1.
Somerset House
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Somerset House is a large Neoclassical building situated on the south side of the Strand in central London, overlooking the River Thames, just east of Waterloo Bridge. The building, originally the site of a Tudor palace, was designed by Sir William Chambers in 1776, the East Wing forms part of the adjacent Strand campus of Kings College London. In the sixteenth century, the Strand, the bank of the Thames between the City of London and the Palace of Westminster was a favoured site for the mansions of the nobility. In 1539 Edward Seymour, 1st Earl of Hertford, obtained a grant of land at Chester Place, outside Temple Bar, when his nephew the boy-king Edward VI came to the throne in 1547, Seymour became Duke of Somerset and Lord Protector. Pauls Cathedral which were demolished partly at his behest as part of the ongoing Dissolution of the Monasteries and it was a two storey house built around a quadrangle with a gateway rising to three stories and was one of the earliest examples of Renaissance architecture in England. It is not known who designed the building, before it was finished, however, Somerset was overthrown, attainted by Parliament and in 1552 was executed on Tower Hill. Somerset Place then came into the possession of the Crown and his royal nephews half-sister the future Queen Elizabeth I lived there during the reign of her half-sister Queen Mary I. The process of completion and improvement was slow and costly, as late as 1598 Stow refers to it as yet unfinished. In the 17th century, the house was used as a residence by queens consort, during the reign of King James I, the building became the London residence of his wife, Anne of Denmark, and was renamed Denmark House. She commissioned a number of additions and improvements, some to designs by Inigo Jones. In particular, during the period between 1630 and 1635 he built a Chapel where Henrietta Maria of France, wife of King Charles I and this was in the care of the Capuchin Order and was on a site to the south-west of the Great Court. A small cemetery was attached and some of the tombstones are still to be built into one of the walls of a passage under the present quadrangle. Royal occupation of Somerset House was interrupted by the English Civil War and they failed to find a buyer, though a sale of the contents realised the very considerable sum of £118,000. Use was still found for it however, part of it served as an Army headquarters, General Fairfax being given official quarters there, lodgings were also provided for certain other Parliamentary notables. It was in Somerset House that Oliver Cromwells body lay in state after his death in 1658, however she returned to France in 1665 before it was finished. It was then used as a residence by Catherine of Braganza. During her time it received a certain notoriety as being, in the popular mind, Somerset House was refurbished by Sir Christopher Wren in 1685. After the Glorious Revolution in 1688, Somerset House entered on a period of decline, being used for grace
2.
Public university
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A public university is a university that is predominantly funded by public means through a national or subnational government, as opposed to private universities. Whether a national university is considered public varies from one country to another, in Egypt, Al-Azhar University opened in 975 AD as the second oldest university in the world. In Nigeria Public Universities can be established by both the Federal Government and by State Governments, students are enrolled after completing the 8-4-4 system of education and attaining a mark of C+ or above. They are also eligible for a low interest loan from the Higher Education Loan Board and they are expected to pay back the loan after completing higher education. South Africa has 23 public tertiary institutions, either categorised as a traditional university or a comprehensive university. Almost entire national universities in Brunei are public universities and these are major universities in Brunei, University of Brunei Darussalam Brunei Technological University Sultan Sharif Ali Islamic University There are 40 public universities in Bangladesh. The University Grant Commission is the body for all the public universities in Bangladesh. The universities do not deal directly with the government, but with the University Grants Commission, recently many private universities are established under the Private University Act of 1992. In mainland China, nearly all universities and research institutions are public and currently, the public universities are usually run by the provincial governments, there are also circumstances where the municipal governments administer the universities. Some public universities are national, which are administered by the central government. Private undergraduate colleges do exist, which are vocational colleges sponsored by private enterprises. The majority of universities are not entitled to award bachelors degrees. Public universities usually enjoy higher reputation domestically, eight institutions are funded by the University Grants Committee. The Academy for Performing Arts also receives funding from the government, the Open University of Hong Kong is also a public university, but it is largely self-financed. The Shue Yan University is the private institution with the status of a university. There are public and private institutes in Indonesia. The government provide public universities, institutes, high schools and academies in each province, the private educational institution usually provided by religious organizations, public organizations, and some big companies. In India, most universities and nearly all research institutions are public, There are some private undergraduate colleges, mostly engineering schools, but a majority of these are affiliated to public universities
3.
