1.
Copenhagen
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Copenhagen, Danish, København, Latin, Hafnia) is the capital and most populous city of Denmark. Copenhagen has an population of 1,280,371. The Copenhagen metropolitan area has just over 2 million inhabitants, the city is situated on the eastern coast of the island of Zealand, another small portion of the city is located on Amager, and is separated from Malmö, Sweden, by the strait of Øresund. The Øresund Bridge connects the two cities by rail and road, originally a Viking fishing village founded in the 10th century, Copenhagen became the capital of Denmark in the early 15th century. Beginning in the 17th century it consolidated its position as a centre of power with its institutions, defences. After suffering from the effects of plague and fire in the 18th century and this included construction of the prestigious district of Frederiksstaden and founding of such cultural institutions as the Royal Theatre and the Royal Academy of Fine Arts. Later, following the Second World War, the Finger Plan fostered the development of housing, since the turn of the 21st century, Copenhagen has seen strong urban and cultural development, facilitated by investment in its institutions and infrastructure. The city is the cultural, economic and governmental centre of Denmark, Copenhagens economy has seen rapid developments in the service sector, especially through initiatives in information technology, pharmaceuticals and clean technology. Since the completion of the Øresund Bridge, Copenhagen has become integrated with the Swedish province of Scania and its largest city, Malmö. With a number of connecting the various districts, the cityscape is characterized by parks, promenades. Copenhagen is home to the University of Copenhagen, the Technical University of Denmark, the University of Copenhagen, founded in 1479, is the oldest university in Denmark. Copenhagen is home to the FC København and Brøndby football clubs, the annual Copenhagen Marathon was established in 1980. Copenhagen is one of the most bicycle-friendly cities in the world, the Copenhagen Metro serves central Copenhagen while the Copenhagen S-train network connects central Copenhagen to its outlying boroughs. Serving roughly 2 million passengers a month, Copenhagen Airport, Kastrup, is the largest airport in the Nordic countries, the name of the city reflects its origin as a harbour and a place of commerce. The original designation, from which the contemporary Danish name derives, was Køpmannæhafn, meaning merchants harbour, the literal English translation would be Chapmans haven. The English name for the city was adapted from its Low German name, the abbreviations Kbh. or Kbhvn are often used in Danish for København, and kbh. for københavnsk. The chemical element hafnium is named for Copenhagen, where it was discovered, the bacterium Hafnia is also named after Copenhagen, Vagn Møller of the State Serum Institute in Copenhagen named it in 1954. Excavations in Pilestræde have also led to the discovery of a well from the late 12th century, the remains of an ancient church, with graves dating to the 11th century, have been unearthed near where Strøget meets Rådhuspladsen
2.
Royal Danish Academy of Fine Arts
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The Royal Danish Academy of Fine Arts has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark. The Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was inaugurated on 31 March 1754 and its name was changed to the Royal Danish Academy of Painting, Sculpture, and Architecture in 1771. The building boom resulting from the Great Fire of 1795 greatly profited from this initiative, in 1814 the name was changed again, this time to the Royal Danish Academy of Fine Arts. It is still situated in its building, the Charlottenborg Palace. The School of Architecture has been situated in former naval buildings on Holmen since 1996, the academy is larger and better funded than the Jutland Art Academy and Funen Art Academy, which offer similar programs. It teaches and conducts research on the subjects of painting, sculpting, architecture, graphics, photography, the academy is under the administration of the Danish Ministry of Culture. The academy’s School of Architecture offers education in the fields of design and restoration, urban and landscape planning and industrial, graphic. The school has nine departments, four research institutes and six affiliated research centres. The undergraduate course, leading to the Bachelor of Architecture diploma, in 2011, the Wall Street Journal named Ingels the Innovator of the Year for architecture. Hansen Medal Thorvaldsen Medal Eckersberg Medal Thorvald Bindesbøll Medal N. L. Høyen Medal The School of Visual Arts C. C
3.
Danish Golden Age
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The Danish Golden Age covers a period of exceptional creative production in Denmark, especially during the first half of the 19th century. Although Copenhagen had suffered fires, bombardment and national bankruptcy. It also saw the development of Danish architecture in the Neoclassical style, Copenhagen, in particular, acquired a new look, with buildings designed by Christian Frederik Hansen and by Michael Gottlieb Bindesbøll. In relation to music, the Golden Age covers figures inspired by Danish romantic nationalism including J. P. E. Hartmann, Hans Christian Lumbye, Niels W. Gade, literature centred on Romantic thinking, introduced in 1802 by the Norwegian-German philosopher Henrik Steffens. Key contributors were Adam Oehlenschläger, Bernhard Severin Ingemann, N. F. S. Grundtvig and, last but not least, Hans Christian Andersen, Søren Kierkegaard furthered philosophy while Hans Christian Ørsted achieved fundamental progress in science. The Golden Age thus had an effect not only on life in Denmark but, with time. The origins of the Golden Age can be traced back to around the beginning of the 19th century, surprisingly, this was a very rough period for Denmark. Copenhagen, the centre of the intellectual life, first experienced huge fires in 1794 and 1795 which destroyed both Christiansborg Palace and large areas of the inner city. In 1801, as a result of the involvement in the League of Armed Neutrality. Then in 1813, as a result of the inability to support the costs of war. To make matters worse, Norway ceased to be part of the Danish realm when it was ceded to Sweden the following year, Copenhagens devastation nevertheless provided new opportunities. Architects and planners widened the streets, constructing beautifully designed Neoclassical buildings offering a brighter yet intimate look, at the time, with a population of only 100,000, the city was still quite small, built within the confines of the old ramparts. As a result, the figures of the day met frequently, sharing their ideas, bringing the arts. Henrik Steffens was perhaps the most effective proponent of the Romantic idea, in a series of lectures in Copenhagen, he successfully conveyed the ideas behind German romanticism to the Danes. Influential thinkers, such as Oehlenschläger and Grundtvig were quick to take up his views and it was not long before Danes from all branches of the arts and sciences were involved in a new era of Romantic nationalism, later known as the Danish Golden Age. Especially in the field of painting, change became apparent, grand historical art gave way to more widely appealing but less pretentious genre paintings and landscapes. The Golden Age is generally believed to have lasted until about 1850, around that time, Danish culture suffered from the outbreak of the First Schleswig War. In addition, political reforms involving the end of the monarchy in 1848
4.
Romanticism
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Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
5.
Mythology
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Mythology refers variously to the collected myths of a group of people or to the study of such myths. Myths are the people tell to explain nature, history. Myth is a feature of every culture, mythologizing continues, as shown in contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A cultures collective mythology helps convey belonging, shared and religious experiences, behavioral models, the study of myth began in ancient history. Rival classes of the Greek myths by Euhemerus, Plato and Sallustius were developed by the Neoplatonists, the nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science, a disease of language, or a misinterpretation of magical ritual. Recent approaches often view myths as manifestations of psychological, cultural, or societal truths, the term mythology predates the word myth by centuries. It first appeared in the fifteenth-century, borrowed from the Middle French term mythologie, the word mythology, comes from Middle French mythologie, from Late Latin mythologia, from Greek μυθολογία mythología from μῦθος mythos and -λογία -logia. The word mythología appears in Plato, but was used as a term for fiction or story-telling of any kind, combining mỹthos. From Lydgate until the seventeenth or eighteenth-century, mythology was similarly used to mean a moral, fable, from its earliest use in reference to a collection of traditional stories or beliefs, mythology implied the falsehood of the stories being described. It came to be applied by analogy with similar bodies of traditional stories among other cultures around the world. The Greek loanword mythos and Latinate mythus both appeared in English before the first example of myth in 1830, in present use, mythology usually refers to the collected myths of a group of people, but may also mean the study of such myths. For example, Greek mythology, Roman mythology and Hittite mythology all describe the body of myths retold among those cultures, dundes defined myth as a sacred narrative that explains how the world and humanity evolved into their present form. Lincoln defined myth as ideology in narrative form, scholars in other fields use the term myth in varied ways. In a broad sense, the word can refer to any traditional story, due to this pejorative sense, some scholars opted for the term mythos. Its use was similarly pejorative and now commonly refers to its Aristotelian sense as a plot point or to a collective mythology. The term is distinguished from didactic literature such as fables. Main characters in myths are usually gods, demigods or supernatural humans, however, many exceptions or combinations exist, as in the Iliad, Odyssey and Aeneid. Myths are often endorsed by rulers and priests and are linked to religion or spirituality
6.
