1.
Berkeley, California
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Berkeley is a city on the east shore of San Francisco Bay in northern Alameda County, California. It is named after the 18th-century Anglo-Irish bishop and philosopher George Berkeley and it borders the cities of Oakland and Emeryville to the south and the city of Albany and the unincorporated community of Kensington to the north. Its eastern border with Contra Costa County generally follows the ridge of the Berkeley Hills, the 2010 census recorded a population of 112,580. It also has the Graduate Theological Union, one of the largest religious studies institutions in the world and it is one of the most politically liberal cities in the United States. The site of todays City of Berkeley was the territory of the Chochenyo/Huchiun band of the Ohlone people when the first Europeans arrived, other artifacts were discovered in the 1950s in the downtown area during remodeling of a commercial building, near the upper course of the creek. The first people of European descent arrived with the De Anza Expedition in 1776, today, this is noted by signage on Interstate 80, which runs along the San Francisco Bay shoreline of Berkeley. The De Anza Expedition led to establishment of the Spanish Presidio of San Francisco at the entrance to San Francisco Bay, luis Peralta was among the soldiers at the Presidio. For his services to the King of Spain, he was granted a vast stretch of land on the east shore of San Francisco Bay for a ranch, luis Peralta named his holding Rancho San Antonio. The primary activity of the ranch was raising cattle for meat and hides, eventually, Peralta gave portions of the ranch to each of his four sons. What is now Berkeley lies mostly in the portion that went to Peraltas son Domingo, with a little in the portion that went to another son, no artifact survives of the Domingo or Vicente ranches, but their names survive in Berkeley street names. However, legal title to all land in the City of Berkeley remains based on the original Peralta land grant, the Peraltas Rancho San Antonio continued after Alta California passed from Spanish to Mexican sovereignty after the Mexican War of Independence. The lands of the brothers Domingo and Vicente were quickly reduced to reservations close to their respective ranch homes, the rest of the land was surveyed and parceled out to various American claimants. Politically, the area that became Berkeley was initially part of a vast Contra Costa County, on March 25,1853, Alameda County was created from a division within Contra Costa County, as well as from a small portion of Santa Clara County. The area of Berkeley was at this period mostly a mix of land, farms and ranches. It was not yet Berkeley, but merely the part of the Oakland Township subdivision of Alameda County. In 1866, Oaklands private College of California looked for a new site, according to the Centennial Record of the University of California, In 1866…at Founders Rock, a group of College of California men watched two ships standing out to sea through the Golden Gate. Although the philosophers name is pronounced bark-lee, the pronunciation of the name has evolved to suit American English as burk-lee. The College of Californias College Homestead Association planned to raise funds for the new campus by selling off adjacent parcels of land, to this end, they laid out a plat and street grid that became the basis of Berkeleys modern street plan
2.
Psychedelic rock
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Many psychedelic groups differ in style, and the label is often used indiscriminately. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called raga rock. In the 1960s, there existed two main variants of the genre, the whimsical British pop-psychedelia, and the harder American West Coast acid rock. While acid rock is often deployed interchangeably with the psychedelic rock, it can also refer more specifically to the heavier. The genre bridged the transition from early blues- and folk-based rock to rock and hard rock. Since the late 1970s it has revived in various forms of neo-psychedelia. The term psychedelic was first coined in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. As the countercultural scene developed in San Francisco, the acid rock. In the popular music of the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with form, arrangements, unnatural reverb. Some of the best known examples are Phil Spectors Wall of Sound production formula, there was no transition to be made. You go from things like Flying Purple People Eater to I Am the Walrus, music critic Richie Unterberger says that attempts to pin down the first psychedelic record are therefore nearly as elusive as trying to name the first rock & roll record. Some of the far-fetched claims include the instrumental Telstar and the Dave Clark Fives massively reverb-laden Any Way You Want It, the first mention of LSD on a rock record was the Gamblers 1960 surf instrumental LSD25. American folk singer Bob Dylan was an influence on mid 1960s rock music. He led directly to the creation of rock and the psychedelic rock musicians that followed. Molly Longman of mic. com writes that, in terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the eras most pivotal acts. The considerable success enjoyed by these two bands allowed them the freedom to experiment with new technology over entire albums. In Unterbergers opinion, the Byrds, emerging from the Californian folk scene, with their ominous minor key melodies, hyperactive instrumental breaks, and use of Gregorian chants. In the songs lyric, the requests, Take me on a trip upon your magic swirling ship
3.
Acid rock
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Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Acid rock is defined by distorted guitars, lyrics with drug references. Distinctions between other genres can be tenuous, it may also encompass certain garage rock, 1960s punk, proto-metal and heavy, the style may distinguish itself from other psychedelic styles by having a harder, louder, or heavier sound. Developing mainly from the American West Coast, acid rock did not focus on novelty recording effects or whimsicalness as much as subsequent British psychedelia, rather, American groups emphasized the heavier qualities associated with both the positive and negative extremes of the psychedelic experience. Some of the bands in the genre include 13th Floor Elevators, the Charlatans, the Grateful Dead, Count Five, the Beatles. Of the last three groups, their 1966 songs Psychotic Reaction, Tomorrow Never Knows, and East-West were especially influential. As the movement progressed into the late 1960s and 1970s, elements of rock split into two directions, with hard rock and heavy metal on one side and progressive rock on the other. In the 1990s, the metal genre combined acid rock with other hard rock styles such as grunge, updating the heavy riffs and long jams found in acid rock. Rock journalist Nik Cohn called it a meaningless phrase that got applied to any group. It was originally used to describe the music for acid trips in underground parties in the 1960s. The term is regularly deployed interchangeably with psychedelic rock and this would mean psychedelic rock that is heavier, louder, or harder. As a hard rock variant of psychedelia, acid rock evolved from the 1960s garage punk movement, percussionist John Beck defines acid rock as synonymous with hard rock and heavy metal. The term eventually encompassed heavy, blues-based hard rock bands, musicologist Steve Waksman wrote that the distinction between acid rock, hard rock, and heavy metal can at some point never be more than tenuous. Many bands associated with acid rock aimed to create a movement based on love and peace. David P. Szatmary states, a legion of rock bands, playing what became known as acid rock, when played live at dance clubs, performances were accompanied by psychedelic-themed light shows in order to replicate the visual effects of the acid experience. Their stage performance involved the use of lights to reproduce LSDs surrealistic fragmenting or vivid isolating of caught moments. The Acid Test experiments subsequently launched the entire psychedelic subculture, other bands credited with creating or laying the foundation for acid rock include garage rock bands such as the 13th Floor Elevators and Count Five. According to Laura Diane Kuhn, the form of psychedelic rock known as acid rock developed from the late 1960s California music scene
4.
Folk rock
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It has also been influential in those parts of the world with close cultural connections to Britain and gave rise to the genre of folk punk. By the 1980s the genre was in decline in popularity. When English bands of the late 1960s and early 1970s defined themselves as electric folk they were making a distinction with the existing folk rock. Folk rock was what they had already been producing, American or American style singer-songwriter material played on instruments, as undertaken by Bob Dylan. They drew the distinction because they were focusing on indigenous songs, the result of this hybridisation was an exchange of specific features drawn from Traditional music and Rock music. For example, electric folk groups, while using traditional material as their source for lyrics and tunes. In the same year, The Beatles began incorporating overt folk influences into their music, the Beatles and other British Invasion bands, in turn, influenced the Californian band The Byrds, who began playing folk-influenced material and Bob Dylan compositions with rock instrumentation. The Byrds recording of Dylans Mr Tambourine Man was released in April 1965 and reached #1 on the U. S. and UK singles charts, setting off the mid-1960s folk rock movement. The Beatles late 1965 album, Rubber Soul, contained a number of songs clearly influenced by the American folk rock boom, such as Nowhere Man and If I Needed Someone. Folk rock became an important genre among emerging English bands, particularly those in the London club scene towards the end of the 1960s. Like the American revival, it was often overtly left wing in its politics, most important among their responses were the foundation of folk clubs in major towns, starting with London where MacColl began the Ballads and Blues Club in 1953. These clubs were usually urban in location, but the songs sung in them often hearkened back to a rural pre-industrial past, in many ways this was the adoption of abandoned popular music by the middle classes. This meant that there were, by the later 1960s, a group of performers with musical skill and knowledge of a variety of traditional songs. The result was an interpretation of the song A Sailors Life. The rapid expansion of electric folk that followed in the wake of Liege, five Hand Reel a band formed out of the remnants of Spencers Feat proved to be one of the more successful and influential folk rock bands. Releasing 4 albums with Topic/RCA records they were popular in Europe. He then quit that and eventually formed the Albion Country Band, later the Albion Band, a much smaller group of English bands were formed in emulation of existing electric rock bands. Fiddlers Dram were often dismissed as one hit wonders for their single Day Trip to Bangor, most of their career, from that point until they disbanded in 1979, was one of declining profile and sales
5.
