1.
Rue de Richelieu
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Rue de Richelieu is a long street of Paris, starting in the south of the 1st arrondissement, ending in the 2nd arrondissement. Parallel with it, is the Rue Vivienne and they are both pleasant streets, especially the former, which is much longer, and is rendered more striking by containing some of the finest hotels in Paris. Hosiers, artificial flower makers, clock-makers, and jewellers, are the principal tradesmen in the Rue de Richelieu, but it has no similarity with Bond-street. The Rue Vivienne is comparatively short, but it is pleasing, from the number of flowers, shrubs, is it because some few hundred thousand printed volumes are deposited therein. Today it is most notable for scattered coin dealers and currency changers, the name comes from Cardinal de Richelieu, Prime minister of King Louis XIII. The street was originally called Rue Royale, then rue de Richelieu soon after, the name was changed to Rue de la Loi during the French Revolution, its name was given back in 1806. The famous firearms played a role to the French Revolution by distributing arms to the people in 1789. The former Royal Palace hôtel which opened in 1909 was located in the building as the Fauré Le Page store. Palais Royal - Ministry of Culture database Bibliothèque nationale - Ministry of Culture database
2.
1st arrondissement of Paris
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The 1st arrondissement of Paris is one of the 20 arrondissements of the capital city of France. Situated principally on the bank of the River Seine, it also includes the west end of the Île de la Cité. It is the least populated of the arrondissements and one of the smallest by area, a significant part of which is occupied by the Louvre Museum. Much of the remainder of the arrondissement is dedicated to business, the 1st arrondissement is very small, with a land area of only 1,83 km2. The area now occupied by the first arrondissement attained its peak population in the preceding the re-organization of Paris in 1860. In 1999, the population was 16,888, while the arrondissement hosted 63,056 jobs, making it one of the most active for business after the 2nd, 8th, and 9th. ¹The peak of population actually occurred before 1861, but the arrondissement was created in 1860, each of the 20 Paris arrondissements is divided into four quarters. The table below lists the four quarters of the 1st arrondissement, at one time Air Inters head office was located in the first arrondissement. When Minerve, an airline, existed, its office was in the first arrondissement. In terms of state-operated schools, the first arrondissement has two schools, two primary schools, one école polyvalente, one high school, and one sixth form college. The state-operated nursery schools are École Maternelle Auxerrois and École Maternelle Sourdiere, the state-operated primary schools are École Élémentaire Arbre Sec and École Élémentaire DArgenteuil. The arrondissement has one école polyvalente, École Polyvalente Cambon, collège Jean-Baptiste Poquelin is the sole state-operated high school in the arrondissement. Lycée Professionnel Commercial Pierre Lescot is the sole state-operated sixth form college in the first arrondissement
3.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
4.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
5.
Seating capacity
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Seating capacity is the number of people who can be seated in a specific space, in terms of both the physical space available, and limitations set by law. Seating capacity can be used in the description of anything ranging from an automobile that seats two to a stadium that seats hundreds of thousands of people. The International Fire Code, portions of which have adopted by many jurisdictions, is directed more towards the use of a facility than the construction. It specifies, For areas having fixed seating without dividing arms and it also requires that every public venue submit a detailed site plan to the local fire code official, including details of the means of egress, seating capacity, arrangement of the seating. Once safety considerations have been satisfied, determinations of seating capacity turn on the size of the venue. For sports venues, the decision on maximum seating capacity is determined by several factors, chief among these are the primary sports program and the size of the market area. Seating capacity of venues also plays a role in what media they are able to provide, in contracting to permit performers to use a theatre or other performing space, the seating capacity of the performance facility must be disclosed. Seating capacity may influence the kind of contract to be used, the seating capacity must also be disclosed to the copyright owner in seeking a license for the copyrighted work to be performed in that venue. Venues that may be leased for private functions such as ballrooms and auditoriums generally advertise their seating capacity, seating capacity is also an important consideration in the construction and use of sports venues such as stadiums and arenas. The seating capacity for restaurants is reported as covers, a restaurant that can seat 99 is said to have 99 covers, seating capacity differs from total capacity, which describes the total number of people who can fit in a venue or in a vehicle either sitting or standing. Use of the term public capacity indicates that a venue is allowed to more people than it can actually seat. Again, the total number of people can refer to either the physical space available or limitations set by law
6.
Victor Louis
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Victor Louis was a French architect, disqualified on a technicality from winning the Prix de Rome in architecture in 1755. Louis masterpiece is the Grand Théâtre de Bordeaux of 1780 and he also designed other theatres, including the theatre of the Comédie-Française on the rue de Richelieu and the Théâtre National de la rue de la Loi. Other buildings include the Intendance in Besançon, the galleries of the Palais-Royal in Paris. A full biography by Charles Marionneau was published in Bordeaux in 1881, in 1770 he married the pianist and composer Marie-Emmanuelle Bayon. The Architecture of the French Enlightenment, Louis, Victor in Turner 1998, vol. Le Grand-Théâtre de Bordeaux, ou L’Opéra des Vendanges, photographs by Dominique Thillard, Paris, Caisse nationale des monuments historiques et des sites. Victor Louis, Architecte du Théâtre de Bordeaux, Sa vie, Bordeaux, G. Gounouilhou View at Google Books. Les salles de spectacle construites par Victor Louis à Bordeaux, au Palais-Royal et à la place Louvois, Paris, Librairie de la construction moderne. The Dictionary of Art, reprinted with corrections,34 volumes
7.