Financial endowment
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A financial endowment is a donation of money or property to a nonprofit organization for the ongoing support of that organization. An endowment may come with stipulations regarding its usage, the total value of an institutions investments is often referred to as the institutions endowment and is typically organized as a public charity, private foundation, or trust. Among the institutions that commonly manage endowments are academic institutions, cultural institutions, service organizations, the earliest endowed chairs were those established by the Roman emperor and Stoic philosopher Marcus Aurelius in Athens in AD176. Aurelius created one endowed chair for each of the schools of philosophy, Platonism, Aristotelianism, Stoicism. Later, similar endowments were set up in other major cities of the Empire. Today, the University of Glasgow has fifteen Regius Professorships, private individuals soon adopted the practice of endowing professorships. Isaac Newton held the Lucasian Chair of Mathematics at Cambridge beginning in 1669, unrestricted endowment can be used in any way the recipient chooses to carry out its mission. Term endowment funds stipulate that all or part of the principal may be expended only after the expiration of a period of time or occurrence of a specified event. Quasi endowment funds must retain the purpose and intent as specified by the donor or source of the original funds, Endowment revenue can be restricted by donors to serve many purposes. Endowed professorships or scholarships restricted to a subject are common. Ignoring the restriction is called invading the endowment, but change of circumstance or financial duress like bankruptcy can preclude carrying out the donors intent. A court can alter the use of restricted endowment under a doctrine called cy-près meaning to find an alternative as near as possible to the donors intent, the restricted/unrestricted distinction focuses on the use of the funds, see quasi-endowment below for a distinction about whether principal can be spent. Academic institutions, such as colleges and universities, will control a endowment fund that finances a portion of the operating or capital requirements of the institution. In addition to an endowment fund, each university may also control a number of restricted endowments that are intended to fund specific areas within the institution. The most common examples are endowed professorships, and endowed scholarships or fellowships, in the United States, the endowment is often integral to the financial health of educational institutions. Alumni or friends of institutions sometimes contribute capital to the endowment, the endowment funding culture is strong in the United States and Canada but less pronounced overseas, with the exceptions of Cambridge and Oxford universities. Endowment funds have also created to support secondary and elementary school districts in several states in the United States. An endowed professorship is a position permanently paid for with the revenue from an endowment fund set up for that purpose
4.
Pound sterling
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It is subdivided into 100 pence. A number of nations that do not use sterling also have called the pound. At various times, the sterling was commodity money or bank notes backed by silver or gold. The pound sterling is the worlds oldest currency still in use, the British Crown dependencies of Guernsey and Jersey produce their own local issues of sterling, the Guernsey pound and the Jersey pound. The pound sterling is also used in the Isle of Man, Gibraltar, the Bank of England is the central bank for the pound sterling, issuing its own coins and banknotes, and regulating issuance of banknotes by private banks in Scotland and Northern Ireland. Sterling is the fourth most-traded currency in the exchange market, after the United States dollar, the euro. Together with those three currencies it forms the basket of currencies which calculate the value of IMF special drawing rights, Sterling is also the third most-held reserve currency in global reserves. The full, official name, pound sterling, is used mainly in formal contexts, otherwise the term pound is normally used. The abbreviations ster. or stg. are sometimes used, the term British pound is commonly used in less formal contexts, although it is not an official name of the currency. The pound sterling is also referred to as cable amongst forex traders, the origins of this term are attributed to the fact that in the 1800s, the dollar/pound sterling exchange rate was transmitted via transatlantic cable. Forex brokers are sometimes referred to as cable dealers, as another established source notes, the compound expression was then derived, silver coins known as sterlings were issued in the Saxon kingdoms,240 of them being minted from a pound of silver. Hence, large payments came to be reckoned in pounds of sterlings, in 1260, Henry III granted them a charter of protection. And because the Leagues money was not frequently debased like that of England, English traders stipulated to be paid in pounds of the Easterlings, and land for their Kontor, the Steelyard of London, which by the 1340s was also called Easterlings Hall, or Esterlingeshalle. For further discussion of the etymology of sterling, see sterling silver, the currency sign for the pound sign is £, which is usually written with a single cross-bar, though a version with a double cross-bar is also sometimes seen. The ISO4217 currency code is GBP, occasionally, the abbreviation UKP is used but this is non-standard because the ISO3166 country code for the United Kingdom is GB. The Crown dependencies use their own codes, GGP, JEP, stocks are often traded in pence, so traders may refer to pence sterling, GBX, when listing stock prices. A common slang term for the pound sterling or pound is quid, since decimalisation in 1971, the pound has been divided into 100 pence. The symbol for the penny is p, hence an amount such as 50p properly pronounced fifty pence is more colloquially, quite often, pronounced fifty pee /fɪfti, pi and this also helped to distinguish between new and old pence amounts during the changeover to the decimal system
5.
