encouraged the boys musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music, in 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law. In 1829 his law studies continued in Heidelberg, where he became a member of Corps Saxo-Borussia Heidelberg. During Eastertide 1830 he heard the Italian violinist, violist, guitarist, in July he wrote to his mother, My whole life has been a struggle between Poetry and Prose, or call it Music and Law. During his studies with Wieck, it has claimed that Schumann permanently injured a finger on his right hand
22.
Genoveva
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Genoveva, Op.81 is an opera in four acts by Robert Schumann in the genre of German Romanticism with a libretto by Robert Reinick and the composer. The only opera Schumann ever wrote, it received its first performance on 25 June 1850 at the Stadttheater in Leipzig, with the composer conducting. It received only three performances during the premiere, and the criticism it received in the press played a decisive role in Schumanns decision to not write a second opera. The story gained in popularity during the first half of the 19th century, two of the settings from this period, Ludwig Tiecks play Leben und Tod der heiligen Genoveva and Christian Friedrich Hebbels play Genoveva, served as the basis for the operas libretto. The plot of the opera has several similarities with Wagners Lohengrin, Genoveva has never won a large popular audience, but it continues to be revived at regular intervals throughout the world and has been recorded several times. Schumann expressed the desire to write an opera as early as 1842 and his notebooks from this period show that, among others, Schumann considered the stories of the Nibelungen, Lohengrin and Till Eulenspiegel to be good candidates for settings in German opera. Schumann began work on Genoveva toward the end of a period of intense depression, in 1844, he and Clara moved to Dresden, where his depression eventually moderated and he began work on a number of compositions, including Genoveva. While in Dresden, Schumann encountered Richard Wagner, whose discouraging comments on Schumanns libretto for Genoveva strained relations between the two composers. For his part, however, Schumann came to admire the dramatic impact of Wagners operas, although the then recently constructed Dresden Semperoper house declined to stage Genoveva, much to Schumanns fury, he eventually secured a staging in Leipzig. The Bielefeld Opera rediscovered Genoveva in 1995 in the first staged production worldwide in over 70 years, conducted by Geoffrey Moull and directed by Katja Czellnik, the opera was given eight notable performances. The North American premiere, in a performance at Emmanuel Church in Boston on 2 April 2005. The opera was presented by the Zurich Opera in February 2008, the opera begins with Hidulfus, Bishop of Trier, summoning Brabants Christian knights to join Charles Martels crusade against a feared Saracen conquest of Europe. Siegfried, Count of Brabante, answers the call, in preparing to leave for war, he entrusts his wife, Genoveva, to his young servant, Golo. Despite Golos overwhelming desire for her, Genoveva persistently rejects his advances, infuriated by these rejections, Golo seeks revenge against Genoveva by staging a trap to discredit her. One night, Golo sneaks Drago, an old steward, into Genovevas bedroom to fake an adulterous affair that is witnessed by other servants. In their rage, the servants kill Drago and Genoveva is imprisoned for adultery, word of this imagined infidelity gets back to Siegfried, who then commands Golo to put Genoveva to death. Dragos ghost appears in front of Margaretha and tells her if she does not reveal the truth. As two armed men are dispatched to kill Genoveva, her life is saved through the intervention of a mute, Siegfried then discovers Golos treachery and restores his wifes honour
23.
Samuel de Lange
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Samuel de Lange Jr. was a Dutch composer, music conservatory director, organist, pianist, conductor and music teacher. His father, Samuel de Lange Sr. and his one year younger brother Daniël de Lange were also well known musicians, De Lange was born in Rotterdam, the son of Johanna Molijn and Samuel de Lange Sr. a music teacher and organist in Rotterdam. In the year of Samuel Jr. s birth, his father established a company with Jan and George Rijken, Rijken & de Lange. Among other teachers, Samuel Jr. studied organ with Alexander Winterberger, a pupil of Liszt, and piano with Karol Mikuli and he took music composition lessons with Johannes Verhulst and Berthold Damcke. He spent his unusually productive life in cities and countries. When he was just a teenager, he toured Eastern Europe as a pianist with his brother Daniël and Adrien-François Servais, from the age of 20 to 23 he taught piano at the music conservatory of Lemberg. After that he returned to Rotterdam, but he went abroad again. He lived and worked subsequently in Basel, Paris, Cologne and The Hague to finally settle in Stuttgart, De Lange introduced reforms in the education of music in Cologne, Basel, and Stuttgart and was, with his father, instrumental in the founding of De Nederlandse Bachvereniging. In 1871, he played the first performance in the Netherlands of Brahms 1st piano concerto, Samuel de Lange Jr. died in his residence town of Stuttgart at the age of 70. De Langes musical style was influenced by Bach and Beethoven, among others and his earlier works are akin to those by Schumann and Mendelssohn, while his later works are closer to those of Brahms. In contrast to his brother Daniël, from far fewer compositions have survived, he was not charmed by the music of contemporaries like Wagner. For example Friedrich Hebbels poem Ein frühes Liebesleben is used in an unusual instrumentation for voice, string quartet, an arrangement with piano instead of harp was made during a centennial revival of Samuel and Daniël de Langes music. Only a small number of his compositions have yet been recorded, De Lange is still notorious for his Tägliche Übungen im Pedalspiel, a practice book for playing the organ pedal keyboard. Biography at the Stichting DE LANGE website Works by or about Samuel de Lange at Internet Archive Free scores by Samuel de Lange at the International Music Score Library Project
24.
