Infinite photos and videos for every Wiki article · Find something interesting to watch in seconds
History
Page
R.R. McIan's Victorian era romanticised depiction of a Macdonald, lord of the Isles.
R.R. McIan's Victorian era romanticised depiction of a Macdonald, lord of the Isles.
Ruinous Dunscaith Castle, Skye. The castle was once a MacLeod stronghold. It became the earliest seat of Clann Ùisdein in the lands of Sleat.
Ruinous Dunscaith Castle, Skye. The castle was once a MacLeod stronghold. It became the earliest seat of Clann Ùisdein in the lands of Sleat.
Duntulm Castle in Trotternish, Skye. Trotternish was the subject of territorial feuding between the Macdonalds of Sleat and MacLeods of Dunvegan in th
Duntulm Castle in Trotternish, Skye. Trotternish was the subject of territorial feuding between the Macdonalds of Sleat and MacLeods of Dunvegan in the 16th and early 17th centuries.
Castle Camus, known since the 17th century as Knock Castle, is located in Skye. It was once a Macleod castle though it was captured by the Macdonalds
Castle Camus, known since the 17th century as Knock Castle, is located in Skye. It was once a Macleod castle though it was captured by the Macdonalds of Sleat in the early 15th century. The castle was finally abandoned in 1689.
Page
A romantic depiction of Highland Chiefs from 1831
A romantic depiction of Highland Chiefs from 1831
Scottish soldiers, identified as of Donald Mackay, 1st Lord Reay's regiment, in service of Gustavus Adolphus (1630–31)
Scottish soldiers, identified as of Donald Mackay, 1st Lord Reay's regiment, in service of Gustavus Adolphus (1630–31)
The Battle of Culloden, as depicted in a painting by David Morier. Modern historical thinking gives less importance to this battle as a factor in the
The Battle of Culloden, as depicted in a painting by David Morier. Modern historical thinking gives less importance to this battle as a factor in the demise of clanship.
David Wilkie's 1829 flattering portrait of the kilted King George IV, with lighting chosen to tone down the brightness of his kilt and his knees shown
David Wilkie's 1829 flattering portrait of the kilted King George IV, with lighting chosen to tone down the brightness of his kilt and his knees shown bare, without the pink tights he wore at the event.