1.
Rue de Richelieu
–
Rue de Richelieu is a long street of Paris, starting in the south of the 1st arrondissement, ending in the 2nd arrondissement. Parallel with it, is the Rue Vivienne and they are both pleasant streets, especially the former, which is much longer, and is rendered more striking by containing some of the finest hotels in Paris. Hosiers, artificial flower makers, clock-makers, and jewellers, are the principal tradesmen in the Rue de Richelieu, but it has no similarity with Bond-street. The Rue Vivienne is comparatively short, but it is pleasing, from the number of flowers, shrubs, is it because some few hundred thousand printed volumes are deposited therein. Today it is most notable for scattered coin dealers and currency changers, the name comes from Cardinal de Richelieu, Prime minister of King Louis XIII. The street was originally called Rue Royale, then rue de Richelieu soon after, the name was changed to Rue de la Loi during the French Revolution, its name was given back in 1806. The famous firearms played a role to the French Revolution by distributing arms to the people in 1789. The former Royal Palace hôtel which opened in 1909 was located in the building as the Fauré Le Page store. Palais Royal - Ministry of Culture database Bibliothèque nationale - Ministry of Culture database
2.
1st arrondissement of Paris
–
The 1st arrondissement of Paris is one of the 20 arrondissements of the capital city of France. Situated principally on the bank of the River Seine, it also includes the west end of the Île de la Cité. It is the least populated of the arrondissements and one of the smallest by area, a significant part of which is occupied by the Louvre Museum. Much of the remainder of the arrondissement is dedicated to business, the 1st arrondissement is very small, with a land area of only 1,83 km2. The area now occupied by the first arrondissement attained its peak population in the preceding the re-organization of Paris in 1860. In 1999, the population was 16,888, while the arrondissement hosted 63,056 jobs, making it one of the most active for business after the 2nd, 8th, and 9th. ¹The peak of population actually occurred before 1861, but the arrondissement was created in 1860, each of the 20 Paris arrondissements is divided into four quarters. The table below lists the four quarters of the 1st arrondissement, at one time Air Inters head office was located in the first arrondissement. When Minerve, an airline, existed, its office was in the first arrondissement. In terms of state-operated schools, the first arrondissement has two schools, two primary schools, one école polyvalente, one high school, and one sixth form college. The state-operated nursery schools are École Maternelle Auxerrois and École Maternelle Sourdiere, the state-operated primary schools are École Élémentaire Arbre Sec and École Élémentaire DArgenteuil. The arrondissement has one école polyvalente, École Polyvalente Cambon, collège Jean-Baptiste Poquelin is the sole state-operated high school in the arrondissement. Lycée Professionnel Commercial Pierre Lescot is the sole state-operated sixth form college in the first arrondissement
3.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
4.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
5.
Seating capacity
–
Seating capacity is the number of people who can be seated in a specific space, in terms of both the physical space available, and limitations set by law. Seating capacity can be used in the description of anything ranging from an automobile that seats two to a stadium that seats hundreds of thousands of people. The International Fire Code, portions of which have adopted by many jurisdictions, is directed more towards the use of a facility than the construction. It specifies, For areas having fixed seating without dividing arms and it also requires that every public venue submit a detailed site plan to the local fire code official, including details of the means of egress, seating capacity, arrangement of the seating. Once safety considerations have been satisfied, determinations of seating capacity turn on the size of the venue. For sports venues, the decision on maximum seating capacity is determined by several factors, chief among these are the primary sports program and the size of the market area. Seating capacity of venues also plays a role in what media they are able to provide, in contracting to permit performers to use a theatre or other performing space, the seating capacity of the performance facility must be disclosed. Seating capacity may influence the kind of contract to be used, the seating capacity must also be disclosed to the copyright owner in seeking a license for the copyrighted work to be performed in that venue. Venues that may be leased for private functions such as ballrooms and auditoriums generally advertise their seating capacity, seating capacity is also an important consideration in the construction and use of sports venues such as stadiums and arenas. The seating capacity for restaurants is reported as covers, a restaurant that can seat 99 is said to have 99 covers, seating capacity differs from total capacity, which describes the total number of people who can fit in a venue or in a vehicle either sitting or standing. Use of the term public capacity indicates that a venue is allowed to more people than it can actually seat. Again, the total number of people can refer to either the physical space available or limitations set by law
6.
Victor Louis
–
Victor Louis was a French architect, disqualified on a technicality from winning the Prix de Rome in architecture in 1755. Louis masterpiece is the Grand Théâtre de Bordeaux of 1780 and he also designed other theatres, including the theatre of the Comédie-Française on the rue de Richelieu and the Théâtre National de la rue de la Loi. Other buildings include the Intendance in Besançon, the galleries of the Palais-Royal in Paris. A full biography by Charles Marionneau was published in Bordeaux in 1881, in 1770 he married the pianist and composer Marie-Emmanuelle Bayon. The Architecture of the French Enlightenment, Louis, Victor in Turner 1998, vol. Le Grand-Théâtre de Bordeaux, ou L’Opéra des Vendanges, photographs by Dominique Thillard, Paris, Caisse nationale des monuments historiques et des sites. Victor Louis, Architecte du Théâtre de Bordeaux, Sa vie, Bordeaux, G. Gounouilhou View at Google Books. Les salles de spectacle construites par Victor Louis à Bordeaux, au Palais-Royal et à la place Louvois, Paris, Librairie de la construction moderne. The Dictionary of Art, reprinted with corrections,34 volumes
7.
Sovereign state
–
A sovereign state is, in international law, a nonphysical juridical entity that is represented by one centralized government that has sovereignty over a geographic area. International law defines sovereign states as having a permanent population, defined territory, one government, and it is also normally understood that a sovereign state is neither dependent on nor subjected to any other power or state. The existence or disappearance of a state is a question of fact, States came into existence as people gradually transferred their allegiance from an individual sovereign to an intangible but territorial political entity, of the state. States are but one of political orders that emerged from feudal Europe, others being city states, leagues. Westphalian sovereignty is the concept of sovereignty based on territoriality. It is a system of states, multinational corporations. Sovereignty is a term that is frequently misused and that position was reflected and constituted in the notion that their sovereignty was either completely lacking, or at least of an inferior character when compared to that of civilised people. Lassa Oppenheim said There exists perhaps no conception the meaning of which is more controversial than that of sovereignty. It is a fact that this conception, from the moment when it was introduced into political science until the present day, has never had a meaning which was universally agreed upon. In the opinion of H. V. Evatt of the High Court of Australia, sovereignty is neither a question of fact, nor a question of law, but a question that does not arise at all. The right of nations to determine their own status and exercise permanent sovereignty within the limits of their territorial jurisdictions is widely recognized. The Westphalian model of sovereignty has increasingly come under fire from the non-west as a system imposed solely by Western Colonialism. What this model did was make religion a subordinate to politics and this system does not fit in the Islamic world because concepts such as separation of church and state and individual conscience are not recognised in the Islamic religion as social systems. Nation denotes a people who are believed to or deemed to share common customs, religion, language, origins, however, the adjectives national and international are frequently used to refer to matters pertaining to what are strictly sovereign states, as in national capital, international law. State refers to the set of governing and supportive institutions that have sovereignty over a definite territory, State recognition signifies the decision of a sovereign state to treat another entity as also being a sovereign state. Recognition can be expressed or implied and is usually retroactive in its effects. It does not necessarily signify a desire to establish or maintain diplomatic relations, There is no definition that is binding on all the members of the community of nations on the criteria for statehood. In actual practice, the criteria are mainly political, not legal, in international law, however, there are several theories of when a state should be recognised as sovereign
8.
Theatre
–
The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence, the specific place of the performance is also named by the word theatre as derived from the Ancient Greek θέατρον, itself from θεάομαι. Modern theatre, broadly defined, includes performances of plays and musical theatre, there are connections between theatre and the art forms of ballet, opera and various other forms. The city-state of Athens is where western theatre originated, participation in the city-states many festivals—and mandatory attendance at the City Dionysia as an audience member in particular—was an important part of citizenship. The Greeks also developed the concepts of dramatic criticism and theatre architecture, Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama, tragedy, comedy, and the satyr play, the origins of theatre in ancient Greece, according to Aristotle, the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10, the stage consisted of a dancing floor, dressing room and scene-building area. Since the words were the most important part, good acoustics, the actors wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during the 5th century BCE have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, the origins of tragedy remain obscure, though by the 5th century BCE it was institution alised in competitions held as part of festivities celebrating Dionysus. As contestants in the City Dionysias competition playwrights were required to present a tetralogy of plays, the performance of tragedies at the City Dionysia may have begun as early as 534 BCE, official records begin from 501 BCE, when the satyr play was introduced. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his Poetics, Athenian comedy is conventionally divided into three periods, Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the surviving plays of Aristophanes. New Comedy is known primarily from the papyrus fragments of Menander. Aristotle defined comedy as a representation of people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, finding its origins in rural, agricultural rituals dedicated to Dionysus, the satyr play eventually found its way to Athens in its most well-known form. Satyrs themselves were tied to the god Dionysus as his loyal companions, often engaging in drunken revelry
9.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
10.
Palais-Royal
–
The Palais-Royal, originally called the Palais-Cardinal, is a palace located in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre, the larger inner courtyard, the Cour dHonneur, has since 1986 contained Daniel Burens site-specific art piece Les Deux Plateaux, known as Les Colonnes de Buren. In 1830 the Cour dHonneur was enclosed to the north by what was probably the most famous of Pariss covered arcades, demolished in the 1930s, its flanking rows of columns still stand between the Cour dHonneur and the popular Palais-Royal Gardens. Originally called the Palais-Cardinal, the palace was the residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629, construction commenced in 1633 and was completed in 1639, upon Richelieus death in 1642 the palace became the property of the King and acquired the new name Palais-Royal. After Louis XIII died the year, it became the home of the Queen Mother Anne of Austria and her young sons Louis XIV and Philippe, duc dAnjou. From 1649, the palace was the residence of the exiled Henrietta Maria and Henrietta Anne Stuart, wife, the two had escaped England in the midst of the English Civil War and were sheltered by Henrietta Marias nephew, King Louis XIV. Henrietta Anne was later married to Louis younger brother, Philippe de France, the following year the new duchesse dOrléans gave birth to a daughter, Marie Louise dOrléans, inside the palace. After their marriage, the became the main residence of the House of Orléans. The Duchess created the gardens of the palace, which were said to be among the most beautiful in Paris. Under the new couple, the Palais-Royal would become the social center of the capital. The court gatherings at the Palais-Royal were famed all around the capital as well as all of France and it was at these parties that the crème de la crème of French society came to see and be seen. Guests included the members of the royal family like the Queen Mother, Anne of Austria, the duchesse de Montpensier, the Princes de Condé. Philippes favourites were also frequent visitors, the palace was redecorated and new apartments were created for the maids and staff of the Duchess. After Henrietta Anne died in 1670 the Duke took a wife, the Princess Palatine. Saint-Cloud thus became the residence of her eldest son and the heir to the House of Orléans. For the convenience of the bride, new apartments were built and it was at this time that Philippe commissioned the gallery for his famous Orleans Collection of paintings, which was easily accessible to the public. The architect was Jules Hardouin-Mansart, and the cost of reconstruction was totaled to be 400,000 livres
11.