Eduard Lassen
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Eduard Lassen was a Belgian-Danish composer and conductor. Although of Danish birth, he spent most of his working as the music director at the court in Weimar. A moderately prolific composer, Lassen produced music in a variety of genres including operas, symphonic works, piano works, lieder and his most successful pieces were his fine vocal art songs for solo voice and piano which often used elements of German and Belgian folk music. He was born in Copenhagen, but was taken as a child to Brussels and educated at the Brussels Conservatory where he earned prizes for piano and he won the Prix de Rome in 1851, which provided him with the opportunity to make a long tour in Germany and Italy. While touring he met Louis Spohr and Franz Liszt and composed much of his first opera Le roi Edgard, after returning to Brussels in 1855, Lassen actively sought to get his opera performed but was unable to do so. Liszt, however, agreed to produce the opera at the Grossherzogliches Theater, the following year, Liszt recommended Lassen as his replacement as the court music director in Weimar, which involved conducting both the opera and the court orchestra. He happily took the job and remained in that role until his retirement in 1895, while there he conducted several world premieres including the first performance of Camille Saint-Saënss Samson et Dalila in 1877. He also conducted the first performance in Weimar, and the first outside Munich and he remained in Weimar after his retirement and died there in 1904, shortly after receiving an honorary doctorate from the University of Jena. He also produced a significant amount of music, lieder. Lassens operas, Landgraf Ludwigs Brautfahrt, Frauenlob, and Le Captif, did not have lasting success and his incidental music to Hebbels Die Nibelungen was also well known. In 1878-79, Liszt combined excerpts from both works in a single piano transcription, Aus der Musik zu Hebbels Nibelungen und Goethes Faust. Many of his songs, for instance Vöglein wohin so schnell, were translated into both English and French and were popular at the end of the 19th century. Attribution This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Lassen. Works by or about Eduard Lassen at Internet Archive Free scores by Eduard Lassen at the International Music Score Library Project
25.
Franz Liszt
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Franz Liszt was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary. Liszt gained renown in Europe during the nineteenth century for his prodigious virtuosic skill as a pianist. As a composer, Liszt was one of the most prominent representatives of the New German School and he left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated many 20th-century ideas and trends. Franz Liszt was born to Anna Liszt and Adam Liszt on October 22,1811, in the village of Doborján in Sopron County, in the Kingdom of Hungary, Liszts father played the piano, violin, cello and guitar. He had been in the service of Prince Nikolaus II Esterházy and knew Haydn, Hummel, at age six, Franz began listening attentively to his fathers piano playing and showed an interest in both sacred and Romani music. Adam began teaching him the piano at age seven, and Franz began composing in an elementary manner when he was eight and he appeared in concerts at Sopron and Pressburg in October and November 1820 at age 9. After the concerts, a group of wealthy sponsors offered to finance Franzs musical education in Vienna, There Liszt received piano lessons from Carl Czerny, who in his own youth had been a student of Beethoven and Hummel. He also received lessons in composition from Antonio Salieri, then director of the Viennese court. Liszts public debut in Vienna on December 1,1822, at a concert at the Landständischer Saal, was a great success and he was greeted in Austrian and Hungarian aristocratic circles and also met Beethoven and Schubert. In spring 1823, when his one-year leave of absence came to an end, Adam Liszt therefore took his leave of the Princes services. At the end of April 1823, the returned to Hungary for the last time. At the end of May 1823, the family went to Vienna again, towards the end of 1823 or early 1824, Liszts first composition to be published, his Variation on a Waltz by Diabelli, appeared as Variation 24 in Part II of Vaterländischer Künstlerverein. Liszts inclusion in the Diabelli project—he was described in it as an 11 year old boy, born in Hungary—was almost certainly at the instigation of Czerny, his teacher, Liszt was the only child composer in the anthology. After his fathers death in 1827, Liszt moved to Paris, to earn money, Liszt gave lessons in piano playing and composition, often from early morning until late at night. His students were scattered across the city and he often had to long distances. Because of this, he kept uncertain hours and also took up smoking, the following year he fell in love with one of his pupils, Caroline de Saint-Cricq, the daughter of Charles Xs minister of commerce, Pierre de Saint-Cricq. Her father, however, insisted that the affair be broken off, Liszt fell very ill, to the extent that an obituary notice was printed in a Paris newspaper, and he underwent a long period of religious doubts and pessimism. He again stated a wish to join the Church but was dissuaded this time by his mother and he had many discussions with the Abbé de Lamennais, who acted as his spiritual father, and also with Chrétien Urhan, a German-born violinist who introduced him to the Saint-Simonists
26.
Goethe's Faust
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Johann Wolfgang von Goethes Faust is a tragic play in two parts usually known in English as Faust, Part One and Faust, Part Two. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages, Faust is considered by many to be Goethes magnum opus and the greatest work of German literature. The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775, however, the details of development are not entirely clear. Urfaust has twenty-two scenes, one in prose, two largely prose and the remaining 1,441 lines in rhymed verse, the manuscript is lost, but a copy was discovered in 1886. The first appearance of the work in print was Faust, a Fragment, Goethe completed a preliminary version of what is now known as Part One in 1806. Its publication in 1808 was followed by the revised 1828–29 edition, Goethe finished writing Faust Part Two in 1831. The second part formed the occupation of Goethes last years. It appeared only posthumously in 1832, the original 1808 German title page of Goethes play read simply, Faust. The addition of erster Teil was only retrospectively applied by publishers when the sequel was published in 1832 with a page which read. The two plays have been published in English under a number of titles, and are most usually referred to as Faust Parts One and Two. Mephistopheles makes a bet with God, he says that he can lure Gods favourite human being, the next scene takes place in Fausts study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge. He suspects, however, that his attempts are failing, frustrated, he ponders suicide, but rejects it as he hears the echo of nearby Easter celebrations begin. He goes for a walk with his assistant Wagner and is followed home by a stray poodle, in Fausts study, the poodle transforms into the devil. Faust makes an arrangement with the devil, the devil will do everything that Faust wants while he is here on Earth, and in exchange Faust will serve the devil in Hell. Fausts arrangement is that if he is pleased enough with anything the devil gives him that he wants to stay in that moment forever, when the devil tells Faust to sign the pact with blood, Faust complains that the devil does not trust Fausts word of honor. In the end, Mephistopheles wins the argument and Faust signs the contract with a drop of his own blood, Faust has a few excursions and then meets Margaret. He is attracted to her and with jewellery and with help from a neighbor, Martha, with influence from the devil, Faust seduces Gretchen. Gretchens mother dies from a potion, administered by Gretchen to obtain privacy so that Faust could visit her
27.