Vanguard Records
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Vanguard Records is an American record label set up in 1950 by brothers Maynard and Seymour Solomon in New York City. It started as a label, but is perhaps best known for its catalogue of recordings by a number of pivotal jazz, folk. The Bach Guild was a subsidiary label, the label was acquired by Concord Bicycle Music in April 2015. In 1953, under the direction of John Hammond, the company began the Jazz Showcase series that concentrated on mainstream jazz, recordings made at the Spirituals to Swing concerts in 1938 and 1939 were released by Vanguard in 1959. The company only intermittently pursued recording jazz after that, in the mid-1950s Vanguard signed blacklisted performers Paul Robeson and the Weavers. It continued to issue folk music with newly signed artists Joan Baez, Hedy West, the Rooftop Singers, Buffy Sainte-Marie, Country Joe and the Fish, Ian and Sylvia, and Mimi and Richard Fariña. In the summer of 1965 Maynard Solomon hired Samuel Charters to edit the tapes of the 1964 Newport Folk Festival, following that project, the company sent Charters to Chicago to capture the broad range of blues musicians there. Those sessions resulted in the 1966 three-album series titled Chicago/The Blues/Today, the albums included Junior Wells with Buddy Guy, Muddy Waterss bandmates Otis Spann and James Cotton, Otis Rush, Homesick James, Johnny Shines, Big Walter Horton, and Charlie Musselwhite. Vanguard released a number of recordings, both domestically-produced and imported. Many of the came from the United Kingdoms Pye Records label. The recordings were so exceptional that many classical radio stations programmed them. D. Q, Bach recordings, from 1965 to 1983. After entering the rock and roll market by signing Country Joe, the label stayed minimally active with specialty releases such as those by Indian classical musician and sarod virtuoso Vasant Rai. An unexpected novelty hit on Vanguard, Shaving Cream by Benny Bell, in the late 1970s Tom Paxton issued two albums, New Songs from the Briar-patch and Heroes, on the label. A few disco albums by such as Players Association were released on Vanguard without much chart impact. After this period of near-dormancy, Vanguard was sold to the Welk Music Group in 1985, the Welk Group sold the classical music catalog back to Seymour Solomon. The label also formed marketing partnerships with a number of artist-run label imprints, to include Levon Helm, Indigo Girls, in 2008, Welk Music Group began a distribution deal with EMI to handle its labels, including Vanguard. After Seymour Solomons death, Vanguard Classics was sold to Artemis Records, when Artemis folded in 2004, the Vanguard Classics catalogue was sold to Sheridan Square Entertainment, which is licensing the Vanguard Classics material. Sheridan Square eventually became IndieBlu, which was acquired by Entertainment One in 2010, Vanguard Music Group was acquired by Concord Bicycle Music in April 2015
6.
Fantasy Records
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Fantasy Records is an American record company and label founded by brothers Max and Sol Weiss in 1949. In 1949, Jack Sheedy, the owner of a San Francisco-based record label called Coronet, was talked into making the first recording of an octet, sheedys Coronet Records had recorded area Dixieland bands. But he was unable to pay his bills, and in 1949 he turned his masters over to a company, the Circle Record Company. The Weiss brothers changed the name of their business to Fantasy Records, soon the company was shipping 40,000 to 50,000 copies of Brubeck records per quarter. When Brubeck signed with Fantasy, he thought he had 50 percent interest in the company and he worked as an unofficial artists and repertoire assistant, encouraging the Weiss brothers to sign jazz performers such as Gerry Mulligan, Chet Baker, and Red Norvo. When he discovered that all he owned was 50 percent in his own recordings, in 1955, Saul Zaentz joined the company. Jazz musician Charles Mingus gave Debut Records to Zaentz as a gift, at the time, Zaentz was marrying Minguss ex-wife, Celia. He and a group of investors bought Fantasy from the Weiss brothers and he then acquired Prestige Records, Riverside, and Milestone. Ralph Kaffel, who was president of Fantasy since 1971. He continued the policy of acquisitions, Stax Records, Good Time Jazz, Contemporary, Pablo, Specialty, Kicking Mule, fantasys first subsidiary was Galaxy Records in 1951. Years later, it started the short-lived subsidiary, Scorpio, that tried to capitalize on the British Invasion, still later, it had a subsidiary named Reality Records that concentrated on hip hop and released the first two albums by Doug E. Fresh. Saul Zaentzs acquisitions had been funded in part by the success of the rock group Creedence Clearwater Revival, a group that he had managed. Creedence had been signed to Fantasy Records in 1964 as the Blue Velvets, after a series of failed releases under that name on the Fantasy and Scorpio labels, the group changed its name to Creedence Clearwater Revival. In 1968, it released its first hit record, a version of the song Susie Q. In 1971 Fantasy built its headquarters at the corner of Tenth and Parker in Berkeley, the building was nicknamed The House That Creedence Built. In 2004, Fantasy was sold to a consortium led by American television writer, producer, although some operations are still located in Berkeley, the label is now headquartered at the Concord location in Beverly Hills, California. Tedeschi Trucks Band Shawn Colvin The Temperance Movement Richard Thompson Alejandro Escovedo The Blackbyrds Official Fantasy Records site History of Fantasy Records and Fantasy Studios
7.
Country Joe McDonald
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Joseph Allen Country Joe McDonald is an American musician who was the lead singer of the 1960s psychedelic rock group Country Joe and the Fish. McDonald was born in Washington, DC, and grew up in El Monte, California, at the age of 17, he enlisted in the United States Navy for three years and was stationed in Japan. After his enlistment, he attended Los Angeles City College for a year, in the early 1960s, he began busking on Telegraph Avenue in Berkeley, California. His father, Worden McDonald, from Oklahoma, was of Scottish Presbyterian heritage and his mother, Florence Plotnick, was the daughter of Russian Jewish immigrants and served for many years on the Berkeley City Council. In their youth, both were Communist Party members before renouncing the cause, and named their son after Joseph Stalin, McDonald has recorded 33 albums and has written hundreds of songs over a career spanning 40 years. McDonald wrote the song in about 20 minutes for an anti-Vietnam War play, the Fish Cheer was the band performing a call-and-response with the audience, spelling the word fish, followed by Country Joe yelling, Whats that spell. Twice, with the audience responding, and then, the third time, the Fish Cheer evolved into the Fuck Cheer after the Berkeley free speech movement. The cheer was on the recording of I-Feel-Like-Im-Fixin-To-Die Rag, being played right before the song on the LP of the same name. The cheer became popular and the crowd would spell out F-I-S-H when the band performed live, during the summer of 1968 the band played on the Schaefer Music Festival tour. Gary Chicken Hirsh suggested before one of the shows to spell the word fuck instead of fish, although the crowd loved it, the management of the Schaefer Beer Festival did not and kicked the band off the tour for life. The Ed Sullivan Show then canceled a scheduled appearance by the band. The modified cheer continued at most of the live shows throughout the years, including Woodstock. In Massachusetts, McDonald was fined $500 for uttering fuck in public, in 2003 McDonald was sued for copyright infringement over his signature song, specifically the One, two, three, what are we fighting for. Chorus part, as derived from the 1926 early jazz classic Muskrat Ramble, the suit was brought by Orys daughter Babette, who held the copyright at the time. Since decades had passed from the time McDonald composed his song in 1965. In 2006, Ory was ordered to pay McDonald $395,000 for attorney fees and had to sell her copyrights to do so. In 2004, McDonald regrouped with three of the members of Country Joe and the Fish and they toured the United States. In the spring of 2005, McDonald joined a larger protest against California Governor Arnold Schwarzeneggers proposed budget cuts at the California State Capitol Building
8.
Musical ensemble
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A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra, some music ensembles consist solely of singers, such as choirs and doo wop groups. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the instrument family. In jazz ensembles, the instruments typically include wind instruments, one or two chordal comping instruments, an instrument, and a drummer or percussionist. Jazz ensembles may be instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, Music ensembles typically have a leader. In jazz bands, rock and pop groups and similar ensembles, in classical music, orchestras, concert bands and choirs are led by a conductor. In orchestra, the concertmaster is the instrumentalist leader of the orchestra, in orchestras, the individual sections also have leaders, typically called the principal of the section. Conductors are also used in big bands and in some very large rock or pop ensembles. In Western classical music, smaller ensembles are called chamber music ensembles, the terms duet, trio, quartet, quintet, sextet, septet, octet, nonet and dectet describe groups of two up to ten musicians, respectively. A group of musicians, such as found in The Carnival of the Animals, is called either a hendectet or an undectet. A soloist playing unaccompanied is not an ensemble because it contains one musician. A string quartet consists of two violins, a viola and a cello, there is a vast body of music written for string quartets, as it is seen as an important genre in classical music. A woodwind quartet usually features a flute, an oboe, a clarinet, a brass quartet features two trumpets, a trombone and a tuba. A saxophone quartet consists of a saxophone, an alto saxophone, a tenor saxophone. The string quintet is a type of group. It is similar to the quartet, but with an additional viola, cello, or more rarely. Terms such as piano quintet or clarinet quintet frequently refer to a string quartet plus a fifth instrument
9.
