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History
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Clarendon in a Fann Street Foundry specimen book c. 1874, showing its use for emphasis within body text
Clarendon in a Fann Street Foundry specimen book c. 1874, showing its use for emphasis within body text
Clarendon-style type on the body text of an 1890 poster
Clarendon-style type on the body text of an 1890 poster
The italic of Egizio, intended to complement the pre-existing Clarendon design concept
The italic of Egizio, intended to complement the pre-existing Clarendon design concept
French Clarendon wood type at the Hamilton Wood Type Museum, Wisconsin
French Clarendon wood type at the Hamilton Wood Type Museum, Wisconsin
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Slab-serif type on the heading of a Chartist poster, 1848. Some headings and the lower passage are in Didone type, but much body text is slab serif.
Slab-serif type on the heading of a Chartist poster, 1848. Some headings and the lower passage are in Didone type, but much body text is slab serif.
Miller and Richard's Oldstyle Antique. Just as Clarendon typefaces took the "Didone" or modern-face model as a basis for a slab-serif, it is based on
Miller and Richard's Oldstyle Antique. Just as Clarendon typefaces took the "Didone" or modern-face model as a basis for a slab-serif, it is based on their "Old Style" design inspired by type designs of the eighteenth century, made slightly bolder and lower in contrast. Originally intended for use as a bolder type for emphasis, it was often used for general-purpose body text for example if legibility was considered important. Bookman is a derivative of this style.
Beton Bold in a metal type sample. Contrast is minimal and letterforms take the circle as a basic shape.
Beton Bold in a metal type sample. Contrast is minimal and letterforms take the circle as a basic shape.