1.
Antique
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An antique is a collectable item, at least 100 years old. It is collected or desirable because of its age, beauty, rarity, condition, utility, personal emotional connection and it is an object that represents a previous era or time period in human society. It is common practice to define antique as applying to objects at least 100 years old, antiques are usually objects that show some degree of craftsmanship—or a certain attention to design, such as a desk or an early automobile. They are bought at shops, estate sales, auction houses, online auctions. Antique dealers often belong to trade associations, many of which belong to CINOA. Motor vehicles are an exception to the 100-year rule, the customary definition of antique requires that an item be at least 100 years old and in original condition. In the United States, the 1930 Smoot-Hawley Tariff Act defined antiques as,1830 was the approximate beginning of mass production in the United States. These definitions were intended to allow people of that time to distinguish between genuine antique pieces, vintage items, and collectible objects, commonly refers to the remains of ancient art and everyday items from antiquity, which themselves are often archaeological artifacts. An antiquarian is a person who collects and studies antiquities or things of the past, traditionally, Chinese antiques are marked by a red seal, known as a chop, placed there by an owner. Experts can identify previous owners of an antique by reading the chops, the pre-revolution Chinese government tried to assist collectors of Chinese antiques by requiring their Department of Antiquities to provide a governmental chop on the bottom of a Chinese antique. This chop is visible as a piece of red sealing wax that bears the government chop to verify the date of the antique, the government of the Peoples Republic of China has its own definitions of what it considers antique. As of the Cultural Revolution and Chinas opening trade to other countries, antiquing is the act of shopping, identifying, negotiating, or bargaining for antiques. People buy items for use, gifts, or profit. Sources for antiquing include garage sales and yard sales, estate sales, resort towns, antique districts, collectives, note that antiquing also means the craft of making an object appear antique through distressing or applying an antique-looking paint applications. Often, individuals get confused between these handmade distressed vintage or modern items and true antiques, if you can not tell the difference between the two, you may find yourself paying a high amount of money for something that has little value in the antiquing industry. Antique furniture is an area of antiques because furniture has obvious practical uses as well as collector value. Many collectors use pieces in their homes, and care for them with the hope that they hold their value or appreciate and this is in contrast to buying new furniture, which typically depreciates from the moment of purchase. Antique furniture includes dining tables, chairs, bureaus, chests etc, the most common woods are mahogany, oak, pine, walnut, and rosewood
2.
Antiquities
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Antiquities are objects from Antiquity, especially the civilizations of the Mediterranean, the Classical antiquity of Greece and Rome, Ancient Egypt and the other Ancient Near Eastern cultures. Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia, non-artistic artifacts are now less likely to be called antiquities than in earlier periods. Francis Bacon wrote in 1605, Antiquities are history defaced, or some remnants of history which have escaped the shipwreck of time. Bonhams use a similar definition.4000 B. C to the 12th Century A. D, geographically they originate from Egypt, the Near East and Europe. The term is no longer used in formal academic discussion. Most, but not all, antiquities have been recovered by archaeology, there is little or no overlap with antiques, which covers objects, not generally discovered as a result of archaeology, at most about three hundred years old, and usually far less. Precious cameos and other antique carved gems might be preserved when incorporated into crowns and diadems and liturgical objects, Roman columns could be re-erected in churches. Sarcophagi could receive new occupants and cinerary urns could function as holy water stoups, in Rome the Roman bronze Spinario was admired for itself by the guidebook writer Magister Gregorius. The Euphronios krater is an apparent example that has come to light, another example is the ambiguous legal case concerning the Getty Museums Bronze Statue of a Victorious Youth. The field has been complicated by the trade in Archaeological forgeries, such as the Etruscan terracotta warriors, the Persian Princess
3.