San Francisco Sound
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The San Francisco Sound refers to rock music performed live and recorded by San Francisco-based rock groups of the mid-1960s to early 1970s. It was associated with the community in San Francisco during these years. San Francisco is a port city, a city that at the time was big enough. Hence, it could support a scene, according to journalist Ed Vulliamy, A core of Haight Ashbury bands played with each other, for each other, for free and at Chet Helmss Avalon Ballroom and Bill Grahams Fillmore. The Bay-Area-based jazz critic and columnist Ralph J. Gleason had established the first journal devoted to jazz, Gleason was open to new pathways. He admired San Franciscos new music scene in the mid-1960s, mr. Gleason believes the San Francisco rock groups are making a serious contribution to musical history. Gleason shortly became one of the founders of the U. S. national rock-scene fan journal Rolling Stone. The new sound, which melded many musical influences, was heralded in the live performances of the Jefferson Airplane. According to writer Douglas Brinkley, celebrated author Hunter S. Acoustic music had had an avid following far and wide, the entire tone of the new subculture was different. According to biography author Robert Greenfield, Jon McIntire points out that the contribution of the hippie culture was this projection of joy. The beatnik thing was black, cynical, and cold, the new music was loud and community-connected, bands sometimes presented free concerts in Golden Gate Park and happenings at the citys several psychedelic clubs and ballrooms. The many bands that formed signalled a shift from one subculture to the next, monterey, California is about 120 road miles south of San Francisco. Soon after, Ralph J. Gleason and Jann Wenner, based in San Francisco, each San Francisco band had its characteristic sound, but enough commonalities existed that there was a regional identity. By 1967, fresh and adventurous improvisation during live performance was one characteristic of the San Francisco Sound, a louder, more prominent role for the electric bass—typically with a melodic or semi-melodic approach, and using a plush, pervasive tone—was another feature. This questing bass quality has been characterized as a roving style. In jazz it had been pioneered by numerous musicians—and such bassists as Charles Mingus, Scott LaFaro. A musician who was a example of this, Jack Casady of Jefferson Airplane pioneered the approach. Phil Lesh, bassist with the Grateful Dead, furthered this sound, Lesh had developed his style on the foundation of having studied classical, brass-band, jazz, and modernist music on the violin and later the trumpet
10.
Counterculture
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A counterculture is a subculture whose values and norms of behavior differ substantially from those of mainstream society, often in opposition to mainstream cultural mores. A countercultural movement expresses the ethos and aspirations of a population during a well-defined era. When oppositional forces reach critical mass, countercultures can trigger dramatic cultural changes, John Milton Yinger originated the term contraculture in his 1960 article in American Sociological Review. Some scholars have attributed the counterculture to Theodore Roszak, author of The Making of a Counter Culture and it became prominent in the news media amid the social revolution that swept the Americas, Western Europe, Japan, Australia, and New Zealand during the 1960s. Scholars differ in the characteristics and specificity they attribute to counterculture, mainstream culture is of course also difficult to define, and in some ways becomes identified and understood through contrast with counterculture. Counterculture might oppose mass culture, or middle-class culture and values, Counterculture is sometimes conceptualized in terms of generational conflict and rejection of older or adult values. Counterculture may or may not be explicitly political and it typically involves criticism or rejection of currently powerful institutions, with accompanying hope for a better life or a new society. It does not look favorably on party politics or authoritarianism, typically, a fringe culture expands and grows into a counterculture by defining its own values in opposition to mainstream norms. Countercultures tend to peak, then go into decline, leaving an impact on mainstream cultural values. Their life cycles include phases of rejection, growth, partial acceptance, during the late 1960s, hippies became the largest and most visible countercultural group in the United States. The cultural shadows left by the Romantics, Bohemians, Beats, the counterculture of the 1960s and early 1970s generated its own unique brand of notable literature, including comics and cartoons, and sometimes referred to as the underground press. In the United States, this includes the work of Robert Crumb and Gilbert Shelton, another such hippie/anarchist bookshop was Mushroom Books, tucked away in the Lace Market area of Nottingham. Some genres tend to challenge societies with their content that is meant to question the norms within cultures. More often than not, sources of these controversies can be found in art such as Marcel Duchamp whose piece Fountain was meant to be an attack on the most basic conventions of art in 1917. Instead of being a topic to fear, they have initiated subtle trends that other artists, in order to achieve such liberation, consciousness raising and direct action were employed. At the outset of the 20th century, homosexual acts were punishable offenses in these countries, the prevailing public attitude was that homosexuality was a moral failing that should be punished, as exemplified by Oscar Wildes 1895 trial and imprisonment for gross indecency. But even then, there were dissenting views, according to Charles Kaisers The Gay Metropolis, there were already semi-public gay-themed gatherings by the mid-1930s in the United States. There were also bars and bathhouses that catered to gay clientele, but homosexuality was typically subsumed into bohemian culture, and was not a significant movement in itself
11.
Recreational drug use
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Recreational drug use is the use of a psychoactive drug to alter ones mental state in a way that modifies emotions, perceptions, and feelings for recreational purposes. When a substance enters the body, it brings on an intoxicating effect. Generally, people use drugs that fall into three categories, depressants, stimulants, and psychedelic drugs. In popular usage, it is considered to be a tolerated social behaviour rather than a serious medical condition such as self-medication. The substances classified as controlled and illegal drugs vary by country, in 2009 it was estimated that about 3% to 6% of people aged 15 to 65 had used illegal drugs at least once. International and domestic law enforcement agencies are perpetually occupied with interdiction efforts against illegal use, manufacture. Many researchers have explored the etiology of recreational drug use, there has not been agreement around any one single cause. Instead, experts tend to apply the biopsychosocial model, any number of these factors are likely to influence an individual’s drug use as they are not mutually exclusive. Regardless of genetics, mental health or traumatic experiences, social factors play a role in exposure to and availability of certain types of drugs. According to addiction researcher Martin A. Plant, many go through a period of self-redefinition before initiating recreational drug use. They tend to view using drugs as part of a lifestyle that involves belonging to a subculture that they associate with heightened status. Plant says, “From the users point of there are many positive reasons to become part of the milieu of drug taking. The reasons for drug use appear to have as much to do with needs for friendship, pleasure, becoming a drug taker, to many people, is a positive affirmation rather than a negative experience. ”Anthropological research has suggested that humansmay have evolved to counter-exploit plant neurotoxins. The ability to use chemicals to serve the function of endogenous neurotransmitters may have improved survival rates. A typically restrictive prehistoric diet may have emphasised the apparent benefit of consuming psychoactive drugs, severity and type of risks that come with recreational drug use vary widely with the drug in question and the amount being used. There are many factors in the environment and within the user interact with each drug differently. Overall, some studies suggest that alcohol is one of the most dangerous of all drugs, only heroin, crack cocaine. Researcher David Nutt stated that studies showing benefits for moderate alcohol consumption lacked control for the variable of what the subjects were drinking
12.
Psychedelia
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Psychedelia is a name given to the subculture of people, originating in the 1960s, who often use psychedelic drugs such as LSD, mescaline and psilocybin. The term is used to describe a style of psychedelic artwork. Psychedelic art and music typically try to recreate or reflect the experience of altered consciousness, the term psychedelic is derived from the Ancient Greek words psychē and dēloun, translating to soul-revealing. Psychedelic states may be elicited by various techniques, such as meditation, sensory stimulation or deprivation, when these psychoactive substances are used for religious, shamanic, or spiritual purposes, they are termed entheogens. The term was first coined as a noun in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. Seeking a name for the experience induced by LSD, Osmond contacted Aldous Huxley, Huxley coined the term phanerothyme, from the Greek terms for manifest and spirit. This mongrel spelling of the word psychedelic was loathed by American ethnobotanist Richard Evans Schultes, but championed by Timothy Leary, who thought it sounded better. In the same period Lysergic acid diethylamide, better known as LSD, or acid, began to be used in the US and UK as an experimental treatment, initially promoted as a potential cure for mental illness. There had long been a culture of use among jazz and blues musicians, and use of drugs had begun to grow among folk and rock musicians. By the mid-1960s, the psychedelic life-style had already developed in California, and this was particularly true in San Francisco, due in part to the first major underground LSD factory, established there by Owsley Stanley. Leary was a proponent of the use of psychedelics, as was Aldous Huxley. However, both advanced widely different opinions on the use of psychedelics by state and civil society. Leary promulgated the idea of such substances as a panacea, while Huxley suggested that only the cultural and intellectual elite should partake of entheogens systematically, in the mid-1960s the use of psychedelic drugs became widespread in modern Western culture, particularly in the United States and Britain. The movement is credited to Michael Hollingshead who arrived in America from London in 1965 and he was sent to the U. S. by other members of the psychedelic movement to get their ideas exposure. Resurgences of the style are common in the modern era, in science, hallucinogen remains the standard term. Advances in printing and photographic technology in the 1960s saw the traditional lithography printing techniques rapidly superseded by the printing system. Many artists in the late 1960s and early 1970s attempted to illustrate the psychedelic experience in paintings, drawings, illustrations, in the modern era, computer graphics may be used to produce psychedelic effects for artwork. The counterculture music scene frequently used psychedelic designs on posters during the Summer of Love, many of these works are now regarded as classics of the poster genre, and original items by these artists command high prices on the collector market today
13.
Electronic music
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In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them
14.
