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The Indian massacre of 1622, depicted in a 1628 woodcut
The Indian massacre of 1622, depicted in a 1628 woodcut
Cover to a history of the Plantation of Virginia between 1612 and 1624, compiled by its planters
Cover to a history of the Plantation of Virginia between 1612 and 1624, compiled by its planters
Red line showing the boundary between the Virginia Colony and Tributary Indian tribes established by the Treaty of 1646. The red dot indicates Jamesto
Red line showing the boundary between the Virginia Colony and Tributary Indian tribes established by the Treaty of 1646. The red dot indicates Jamestown, the capital of the Virginia Colony.
Lines showing the legal treaty frontiers between the Virginia Colony and Indian Nations in various years and today's state boundaries. Red: Treaty of
Lines showing the legal treaty frontiers between the Virginia Colony and Indian Nations in various years and today's state boundaries. Red: Treaty of 1646. Green: Treaty of Albany (1684). Blue: Treaty of Albany (1722). Orange: Proclamation of 1763. Black: Treaty of Camp Charlotte (1774). The area west of this line in present-day Southwest Virginia was ceded by the Cherokee in 1775.
Virginia
The story of Pocahontas was simplified and romanticized by later artists and authors, including Smith himself, and promoted by her descendants, some o
The story of Pocahontas was simplified and romanticized by later artists and authors, including Smith himself, and promoted by her descendants, some of whom married into elite colonial families.
In 1699, after the statehouse in Jamestown was destroyed by fire, the Colony of Virginia's capitol was moved to Williamsburg, where the College of Wil
In 1699, after the statehouse in Jamestown was destroyed by fire, the Colony of Virginia's capitol was moved to Williamsburg, where the College of William & Mary was founded six years earlier.
In 1765, Patrick Henry led a protest of the unpopular Stamp Act in the House of Burgesses, later depicted in this portrait by Peter F. Rothermel.
In 1765, Patrick Henry led a protest of the unpopular Stamp Act in the House of Burgesses, later depicted in this portrait by Peter F. Rothermel.
Eyre Crowe's 1853 portrait, Slaves Waiting for Sale: Richmond, Virginia, which he completed after visiting Richmond's slave markets, where thousands w
Eyre Crowe's 1853 portrait, Slaves Waiting for Sale: Richmond, Virginia, which he completed after visiting Richmond's slave markets, where thousands were sold annually