Anne, Princess Royal
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Anne, Princess Royal, KG KT GCVO GCStJ QSO GCL CD is the second child and only daughter of Queen Elizabeth II and Prince Philip, Duke of Edinburgh. At the time of her birth, she was third in the line of succession, behind her mother – then Princess Elizabeth – and elder brother and she rose to second after her mothers accession, but is currently 12th in line. Anne is known for her work, and is patron of over 200 organisations. Princess Anne has held the title of Princess Royal since 1987 and is its seventh holder, Anne was married to Captain Mark Phillips in 1973, they divorced in 1992. They have two children and three grandchildren, in 1992, within months of her divorce, Anne married Vice Admiral Sir Timothy Laurence, whom she had met while he served as her mothers equerry between 1986 and 1989. Anne was born at Clarence House on 15 August 1950 at 11,50 am, as the child and only daughter of Princess Elizabeth, Duchess of Edinburgh. She was the grandchild of King George VI and Queen Elizabeth. Anne was baptised in the Music Room of Buckingham Palace on 21 October 1950, by Archbishop of York, after the death of George VI, Annes mother ascended the throne as Queen Elizabeth II. Given her young age at the time, she did not attend the coronation, the Company was active until 1963, when Anne went to boarding school. Anne enrolled at Benenden School in 1963, in 1968 she left school with six GCE O-Levels and two A-Levels. In the next couple of years, Anne started dating, in 1970 her first boyfriend was Andrew Parker Bowles, who later became the first husband of Camilla Shand. Following the wedding, Anne and her husband lived at Gatcombe Park and he was made acting captain by the start of 1974 when he was appointed a personal aide-de-camp to Queen Elizabeth II. By 1989, however, Princess Anne and Mark Phillips announced their intention to separate, the couple divorced on 23 April 1992. The Queen had offered Phillips an earldom on his wedding day, the couple had two children, Peter Phillips and Zara Phillips. As female-line descendants of royalty, the children have no title despite being the grandchildren of a monarch, Anne became a grandmother on 29 December 2010 when Peter and his wife Autumn had a daughter, Savannah. On 29 March 2012, the couple had daughter, Isla. Annes third granddaughter, Mia Grace, was born on 17 January 2014 to Zara and her husband Mike Tindall. As Princess Anne and Mark Phillips were returning to Buckingham Palace on 20 March 1974, from a charity event on Pall Mall, the driver of the Escort, Ian Ball, jumped out and began firing a pistol
6.
University of London
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The University of London is a collegiate research university located in London, England, consisting of 18 constituent colleges, nine research institutes and a number of central bodies. The university moved to a structure in 1900. The specialist colleges of the university include the London Business School, Imperial College London was formerly a member before leaving the university in 2007. City is the most recent constituent college, having joined on 1 September 2016, in post-nominals, the University of London is commonly abbreviated as Lond. or, more rarely, Londin. From the Latin Universitas Londiniensis, after its degree abbreviations, University College London was founded under the name London University in 1826 as a secular alternative to the religious universities of Oxford and Cambridge. In response to the controversy surrounding such educational establishment, Kings College London was founded and was the first to be granted a royal charter. Yet to receive a charter, UCL in 1834 renewed its application for a royal charter as a university. In response to this, opposition to exclusive rights grew among the London medical schools, the idea of a general degree awarding body for the schools was discussed in the medical press. And in evidence taken by the Select Committee on Medical Education, in 1835, the government announced the response to UCLs petition for a charter. Following the issuing of its charter on 28 November 1836, the university started drawing up regulations for degrees in March 1837. The death of William IV in June, however, resulted in a problem – the charter had been granted during our Royal will and pleasure, queen Victoria issued a second charter on 5 December 1837, reincorporating the university. The university awarded its first degrees in 1839, all to students from UCL, the university established by the charters of 1836 and 1837 was essentially an examining board with the right to award degrees in arts, laws and medicine. However, the university did not have the authority to grant degrees in theology, in medicine, the university was given the right to determine which medical schools provided sufficient medical training. Beyond the right to students for examination, there was no other connection between the affiliated colleges and the university. In 1849 the university held its first graduation ceremony at Somerset House following a petition to the senate from the graduates, about 250 students graduated at this ceremony. The London academic robes of this period were distinguished by their rich velvet facings, the list of affiliated colleges grew by 1858 to include over 50 institutions, including all other British universities. In that year, a new charter effectively abolished the affiliated colleges system by opening up the examinations to everyone whether they attended a college or not. The expanded role meant the university needed more space, particularly with the number of students at the provincial university colleges
7.