Guitar
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The guitar is a musical instrument classified as a fretted string instrument with anywhere from four to 18 strings, usually having six. The sound is projected either acoustically, using a wooden or plastic and wood box, or through electrical amplifier. It is typically played by strumming or plucking the strings with the fingers, the guitar is a type of chordophone, traditionally constructed from wood and strung with either gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning. There are three types of modern acoustic guitar, the classical guitar, the steel-string acoustic guitar, and the archtop guitar. The tone of a guitar is produced by the strings vibration, amplified by the hollow body of the guitar. The term finger-picking can also refer to a tradition of folk, blues, bluegrass. The acoustic bass guitar is an instrument that is one octave below a regular guitar. Early amplified guitars employed a body, but a solid wood body was eventually found more suitable during the 1960s and 1970s. As with acoustic guitars, there are a number of types of guitars, including hollowbody guitars, archtop guitars and solid-body guitars. The electric guitar has had a influence on popular culture. The guitar is used in a variety of musical genres worldwide. It is recognized as an instrument in genres such as blues, bluegrass, country, flamenco, folk, jazz, jota, mariachi, metal, punk, reggae, rock, soul. The term is used to refer to a number of chordophones that were developed and used across Europe, beginning in the 12th century and, later, in the Americas. The modern word guitar, and its antecedents, has applied to a wide variety of chordophones since classical times. Many influences are cited as antecedents to the modern guitar, at least two instruments called guitars were in use in Spain by 1200, the guitarra latina and the so-called guitarra morisca. The guitarra morisca had a back, wide fingerboard. The guitarra Latina had a sound hole and a narrower neck. By the 14th century the qualifiers moresca or morisca and latina had been dropped, and it had six courses, lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist
15.
Organ (music)
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In music, the organ is a keyboard instrument of one or more pipe divisions, each played with its own keyboard, played either with the hands on a keyboard or with the feet using pedals. The organ is an old musical instrument, dating from the time of Ctesibius of Alexandria. It was played throughout the Ancient Greek and Ancient Roman world, subsequently it re-emerged as a secular and recital instrument in the Classical music tradition. Pipe organs use air moving through pipes to produce sounds, since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. The pipes are divided into ranks and controlled by the use of hand stops, although the keyboard is not expressive as on a piano and does not affect dynamics, some divisions may be enclosed in a swell box, allowing the dynamics to be controlled by shutters. Some organs are enclosed, meaning that all the divisions can be controlled by one set of shutters. Some special registers with free reed pipes are expressive and these instruments vary greatly in size, ranging from a cubic yard to a height reaching five floors, and are built in churches, synagogues, concert halls, and homes. Small organs are called positive or portative, increasingly hybrid organs are appearing in which pipes are augmented with electronic additions. Great economies of space and cost are possible especially when the lowest of the pipes can be replaced, non-piped organs include the reed organ or harmonium, which like the accordion and harmonica use air to excite free reeds. Electronic organs or digital organs, notably the Hammond organ, generate electronically produced sound through one or more loudspeakers, mechanical organs include the barrel organ, water organ, and Orchestrion. These are controlled by means such as pinned barrels or book music. Little barrel organs dispense with the hands of an organist and bigger organs are powered in most cases by a grinder or today by other means such as an electric motor. The pipe organ is the grandest musical instrument in size and scope, along with the clock, it was considered one of the most complex human-made mechanical creations before the Industrial Revolution. Pipe organs range in size from a short keyboard to huge instruments with over 10,000 pipes. A large modern organ typically has three or four keyboards with five each, and a two-and-a-half octave pedal board. Wolfgang Amadeus Mozart called the organ the King of instruments, some of the biggest instruments have 64-foot pipes, and it sounds to an 8 Hz frequency fundamental tone. For instance, the Wanamaker organ, located in Philadelphia, USA, has sonic resources comparable with three simultaneous symphony orchestras, most organs in Europe, the Americas, and Australasia can be found in Christian churches. The introduction of organs is traditionally attributed to Pope Vitalian in the 7th century
16.
Extended play
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An extended play is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP. EPs generally do not contain as many tracks as albums, and are considered less expensive, an EP originally referred to specific types of vinyl records other than 78 rpm standard play and LP, but it is now applied to mid-length CDs and downloads as well. Ricardo Baca of The Denver Post said, EPs—originally extended-play single releases that are shorter than traditional albums—have long been popular with punk, in the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of length or four tracks. EPs were released in various sizes in different eras, the earliest multi-track records, issued around 1919 by Grey Gull Records, were vertically cut 78 rpm discs known as 2-in-1 records. These had finer than usual grooves, like Edison Disc Records, by 1949, when the 45 rpm single and 33 1⁄3 rpm LP were competing formats, seven-inch 45 rpm singles had a maximum playing time of only about four minutes per side. Partly as an attempt to compete with the LP introduced in 1948 by rival Columbia, RCA Victor introduced Extended Play 45s during 1952. Their narrower grooves, achieved by lowering the levels and sound compression optionally. These were usually 10-inch LPs split onto two seven-inch EPs or 12-inch LPs split onto three seven-inch EPs, either separately or together in gatefold covers. This practice became less common with the advent of triple-speed-available phonographs. Some classical music albums released at the beginning of the LP era were distributed as EP albums—notably the seven operas that Arturo Toscanini conducted on radio between 1944 and 1954. These opera EPs, originally broadcast on the NBC Radio network and manufactured by RCA, in the 1990s, they began appearing on compact discs. During the 1950s, RCA published several EP albums of Walt Disney movies and these usually featured the original casts of actors and actresses. Each album contained two seven-inch records, plus an illustrated booklet containing the text of the recording, so that children could follow along by reading. Some of the titles included Snow White and the Seven Dwarfs, Pinocchio, and what was then a recent release, because of the popularity of 7 and other formats, SP records became less popular and the production of SPs in Japan was suspended in 1963. In the 1950s and 1960s, EPs were usually compilations of singles or album samplers and were played at 45 rpm on seven-inch discs. Record Retailer printed the first EP chart in 1960, the New Musical Express, Melody Maker, Disc and Music Echo and the Record Mirror continued to list EPs on their respective singles charts. The Beatles Twist and Shout outsold most singles for some weeks in 1963, when the BBC and Record Retailer commissioned the British Market Research Bureau to compile a chart it was restricted to singles and EPs disappeared from the listings. In the Philippines, seven-inch EPs marketed as mini-LPs were introduced in 1970, with tracks selected from an album and this mini-LP format also became popular in America in the early 1970s for promotional releases, and also for use in jukeboxes
17.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
18.
Electric Music for the Mind and Body
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Electric Music for the Mind and Body is Country Joe and the Fishs debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of San Francisco. Tracks from the LP, especially Section 43, Grace, and Not So Sweet Martha Lorraine were played on progressive FM rock stations like KSAN and KMPX in San Francisco, a version of the song Love was performed at the 1969 Woodstock Festival. Grace is a tribute to Jefferson Airplanes lead singer, Grace Slick, the album was recorded during the first week of February 1967 at Sierra Sound Laboratories, Berkeley, California, by Robert DeSouza, with production by Samuel Charters. It was released on May 11,1967, on the Vanguard label, the liner notes to the 2013 version state that an outtake from the sessions, Thought Dream, was later included on the bands follow-up, I-Feel-Like-Im-Fixin-to-Die. Bruce Eder in a review for AllMusic felt that the album is one of the most important. The album was included in Robert Dimerys 1001 Albums You Must Hear Before You Die, all songs by Country Joe McDonald, except where noted 1. Not So Sweet Martha Lorraine –4,213, Death Sound Blues –4,23 Labeled as Death Sound on the mono version of the album. Happiness Is a Porpoise Mouth –2,48 Labeled as Porpoise Mouth on the version of the album. Sad and Lonely Times –2,238, the Masked Marauder –3,1011
19.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
20.
I-Feel-Like-I'm-Fixin'-to-Die
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I-Feel-Like-Im-Fixin-to-Die is the second studio album by the influential San Francisco psychedelic rock band, Country Joe and the Fish, and released in 1967. Recordings took place in Vanguard studios in 71 West 23rd Street, the title track remains one of the most popular Vietnam protest songs from the 1960s and originally appeared on a 19657 EP titled Rag Baby, Songs of Opposition. On the album version, I-Feel-Like-Im-Fixin-to-Die Rag appears following The Fish Cheer, at Woodstock, Joe had the crowd yell F-U-C-K instead of F-I-S-H. Another musical highlight is the track Janis written for McDonalds then girlfriend Janis Joplin and it is the second song written for a female musician for their albums, the other being Grace. Two singles were released in the wake of the album and these include Janis/Janis and Who Am I/Thursday. The second album was released just seven months after the debut and is prime example of the bands psychedelic experimentation. It again features organ-heavy psychedelia and Eastern melodic lines and more acoustic guitar than their debut production, during this time, the band continued to build on their growing fame by performing at local venues like the Fillmore Auditorium. Despite the familiarity of the track, the album itself sold less than the predecessor. The album, as a whole, fit well in the scene of San Francisco. The band effectively used satirical humor to express their views toward the Vietnam War. Although the rest of the tracks were not as popular, they still were accessible, with the creativity of the band reaching a climax, the band began touring nationally and became positively regarded for their live light shows. A2005 judgment upheld McDonalds copyright on the song, claiming that Ory had waited too long to make the claim. The original album contained a poster for The Fish Game. Various goals are available for the game such as scoring a joint, all songs by Country Joe McDonald, except where noted
21.