Emil von Reznicek
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Emil Nikolaus Joseph, Freiherr von Reznicek was an Austrian composer of Czech ancestry. Emil von Řezníček studied law and music simultaneously in Graz and he did not finish his law degree, but continued to study music, his teacher being Wilhelm Mayer. Subsequently, he conducted at the theater in Graz, in Berlin, from 1886 to 1894 he was Kapellmeister of the 88th Infantry of Prague, and it was here that he saw his greatest triumph with the premiere of Donna Diana. In the spring of 1902 he settled in Berlin, touring to Russia, when the Nazi Party came to power in 1933, Reznicek tried not to become involved to avoid putting into risk his daughter, Felicitas who was working for Britains MI-6. Reznicek was a friend of Richard Strauss. However, the relation between the two seems to have been an ambivalent one, Rezniceks symphonic poem Schlemihl can be seen as a direct parody of Strauss A Heros Life. This Eulenspiegelei frequently got him into trouble in a world that was unaccustomed to the use of humour in music, ferdinand von Řezníček was his half-brother. Today, Reznicek is mainly remembered for the overture to his opera Donna Diana and it was also used in the 1950s on the BBCs Childrens Hour by Stephen King-Hall for his talks on current affairs. Rezniceks works include works, a violin concerto, operas. The first of his four string quartets received its world premiere recording from the Franz Schubert Quartet of Vienna in 1996, the German label CPO has started a project to record all of Rezniceks orchestral output. 1, Tragic in D minor Symphony No,2, Ironic in B-flat Symphony No. Performed by the RSO Stuttgart conducted by Carl Schuricht, Symphony No1 in D minor, Tragic, CPO 777223-2. Performed by the Bern Symphony Orchestra conducted by Frank Beermann Symphony No3 in D major, der Sieger for alto and orchestra. Performed by Beate Koepp and the WDR Symphony Orchestra and Choir conducted by Michail Jurowski, Schlemihl, Symphonisches Lebensbild für Tenor & Orchester, Raskolnikoff. Performed by Nobuaki Yamamasu and the WDR Symphony Orchestra conducted by Michail Jurowski, performed by Max Wittges, Manuela Uhl and others, Kiel Opera Chorus and Philharmonic Orchestra conducted by Ulrich Windfuhr. Performed by David Pittman-Jennings, Arutjun Kotchinian and others, Rundfunk-Sinfonieorchester Berlin conducted by Michail Jurowski, String Quartet No.1 in C-sharp minor. Performed by the Franz Schubert String Quartet, works by or about Emil von Reznicek at Internet Archive Media related to Emil von Reznicek at Wikimedia Commons Free scores by Emil von Reznicek at the International Music Score Library Project
28.
Alban Berg
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Alban Maria Johannes Berg was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique, Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900 and he was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl and his daughter, Albine, was born on December 4,1902. Berg had little formal education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony, by 1906, he was studying music full-time, by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas and he also wrote songs, including his Seven Early Songs, three of which were Bergs first publicly performed work in a concert that featured the music of Schoenbergs pupils in Vienna that year. The early sonata sketches eventually culminated in Bergs Piano Sonata, Op.1, Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained lifelong friends. Among Schoenbergs teaching was the idea that the unity of a musical composition depends upon all its aspects being derived from a basic idea. The Piano Sonata is a whole composition is derived from the works opening quartal gesture. Berg was a part of Viennas cultural elite during the fin de siècle period. His circle included the musicians Alexander von Zemlinsky and Franz Schreker, the painter Gustav Klimt, the writer and satirist Karl Kraus, the architect Adolf Loos, and the poet Peter Altenberg. In 1906, Berg met the singer Helene Nahowski, daughter of a family, despite the outward hostility of her family. In 1913, two of Bergs Five Songs on Picture Postcard Texts by Peter Altenberg were premièred in Vienna, settings of aphoristic poetic utterances, the songs are accompanied by a very large orchestra. The performance caused a riot, and had to be halted, the full score remained unpublished until 1966. From 1915 to 1918, Berg served in the Austro-Hungarian Army and during a period of leave in 1917 he accelerated work on his first opera, after the end of World War I, he settled again in Vienna, where he taught private pupils. Berg had a particular interest in the number 23, using it to several works
29.
Jonatan Briel
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Jonatan Karl Dieter Briel was a German director, screenplay author, and actor. He was born in Bodenwerder, Lower Saxony, and died in Berlin and he was strongly influenced by the works of the 19th-century poets and dramatists, Heinrich von Kleist, Christian Friedrich Hebbel, and Friedrich Hölderlin. Jonatan Briel grew up in Holzminden, not far from Hannover, from 1959 to 1962 he studied Business Administration. He established the Youth Film Studio of Holzminden in 1962 and remained its director until 1964, in 1965 he began his studies at Freien University and at Technical University in Berlin, and became an assistant to Peter Lilienthal. The following year he transferred to the Berlin German Film and Television Academy, in 1970 Briel became an independent film producer with Sender Freies Berlin, SFB. Berlin became Jonatan Briel’s adopted hometown from 1965 until his death there in 1988. In preparation for his work with film scripts and films, he toured the cities of Europe. Jonatan Briel was an artist who brought to his craft a wide-ranging knowledge of literature and film history and he taught at The Academy of Arts in Berlin since 1982. He wrote and directed plays for radio and television, Jonatan Briel mastered not only his art, but his mind was filled with nearly all the important and relevant encyclopedic information of his craft. To transform written words into pictures, to translate them succinctly and make them tangible, were his greatest hopes and he was an artist and poet, and he was also a moral idealist who would not allow himself to compromise in any way. He wrote and directed radio programs and films in a niche which has today been newly discovered. He saw the gaps between manhood, respect, doubt, and idealistic hopes, when Briel looked back towards his native home, the Weser mountain country, it did not diminish his love for Berlin. Rather, in phase, he illustrated his ability to differentiate the complex conflict of action and thought – and at the same time. 1969 Wie Zwei fröhliche Luftschiffer,85 min, DFFB Production, plot, The last three days in the life of the German poet and playwright Heinrich von Kleist. With his lover Henriette Vogel dying of cancer, Kleist philosophizes about life,1970 Gewogen und für zu schwer befunden, TV-Documentary,45 min. 1970 Berlin Berlin Berlin,30 min, plot, Juxtaposition of the three historical Berlins, that of the imperial epoch, Berlin under fascist rule, and modern Berlin, with modern Berlin seen as an emerging European center. 1971 Jonatan Briels Lenz - Eine deutsche Physiognomie,120 min, plot, Story of the life of Jakob Lenz, a friend of the young Goethe, with evident parallels to the life of the film director. Plot, A story about the 1914 murder of the socialist leader Jean Jaures, improvised script, shot on location in Mainz, Reims, Paris, Ibiza and Formentera
30.