Souvenir
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A souvenir, memento, keepsake, or token of remembrance is an object a person acquires for the memories the owner associates with it. A souvenir can be any object that can be collected or purchased and transported home by the traveler as a memento of a visit, the object itself may have intrinsic value, or simply be a symbol of past experience. Without the owners input, the meaning is invisible and cannot be articulated. Perhaps the most collected souvenirs by tourists are photographs as a medium to document specific events, a more grisly form of souvenir in the First World War was displayed by a Pathan soldier to an English Territorial. After carefully studying the Tommys acquisitions, he produced a cord with the ears of enemy soldiers he claimed to have killed and he was keeping them to take back to India for his wife. Examples include sporting events, historical events, culture, and entertainment, often memorabilia items are kept in protective covers or display cases to safeguard and preserve their condition. The largest collection of Superman memorabilia belongs to Herbert Chavez, in Japan, souvenirs are known as omiyage, and are frequently selected from meibutsu, or products associated with a particular region. Bringing back omiyage from trips to co-workers and families is a social obligation, omiyage sales are big business at Japanese tourist sites. Unlike souvenirs, however, omiyage are frequently special food products, travelers may buy souvenirs as gifts for those who did not make the trip. In the Philippines a similar tradition of bringing souvenirs as a gift to members, friends. Media related to Souvenirs at Wikimedia Commons
4.
Hobby
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A hobby is a regular activity that is done for enjoyment, typically during ones leisure time. Hobbies can include collecting themed items and objects, engaging in creative and artistic pursuits, playing sports, a list of hobbies is lengthy and always changing as interests and fashions change. By continually participating in a hobby, one can acquire substantial skill. Engagement in hobbies has increased since the nineteenth century as workers have more leisure time and advancing production. As some hobbies have become popular, like stamp collecting, others have been created following technological advances. Hobbyists are a part of a group of people engaged in leisure pursuits where the boundaries of each group overlap to some extent. The Serious Leisure Perspective groups hobbyists with amateurs and volunteers and identifies three broad groups of activity with hobbies being found mainly in the Serious leisure category. Casual leisure is intrinsically rewarding, short-lived, pleasurable activity requiring little or no preparation b, Serious leisure is the systematic pursuit of an amateur, hobbyist, or volunteer that is substantial, rewarding and results in a sense of accomplishment. Project-based leisure is a short-term often a one-off project that is rewarding, in the 16th century, the term hobyn had the meaning of small horse and pony. The term hobby horse was documented in a 1557 payment confirmation for a Hobbyhorse from Reading, the item, originally called a Tourney Horse, was made of a wooden or basketwork frame with an artificial tail and head. It was designed for a child to mimic riding a real horse, by 1816 the derivative, hobby, was introduced into the vocabulary of a number of English people. Over the course of subsequent centuries, the term came to be associated with recreation, a hobby became an activity that is practised regularly and usually with some worthwhile purpose. Hobbies are usually, but not always, practised primarily for interest and enjoyment, the origins pursuits that others thought somewhat childish or trivial. However, as early as 1676 Sir Matthew Hale, in Contemplations Moral and Divine and he was acknowledging that a hobby horse produces a legitimate sense of pride. By the mid 18th century there was a flourishing of hobbies as working people had more hours of work. They spent more time to pursue interests that brought them satisfaction, however, there was concern that these working people might not use their leisure time in worthwhile pursuits. The hope of weaning people away from bad habits by the provision of counter-attractions came to the fore in the 1830s, the flourishing book and magazine trade of the day encouraged worthwhile hobbies and pursuits. The burgeoning manufacturing trade made materials used in hobbies cheap and was responsive to the interests of hobbyists
5.