Louis XIV of France
–
Louis XIV, known as Louis the Great or the Sun King, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch of a country in European history. In the age of absolutism in Europe, Louis XIVs France was a leader in the centralization of power. Louis began his rule of France in 1661, after the death of his chief minister. By these means he became one of the most powerful French monarchs, under his rule, the Edict of Nantes, which granted rights to Huguenots, was abolished. The revocation effectively forced Huguenots to emigrate or convert in a wave of dragonnades, which managed to virtually destroy the French Protestant minority. During Louis reign, France was the leading European power, and it fought three wars, the Franco-Dutch War, the War of the League of Augsburg. There were also two lesser conflicts, the War of Devolution and the War of the Reunions, warfare defined Louis XIVs foreign policies, and his personality shaped his approach. Impelled by a mix of commerce, revenge, and pique, in peacetime he concentrated on preparing for the next war. He taught his diplomats their job was to create tactical and strategic advantages for the French military, Louis XIV was born on 5 September 1638 in the Château de Saint-Germain-en-Laye, to Louis XIII and Anne of Austria. He was named Louis Dieudonné and bore the title of French heirs apparent. At the time of his birth, his parents had married for 23 years. His mother had experienced four stillbirths between 1619 and 1631, leading contemporaries thus regarded him as a divine gift and his birth a miracle of God. Sensing imminent death, Louis XIII decided to put his affairs in order in the spring of 1643, in defiance of custom, which would have made Queen Anne the sole Regent of France, the king decreed that a regency council would rule on his sons behalf. His lack of faith in Queen Annes political abilities was his primary rationale and he did, however, make the concession of appointing her head of the council. Louis relationship with his mother was uncommonly affectionate for the time, contemporaries and eyewitnesses claimed that the Queen would spend all her time with Louis. Both were greatly interested in food and theatre, and it is likely that Louis developed these interests through his close relationship with his mother. This long-lasting and loving relationship can be evidenced by excerpts in Louis journal entries, such as, but attachments formed later by shared qualities of the spirit are far more difficult to break than those formed merely by blood
12.
Jean Racine
–
Jean Racine, baptismal name Jean-Baptiste Racine, was a French dramatist, one of the three great playwrights of 17th-century France, and an important literary figure in the Western tradition. The latest attempt to translate Racines plays into English earned a 2011 American Book Award for the poet Geoffrey Argent, Racines dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both the plot and stage. Racine was born on 22 December 1639 in La Ferté-Milon, in the province of Picardy in northern France, orphaned by the age of four, he came into the care of his grandparents. At the death of his grandfather in 1649, his grandmother, Marie des Moulins, went to live in the convent of Port-Royal and he received a classical education at the Petites écoles de Port-Royal, a religious institution which would greatly influence other contemporary figures including Blaise Pascal. Port-Royal was run by followers of Jansenism, a theology condemned as heretical by the French bishops, Racines interactions with the Jansenists in his years at this academy would have great influence over him for the rest of his life. At Port-Royal, he excelled in his studies of the Classics and he was expected to study law at the Collège dHarcourt in Paris, but instead found himself drawn to a more artistic lifestyle. Racine eventually took up residence in Paris where he involved in theatrical circles. His first play, Amasie, never reached the stage, on 20 June 1664, Racines tragedy La Thébaïde ou les frères ennemis was produced by Molières troupe at the Théâtre du Palais-Royal, in Paris. The following year, Molière also put on Racines second play, thus, Alexandre premiered for the second time, by a different acting troupe, eleven days after its first showing. From this point on the Hôtel de Bourgogne troupe performed all of Racines secular plays and he broke all ties with Port-Royal, and proceeded with Andromaque, which told the story of Andromache, widow of Hector, and her fate following the Trojan War. Amongst his rivals were Pierre Corneille and his brother, Thomas Corneille, tragedians often competed with alternative versions of the same plot, for example, Michel le Clerc produced an Iphigénie in the same year as Racine, and Jacques Pradon also wrote a play about Phèdre. Others, including the historian Warren Lewis, attribute his retirement from the theater to qualms of conscience, however, one major incident which seems to have contributed to Racines departure from public life was his implication in a court scandal of 1679. He got married at about time to the pious Catherine de Romanet. He and his wife eventually had two sons and five daughters, around the time of his marriage and departure from the theater, Racine accepted a position as a royal historiographer in the court of King Louis XIV, alongside his friend Boileau. He kept this position in spite of the scandals he was involved in. In 1672, he was elected to the Académie française, eventually gaining much power over this organization. Two years later, he was bestowed the title of treasurer of France, and he was distinguished as an ordinary gentleman of the king. Because of Racines flourishing career in the court, Louis XIV provided for his widow, Jean Racine died in 1699 from cancer of the liver
13.
Pierre Corneille
–
Pierre Corneille was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Jean Racine and he continued to write well-received tragedies for nearly forty years. Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille and his younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the Collège de Bourbon where acting on the stage was part of the training, at 18 he began to study law but his practical legal endeavors were largely unsuccessful. Corneille’s father secured two magisterial posts for him with the Rouen department of Forests and Rivers, during his time with the department, he wrote his first play. It is unknown exactly when he wrote it, but the play, the actors approved of the work and made it part of their repertoire. The play was a success in Paris and Corneille began writing plays on a regular basis and he moved to Paris in the same year and soon became one of the leading playwrights of the French stage. His early comedies, starting with Mélite, depart from the French farce tradition by reflecting the elevated language, Corneille describes his variety of comedy as une peinture de la conversation des honnêtes gens. His first true tragedy is Médée, produced in 1635, the year 1634 brought more attention to Corneille. He was selected to write verses for the Cardinal Richelieu’s visit to Rouen, the Cardinal took notice of Corneille and selected him to be among Les Cinq Auteurs. The others were Guillaume Colletet, Boisrobert, Jean Rotrou, the five were selected to realize Richelieus vision of a new kind of drama that emphasized virtue. Richelieu would present ideas, which the writers would express in dramatic form, however, the Cardinals demands were too restrictive for Corneille, who attempted to innovate outside the boundaries defined by Richelieu. This led to contention between playwright and employer, after his initial contract ended, Corneille left Les Cinq Auteurs and returned to Rouen. In the years following this break with Richelieu, Corneille produced what is considered his finest play. Le Cid is based on the play Mocedades del Cid by Guillem de Castro, both plays were based on the legend of Rodrigo Díaz de Vivar, a military figure in Medieval Spain. The original 1637 edition of the play was subtitled a tragicomedy, even though Le Cid was an enormous popular success, it was the subject of a heated argument over the norms of dramatic practice, known as the Querelle du Cid or The Quarrel of Le Cid. Cardinal Richelieus Académie française acknowledged the success, but determined that it was defective, in part because it did not respect the classical unities of time, place. The newly formed Académie was a body that asserted state control over cultural activity, although it usually dealt with efforts to standardize the French language, Richelieu himself ordered an analysis of Le Cid
14.
Paul Scarron
–
Paul Scarron was a French poet, dramatist, and novelist, born in Paris. His precise birthdate is unknown, but he was baptized on 4 July 1610, Scarron was the first husband of Françoise dAubigné, who later became Madame de Maintenon and secretly married King Louis XIV of France. Scarron was the child of Paul Scarron, a noble of the robe and member of the Parlement of Paris. Paul became an abbé when he was nineteen and he lived in Le Mans from 1632 to 1640, and in 1635 traveled to Rome with his patron, Charles de Beaumanoir, the bishop of Le Mans. Finding a patron in Marie de Hautefort, maîtresse-en-titre of Louis XIII, he became a figure in literary. One source attributed Scarrons deformities to rheumatism contracted from spending time in a swamp. According to this story, Scarron, while residing at Le Mans, another story has Scarron falling into an ice-water bath during the Carnival season. It seems more likely, seeing the connection with water, that he was crippled by polio, whatever the cause, Scarron began to suffer from miserable deformity and pain. His upper body became permanently twisted and his legs were paralyzed and he began to take copious amounts of opium to relieve his pain. Adding to his misfortunes, he involved in a series of lawsuits with his stepmother over his fathers property. He was also obliged to support his sisters financially, Scarron returned to Paris in 1640. In 1643, he published Recueil de quelques vers burlesques, at Le Mans he had conceived the idea of his Roman comique, the first part of which was printed in 1651. In 1645, his comedy Jodelet, ou le maître valet -- the actor who played the role was also called Jodelet. Jodelet was the first of many French comedies about a servant who takes on the role of master, Scarron became employed by the bookseller Quinet and called his works his marquisat de Quinet. He had also a pension from Nicolas Fouquet, and one from the queen, Scarron had initially dedicated Typhon to Mazarin, who was not impressed with the work, Scarron then changed it to a burlesque on Mazarin. In 1651 he expressed his allegiance to the Fronde by writing a violent anti-Mazarin pamphlet, in his early years, Scarron was something of a libertine. In 1649 a penniless lady of good family, Céleste Palaiseau, kept his house in the Rue dEnfer, in 1652, he married the impoverished but beautiful Françoise dAubigné, afterwards famous as Madame de Maintenon, second wife of Louis XIV. He died in Paris on 6 October 1660, passant, ne fais ici de bruit Garde bien que tu ne léveilles, Car voici la première nuit Que le pauvre Scarron sommeille
15.
Jean Rotrou
–
Jean Rotrou was a French poet and tragedian. Rotrou was born at Dreux in Normandy and he studied at Dreux and at Paris, and, though three years younger than Pierre Corneille, began writing before him. In 1632, he became playwright to the actors of the Hôtel de Bourgogne, Rotrous own first piece, LHypocondriaque, dedicated to the Comte de Soissons, seigneur of Dreux, appeared when he was only eighteen. In the same year he published a collection of Œuvres poetiques, including elegies, epistles and his second piece, La Bague de loubli, an adaptation in part from the Sortija del Olvido of Félix Lope de Vega, was much more characteristic. Corneille had leanings in the same direction, Rotrous brilliant but hasty and unequal work showed the marks of a stronger adhesion to the Spanish model. In 1634, when he printed Cleagénor et Doristée, he said he was already the author of thirty plays, in 1631, Rotrou imitated Plautus in Les Ménechmes, and in 1634 Seneca in his Hercule mourant. Documents exist showing the sale of four pieces to Antoine de Sommarille for 750 livres tournois in 1636 and he spent much time at Le Mans with his patron, de Belin, who was one of the opponents of Corneille in the quarrel over Le Cid. It has been assumed, partly because of a forged letter long accepted as Corneilles. De Belin died in 1637, and in 1639 Rotrou bought the post of lieutenant particulier au baüliage at Dreux, in the next year he married Marguerite Camus, and settled down as a model magistrate and père de famille. Rotrou uses with considerable success the device of a play within a play to assert a Christian perspective on the theatrum mundi theme, the Roman actor Genest becomes a real convert while playing the part of a Christian martyr. Incidentally Rotrou pays a tribute to the genius of Corneille. These masterpieces follow foreign models, and Rotrous genius is shown in the skill with which he simplifies the plot, Saint Genest followed Lope de Vegas Lo fingido verdadero, Venceslas followed the No ay ser padre siendo rey of Francisco de Rojas Zorrilla. In the early morning he meets the king and is confronted by the duke of Courland, the outline of this incident is in the Spanish play, but there the spectators are aware of the ghastly mistake at the time of the murder. Rotrou shows his skill by concealing the real facts from the audience until they are revealed to the horror-struck Ladislas himself. In 1650, the plague broke out at Dreux, Rotrou remained at his post, although urgently desired to save himself by going to Paris, caught the disease, and died shortly after. He was buried at Dreux on 28 June 1650, Rotrous great fertility, and perhaps the uncertainty of dramatic plan shown by his hesitation almost to the last between the classical and the romantic style have injured his work. He has no thoroughly good play, hardly one thoroughly good act, but his situations are often pathetic and noble, and as a tragic poet properly so called he is at his best almost the equal of Corneille and of Jean Racine. His single lines and single phrases have a brilliancy and force not to be found in French drama between Corneille and Victor Hugo, a complete edition of Rotrou was edited in five volumes by Viollet-le-Duc in 1822
16.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
17.