Public domain
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The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival
31.
Project Gutenberg
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Project Gutenberg is a volunteer effort to digitize and archive cultural works, to encourage the creation and distribution of eBooks. It was founded in 1971 by Michael S. Hart and is the oldest digital library, most of the items in its collection are the full texts of public domain books. The project tries to make these as free as possible, in long-lasting, as of 3 October 2015, Project Gutenberg reached 50,000 items in its collection. The releases are available in plain text but, wherever possible, other formats are included, such as HTML, PDF, EPUB, MOBI, most releases are in the English language, but many non-English works are also available. There are multiple affiliated projects that are providing additional content, including regional, Project Gutenberg is also closely affiliated with Distributed Proofreaders, an Internet-based community for proofreading scanned texts. Project Gutenberg was started by Michael Hart in 1971 with the digitization of the United States Declaration of Independence, Hart, a student at the University of Illinois, obtained access to a Xerox Sigma V mainframe computer in the universitys Materials Research Lab. Through friendly operators, he received an account with an unlimited amount of computer time. Hart has said he wanted to back this gift by doing something that could be considered to be of great value. His initial goal was to make the 10,000 most consulted books available to the public at little or no charge and this particular computer was one of the 15 nodes on ARPANET, the computer network that would become the Internet. Hart believed that computers would one day be accessible to the general public and he used a copy of the United States Declaration of Independence in his backpack, and this became the first Project Gutenberg e-text. He named the project after Johannes Gutenberg, the fifteenth century German printer who propelled the movable type printing press revolution, by the mid-1990s, Hart was running Project Gutenberg from Illinois Benedictine College. More volunteers had joined the effort, all of the text was entered manually until 1989 when image scanners and optical character recognition software improved and became more widely available, which made book scanning more feasible. Hart later came to an arrangement with Carnegie Mellon University, which agreed to administer Project Gutenbergs finances, as the volume of e-texts increased, volunteers began to take over the projects day-to-day operations that Hart had run. Starting in 2004, an online catalog made Project Gutenberg content easier to browse, access. Project Gutenberg is now hosted by ibiblio at the University of North Carolina at Chapel Hill, Italian volunteer Pietro Di Miceli developed and administered the first Project Gutenberg website and started the development of the Project online Catalog. In his ten years in this role, the Project web pages won a number of awards, often being featured in best of the Web listings, Hart died on 6 September 2011 at his home in Urbana, Illinois at the age of 64. In 2000, a corporation, the Project Gutenberg Literary Archive Foundation. Long-time Project Gutenberg volunteer Gregory Newby became the foundations first CEO, also in 2000, Charles Franks founded Distributed Proofreaders, which allowed the proofreading of scanned texts to be distributed among many volunteers over the Internet
32.
LibriVox
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On 6 August 2016, the project completed project number 10,000. Most releases are in the English language, but many works are also available. There are multiple affiliated projects that are providing additional content, LibriVox is closely affiliated with Project Gutenberg from where the project gets some of its texts, and the Internet Archive that hosts their offerings. LibriVox was started in August 2005 by Montreal-based writer Hugh McGuire, who set up a blog, the first recorded book was The Secret Agent by Joseph Conrad. LibriVox is an invented word inspired by Latin words liber in its genitive form libri and vox, the word was also coined because of other connotations as liber also means child and free, independent, unrestricted. As the LibriVox forum says it, We like to think LibriVox might be interpreted as child of the voice, finally, the other link we like is library so you could imagine it to mean Library of Voice. There has been no decision or consensus by LibriVox founders or the community of volunteers for a single pronunciation of LibriVox and it is accepted that any audible pronunciation is accurate. LibriVox is a volunteer-run, free content, Public Domain project and it has no budget or legal personality. The development of projects is managed through an Internet forum, supported by an admin team, in early 2010, LibriVox ran a fundraising drive to raise $20,000 to cover hosting costs for the website of about $5, 000/year and improve front- and backend usability. Volunteers can choose new projects to start, either recording on their own or inviting others to join them, once a volunteer has recorded his or her contribution, it is uploaded to the site, and proof-listened by members of the LibriVox community. Finished audiobooks are available from the LibriVox website, and MP3, recordings are also available through other means, such as iTunes, and, being free of copyright, they are frequently distributed independently of LibriVox on the Internet and otherwise. LibriVox only records material that is in the domain in the United States. Because of copyright restrictions, LibriVox produces recordings of only a number of contemporary books. These have included, for example, the 9/11 Commission Report and it contains much popular classic fiction, but also includes less predictable texts, such as Immanuel Kants Critique of Pure Reason and a recording of the first 500 digits of pi. The collection also features poetry, plays, religious texts and non-fiction of various kinds, in January 2009, the catalogue contained approximately 55 percent fiction and drama,25 percent non-fiction and 20 percent poetry. By the end of 2016, the most viewed item was The Adventures of Tom Sawyer in a 2006 solo recording by John Greenman, around 90 percent of the catalogue is recorded in English, but recordings exist in 31 languages altogether. Chinese, French and German are the most popular languages other than English amongst volunteers, LibriVox has garnered significant interest, in particular from those interested in the promotion of volunteer-led content and alternative approaches to copyright ownership on the Internet. It has received support from the Internet Archive and Project Gutenberg, intellectual freedom and commons proponent Mike Linksvayer described it in 2008 as perhaps the most interesting collaborative culture project this side of Wikipedia
33.