Stamp collecting
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Stamp collecting is the collecting of postage stamps and related objects. It is related to philately which is the study of stamps and it has been one of the worlds most popular hobbies since the late nineteenth century with the rapid growth of the postal service. Stamp collecting proved to be an almost perfect hobby for collectors because there was a never ending stream of new stamps as each sought to advertise its distinctiveness through its stamps. Because some stamps became rare, a international trade in stamps was created. While stamp collectors are of all ages, it has been particularly popular hobby among children, Stamp collecting is generally accepted as one of the areas that make up the wider subject of philately, which is the study of stamps. A philatelist may, but does not have to, collect stamps and it is not uncommon for the term philatelist to be used to mean a stamp collector. Many casual stamp collectors accumulate stamps for sheer enjoyment and relaxation without worrying about the tiny details, the creation of a large or comprehensive collection, however, generally requires some philatelic knowledge and will usually contain areas of philatelic studies. Stamp collectors are an important source of income for countries who create limited runs of elaborate stamps designed mainly to be bought by stamp collectors. The stamps produced by these countries may exceed their postal needs and it has been suggested that John Bourke, Receiver General of Stamp Dues in Ireland was the first collector. In 1774 he assembled a book of the existing embossed revenue stamps, ranging in value from 6 pounds to half a penny and his collection is preserved in Dublin. The first postage stamp, the Penny Black, was issued by Britain in 1840 and it was produced without perforations and consequently had to be cut from the sheet with scissors in order to be used. While unused examples of the Penny Black are quite scarce, used examples are quite common, people started to collect stamps almost immediately. One of the earliest and most notable was John Edward Gray, in 1862, Gray stated that he began to collect postage stamps shortly after the system was established and before it had become a rage. As the hobby and study of stamps began to grow, stamp albums and stamp related literature began to surface, children and teenagers were early collectors of stamps in the 1860s and 1870s. Many adults dismissed it as a pursuit but later many of those same collectors, as adults, began to systematically study the available postage stamps. Some stamps, such as the issues of the Cape of Good Hope, have become legendary. Stamp collecting is a popular hobby in the early 21st century than it was a hundred years ago. In 2013, the Wall Street Journal estimated the number of stamp collectors was around 60 million
6.
Art Deco
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Art Deco, sometimes simply referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. It took its name, short for Arts Decorators, from the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925 and it combined modernist styles with fine craftsmanship and rich materials. During its heyday, Art Deco represented luxury, glamour, exuberance, Art Deco was a pastiche of many different styles, sometimes contradictory, united by a desire to be modern. It featured rare and expensive materials such as ebony and ivory, the Chrysler Building and other skyscrapers of New York were the most visible monuments of the new style. In the 1930s, during the Great Depression, the became more subdued. New materials arrived, including chrome plating, stainless steel and plastic, a more sleek form of the style, called Streamline Moderne, appeared in the 1930s, it featured curving forms and smooth, polished surfaces. Art Deco became one of the first truly international architectural styles, with examples found in European cities, the style came to an end with the beginning of World War II. Deco was replaced as the dominant global style by the functional and unadorned styles of modernism. The term arts décoratifs was first used in France in 1858, in 1868, Le Figaro newspaper used the term art décoratifs with respect to objects for stage scenery created for the Théâtre de lOpéra. In 1875, furniture designers, textile, jewelry and glass designers and it took its present name of ENSAD in 1927. The term Art déco was then used in a 1966 newspaper article by Hillary Gelson in the Times, describing the different styles at the exhibit. Art Deco gained currency as a broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major book on the style. Hillier noted that the term was already being used by art dealers and cites The Times, in 1971, Hillier organized an exhibition at the Minneapolis Institute of Arts, which he details in his book about it, The World of Art Deco. The emergence of Art Deco was closely connected with the rise in status of decorative artists, the term arts décoratifs had been invented in 1875, giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs, or SAD, was founded in 1901, a similar movement developed in Italy. The first international exhibition devoted entirely to the arts, the Esposizione international dArte decorative moderna, was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration, Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français, and later in the Salon dautomne. French nationalism also played a part in the resurgence of decorative arts, in 1911 the SAD proposed the holding of a major new international exposition of decorative arts in 1912
7.