Postgraduate education
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In North America, this level is generally referred to as graduate school. The organization and structure of education varies in different countries. This article outlines the types of courses and of teaching and examination methods. There are two types of degrees studied for at the postgraduate level, academic and vocational degrees. The term degree in this means the moving from one stage or level to another. University studies took six years for a degree and up to twelve additional years for a masters degree or doctorate. The first six years taught the faculty of the arts, which was the study of the seven liberal arts, arithmetic, geometry, astronomy, music theory, grammar, logic, the main emphasis was on logic. Once a Bachelor of Arts degree had been obtained, the student could choose one of three faculties—law, medicine, or theology—in which to pursue masters or doctors degrees. Because theology was thought to be the highest of the subjects, the main significance of the higher, postgraduate degrees was that they licensed the holder to teach. In most countries, the hierarchy of postgraduate degrees is as follows, in Scottish Universities, the Master of Philosophy degree tends to be by research or higher masters degree and the Master of Letters degree tends to be the taught or lower masters degree. In many fields such as social work, or library science in North America. Professional degrees such as the Master of Architecture degree can last to three and a years to satisfy professional requirement to be an architect. Professional degrees such as the Master of Business Administration degree can last up to two years to satisfy the requirement to become a business leader. These are often divided into academic and professional doctorates. An academic doctorate can be awarded as a Doctor of Philosophy degree or as a Doctor of Science degree, a doctorate is the terminal degree in most fields. In the United States, there is distinction between a Doctor of Philosophy degree and a Doctor of Science degree. In the second half of the 19th century, however, US universities began to follow the European model by awarding doctorates, in the UK, an equivalent formation to doctorate is the NVQ5 or QCF8. Most universities award degrees, usually at the postgraduate level
8.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
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History of art
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The history of art is the history of any activity or product made by humans in a visual form for aesthetical or communicative purposes, expressing ideas, emotions or, in general, a worldview. The subsequent expansion of the list of arts in the 20th century reached to nine, architecture, dance, sculpture, music, painting, poetry, film, photography. The study of the history of art was developed during the Renaissance. Today, art enjoys a network of study, dissemination and preservation of all the artistic legacy of mankind throughout history. The rise of media has been crucial in improving the study, international events and exhibitions like the Whitney Biennial and biennales of Venice and São Paulo or the Documenta of Kassel have helped the development of new styles and trends. Institutions like UNESCO, with the establishment of the World Heritage Site lists, the field of art history was developed in the West, and originally dealt exclusively with European art history, with the High Renaissance as the defining standard. Gradually, over the course of the 20th century, a vision of art history has developed. This expanded version includes societies from across the globe, and it attempts to analyze artifacts in terms of the cultural values in which they were created. Thus, art history is now seen to all visual art. The history of art is often told as a chronology of masterpieces created in each civilization and it can thus be framed as a story of high culture, epitomized by the Wonders of the World. On the other hand, vernacular art expressions can also be integrated into art historical narratives, in the latter cases art objects may be referred to as archeological artifacts. One way to examine how art history is organized is by examining the major survey textbooks, information on canonical art history is also found in the Heilbrunn Timeline of Art History, which is sponsored by the Metropolitan Museum of Art in New York City. The first tangible artifacts of human art that have found are from the Stone Age. During the Paleolithic, humans practiced hunting and gathering and lived in caves, in the Bronze Age, the first protohistoric civilizations arose. The Paleolithic had its first artistic manifestation in 25,000 BCE, the first traces of human-made objects appeared in southern Africa, the Western Mediterranean, Central and Eastern Europe, Siberia, India and Australia. These first traces are generally worked stone, wood or bone tools, to paint in red, iron oxide was used, in black, manganese oxide and in ochre, clay. Surviving art from this period includes small carvings in stone or bone, cave paintings have been found in the Franco-Cantabrian region. There are pictures with magical-religious character and also pictures with a naturalistic sense, sculpture is represented by the so-called Venus figurines, feminine figures which were probably used in fertility cults, such as the Venus of Willendorf
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Conservation-restoration of cultural heritage