German literature
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German literature comprises those literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Belgium and Switzerland, Liechtenstein, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the period is mostly in Standard German. The Old High German period is reckoned to run until about the mid-11th century, the most famous works are the Hildebrandslied, Middle High German starts in the 12th century, the key works include The Ring and the poems of Oswald von Wolkenstein and Johannes von Tepl. The Baroque period was one of the most fertile times in German literature, modern literature in German begins with the authors of the Enlightenment. The Sensibility movement of the 1750s-1770s ended with Goethes best-selling Die Leiden des jungen Werther, the Sturm und Drang and Weimar Classicism movements were led by Johann Wolfgang von Goethe and Johann Christoph Friedrich von Schiller. German Romanticism was the dominant movement of the late 18th and early 19th centuries. Biedermeier refers to the literature, music, the visual arts, under the Nazi regime, some authors went into exile and others submitted to censorship. Periodization is not a science but the following list contains movements or time periods typically used in discussing German literature. The closer one nears the present, the more debated the periodizations become, the Old High German period is reckoned to run until about the mid-11th century, though the boundary to Early Middle High German is not clear-cut. The most famous work in OHG is the Hildebrandslied, a piece of Germanic alliterative heroic verse which besides the Muspilli is the sole survivor of what must have been a vast oral tradition. Another important work, in the dialect of Old Saxon, is a life of Christ in the style of a heroic epic known as the Heliand. This was the period of the blossoming of MHG lyric poetry, one of the most important of these poets was Walther von der Vogelweide. The same sixty years saw the composition of the most important courtly romances and these are written in rhyming couplets, and again draw on French models such as Chrétien de Troyes, many of them relating Arthurian material, for example, Parzival by Wolfram von Eschenbach. These high medieval heroic epics are written in rhymed strophes, not the verse of Germanic prehistory. Therefore, the literature of the late 14th and the early 15th century falls, as it were, the Volksbuch tradition which would flourish in the 16th century also finds its origin in the second half of the 15th century. Sebastian Brant Thomas Murner Philipp Melanchthon Sebastian Franck The Baroque period was one of the most fertile times in German literature, many writers reflected the horrible experiences of the Thirty Years War, in poetry and prose. Grimmelshausens adventures of the young and naïve Simplicissimus, in the eponymous book Simplicius Simplicissimus, martin Opitz established rules for the purity of language, style, verse and rhyme
34.
German language
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German is a West Germanic language that is mainly spoken in Central Europe. It is the most widely spoken and official language in Germany, Austria, Switzerland, South Tyrol, the German-speaking Community of Belgium and it is also one of the three official languages of Luxembourg. Major languages which are most similar to German include other members of the West Germanic language branch, such as Afrikaans, Dutch, English, Luxembourgish and it is the second most widely spoken Germanic language, after English. One of the languages of the world, German is the first language of about 95 million people worldwide. The German speaking countries are ranked fifth in terms of publication of new books. German derives most of its vocabulary from the Germanic branch of the Indo-European language family, a portion of German words are derived from Latin and Greek, and fewer are borrowed from French and English. With slightly different standardized variants, German is a pluricentric language, like English, German is also notable for its broad spectrum of dialects, with many unique varieties existing in Europe and also other parts of the world. The history of the German language begins with the High German consonant shift during the migration period, when Martin Luther translated the Bible, he based his translation primarily on the standard bureaucratic language used in Saxony, also known as Meißner Deutsch. Copies of Luthers Bible featured a long list of glosses for each region that translated words which were unknown in the region into the regional dialect. Roman Catholics initially rejected Luthers translation, and tried to create their own Catholic standard of the German language – the difference in relation to Protestant German was minimal. It was not until the middle of the 18th century that a widely accepted standard was created, until about 1800, standard German was mainly a written language, in urban northern Germany, the local Low German dialects were spoken. Standard German, which was different, was often learned as a foreign language with uncertain pronunciation. Northern German pronunciation was considered the standard in prescriptive pronunciation guides though, however, German was the language of commerce and government in the Habsburg Empire, which encompassed a large area of Central and Eastern Europe. Until the mid-19th century, it was essentially the language of townspeople throughout most of the Empire and its use indicated that the speaker was a merchant or someone from an urban area, regardless of nationality. Some cities, such as Prague and Budapest, were gradually Germanized in the years after their incorporation into the Habsburg domain, others, such as Pozsony, were originally settled during the Habsburg period, and were primarily German at that time. Prague, Budapest and Bratislava as well as cities like Zagreb, the most comprehensive guide to the vocabulary of the German language is found within the Deutsches Wörterbuch. This dictionary was created by the Brothers Grimm and is composed of 16 parts which were issued between 1852 and 1860, in 1872, grammatical and orthographic rules first appeared in the Duden Handbook. In 1901, the 2nd Orthographical Conference ended with a standardization of the German language in its written form
35.