Art Nouveau
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Art Nouveau is an international style of art, architecture and applied art, especially the decorative arts, that was most popular between 1890 and 1910. A reaction to the art of the 19th century, it was inspired by natural forms and structures, particularly the curved lines of plants. English uses the French name Art Nouveau, according to the philosophy of the style, art should be a way of life. For many well-off Europeans, it was possible to live in an art nouveau-inspired house with art nouveau furniture, silverware, fabrics, ceramics including tableware, jewellery, cigarette cases, artists desired to combine the fine arts and applied arts, even for utilitarian objects. By 1910, Art Nouveau was already out of style and it was replaced as the dominant European architectural and decorative style first by Art Deco and then by Modernism. Art Nouveau took its name from the Maison de lArt Nouveau, in France, Art Nouveau was also sometimes called by the British term Modern Style due to its roots in the Arts and Crafts Movement, Style moderne, or Style 1900. It was also sometimes called Style Jules Verne, Le Style Métro, Art Belle Époque, in Belgium, where the architectural movement began, it was sometimes termed Style nouille or Style coup de fouet. In Britain, it was known as the Modern Style, or, because of the arts and crafts movement led by Charles Rennie Mackintosh in Glasgow, as the Glasgow style. In Italy, because of the popularity in Italy of designs from Londons Liberty & Co department store, in the United States, due to its association with Louis Comfort Tiffany, it was often called the Tiffany style. In Germany and Scandinavia, a style emerged at about the same time, it was called Jugendstil. In Catalonia the related style was known as Modernisme, in Spain as Modernismo, Arte joven, in Russia, it was called Modern, and Jugendstil, and Nieuwe Kunst in the Netherlands. Some names refer specifically to the forms that were popular with the Art Nouveau artists, Stile Floreal in France, Paling Stijl in the Netherlands. The new art movement had its roots in Britain, in the designs of William Morris. Early prototypes of the include the Red House of Morris. In France, the style combined several different tendencies, in architecture, it was influenced by the architectural theorist and historian Eugène Viollet-le-Duc, a declared enemy of the historical Beaux-Arts architectural style. For each function its material, for each material its form and this book influenced a generation of architects, including Louis Sullivan, Victor Horta, Hector Guimard, and Antoni Gaudí. The French painters Maurice Denis, Pierre Bonnard and Édouard Vuillard played an important part in integrating fine arts painting with decoration, I believe that before everything a painting must decorate, Denis wrote in 1891. The choice of subjects or scenes is nothing and it is by the value of tones, the colored surface and the harmony of lines that I can reach the spirit and wake up the emotions
8.
Depression glass
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Depression glass is clear or colored translucent glassware that was distributed free, or at low cost, in the United States and Canada around the time of the Great Depression. Depression glass is a subset of Uranium glass, the Quaker Oats Company, and other food manufacturers and distributors, put a piece of glassware in boxes of food, as an incentive to purchase. Movie theaters and businesses would hand out a piece simply for coming in the door, most of this glassware was made in the Ohio River Valley of the United States, where access to raw materials and power made manufacturing inexpensive in the first half of the twentieth century. More than twenty manufacturers made more than 100 patterns, and entire dinner sets were made in some patterns, common colors are clear, pink, pale blue, green, and amber. Less common colors include yellow, ultramarine, jadeite, delphite, cobalt blue, red, black, amethyst, monax, although of marginal quality, Depression glass has been highly collectible since the 1960s. Due to its popularity as a collectible, Depression glass is becoming scarce on the open market. Rare pieces may sell for several hundred dollars, some manufacturers continued to make popular patterns after World War II, or introduced similar patterns, which are also collectible. Popular and expensive patterns and pieces have been reproduced, and reproductions are still being made, often confused with Depression Glass is Elegant glass, which is of much better quality. It was distributed through jewelry and department stores from the 1920s through the 1950s, most of the Elegant glassware manufacturers had closed by the end of the 1950s, when cheap glassware and imported china replaced Elegant glass
9.