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The conservation-restoration of cultural heritage focuses on protection and care of tangible cultural heritage, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment and this field is closely allied with conservation science, curators and registrars. Conservation of cultural heritage can be described as a type of ethical stewardship, Conservation of cultural heritage applies simple ethical guidelines, Minimal intervention, Appropriate materials and reversible methods, Full documentation of all work undertaken. Often there are compromises between preserving appearance, maintaining original design and material properties, and ability to reverse changes, reversibility is now emphasized so as to reduce problems with future treatment, investigation, and use. The care of cultural heritage has a history, one that was primarily aimed at fixing and mending objects for their continued use. Until the early 20th century, artists were normally the ones called upon to repair damaged artworks, louis Pasteur carried out scientific analysis on paint as well. The society was founded by William Morris and Philip Webb, both of whom were influenced by the writings of John Ruskin. He not only developed an approach to the care of objects in the collections. The early development of conservation of heritage in any area of the world is usually linked to the creation of positions for chemists within museums. Lauries interests were fostered by William Holman Hunt, the creation of this department moved the focus for the development of conservation theory and practice from Germany to Britain, and made the latter a prime force in this fledgling field. In the United States, the development of conservation of heritage can be traced to the Fogg Art Museum. Importantly he also brought onto the staff chemists. Rutherford John Gettens was the first of usch in the US to be employed by an art museum. He worked with George L. Stout, the founder and first editor of Technical Studies, Gettens and Stout co-authored Painting Materials, A Short Encyclopaedia in 1942, reprinted in 1966. This compendium is still cited regularly, only a few dates and descriptions in Gettens and Stouts book are now outdated. George T. Oliver, of Oliver Brothers Art Restoration and Art Conservation-Boston invented the vacuum hot table for relining paintings in 1920s, taylors prototype table, which he designed and constructed, is still in operation. Oliver Brothers is believed to be the first and the oldest continuously operating art restoration company in the United States, the focus of conservation development then accelerated in Britain and America, and it was in Britain that the first International Conservation Organisations developed. Art historians and theorists such as Cesare Brandi have also played a significant role in developing conservation science theory, in recent years ethical concerns have been at the forefront of developments in conservation
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Impressionism
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Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the art community in France. The development of Impressionism in the arts was soon followed by analogous styles in other media that became known as impressionist music. Radicals in their time, early Impressionists violated the rules of academic painting and they constructed their pictures from freely brushed colours that took precedence over lines and contours, following the example of painters such as Eugène Delacroix and J. M. W. Turner. They also painted scenes of modern life, and often painted outdoors. Previously, still lifes and portraits as well as landscapes were painted in a studio. The Impressionists found that they could capture the momentary and transient effects of sunlight by painting en plein air, the Impressionists, however, developed new techniques specific to the style. The public, at first hostile, gradually came to believe that the Impressionists had captured a fresh and original vision, even if the art critics and art establishment disapproved of the new style. In the middle of the 19th century—a time of change, as Emperor Napoleon III rebuilt Paris, the Académie was the preserver of traditional French painting standards of content and style. Historical subjects, religious themes, and portraits were valued, landscape, the Académie preferred carefully finished images that looked realistic when examined closely. Paintings in this style were made up of brush strokes carefully blended to hide the artists hand in the work. Colour was restrained and often toned down further by the application of a golden varnish, the Académie had an annual, juried art show, the Salon de Paris, and artists whose work was displayed in the show won prizes, garnered commissions, and enhanced their prestige. The standards of the juries represented the values of the Académie, represented by the works of artists as Jean-Léon Gérôme. In the early 1860s, four young painters—Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and they discovered that they shared an interest in painting landscape and contemporary life rather than historical or mythological scenes. A favourite meeting place for the artists was the Café Guerbois on Avenue de Clichy in Paris, where the discussions were led by Édouard Manet. They were soon joined by Camille Pissarro, Paul Cézanne, during the 1860s, the Salon jury routinely rejected about half of the works submitted by Monet and his friends in favour of works by artists faithful to the approved style. In 1863, the Salon jury rejected Manets The Luncheon on the Grass primarily because it depicted a woman with two clothed men at a picnic. While the Salon jury routinely accepted nudes in historical and allegorical paintings, the jurys severely worded rejection of Manets painting appalled his admirers, and the unusually large number of rejected works that year perturbed many French artists