History of Germany
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Following the Fall of the Western Roman Empire, the Franks conquered the other West Germanic tribes. When the Frankish Empire was divided among Charlemagnes heirs in 843, in 962, Otto I became the first emperor of the Holy Roman Empire, the medieval German state. In the High Middle Ages, the dukes, princes. Martin Luther led the Protestant Reformation against the Catholic Church after 1517, as the states became Protestant. The two parts of the Holy Roman Empire clashed in the Thirty Years War, which was ruinous to the twenty million civilians living in both states. The Thirty Years War brought tremendous destruction to Germany, more than 1/4 of the population,1648 marked the effective end of the Holy Roman Empire and the beginning of the modern nation-state system, with Germany divided into numerous independent states, such as Prussia, Bavaria and Saxony. After the French Revolution and the Napoleonic Wars, feudalism fell away, the Industrial Revolution modernized the German economy, led to the rapid growth of cities and to the emergence of the Socialist movement in Germany. Prussia, with its capital Berlin, grew in power, German universities became world-class centers for science and the humanities, while music and the arts flourished. The new Reichstag, a parliament, had only a limited role in the imperial government. Germany joined the other powers in colonial expansion in Africa and the Pacific, Germany was the dominant power on the continent. By 1900, its rapidly expanding industrial economy passed Britains, allowing a naval race, Germany led the Central Powers in World War I against France, Great Britain, Russia and the United States. Defeated and partly occupied, Germany was forced to pay war reparations by the Treaty of Versailles and was stripped of its colonies as well as Polish areas and Alsace-Lorraine. The German Revolution of 1918–19 deposed the emperor and the kings and princes, leading to the establishment of the Weimar Republic. In the early 1930s, the worldwide Great Depression hit Germany hard, as unemployment soared, in 1933, the Nazi party under Adolf Hitler came to power and quickly established a totalitarian regime. Political opponents were killed or imprisoned, after forming a pact with the Soviet Union in 1939, Hitler and Stalin divided Eastern Europe. After a Phoney War in spring 1940 the German blitzkrieg swept Scandinavia, only the British Commonwealth and Empire stood opposed, along with Greece. Hitler invaded the Soviet Union in June 1941, in 1942, the German invasion of the Soviet Union faltered, and after the United States had entered the war, Britain became the base for massive Anglo-American bombings of German cities. Germany fought the war on multiple fronts through 1942–1944, however following the Allied invasion of Normandy, millions of ethnic Germans fled from Communist areas into West Germany, which experienced rapid economic expansion, and became the dominant economy in Western Europe
36.
History of Austria
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The history of Austria covers the history of Austria and its predecessor states, from the early Stone Age to the present state. The name Ostarrîchi has been in use since 996 AD when it was a margravate of the Duchy of Bavaria, Austria was dominated by the House of Habsburg from 1273 to 1806, when the Holy Roman Empire came to an end. When this empire collapsed in 1918, Austria was reduced to the main German speaking areas of the empire, however this union was forbidden by the Allies at the Treaty of Versailles. Following the First Republic, Austrofascism tried to keep Austria independent from the German Reich, but in 1938 it was annexed by Nazi Germany with the support of the large majority of the Austrian people. After the Second World War Austria again became an independent republic as the Second Republic in 1955, the history of Austria raises a number of questions. Should it be confined to the current Republic of Austria, or to all lands formerly ruled by the rulers of Austria, should Austrian history include 1938–1945 when it did not exist. Within Austria there are regional variations, and parts of Austria have at various times wished to become part of adjacent countries. Human habitation of current Austria can be traced back to the first farming communities of the early Stone Age. In the late Iron Age it was occupied by a Celtic culture, at the end of the 1st century BC this became part of the Roman Empires lands to the south of the Danube, and was incorporated as the Province of Noricum around 40 AD. The most important Roman settlement was at Carnuntum, in the 6th century, another Germanic people, the Bavarii occupied these lands until it fell to the Frankish Empire in the 9th century. Around 800 AD Charlemagne established the outpost of Avar March in what is now Lower Austria, to hold back advances from Slavs and Avars. In the 10th century an eastern outpost of the Duchy of Bavaria, bordering Hungary, was established as the Marchia orientalis or Margraviate of Austria in 976 and this Eastern March, in German was known as Ostarrîchi or Eastern Realm, hence Austria. The first mention of Ostarrîchi occurs in a document of that name dated 996 CE, from 1156 the Emperor Frederick Barbarossa created an independent duchy under the House of Babenberg, until its extinction in 1246, corresponding to modern Lower Austria. The 15th and early 16th century saw expansion of the Habsburg territories through diplomacy and marriages to include Spain. This expansionism, together with French aspirations and the resultant Habsburg-French or Bourbon-Habsburg rivalry were important factors shaping European History for 200 years, by 1526 Ferdinand had also inherited the kingdoms of Bohemia, and Hungary after the Battle of Mohács which partitioned the latter. However the Ottoman Empire now lay directly adjacent to the Austrian lands, even after the unsuccessful first Siege of Vienna by the Turks in 1529, the Ottoman threat persisted for another one and a half centuries. The 16th Century also saw the spread of the Reformation, from around 1600 the Habsburg policy of recatholicisation or Catholic Renewal eventually led to the Thirty Years War. Originally a religious war, it was also a struggle for power in central Europe, eventually the pressure of the anti-Habsburg coalition of France, Sweden, and most Protestant German states contained their authority to the Austrian and Czech lands in 1648
37.
History of Switzerland
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The early history of the region is tied to that of Alpine culture. Switzerland was inhabited by Gauls and Raetians, and it came under Roman rule in the 1st century BC, gallo-Roman culture was amalgamated with Germanic influence during Late Antiquity, with the eastern part of Switzerland becoming Alemannic territory. The area of Switzerland was incorporated into the Frankish Empire in the 6th century, in the high medieval period, the eastern part became part of the Duchy of Swabia within the Holy Roman Empire while the western part was part of Burgundy. The Swiss Reformation divided the Confederacy and resulted in a history of internal strife between the Thirteen Cantons in the Early Modern period. In the wake of the French Revolution, Switzerland fell to a French invasion in 1798 and was reformed into the Helvetic Republic, the history of Switzerland since 1848 has been largely one of success and prosperity. Archeological evidence suggests that hunter-gatherers were already settled in the north of the Alps in the Middle Paleolithic period 150,000 years ago. By the Neolithic period, the area was densely populated. Remains of Bronze Age pile dwellings from as early as 3800 BC have been found in the areas of many lakes. Around 1500 BC, Celtic tribes settled in the area, the Raetians lived in the eastern regions, while the west was occupied by the Helvetii. In 58 BC, the Helvetii tried to evade migratory pressure from Germanic tribes by moving into Gaul, the alpine region became integrated into the Roman Empire and was extensively romanized in the course of the following centuries. The center of Roman administration was at Aventicum, in 259, Alamanni tribes overran the Limes, putting the settlements on Swiss territory on the frontier of the Roman Empire. The first Christian bishoprics were founded in the fourth century, with the fall of the Western Roman Empire, Germanic tribes entered the area. Burgundians settled in the west, while in the north, Alamanni settlers slowly forced the earlier Celto-Roman population to retreat into the mountains, Burgundy became a part of the kingdom of the Franks in 534, two years later, the dukedom of the Alamans followed suit. In the Alaman-controlled region, only isolated Christian communities continued to exist, under the Carolingian kings, the feudal system proliferated, and monasteries and bishoprics were important bases for maintaining the rule. The Treaty of Verdun of 843 assigned Upper Burgundy to Lotharingia, in the 10th century, as the rule of the Carolingians waned, Magyars destroyed Basel in 917 and St. Gallen in 926. Only after the victory of King Otto I over the Magyars in 955 in the Battle of Lechfeld, were the Swiss territories reintegrated into the empire. In the 12th century, the dukes of Zähringen were given authority over part of the Burgundy territories which covered the part of modern Switzerland. They founded many cities, including Fribourg in 1157, and Bern in 1191, under the Hohenstaufen rule, the alpine passes in Raetia and the St Gotthard Pass gained importance
38.