Ole Worm
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Ole Worm, who often went by the Latinized form of his name Olaus Wormius, was a Danish physician and antiquary. Worm was the son of Willum Worm who served as the mayor of Aarhus, Ole Worms grandfather Johan Worm, a magistrate in Aarhus, was a Lutheran who had fled from Arnhem in Gelderland while it was under Catholic rule. Worm married Dorothea Fincke, the daughter of a friend and colleague, Fincke was a Danish mathematician and physicist, who invented the terms tangent and secant and who taught at the University of Copenhagen for more than 60 years. Ole Worm was something of a student, after attending the grammar school of Aarhus. He received his Doctor of Medicine degree from the University of Basel in 1611, the rest of his academic career was spent in Copenhagen, where he taught Latin, Greek, physics, and medicine. He was personal physician to King Christian IV of Denmark, somewhat remarkable for a physician of the time, he remained in the city of Copenhagen to minister to the sick during an epidemic of the Black Death. In medicine, Worms chief contributions were in embryology, the Wormian bones are named after him. Worm is also known to have been a collector of early literature in the Scandinavian languages and he also wrote a number of treatises on runestones and collected texts that were written in runic. Worm received letters of introduction to the bishops of Denmark and Norway from the King of Denmark due to the Kings interest, in 1643 his Danicorum Monumentorum, Danish Monuments was published. The first written study of runestones, it is one of the only surviving sources for depictions of numerous runestones and inscriptions from Denmark. Worm compiled engravings of his collection, along with his speculations about their meaning, into a catalog of his Museum Wormianum, as a scientist, Worm straddled the line between modern and pre-modern. As an example, in a modern, empirical mode, Worm determined in 1638 that the unicorn did not exist. Worms primary use of his natural history collection was for the purpose of pedagogy, the early twentieth century horror author H. P. Lovecraft mentions Ole Worm as one of the translators of the fictional book Al Azif. Horror writer Anders Fager has elaborated this myth in several of his tales, a Runic calendar collected by Wormius in Gotland
10.
Ptolemaic dynasty
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Their rule lasted for 275 years, from 305 to 30 BC. They were the last dynasty of ancient Egypt, Ptolemy, one of the seven somatophylakes who served as Alexander the Greats generals and deputies, was appointed satrap of Egypt after Alexanders death in 323 BC. In 305 BC, he declared himself Ptolemy I, later known as Sōter Saviour, the Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. Ptolemys family ruled Egypt until the Roman conquest of 30 BC, all the male rulers of the dynasty took the name Ptolemy. Ptolemaic queens regnant, some of whom were the sisters of their husbands, were usually called Cleopatra, Arsinoe or Berenice. The most famous member of the line was the last queen, Cleopatra VII and her apparent suicide at the conquest by Rome marked the end of Ptolemaic rule in Egypt. Dates in brackets represent the dates of the Ptolemaic pharaohs. They frequently ruled jointly with their wives, who were also their sisters. Of these, one of the last and most famous was Cleopatra, several systems exist for numbering the later rulers, the one used here is the one most widely used by modern scholars. Arsinoe IV, in opposition to Cleopatra Ptolemy Keraunos - eldest son of Ptolemy I Soter, Ptolemy Apion - son of Ptolemy VIII Physcon. Ptolemy Philadelphus - son of Mark Antony and Cleopatra VII, Ptolemy of Mauretania - son of King Juba II of Numidia and Mauretania and Cleopatra Selene II, daughter of Cleopatra VII and Mark Antony. Contemporaries describe a number of the Ptolemaic dynasty members as extremely obese, whilst sculptures and coins reveal prominent eyes, familial Graves disease could explain the swollen necks and eye prominence, although this is unlikely to occur in the presence of morbid obesity. A. Lampela, Rome and the Ptolemies of Egypt, the development of their political relations 273-80 B. C. J. G. Manning, The Last Pharaohs, Egypt Under the Ptolemies, 305-30 BC. Livius. org, Ptolemies — by Jona Lendering
11.