Sovereign state
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A sovereign state is, in international law, a nonphysical juridical entity that is represented by one centralized government that has sovereignty over a geographic area. International law defines sovereign states as having a permanent population, defined territory, one government, and it is also normally understood that a sovereign state is neither dependent on nor subjected to any other power or state. The existence or disappearance of a state is a question of fact, States came into existence as people gradually transferred their allegiance from an individual sovereign to an intangible but territorial political entity, of the state. States are but one of political orders that emerged from feudal Europe, others being city states, leagues. Westphalian sovereignty is the concept of sovereignty based on territoriality. It is a system of states, multinational corporations. Sovereignty is a term that is frequently misused and that position was reflected and constituted in the notion that their sovereignty was either completely lacking, or at least of an inferior character when compared to that of civilised people. Lassa Oppenheim said There exists perhaps no conception the meaning of which is more controversial than that of sovereignty. It is a fact that this conception, from the moment when it was introduced into political science until the present day, has never had a meaning which was universally agreed upon. In the opinion of H. V. Evatt of the High Court of Australia, sovereignty is neither a question of fact, nor a question of law, but a question that does not arise at all. The right of nations to determine their own status and exercise permanent sovereignty within the limits of their territorial jurisdictions is widely recognized. The Westphalian model of sovereignty has increasingly come under fire from the non-west as a system imposed solely by Western Colonialism. What this model did was make religion a subordinate to politics and this system does not fit in the Islamic world because concepts such as separation of church and state and individual conscience are not recognised in the Islamic religion as social systems. Nation denotes a people who are believed to or deemed to share common customs, religion, language, origins, however, the adjectives national and international are frequently used to refer to matters pertaining to what are strictly sovereign states, as in national capital, international law. State refers to the set of governing and supportive institutions that have sovereignty over a definite territory, State recognition signifies the decision of a sovereign state to treat another entity as also being a sovereign state. Recognition can be expressed or implied and is usually retroactive in its effects. It does not necessarily signify a desire to establish or maintain diplomatic relations, There is no definition that is binding on all the members of the community of nations on the criteria for statehood. In actual practice, the criteria are mainly political, not legal, in international law, however, there are several theories of when a state should be recognised as sovereign
8.
Theatre
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The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence, the specific place of the performance is also named by the word theatre as derived from the Ancient Greek θέατρον, itself from θεάομαι. Modern theatre, broadly defined, includes performances of plays and musical theatre, there are connections between theatre and the art forms of ballet, opera and various other forms. The city-state of Athens is where western theatre originated, participation in the city-states many festivals—and mandatory attendance at the City Dionysia as an audience member in particular—was an important part of citizenship. The Greeks also developed the concepts of dramatic criticism and theatre architecture, Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama, tragedy, comedy, and the satyr play, the origins of theatre in ancient Greece, according to Aristotle, the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10, the stage consisted of a dancing floor, dressing room and scene-building area. Since the words were the most important part, good acoustics, the actors wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during the 5th century BCE have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, the origins of tragedy remain obscure, though by the 5th century BCE it was institution alised in competitions held as part of festivities celebrating Dionysus. As contestants in the City Dionysias competition playwrights were required to present a tetralogy of plays, the performance of tragedies at the City Dionysia may have begun as early as 534 BCE, official records begin from 501 BCE, when the satyr play was introduced. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his Poetics, Athenian comedy is conventionally divided into three periods, Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the surviving plays of Aristophanes. New Comedy is known primarily from the papyrus fragments of Menander. Aristotle defined comedy as a representation of people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, finding its origins in rural, agricultural rituals dedicated to Dionysus, the satyr play eventually found its way to Athens in its most well-known form. Satyrs themselves were tied to the god Dionysus as his loyal companions, often engaging in drunken revelry
9.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
10.
Palais-Royal
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The Palais-Royal, originally called the Palais-Cardinal, is a palace located in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre, the larger inner courtyard, the Cour dHonneur, has since 1986 contained Daniel Burens site-specific art piece Les Deux Plateaux, known as Les Colonnes de Buren. In 1830 the Cour dHonneur was enclosed to the north by what was probably the most famous of Pariss covered arcades, demolished in the 1930s, its flanking rows of columns still stand between the Cour dHonneur and the popular Palais-Royal Gardens. Originally called the Palais-Cardinal, the palace was the residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629, construction commenced in 1633 and was completed in 1639, upon Richelieus death in 1642 the palace became the property of the King and acquired the new name Palais-Royal. After Louis XIII died the year, it became the home of the Queen Mother Anne of Austria and her young sons Louis XIV and Philippe, duc dAnjou. From 1649, the palace was the residence of the exiled Henrietta Maria and Henrietta Anne Stuart, wife, the two had escaped England in the midst of the English Civil War and were sheltered by Henrietta Marias nephew, King Louis XIV. Henrietta Anne was later married to Louis younger brother, Philippe de France, the following year the new duchesse dOrléans gave birth to a daughter, Marie Louise dOrléans, inside the palace. After their marriage, the became the main residence of the House of Orléans. The Duchess created the gardens of the palace, which were said to be among the most beautiful in Paris. Under the new couple, the Palais-Royal would become the social center of the capital. The court gatherings at the Palais-Royal were famed all around the capital as well as all of France and it was at these parties that the crème de la crème of French society came to see and be seen. Guests included the members of the royal family like the Queen Mother, Anne of Austria, the duchesse de Montpensier, the Princes de Condé. Philippes favourites were also frequent visitors, the palace was redecorated and new apartments were created for the maids and staff of the Duchess. After Henrietta Anne died in 1670 the Duke took a wife, the Princess Palatine. Saint-Cloud thus became the residence of her eldest son and the heir to the House of Orléans. For the convenience of the bride, new apartments were built and it was at this time that Philippe commissioned the gallery for his famous Orleans Collection of paintings, which was easily accessible to the public. The architect was Jules Hardouin-Mansart, and the cost of reconstruction was totaled to be 400,000 livres
11.
