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Week-end à Zuydcoote by Robert Merle
Week-end à Zuydcoote by Robert Merle
Les Justes by Albert Camus
Les Justes by Albert Camus
Le Nez qui voque [fr] by Réjean Ducharme
Le Nez qui voque [fr] by Réjean Ducharme
Évariste [fr] by François-Henri Désérable
Évariste [fr] by François-Henri Désérable
First French edition. Centre: traditional Chinese character for "brush" by Ru Xiaofan [fr], 20th century; counterclockwise from bottom left: The Book Peddler, 16th-century wood engraving, Musée Carnavalet, Paris; detail of a plate entitled L'Art d'écrire, from the Encyclopédie, 1763; cover of a Kufic Koran from the Maghreb, photograph; hieroglyphic cartouche in Voyage en Égypte, Jean-François Champollion.
First French edition. Centre: traditional Chinese character for "brush" by Ru Xiaofan [fr], 20th century; counterclockwise from bottom left: The Book
Title page illustration: illuminated capital from a 15th-century French manuscript. Bibl. Nat., Paris.
Title page illustration: illuminated capital from a 15th-century French manuscript. Bibl. Nat., Paris.
Back cover illustration: Jean Gerson writing. 15th-century French manuscript. Bibl. Nat., Paris.
Back cover illustration: Jean Gerson writing. 15th-century French manuscript. Bibl. Nat., Paris.
"In the Middle Ages a form of sacred writing became established in the monasteries. Beautifully designed and executed, it reflected the serenity of bo
"In the Middle Ages a form of sacred writing became established in the monasteries. Beautifully designed and executed, it reflected the serenity of both those who created it and the setting in which they worked." Illuminated capital from a bible dating to the 12th or early 13th century. Coimbra, Portugal (G. Jean, Writing, p. 73).