Museum
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Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public, the goal of serving researchers is increasingly shifting to serving the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, the city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries, the English museum comes from the Latin word, and is pluralized as museums. The first museum/library is considered to be the one of Plato in Athens, however, Pausanias gives another place called Museum, namely a small hill in Classical Athens opposite to the Akropolis. The hill was called Mouseion after Mousaious, a man who used to sing on the hill, the purpose of modern museums is to collect, preserve, interpret, and display items of artistic, cultural, or scientific significance for the education of the public. The purpose can also depend on ones point of view, to a family looking for entertainment on a Sunday afternoon, a trip to a local history museum or large city art museum could be a fun, and enlightening way to spend the day. To city leaders, a healthy museum community can be seen as a gauge of the health of a city. To a museum professional, a museum might be seen as a way to educate the public about the museums mission, Museums are, above all, storehouses of knowledge. In 1829, James Smithsons bequest, that would fund the Smithsonian Institution, stated he wanted to establish an institution for the increase, Museums of natural history in the late 19th century exemplified the Victorian desire for consumption and for order. Gathering all examples of classification of a field of knowledge for research. As American colleges grew in the 19th century, they developed their own natural history collections for the use of their students, while many large museums, such as the Smithsonian Institution, are still respected as research centers, research is no longer a main purpose of most museums. While there is a debate about the purposes of interpretation of a museums collection, there has been a consistent mission to protect. Much care, expertise, and expense is invested in efforts to retard decomposition in aging documents, artifacts, artworks. All museums display objects that are important to a culture, as historian Steven Conn writes, To see the thing itself, with ones own eyes and in a public place, surrounded by other people having some version of the same experience can be enchanting. Museum purposes vary from institution to institution, some favor education over conservation, or vice versa. For example, in the 1970s, the Canada Science and Technology Museum favored education over preservation of their objects and they displayed objects as well as their functions. One exhibit featured a printing press that a staff member used for visitors to create museum memorabilia
12.
Samuel Pepys
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Samuel Pepys FRS was an administrator of the navy of England and Member of Parliament who is most famous for the diary that he kept for a decade while still a relatively young man. Pepys had no experience, but he rose to be the Chief Secretary to the Admiralty under both King Charles II and King James II through patronage, hard work, and his talent for administration. His influence and reforms at the Admiralty were important in the early professionalisation of the Royal Navy, the detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources for the English Restoration period. It provides a combination of personal revelation and eyewitness accounts of events, such as the Great Plague of London, the Second Dutch War. Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys, a tailor and his great uncle Talbot Pepys was Recorder and briefly Member of Parliament for Cambridge in 1625. His fathers first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor. He was baptised at St Brides Church on 3 March, Pepys did not spend all of his infancy in London, for a while, he was sent to live with nurse Goody Lawrence at Kingsland, just north of the city. In about 1644, Pepys attended Huntingdon Grammar School before being educated at St Pauls School, London and he attended the execution of Charles I in 1649. In 1650, he went to Cambridge University, having received two exhibitions from St Pauls School and a grant from the Mercers Company. In October, he was admitted as a sizar to Magdalene College, he moved there in March 1651, later in 1654 or early in 1655, he entered the household of another of his fathers cousins, Sir Edward Montagu, who was later created 1st Earl of Sandwich. From a young age, Pepys suffered from stones in his urinary tract – a condition from which his mother and brother John also later suffered. He was almost never without pain, as well as other symptoms, by the time of his marriage, the condition was very severe. In 1657 Pepys decided to undergo surgery, not an option, as the operation was known to be especially painful. Nevertheless, Pepys consulted surgeon Thomas Hollier and, on 26 March 1658, Pepys stone was successfully removed and he resolved to hold a celebration on every anniversary of the operation, which he did for several years. However, there were long-term effects from the operation, the incision on his bladder broke open again late in his life. The procedure may have left him sterile, though there is no evidence for this. In mid-1658 Pepys moved to Axe Yard, near the modern Downing Street and he worked as a teller in the Exchequer under George Downing. On 1 January 1660, Pepys began to keep a diary and he recorded his daily life for almost ten years