History of Liechtenstein
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Political identity came to the territory now occupied by the Principality of Liechtenstein in 814, with the formation of the subcountry of Lower Rhætia. Liechtensteins borders have remained unchanged since 1434, when the Rhine established the border between the Holy Roman Empire and the Swiss cantons, Roman villas have been excavated in Schaanwald and Nendeln. The late Roman influx of the Alemanni from the north is memorialized by the remains of a Roman fort at Schaan, the area, part of Raetia, was incorporated into the Carolingian empire, and divided into countships, which became subdivided over the generations. Because the duchy of Swabia lost its duke in 1268 and was never restored, until about 1100, the predominant language of the area was Romansch, but thereafter German gained ground, and in 1300 an Alemannic population called the Walsers entered the region. In the 21st century, the village of Triesenberg still preserves features of Walser dialect. The medieval county of Vaduz was formed in 1342 as a subdivision of the Werdenberg county of the dynasty of Montfort of Vorarlberg. The 15th century brought three wars and some devastation, over the centuries, the family acquired huge landed estates, mostly in Moravia, Lower Austria and Styria. All of these territories were held in fief under other more senior feudal lords, particularly under various lines of the Habsburg family. Liechtenstein was invaded by both Austrian and Swedish troops during the Thirty Years War of 1618–1648, during the 17th century the country was afflicted by a plague and also by a witch hunt, in which more than 100 persons were persecuted and executed. Prince Johann Adam Andreas of Liechtenstein bought the domain of Schellenberg in 1699 and this Prince of Liechtenstein had wide landholdings in Austria, Bohemia and Moravia, but none of his lands were held directly from the Emperor. Thus, the prince was barred entry to the Council of Princes. The territory took the name of the family now ruled it. The French under Napoleon occupied the country for a few years, soon afterward, Liechtenstein joined the German Confederation. Then, in 1818, Johann I granted a constitution, although it was limited in its nature,1818 also saw the first visit of a member of the house of Liechtenstein, Prince Alois. However, the first visit by a prince would not occur until 1842. In 1862, a new Constitution was promulgated, which provided for a Diet representative of the people, in 1868, after the German Confederation dissolved, Liechtenstein disbanded its army of 80 men and declared its permanent neutrality, which was respected during both World Wars. Liechtenstein did not participate in World War I, claiming neutrality, however, until the end of the war, Liechtenstein was closely tied to Austria. In response, the Allied Powers imposed an embargo on the principality
39.
Sturm und Drang
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The period is named for Friedrich Maximilian Klingers play Sturm und Drang, which was first performed by Abel Seylers famed theatrical company in 1777. The philosopher Johann Georg Hamann is considered to be the ideologue of Sturm und Drang, with Jakob Michael Reinhold Lenz, H. L. Wagner and Friedrich Maximilian Klinger also significant figures. Johann Wolfgang von Goethe was also a proponent of the movement, though he. French neoclassicism, a movement beginning in the early Baroque, with its emphasis on the rational, was the target of rebellion for adherents of the Sturm und Drang movement. The term Sturm und Drang first appeared as the title of a play by Friedrich Maximilian Klinger, written for Abel Seylers Seylersche Schauspiel-Gesellschaft and this seemingly spontaneous movement became associated with a wide array of German authors and composers of the mid-to-late Classical period. Sturm und Drang came to be associated with literature or music aimed at shocking the audience or imbuing them with extremes of emotion, there is much debate regarding whose work should or should not be included in the canon of Sturm und Drang. Nevertheless, the originators of the movement came to view it as a time of premature exuberance that was abandoned in favor of often conflicting artistic pursuits. The literary topos of the Kraftmensch existed as a precursor to Sturm und Drang among dramatists beginning with F. M, Klinger, the expression of which is seen in the radical degree to which individuality need appeal to no outside authority save the self nor be tempered by rationalism. The most important contemporary document was the 1773 volume Von deutscher Art und Kunst, einige fliegende Blätter, a collection of essays that included commentaries by Herder on Ossian and Shakespeare, along with contributions by Goethe, Paolo Frisi, and Justus Möser. The protagonist in a typical Sturm und Drang stage work, poem, or novel is driven to action—often violent action—not by pursuit of noble means nor by true motives, goethes unfinished Prometheus exemplifies this along with the common ambiguity provided by juxtaposing humanistic platitudes with outbursts of irrationality. The literature of Sturm und Drang features an anti-aristocratic slant while seeking to elevate all things humble, natural, Friedrich Schillers drama, Die Räuber, provided the groundwork for melodrama to become a recognized dramatic form. The plot portrays a conflict between two brothers, Franz and Karl Moor. Franz is cast as a villain attempting to cheat Karl out of his inheritance, though the motives for his action are complex and initiate an investigation of good. Both of these works are examples of Sturm und Drang in German literature. The principal themes tend to be angular, with large leaps, tempos and dynamics change rapidly and unpredictably in order to reflect strong changes of emotion. Pulsing rhythms and syncopation are common, as are racing lines in the soprano or alto registers, writing for string instruments features tremolo and sudden, dramatic dynamic changes and accents. Musical theater became the place of the literary and musical strands of Sturm und Drang. The obligato recitative is a prime example, here, orchestral accompaniment provides an intense underlay of vivid tone-painting to the solo recitative
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Weimar Classicism