Louis XIV of France
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Louis XIV, known as Louis the Great or the Sun King, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch of a country in European history. In the age of absolutism in Europe, Louis XIVs France was a leader in the centralization of power. Louis began his rule of France in 1661, after the death of his chief minister. By these means he became one of the most powerful French monarchs, under his rule, the Edict of Nantes, which granted rights to Huguenots, was abolished. The revocation effectively forced Huguenots to emigrate or convert in a wave of dragonnades, which managed to virtually destroy the French Protestant minority. During Louis reign, France was the leading European power, and it fought three wars, the Franco-Dutch War, the War of the League of Augsburg. There were also two lesser conflicts, the War of Devolution and the War of the Reunions, warfare defined Louis XIVs foreign policies, and his personality shaped his approach. Impelled by a mix of commerce, revenge, and pique, in peacetime he concentrated on preparing for the next war. He taught his diplomats their job was to create tactical and strategic advantages for the French military, Louis XIV was born on 5 September 1638 in the Château de Saint-Germain-en-Laye, to Louis XIII and Anne of Austria. He was named Louis Dieudonné and bore the title of French heirs apparent. At the time of his birth, his parents had married for 23 years. His mother had experienced four stillbirths between 1619 and 1631, leading contemporaries thus regarded him as a divine gift and his birth a miracle of God. Sensing imminent death, Louis XIII decided to put his affairs in order in the spring of 1643, in defiance of custom, which would have made Queen Anne the sole Regent of France, the king decreed that a regency council would rule on his sons behalf. His lack of faith in Queen Annes political abilities was his primary rationale and he did, however, make the concession of appointing her head of the council. Louis relationship with his mother was uncommonly affectionate for the time, contemporaries and eyewitnesses claimed that the Queen would spend all her time with Louis. Both were greatly interested in food and theatre, and it is likely that Louis developed these interests through his close relationship with his mother. This long-lasting and loving relationship can be evidenced by excerpts in Louis journal entries, such as, but attachments formed later by shared qualities of the spirit are far more difficult to break than those formed merely by blood
12.
French livre
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The livre was the currency of France from 781 to 1794. Several different livres existed, some concurrently, the livre was the name of both units of account and coins. The livre was established by Charlemagne as a unit of account equal to one pound of silver and it was subdivided into 20 sous, each of 12 deniers. The word livre came from the Latin word libra, a Roman unit of weight and this system and the denier itself served as the model for many of Europes currencies, including the British pound, Italian lira, Spanish dinero and the Portuguese dinheiro. This first livre is known as the livre carolingienne, only deniers were initially minted, but debasement led to larger denominations being issued. Different mints in different regions used different weights for the denier, livre is a homonym of the French word for book, the distinction being that the two have a different gender. The monetary unit is feminine, la/une livre, while book is masculine, for much of the Middle Ages, different duchies of France were semi-autonomous if not practically independent from the weak Capetian kings, and thus each minted their own currency. Charters would need to specify which region or mint was being used, the first steps towards standardization came under the first strong Capetian monarch, Philip II Augustus. Philip II conquered much of the continental Angevin Empire from King John of England, including Normandy, Anjou and this was a slow process lasting many decades and not completed within Philip IIs lifetime. Until the thirteenth century and onwards, only deniers were actually minted as coin money, both livres and sous did not actually exist as coins but were used only for accounting purposes. Between 1360 and 1641, coins worth 1 livre tournois were minted known as francs and this name persisted in common parlance for 1 livre tournois but was not used on coins or paper money. The official use of the livre tournois accounting unit in all contracts in France was legislated in 1549, however, in 1577, the livre tournois accounting unit was officially abolished and replaced by the écu, which was at that time the major French gold coin in actual circulation. In 1602, the livre tournois accounting unit was brought back, Louis XIII of France stopped minting the franc in 1641, replacing it with coins based on the silver écu and gold Louis dor. The écu and louis dor fluctuated in value, with the écu varying between three and six livres tournois until 1726 when it was fixed at six livres, the louis was initially worth ten livres, and fluctuated too, until its value was fixed at twenty-four livres in 1726. In 1667, the livre parisis was officially abolished, however, the sole remaining livre was still frequently referred to as the livre tournois until its demise. The first French paper money was issued in 1701 and was denominated in livres tournois, however, the notes did not hold their value relative to silver due to massive over–production. The Banque Royale crashed in 1720, rendering the banknotes worthless, in 1726, under Louis XVs minister Cardinal Fleury, a system of monetary stability was put in place. Eight ounces of gold was worth 740 livres,9 sols,8 ounces of silver was worth 51 livres,2 sols,3 deniers
13.
La Grange (actor)
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La Grange, whose real name was Charles Varlet, was a French actor and a member of the troupe of Molière. Charles Varlet was the son of Hector Varlet and Marie de La Grange, the couple apparently married in Paris in 1634 and moved to Montpellier in 1636, where they had a son, Achille Varlet and a daughter, Justine-Françoise. After the birth of their daughter they left Montpellier, the birth date of Charles is not well established, but is thought most likely to be near the end of 1639, or possibly early in 1640. The family was in Paris in 1642, but not long after the children lost their parents, La Grange joined Molières company in 1659, soon after they had returned to Paris from touring the provinces. Being young and attractive, he was the premier and generally played Molières lovers, roles which as Charles Dickens. Later La Grange played more versatile parts such as the roles in Racines Alexandre le Grand and Molières Dom Juan. La Grange also acted as the secretary and historian, creating a register of all plays performed as well as receipts. These documents are an important source of information for scholars interested in the period, in 1664 La Grange replaced Molière as the Orator, the company member who addressed the audience and introduced the plays. On 25 April 1672, during the companys Easter break, La Grange married Marie Ragueneau de lEstang, known as Marotte and she created the title role in Molières La Comtesse dEscarbagnas in 1671. Marie Ragueneau was the daughter of Cyprien Ragueneau, a pastry chef, Molière died in 1673 after which La Grange was instrumental in the rebuilding of the company during the transition to its new theatre at the Hôtel de Guénégaud. When the troupe merged with the players of the Hôtel de Bourgogne in 1680 forming the Comédie-Française, in 1682 he edited and wrote the preface of the first collected edition of Molières plays. Samuel Chapuzeau, writing in 1674, described La Grange as an actor as follows, La Grange is generally regarded, and rightly so, as a good actor in both serious and comic roles. Although of no more than medium build, he is well proportioned, and has a jaunty and relaxed manner and he succeeded Molière not only as orateur, but also in the concern he shows for the general well-being of the company, being both intelligent and trustworthy. The Cambridge Guide to the Theatre, second edition, the Old French Theatre, in two parts. Part II, All the year round, the Oxford Companion to the Theatre, fourth edition. French Theatre in the Neo-Classical Era 1550–1789, Charles Varlet de la Grange et son registre. Young, Bert Edward, editor, Young, Grace Philputt, le registre de La Grange, 1659–1685, two volumes
14.
