Clan MacDougall is a Highland Scottish clan, historically based in and around Argyll. The Lord Lyon King of Arms, the Scottish official with responsibility for regulating heraldry in Scotland, issuing new grants of coats of arms, and serving as the judge of the Court of the Lord Lyon, recognizes under Scottish law the Chief of Clan MacDougall. The MacDougall chiefs share a common ancestry with the chiefs of Clan Donald in descent from Somerled of the 12th century. In the 13th century the Clan MacDougall whose chiefs were the original Lords of Argyll and later Lords of Lorne was the most powerful clan in the Western Highlands. During the Wars of Scottish Independence the MacDougalls sided with the Clan Comyn whose chiefs rivaled Robert the Bruce for the Scottish Crown and this resulted in clan battles between the MacDougalls and Bruce. This marked the MacDougall's fall from power and led to the rise of their relatives, the Clan Donald, who had supported Bruce and also the rise to power of the Clan Campbell who were then the habitual enemies of the MacDougalls and later of Clan Donald.
The MacDougall Cross, dating from about 1500 at Ardchattan Priory.
A Victorian era, romanticised depiction of a member of the clan by R. R. McIan, from The Clans of the Scottish Highlands, published in 1845.
Dunollie Castle, historic seat of the MacDougalls
Dunstaffnage Castle, historic seat of the MacDougalls
A Scottish clan is a kinship group among the Scottish people. Clans give a sense of shared heritage and descent to members, and in modern times have an official structure recognised by the Court of the Lord Lyon, which regulates Scottish heraldry and coats of arms. Most clans have their own tartan patterns, usually dating from the 19th century, which members may incorporate into kilts or other clothing.
A romantic depiction of Highland Chiefs from 1831
Scottish soldiers, identified as of Donald Mackay, 1st Lord Reay's regiment, in service of Gustavus Adolphus (1630–31)
The Battle of Culloden, as depicted in a painting by David Morier. Modern historical thinking gives less importance to this battle as a factor in the demise of clanship.
David Wilkie's 1829 flattering portrait of the kilted King George IV, with lighting chosen to tone down the brightness of his kilt and his knees shown bare, without the pink tights he wore at the event.