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Weimar Classicism is a German literary and cultural movement, whose practitioners established a new humanism, from the synthesis of ideas from Romanticism, Classicism, and the Age of Enlightenment. The German Enlightenment, called “neo-classical”, burgeoned in the synthesis of Empiricism and Rationalism as developed by Christian Thomasius and this philosophy, circulated widely in many magazines and journals, profoundly directed the subsequent expansion of German-speaking and European culture. The inability of this common-sense outlook convincingly to bridge “feeling” and “thought”, “body” and “mind”, another, though not as abstract, approach to this problem was a governing concern with the problems of aesthetics. It was no inquiry into taste — into positive or negative appeals — nor sensations as such, therefore, the Weimar Classicism could also be started with the arrival of Wieland and extended beyond Schillers death until the death of Wieland or even of Goethe himself. In Italy Goethe aimed to rediscover himself as a writer and to become an artist, through training in Rome. While he failed as an artist, Italy appeared to have him a better writer. Schillers evolution as a writer was following a path to Goethes. He had begun as a writer of wild, violent, emotion-driven plays, in the late 1780s he turned to a more classical style. In 1794 Schiller and Goethe became friends and allies in a project to establish new standards for literature, by contrast the contemporaneous and efflorescing literary movement of German Romanticism was in opposition to Weimar and German Classicism, especially to Schiller. On this Goethe remarked, The Weimar movement was notable for its inclusion of female writers, die Horen included works by several women, including a serially published novel, Agnes von Lilien, by Schillers sister-in-law Caroline von Wolzogen. Other women published by Schiller included Sophie Mereau, Friederike Brun, Amalie von Imhoff, Elisa von der Recke, between 1786 and Schillers death in 1805 he and Goethe worked to recruit a network of writers, philosophers, scholars and artists to their cause. A work’s Gehalt is not reducible to its Inhalt, Stoff, Schiller and Goethe reserve this for the forms taken from the world or that are created. In a work of art, Stoff is to be “indifferent”, christoph Martin Wieland was the first writer to arrive in Weimar. In 1772 he was called by the widowed Anna Amalia of Brunswick-Wolfenbüttel, then regent of the Duchy Sachsen-Weimar, Weimar remained Wielands home until his death. Here, in 1773, he founded Der teutsche Merkur, which under his editorship became the most influential literary review in Germany,1776, one year after his arrival, Goethe arranged that Herder was called to Weimar, whom he had admired already in his Strasbourg years. The vast array of writings themselves, other than being solely literary pursuances or distichs, include scientific, philosophic, Schiller was remarkably prolific during this period, writing his plays Wallenstein, Mary Stuart, The Maid of Orleans, The Bride of Messina and William Tell. Ein Schauspiel für Liebende Iphigenie auf Tauris Torquato Tasso Römische Elegien Venezianische Epigramme Faust, ein Fragment Beiträge zur Optik Der Bürgergeneral Reineke Fuchs Unterhaltungen deutscher Ausgewanderten Das Märchen, Wilhelm Meisters Lehrjahre Faust. Musicians were inspired to compose for the works of writers, Ludwig van Beethoven, Paul Dukas, Wolfgang Amadeus Mozart
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Romanticism
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Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
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Weimar culture
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1920s Berlin was at the hectic center of the Weimar culture. Although not part of the Weimar Republic, some also include the German-speaking Austria. Germany, and Berlin in particular, was ground for intellectuals, artists. The social environment was chaotic, and politics were passionate, German university faculties became universally open to Jewish scholars in 1918. Nine German citizens were awarded Nobel prizes during the Weimar Republic, five of whom were Jewish scientists, Jewish intellectuals and creative professionals were among the prominent figures in many areas of Weimar culture. The intellectuals associated with the Institute for Social Research fled to the United States, the culture of the Weimar year was later reprised by the left-wing intellectuals of the 1960s, especially in France. Deleuze, Guattari and Foucault reprised Wilhelm Reich, Derrida reprised Husserl and Heidegger, Guy Debord, by 1919, an influx of labor had migrated to Berlin turning it into one of the most fertile grounds for the modern arts and sciences in history. This caused a boom in trade, communications and construction, even before the War, this change significantly turned over the ways of the royalty. People used their backyards and basements to run small shops, restaurants, workshops and this led to the establishment of bigger and better commerce in Berlin, including its first department stores, prior to World War I. An urban petty bourgeoisie along with the middle class colonized and flourished the wholesale commerce, retail trade, factories, types of employment were becoming more modern, shifting gradually, but noticeably, towards industry and services. Before World War I, in 1907,54. 9% of German workers were manual labourers and this dropped to 50. 1% by 1925. Office workers, managers, and bureaucrats increased their share of the market from 10. 3% to 17% over the same period. Germany was slowly becoming more urban and middle class, still, by 1925, only a third of Germans lived in large cities, the other two-thirds of the population lived in the smaller towns or in rural areas. The total population of Germany rose from 62.4 million in 1920 to 65.2 million in 1933, the most prominent philosophers with which the so-called Frankfurt School is associated were Erich Fromm, Herbert Marcuse, Theodor Adorno, Walter Benjamin, Jürgen Habermas and Max Horkheimer. Among the prominent philosophers not associated with the Frankfurt School were Martin Heidegger, the German philosophical anthropology movement also emerged at this time. Many foundational contributions to quantum mechanics were made in Weimar Germany or by German scientists during the Weimar period, Göttingen was the center of research in aero- and fluid-dynamics in the early 20th century. Mathematical aerodynamics was founded by Ludwig Prandtl before World War I, and it was there that compressability drag and its reduction in aircraft was first understood. A striking example of this is the Messerschmitt Me 262, which was designed in 1939, albert Einstein rose to public prominence during his years in Berlin, being awarded the Nobel Prize for Physics in 1921
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Hebbel, Christian Friedrich". Encyclopædia Britannica. 13 (11th ed.). Cambridge University Press. pp. 165–166.
This article incorporates text from a publication now in the 
