Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to inform many architects.
Caryatids on the Erechtheion, (Athens), an example of a Greek architectural element taken up by later classical architecture.
The fronts of ancient Roman temples like the Maison Carrée in Nîmes have inspired much later classical architecture, e.g. Virginia State Capitol.
Lorsch Abbey gatehouse (Germany), c. 800, an example of the architectural style of the short-lived Carolingian Renaissance, a first classical movement in architecture.
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief', and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.
Illustration of bracket arm clusters containing cantilevers from Yingzao Fashi, a text on architecture by Li Jue (1065–1110)
Plan of the second floor (attic storey) of the Hôtel de Brionne in Paris – 1734.
The National Congress of Brazil, designed by Oscar Niemeyer