History painting
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History painting is a genre in painting defined by its subject matter rather than artistic style. History paintings usually depict a moment in a story, rather than a specific and static subject. The term is derived from the senses of the word historia in Latin and Italian, meaning story or narrative. Most history paintings are not of scenes from history, especially paintings from before about 1850, History paintings almost always contain a number of figures, often a large number, and normally show some type of action that is a moment in a narrative. The genre includes depictions of moments in religious narratives, above all the Life of Christ, as well as scenes from mythology. These groups were for long the most frequently painted, works such as Michelangelos Sistine Chapel ceiling are therefore history paintings, History painting may be used interchangeably with historical painting, and was especially so used before the 20th century. Where a distinction is made historical painting is the painting of scenes from secular history, in the 19th century historical painting in this sense became a distinct genre. In phrases such as historical painting materials, historical means in use before about 1900 and he placed emphasis on the ability to depict the interactions between the figures by gesture and expression. This view remained general until the 19th century, when artistic movements began to struggle against the establishment institutions of academic art, which continued to adhere to it. Scenes from ancient history had been popular in the early Renaissance, and once again became common in the Baroque and Rococo periods, and still more so with the rise of Neoclassicism. In some 19th or 20th century contexts, the term may refer specifically to paintings of scenes from history, rather than those from religious narratives. Scenes from ancient history and mythology were also popular, artists continued for centuries to strive to make their reputation by producing such works, often neglecting genres to which their talents were better suited. The large works of Raphael were long considered, with those of Michelangelo, un Peintre qui ne fait que des portraits, na pas encore cette haute perfection de lArt, & ne peut prétendre à lhonneur que reçoivent les plus sçavans. He who produces perfect landscapes is above another who only produces fruit, a painter who only does portraits still does not have the highest perfection of his art, and cannot expect the honour due to the most skilled. By the late 18th century, with religious and mytholological painting in decline, there was an increased demand for paintings of scenes from history. Classical history remained popular, but scenes from national histories were often the best-received, the unheroic nature of modern dress was regarded as a serious difficulty. When, in 1770, Benjamin West proposed to paint The Death of General Wolfe in contemporary dress and he ignored these comments and showed the scene in modern dress. Although George III refused to purchase the work, West succeeded both in overcoming his critics objections and inaugurating a more historically accurate style in such paintings. M. W, conveniently their clothes had been worn away to classical-seeming rags by the point the painting depicts
7.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
8.
Altarpiece
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An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing behind the altar of a Christian church. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Large number of altarpieces are now removed from their settings, and often their elaborate sculpted frameworks. Altarpieces seem to have begun to be used during the 11th century, the reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated reliquaries of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, an elaborate example of such an early altarpiece is the Pala dOro in Venice. The appearance and development of these first altarpieces marked an important turning point both in the history of Christian art and Christian religious practice, the autonomous image now assumed a legitimate position at the centre of Christian worship. Painted panel altars emerged in Italy during the 13th century, in the 13th century, it is not uncommon to find frescoed or mural altarpieces in Italy, mural paintings behind the altar function as visual complements for the liturgy. These altarpieces were influenced by Byzantine art, notably icons, which reached Western Europe in greater numbers following the conquest of Constantinople in 1204. During this time, altarpieces began to be decorated with an outer. Vigoroso da Sienas altarpiece from 1291 display such an altarpiece and this treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the polyptych. The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic architecture, in Italy, they were still typically executed in wood and painted, while in northern Europe altarpieces were often made of stone. The early 14th century saw the emergence, in Germany, the Netherlands, Scandinavia, the Baltic region, by hinging the outer panels to the central panel and painting them on both sides, the motif could be regulated by opening or closing the wings. The pictures could thus be changed depending on liturgical demands, the earliest often displayed sculptures on the inner panels, i. e. displayed when open, and paintings on the back of the wings, displayed when closed. With the advent of winged altarpieces, a shift in imagery also occurred, instead of being centred on a single holy figure, altarpieces began to portray more complex narratives linked to the Christian concept of salvation. As the Middle Ages progressed, altarpieces began to be commissioned more frequently, in Northern Europe, initially Lübeck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds, the 15th century saw the birth of Early Netherlandish painting in the Low Countries, henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead generally preferred, while in England alabaster was used to a large extent, in England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with painted panels and often with complex framing in the form of architectural compositions
9.
Portrait
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A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person, for this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, nonetheless, many subjects, such as Akhenaten and some other Egyptian pharaohs, can be recognised by their distinctive features. The 28 surviving rather small statues of Gudea, ruler of Lagash in Sumeria between c.2144 -2124 BC, show a consistent appearance with some individuality. Some of the earliest surviving painted portraits of people who were not rulers are the Greco-Roman funeral portraits that survived in the dry climate of Egypts Fayum district. These are almost the only paintings from the world that have survived, apart from frescos, though many sculptures. Although the appearance of the figures differs considerably, they are considerably idealized, the art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. During the 4th century, the portrait began to retreat in favor of a symbol of what that person looked like. In the Europe of the Early Middle Ages representations of individuals are mostly generalized, true portraits of the outward appearance of individuals re-emerged in the late Middle Ages, in tomb monuments, donor portraits, miniatures in illuminated manuscripts and then panel paintings. Moche culture of Peru was one of the few ancient civilizations which produced portraits and these works accurately represent anatomical features in great detail. The individuals portrayed would have been recognizable without the need for other symbols or a reference to their names. The individuals portrayed were members of the elite, priests, warriors. They were represented during several stages of their lives, the faces of gods were also depicted. To date, no portraits of women have been found, there is particular emphasis on the representation of the details of headdresses, hairstyles, body adornment and face painting. One of the portraits in the Western world is Leonardo da Vincis painting titled Mona Lisa. What has been claimed as the worlds oldest known portrait was found in 2006 in the Vilhonneur grotto near Angoulême and is thought to be 27,000 years old. Profile view, full view, and three-quarter view, are three common designations for portraits, each referring to a particular orientation of the head of the individual depicted. Such terms would tend to have greater applicability to two-dimensional artwork such as photography, in the case of three-dimensional artwork, the viewer can usually alter their orientation to the artwork by moving around it
10.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
11.
Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood, already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, while visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame, during his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his death have been much mythologized. He was survived by his wife Constanze and two sons and he composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote, posterity will not see such a talent again in 100 years. Wolfgang Amadeus Mozart was born on 27 January 1756 to Leopold Mozart and Anna Maria, née Pertl and this was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire. He was the youngest of seven children, five of whom died in infancy and his elder sister was Maria Anna Mozart, nicknamed Nannerl. Mozart was baptized the day after his birth, at St. Ruperts Cathedral in Salzburg, the baptismal record gives his name in Latinized form, as Joannes Chrysostomus Wolfgangus Theophilus Mozart. He generally called himself Wolfgang Amadè Mozart as an adult, Leopold Mozart, a native of Augsburg, Germany, was a minor composer and an experienced teacher. In 1743, he was appointed as fourth violinist in the establishment of Count Leopold Anton von Firmian. Four years later, he married Anna Maria in Salzburg, Leopold became the orchestras deputy Kapellmeister in 1763. During the year of his sons birth, Leopold published a textbook, Versuch einer gründlichen Violinschule. When Nannerl was 7, she began lessons with her father. Years later, after her brothers death, she reminisced, He often spent much time at the clavier, picking out thirds, which he was ever striking, and his pleasure showed that it sounded good. In the fourth year of his age his father, for a game as it were, began to teach him a few minuets and he could play it faultlessly and with the greatest delicacy, and keeping exactly in time. At the age of five, he was composing little pieces
12.
Royal Danish Academy of Art
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The Royal Danish Academy of Fine Arts has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark. The Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was inaugurated on 31 March 1754 and its name was changed to the Royal Danish Academy of Painting, Sculpture, and Architecture in 1771. The building boom resulting from the Great Fire of 1795 greatly profited from this initiative, in 1814 the name was changed again, this time to the Royal Danish Academy of Fine Arts. It is still situated in its building, the Charlottenborg Palace. The School of Architecture has been situated in former naval buildings on Holmen since 1996, the academy is larger and better funded than the Jutland Art Academy and Funen Art Academy, which offer similar programs. It teaches and conducts research on the subjects of painting, sculpting, architecture, graphics, photography, the academy is under the administration of the Danish Ministry of Culture. The academy’s School of Architecture offers education in the fields of design and restoration, urban and landscape planning and industrial, graphic. The school has nine departments, four research institutes and six affiliated research centres. The undergraduate course, leading to the Bachelor of Architecture diploma, in 2011, the Wall Street Journal named Ingels the Innovator of the Year for architecture. Hansen Medal Thorvaldsen Medal Eckersberg Medal Thorvald Bindesbøll Medal N. L. Høyen Medal The School of Visual Arts C. C
13.