Michel Baron
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Michel Baron was a French actor and playwright. His family name was originally Boyron and his father and mother were leading players. He was orphaned at age 9, and joined the child company Petits Comédiens Dauphins at age 12 and he came to the notice of Molière, joined his troupe, and eventually became his protégé. He left the troupe after a conflict with Molières wife, Armande Béjart and he played the role of Domitien in Pierre Corneilles Tite et Bérénice and played in Corneilles Psyché. He stayed with the troupe until Molières death in 1673, when he joined the troupe at the Hotel de Bourgogne and this troupe merged with another in 1680 to become the Comédie-Française. With Comédie-Française, Baron was the master of the French stage until his retirement in 1691. He created many of the roles in Racines plays, and in his own LHomme à bonnes fortunes, his most popular play. He also wrote Les Enlèvements and Le Debauche, and translated and acted in two plays by Terence, after retiring in 1691, Baron re-appeared in 1720 at the Palais Royal, and was very active. During his last years on stage, he performed with Adrienne Lecouvreur. He died on December 22,1729, baronss son Étienne Michel Baron was also an actor. Etiennes son and two daughters all acted with the Comédie-Française, attribution This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Baron, Michel. Works by Michel Baron at Project Gutenberg The Lucky Man by Michel Baron at Project Gutenberg - a translation of Lhomme à bonne fortune Works by or about Michel Baron in libraries
15.
Jean Racine
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Jean Racine, baptismal name Jean-Baptiste Racine, was a French dramatist, one of the three great playwrights of 17th-century France, and an important literary figure in the Western tradition. The latest attempt to translate Racines plays into English earned a 2011 American Book Award for the poet Geoffrey Argent, Racines dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both the plot and stage. Racine was born on 22 December 1639 in La Ferté-Milon, in the province of Picardy in northern France, orphaned by the age of four, he came into the care of his grandparents. At the death of his grandfather in 1649, his grandmother, Marie des Moulins, went to live in the convent of Port-Royal and he received a classical education at the Petites écoles de Port-Royal, a religious institution which would greatly influence other contemporary figures including Blaise Pascal. Port-Royal was run by followers of Jansenism, a theology condemned as heretical by the French bishops, Racines interactions with the Jansenists in his years at this academy would have great influence over him for the rest of his life. At Port-Royal, he excelled in his studies of the Classics and he was expected to study law at the Collège dHarcourt in Paris, but instead found himself drawn to a more artistic lifestyle. Racine eventually took up residence in Paris where he involved in theatrical circles. His first play, Amasie, never reached the stage, on 20 June 1664, Racines tragedy La Thébaïde ou les frères ennemis was produced by Molières troupe at the Théâtre du Palais-Royal, in Paris. The following year, Molière also put on Racines second play, thus, Alexandre premiered for the second time, by a different acting troupe, eleven days after its first showing. From this point on the Hôtel de Bourgogne troupe performed all of Racines secular plays and he broke all ties with Port-Royal, and proceeded with Andromaque, which told the story of Andromache, widow of Hector, and her fate following the Trojan War. Amongst his rivals were Pierre Corneille and his brother, Thomas Corneille, tragedians often competed with alternative versions of the same plot, for example, Michel le Clerc produced an Iphigénie in the same year as Racine, and Jacques Pradon also wrote a play about Phèdre. Others, including the historian Warren Lewis, attribute his retirement from the theater to qualms of conscience, however, one major incident which seems to have contributed to Racines departure from public life was his implication in a court scandal of 1679. He got married at about time to the pious Catherine de Romanet. He and his wife eventually had two sons and five daughters, around the time of his marriage and departure from the theater, Racine accepted a position as a royal historiographer in the court of King Louis XIV, alongside his friend Boileau. He kept this position in spite of the scandals he was involved in. In 1672, he was elected to the Académie française, eventually gaining much power over this organization. Two years later, he was bestowed the title of treasurer of France, and he was distinguished as an ordinary gentleman of the king. Because of Racines flourishing career in the court, Louis XIV provided for his widow, Jean Racine died in 1699 from cancer of the liver
16.
Pierre Corneille
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Pierre Corneille was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Jean Racine and he continued to write well-received tragedies for nearly forty years. Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille and his younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the Collège de Bourbon where acting on the stage was part of the training, at 18 he began to study law but his practical legal endeavors were largely unsuccessful. Corneille’s father secured two magisterial posts for him with the Rouen department of Forests and Rivers, during his time with the department, he wrote his first play. It is unknown exactly when he wrote it, but the play, the actors approved of the work and made it part of their repertoire. The play was a success in Paris and Corneille began writing plays on a regular basis and he moved to Paris in the same year and soon became one of the leading playwrights of the French stage. His early comedies, starting with Mélite, depart from the French farce tradition by reflecting the elevated language, Corneille describes his variety of comedy as une peinture de la conversation des honnêtes gens. His first true tragedy is Médée, produced in 1635, the year 1634 brought more attention to Corneille. He was selected to write verses for the Cardinal Richelieu’s visit to Rouen, the Cardinal took notice of Corneille and selected him to be among Les Cinq Auteurs. The others were Guillaume Colletet, Boisrobert, Jean Rotrou, the five were selected to realize Richelieus vision of a new kind of drama that emphasized virtue. Richelieu would present ideas, which the writers would express in dramatic form, however, the Cardinals demands were too restrictive for Corneille, who attempted to innovate outside the boundaries defined by Richelieu. This led to contention between playwright and employer, after his initial contract ended, Corneille left Les Cinq Auteurs and returned to Rouen. In the years following this break with Richelieu, Corneille produced what is considered his finest play. Le Cid is based on the play Mocedades del Cid by Guillem de Castro, both plays were based on the legend of Rodrigo Díaz de Vivar, a military figure in Medieval Spain. The original 1637 edition of the play was subtitled a tragicomedy, even though Le Cid was an enormous popular success, it was the subject of a heated argument over the norms of dramatic practice, known as the Querelle du Cid or The Quarrel of Le Cid. Cardinal Richelieus Académie française acknowledged the success, but determined that it was defective, in part because it did not respect the classical unities of time, place. The newly formed Académie was a body that asserted state control over cultural activity, although it usually dealt with efforts to standardize the French language, Richelieu himself ordered an analysis of Le Cid
17.