Committee of Public Safety
–
The Committee of Public Safety succeeded the previous Committee of General Defence and assumed its role of protecting the newly established republic against foreign attacks and internal rebellion. As a wartime measure, the Committee—composed at first of nine, and later of twelve, members—was given broad powers over military, judicial. It was formed as a body to supervise and expedite the work of the executive bodies of the Convention. As the Committee tried to meet the dangers of a coalition of European nations and counter-revolutionary forces within the country, in July 1793, following the defeat at the Convention of the Girondins, the prominent leaders of the radical Jacobins—Maximilien Robespierre and Saint-Just —were added to the Committee. The power of the Committee peaked between August 1793 and July 1794, in December 1793, the Convention formally conferred executive power upon the Committee. The execution of Robespierre in July 1794 represented a period against the Committee of Public Safety. This is known as the Thermidorian Reaction, as Robespierres fall from power occurred during the Revolutionary month of Thermidor, the Committees influence diminished, and it was disestablished in 1795. News of his defection caused alarm in Paris, where imminent defeat by the Austrians, the betrayal of the revolutionary government by Dumouriez lent greater credence to this belief. In light of this threat, the Girondin leader Maximin Isnard proposed the creation of a nine-member Committee of Public Safety. Isnard was supported in this effort by Georges Danton, who declared, This Committee is precisely what we want, the Committee was formally created on 6 April 1793. Closely associated with the leadership of Danton, it was known as the Danton Committee. Danton steered the Committee through the 31 May and 2 June 1793 journées that resulted in the fall of the Girondins, however, when the Committee was recomposed on 10 July, Danton was not included. Nevertheless, he continued to support the centralization of power by the Committee, on 27 July 1793, Maximilien Robespierre was elected to the Committee. At this time, the Committee was entering a powerful and active phase, which would see it become a de facto dictatorship alongside its powerful partner. The broad and centralized powers of the Committee were codified by the Law of 14 Frimaire on 4 December 1793, Hérault de Séchelles—a friend and ally of Danton—was expelled from the Committee of Public Safety, arrested, and tried alongside them. On 5 April 1794, the Dantonists went to the guillotine, certainly the strength of the committees had been made evident, as had their ability to control and silence opposition. The Law of 14 Frimaire was enacted in December 1793 to centralize, the law enumerated various forms of public enemies, made mandatory their denunciation, and severely limited the legal recourse available to those accused. The punishment for all crimes under the Law of 22 Prairal was death, from the initiation of this law to the fall of Robespierre on 27 July, more people were condemned to death than in the entire previous history of the Revolutionary Tribunal
18.
Pamela, or Virtue Rewarded
–
Pamela, or, Virtue Rewarded is an epistolary novel by Samuel Richardson, first published in 1740. It tells the story of a beautiful 15-year-old maidservant named Pamela Andrews, whose country landowner master, Mr. B, after Mr. B attempts unsuccessfully to seduce and rape her, he eventually rewards her virtue when he sincerely proposes an equitable marriage to her. In the novels second part, Pamela marries Mr. B, the story, a best-seller of its time, was very widely read but was also criticized for its perceived licentiousness. Pamela Andrews is a pious, innocent fifteen-year-old who works as Lady Bs maidservant in Bedfordshire. The novel starts after Lady B has died, when her son, when he wants to pay her to keep the attempt secret, she refuses and tells Mrs. Jervis, the housekeeper, her best friend at the house. Undaunted, he hides in her closet and pops out and tries to kiss her as she undresses for bed, Pamela debates returning to her impoverished parents to preserve her innocence, but remains undecided. Mr. B claims that he plans to marry her to Mr. Williams, his chaplain in Lincolnshire, Pamela is then driven to Lincolnshire Estate and begins a journal, hoping it will be sent to her parents one day. The Lincolnshire Estate housekeeper, Mrs. Jewkes, is no Mrs. Jervis, she is a rude, odious, unwomanly woman who is devoted to Mr. B, Mrs. Jewkes constrains Pamela to be her bedfellow. Mr. B promises that he wont approach her without her leave, Pamela meets Mr. Williams and they agree to communicate by putting letters under a sunflower in the garden. Mrs. Jewkes continues to maltreat Pamela, even beating her after she calls her a Jezebel, Mr. Williams asks the village gentry for help, though they pity Pamela, none will help her because of Mr. Bs social position. Sir Simon even argues that no one hurt her. Mr. Williams proposes marriage to her to escape Mr. Bs wickedness, Mr. Williams is attacked and beaten by robbers. Pamela wants to escape when Mrs. Jewkes is away, but is terrified by two nearby cows that she thinks are bulls. Mr. Williams accidentally reveals his correspondence with Pamela to Mrs. Jewkes, Mr. B jealously says that he hates Pamela and he has Mr. Williams arrested and plots to marry Pamela to one of his servants. Desperate, Pamela thinks of running away and making them believe she has drowned in the pond and she tries unsuccessfully to climb a wall, and, when she is injured, she gives up. Mr. B returns and sends Pamela a list of articles that would rule their partnership and she implores him to stop altogether. In the garden he implicitly says he loves her but cant marry her because of the social gap, a gypsy fortuneteller approaches Pamela and passes her a bit of paper warning her against a sham-marriage. Pamela has hidden a parcel of letters under a rosebush, Mrs. Jewkes seizes them and gives them to Mr. B and she still doubts him and begs him to let her return to her parents
19.
Theater (structure)
–
A theater, theatre or playhouse, is a structure where theatrical works or plays are performed, or other performances such as musical concerts may be produced. While a theater is not required for performance, a theater serves to define the performance and audience spaces, the facility is traditionally organized to provide support areas for performers, the technical crew and the audience members. There are as many types of theaters as there are types of performance, theaters may be built specifically for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, some theaters may have a fixed acting area, while some theaters, such as black box theaters, may not, allowing the director and designers to construct an acting area suitable for the production. The most important of these areas is the acting space generally known as the stage, in some theaters, specifically proscenium theaters, arena theaters and amphitheaters, this area is permanent part of the structure. In a blackbox theater the area is undefined so that each theater may adapt specifically to a production. In addition to these spaces, there may be offstage spaces as well. These include wings on either side of a stage where props, sets. A Prompters box may be found backstage, in an amphitheater, an area behind the stage may be designated for such uses while a blackbox theater may have spaces outside of the actual theater designated for such uses. Often a theater will incorporate other spaces intended for the performers, a booth facing the stage may be incorporated into the house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal rooms, spaces for constructing sets, props and costumes, as well as storage. There are usually two main entrances, one at the front, used by the audience, that leads into the back of the audience, the second is called the stage door, and it is accessible from backstage. This is the means by which the cast and crew enter and exit the theater and this term can also be used to refer to going to a lot of shows or living in a big theater city, such as New York or Chicago. All theaters provide a space for an audience, the audience is usually separated from the performers by the proscenium arch. In proscenium theaters and amphitheaters, the arch, like the stage, is a permanent feature of the structure. This area is known as the auditorium or the house, the word parterre is sometimes used to refer to a particular subset of this area. In North American usage this is usually the rear seating block beneath the gallery whereas in Britain it can mean either the area in front near the orchestra pit, the term can also refer to the side stalls in some usages. Derived from the gardening term parterre, the usage refers to the pattern of both the seats of an auditorium and of the planted beds seen in garden construction
20.
Palais Royal
–
The Palais-Royal, originally called the Palais-Cardinal, is a palace located in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre, the larger inner courtyard, the Cour dHonneur, has since 1986 contained Daniel Burens site-specific art piece Les Deux Plateaux, known as Les Colonnes de Buren. In 1830 the Cour dHonneur was enclosed to the north by what was probably the most famous of Pariss covered arcades, demolished in the 1930s, its flanking rows of columns still stand between the Cour dHonneur and the popular Palais-Royal Gardens. Originally called the Palais-Cardinal, the palace was the residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629, construction commenced in 1633 and was completed in 1639, upon Richelieus death in 1642 the palace became the property of the King and acquired the new name Palais-Royal. After Louis XIII died the year, it became the home of the Queen Mother Anne of Austria and her young sons Louis XIV and Philippe, duc dAnjou. From 1649, the palace was the residence of the exiled Henrietta Maria and Henrietta Anne Stuart, wife, the two had escaped England in the midst of the English Civil War and were sheltered by Henrietta Marias nephew, King Louis XIV. Henrietta Anne was later married to Louis younger brother, Philippe de France, the following year the new duchesse dOrléans gave birth to a daughter, Marie Louise dOrléans, inside the palace. After their marriage, the became the main residence of the House of Orléans. The Duchess created the gardens of the palace, which were said to be among the most beautiful in Paris. Under the new couple, the Palais-Royal would become the social center of the capital. The court gatherings at the Palais-Royal were famed all around the capital as well as all of France and it was at these parties that the crème de la crème of French society came to see and be seen. Guests included the members of the royal family like the Queen Mother, Anne of Austria, the duchesse de Montpensier, the Princes de Condé. Philippes favourites were also frequent visitors, the palace was redecorated and new apartments were created for the maids and staff of the Duchess. After Henrietta Anne died in 1670 the Duke took a wife, the Princess Palatine. Saint-Cloud thus became the residence of her eldest son and the heir to the House of Orléans. For the convenience of the bride, new apartments were built and it was at this time that Philippe commissioned the gallery for his famous Orleans Collection of paintings, which was easily accessible to the public. The architect was Jules Hardouin-Mansart, and the cost of reconstruction was totaled to be 400,000 livres
21.
