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Slab-serif type on the heading of a Chartist poster, 1848. Some headings and the lower passage are in Didone type, but much body text is slab serif.
Miller and Richard's Oldstyle Antique. Just as Clarendon typefaces took the "Didone" or modern-face model as a basis for a slab-serif, it is based on
Miller and Richard's Oldstyle Antique. Just as Clarendon typefaces took the "Didone" or modern-face model as a basis for a slab-serif, it is based on their "Old Style" design inspired by type designs of the eighteenth century, made slightly bolder and lower in contrast. Originally intended for use as a bolder type for emphasis, it was often used for general-purpose body text for example if legibility was considered important. Bookman is a derivative of this style.
Beton Bold in a metal type sample. Contrast is minimal and letterforms take the circle as a basic shape.
Beton Bold in a metal type sample. Contrast is minimal and letterforms take the circle as a basic shape.
A book published by Antonio Blado in 1531, using italics as was normal in the period similarly to Joanna in its first uses: lower-case italics, upper-
A book published by Antonio Blado in 1531, using italics as was normal in the period similarly to Joanna in its first uses: lower-case italics, upper-case upright capitals, relatively moderate slant of the italics. The modern concept of an italic using sloped capitals had not become widespread at this time.
Gill's drawings for the italic
Gill's drawings for the italic