Paul Scarron
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Paul Scarron was a French poet, dramatist, and novelist, born in Paris. His precise birthdate is unknown, but he was baptized on 4 July 1610, Scarron was the first husband of Françoise dAubigné, who later became Madame de Maintenon and secretly married King Louis XIV of France. Scarron was the child of Paul Scarron, a noble of the robe and member of the Parlement of Paris. Paul became an abbé when he was nineteen and he lived in Le Mans from 1632 to 1640, and in 1635 traveled to Rome with his patron, Charles de Beaumanoir, the bishop of Le Mans. Finding a patron in Marie de Hautefort, maîtresse-en-titre of Louis XIII, he became a figure in literary. One source attributed Scarrons deformities to rheumatism contracted from spending time in a swamp. According to this story, Scarron, while residing at Le Mans, another story has Scarron falling into an ice-water bath during the Carnival season. It seems more likely, seeing the connection with water, that he was crippled by polio, whatever the cause, Scarron began to suffer from miserable deformity and pain. His upper body became permanently twisted and his legs were paralyzed and he began to take copious amounts of opium to relieve his pain. Adding to his misfortunes, he involved in a series of lawsuits with his stepmother over his fathers property. He was also obliged to support his sisters financially, Scarron returned to Paris in 1640. In 1643, he published Recueil de quelques vers burlesques, at Le Mans he had conceived the idea of his Roman comique, the first part of which was printed in 1651. In 1645, his comedy Jodelet, ou le maître valet -- the actor who played the role was also called Jodelet. Jodelet was the first of many French comedies about a servant who takes on the role of master, Scarron became employed by the bookseller Quinet and called his works his marquisat de Quinet. He had also a pension from Nicolas Fouquet, and one from the queen, Scarron had initially dedicated Typhon to Mazarin, who was not impressed with the work, Scarron then changed it to a burlesque on Mazarin. In 1651 he expressed his allegiance to the Fronde by writing a violent anti-Mazarin pamphlet, in his early years, Scarron was something of a libertine. In 1649 a penniless lady of good family, Céleste Palaiseau, kept his house in the Rue dEnfer, in 1652, he married the impoverished but beautiful Françoise dAubigné, afterwards famous as Madame de Maintenon, second wife of Louis XIV. He died in Paris on 6 October 1660, passant, ne fais ici de bruit Garde bien que tu ne léveilles, Car voici la première nuit Que le pauvre Scarron sommeille
18.
Jean Rotrou
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Jean Rotrou was a French poet and tragedian. Rotrou was born at Dreux in Normandy and he studied at Dreux and at Paris, and, though three years younger than Pierre Corneille, began writing before him. In 1632, he became playwright to the actors of the Hôtel de Bourgogne, Rotrous own first piece, LHypocondriaque, dedicated to the Comte de Soissons, seigneur of Dreux, appeared when he was only eighteen. In the same year he published a collection of Œuvres poetiques, including elegies, epistles and his second piece, La Bague de loubli, an adaptation in part from the Sortija del Olvido of Félix Lope de Vega, was much more characteristic. Corneille had leanings in the same direction, Rotrous brilliant but hasty and unequal work showed the marks of a stronger adhesion to the Spanish model. In 1634, when he printed Cleagénor et Doristée, he said he was already the author of thirty plays, in 1631, Rotrou imitated Plautus in Les Ménechmes, and in 1634 Seneca in his Hercule mourant. Documents exist showing the sale of four pieces to Antoine de Sommarille for 750 livres tournois in 1636 and he spent much time at Le Mans with his patron, de Belin, who was one of the opponents of Corneille in the quarrel over Le Cid. It has been assumed, partly because of a forged letter long accepted as Corneilles. De Belin died in 1637, and in 1639 Rotrou bought the post of lieutenant particulier au baüliage at Dreux, in the next year he married Marguerite Camus, and settled down as a model magistrate and père de famille. Rotrou uses with considerable success the device of a play within a play to assert a Christian perspective on the theatrum mundi theme, the Roman actor Genest becomes a real convert while playing the part of a Christian martyr. Incidentally Rotrou pays a tribute to the genius of Corneille. These masterpieces follow foreign models, and Rotrous genius is shown in the skill with which he simplifies the plot, Saint Genest followed Lope de Vegas Lo fingido verdadero, Venceslas followed the No ay ser padre siendo rey of Francisco de Rojas Zorrilla. In the early morning he meets the king and is confronted by the duke of Courland, the outline of this incident is in the Spanish play, but there the spectators are aware of the ghastly mistake at the time of the murder. Rotrou shows his skill by concealing the real facts from the audience until they are revealed to the horror-struck Ladislas himself. In 1650, the plague broke out at Dreux, Rotrou remained at his post, although urgently desired to save himself by going to Paris, caught the disease, and died shortly after. He was buried at Dreux on 28 June 1650, Rotrous great fertility, and perhaps the uncertainty of dramatic plan shown by his hesitation almost to the last between the classical and the romantic style have injured his work. He has no thoroughly good play, hardly one thoroughly good act, but his situations are often pathetic and noble, and as a tragic poet properly so called he is at his best almost the equal of Corneille and of Jean Racine. His single lines and single phrases have a brilliancy and force not to be found in French drama between Corneille and Victor Hugo, a complete edition of Rotrou was edited in five volumes by Viollet-le-Duc in 1822
19.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
20.