The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-to-Die Rag
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Musically structured in traditional ragtime, The Fish Cheers dark humor and satire made it one of the most recognized protest songs against the Vietnam War. Accordingly, critics cite the composition as a bona fide psychedelic rock song, the Fish Cheer saw a more commercial release on the groups second album, I Feel Like Im Fixin to Die, which was distributed in November 1967. The song has been the topic of controversary and fame for the band since its release, in addition, the song was a favorite among the hippie culture, and was featured in McDonalds set list at the Woodstock Festival in 1969. Decades later, McDonald had a lawsuit filed against him for allegedly infringing on the copyright of Kid Orys tune, McDonald denied these allegations and the suit was later dropped. Although the song achieved notoriety when it was included on Country Joe. In 1965, Country Joe McDonald founded and edited for a local magazine in Berkeley, California. McDonald published four editions of the magazine, and sought to incorporate musical influences to support Rag Babys left-wing message, to accomandate the issue, McDonald was inspired to distribute a talking issue of the magazine, an extended play called Rag Baby Talking Issue No.1. About 100 copies of the EP were pressed on McDonalds independent label and, were sold at Sproul Plaza in UC Berkeley, during a Teach-in, the songs lyrics are about placing blame on American politicians, high-level military officers, and industry corporations on starting the Vietnam War. McDonald composed The Fish Cheer in the summer of 1965, just as the U. S. s military involvement was increasing, in addition, the song features a signature chorus, And its one, two, three, what are we fighting for. Dont ask me I dont give a damn Next stop is Vietnam, and its five, six, seven, open up the pearly gates, Well there aint no time to wonder why, Whoopie. The album version concludes with the uttering of several machine guns firing. After a brief stint performing as a duo in Berkley, McDonald and Melton recruited more members, when the controversial composition, Superbird, was not banned from airplay, The Fish Cheer was placed as the opening to their second album, I Feel Like Im Fixin to Die. However, executives from The Ed Sullivan Show were present at the concert, and barred Country Joe and the Fish from their scheduled appearance and any future performances on the show. On August 16,1969, the day of the Woodstock Festival, McDonald made an unexpected solo performance of The Fuck Cheer at the conclusion of his set list. McDonald was augmented with a Yamaha FG150 guitar that he found, according to McDonald, I went on with my guitar and it was like Here is this guy whos going to sing but no one paid any attention. I played Janis and Tennessee Stud and then I walked off the stage, I asked my tour manager if he thought it would be OK if I went back on and did the cheer and he said yeah. So I went Give me an F. and they all yelled F, the audience receptively responded by cheering the F-U-C-K chant along with McDonald. The performance was featured on the Woodstock film, which included sing-a-long lyrical subtitles of the The Fuck Cheer, in 2005, a court dismissed the suit, holding that the Ory estate had waited too long to make the claim
22.
Black comedy
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Black comedy or dark comedy is a comic style that makes light of subject matter that is generally considered taboo. Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes, Black comedy corresponds to the earlier concept of gallows humor. The term black humor was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift. Bretons preference was to some of Swifts writings as a subgenre of comedy and satire in which laughter arises from cynicism and skepticism. Scholars have associated black humor with authors as early as the ancient Greeks with Aristophanes, Breton coined the term for his book Anthology of Black Humor, in which he credited Jonathan Swift as the originator of black humor and gallows humor, and included excerpts from 45 other writers. This victims suffering is trivialized, which leads to sympathizing with the victimizer, as found in the social commentary. Black humor is also related to that of the grotesque genre. Breton identified Swift as the originator of black humor and gallows humor, particularly in his pieces Directions to Servants, A Modest Proposal, A Meditation Upon a Broom-Stick, the terms black comedy or dark comedy have been later derived as alternatives to Bretons term. Bruce Jay Friedman, in his anthology entitled Black Humor, imported the concept of comedy to the United States. He labeled many different authors and works with the idea, arguing that they shared the literary genre. The Friedman label came to prominence in the 1950s and 1960s, early American writers who employed black humor were Nathanael West and Vladimir Nabokov. In 1965 a mass-market paperback titled Black Humor, was released and this was one of the first American anthologies devoted to the conception of black humor as a literary genre, the publication also sparked nationwide interest in black humor. Among the writers labeled as black humorists by journalists and literary critics are Roald Dahl, Thomas Pynchon, Kurt Vonnegut, Warren Zevon, John Barth, Joseph Heller, popular themes of the genre include violence, discrimination, disease, sexuality, religion and barbarism. Comedians, like Lenny Bruce, that since the late 1950s have been labeled for using sick comedy by mainstream journalists, have also labeled with black comedy. By contrast, blue comedy focuses more on crude topics such as nudity, sex, in obscene humor, much of the humorous element comes from shock and revulsion, while black comedy might include an element of irony, or even fatalism. For example, the black comedy self-mutilation appears in the English novel Tristram Shandy. Tristram, five years old at the time, starts to urinate out of a window for lack of a chamber pot. The sash falls and circumcises him, his family reacts with both chaotic action and philosophic digression, cringe comedy Comedy horror Macabre Off-color humor
23.
Woodstock
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Billed as An Aquarian Exposition,3 Days of Peace & Music, it was held at Max Yasgurs 600-acre dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel. Bethel, in Sullivan County, is 43 miles southwest of the town of Woodstock, New York, during the sometimes rainy weekend,32 acts performed outdoors before an audience of 400,000 people. It is widely regarded as a moment in popular music history. Rolling Stone listed it as one of the 50 Moments That Changed the History of Rock, in 2017 the festival site was listed on the National Register of Historic Places. Woodstock was initiated through the efforts of Michael Lang, John Roberts, Joel Rosenman, Roberts and Rosenman financed the project. Lang had some experience as a promoter, having co-organized a small festival on the East Coast the prior year, the Miami Pop Festival, where an estimated 25,000 people attended the two-day event. Early in 1969, Roberts and Rosenman were New York City entrepreneurs, in the process of building Media Sound, unpersuaded by this Studio-in-the-Woods proposal, Roberts and Rosenman counter-proposed a concert featuring the kind of artists known to frequent the Woodstock area. Kornfeld and Lang agreed to the new plan, and Woodstock Ventures was formed in January 1969, the company offices were located in an oddly decorated floor of 47 West 57th Street in Manhattan. Burt Cohen, and his group, Curtain Call Productions. When Lang was unable to find a site for the concert, Roberts and Rosenman, growing increasingly concerned, took to the road, similar differences about financial discipline made Roberts and Rosenman wonder whether to pull the plug or to continue pumping money into the project. In April 1969, newly minted superstars Creedence Clearwater Revival became the first act to sign a contract for the event, the promoters had experienced difficulty landing big-name groups prior to Creedence committing to play. Creedence drummer Doug Clifford later commented, Once Creedence signed, everyone else jumped in line, given their 3,00 a. m. start time and omission from the Woodstock film, Creedence members have expressed bitterness over their experiences at the famed festival. Woodstock was designed as a venture, aptly titled Woodstock Ventures. It famously became a free concert only after the event drew hundreds of more people than the organizers had prepared for. Tickets for the event cost $18 in advance and $24 at the gate. Ticket sales were limited to record stores in the greater New York City area, around 186,000 advance tickets were sold, and the organizers anticipated approximately 200,000 festival-goers would turn up. The original venue plan was for the festival to take place in Woodstock, New York, after local residents quickly shot down that idea, Lang and Kornfeld thought they had found another possible location in Saugerties, New York. But they had misunderstood, as the landowners attorney made clear, in a meeting with Roberts
24.
Singing
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Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds
25.
Acoustic guitar
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An acoustic guitar is a guitar that produces sound acoustically—by transmitting the vibration of the strings to the air—as opposed to relying on electronic amplification. The sound waves from the strings of an acoustic guitar resonate through the guitars body and this typically involves the use of a sound board and a sound box to strengthen the vibrations of the strings. The main source of sound in a guitar is the string. The string vibrates at a frequency and also creates many harmonics at various different frequencies. The frequencies produced can depend on string length, mass, gitterns, a small plucked guitar were the first small guitar-like instruments created during the Middle Ages with a round back like that of a lute. Modern guitar shaped instruments were not seen until the Renaissance era where the body, the earliest string instruments that related to the guitar and its structure where broadly known as the vihuelas within Spanish musical culture. Vihuelas where string instruments that were seen in the 16th century during the Renaissance. Later, Spanish writers distinguished these instruments into 2 categories of vihuelas, the vihuela de arco was an instrument that mimicked the violin, and the vihuela de penola was played with a plectrum or by hand. When it was played by hand it was known as the vihuela de mano, vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. The real production of guitars kicked off in France where the popularity, the production became so large that early famous creators such as Gaspard Duyffooprucgars instruments were being sold as copies by other guitar makers in Lyon. Benoist Lejeune, a maker, offered and sold guitar copies of Duyffoprucgars instruments and was later imprisoned for using his mark and work. During this time, the production was increasing tremendously but it was not until Robert and Claude Denis appeared overproducing the early Renaissance guitar in Paris, as father and son, Robert and Claude produced hundreds of guitars that increased the popularity of the instrument greatly. Because of them and the great many guitar inventors of this time, by 1790 only six-course vihuela guitars were being created and had become the main type and model of guitar used in Spain. Most of the older 5-course guitars where still in use but were also being modified to a six-coursed acoustical guitar, by the 19th century, coursed strings where evolved into 6 single-stringed instruments much like that of the guitar today. It had evolved into the modern look except for size, retaining a smaller frame, the acoustic guitars soundboard, or top, also has a strong effect on the loudness of the guitar. No amplification actually occurs in this process, because no energy is added to increase the loudness of the sound. All the energy is provided by the plucking of the string, but without a soundboard, the string would just cut through the air without actually moving it much. The soundboard increases the surface of the area in a process called mechanical impedance matching
26.