Marie-Joseph Peyre
–
Marie-Joseph Peyre was a French architect who designed in the Neoclassical style. He began his training in Paris with Jacques-François Blondel at lÉcole des Arts, Peyre stayed in Rome until early in 1756, during the years when the students at the Academy were creating temporary projects in the new Neoclassical manner. It was an exercise in a purely Palladian manner, quite unlike anything else done in France at that time, Peyre included grand designs for an academy and for a cathedral that was quickly identifiable as a purified neoclassical rendering of St. Peters. Peyres volume added to the repertory of architectural design that fed Neoclassicism, a mark of its continued usefulness was its reissue in 1795, after his death, with a Supplement, composé dun Discours sur les monuments des anciens and its use by the English architect John Soane. Partly on the credibility the publication lent him, Peyre was named architect at Fontainebleau in 1772, De Wailly and Peyre were commissioned in 1767 to begin designs the project on the orders of Marigny, on the momentum gained by their joint success at the Opéra of Versailles. Further delays in acquiring land for the project, jointly financed by the King. Peyre was the architect of the Hôtel de Nivernais, rue de Tournon, which was praised by his former master Blondel and his portrait was painted by Marie-Suzanne Roslin,1771. Among his pupils were Charles Percier and Pierre-François-Léonard Fontaine and Jules de Mérindol, peyres younger brother, Antoine-Joseph Peyre, and his son Antoine-Marie Peyre were also architects. Eriksen, Svend, Early Neo-Classicism in France 1974, hautecoeur, Louis, Histoire de larchitecture classique en France IV1952, 225ff. Piranèse et les français, 1740-1790 exhibition catalogue,1976, 266ff, oeuvres darchitecture de Marie-Joseph Peyre, second edition. Paris, chez lÉditeur, rue des Poitevins, dissertation sur la distribution des anciens comparée à celle des modernes, et sur la manière demployer les colonnes
22.
Charles De Wailly
–
Charles de Wailly was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de lOdéon for the Comédie-Française, in his designs, de Wailly showed a predilection for the perfect figure, the circle. De Wailly was born in Paris, after having obtained the Prix de Rome for architecture in 1752 he went to the French Academy in Rome for three years until 1755, sharing his prize with his friend Pierre-Louis Moreau-Desproux. Both participated in the excavations at the Baths of Diocletian. In Rome, de Wailly founded a friendship with the sculptor Augustin Pajou, who was to carve his bust, henceforth de Wailly regularly exhibited at the Paris Salons his renderings, designs and models. He gained wider publicity when two of his designs were engraved for the Encyclopédie and two more for the monumental Description de la france of the 1780s, catherine the Great offered him a high post in the Imperial Academy of Arts, St Petersburg, which he refused. In 1772, he was named architect of the Château de Fontainebleau. He was to return on several occasions to work in Italy, in 1779, de Wailly and Peyre built their most famous work, the theatre of Odéon in Paris. De Wailly also designed a project for the Opéra-Comique, in 1795, he was elected to the Académie des Beaux-Arts – 3rd section, fauteuil V. With his death, Jean Chalgrin succeeded to his seat and he became conservator of the museum of painting in 1795 and was sent to the Netherlands and Belgium to select works of art after the annexation of these countries. He married Adélaïde Flore Belleville who, after his death, remarried in 1800 to the chemist Antoine François and he was the brother of lexicographer Noël François de Wailly. De Wailly died in Paris in 1798, hôtel dArgenson, near the Palais Royal in Paris, interior installations carried out for the Comte d Argenson. Transformation of the Château des Ormes in Les Ormes for the comte dArgenson, Château de Montmusard near Dijon, main architectural work of the Goût Grec in France, unfortunately mainly destroyed as of 1795. Maison 57 rue La Boétie in Paris, constructed by de Wailly for himself, maison 87 rue de la Pépinière, today rue La Boétie, for the sculptor Augustin Pajou. Decoration of the chapel of the Virgin in Saint-Sulpice, Temple des Arts at the Château de Menars for the marquis de Marigny. De Wailly also provided and project for a Temple du Repos for the park at Ménars, Théâtre de lOdéon, From 1767, on commission from Marigny, Directeur des Bâtiments du Roi, Marie-Joseph Peyre and de Wailly designed the new theatre of the Comédie-Française. De Wailly was the protégé of Marigny and Peyre the architect of the Condé, in the outcome, and thanks to the protection of Monsieur, brother of the King, the plans of Peyre and de Wailly finally won the day in the autumn of 1778. Peyre would be responsible for the exterior and de Wailly for the interiors
23.
List of works by Henri Chapu
–
Henri Chapu was a French sculptor. Chapu was born in Le Mée-sur-Seine on 30 September 1833 and he trained at the École Gratuite de Dessin as a tapestry maker. In 1849 his successes led him to the École des Beaux-Arts, Paris, in 1855 he won the Prix de Rome for sculpture with the relief Cleobis and Biton. He completed his education at the Académie de France in Rome, while there, he worked in the Villa Médicis. Many of Chapus works take the form of médallions and he is credited with having led a new wave of interest in this medium. In 1867 Chapu was made a chevalier of the Légion dhonneur, in recognition of his works for the Éxposition Universelle of that year and he died on 21 April 1891 and is buried in Mée-sur-Seines cemetery. Fidières biography Chapu, sa vie et son oeuvre published in Paris in 1894, Fidières biography of Chapu
24.
Encyclopedia Americana
–
Encyclopedia Americana is one of the largest general encyclopedias in the English language. Following the acquisition of Grolier in 2000, the encyclopedia has been produced by Scholastic, the encyclopedia has more than 45,000 articles, most of them more than 500 words and many running to considerable length. The works coverage of American and Canadian geography and history has been a traditional strength, most articles are signed by their contributors. Long available as a 30-volume print set, the Encyclopedia Americana is now marketed as an online encyclopedia requiring a subscription, in March 2008, Scholastic said that print sales remained good but that the company was still deciding on the future of the print edition. The company did not produce an edition in 2007, a change from its previous approach of releasing a revised print edition each year, the most recent print edition of the Encyclopedia Americana was published in 2006. The online version of the Encyclopedia Americana, first introduced in 1997, continues to be updated and this work, like the print set from which it is derived, is designed for high school and first-year college students along with public library users. Grolier Online is not available to individual subscribers, francis Lieber, a German political exile, who came to Boston, Massachusetts in 1827, began publication of Encyclopedia Americana in 1829. The 13 volumes of the first edition were completed in 1833, just before the beginning of the 20th century Richard S. Some of the old material was carried over into the new encyclopedia, the short article method of Brockhaus was continued. Thus in 1902 a new version in 16 volumes that carried some of the old material was published. The magazines editor, Frederick Converse Beach, was editor-in-chief, and was said to be assisted by hundreds of eminent scholars, the relationship with Scientific American was terminated in 1911. From 1907 to 1912, the work was published as The Americana, a major new edition appeared in 1918–20 in 30 volumes, with George Edwin Rines as editor-in-chief. An Annual or Yearbook was also published each year beginning in 1923, the encyclopedia was purchased by Grolier in 1945. Sales during this period were accomplished primarily through mail-order and door-to-door operations, telemarketing and third-party distribution through their Lexicon division added to sales volumes in the 1970s. By the late 1970s, Grolier had moved its operations to Danbury, in 1988 Grolier was purchased by the French media company Hachette, which owned a well-known French-language encyclopedia, the Hachette Encyclopedia. Hachette was later absorbed by the French conglomerate the Lagardère Group, a CD-ROM version of the encyclopedia was published in 1995. Although the text and images were stored on separate disks, it was in keeping with current at the time. More importantly, the work had been digitized, allowing for release of a version in 1997
25.
Daniel Coit Gilman
–
Daniel Coit Gilman was an American educator and academic. He was also co-founder of the Russell Trust Association, which administers the affairs of Yales Skull. At Yale he was a classmate of Andrew Dickson White, who would serve as first president of Cornell University. The two were members of the Skull and Bones secret society, and traveled to Europe together after graduation, Gilman was also a member of the Alpha Delta Phi Fraternity. Gilman would later co-found the Russell Trust Association, the foundation behind Skull, Gilman contemplated going into the ministry, and even took out a license to preach, but later settled on a career in education. From 1856 to 1865 Gilman served as librarian of Yale College, in 1863, Gilman was appointed professor of geography at the Sheffield Scientific School, and became secretary and librarian as well in 1866. His work there was hampered by the legislature, and in 1875 Gilman accepted the offer to establish. Before being formally installed as president in 1876, he spent a year studying university organization and his formal inauguration, on 22 February 1876, has become Hopkins Commemoration Day, the day on which many university presidents have chosen to be installed in office. Gilmans primary interest was in fostering advanced instruction and research, the aim of the modern research university, said Gilman, was to extend, even by minute accretions, the realm of knowledge At his inaugural address at Hopkins, Gilman asked, What are we aiming at. The answer, he said, was the encouragement of research and the advancement of individual scholars, who by their excellence will advance the sciences they pursue, in 1884, Gilman was elected a member of the American Antiquarian Society. Gilman was also active in founding Johns Hopkins Hospital and Johns Hopkins Medical School and he founded and was for many years president of the Charity Organization of Baltimore, and in 1897 he served on the commission to draft a new charter for Baltimore. From 1896 to 1897, he was a member of the commission to settle the line between Venezuela and British Guiana. Gilman served as a trustee of the John F. Slater and Peabody education funds, in this capacity, he became active in the promotion of education in the southern United States. He retired from Johns Hopkins in 1901, but accepted the presidency of the newly founded Carnegie Institution of Washington and his books include biographies of James Monroe and James Dwight Dana, a collection of addresses entitled University Problems, and The Launching of a University. His first wife was Mary Van Winker Ketcham, daughter of Tredwell Ketcham of New York, Daniel Gilmans brother Dr. Edward Whiting Gilman was married to Julia Silliman, daughter of Yale Professor and chemist Benjamin Silliman. Daniel Coit Gilman died in Norwich, Connecticut, the original academic building on the Homewood campus of the Johns Hopkins University, Gilman Hall, is named in his honor. In 1897, he helped found a school called The Country School for Boys on the Johns Hopkins campus. Upon relocation in 1910, it was renamed in his honor and today, on the University of California, Berkeley campus, Gilman Hall, also named in his honor, is the oldest building of the College of Chemistry and a National Historic Chemical Landmark
26.
New International Encyclopedia
–
The New International Encyclopedia was an American encyclopedia first published in 1902 by Dodd, Mead and Company. It descended from the International Cyclopaedia and was updated in 1906,1914 and 1926, the New International Encyclopedia was the successor of the International Cyclopaedia. Initially, the International Cyclopaedia was largely a reprint of Aldens Library of Universal Knowledge, the local Cyclopaedia was much improved by editors Harry Thurston Peck and Selim Peabody. The title was changed to New International Encyclopedia in 1902, with editors Harry Thurston Peck, Daniel Coit Gilman, in 1906 the New International Encyclopedia was expanded from 17 volumes to 20. The 2nd edition appeared in 1914 in 24 volumes, set up from new type and it was very strong in biography. The 1926 material was printed in Cambridge, Massachusetts, by The University Press, boston Bookbinding Company of Cambridge produced the covers. Thirteen books enclosing twenty-three volumes comprise the encyclopedia, which includes a supplement after Volume 23, each book contains about 1600 pages. A great deal of material is recorded in the New International Encyclopedia. An early description of Adolf Hitler and his activities from 1920 to 1924 is in the supplement to the 1926 edition, many of the names used to describe the scientific identities of plants and animals are now obsolete. Numerous colorful maps which display the nations, states, colonies, the maps are valuable for their depictions of national and colonial borders in Europe, Asia, and Africa at the time of World War I. Drawings, illustrations, and photographs are plentiful, more than 500 men, and some women, submitted and composed the information contained in the New International Encyclopedia. Editors of the First Edition Daniel Coit Gilman, LL. D, President of Johns Hopkins University, President of Carnegie Institution. Frank Moore Colby, M. A. formerly Professor in New York University, editors of the Second Edition Frank Moore Colby, M. A. Talcott Williams, LL. D. Director of the School of Journalism, Columbia University, media related to New International Encyclopedia at Wikimedia Commons 1914 second ed
27.