Committee of Public Safety
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The Committee of Public Safety succeeded the previous Committee of General Defence and assumed its role of protecting the newly established republic against foreign attacks and internal rebellion. As a wartime measure, the Committee—composed at first of nine, and later of twelve, members—was given broad powers over military, judicial. It was formed as a body to supervise and expedite the work of the executive bodies of the Convention. As the Committee tried to meet the dangers of a coalition of European nations and counter-revolutionary forces within the country, in July 1793, following the defeat at the Convention of the Girondins, the prominent leaders of the radical Jacobins—Maximilien Robespierre and Saint-Just —were added to the Committee. The power of the Committee peaked between August 1793 and July 1794, in December 1793, the Convention formally conferred executive power upon the Committee. The execution of Robespierre in July 1794 represented a period against the Committee of Public Safety. This is known as the Thermidorian Reaction, as Robespierres fall from power occurred during the Revolutionary month of Thermidor, the Committees influence diminished, and it was disestablished in 1795. News of his defection caused alarm in Paris, where imminent defeat by the Austrians, the betrayal of the revolutionary government by Dumouriez lent greater credence to this belief. In light of this threat, the Girondin leader Maximin Isnard proposed the creation of a nine-member Committee of Public Safety. Isnard was supported in this effort by Georges Danton, who declared, This Committee is precisely what we want, the Committee was formally created on 6 April 1793. Closely associated with the leadership of Danton, it was known as the Danton Committee. Danton steered the Committee through the 31 May and 2 June 1793 journées that resulted in the fall of the Girondins, however, when the Committee was recomposed on 10 July, Danton was not included. Nevertheless, he continued to support the centralization of power by the Committee, on 27 July 1793, Maximilien Robespierre was elected to the Committee. At this time, the Committee was entering a powerful and active phase, which would see it become a de facto dictatorship alongside its powerful partner. The broad and centralized powers of the Committee were codified by the Law of 14 Frimaire on 4 December 1793, Hérault de Séchelles—a friend and ally of Danton—was expelled from the Committee of Public Safety, arrested, and tried alongside them. On 5 April 1794, the Dantonists went to the guillotine, certainly the strength of the committees had been made evident, as had their ability to control and silence opposition. The Law of 14 Frimaire was enacted in December 1793 to centralize, the law enumerated various forms of public enemies, made mandatory their denunciation, and severely limited the legal recourse available to those accused. The punishment for all crimes under the Law of 22 Prairal was death, from the initiation of this law to the fall of Robespierre on 27 July, more people were condemned to death than in the entire previous history of the Revolutionary Tribunal
21.
Pamela; or, Virtue Rewarded
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Pamela, or, Virtue Rewarded is an epistolary novel by Samuel Richardson, first published in 1740. It tells the story of a beautiful 15-year-old maidservant named Pamela Andrews, whose country landowner master, Mr. B, after Mr. B attempts unsuccessfully to seduce and rape her, he eventually rewards her virtue when he sincerely proposes an equitable marriage to her. In the novels second part, Pamela marries Mr. B, the story, a best-seller of its time, was very widely read but was also criticized for its perceived licentiousness. Pamela Andrews is a pious, innocent fifteen-year-old who works as Lady Bs maidservant in Bedfordshire. The novel starts after Lady B has died, when her son, when he wants to pay her to keep the attempt secret, she refuses and tells Mrs. Jervis, the housekeeper, her best friend at the house. Undaunted, he hides in her closet and pops out and tries to kiss her as she undresses for bed, Pamela debates returning to her impoverished parents to preserve her innocence, but remains undecided. Mr. B claims that he plans to marry her to Mr. Williams, his chaplain in Lincolnshire, Pamela is then driven to Lincolnshire Estate and begins a journal, hoping it will be sent to her parents one day. The Lincolnshire Estate housekeeper, Mrs. Jewkes, is no Mrs. Jervis, she is a rude, odious, unwomanly woman who is devoted to Mr. B, Mrs. Jewkes constrains Pamela to be her bedfellow. Mr. B promises that he wont approach her without her leave, Pamela meets Mr. Williams and they agree to communicate by putting letters under a sunflower in the garden. Mrs. Jewkes continues to maltreat Pamela, even beating her after she calls her a Jezebel, Mr. Williams asks the village gentry for help, though they pity Pamela, none will help her because of Mr. Bs social position. Sir Simon even argues that no one hurt her. Mr. Williams proposes marriage to her to escape Mr. Bs wickedness, Mr. Williams is attacked and beaten by robbers. Pamela wants to escape when Mrs. Jewkes is away, but is terrified by two nearby cows that she thinks are bulls. Mr. Williams accidentally reveals his correspondence with Pamela to Mrs. Jewkes, Mr. B jealously says that he hates Pamela and he has Mr. Williams arrested and plots to marry Pamela to one of his servants. Desperate, Pamela thinks of running away and making them believe she has drowned in the pond and she tries unsuccessfully to climb a wall, and, when she is injured, she gives up. Mr. B returns and sends Pamela a list of articles that would rule their partnership and she implores him to stop altogether. In the garden he implicitly says he loves her but cant marry her because of the social gap, a gypsy fortuneteller approaches Pamela and passes her a bit of paper warning her against a sham-marriage. Pamela has hidden a parcel of letters under a rosebush, Mrs. Jewkes seizes them and gives them to Mr. B and she still doubts him and begs him to let her return to her parents
22.
Theater (structure)
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A theater, theatre or playhouse, is a structure where theatrical works or plays are performed, or other performances such as musical concerts may be produced. While a theater is not required for performance, a theater serves to define the performance and audience spaces, the facility is traditionally organized to provide support areas for performers, the technical crew and the audience members. There are as many types of theaters as there are types of performance, theaters may be built specifically for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, some theaters may have a fixed acting area, while some theaters, such as black box theaters, may not, allowing the director and designers to construct an acting area suitable for the production. The most important of these areas is the acting space generally known as the stage, in some theaters, specifically proscenium theaters, arena theaters and amphitheaters, this area is permanent part of the structure. In a blackbox theater the area is undefined so that each theater may adapt specifically to a production. In addition to these spaces, there may be offstage spaces as well. These include wings on either side of a stage where props, sets. A Prompters box may be found backstage, in an amphitheater, an area behind the stage may be designated for such uses while a blackbox theater may have spaces outside of the actual theater designated for such uses. Often a theater will incorporate other spaces intended for the performers, a booth facing the stage may be incorporated into the house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal rooms, spaces for constructing sets, props and costumes, as well as storage. There are usually two main entrances, one at the front, used by the audience, that leads into the back of the audience, the second is called the stage door, and it is accessible from backstage. This is the means by which the cast and crew enter and exit the theater and this term can also be used to refer to going to a lot of shows or living in a big theater city, such as New York or Chicago. All theaters provide a space for an audience, the audience is usually separated from the performers by the proscenium arch. In proscenium theaters and amphitheaters, the arch, like the stage, is a permanent feature of the structure. This area is known as the auditorium or the house, the word parterre is sometimes used to refer to a particular subset of this area. In North American usage this is usually the rear seating block beneath the gallery whereas in Britain it can mean either the area in front near the orchestra pit, the term can also refer to the side stalls in some usages. Derived from the gardening term parterre, the usage refers to the pattern of both the seats of an auditorium and of the planted beds seen in garden construction
23.
Marie-Joseph Peyre
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Marie-Joseph Peyre was a French architect who designed in the Neoclassical style. He began his training in Paris with Jacques-François Blondel at lÉcole des Arts, Peyre stayed in Rome until early in 1756, during the years when the students at the Academy were creating temporary projects in the new Neoclassical manner. It was an exercise in a purely Palladian manner, quite unlike anything else done in France at that time, Peyre included grand designs for an academy and for a cathedral that was quickly identifiable as a purified neoclassical rendering of St. Peters. Peyres volume added to the repertory of architectural design that fed Neoclassicism, a mark of its continued usefulness was its reissue in 1795, after his death, with a Supplement, composé dun Discours sur les monuments des anciens and its use by the English architect John Soane. Partly on the credibility the publication lent him, Peyre was named architect at Fontainebleau in 1772, De Wailly and Peyre were commissioned in 1767 to begin designs the project on the orders of Marigny, on the momentum gained by their joint success at the Opéra of Versailles. Further delays in acquiring land for the project, jointly financed by the King. Peyre was the architect of the Hôtel de Nivernais, rue de Tournon, which was praised by his former master Blondel and his portrait was painted by Marie-Suzanne Roslin,1771. Among his pupils were Charles Percier and Pierre-François-Léonard Fontaine and Jules de Mérindol, peyres younger brother, Antoine-Joseph Peyre, and his son Antoine-Marie Peyre were also architects. Eriksen, Svend, Early Neo-Classicism in France 1974, hautecoeur, Louis, Histoire de larchitecture classique en France IV1952, 225ff. Piranèse et les français, 1740-1790 exhibition catalogue,1976, 266ff, oeuvres darchitecture de Marie-Joseph Peyre, second edition. Paris, chez lÉditeur, rue des Poitevins, dissertation sur la distribution des anciens comparée à celle des modernes, et sur la manière demployer les colonnes
24.
Charles de Wailly
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Charles de Wailly was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de lOdéon for the Comédie-Française, in his designs, de Wailly showed a predilection for the perfect figure, the circle. De Wailly was born in Paris, after having obtained the Prix de Rome for architecture in 1752 he went to the French Academy in Rome for three years until 1755, sharing his prize with his friend Pierre-Louis Moreau-Desproux. Both participated in the excavations at the Baths of Diocletian. In Rome, de Wailly founded a friendship with the sculptor Augustin Pajou, who was to carve his bust, henceforth de Wailly regularly exhibited at the Paris Salons his renderings, designs and models. He gained wider publicity when two of his designs were engraved for the Encyclopédie and two more for the monumental Description de la france of the 1780s, catherine the Great offered him a high post in the Imperial Academy of Arts, St Petersburg, which he refused. In 1772, he was named architect of the Château de Fontainebleau. He was to return on several occasions to work in Italy, in 1779, de Wailly and Peyre built their most famous work, the theatre of Odéon in Paris. De Wailly also designed a project for the Opéra-Comique, in 1795, he was elected to the Académie des Beaux-Arts – 3rd section, fauteuil V. With his death, Jean Chalgrin succeeded to his seat and he became conservator of the museum of painting in 1795 and was sent to the Netherlands and Belgium to select works of art after the annexation of these countries. He married Adélaïde Flore Belleville who, after his death, remarried in 1800 to the chemist Antoine François and he was the brother of lexicographer Noël François de Wailly. De Wailly died in Paris in 1798, hôtel dArgenson, near the Palais Royal in Paris, interior installations carried out for the Comte d Argenson. Transformation of the Château des Ormes in Les Ormes for the comte dArgenson, Château de Montmusard near Dijon, main architectural work of the Goût Grec in France, unfortunately mainly destroyed as of 1795. Maison 57 rue La Boétie in Paris, constructed by de Wailly for himself, maison 87 rue de la Pépinière, today rue La Boétie, for the sculptor Augustin Pajou. Decoration of the chapel of the Virgin in Saint-Sulpice, Temple des Arts at the Château de Menars for the marquis de Marigny. De Wailly also provided and project for a Temple du Repos for the park at Ménars, Théâtre de lOdéon, From 1767, on commission from Marigny, Directeur des Bâtiments du Roi, Marie-Joseph Peyre and de Wailly designed the new theatre of the Comédie-Française. De Wailly was the protégé of Marigny and Peyre the architect of the Condé, in the outcome, and thanks to the protection of Monsieur, brother of the King, the plans of Peyre and de Wailly finally won the day in the autumn of 1778. Peyre would be responsible for the exterior and de Wailly for the interiors
25.
Encyclopedia Americana
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Encyclopedia Americana is one of the largest general encyclopedias in the English language. Following the acquisition of Grolier in 2000, the encyclopedia has been produced by Scholastic, the encyclopedia has more than 45,000 articles, most of them more than 500 words and many running to considerable length. The works coverage of American and Canadian geography and history has been a traditional strength, most articles are signed by their contributors. Long available as a 30-volume print set, the Encyclopedia Americana is now marketed as an online encyclopedia requiring a subscription, in March 2008, Scholastic said that print sales remained good but that the company was still deciding on the future of the print edition. The company did not produce an edition in 2007, a change from its previous approach of releasing a revised print edition each year, the most recent print edition of the Encyclopedia Americana was published in 2006. The online version of the Encyclopedia Americana, first introduced in 1997, continues to be updated and this work, like the print set from which it is derived, is designed for high school and first-year college students along with public library users. Grolier Online is not available to individual subscribers, francis Lieber, a German political exile, who came to Boston, Massachusetts in 1827, began publication of Encyclopedia Americana in 1829. The 13 volumes of the first edition were completed in 1833, just before the beginning of the 20th century Richard S. Some of the old material was carried over into the new encyclopedia, the short article method of Brockhaus was continued. Thus in 1902 a new version in 16 volumes that carried some of the old material was published. The magazines editor, Frederick Converse Beach, was editor-in-chief, and was said to be assisted by hundreds of eminent scholars, the relationship with Scientific American was terminated in 1911. From 1907 to 1912, the work was published as The Americana, a major new edition appeared in 1918–20 in 30 volumes, with George Edwin Rines as editor-in-chief. An Annual or Yearbook was also published each year beginning in 1923, the encyclopedia was purchased by Grolier in 1945. Sales during this period were accomplished primarily through mail-order and door-to-door operations, telemarketing and third-party distribution through their Lexicon division added to sales volumes in the 1970s. By the late 1970s, Grolier had moved its operations to Danbury, in 1988 Grolier was purchased by the French media company Hachette, which owned a well-known French-language encyclopedia, the Hachette Encyclopedia. Hachette was later absorbed by the French conglomerate the Lagardère Group, a CD-ROM version of the encyclopedia was published in 1995. Although the text and images were stored on separate disks, it was in keeping with current at the time. More importantly, the work had been digitized, allowing for release of a version in 1997
26.
Daniel Coit Gilman
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Daniel Coit Gilman was an American educator and academic. He was also co-founder of the Russell Trust Association, which administers the affairs of Yales Skull. At Yale he was a classmate of Andrew Dickson White, who would serve as first president of Cornell University. The two were members of the Skull and Bones secret society, and traveled to Europe together after graduation, Gilman was also a member of the Alpha Delta Phi Fraternity. Gilman would later co-found the Russell Trust Association, the foundation behind Skull, Gilman contemplated going into the ministry, and even took out a license to preach, but later settled on a career in education. From 1856 to 1865 Gilman served as librarian of Yale College, in 1863, Gilman was appointed professor of geography at the Sheffield Scientific School, and became secretary and librarian as well in 1866. His work there was hampered by the legislature, and in 1875 Gilman accepted the offer to establish. Before being formally installed as president in 1876, he spent a year studying university organization and his formal inauguration, on 22 February 1876, has become Hopkins Commemoration Day, the day on which many university presidents have chosen to be installed in office. Gilmans primary interest was in fostering advanced instruction and research, the aim of the modern research university, said Gilman, was to extend, even by minute accretions, the realm of knowledge At his inaugural address at Hopkins, Gilman asked, What are we aiming at. The answer, he said, was the encouragement of research and the advancement of individual scholars, who by their excellence will advance the sciences they pursue, in 1884, Gilman was elected a member of the American Antiquarian Society. Gilman was also active in founding Johns Hopkins Hospital and Johns Hopkins Medical School and he founded and was for many years president of the Charity Organization of Baltimore, and in 1897 he served on the commission to draft a new charter for Baltimore. From 1896 to 1897, he was a member of the commission to settle the line between Venezuela and British Guiana. Gilman served as a trustee of the John F. Slater and Peabody education funds, in this capacity, he became active in the promotion of education in the southern United States. He retired from Johns Hopkins in 1901, but accepted the presidency of the newly founded Carnegie Institution of Washington and his books include biographies of James Monroe and James Dwight Dana, a collection of addresses entitled University Problems, and The Launching of a University. His first wife was Mary Van Winker Ketcham, daughter of Tredwell Ketcham of New York, Daniel Gilmans brother Dr. Edward Whiting Gilman was married to Julia Silliman, daughter of Yale Professor and chemist Benjamin Silliman. Daniel Coit Gilman died in Norwich, Connecticut, the original academic building on the Homewood campus of the Johns Hopkins University, Gilman Hall, is named in his honor. In 1897, he helped found a school called The Country School for Boys on the Johns Hopkins campus. Upon relocation in 1910, it was renamed in his honor and today, on the University of California, Berkeley campus, Gilman Hall, also named in his honor, is the oldest building of the College of Chemistry and a National Historic Chemical Landmark
27.
New International Encyclopedia
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The New International Encyclopedia was an American encyclopedia first published in 1902 by Dodd, Mead and Company. It descended from the International Cyclopaedia and was updated in 1906,1914 and 1926, the New International Encyclopedia was the successor of the International Cyclopaedia. Initially, the International Cyclopaedia was largely a reprint of Aldens Library of Universal Knowledge, the local Cyclopaedia was much improved by editors Harry Thurston Peck and Selim Peabody. The title was changed to New International Encyclopedia in 1902, with editors Harry Thurston Peck, Daniel Coit Gilman, in 1906 the New International Encyclopedia was expanded from 17 volumes to 20. The 2nd edition appeared in 1914 in 24 volumes, set up from new type and it was very strong in biography. The 1926 material was printed in Cambridge, Massachusetts, by The University Press, boston Bookbinding Company of Cambridge produced the covers. Thirteen books enclosing twenty-three volumes comprise the encyclopedia, which includes a supplement after Volume 23, each book contains about 1600 pages. A great deal of material is recorded in the New International Encyclopedia. An early description of Adolf Hitler and his activities from 1920 to 1924 is in the supplement to the 1926 edition, many of the names used to describe the scientific identities of plants and animals are now obsolete. Numerous colorful maps which display the nations, states, colonies, the maps are valuable for their depictions of national and colonial borders in Europe, Asia, and Africa at the time of World War I. Drawings, illustrations, and photographs are plentiful, more than 500 men, and some women, submitted and composed the information contained in the New International Encyclopedia. Editors of the First Edition Daniel Coit Gilman, LL. D, President of Johns Hopkins University, President of Carnegie Institution. Frank Moore Colby, M. A. formerly Professor in New York University, editors of the Second Edition Frank Moore Colby, M. A. Talcott Williams, LL. D. Director of the School of Journalism, Columbia University, media related to New International Encyclopedia at Wikimedia Commons 1914 second ed
Rines, George Edwin, ed. (1920). "Comédie Française". Encyclopedia Americana.
Rines, George Edwin, ed. (1920). "