Folk music
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Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is applied to music older than that. Some types of music are also called world music. Traditional folk music has been defined in several ways, as music transmitted orally, music with unknown composers and it has been contrasted with commercial and classical styles. Starting in the century, a new form of popular folk music evolved from traditional folk music. This process and period is called the revival and reached a zenith in the 1960s. This form of music is called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times and this type of folk music also includes fusion genres such as folk rock, folk metal, electric folk, and others. Even individual songs may be a blend of the two, a consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions and they are extensions of the term folklore, which was coined in 1846 by the English antiquarian William Thoms to describe the traditions, customs, and superstitions of the uncultured classes. Traditional folk music also includes most indigenous music, however, despite the assembly of an enormous body of work over some two centuries, there is still no certain definition of what folk music is. Some do not even agree that the term Folk Music should be used, Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of old songs, with no known composers, the fashioning and re-fashioning of the music by the community that give it its folk character. Such definitions depend upon processes rather than abstract musical types, one widely used definition is simply Folk music is what the people sing. For Scholes, as well as for Cecil Sharp and Béla Bartók, Folk music was already. seen as the authentic expression of a way of life now past or about to disappear, particularly in a community uninfluenced by art music and by commercial and printed song. In these terms folk music may be seen as part of a schema comprising four types, primitive or tribal, elite or art, folk. Music in this genre is often called traditional music. Although the term is only descriptive, in some cases people use it as the name of a genre
27.
Woody Guthrie
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He frequently performed with the slogan This machine kills fascists displayed on his guitar. His best-known song is This Land Is Your Land, many of his recorded songs are archived in the Library of Congress. Throughout his life Guthrie was associated with United States Communist groups, Guthrie was married three times and fathered eight children, including American folk musician Arlo Guthrie. Guthrie died from complications of Huntingtons disease, a genetic neurological disorder. Guthrie was born in Okemah, a town in Okfuskee County, Oklahoma. His parents named him after Woodrow Wilson, then Governor of New Jersey, Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county, when Charles was making stump speeches, he would often be accompanied by his son. Charles Guthrie was involved in the 1911 lynching of Laura and Lawrence Nelson, Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan. Guthries early family life was affected by fires, including one that caused the loss of his familys home in Okemah. His sister Clara later died in a fire when Guthrie was seven. Guthries mother, Nora, was afflicted with Huntingtons disease, although the family did not know this at the time and it leads to dementia as well as muscular degeneration. She was eventually committed to the Oklahoma Hospital for the Insane, judging from the circumstances of her fathers death by drowning, researchers suspect that George Sherman suffered from the same hereditary disease. When Nora Guthrie was institutionalized, Woody Guthrie was 14 and his father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma, they relied on their eldest brother Roy for support, the 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends. According to one story, Guthrie befriended an African-American blues harmonica player named George, before long, Guthrie bought his own harmonica and began playing along with him. In another interview 14 years later, Guthrie claimed he learned how to play harmonica from a friend, John Woods. He seemed to have an affinity for music and easily learned to play by ear. He began to use his musical skills around town, playing a song for a sandwich or coins, Guthrie easily learned old ballads and traditional English & Scots songs from the parents of friends
28.
Coffeehouse
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A coffeehouse, coffee shop, or café is an establishment which primarily serves hot coffee, related coffee beverages, tea, and other hot beverages. Some coffeehouses also serve cold beverages such as iced coffee and iced tea, many cafés also serve some type of food, such as light snacks, muffins, or pastries. Coffeehouses range from owner-operated small businesses to multinational corporations. A coffeehouse may share some of the characteristics of a bar or restaurant. Many coffee houses in the Middle East and in West Asian immigrant districts in the Western world offer shisha, espresso bars are a type of coffeehouse that specializes in serving espresso and espresso-based drinks. Since the development of Wi-Fi, coffeehouses with this capability have also become places for patrons to access the Internet on their laptops, a coffeehouse can serve as an informal club for its regular members. As early as the 1950s Beatnik era and the 1960s folk music scene, coffeehouses have hosted singer-songwriter performances, coffeehouses in Mecca became a concern as places for political gatherings to the imams, who banned them, as well as the drink, for Muslims between 1512 and 1524. In 1530, the first coffeehouse was opened in Damascus and not long there were many coffeehouses in Cairo. About that year, a fellow called Hakam from Aleppo and a wag called Shams from Damascus came to the city, they opened a large shop in the district called Tahtakale. Various legends involving the introduction of coffee to Istanbul at a Kiva Han in the late 15th century circulate in culinary tradition, resembling checkers, hopscotch, and chess, are played. In addition, mollas, dervishes, and poets take turns telling stories in verse or in prose, the narrations by the mollas and the dervishes are moral lessons, like our sermons, but it is not considered scandalous not to pay attention to them. No one is forced to give up his game or his conversation because of it. It often happens that two or three people talk at the time, one on one side, the other on the opposite, and sometimes one will be a preacher. The most common English spelling, café, is the French, Portuguese and Spanish spelling, thus the spelling cafe has become very common in English-language usage throughout the world, especially for the less formal, i. e. greasy spoon variety. The Italian spelling, caffè, is sometimes used in English. In southern England, especially around London in the 1950s, the French pronunciation was often altered to /ˈkæf/. The English words coffee and café both descend from the Italian word for coffee, caffè—first attested as caveé in Venice in 1570— and in turn derived from the Arabic qahuwa. The Arabic term qahuwa originally referred to a type of wine but after the ban by Mohammed
29.
Guitarist
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A guitarist is a person who plays the guitar. Guitarists may play a variety of guitar family instruments such as guitars, acoustic guitars, electric guitars. Some guitarists accompany themselves on the guitar by singing or playing the harmonica, the correctness of techniques that a guitarist acquires depends on the quality of training. Learning how to play correctly is crucial for any guitarist no matter which guitar he/she plays, the guitarist may also employ various methods for selecting notes and chords, including fingering, thumbing, the barre, and bottleneck or steel-guitar slides, usually made of glass or metal. These left- and right-hand techniques may be intermixed in performance, while music is an art form in itself, playing an instrument such as the guitar has long been a popular subject for painters. Despite perceived tendencies in mainstream music diffusion, to Rock music and electric guitar, notable guitarists arrived from other genres, Rolling Stone In 2003, Rolling Stone magazine published a list called The 100 Greatest Guitarists of All Time. This list included 100 guitarists whom the magazine editor David Fricke considered the best, the first in this list is the American guitarist Jimi Hendrix introduced by Pete Townshend, guitarist for The Who, who was, in his turn, ranked at #50 in the list. Artists who had not been included in the previous list were added, rory Gallagher, for example, was ranked in 57th place. The 100 Greatest Guitarists of All Time is mentioned in many biographies about artists who appear in the list, despite the appearance in other magazines like Billboard, this publication by Guitar World was criticized for including no female musicians within its selection. However, Guitar World recently published a list of Eight Amazing Female Acoustic Players, including Kaki King, TIME and others Following the death of Les Paul, TIME website presented their list of 10 greatest artists in electric guitar. As in Rolling Stone magazines list, Jimi Hendrix was chosen as the greatest guitarist followed by Slash from Guns N Roses, B. B. King, Keith Richards, Jimmy Page, and Eric Clapton. Gigwise. com, a music magazine, also ranks Jimi Hendrix as the greatest guitarist ever, followed by Jimmy Page, B. B. King, Keith Richards. There are many classical guitarists listed as notable in their respective epochs, media related to Guitarists at Wikimedia Commons
30.