Christoffer Wilhelm Eckersberg
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Christoffer Wilhelm Eckersberg was a Danish painter. He was born in Blåkrog in the Duchy of Schleswig, to Henrik Vilhelm Eckersberg, painter and carpenter and he went on to lay the foundation for the period of art known as the Golden Age of Danish Painting, and is referred to as the Father of Danish painting. In 1786 his family moved to Blans, a village near the picturesque Alssund, where he enjoyed drawing pictures of the surrounding countryside, after confirmation he began his training as a painter under church- and portrait painter, Jes Jessen of Aabenraa. He continued his training at 17 years of age under Josiah Jacob Jessen in Flensborg and he, however, had his sights set on being accepted at the Royal Danish Academy of Art in Copenhagen. Still under apprenticeship he produced proficient drawings and paintings, having amassed some money, including financial support from local well-wishers, he arrived at Copenhagens Tollbooth on 23 May 1803. He was accepted into the Academy without payment in 1803 where he studied with Nikolaj Abraham Abildgaard and he made good progress, painting historical paintings, portraits and landscapes. However, friction between him and Abildgaard impeded his advancement, and he did not win the Academys big gold medal until 1809 and he also worked to earn living money as a hand laborer, and he made drawings for copperplate etchings. Although he received promise of a stipend in conjunction with the gold medal. On 1 July 1810, he married E. Christine Rebecca Hyssing against his wishes, in order to legitimize a son, Erling Carl Vilhelm Eckersberg and his son, Erling, eventually followed in his fathers footsteps with an Academy education, and a career as a copperplate engraver. On 3 July, a few days after the wedding, he began his travels out of the country, along with Tønnes Christian Bruun de Neergaard, writer, enthusiastic art lover and financial supporter, he made his way over Germany to Paris. Here he studied under neoclassicist Jacques-Louis David from 1811-1812 and he improved his skills in painting the human form, and followed his teachers admonition to paint after Nature and the Antique in order to find Truth. It was here that he developed a friendship with Paris roommate, fellow artist Jens Peter Møller. After two years he traveled further via Florence to Rome where he continued his studies between 1813-1816 and he worked on improving his skills as a history painter, and enjoyed painting smaller studies of the local life and area. He lived there three years among a group of artists, with Bertel Thorvaldsen as the cultural head. Eckersberg and Thorvaldsen developed a lasting relationship, and the master served the younger Eckersberg as both loyal friend and advisor. Eckersberg painted one of his best portraits, a portrait of Thorvaldsen, in Rome 1814, life in Rome agreed with him, and he was greatly affected by the bright southern light he experienced there. He produced a body of work during those years, including a number of exceptional landscape studies. His divorce from Hyssing was finalized during his stay out of the country, shortly after his return to Denmark he arranged for his admission into the Academy, and received as the subject of his admissions painting the Norse legend, the Death of Baldur
14.
Frederiksborg Palace
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Frederiksborg Castle is a palatial complex in Hillerød, Denmark. Situated on three islets in the Slotssøen, it is adjoined by a formal garden in the Baroque style. After a serious fire in 1859, the castle was rebuilt on the basis of old plans, thanks to public support and the brewer J. C. Jacobsen, the building and its apartments were fully restored by 1882 when it was reopened to the public as the Danish Museum of National History, open throughout the year, the museum contains the largest collection of portrait paintings in Denmark. The estate originally known as Hillerødsholm near Hillerød had traditionally belonged to the Gøyes, in the 1520s and 1530s, Mogens Gøye, Steward of the Realm, had been instrumental in introducing the Danish Reformation. He lived in a building on the most northerly of three adjoining islets on the estates lake. The property was known as Hillerødsholm, after his daughter, Birgitte, married the courtier and naval hero Herluf Trolle in 1544, the couple became its proprietors. In the 1540s, Trolle replaced the old building with a manor house. As the old building with towers was too small for the king. At the kings request, Trolle remained on the premises until the work was completed, the king then renamed the estate Frederiksborg. Interested in deer hunting, he used the castle with the neighbouring Bath House as a hunting lodge, centred as it was in the fields. The additions included a wall to the south, separating the estate from the town. Still standing today is the quadrangular red-brick, tip-roofed house on Staldgade known as Herluf Trolles Tower, adjoining this are two long, narrow red-brick stable buildings, the Kings Stables to the west and the Hussars Stables to the east. These in turn lead to a wall along the lake with two round towers completed in 1562 bearing the arms of Frederick II and his motto Mein Hoffnung zu Gott allein, on the central islet, the long pantry house with stepped gables can also be seen today. The most important building from Frederick IIs times is the Bath House in the park northwest of the islets, completed in 1581 in the Renaissance style with three protruding step-gabled wings, it served the king as a hunting lodge during the summer months. Frederiksborg Castle was the first Danish castle to be built inland, all previous castles had been on the coast or close to ports as the sea had traditionally been the principal means of travel. It was also the first to be built for recreational purposes rather than for defence. Its location in Hillerød led to the development of improved roads
15.
Christiansborg Palace
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Christiansborg Palace is a palace and government building on the islet of Slotsholmen in central Copenhagen, Denmark. It is the seat of the Danish Parliament, the Danish Prime Ministers Office, also, several parts of the palace are used by the Danish monarch, including the Royal Reception Rooms, the Palace Chapel and the Royal Stables. The palace is home to the three supreme powers, the executive power, the legislative power, and the judicial power. It is the building in the world that houses all three of a countrys branches of government. The name Christiansborg is thus also used as a metonym for the Danish political system. The present building, the third with this name, is the last in a series of castles and palaces constructed on the same site since the erection of the first castle in 1167. The palace today bears witness to three eras of Danish architecture, as the result of two serious fires, the first fire occurred in 1794 and the second in 1884. The main part of the current palace, finished in 1928, is in the historicist Neo-baroque style, the chapel dates to 1826 and is in a neoclassical style. The showgrounds were built 1738-46, in a baroque style, Christiansborg Palace is owned by the Danish state, and is run by the Palaces and Properties Agency. Several parts of the palace are open to the public, the first castle on the site was Absalons Castle. According to the Danish chronicler Saxo Grammaticus, Bishop Absalon of Roskilde built a castle in 1167 on an island outside Copenhagen Harbour. The castle was made up by a wall, encircling an enclosed courtyard with several buildings, such as the bishops palace. At the death of Absalon in 1201, possession of the castle, a few decades later, however, a bitter feud erupted between crown and church, and for almost two centuries the ownership of the castle and city was contested between kings and bishops. Furthermore, the castle was frequently under attack, for example by Wend pirates and the Hanseatic cities, in 1369, following a conflict with king Valdemar IV of Denmark, the Hanseatic League sent 40 stonemasons to demolish the castle stone by stone. The castle had long been a nuisance to the Hanseatic cities trade in the Sound. The castle had a wall and was surrounded by a moat and with a large. The castle was still the property of the Bishop of Roskilde until King Eric VII usurped the rights to the castle in 1417, from then on the castle in Copenhagen was occupied by the king. In the middle of the 15th century, the became the principal residence of the Danish kings
16.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
17.
Prague
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Prague is the capital and largest city of the Czech Republic. It is the 14th largest city in the European Union and it is also the historical capital of Bohemia. Situated in the north-west of the country on the Vltava river, the city has a temperate climate, with warm summers and chilly winters. Prague has been a political, cultural, and economic centre of central Europe with waxing and waning fortunes during its history and it was an important city to the Habsburg Monarchy and its Austro-Hungarian Empire. Prague is home to a number of cultural attractions, many of which survived the violence. Main attractions include the Prague Castle, the Charles Bridge, Old Town Square with the Prague astronomical clock, since 1992, the extensive historic centre of Prague has been included in the UNESCO list of World Heritage Sites. The city has more than ten major museums, along with theatres, galleries, cinemas. An extensive modern public transportation system connects the city, also, it is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe. Prague is classified as an Alpha- global city according to GaWC studies, Prague ranked sixth in the Tripadvisor world list of best destinations in 2016. Its rich history makes it a popular tourist destination, and the city more than 6.4 million international visitors annually. Prague is the fifth most visited European city after London, Paris, Istanbul, the region was settled as early as the Paleolithic age. In the last century BC, the Celts were slowly driven away by Germanic tribes, around the area where present-day Prague stands, the 2nd century map of Ptolemaios mentioned a Germanic city called Casurgis. In the following century, the Czech tribes built several fortified settlements in the area, most notably in Levý Hradec, Butovice and in the Šárka valley. The construction of what came to be known as the Prague Castle began near the end of the 9th century, the first masonry under Prague Castle dates from the year 885 at the latest. The other prominent Prague fort, the Přemyslid fort Vyšehrad, was founded in the 10th century, Prague Castle is dominated by the cathedral, which was founded in 1344, but completed in the 20th century. The legendary origins of Prague attribute its foundation to the 8th century Czech duchess and prophetess Libuše and her husband, Přemysl, legend says that Libuše came out on a rocky cliff high above the Vltava and prophesied, I see a great city whose glory will touch the stars. She ordered a castle and a town called Praha to be built on the site, a 17th century Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the city was founded as Boihaem in c.1306 BC by an ancient king, Boyya. The region became the seat of the dukes, and later kings of Bohemia, under Roman Emperor Otto II the area became a bishopric in 973
18.
Nuremberg
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Nuremberg is a city on the river Pegnitz and the Rhine–Main–Danube Canal in the German state of Bavaria, in the administrative region of Middle Franconia, about 170 kilometres north of Munich. It is the second-largest city in Bavaria, and the largest in Franconia, the population as of February 2015, is 517,498, which makes it Germanys fourteenth-largest city. The urban area also includes Fürth, Erlangen and Schwabach with a population of 763,854. The European Metropolitan Area Nuremberg has ca.3.5 million inhabitants, Nuremberg was, according to the first documentary mention of the city in 1050, the location of an Imperial castle between the East Franks and the Bavarian March of the Nordgau. From 1050 to 1571, the city expanded and rose dramatically in importance due to its location on key trade routes, Nuremberg is often referred to as having been the unofficial capital of the Holy Roman Empire, particularly because Imperial Diet and courts met at Nuremberg Castle. The Diets of Nuremberg were an important part of the structure of the empire. The increasing demand of the court and the increasing importance of the city attracted increased trade. Nuremberg soon became, with Augsburg, one of the two great trade centers on the route from Italy to Northern Europe. In 1298, the Jews of the town were accused of having desecrated the host, behind the massacre of 1298 was also the desire to combine the northern and southern parts of the city, which were divided by the Pegnitz. The Jews of the German lands suffered many massacres during the plague years, in 1349, Nurembergs Jews were subjected to a pogrom. They were burned at the stake or expelled, and a marketplace was built over the former Jewish quarter, the plague returned to the city in 1405,1435,1437,1482,1494,1520 and 1534. Charles was the patron of the Frauenkirche, built between 1352 and 1362, where the Imperial court worshipped during its stays in Nuremberg. Charles IV conferred upon the city the right to conclude alliances independently, frequent fights took place with the burgraves without, however, inflicting lasting damage upon the city. Through these and other acquisitions the city accumulated considerable territory, the Hussite Wars, recurrence of the Black Death in 1437, and the First Margrave War led to a severe fall in population in the mid-15th century. During the Middle Ages, Nurembergs literary culture was rich, varied, the cultural flowering of Nuremberg, in the 15th and 16th centuries, made it the centre of the German Renaissance. In 1525, Nuremberg accepted the Protestant Reformation, and in 1532, during the 1552 revolution against Charles V, Nuremberg tried to purchase its neutrality, but the city was attacked without a declaration of war and was forced into a disadvantageous peace. The state of affairs in the early 16th century, increased trade routes elsewhere, frequent quartering of Imperial, Swedish and League soldiers, the financial costs of the war and the cessation of trade caused irreparable damage to the city and a near-halving of the population. In 1632, the city, occupied by the forces of Gustavus Adolphus of Sweden, was besieged by the army of Imperial general Albrecht von Wallenstein, the city declined after the war and recovered its importance only in the 19th century, when it grew as an industrial centre
19.
Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
20.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
21.
Naples
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Naples is the capital of the Italian region Campania and the third-largest municipality in Italy, after Rome and Milan. In 2015, around 975,260 people lived within the administrative limits. The Metropolitan City of Naples had a population of 3,115,320, Naples is the 9th-most populous urban area in the European Union with a population of between 3 million and 3.7 million. About 4.4 million people live in the Naples metropolitan area, Naples is one of the oldest continuously inhabited cities in the world. Bronze Age Greek settlements were established in the Naples area in the second millennium BC, a larger colony – initially known as Parthenope, Παρθενόπη – developed on the Island of Megaride around the ninth century BC, at the end of the Greek Dark Ages. Naples remained influential after the fall of the Western Roman Empire, thereafter, in union with Sicily, it became the capital of the Two Sicilies until the unification of Italy in 1861. Naples was the most-bombed Italian city during World War II, much of the citys 20th-century periphery was constructed under Benito Mussolinis fascist government, and during reconstruction efforts after World War II. The city has experienced significant economic growth in recent decades, and unemployment levels in the city, however, Naples still suffers from political and economic corruption, and unemployment levels remain high. Naples has the fourth-largest urban economy in Italy, after Milan, Rome and it is the worlds 103rd-richest city by purchasing power, with an estimated 2011 GDP of US$83.6 billion. The port of Naples is one of the most important in Europe, numerous major Italian companies, such as MSC Cruises Italy S. p. A, are headquartered in Naples. The city also hosts NATOs Allied Joint Force Command Naples, the SRM Institution for Economic Research, Naples is a full member of the Eurocities network of European cities. The city was selected to become the headquarters of the European institution ACP/UE and was named a City of Literature by UNESCOs Creative Cities Network, the Villa Rosebery, one of the three official residences of the President of Italy, is located in the citys Posillipo district. Naples historic city centre is the largest in Europe, covering 1,700 hectares and enclosing 27 centuries of history, Naples has long been a major cultural centre with a global sphere of influence, particularly during the Renaissance and Enlightenment eras. In the immediate vicinity of Naples are numerous culturally and historically significant sites, including the Palace of Caserta, culinarily, Naples is synonymous with pizza, which originated in the city. Neapolitan music has furthermore been highly influential, credited with the invention of the romantic guitar, according to CNN, the metro stop Toledo is the most beautiful in Europe and it won also the LEAF Award 2013 as Public building of the year. Naples is the Italian city with the highest number of accredited stars from the Michelin Guide, Naples sports scene is dominated by football and Serie A club S. S. C. Napoli, two-time Italian champions and winner of European trophies, who play at the San Paolo Stadium in the south-west of the city, the Phlegraean Fields around Naples has been inhabited since the Neolithic period. The earliest Greek settlements were established in the Naples area in the second millennium BC, sailors from the Greek island of Rhodes established a small commercial port called Parthenope on the island of Megaride in the ninth century BC
22.
Pompeii
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Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osci or Oscans. It came under the domination of Rome in the 4th century BC, by the time of its destruction,160 years later, its population was estimated at 11,000 people, and the city had a complex water system, an amphitheatre, gymnasium, and a port. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash, the site was lost for about 1,500 years until its initial rediscovery in 1599 and broader rediscovery almost 150 years later by Spanish engineer Rocque Joaquin de Alcubierre in 1748. The objects that lay beneath the city have been preserved for centuries because of the lack of air and these artefacts provide an extraordinarily detailed insight into the life of a city during the Pax Romana. During the excavation, plaster was used to fill in the voids in the ash layers that once held human bodies and this allowed archaeologists to see the exact position the person was in when he or she died. Pompeii has been a tourist destination for over 250 years, today it has UNESCO World Heritage Site status and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors every year. Pompeii in Latin is a second declension plural, the ruins of Pompeii are located near the modern suburban town of Pompei. It stands on a formed by a lava flow to the north of the mouth of the Sarno River. Today it is some distance inland, but in ancient times was nearer to the coast, Pompeii is about 8 km away from Mount Vesuvius. It covered a total of 64 to 67 hectares and was home to approximately 11,000 to 11,500 people on the basis of household counts and it was a major city in the region of Campania. Three sheets of sediment have been found on top of the lava that lies below the city and, mixed in with the sediment, archaeologists have found bits of bone, pottery shards. Carbon dating has placed the oldest of these layers from the 8th–6th centuries BC, the other two strata are separated either by well-developed soil layers or Roman pavement, and were laid in the 4th century BC and 2nd century BC. It is theorized that the layers of the sediment were created by large landslides. The town was founded around the 7th-6th century BC by the Osci or Oscans and it had already been used as a safe port by Greek and Phoenician sailors. According to Strabo, Pompeii was also captured by the Etruscans, and in recent excavations have shown the presence of Etruscan inscriptions. Pompeii was captured for the first time by the Greek colony of Cumae, allied with Syracuse, in the 5th century BC, the Samnites conquered it, the new rulers imposed their architecture and enlarged the town
23.
Bertel Thorvaldsen
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Bertel Thorvaldsen was a Danish/Icelandic sculptor of international fame, who spent most of his life in Italy. Thorvaldsen was born in Copenhagen into a Danish/Icelandic family of humble means, working part-time with his father, who was a wood carver, Thorvaldsen won many honors and medals at the academy. He was awarded a stipend to travel to Rome and continue his education, in Rome, Thorvaldsen quickly made a name for himself as a sculptor. Maintaining a large workshop in the city, he worked in a heroic neo-classicist style and his patrons resided all over Europe. Upon his return to Denmark in 1838, Thorvaldsen was received as a national hero, the Thorvaldsen Museum was erected to house his works next to Christiansborg Palace. Thorvaldsen is buried within the courtyard of the museum, in his time, he was seen as the successor of master sculptor Antonio Canova. His strict adherence to classical norms has tended to estrange modern audiences, Thorvaldsen was born in Copenhagen in 1770, the son of Gottskálk Þorvaldsson, an Icelander who had settled in Denmark. Thorvaldsens mother was Karen Dagnes, a Jutlandic peasant girl and his birth certificate and baptismal records have never been found, and the only record is of his confirmation in 1787. Thorvaldsen had claimed descent from Snorri Thorfinnsson, the first European born in America, Thorvaldsens childhood in Copenhagen was humble. His father had a habit that slowed his career. Nothing is known of Thorvaldsens early schooling, and he may have been schooled entirely at home and he never became good at writing, and he never acquired much of the knowledge of fine culture that was expected from an artist. In 1781, by the help of friends, eleven-year-old Thorvaldsen was admitted to Copenhagens Royal Danish Academy of Art first as a draftsman. At night he would help his father in the wood carving, among his professors were Nicolai Abildgaard and Johannes Wiedewelt, who are both likely influences for his later neo-classicist style. At the Academy he was praised for his works and won all the prizes from the small Silver Medal to the large Gold Medal for a relief of St. Peter healing the crippled beggar in 1793. As a consequence, he was granted a Royal stipend, enabling him to complete his studies in Rome. Leaving Copenhagen on August 30 on the frigate Thetis, he landed in Palermo in January 1797 traveled to Naples where he studied for a month before making his entry to Rome on 8 March 1797. Since the date of his birth had never recorded, he celebrated this day as his Roman birthday for the rest of his life. In Rome he lived at Via Sistina in front of the Spanish Steps and had his workshop in the stables of the Palazzo Barberini and he was taken under the wing of Georg Zoëga a Danish archeologist and numismatist living in Rome
24.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
25.
University of Copenhagen
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The University of Copenhagen is the oldest university and research institution in Denmark. Founded in 1479 as a studium generale, it is the second oldest institution for education in Scandinavia after Uppsala University. The university has 23,473 undergraduate students,17,398 postgraduate students,2,968 doctoral students, the university has four campuses located in and around Copenhagen, with the headquarters located in central Copenhagen. Most courses are taught in Danish, however, many courses are offered in English. The university has several thousands of students, about half of whom come from Nordic countries. The university has had 8 alumni become Nobel laureates and has produced one Turing Award recipient, the rector, the prorector and the director of the university is appointed by the university board. The rector in turn appoints directors of the different parts of the central administration, the deans appoint heads of 50 departments. There is no faculty senate and faculty is not involved in the appointment of rector, deans, hence the university has no faculty governance, although there are elected Academic Boards at faculty level who advise the deans. The governing body manages a budget of about BDKK8.3. The University is organized into six faculties and about 100 departments, the University employs about 5,600 academic staff and 4,400 technical and administrative staff. The total number of enrolled students is about 40,000 annually, UCPH has established an international graduate talent program which provides grants for international Ph. D, students and a tenure track carrier system. UCPH operates about fifty master’s programmes taught in English, and has arranged about 150 exchange agreements with institutions and 800 Erasmus agreements. Each year there are about 1,700 incoming exchange students,2,000 outbound exchange students and 4,000 international degree-seeking students, about 3,000 Ph. D. students study there each year. South Campus – houses the Faculty of Humanities and a proportion of the Faculty of Science. In the winter of 2016–2017, the Faculty of Law and the Faculty of Theology will also move to South Campus, frederiksberg Campus – home to sections of the Faculty of Science and the Faculty of Health and Medical Sciences. The Faculty of Health and Medical Sciences and the Faculty of Science also use the Taastrup Campus, the Faculty of Science also has facilities in Helsingør, Hørsholm and Nødebo. The University of Copenhagen was founded in 1479 and is the oldest university in Denmark, between the closing of the Studium Generale in Lund in 1536 and the establishment of the University of Aarhus in the late 1920s, it was the only university in Denmark. The university became a centre of Roman Catholic theological learning, but also had faculties for the study of law, medicine, between 1675 and 1788, the university introduced the concept of degree examinations
26.
Tapestry
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Tapestry is a form of textile art, traditionally woven on a vertical loom. Tapestry is weft-faced weaving, in all the warp threads are hidden in the completed work. In tapestry weaving, weft yarns are typically discontinuous, the artisan interlaces each coloured weft back and it is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Most weavers use a warp thread, such as linen or cotton. The weft threads are usually wool or cotton, but may include silk, gold, silver, the earliest attested form of the word is the Mycenaean Greek
27.
History of Copenhagen
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The history of Copenhagen dates back to the first settlement at the site in the 11th century. From the middle of the 12th century it grew in importance after coming into the possession of Bishop Absalon, the harbour and the excellent possibilities for herring fishing contributed to Copenhagens growth and development into an important trading centre. It was repeatedly attacked by the Hanseatic League as the Germans became aware of its expansion, in 1254, it received its charter as a city under Bishop Jakob Erlandsen. The town was enlarged under Christian IV of Denmark after his coronation in 1596 by the addition of new city districts and modern fortifications with earthworks. The king commissioned German and Dutch architects and craftsmen to construct magnificent edifices designed to enhance his prestige, during 1658-59 it withstood a severe siege by the Swedes under Charles X and successfully repelled a major assault. In 1728 and again in 1795, the city was ravaged by large fires, in 1801, a British fleet under Admiral Parker fought a major battle, the Battle of Copenhagen, with the Danish navy in Copenhagen harbour. It was during this battle Lord Nelson put the telescope to the eye in order not to see Admiral Parkers signal to cease fire. But not until the 1850s were the ramparts of the city opened to new housing to be built around the lakes which bordered the old defence system to the west. This dramatic increase of space was long overdue, not only because the old ramparts were out of date as a defence system, but also because of bad sanitation in the old city. Before this relaxation, the centre of Copenhagen was inhabited by approximately 125,000 people, peaking in the census of 1870. In 1901, Copenhagen expanded further, incorporating communities with 40,000 people, since the summer 2000, the cities of Copenhagen and Malmö have been connected by a toll bridge/tunnel for both rail and road traffic. As a result, Copenhagen has become the centre of a metropolitan area which spans both nations. The construction of the bridge has led to a number of changes to the public transportation system. Signs of human activity dating back to about 4000 BCE have been found, the surrounding area consisted of moist beach meadows and signs of cattle grazing have been found. The city probably had a located at present day Højbro Plads. Details of the existence of a town as early as the 11th century have recently been published by Videnskab. dk with a series of articles documenting new archeological finds. These provide evidence of an estate at todays Kongens Nytorv, a church close to the later St Clemens. In the 12th century Copenhagen assumed increasing importance and the town was reinforced with earthworks, the Roman Catholic Church erected cathedrals in Roskilde and in Lund, which laid the basis for further development in those regional centres
28.
Architecture of Denmark
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The architecture of Denmark has its origins in the Viking period, richly revealed by archaeological finds. It became firmly established in the Middle Ages when first Romanesque, then Gothic churches and it was during this period that, in a country with little access to stone, brick became the construction material of choice, not just for churches but also for fortifications and castles. In parallel, the style became popular for ordinary dwellings in towns. Late in his reign, Christian IV also became a proponent of Baroque which was to continue for a considerable time with many impressive buildings both in the capital and the provinces. Neoclassicism came initially from France but was adopted by native Danish architects who increasingly participated in defining architectural style. A productive period of Historicism ultimately merged into the 19th century National Romantic style and it was not, however, until the 1960s that Danish architects entered the world scene with their highly successful Functionalism. Archaeological excavations in parts of Denmark have revealed much about the way the Vikings lived. One of the most notable sites is Hedeby, located some 45 km south of the Danish border near the German town of Schleswig, it probably dates back to the end of the 8th century. The houses are deemed to be among the most sophisticated dwellings of their time, oak frames were used for the walls, and the roofs were probably thatched. Viking ring houses, such as those at Trelleborg, near Slagelse on the Danish island of Zealand, have a different, ship-like shape. Each house consisted of a central hall,18 m ×8 m. Those at Fyrkat in the north of Jutland were 28.5 m long,5 m wide at the ends and 7.5 m in the middle, the walls consisted of double rows of posts with planks wedged horizontally between them. A series of posts slanted towards the wall were possibly used to support the building like buttresses. Denmarks first churches from the 9th century were built of timber and have not survived, hundreds of stone churches in the Romanesque style were built in the 12th and 13th centuries. They had a nave and chancel with small rounded windows. Among the finest examples of brick Romanesque buildings are St. Bendts Church in Ringsted, the church at Østerlars on the island of Bornholm was built around 1150. Like three other churches on the island, it is a round church, the three-storeyed building is supported by a circular outer wall and an exceptionally wide, hollow central column. Construction of Lund Cathedral in Scania started in about 1103 when the region was part of the Kingdom of Denmark and it was the first of great Danish Romanesque cathedrals in the shape of a three-aisled basilica with transepts
29.
Andreas Hallander
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Andreas Hallander was a Danish master carpenter and architect who made a significant contribution to the city of Copenhagen. Hallander was the son of Jens Nielsen Hallander, a miller, trained as a carpenter, he studied architecture at the Royal Danish Academy of Fine Arts under the influential C. F. Harsdorff, winning the silver medal in 1780. His buildings are in the style favoured by Harsdorff. He was one of the group of Harsdorffs students from the Academy who were largely responsible for the rebuilding of Copenhagen after the fires. These builders formed a group, reinforced by their membership of the civil guard. They married each others daughters and widows and acted as godfathers at christenings, huge fortunes were made as they bought plots of land, built them up and sold them again. Hallander was an enormously productive speculator and builder and he was one of the main contributors to the classical architecture of Copenhagen, predominant in large sections of the city centre. Most of his buildings are now listed and he married Emilie Tønnesen, daughter of skipper Jan Jansen Tønnesen and Bodil Hansdatter. He is buried in Assistens Cemetery
30.
Christian Frederik Hansen
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Christian Frederik Hansen, known as C. F. He was known as Denmark’s Palladio on account of the style he promoted. His buildings are known for their simplicity, strength and scale and he was born in Copenhagen into the poor household of shoemaker and leatherworker Matthias Hansen and his wife Anna Marie, who had been nursemaid for Prince Christian VII. He was the youngest son in the family, and there was not much money to spend on his upbringing and his parents sent him to train in business, but he wanted to draw. His mother used her connections at the court, and found some influential people who interested themselves in his education. He was brought into training as a bricklayer, and at the time he attended classes at the Academy of Art starting in 1766. He studied at the Academy under architect Caspar Frederik Harsdorff, and he won the Academy’s small silver medallion in 1772-1773, the large silver medallion in 1774-1775, and the large gold medallion in 1779. He was taken into Harsdorffs private studio where he worked on the construction of Frederik Vs chapel at Roskilde Cathedral in 1780 and he received no travel grant from the Academy, in spite of his receiving the gold medallion. His student drawings from the trip are kept in the Academy’s Library to this day and he returned home September 1784, and became a member of the Academy in 1785. Shortly afterwards he was named to the position of Regional Architect for the Duchies of Schleswig and Holstein, with residence in Altona and he held this position from 24 November 1784 until his retirement on 31 October 1844. He was named titular Professor at the Academy in 1791, in 1792 he married Anne Margrethe Rahbek. He prospered during his 18 years in Altona and Hamburg, with a practice that made up for the meager earnings he made in his official position. He built fine houses for the well-to-do, both in town and out in the country, estates on Elbchaussee, and small churches. He designed many houses along Altonas elegant boulevard Palmaille, including some investment houses at his own expense. He used a simple Roman Palladio-style in his work, when Harsdorff died in 1799 a number of public building projects were transferred to Hansen, among these the completion of Frederiks Church, also known as The Marble Church in Copenhagen. He returned to Copenhagen in 1804, where he lived until his death and he had a large, social household in a fabulously appointed apartment in Copenhagen. In 1808 he was named Professor of Architecture, Chief Building Director and he held the title of Chief Building Director until his retirement. He overtook Nikolaj Abraham Abildgaards leading position at the Academy, and was eight times as Director of the Academy, 1811–1818, 1821–1827
31.
Gustav Friedrich Hetsch
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Gustav Friedrich Hetsch was a German-born, Danish architect. Hetsch was born in Stuttgart and studied at the University of Tübingen and in Paris, after finishing his studies, he worked for Jean-Baptiste Rondelet on the Church of Sainte-Geneviève. In 1812 he was recalled to Stuttgart, but soon left for Italy and it was Malling who in 1815 inspired Hetsch to come to Copenhagen, where he taught at the Royal Danish Academy of Fine Arts, eventually advancing to Professor of Architecture. One of Hetschs first major projects was the decoration of the rebuilt Christiansborg Palace. Though most of his accomplishments were in the area of art, Hetsch also designed the Great Synagogue. In parallel with his duties at the academy he held other positions
32.
Johan Martin Quist
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Johan Martin Quist or Qvist was a Danish architect who made a significant contribution to the city of Copenhagen. Johan Martin Quist was born in Copenhagen on 3 September 1755, the son of Nicolaj Mathiessen Quist, a shoemaker, after being trained as a mason, he studied at the Royal Danish Academy of Fine Arts under the influential C. F. Harsdorff, winning the silver medal in 1775 and the small gold medal in 1781. Quist was one of the Copenhagen builders who so quickly and effectively helped to reconstruct the areas of the old town which had destroyed by fire in June 1795. His imposing apartment buildings are inspired by Harsdorffs neoclassical style and he and his fellow builders formed a close-knit group, reinforced by their membership of the civil guard and fire corps. They married each others daughters and widows and acted as godfathers at christenings, huge fortunes were made as they bought plots of land, built them up and sold them again. After the great fire, building called for buildings on street corners to be set back to provide more room for fire engines. Quist took advantage of the new rules by designing bow-shaped corners, two years later he built an even more effective corner house at 47 Vimmelskaftet where both facades boasted pilasters on three floors. Quist, who died in Copenhagen on 25 April 1818, is buried in Assistens Cemetery and his most important work is Gustmeyer House opposite Christiansborg Palace on Ved Stranden. Completed in 1797 for the merchant, F. L. Gustmeyer, it is one of Copenhagens first bourgeois residences with free-standing columns, all Quists surviving works are now listed buildings
33.
Art of Denmark
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Danish art is the visual arts produced in Denmark or by Danish artists. It goes back thousands of years with significant artifacts from the 2nd millennium BC, for many early periods, it is usually considered as part of the wider Nordic art of Scandinavia. Art from what is today Denmark forms part of the art of the Nordic Bronze Age, Danish medieval painting is almost entirely known from church frescos such as those from the 16th-century artist known as the Elmelunde Master. The Reformation greatly disrupted Danish artistic traditions, and left the body of painters and sculptors without large markets. Thereafter for an extended period art in Denmark was either imported from Germany, from the late 18th century on, the situation changed radically and beginning with the Danish Golden Age, a distinct tradition of Danish art has continued to flourish until today. Due to generous art subsidies, contemporary Danish art has a big production per capita, lurs are a distinctive type of giant curving Bronze Age horn, of which 35 of the 53 known examples have been found in bogs in Denmark, very often in pairs. They are normally made of bronze, and often decorated, a possibly alien find in Denmark is the Gundestrup cauldron, a richly decorated silver vessel, thought to date to the 1st century BC. It was found in 1891 in a bog near the hamlet of Gundestrup in north-eastern Jutland. The silversmithing of the plates is very skilled, the bowl,70 cm across, was beaten from a single ingot. Now in the National Museum of Denmark, it is the largest known example of European silver work from the period, the style and workmanship suggest Thracian origin, while the imagery seems Celtic, so it may not reflect local styles. Danish sites have given their names to two of the six main styles of Viking or Norse art, Jelling style and its successor Mammen style, only one Danish ship burial is known, from Ladbyskibet. The images on the runestones at Jelling are probably the best known Danish works of the period, church wall paintings are to be found in some 600 churches across Denmark, probably representing the highest concentration of surviving church murals anywhere in the world. Most of them back to the Middle Ages. They lay hidden for centuries as after the Reformation in Denmark, of most interest to Danish art are the Gothic paintings from the 15th and 16th centuries as they were painted in a style typical of native Danish painters. Adopting the Biblia pauperum approach, they present many of the most popular stories from the Old, albrecht Dürers portrait of her father Christian II of Denmark, painted in Brussels in 1521, has not survived, though portraits of him by other foreign artists have. After a period of development its pupils were indeed to lead the creation of a distinct Danish style, leading Danish artists teaching at the Academy included Christian August Lorentzen and Jens Juel, also later Director. Among his works are the series of statues of Christ. Motifs for his works were mostly from Greek mythology, but he also created portraits of important personalities, as in his tomb monument for Pope Pius VII in St Peters Basilica
34.
Wilhelm Bendz
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Wilhelm Ferdinand Bendz was a Danish painter mainly known for genre works and portraits which often portray his artist colleagues and their daily lives. He was one of the most talented artists in the generation of painters who studied under Christoffer Wilhelm Eckersberg. Wilhelm Bendz was born on 20 March 1804 in Odense on the island of Funen and he was sent to Copenhagen where he attended the Royal Danish Academy of Fine Arts from 1820 to 1825, where he studied under Christoffer Wilhelm Eckersberg. He may also have acquired some knowledge of contemporary German painting, the Munich School, after his graduation from the Academy, Bendz contributed successfully with a number of works to the annual exhibitions at Charlottenborg in 1826,1827 and 1828. Another important work from this phase is A Tobacco Party from 1828, in late 1830 Bendz finally received a travel scholarship which enabled him to leave for southern Europe. After shorter visits to Dresden and Berlin, he went to Munich, which had developed into a vibrant centre for the arts. His most important work from the stay is the thoroughly composed group portrait Artist in the Evening at Fincks Coffee House in Munich and they continued together but shortly after, in Vicenza, Bendz who had felt ill since Venice died from a lung infection. Today he is remembered for his many technically accomplished portraits, though his ambition most of all ran towards a refined fusion of portrait, genre scene. His technical virtuosity is particularly visible in his depictions of the play of light cast from an obscured source, Wilhelm Bendzs works Mortensen, Klaus P. Wilhelm Bendz. Rooms with a View The Open Window in the 19th Century, Bendz, Wilhelm, Saabye, Marianne, Johannesson, Birgitte. Wilhelm Bendz 1804-1832 et ungt kunstnerliv
35.
Ditlev Blunck
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Ditlev Conrad Blunck was a Danish painter associated with the Danish Golden Age during the first half of the 19th century. He was born in Holsten in 1798, in 1814 he began his studies at the Royal Danish Academy of Art in Copenhagen as a student of C. A. Concurrently he received teaching from C. W. Eckersberg together with Wilhelm Bendz, Ernst Meyer, in 1818 Blunck moved to Munich, presumably dissatisfied with the teaching he received, and enrolled in the Academy as a student. He stayed there until 1820, then returned to Copenhagen, back in Denmark, Blunck became a student of the new professor, historical painter J. L. Lund, who was to become a major influence on his painting. Thus, it was also mostly history painting, that marked Bluncks early work, later, through genre painting, it became representative of the kind of everyday realism, that was to appear in Danish art in the mid-1820s. The influence from J. L. Lund grew particularly clear during his stay in Germany beginning in 1828, in Berlin, Munich and Dresden he became acquainted with J. L. Lunds artist-friends, including the famed romantic painter Caspar David Friedrich. He was, however, more influenced by the works of Johann Friedrich Overbeck in changing his artistic direction and he began to devote himself to the religious motif and developed like few other Danes a painting style, that was strongly influenced by the Nazarene movement. Bluncks stay abroad also brought him to Rome, here, he joined the group around Bertel Thorvaldsen and produced several of his major paintings including Danish artists in the inn La Gensola. Katalog der Gemäldesammlung des Städtischen Museums Flensburg, Boyens, Heide 1989, ISBN 3-8042-0467-8 Art of Denmark
36.
Carl Dahl
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Niels Carl Michaelius Flindt Dahl, usually known as Carl Dahl, was a Danish marine painter during the Golden Age of Danish Painting. In addition to a tour of Italy and the Mediterranean, he travelled to Lisbon, Germany and France, Norway and to London. As a result of his interest in painting, he became one of Eckersbergs closest friends in the 1840s as they helped each other to complete their paintings. In 1849, he won the Neuhausen prize for his Skibe, despite his mastery of perspecitive, he lacked the freedom of artistic expression which would have contributed to the value of his paintings. His most important work is considered to be Søtræfningen ved Helgoland now in Frederiksberg Museum, other notable works include Parti fra Larsens Plads ved havnen i København, Lissabons rhed and Fregat i en storm med rebede undersejl
37.
Dankvart Dreyer
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Dankvart Dreyer was a Danish landscape painter of the Copenhagen School of painters who was educated under the guidance of Christoffer Wilhelm Eckersberg. After being widely criticized, he turned his back on the artistic establishment, in 1852, when only 36 years old, he died from typhus. As the youngest of 15 children, Dankvart Dreyer was born on 13 June 1816 in Assens on the Danish island of Funen. His parents were Jørgen Christian Dreyer, a merchant who had been the richest man in town until the national bankruptcy in 1813. Dankvart soon showed a gift for drawing, another boy in Assens at that time, born the same year as Dankvart, was Jens Adolf Jerichau, who also was to become a prominent artist. Dreyers godfarther therefore saw to it that in 1831, at the age of 15 and he was talented and successful, winning several awards before he turned 21. Dreyer also had lessons with Christen Købke, another professor at the Academy. He also met a group of fellow Academy students who were studying landscape painting, Skovgaard and Johan Lundbye who became his close friends and inspired him to take still more interest in landscaping. Alone or together with them, he made frequent excursions to the north of Copenhagen. There he made detailed sketches and studies of nature, unlike most of his contemporaries, Dreyer never went abroad to further his studies, although he applied for travel scholarships on three occasions. Instead, he travelled widely in Denmark and his native island of Funen remained a focal point for his artistic attention throughout his career, particularly the area around Assens where he had grown up. A place of importance to him was the small manor house of Rugaard which he visited almost every summer from 1837 to 1847 to paint. Dreyers appetite for exploring the provinces also brought him to Jutland and he was the first to paint the gentle landscapes along the east coast or the moors of central Jutland. However, he had found the landscape unsuitable for painting due to the lack of trees and this did not bother Dreyer who had been struck by the short stories of Steen Steensen Blicher, a distant relative of his. Blichers descriptions of the beauty of the vast, brown-colored heaths of mid Jutland, of its people. Dreyer first visited the east coast around Aarhus in 1838 and later year he was present when Blicher arranged his first National Awakening Meeting at Himmelbjerget. He went on to paint the heath and, when he returned in 1843, in the years around 1840, the influential art historian and critic Niels Laurits Høyen campaigned for nationalistic art, reflecting a tendency which was seen all over Europe. In Denmark, people enthusiastically read Bernhard Severin Ingemanns historic novels, according to Høyen, painters, too, should contribute to this national awakening
38.
Frederik Theodor Kloss
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Frederik Theodor Kloss was a German-Danish painter who specialized in marine painting. Kloss attended the Berlin Academy where he studied under Carl Schumann and he travelled to Prague, Breslau and Dresden, North Sea, Iceland, the Mediterranean and the Faroe Islands. On seeing one of Christoffer Wilhelm Eckersbergs marine paintings in Dresden, Kloss decided to go to Copenhagen, over the years, the two became great friends not only in art but also as members of the Free Masons. Kloss became fully integrated into Danish cultural life, after becoming a member of the Academy in 1840, he received a professorship in 1853 and was treasurer from 1867. I forgrunded kutteren Neptun Media related to Frederik Theodor Kloss at Wikimedia Commons
39.
Johan Vilhelm Gertner
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Johan Vilhelm Gertner was a Danish painter, best known for his portraiture. Gertner was born to a craftsman at the Holmen naval base and he attended the Royal Danish Academy of Fine Arts from 1831 to 1837 where he was one of the pupils of Christoffer Wilhelm Eckersberg, known as the father of the Golden Age of Danish Painting. Eckersberg taught him an approach to painting, but Gertner went much further with inspiration from French art. He was a professor at the Academy from 1858, Gertner painted many of the leading artists of his time, including Bertel Thorvaldsen in Thorvaldsen in his studio and C. W. Eckersberg. Occasionally he also painted works, history painting or architecture pieces. Nivaagaard Painting Collection, Johan Vilhelm Gertner,2 September –18 November 2001 List of Danish painters Art of Denmark ArtNet, More works by Gertner
40.
Louis Gurlitt
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Heinrich Louis Theodor Gurlitt, also called Louis Gurlitt, was a Danish-German painter of landscapes. His brother was the composer Cornelius Gurlitt, and his son was the architect, Louis Gurlitt was a Danish painter, born in Altona in Holstein to Johan August Wilhem Gurlitt and Helene Eberstein. Altona was then one of the largest Danish towns, due to royal privileges allowing among other things freedom of religion and he received his first degree from Siegfried Detlev Bendixens studio in Hamburg. Gurlitt studied in Copenhagen 1832 and won a medal in 1833. The academy recommended him as one of the most mature and talented students and he married Elise Saxild in 1837. After her death in 1839 he married Julie Bürger, with whom he had a son, after his second wifes death in 1844 he married Elisabeth Lewald in 1847. After the marriage he lived in Austria and Germany, being from Holsten, he chose the German side in the conflicts in 1848 and 1864, when Prussia won the war and Schleswig-Holstein which was under the reign of the Danish king. He was known for his oil paintings, Gurlitt stayed well connected to Danish painters. But he was born Danish and then became German, the Royal collection of paintings owns six of his famous works. His painting titled Norwegian Landscape was auctioned at $22,174 in 2012 at Sothebys London European Paintings
41.
Georg Hilker
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Georg Hilker was a Danish decorative painter active during the Danish Golden Age in the first half of the 19th century. Hilker was born to navigator Christian Hilker and Marie Margrethe née Vest, when 13 years old, he began his studies at the Royal Danish Academy of Fine Arts. After first training to become a painter and winning both silver medals at the model school, Hilker turned to decorative painting. Still a student, he participated in the decoration of the residence of sculptor Hermann Ernst Freund in the former Supply Building on Slotsholmen. There he was introduced to the Pompeian Styles which was to much of his later work. He also worked on other prominent projects, including the decoration of Christiansborg and Amalienborg Palaces, in 1838, Hilker traveled to Rome. This gave him the opportunity to study Pompeian art and Raphaels works at the Vatican and he also went to Naples and Capri where he lived and worked with fellow Danish painters Christen Købke, Constantin Hansen and Jørgen Roed. Back in Denmark in 1841, Hilker commenced a collaboration with Constantin Hansen, one of their most important assignments was the decoration of the vestibule of the new main building for the University of Copenhagen from 1844 to 1853. Among his many works are the decoration of rooms in Thorvaldsens Museum, Sorø Academy
42.
Heinrich Gustav Ferdinand Holm
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Heinrich Gustav Ferdinand Holm, often referred to as H. G. F. Holm, was a Danish artist and engraver who is remembered for his finely detailed topographical paintings and drawings of Copenhagen, Holm initially followed in the footsteps of his father as an engraver and illustrator. He had almost certainly been a pupil of C. J. Thomsen who insisted on accuracy and detail, as a result, Holm quickly became a master of his genre, not only as an illustrator but in the difficult technique of watercolour painting. He began to specialize in illustrating prospectuses, often sketching areas and buildings of interest before making multiple copies at home and he sometimes produced skeleton drawings which he later coloured with watercolour. In addition, he produced a series of works covering the surrounding countryside, many of his plates appeared in magazines such as Magazin for Ungdommen, its successor Cosmorama, and Nyt Magazin for Natur og Menneskekundskab. He also illustrated prospectuses for the Royal Procelain Factory, especially in regard to designs for tea, despite Holms high rate of productivity, he constantly suffered from lack of money, which frequently drove him to drink. The resulting vicious circle encouraged him to sell his works at low prices which explains how he was given the nickname, Holms many small works continue to be of considerable value. In addition, thanks to their technical quality and his sense of colour
43.
Christian Albrecht Jensen
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Christian Albrecht Jensen was a Danish portrait painter who was active during the Golden Age of Danish Painting in the first half of the 19th century. Although Jensen experienced considerable commercial success, he received little official appreciation from the establishment of his day. In particular, the art historian and critic Niels Lauritz Høyen criticized his style, Jensen was born at Bredstedt in Nordfriesland. From 1810 to 1816, he attended the Royal Danish Academy of Fine Arts in Copenhagen where he studied under Christian August Lorentzen, from 1817 to 1818, he studied at the Academy of Fine Arts in Dresden. In 1818, he traveled to Rome by way of Vienna, Venice, Bologna, when he arrived, he joined the large colony of Danish-German artists who lived in the city at the time and also met the sculptor Bertel Thorvaldsen. After leaving Rome, he made an attempt to establish himself as a portrait painter in Hamburg. After 1830, commissions dwindled and he experienced financial difficulties, in response, he started collaborating with the historical collections at Frederiksborg Castle, painting both copies of older pictures and originals. This led to a controversy with Niels Lauritz Høyen, an art historian and critic who, from the beginning, had been critical of his style. From 1837, he looked to other countries for customers. By the Pulkovo Observatory, which opened near Saint Petersburg, he was commissioned to paint 11 portraits of leading international scientists and his painting of Carl Friedrich Gauss from that series remains the most famous portrait of the mathematician. Other portrayed scientists included the astronomer Wilhelm von Struve, the 1840s brought a further decline in orders, prompted by his political views which were not in line with the nationalist tendencies at the time as well as by continued criticism from Høyen. Eventually, after completing more than 400 portraits, he stopped painting and his last two works, portraits of Andreas Christian Krog and the theologian Andreas Gottlob Rudelbach, are considered to be among his best. For the remainder of his life, he worked as an assistant at the Royal Print Collection and as a conservator, art of Denmark List of Danish painters
44.
Vilhelm Kyhn
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Peter Vilhelm Carl Kyhn, was a Danish landscape painter who belonged to the generation of national romantic painters immediately after the Danish Golden Age and before the Modern Breakthrough. Even though he outlived many of his peers by several decades, he remained a traditionalist. Kyhn also played a role as an educator, establishing several alternative art schools, Kyhn was born in Copenhagen to Carl Gottlieb Kyhn and his wife Sara Marie. His father was against his becoming an artist, and he was first put to train in an office, then as a compromise he was allowed to train with copperplate engraver. Here he learned to make vignettes, a skill which became useful to him later when he learned to make etchings and he also got the opportunity to begin his training at the Royal Danish Academy of Fine Arts in 1836. He was also influenced by Niels Lauritz Høyen, another teacher at the Academy as well as an important art critic and art historian, N. F. S. Grundtvig was also a source of inspiration in his turn towards national romanticism. He won the silver medallion in 1843 for a figure drawing. At about this time Danish landscapes started to become a domain for Danish artists. Kyhn became part of the movement and was able to exhibit his first landscape, Et bornholmsk Strandparti and this painting was purchased by the Danish Royal Painting Collection, now the Danish National Gallery, and later loaned to Aarhus Art Museum. In 1845, Kyhn won a prize in the Neuhausen Competition for Landskab, after a few years of diligent work painting landscapes in Jutland and the north of Zealand, he began to seek out a travel stipend, he was awarded one in 1848. He traveled over the Netherlands and Belgium to Paris in the spring of 1850, the following year he received an extension to his stipend. He painted few landscapes of the countries he visited, and only during his travels abroad, back in Denmark in June 1851, he returned to painting direct studies from nature. The paintings which Niels Lauritz Høyen bought from Kyhn show good development in his style, the flat prairies of Jutland in this picture were not a popular subject at the time. He helped open the way for artists to interpret this quintessential Danish landscape. After 1863, he painted scenes in the special light of Denmark’s late summer evenings. These include the atmospheric Efter solnedgang i udkanten af en landsby painted in 1863, both of these paintings are in the collection of the National Museum of Art. He painted many landscapes in the area near Silkeborg, and spent his summers starting in 1873 at Himmelbjerg, one of Denmark’s highest points. It was likely in this area that Kyhn began to experiment with painting in the open air and he was one of the driving forces behind the establishment of The Danish Etchers Union in 1853
45.
Emanuel Larsen
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Carl Frederik Emanuel Larsen usually known as Emanuel Larsen was a Danish painter who specialized in marine painting. Larsen was admitted to the Royal Danish Academy of Fine Arts in January 1839 where he was a student of Christoffer Wilhelm Eckersberg, under Eckersberg, he specialized in marine painting. In 1845, he exhibited his Morgen ved Sjællands Kyst which was purchased by the Statens Museum for Kunst. The same year, he travelled on a ship to the Faroe Islands and Iceland and from 1852–54 to England, Holland, Belgium, Paris. He was awarded the Neuhausen Prize in 1851 for Udsigt fra Langelinie mod Nyholm med Mastekranen, despite his interest in Dutch marine art, Larsen was probably the Danish artist who was least influenced by foreign works. The influential C. J. Thomsen praised Larssens work, commenting that his paintings showed he had an eye for the fresh, open life at sea, Larsen died in September 1859 after a short illness
46.
Johan Lundbye
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Johan Thomas Lundbye was a promising young Danish painter and graphic artist, known for his animal and landscape paintings who died at the age of 29. He became one of his generation’s national romantic painters, along with P. C, skovgaard and Lorenz Frølich, to regularly depict the landscape of Zealand. He was born in Kalundborg to Joachim Theodor Lundbye and wife Catherine Bonnevie and he was sickly as a child. He studied privately under animal painter Christian Holm and at the age of 14 he came into J. L. Lund’s drawing school and the Royal Danish Academy of Art in Copenhagen, in the years to come he would focus his painting on depicting landscapes. His large Kystparti ved Isefjord was exhibited in 1843 and purchased by the Royal Painting Collection and he illustrated Hans Vilhelm Kaalunds Fabler for børn, a book of poetry for young children published in 1845. He received a grant from the Academy in 1845, which was renewed a year later. He returned to Denmark on 18 July 1846 after a year and he surprised his circle of friends and announced that he was going to live in the country for a year, and took a little farm near Helsingør. The First War of Schleswig, known in Denmark as the Three Years War, however broke out and he died eight days later on 26 April 1848. There is some question as to whether he died from an accidental shot, list of Danish painters KID—Kunst Index Danmark Dansk biografisk Leksikion
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Wilhelm Marstrand
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Nicolai Wilhelm Marstrand, painter and illustrator, was born in Copenhagen, Denmark, to Nicolai Jacob Marstrand, instrument maker and inventor, and Petra Othilia Smith. Marstrand is one of the most renowned artists belonging to the Golden Age of Danish Painting, Marstrand studied at Copenhagens Metropolitan School, but had little interest in books, and left around 16 years of age. Wilhelm had already shown talent, tackling difficult subjects such as group scenes with many figures. At 16 years of age Marstrand thus began his studies at the Academy under Eckersberg, history painting displayed what was grand – classical themes from mythology and history, rather than daily life. The traditions, and the taste of art critics, strongly favored it. At the same time Christian Waagepetersen, wine merchant to the Danish court and supporter of the arts and his painting A musical evening party, depicts such an occasion at the home of Waagepetersen, and was an important transition painting for Marstrand. Despite an unmistakably growing recognition, Marstrand never received the Academys gold medal and this medal was coveted not only for its great prestige, but also because it came with a travel stipend for furthering the laureates artistic training. Marstrands attempts at winning the medal were both in 1833 with his neoclassical Flight to Egypt and in 1835 with Odysseus and Nausikaa. This was a disappointment, as he had won both silver medals in 1833. Gold medal or not however, the Academy did award Marstrand a travel stipend, in August 1836 he began the first of his many travels, going by way of Germany to Rome in Italy, stopping on the way at Berlin, Dresden, Nuremberg and Munich. In Italy, where he stayed for four years, he painted many idealized depictions of daily life, especially festivities. He returned to Italy several times, the last visit being in 1869, and he was enchanted with Italy and with the ways of life of the Italian people. He portrayed a colorful, joyous, and romantic view of them and he also painted a number of portraits during this first stay in Italy. Among these are portraits of other travelling Danish artists, such as Christen Købke and he completed sketches for a large portrait of botanist and politician, J. F. Schouw, which would be later realized as a painting. Marstrand returned to Denmark at the end of 1841, stopping in Munich, in Denmark he strove to bring back that which he learned in Italy, and allow it to develop in his home culture. He became a member of the art Academy on 19 June 1843 and he became a professor at the Academy in 1848. He endeavored to let his students according to their own skills. Among these were the two most renowned Skagen painters Peder Severin Krøyer and Michael Ancher, as well as Carl Bloch, Marstrand continued to travel regularly around Europe throughout his life, to, at times in the company of such fellow artists such as P. C
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