Internet Archive
–
The Internet Archive is a San Francisco–based nonprofit digital library with the stated mission of universal access to all knowledge. As of October 2016, its collection topped 15 petabytes, in addition to its archiving function, the Archive is an activist organization, advocating for a free and open Internet. Its web archive, the Wayback Machine, contains over 150 billion web captures, the Archive also oversees one of the worlds largest book digitization projects. Founded by Brewster Kahle in May 1996, the Archive is a 501 nonprofit operating in the United States. It has a budget of $10 million, derived from a variety of sources, revenue from its Web crawling services, various partnerships, grants, donations. Its headquarters are in San Francisco, California, where about 30 of its 200 employees work, Most of its staff work in its book-scanning centers. The Archive has data centers in three Californian cities, San Francisco, Redwood City, and Richmond, the Archive is a member of the International Internet Preservation Consortium and was officially designated as a library by the State of California in 2007. Brewster Kahle founded the Archive in 1996 at around the time that he began the for-profit web crawling company Alexa Internet. In October 1996, the Internet Archive had begun to archive and preserve the World Wide Web in large quantities, the archived content wasnt available to the general public until 2001, when it developed the Wayback Machine. In late 1999, the Archive expanded its collections beyond the Web archive, Now the Internet Archive includes texts, audio, moving images, and software. It hosts a number of projects, the NASA Images Archive, the contract crawling service Archive-It. According to its web site, Most societies place importance on preserving artifacts of their culture, without such artifacts, civilization has no memory and no mechanism to learn from its successes and failures. Our culture now produces more and more artifacts in digital form, the Archives mission is to help preserve those artifacts and create an Internet library for researchers, historians, and scholars. In August 2012, the Archive announced that it has added BitTorrent to its file download options for over 1.3 million existing files, on November 6,2013, the Internet Archives headquarters in San Franciscos Richmond District caught fire, destroying equipment and damaging some nearby apartments. The nonprofit Archive sought donations to cover the estimated $600,000 in damage, in November 2016, Kahle announced that the Internet Archive was building the Internet Archive of Canada, a copy of the archive to be based somewhere in the country of Canada. The announcement received widespread coverage due to the implication that the decision to build an archive in a foreign country was because of the upcoming presidency of Donald Trump. Kahle was quoted as saying that on November 9th in America and it was a firm reminder that institutions like ours, built for the long-term, need to design for change. For us, it means keeping our cultural materials safe, private and it means preparing for a Web that may face greater restrictions
28.
Tourism in Paris
–
Tourism in Paris is a major income source for Paris and the city ranks in the worlds most visited cities. In 2013, the City of Paris welcomed 15.6 million international visitors, the Paris Region received 32.3 million visitors in 2013, putting it just ahead of London as the worlds top tourist destination region, measured by hotel occupancy. In the Paris region, the largest numbers of tourists came in order from Britain. In 2012,263,212 salaried workers in the city of Paris, or 18.4 percent of the number, were engaged in tourism-related sectors, hotels, catering, transport. In 2014 visitors to Paris spent 17 billion dollars, the third highest sum globally after London, the Eiffel Tower is acknowledged as the universal symbol of Paris and France. It was originally designed by Émile Nouguier and Maurice Koechlin, in March 1885 Gustave Eiffel, known primarily as a successful iron engineer, submitted a plan for a tower to the French Ministre du Commerce et de lIndustrie. He entered a competition for students studying at the university, the winning proposal would stand as the centerpiece of the 1889 Exposition. Eiffels was one of over 100 submissions, eiffels proposal was finally chosen in June 1886. Even before its construction, the Towers uniqueness was noticed, the Eiffel Tower was finally inaugurated on March 31,1889. Currently about 6.9 million people visit the Eiffel tower each year, Centre Georges Pompidou was officially opened on January 31,1977 by President Valéry Giscard dEstaing. The designers of Pompidou are Renzo Piano, Richard Rogers, the Centre Pompidou has had over 150 million visitors since 1977. Centre Georges Pompidou is a complex in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, in 1997 renovations had begun to drastically change the interior spaces of the Centre Pompidou. The renovation also developed the capacity to host the performing arts. The Arc de Triomphe de lÉtoile is one of the most famous monuments in Paris and it stands in the centre of the Place Charles de Gaulle, at the western end of the Champs-Élysées. It should not be confused with an arch, the Arc de Triomphe du Carrousel. Beneath its vault lies the Tomb of the Unknown Soldier from World War I. The Arc de Triomphe is the linchpin of the historic axis – a sequence of monuments and grand thoroughfares on a route which goes from the courtyard of the Louvre, the Musée dOrsay is a museum in Paris, France, on the left bank of the Seine. It started to be constructed in 1897 and was designed by Gae Aulenti, Victor Laloux, the Musée dOrsay is an art museum for works from 1848 to 1914 and has an emphasis on French Impressionism artwork
29.
Landmarks in Paris
–
This article presents the main landmarks in the City of Paris within its administrative limits divided by the 20 Arrondissements of Paris. Landmarks located in the suburbs of Paris, outside of its administrative limits, the 1st arrondissement forms much of the historic centre of Paris. The old Halles were demolished in 1971 and replaced by the Forum des Halles, the central market of Paris, the biggest wholesale food market in the world, was transferred to Rungis, in the southern suburbs. The former Conciergerie prison held some prominent Ancien Régime members before their deaths during the French Revolution, the 2nd arrondissement of Paris lies to the north of the 1st. The Boulevard des Capucines, Boulevard Montmartre, Boulevard des Italiens, Rue de Richelieu, also of note are the Académie Julian, Bibliothèque nationale de France, Café Anglais and Galerie Vivienne. The 3rd arrondissement is located to the northeast of the 1st, Le Marais is a trendy district spanning the 3rd and 4th arrondissements. It is architecturally very well preserved, and some of the oldest houses and it is a very culturally open place, known for its Chinese, Jewish and gay communities. Several hotels are located in this district including Hôtel de Guénégaud, the 4th arrondissement is located to the east of the 1st. Place de la Bastille is a district of historical significance, for not just Paris. Bibliothèque de lArsenal, La Force Prison, Centre Georges Pompidou, roads running through the 4th arrondissement include Rue Charlemagne, Rue de Rivoli, Rue des Francs-Bourgeois, and Rue des Rosiers. It is known for its atmosphere and many bistros. The Panthéon church is where many of Frances illustrious men and women are buried, the 6th arrondissement, to the south of the centre and Seine has numerous hotels and restaurants and also educational institutions. Among the museums located in the 6th arrondissement are the Musée Bible et Terre Sainte, Musée dAnatomie Delmas-Orfila-Rouvière, Musée Dupuytren, and Musée Edouard Branly. A symbol of the Revolution are the two Statues of Liberty located on the Île aux Cygnes in the Luxembourg Garden of the 6th arrondissement and on the Seine between the 15th and 16th arrondissements. A larger version of the statues was sent as a gift from France to the United States in 1886, the Odéon-Théâtre de lEurope is located in this district, as is the Luxembourg Palace. The Pont des Arts, Pont Neuf, and Pont Saint-Michel bridges lead across the Seine to the historic centre, the 7th arrondissement lies to the southwest of the centre, across the Seine. The Eiffel Tower is the most famous landmark of the 7th arrondissement and it was a temporary construction by Gustave Eiffel for the 1889 Universal Exposition, but was never dismantled and is now an enduring symbol of Paris, instantly recognized throughout the World. The Axe historique is a line of monuments, buildings, many hotels are located in this district including Hôtel Biron, Hôtel de Castries, Hôtel de Conti, Hôtel de Mademoiselle de Condé, Hôtel du Châtelet, and Hôtel Matignon
30.
Arc de Triomphe
–
The Arc de Triomphe should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. Beneath its vault lies the Tomb of the Unknown Soldier from World War I and it set the tone for public monuments with triumphant patriotic messages. Inspired by the Roman Arch of Titus, the Arc de Triomphe has an height of 50 metres, width of 45 m. The smaller transverse vaults are 18.68 m high and 8.44 m wide, three weeks after the Paris victory parade in 1919, Charles Godefroy flew his Nieuport biplane under the archs primary vault, with the event captured on newsreel. Pariss Arc de Triomphe was the tallest triumphal arch until the completion of the Monumento a la Revolución in Mexico City in 1938, the Arch of Triumph in Pyongyang, completed in 1982, is modelled on the Arc de Triomphe and is slightly taller at 60 m. The Arc is located on the bank of the Seine at the centre of a dodecagonal configuration of twelve radiating avenues. It was commissioned in 1806 after the victory at Austerlitz by Emperor Napoleon at the peak of his fortunes, the architect, Jean Chalgrin, died in 1811 and the work was taken over by Jean-Nicolas Huyot. On 15 December 1840, brought back to France from Saint Helena, prior to burial in the Panthéon, the body of Victor Hugo was displayed under the Arc during the night of 22 May 1885. The sword carried by the Republic in the Marseillaise relief broke off on the day, it is said, the relief was immediately hidden by tarpaulins to conceal the accident and avoid any undesired ominous interpretations. On 7 August 1919, Charles Godefroy successfully flew his biplane under the Arc, Jean Navarre was the pilot who was tasked to make the flight, but he died on 10 July 1919 when he crashed near Villacoublay while training for the flight. Following its construction, the Arc de Triomphe became the point of French troops parading after successful military campaigns. Famous victory marches around or under the Arc have included the Germans in 1871, the French in 1919, the Germans in 1940, and the French and Allies in 1944 and 1945. A United States postage stamp of 1945 shows the Arc de Triomphe in the background as victorious American troops march down the Champs-Élysées, after the interment of the Unknown Soldier, however, all military parades have avoided marching through the actual arch. The route taken is up to the arch and then around its side, out of respect for the tomb, both Hitler in 1940 and de Gaulle in 1944 observed this custom. By the early 1960s, the monument had grown very blackened from coal soot and automobile exhaust, and during 1965–1966 it was cleaned through bleaching. In the prolongation of the Avenue des Champs-Élysées, a new arch, after the Arc de Triomphe du Carrousel and the Arc de Triomphe de lÉtoile, the Grande Arche is the third arch built on the same perspective. In 1995, the Armed Islamic Group of Algeria placed a bomb near the Arc de Triomphe which wounded 17 people as part of a campaign of bombings, the astylar design is by Jean Chalgrin, in the Neoclassical version of ancient Roman architecture. Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe, Jean-Pierre Cortot, François Rude, Antoine Étex, James Pradier and Philippe Joseph Henri Lemaire
31.
Arc de Triomphe du Carrousel
–
The Place du Carrousel is a public square in the 1st arrondissement of Paris, located at the open end of the courtyard of the Louvre Palace, a space occupied, prior to 1883, by the Tuileries Palace. Sitting directly between the museum and the Tuileries Garden, the Place du Carrousel delineates the end of the gardens just as the Place de la Concorde defines its western end. The name carrousel refers to a type of military dressage, an equine demonstration now commonly called military drill, the Place du Carrousel was named in 1662, when it was used for such a display by Louis XIV. The king and queen were installed in the Tuileries Palace under surveillance, during this time, there were many plots designed to help members of the royal family escape from France. The queen rejected several because she would not leave without the king, other opportunities to rescue the family were ultimately frittered away by the indecisive king. After many delays, the escape occurred on 21 June 1791. An hour and a later, the palace was invaded by the mob. They massacred the Swiss Guards, who fought with blind dedication and desperation, some seven hundred were killed, and their bloodied bodies decorated the yard in front of the palace, in the gardens of the palace, and along the banks of the Seine. On 13 August, the family was imprisoned in the tower of the Temple in the Le Marais district. On 21 August 1792, the guillotine was erected in the Place du Carrousel, in total, thirty-five people were guillotined there. On 2 August 1793, at the site of the guillotine. It bore an inscription, To the spirit of the late Marat,13 July, from his underground tomb, he still makes the traitors tremble. A treacherous hand thwarted the affections of the people, there was also an exhibit of the famous hip bath of Marat and his desk where some of his most impassioned polemics were drafted. These items stayed in place until 9 Thermidor Year II, during the revolution of 1848, the Tuileries Palace was looted and severely damaged by rioters. The fire lasted for hours and entirely consumed the palace. The ruins of the Tuileries stood on the site for eleven years, in 1882, the French National Assembly voted for the demolition of the ruins, and, despite much contrary sentiment, this was accomplished in 1883. The salvageable remains of the building were sold to a private entrepreneur, once the palace had been cleared away, the ground, which had been known as the Place du Carrousel since 1662, could, once again, be used as a public square. It is an arch that was commissioned in 1806 to commemorate Napoleons military victories of the previous year
32.
Paris Bourse
–
The Paris Bourse is the historical Paris stock exchange, known as Euronext Paris from 2000 onwards. The building, known as the Palais Brongniart, is located in the Place de la Bourse, in the II arrondissement, historically, stock trading took place at several spots in Paris, including rue Quincampoix, rue Vivienne, and the back of the Opéra Garnier. Brogniart had spontaneously submitted his project, which was a rectangular neoclassical Roman temple with a giant Corinthian colonnade enclosing a vaulted and arcaded central chamber and his designs were greatly admired by Napoleon and won Brogniart a major public commission at the end of his career. Initially praised, the building was attacked for academic dullness. The authorities had required Brogniart to modify his designs, and after Brogniarts death in 1813, Labarre altered them even further, from 1901 to 1905 Jean-Baptiste-Frederic Cavel designed the addition of two lateral wings, resulting in a cruciform plan with innumerable columns. According to the architectural historian Andrew Ayers, these alterations did nothing to improve the reputation of this uninspiring monument. From the second half of the 19th century, official stock markets in Paris were operated by the Compagnie des agents de change, the number of dealers in each of the different trading areas of the Bourse was limited. There were around 60 agents de change, in Paris, only agents de change could receive a commission, at a rate fixed by law, for acting as an intermediary. However, parallel arrangements were usual in order to some clients quote. The Commodities Exchange was housed in the building until 1889. Moreover, until about the middle of the 20th century, a market known as La Coulisse was in operation. Until the late 1980s, the market operated as an open outcry exchange, in 1986, the Paris Bourse started to implement an electronic trading system. This was known generically as CATS, but the Paris version was called CAC, by 1989, quotations were fully automated. The Palais Brongniart hosted the French financial derivatives exchanges MATIF and MONEP, in the late 1990s, the Paris Bourse launched the Euronext initiative, an alliance of several European stock exchanges. List of works by James Pradier External sculpture Lehmann, P. -J,1991 La Bourse de Paris, Paris, Dunod. 1997 Histoire de la Bourse de Paris, Paris, PUF, muniesa, F.2005 Contenir le marché, la transition de la criée à la cotation électronique à la Bourse de Paris, Sociologie du Travail 47, 485-501. Walker, D. A.2001 A factual account of the functioning of the nineteenth-century Paris Bourse, European Journal of the History of Economic Thought 8, 186-207. Foucault, T. and Hillion, P.1997 Microstructure des marchés financiers, institutions, modèles et tests empiriques, Paris, hamon, J.1995 Marché dactions, architecture et microstructure, Paris, Economica
33.
Catacombs of Paris
–
The Catacombs of Paris are underground ossuaries in Paris, France, which hold the remains of more than six million people in a small part of the ancient Mines of Paris tunnel network. Nightly processions of bones from 1786 to 1788 transferred remains from cemeteries to the reinforced tunnels, the Catacombs are among the 14 City of Paris Museums managed by Paris Musées since January 1,2013. The catacombs are known formally as lOssuaire Municipal or Catacombes officiels and have been called The Worlds Largest Grave due to the number of remains buried. Although the ossuary comprises only a section of the underground carrières de Paris. Paris earliest burial grounds were to the outskirts of the Roman-era Left Bank city. Thus, instead of burying its dead away from inhabited areas as usual, by the end of the same century Saints Innocents was neighbour to the principal Parisan marketplace Les Halles, and already filled to overflowing. To make room for more burials, the long-dead were exhumed and their bones packed into the roofs, much of the Left Bank area rests upon rich Lutetian limestone deposits. This stone built much of the city, but it was extracted in suburban locations away from any habitation, Paris had annexed its suburbs many times over the centuries, and by the 18th century many of its arrondissements were or included previously mined territories. This resulted in the creation of the inspection Générale des Carrières service, the need to eliminate Les Innocents gained urgency from May 30,1780, when a basement wall in a property adjoining the cemetery collapsed under the weight of the mass grave behind it. The cemetery was closed to the public and all intra muros burials were forbidden after 1780, the problem of what to do with the remains crowding intra muros cemeteries was still unresolved. Lenoir endorsed the idea of moving Parisian dead to the subterranean passageways that were renovated during 1782, after deciding to further renovate the Tombe-Issoire passageways for their future role as an underground sepulchre, the idea became law during late 1785. It would take two years to empty the majority of Paris cemeteries, cemeteries whose remains were moved to the Catacombs include Saints-Innocents, Saint-Étienne-des-Grès, Madeleine Cemetery, Errancis Cemetery, and Notre-Dame-des-Blancs-Manteaux. In addition to directing the stacking of skulls and femurs into the patterns seen in the catacombs today, also created was a room dedicated to the display of the various minerals found under Paris, and another showing various skeletal deformities found during the catacombs creation and renovation. Later they opened for daily visits. After an incident of vandalism, the Catacombs were closed to the public during September 2009, the entry to the catacombs is in the western pavilion of the former Barrière dEnfer city gate. Soon after, they find themselves before a stone portal, the ossuary entry, CEST İCİ LEMPİRE DE LA MORT. Beyond begin the halls and caverns of walls of carefully arranged bones, along the way there are other monuments created in the years before catacomb renovations, such as a source-gathering fountain baptised La Samaritaine because of later-added engravings. There are also rusty gates blocking passages leading to other parts of the catacombs – many of these are either un-renovated or were too un-navigable for regular tours
34.
Conciergerie
–
The Conciergerie is a building in Paris, France, located on the west of the Île de la Cité, formerly a prison but presently used mostly for law courts. It was part of the royal palace, the Palais de la Cité, which consisted of the Conciergerie, Palais de Justice. Hundreds of prisoners during the French Revolution were taken from the Conciergerie to be executed by guillotine at a number of locations around Paris, the west part of the island was originally the site of a Merovingian palace, and was known initially as the Palais de la Cité. From the 10th to the 14th centuries it was the palace of the medieval Kings of France. During the reigns of Louis IX and Philippe IV the Merovingian palace was extended and fortified more extensively, Louis IX added the Sainte-Chapelle and associated galleries, while Philippe IV created the towered facade on the Seine river side and a large hall. Both are excellent examples of French religious and secular architecture of the period, the Sainte-Chapelle was built in the French royal style to house the crown of thorns that was brought back from the Crusades and to serve as a royal chapel. The Grande Salle was one of the largest in Europe, and its lower story and it was used as a dining room for the 2,000 staff members who worked in the palace. It was heated with four fireplaces and lit by many windows. It was also used for banquets and judicial proceedings. The neighboring Salle des Gardes was used as an antechamber to the Great Hall immediately above, the early Valois kings continued to modify the palace during the 14th century, but Charles V abandoned the palace during 1358, relocating across the river to the Louvre Palace. The palace continued to serve a function and still included the chancellery. In the kings absence, he appointed a concierge to command of the palace, during 1391, part of the building was converted for use as a prison and took its name from the ruling office. Its prisoners were a mixture of common criminals and political prisoners, in common with other prisons of the time, the treatment of prisoners was dependent on their wealth, status and associates. Wealthy or influential prisoners usually got their own cells with a bed, desk, less-well-off prisoners could afford to pay for simply furnished cells known as pistoles, which would be equipped with a rough bed and perhaps a table. The poorest, known as the pailleux from the paille that they slept on, would be confined to dark, damp, vermin-infested cells known as oubliettes. In keeping with the name, they were left to live or die in conditions that were ideal for the plague and other infectious diseases, the building was extended during the reigns of later kings with Frances first public clocks being installed about 1370. The current clock dates from 1535, despite lasting only ten months, the Reign of Terror had a profound effect on France. More than 40,000 people died from execution and imprisonment, the National Convention enacted the Law of Suspects on September 17,1793
35.
Eiffel Tower
–
The Eiffel Tower is a wrought iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed, the Eiffel Tower is the most-visited paid monument in the world,6.91 million people ascended it in 2015. The tower is 324 metres tall, about the height as an 81-storey building. Its base is square, measuring 125 metres on each side, due to the addition of a broadcasting aerial at the top of the tower in 1957, it is now taller than the Chrysler Building by 5.2 metres. Excluding transmitters, the Eiffel Tower is the second-tallest structure in France after the Millau Viaduct, the tower has three levels for visitors, with restaurants on the first and second levels. The top levels upper platform is 276 m above the ground – the highest observation deck accessible to the public in the European Union, tickets can be purchased to ascend by stairs or lift to the first and second levels. The climb from ground level to the first level is over 300 steps, although there is a staircase to the top level, it is usually only accessible by lift. Eiffel openly acknowledged that inspiration for a tower came from the Latting Observatory built in New York City in 1853, sauvestre added decorative arches to the base of the tower, a glass pavilion to the first level, and other embellishments. Little progress was made until 1886, when Jules Grévy was re-elected as president of France and Édouard Lockroy was appointed as minister for trade. On 12 May, a commission was set up to examine Eiffels scheme and its rivals, which, after some debate about the exact location of the tower, a contract was signed on 8 January 1887. Eiffel was to all income from the commercial exploitation of the tower during the exhibition. He later established a company to manage the tower, putting up half the necessary capital himself. The proposed tower had been a subject of controversy, drawing criticism from those who did not believe it was feasible and these objections were an expression of a long-standing debate in France about the relationship between architecture and engineering. And for twenty years … we shall see stretching like a blot of ink the hateful shadow of the column of bolted sheet metal. Gustave Eiffel responded to criticisms by comparing his tower to the Egyptian pyramids. Will it not also be grandiose in its way, and why would something admirable in Egypt become hideous and ridiculous in Paris. Indeed, Garnier was a member of the Tower Commission that had examined the various proposals, some of the protesters changed their minds when the tower was built, others remained unconvinced. Guy de Maupassant supposedly ate lunch in the restaurant every day because it was the one place in Paris where the tower was not visible
36.
Flame of Liberty
–
The monument, which measures approximately 3.5 metres in height, is a sculpture of a flame, executed in gilded copper, supported by a pedestal of gray-and-black marble. It is located near the end of the Pont de lAlma, on the Place de lAlma. It was offered to the city of Paris in 1989 by the International Herald Tribune on behalf of donors who had contributed approximately $400,000 for its fabrication and it represented the culmination of that newspapers 1987 celebration of its hundredth anniversary of publishing an English-language daily newspaper in Paris. This project was overseen by the director of the French craft unions at that time, Jacques Graindorge. He foresaw an installation of the Flame of Liberty in a square called Place des États-Unis in the 16th arrondissement. After a protracted period of negotiations, it was decided that the Flame would be placed in an area near the intersection of lAvenue de New-York. The monument was dedicated on May 10,1989 by Chirac, on the base of the monument, a commemorative plaque recounts the following story, The Flame of Liberty. An exact replica of the Statue of Libertys flame offered to the people of France by donors throughout the world as a symbol of the Franco-American friendship, on the occasion of the centennial of the International Herald Tribune. Anthropologist Guy Lesoeurs said, Most people who come here think this was built for her, a new Flame of Liberty, a sculpture by Jean Cardot, was unveiled on June 14,2008. It symbolizes the warm and respectful relations between the French and the Americans
37.
Grand Palais
–
The structure was built in the style of Beaux-Arts architecture as taught by the École des Beaux-Arts of Paris. One of its pediments calls it a “monument dedicated by the Republic to the glory of French art”, reflecting its original purpose, a monumental bronze quadriga by Georges Récipon tops each wing of the main façade. The one on the Champs-Élysées side depicts Immortality prevailing over Time, the grand inauguration took place 1 May 1900, and from the very beginning the palace was the site of different kinds of shows in addition to the intended art exhibitions. These included a competition that took place annually from 1901 to 1957, but were mainly dedicated to innovation and modernity, the automobile, aviation, household appliances. The golden age of the art exhibitions as such lasted for thirty years. The builders attempted to compensate for this subsidence, and for a tendency of the ground to shift, by sinking supporting posts down to firmer soil and these measures were only partially successful. Further damage occurred once the building was in use, additional problems due to the construction of the building itself revealed themselves over the course of time. Differential rates of expansion and contraction between cast iron and steel members, for example, allowed for water to enter, leading to corrosion and further weakening. When finally one of the ceiling panels fell in 1993, the main space had to be closed for restoration work. The Palais served as a hospital during World War I. The Nazis put the Palais to use during the Occupation of France in World War II, first used as a truck depot, the Palais then housed two Nazi propaganda exhibitions. The Parisian resistance used the Grand Palais as a headquarters during the Liberation of Paris, on 23 August 1944 an advancing German column was fired upon from a window on the Avenue de Sèlves, and the Germans responded with a tank attack upon the Palais. The attack ignited hay that was set up for a circus show, by 26 August, American jeeps were parked in the nave, followed by tanks from the French 2nd Armored Division, completing the liberation of the building. The buildings west wing contains a science museum, the Palais de la Découverte. The couture fashion house Chanel annually hosts many of its fashion shows here, setting up elaborate and expensive surroundings for its models and it was the host venue of the 2010 World Fencing Championships. This article contains material abridged and translated from the French and Spanish Wikipedia, official Grand Palais website The Grand Palais, current photographs, and photographs from the 1900s. New recent pictures and great information on the Grand Palais Paris Félix Charpentier, photos from the rooftops of the Grand Palais
38.
Petit Palais
–
The Petit Palais is an art museum in the 8th arrondissement of Paris, France. Built for the 1900 Exposition Universelle, it now houses the City of Paris Museum of Fine Arts, the Petit Palais is located across from the Grand Palais on Avenue Nicolas II, today Avenue Winston-Churchill. The other façades of the face the Seine and Avenue des Champs-Elysees. The Petit Palais is one of 14 museums of the City of Paris that have incorporated since January 1,2013. In 1894 a competition was held for the 1900 Exhibition area, the Palais de lIndustrie from the 1855 World’s Fair was considered unfitting and was to be replaced by something new for the 1900 Exhibition. Architects had the option to do what they pleased with the Palais de l’Industrie, in the end, Charles Girault won the competition and built the Petit Palais as one of the buildings that replaced the Palais de l’Industrie. The construction of the Petit Palais began on October 10,1897 and was completed in April 1900, the total cost of the Petit Palais at the time of the construction was 400,000 pounds. Charles Girault largely draws on the seventeenth and early eighteenth century French style for the Petit Palais. Additionally his work, such as the central porch and the triple arcade, has many references to the stables at Chantilly. Girault’s plan for the Petit Palais had minimal alterations from the design to the execution, the plan was original and fit perfectly in its given location. The Petit Palais is a shape with its larger side as the main façade facing the Grand Palais. The building’s shape makes a semi-circular courtyard at the center, the Beaux-Arts style Petit Palais was designed by Charles Girault, and is around an octi-circular courtyard and garden, similar to the Grand Palais. Its ionic columns, grand porch, and dome echo those of the Invalides across the river, the tympanum depicting the city of Paris surrounded by muses is the work of sculptor Jean Antoine Injalbert. The Petit Palais was built to be a building that would become a permanent fine arts museum after the exhibition. The materials of the building—stone, steel, and concrete as well as the decoration were to demonstrate that the Petit Palais was built to be enduring, the main façade of the building faces the Grand Palais. The focal point of the façade is the entrance, “a central archway set in an archivolt topped by a dome. Two wings flank the main entrance and these wings, continuing to the end pavilions, are embellished with free-standing columns that frame the tall windows. The exterior of the pavilions are embellished with arched windows from the side around to the rear façades and these grand windows provide side lighting for the outer three galleries of the interior museum
39.
Institut de France
–
The Institut de France is a French learned society, grouping five académies, the most famous of which is the Académie française. The Institute, located in Paris, manages approximately 1,000 foundations, as well as museums and it also awards prizes and subsidies, which amounted to a total of €5,028,190.55 for 2002. Most of these prizes are awarded by the Institute on the recommendation of the académies, the Institut de France was established on 25 October 1795, by the French government. Académie française – initiated 1635, suppressed 1793, restored 1803 as a division of the institute, Académie des inscriptions et belles-lettres – initiated 1663. Académie des sciences – initiated 1666, the Royal Society of Canada, initiated 1882, was modeled after the Institut de France and the Royal Society of London
40.
Les Invalides
–
Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and unwell soldiers, the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant, the selected site was in the then suburban plain of Grenelle. By the time the project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. It was then felt that the veterans required a chapel, Jules Hardouin-Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruants designs after the elder architects death. This chapel was known as Église Saint-Louis des Invalides, and daily attendance of the veterans in the services was required. Shortly after the chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. The domed chapel was finished in 1708, because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons, Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, the building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée dartillerie was located within the building to be joined by the musée historique des armées in 1896, the two institutions were merged to form the present musée de larmée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris, the building accordingly became too large for its original purpose. The modern complex does however include the facilities detailed below for about a hundred elderly or incapacitated former soldiers. On the north front of Les Invalides Hardouin-Mansarts chapel dome is large enough to dominate the long façade, at its far end, the Pont Alexandre III links this grand urbanistic axis with the Petit Palais and the Grand Palais. The Pont des Invalides is next, downstream the Seine river, the Hôpital des Invalides spurred William III of England to emulation, in the military Greenwich Hospital of 1694. The buildings still comprise the Institution Nationale des Invalides, an institution for disabled war veterans. The institution comprises, a retirement home a medical and surgical centre a centre for medical consultations. In 1676 Jules Hardouin-Mansart was commissioned with the construction of a place of worship on the site and he designed a building which combined a royal chapel with a veterans chapel. In this way, the King and his soldiers could attend mass simultaneously, while entering the place of worship though different entrances, when the Army Museum at Les Invalides was founded in 1905, the veterans chapel was placed under its administrative control
41.
Luxor Obelisk
–
The Luxor Obelisk is a 23 metres high Egyptian obelisk standing at the center of the Place de la Concorde in Paris, France. It was originally located at the entrance to Luxor Temple, in Egypt, the Luxor Obelisk was classified as a historical monument in 1936. This site was the location of the station, Concorde. The Luxor Obelisk is over 3,000 years old and was situated outside of Luxor Temple. It was gifted to France by Muhammad Ali, Ruler of Egypt, in August 1832, the French paddle ship Sphinx sailed to Alexandria to rendezvous there with the barge Louqsor, which was to load the Luxor Obelisk and bring it to Paris. Sphinx then towed Louqsor back to France, the ships departed on 1 April 1833 and reached Toulon on 10 May. The ships arrived at Cherbourg on 12 August 1833, the obelisk, a yellow granite column, rises 23 metres high, including the base, and weighs over 250 metric tons. It is decorated with hieroglyphs exalting the reign of the king Ramses II, the team of French seamen carefully lowered the obelisk with a complicated array of blocks and tackles, yardarms and capstans. The re-erection of the obelisk on the Place de la Concorde during a ceremony planned by king Louis Philippe was no mean engineering feat either. The present day pedestal was intended for an equestrian statue of king Louis XVI by Cortot. On the pedestal are diagrams explaining the complex machinery that was used for the transportation. Missing its original pyramidion, the government of France added a gold-leafed pyramid cap to the top of the obelisk in 1998, on the morning of December 1,1993, the anti-AIDS Charity Act Up Paris covered the obelisk with a giant pink condom to mark World AIDS Day. In 1998 and 2000 Alain Spiderman Robert, the French urban climber, enjoyment Petrification, The Luxor obelisk in a melancholic century. Cultural Commentary, Le Vin in Paris, available at, Place de la Concorde, Obélisque de Luxor
42.
Palais Garnier
–
The Palais Garnier is a 1, 979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The Paris Opera now mainly uses the Palais Garnier for ballet, the Palais Garnier has been called probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica. This opinion is far from unanimous however, the 20th-century French architect Le Corbusier once described it as a lying art, the Palais Garnier is a building of exceptional opulence. The style is monumental and considered Second-Empire Beaux-Arts style with axial symmetry in plan and these include very elaborate multicolored marble friezes, columns, and lavish statuary, many of which portray deities of Greek mythology. The principal facade is on the side of the building, overlooking the Place de lOpéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation, the two gilded figural groups, Charles Gumerys LHarmonie and La Poésie, crown the apexes of the principal facades left and right avant-corps. They are both made of gilt copper electrotype, the facade also incorporates other work by Gumery, Alexandre Falguière, and others. On the left and right lateral returns of the front facade are busts of the librettists Eugène Scribe and Philippe Quinault, when the Empire fell, work stopped, leaving unfinished dressed stonework. It is covered by a 13.5 metre diameter dome, two pairs of obelisks marking the entrances of the Rotunda to the north and the south. The interior consists of interweaving corridors, stairwells, alcoves and landings allowing the movement of large numbers of people, rich with velvet, gold leaf, and cherubim and nymphs, the interior is characteristic of Baroque sumptuousness. The building features a ceremonial staircase of white marble with a balustrade of red and green marble. Its design was inspired by Victor Louiss grand staircase for the Théâtre de Bordeaux, the pedestals of the staircase are decorated with female torchères, created by Albert-Ernest Carrier-Belleuse. When they were first fixed in two months before the opening of the building it was obvious to Garnier that they were too dark for the space. With the help of two of his students, Pils had to rework the canvases while they were in place overhead on the ceiling and, at the age of 61, he fell ill. His students had to finish the work, which was completed the day before the opening and this hall 18 meters high,154 meters long and 13 meters wide was designed to act as a drawing room for Paris society. Its ceiling was painted by Paul-Jacques-Aimé Baudry and represents various moments in the history of music, the foyer opens into an outside loggia at each end of which are the Salon de la Lune and Salon du Soleil. The auditorium has a traditional Italian horseshoe shape and can seat 1,979, the stage is the largest in Europe and can accommodate as many as 450 artists. The canvas house curtain was painted to represent a draped curtain, complete with tassels, the ceiling area, which surrounds the chandelier, was originally painted by Jules Eugène Lenepveu
43.
Porte Saint-Denis
–
The Porte Saint-Denis is a Parisian monument located in the 10th arrondissement, at the site of one of the gates of the Wall of Charles V, one of Paris former city walls. It is located at the crossing of the Rue Saint-Denis continued by the Rue du Faubourg Saint-Denis, with the Boulevard de Bonne-Nouvelle, the Porte Saint-Denis was originally a gateway through the Wall of Charles V that was built between 1356 and 1383 to protect the Right Bank of Paris. The medieval fortification had two gates and was surmounted with four towers, additional portcullises defended the outer gate along with a drawbridge and rock-cut ditch. In the 1670s, the walls of Charles V were entirely demolished when Paris spread beyond the confines of its medieval boundaries. Work began in 1672 and was paid for by the city of Paris, a monument defining the official art of its epoque, the Porte Saint-Denis provided the subject of the engraved frontispiece to Blondels influential Cours darchitecture,1698. The Porte Saint-Denis was the first of four arches to be built in Paris. The three others are the Arc de Triomphe du Carrousel, Porte Saint-Martin, and Arc de Triomphe, the Porte Saint-Denis is a triumphal arch inspired by the Arch of Titus in Rome. The monument is 24.65 m high,25 m wide, the arch itself is 15.35 m high in the center and 8 m across. The main arch is flanked by obelisks applied to the face bearing sculptural groups of trophies of arms. The entablature bears the gilded bronze inscription LUDOVICO MAGNO, To Louis the Great, two smaller pedestrian walkways were built through the obelisk pedestals but they have now been closed. The arch is decorated with a variety of sculptures and friezes Porte Saint-Martin Insecula - Porte Saint-Denis
44.
Porte Saint-Martin
–
The Porte Saint-Martin is a Parisian monument located at the site of one of the gates of the now-destroyed fortifications of Paris. It is located at the crossing of Rue Saint-Martin, Rue du Faubourg Saint-Martin, the Porte Saint-Martin was designed by architect Pierre Bullet at the order of Louis XIV in honor of his victories on the Rhine and in Franche-Comté. Built in 1674, it replaced a medieval gate in the city built by Charles V. The Porte Saint-Martin is a rusticated triumphal arch,18 meters high, built in limestone
45.
Sorbonne
–
The Sorbonne is an edifice of the Latin Quarter, in Paris, France, which was the historical house of the former University of Paris. The name is derived from the Collège de Sorbonne, initiated during 1257 by the eponymous Robert de Sorbon as one of the first significant colleges of the medieval University of Paris. The university predates the college by about a century, and minor colleges had been founded already during the late 12th century, during the 16th century, the Sorbonne became involved with the intellectual struggle between Catholics and Protestants. The Collège de Sorbonne was suppressed during the French Revolution, reopened by Napoleon during 1808 and this was only one of the many colleges of the University of Paris that existed until the French revolution. After months of conflicts between students and authorities at the University of Paris at Nanterre, the administration closed that university on May 2,1968. Students at the Sorbonne campus in Paris met on May 3 to protest against the closure and the threatened expulsion of several students at Nanterre. More than 20,000 students, teachers and other endorsers marched towards the Sorbonne, still sealed off by the police, who charged, wielding their batons, as soon as the marchers approached. While the crowd dispersed, some began to make out of whatever was at hand, while others threw paving stones. The police then responded with tear gas and charged the crowd again, may 10 marked the Night of Barricades, where students used cars, wood, and cobblestones to barricade the streets of the Latin Quarter. Brutal street fighting ensued between students and riot police, most notably on Rue Gay-Lussac, early the next morning, as the fighting disbanded, Daniel Cohn-Bendit sent out a radio broadcast calling for a general strike. On Monday,13 May, more than one million workers went on strike, negotiations ended, and students returned to their campuses after a false report that the government had agreed to reopen them, only to discover police still occupying the schools. When the Sorbonne reopened, students occupied it and declared it an autonomous Peoples University, during 1970, the University of Paris was divided into thirteen universities, managed by a common rectorate, the Chancellerie des Universités de Paris, with offices in the Sorbonne. The building also houses the École Nationale des Chartes, the École pratique des hautes études, the Cours de Civilisation Française de la Sorbonne, nowadays, the use of the name refers more often to Panthéon-Sorbonne University for French public especially students in France. But, all Parisian universities like to refer as their ancestor, some alliances of universities use that name, like Sorbonne University. Listing of the works of Alexandre Falguière List of works by Henri Chapu La Sorbonne
46.
Tour Montparnasse
–
Tour Maine-Montparnasse, also commonly named Tour Montparnasse, is a 210-metre office skyscraper located in the Montparnasse area of Paris, France. Constructed from 1969 to 1973, it was the tallest skyscraper in France until 2011, as of March 2017, it is the 14th tallest building in the European Union. The tower was designed by architects Eugène Beaudouin, Urbain Cassan, built on top of the Montparnasse – Bienvenüe Paris Métro station, the 59 floors of the tower are mainly occupied by offices. The 56th floor, with a restaurant called le Ciel de Paris, the view covers a radius of 40 km, aircraft can be seen taking off from Orly Airport. The guard rail, to which various antennae are attached, can be pneumatically lowered, the towers simple architecture, large proportions and monolithic appearance have been often criticised for being out of place in Pariss urban landscape. As a result, two years after its completion the construction of buildings over seven stories high in the city centre was banned, the design of the tower predates architectural trends of more modern skyscrapers today that are often designed to provide a window for every office. Only the offices around the perimeter of each floor of Tour Montparnasse have windows and it is said that the view from the top is the most beautiful in Paris, because it is the only place from which the tower cannot be seen. A2008 poll of editors on Virtualtourist voted the building the second-ugliest building in the world, in 2005, studies showed that the tower contained asbestos material. When inhaled, for instance during repairs, asbestos is a carcinogen, as with the Jussieu Campus, the problem of removing the asbestos material from a large building used by thousands of people is acute. Projected completion times for removal are three years if the building is emptied for the duration of the work and ten years if the building is not emptied, the removal of asbestos began in July 2007. Previously Tour Maine-Montparnasse housed the executive management of Accor, list of tallest buildings and structures in the Paris region Official website Photos of Tour Montparnasse Tour Montparnasse Pictures and info
47.
Carnavalet Museum
–
The Carnavalet Museum in Paris is dedicated to the history of the city. The museum occupies two neighboring mansions, the Hôtel Carnavalet and the former Hôtel Le Peletier de Saint Fargeau, by the latter part of the 20th century, the museum was full to capacity. The Hôtel Le Peletier de Saint Fargeau was annexed to the Carnavalet, Carnavalet Museum is one of the 14 City of Paris Museums that have been incorporated since January 1,2013 in the public institution Paris Musées. Its closed for renovation till the end of 2019, in the courtyard, a magnificent sculpture of Louis XIV, the Sun King, greets the visitor. Inside the museum, the show the transformation of the village of Lutèce. The period called Modern Time, which spans from the Renaissance until today, is essentially by the vast amount of images of the city. Long narrow canoes made from a tree trunk, dating back long before the first written description of the village in A. D. A painting of the Pont Neuf in about 1660 showing Parisians on horseback or on foot. A vendor is showing his wares to a crowd of interested on-lookers, paintings showing the people’s revenge on the Bastille, a dungeon that had become “a symbol of the arbitrariness of royal power. A paper on which Robespierre had partially written his signature when he was seized by soldiers of the National Convention and it was used in the 1970 Walt Disney animated film Aristocats. In 1578, the widow of Francois de Kernevenoy, a Breton whose name was rendered in French as Carnavalet, in 1654, the mansion was bought by Claude Boislève, who commissioned the well-known architect, François Mansart, to make extensive renovations. Madame de Sévigné, famous for her letter-writing, lived in the Hôtel Carnavalet from 1677 until her death in 1696, Hôtel Le Peletier de Saint Fargeau The Hôtel Le Peletier de Saint Fargeau was also built in the middle of the 16th century. It was originally known as the Hôtel d’Orgeval and it was purchased by Michel Le Peletier and passed on eventually to his grandson, Le Peletier de Saint Fargeau was a representative of the nobility in the Estates-General of 1789. In 1793, Le Peletier voted for the execution of Louis XVI, and was murdered, in revenge for his vote, jean-François Eugène Robinet, curator from 1891 Jean Robiquet, curator in the first half of the 20th century List of museums in Paris Colson, Jean. Paris, Des Origines à Nos jours, citizens, A Chronicle of the French Revolution. New York, Alfred A. Knopf,1989, taking in Paris Any Day, Any Century. Musée Carnavalet official website Paris Musées official website Musée Carnavalet Visitor Information
Rines, George Edwin, ed. (1920). "Comédie Française". Encyclopedia Americana.
Rines, George Edwin, ed. (1920). "