Jug (instrument)
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The jug used as a musical instrument is an empty jug played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the pitch of the fiddle, harmonica. The jug does not touch the mouth, but serves as a resonating chamber to amplify. Changes in pitch are controlled by loosening or tightening the lips, an accomplished jug player might have a two-octave range. Some players augment this sound with vocalizations, didgeridoo style, in performance, the jug sound is enhanced if the player stands with his back to a wall, which will reflect the sound towards the audience. The stovepipe is played in much the manner, with the open-ended pipe being the resonating chamber. There is some similarity to the didgeridoo, but there is no contact between the stovepipe and the players lips, as a bass instrument, the jug is part of the bands rhythm section, but jug solos are common. Most jug bands use a single jug player, but there are recordings of bands that used jug sections of two or more players. Jugs will also produce sound at their main resonance frequency when air is blown across the top opening and this method is not used in bands, since it is relatively quiet and produces only a single pitch. It is typically used for making glass bottles whistle, a larger bottle produces a lower musical pitch while smaller ones produce higher pitches. The pitch of a bottle played in this way may be controlled by changing its volume by adding or emptying contents, loudness is a function of the speed of the air blown across the top. The jug as a musical instrument reached its height of popularity in the 1920s, the jug was also popular because it was cheap and easy to carry around. In addition to the most common ceramic jug, containers of different materials have been used for musical jugs, e. g. glass jugs and bottles, plastic bleach bottles, tin kerosene cans. Different materials produce different sounds, as do different sizes, a version of the jug, known as the botija, was played in early Cuban musical forms such as the son. In recent times, Fritz Richmond was a well-known and successful jug player, josh Smith of the Glade City Rounders is one of the most famous jug players touring and playing live. He is said to possibly be the best in the world by some jug band scholars, blown bottle Cegléd water jug How to Prepare and Play a Jug Jug Band Examples
31.
Left-wing politics
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Left-wing politics supports social equality and egalitarianism, often in opposition to social hierarchy and social inequality. The term left wing can also refer to the radical, reforming, use of the term Left became more prominent after the restoration of the French monarchy in 1815 when it was applied to the Independents. The word wing was appended to Left and Right in the late 19th century, usually with disparaging intent, throughout the 19th century in France, the main line dividing left and right was between supporters of the French Republic and those of the Monarchy. The June Days Uprising during the Second Republic was an attempt by the Left to assert itself after the 1848 Revolution, in the mid-19th century, nationalism, socialism, democracy, and anti-clericalism became features of the French Left. After Napoleon IIIs 1851 coup and the subsequent establishment of the Second Empire, Marxism began to rival radical republicanism, the influential Communist Manifesto by Karl Marx and Friedrich Engels, published in 1848, asserted that all human history is the history of class struggle. They predicted that a revolution would eventually overthrow bourgeois capitalism and create a classless, stateless. It was in period that the word wing was appended to both Left and Right. Following a split between supporters of Marx and Mikhail Bakunin, anarchists formed the International Workers Association, the Second International became divided over the issue of World War I. Those who opposed the war, such as Vladimir Lenin and Rosa Luxemburg, in the United States after Reconstruction, the phrase the Left was used to describe those who supported trade unions, the civil rights movement and the anti-war movement. More recently in the United States, left-wing and right-wing have often used as synonyms for Democratic and Republican. Since the Right was populist, both in the Western and the Eastern Bloc, anything viewed as art was called leftist in all Europe. The following positions are typically associated with left-wing politics, during the industrial revolution, leftists supported trade unions. At the beginning of the 20th century, many leftists advocated strong government intervention in the economy, leftists continue to criticize what they perceive as the exploitative nature of globalization, the race to the bottom, and unjust lay-offs. Other leftists believe in Marxian economics, which are based on the theories of Karl Marx. Marxian economics does not exclusively rely upon Marx, it draws from a range of Marxist and non-Marxist sources, the political relevance of farmers has divided the left. In Das Kapital, Marx scarcely mentioned the subject, Mao Zedong believed that it would be rural peasants, not urban workers, who would bring about the proletarian revolution. Both Karl Marx and the early socialist William Morris arguably had a concern for environmental matters, according to Marx, Even an entire society, a nation, or all simultaneously existing societies taken together. Are not owners of the earth and they are simply its possessors, its beneficiaries, and have to bequeath it in an improved state to succeeding generations
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Underground press
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The terms underground press or clandestine press refer to periodicals and publications that are produced without official approval, illegally or against the wishes of a dominant group. It can also refer to the newspapers produced independently in repressive regimes, in German occupied Europe, for example, a thriving underground press operated, usually in association with the Resistance. Other notable examples include the samizdat and bibuła, which operated in the Soviet Union and Poland respectively, each paper was the organ of a separate resistance network, and funds were provided from Allied headquarters in London and distributed to the different papers by resistance leader Jean Moulin. Allied prisoners of war published a newspaper called Pow wow. In Eastern Europe, also approximately the 1940, underground publications were known by the name samizdat. The countercultural underground press movement of the 1960s borrowed the name from previous underground presses such as the Dutch underground press during the Nazi occupations of the 1940s and those predecessors were truly underground, meaning they were illegal, thus published and distributed covertly. Published as weeklies, monthlies, or occasionals, and usually associated with left-wing politics, they evolved on the one hand into todays alternative weeklies and on the other into zines. The most prominent underground publication in Australia was a magazine called Oz. The original Australian edition appeared in 1963 and it continued sporadically until 1969, richard Neville arrived in London from Australia where he had edited Oz. He launched a British version, which was A4, very quickly, the relaunched Oz shed its more austere satire magazine image and became a mouthpiece of the Underground. It was the most colourful and visually adventurous of the alternative press, Other publications followed, such as Friends, based in the Ladbroke Grove area of London, Ink, which was more overtly political, and Gandalfs Garden which espoused the mystic path. Neville published an account of the counterculture called Playpower, in which he described most of the underground publications. The underground press offered a platform to the socially impotent and mirrored the changing way of life in the UK underground, the police campaign may have had an effect contrary to that which was presumably intended. If anything, according to one or two who were there at the time, it made the underground press stronger. It focused attention, stiffened resolve, and tended to confirm that what we were doing was considered dangerous to the establishment, remembered Mick Farren. From April 1967, and for some later, the police raided the offices of International Times to try, it was alleged. In order to raise money for IT a benefit event was put together, on one occasion - in the wake of yet another raid on IT - Londons alternative press succeeded in pulling off what was billed as a reprisal attack on the police. The paper Black Dwarf published a detailed floor-by-floor Guide to Scotland Yard, complete with diagrams, descriptions of locks on particular doors, and snippets of overheard conversation
33.
Free Speech Movement
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In 1958, activist students organized SLATE, a campus political party meaning a slate of candidates running on the same level – a same slate. The students created SLATE to promote the right of student groups to support off-campus issues, according to existing rules at the time, fundraising for political parties was limited exclusively to the Democratic and Republican school clubs. There was also a mandatory loyalty oath required of faculty, which had led to dismissals, on October 1,1964, former graduate student Jack Weinberg was sitting at the CORE table. He refused to show his identification to the police and was arrested. There was a movement of students to surround the police car in which he was to be transported. The police car remained there for 32 hours, all while Weinberg was inside it, at one point, there may have been 3,000 students around the car. The car was used as a podium and a continuous public discussion was held which continued until the charges against Weinberg were dropped. Among other grievances was the fact that four of their leaders were being singled out for punishment, the demonstration was orderly, students studied, watched movies, and sang folk songs. Joan Baez was there to lead in the singing, as well as moral support. Freedom classes were held by teaching assistants on one floor, on the steps of Sproul Hall, Mario Savio gave a famous speech. But were a bunch of raw materials that dont mean to be — have any process upon us, Dont mean to be made into any product. Dont mean — Dont mean to end up being bought by some clients of the University, be they the government, be they industry, be they organized labor, be they anyone. Theres a time when the operation of the machine becomes so odious — makes you so sick at heart — that you cant take part and you cant even passively take part. And youve got to put your bodies upon the gears and upon the wheels, upon the levers, upon all the apparatus, and youve got to make it stop. And youve got to indicate to the people who run it, to the people who own it, that youre free. At midnight, Alameda County deputy district attorney Edwin Meese III telephoned Governor Edmund Brown, Sr, shortly after 2 a. m. on December 4,1964, police cordoned off the building, and at 3,30 a. m. began the arrest. Close to 800 students were arrested, most of which were transported by bus to Santa Rita Jail in Dublin and they were released on their own recognizance after a few hours behind bars. About a month later, the university brought charges against the students who organized the sit-in, resulting in a larger student protest that all
34.
University of California, Berkeley
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The University of California, Berkeley, is a public research university located in Berkeley, California. In 1960s, UC Berkeley was particularly noted for the Free Speech Movement as well as the Anti-Vietnam War Movement led by its students. S, Department of Energy, and is home to many world-renowned research institutes and organizations including Mathematical Sciences Research Institute and Space Sciences Laboratory. Faculty member J. R. Oppenheimer, the father of the atomic bomb, Lawrence Livermore Lab also discovered or co-discovered six chemical elements. The Academic Ranking of World Universities also ranks the University of California, Berkeley, third in the world overall, in 1866, the private College of California purchased the land comprising the current Berkeley campus. Ten faculty members and almost 40 students made up the new University of California when it opened in Oakland in 1869, billings was a trustee of the College of California and suggested that the college be named in honor of the Anglo-Irish philosopher George Berkeley. In 1870, Henry Durant, the founder of the College of California, with the completion of North and South Halls in 1873, the university relocated to its Berkeley location with 167 male and 22 female students and held its first classes. In 1905, the University Farm was established near Sacramento, ultimately becoming the University of California, by the 1920s, the number of campus buildings had grown substantially, and included twenty structures designed by architect John Galen Howard. Robert Gordon Sproul served as president from 1930 to 1958, by 1942, the American Council on Education ranked UC Berkeley second only to Harvard University in the number of distinguished departments. During World War II, following Glenn Seaborgs then-secret discovery of plutonium, UC Berkeley physics professor J. Robert Oppenheimer was named scientific head of the Manhattan Project in 1942. Along with the Lawrence Berkeley National Laboratory, Berkeley is now a partner in managing two other labs, Los Alamos National Laboratory and Lawrence Livermore National Laboratory, originally, military training was compulsory for male undergraduates, and Berkeley housed an armory for that purpose. In 1917, Berkeleys ROTC program was established, and its School of Military Aeronautics trained future pilots, including Jimmy Doolittle, both Robert McNamara and Frederick C. Weyand graduated from UC Berkeleys ROTC program, earning B. A. degrees in 1937 and 1938, in 1926, future fleet admiral Chester W. Nimitz established the first Naval Reserve Officers Training Corps unit at Berkeley. The Board of Regents ended compulsory military training at Berkeley in 1962, during the McCarthy era in 1949, the Board of Regents adopted an anti-communist loyalty oath. A number of faculty members objected and were dismissed, ten years passed before they were reinstated with back pay, in 1952, the University of California became an entity separate from the Berkeley campus. Each campus was given autonomy and its own Chancellor. Then-president Sproul assumed presidency of the entire University of California system, Berkeley gained a reputation for student activism in the 1960s with the Free Speech Movement of 1964 and opposition to the Vietnam War. In the highly publicized Peoples Park protest in 1969, students and the school conflicted over use of a plot of land, then governor of California Ronald Reagan called the Berkeley campus a haven for communist sympathizers, protesters, and sex deviants. Modern students at Berkeley are less active, with a greater percentage of moderates and conservatives
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Vietnam War
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It was the second of the Indochina Wars and was officially fought between North Vietnam and the government of South Vietnam. The war is considered a Cold War-era proxy war. As the war continued, the actions of the Viet Cong decreased as the role. U. S. and South Vietnamese forces relied on air superiority and overwhelming firepower to conduct search and destroy operations, involving ground forces, artillery, in the course of the war, the U. S. conducted a large-scale strategic bombing campaign against North Vietnam. The North Vietnamese government and the Viet Cong were fighting to reunify Vietnam and they viewed the conflict as a colonial war and a continuation of the First Indochina War against forces from France and later on the United States. The U. S. government viewed its involvement in the war as a way to prevent a communist takeover of South Vietnam and this was part the domino theory of a wider containment policy, with the stated aim of stopping the spread of communism. Beginning in 1950, American military advisors arrived in what was then French Indochina, U. S. involvement escalated in the early 1960s, with troop levels tripling in 1961 and again in 1962. Regular U. S. combat units were deployed beginning in 1965, despite the Paris Peace Accord, which was signed by all parties in January 1973, the fighting continued. In the U. S. and the Western world, a large anti-Vietnam War movement developed as part of a larger counterculture, the war changed the dynamics between the Eastern and Western Blocs, and altered North–South relations. Direct U. S. military involvement ended on 15 August 1973, the capture of Saigon by the North Vietnamese Army in April 1975 marked the end of the war, and North and South Vietnam were reunified the following year. The war exacted a huge human cost in terms of fatalities, estimates of the number of Vietnamese soldiers and civilians killed vary from 966,000 to 3.8 million. Some 240, 000–300,000 Cambodians,20, 000–62,000 Laotians, and 58,220 U. S. service members died in the conflict. Various names have applied to the conflict. Vietnam War is the most commonly used name in English and it has also been called the Second Indochina War and the Vietnam Conflict. As there have been several conflicts in Indochina, this conflict is known by the names of its primary protagonists to distinguish it from others. In Vietnamese, the war is known as Kháng chiến chống Mỹ. It is also called Chiến tranh Việt Nam, France began its conquest of Indochina in the late 1850s, and completed pacification by 1893. The 1884 Treaty of Huế formed the basis for French colonial rule in Vietnam for the seven decades
36.
Washboard (musical instrument)
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The washboard and frottoir are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. Often the washboard has additional traps, such as a block, a cowbell. Conversely, the frottoir dispenses with the frame and consists simply of the metal ribbing hung around the neck and it is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling. The frottoir or vest frottoir is played as a percussion instrument, often in a band with a drummer. In Zydeco bands, the frottoir is played with bottle openers. It tends to play counter-rhythms to the drummer, in a jug band, the washboard can also be stroked with a single whisk broom and functions as the drums for the band, playing only on the back-beat for most songs, a substitute for a snare drum. In a four-beat measure, the washboard will stroke on the 2-beat and its best sound is achieved using a single steel-wire snare-brush or whisk broom. There are three ways of deploying the washboard for use as an instrument. The first, mainly used by American players like Washboard Chaz of the Washboard Chaz Blues Trio, there is a Polish traditional jazz festival and music award named Złota Tarka. Washboards, called zatulas, are occasionally used in Ukrainian folk music. The washboard as a percussion instrument ultimately derives from the practice of hamboning as practiced in West Africa and this led to the development of Jug bands which used jugs, spoons, and washboards to provide the rhythm. Jug bands became popular in the 1920s, the frottoir, also called a Zydeco rub-board, is a mid-20th century invention designed specifically for Zydeco music. It is one of the few musical instruments invented entirely in the United States and it was designed in 1946 by Clifton Chenier and fashioned by Willie Landry, a friend and metalworker at the Texaco refinery in Port Arthur, Texas. Cliftons brother Cleveland Chenier famously played this newly designed rubboard using bottle openers, likewise, Willies son, Tee Don Landry, continues the traditional hand manufacturing of rubboards in his small shop in Sunset, Louisiana, between Lafayette and Opelousas. In 2010 Saint Blues Guitar Workshop launched an electric washboard percussion instrument called the Woogie Board, see also, Category, Washboard players In British Columbia, Canada, Tony McBride, known as Mad Fingers McBride, performs with a group called The Genuine Jug Band. Tony is referred to as The Canadian Washboard King and his percussion set-up was created by Douglas Fraser, of the same band. The washboard set-up was seen in Modern Drummer magazine, August 2014 edition, musician Steve Katz famously played washboard with the Even Dozen Jug Band. His playing can be heard on the group’s legendary self-titled Elektra recording from 1964, Katz reprised his washboard playing on Played a Little Fiddle, a 2007 recording featuring Steve Katz, Stefan Grossman and Danny Kalb
37.
Kazoo
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The kazoo is a musical instrument that adds a buzzing timbral quality to a players voice when the player vocalizes into it. It is a type of mirliton, which is a membranophone, one of a class of instruments which modifies its players voice by way of a vibrating membrane, a kazoo player hums, rather than blows, into the instrument. The oscillating air pressure of the hum makes the kazoos membrane vibrate, the resulting sound varies in pitch and loudness with the players humming. Players can produce different sounds by singing specific syllables such as doo, similar hide-covered vibrating and voice-changing instruments have been used in Africa for hundreds of years, often for ceremonial purposes. A popular belief is that Alabama Vest, an African-American in Macon, however, there is no documentation to support that claim. The first documented appearance of a kazoo was that created by an American inventor, Warren Herbert Frost, the patent states, This instrument or toy, to which I propose to give the name kazoo. Frosts kazoo did not look like present-day submarine-shaped kazoos, the modern kazoo—also the first one made of metal—was patented by George D. Smith of Buffalo, New York, May 27,1902. These machines were used for many decades, by 1994, the company produced 1.5 million kazoos per year and was the only manufacturer of metal kazoos in North America. The factory, in nearly its original configuration, is now called The Kazoo Factory and it is still operating, and it is open to the public for tours. In 2010, The Kazoo Museum opened in Beaufort, South Carolina with exhibits on kazoo history, the kazoo is played professionally in jug bands and comedy music, and by amateurs everywhere. It is among the instruments developed in the United States. In North East England and South Wales, kazoos play an important role in jazz bands. During Carnival, players use kazoos in the Carnival of Cádiz in Spain, in the Original Dixieland Jass Band 1921 recording of Crazy Blues, what the casual listener might mistake for a trombone solo is actually a kazoo solo by drummer Tony Sbarbaro or Red McKenzie. The Mound City Blue Blowers had a number of hit records in the early 1920s featuring Dick Slevin on metal kazoo. The vocaphone, a kind of kazoo with a tone, was occasionally featured in Paul Whitemans Orchestra. Trombonist-vocalist Jack Fulton played it on Whitemans recording of Vilia and Frankie Trumbauers Medley of Isham Jones Dance Hits, the Mills Brothers vocal group originally started in vaudeville as a kazoo quartet, playing four-part harmony on kazoo with one brother accompanying them on guitar. The kazoo is rare in European classical music, leonard Bernstein included a segment for kazoo ensemble in the First Introit of his Mass. The brief passages have the kazoo chorus sliding up and down the scale as the cheering rises, jesse Fullers 1962 recording of his song San Francisco Bay Blues features a kazoo solo, as does Eric Claptons 1992 recording of the song on MTVs Unplugged television show and album
38.
Bass guitar
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The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance