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Post-Impressionism
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Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists concern for the depiction of light. The movement was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh, the term Post-Impressionism was first used by art critic Roger Fry in 1906. Three weeks later, Roger Fry used the term again when he organized the 1910 exhibition, Manet, the Post-Impressionists were dissatisfied with what they felt was the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward. Georges Seurat and his followers concerned themselves with Pointillism, the use of tiny dots of colour. Paul Cézanne set out to restore a sense of order and structure to painting, to make of Impressionism something solid and durable and he achieved this by reducing objects to their basic shapes while retaining the saturated colours of Impressionism. The Impressionist Camille Pissarro experimented with Neo-Impressionist ideas between the mid-1880s and the early 1890s, Vincent van Gogh used colour and vibrant swirling brush strokes to convey his feelings and his state of mind. Although they often exhibited together, Post-Impressionist artists were not in agreement concerning a cohesive movement, yet, the abstract concerns of harmony and structural arrangement, in the work of all these artists, took precedence over naturalism. Artists such as Seurat adopted a scientific approach to colour. Younger painters during the early 20th century worked in geographically disparate regions and in various categories, such as Fauvism and Cubism. Most of the artists in Frys exhibition were younger than the Impressionists, Fry later explained, For purposes of convenience, it was necessary to give these artists a name, and I chose, as being the vaguest and most non-committal, the name of Post-Impressionism. This merely stated their position in time relatively to the Impressionist movement, john Rewald limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism, From Van Gogh to Gauguin. This volume would extend the period covered to other artistic movements derived from Impressionism, though confined to the late 19th, Rewald focused on such outstanding early Post-Impressionists active in France as van Gogh, Gauguin, Seurat, and Redon. Pont-Aven School, implying more than that the artists involved had been working for a while in Pont-Aven or elsewhere in Brittany. Symbolism, a highly welcomed by vanguard critics in 1891. Rewald wrote that the term Post-Impressionism is not a precise one. Convenient, when the term is by definition limited to French visual arts derived from Impressionism since 1886, rewalds approach to historical data was narrative rather than analytic, and beyond this point he believed it would be sufficient to let the sources speak for themselves. Rival terms like Modernism or Symbolism were never as easy to handle, for they covered literature, architecture and other arts as well, Symbolism, however, is considered to be a concept which emerged a century later in France, and implied an individual approach
13.
Courtauld Gallery
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The Courtauld Gallery UK /ˈkɔərtoʊld/ is an art museum in Somerset House, on the Strand in central London. It houses the art collection of the Courtauld Institute of Art, in total, the collection contains some 530 paintings and over 26,000 drawings and prints. The Head of the Courtauld Gallery is Ernst Vegelin, the art collection at the Courtauld was begun by Samuel Courtauld, who in the same year presented an extensive collection of paintings, mainly French Impressionist and Post-Impressionist works. He made further gifts later in the 1930s and a bequest in 1948, further bequests were added after the Second World War, most notably the collection of Old Master paintings assembled by Lord Lee, a founder of the Institute. This included Cranachs Adam and Eve and a sketch in oils by Peter Paul Rubens for what is arguably his masterpiece, Sir Robert Witt, also a founder of the Courtauld Institute, was an outstanding benefactor and bequeathed his important collection of Old Master and British drawings in 1952. His bequest included 20,000 prints and more than 3000 drawings and his son, Sir John Witt, later gave more English watercolours and drawings to the Gallery. M. W. Turner, Peter De Wint and others, in 1978 the Courtauld received the Princes Gate Collection of Old Master paintings and drawings formed by Count Antoine Seilern. The collection rivals the Samuel Courtauld Collection in importance and it includes paintings by Bernardo Daddi, Robert Campin, Bruegel, Quentin Matsys, Van Dyck and Tiepolo, but is strongest in the works of Rubens. The bequest also included a group of 19th- and 20th‑century works by Pissarro, Edgar Degas, Pierre-Auguste Renoir, more recently the Lillian Browse and Alastair Hunter collections have given the Courtauld more late 19th- and 20th‑century paintings, drawings and sculptures. A collection of more than 50 British watercolours, including eight by Turner, was left to the Gallery by Dorothy Scharf in 2004, the Courtauld Gallery is open to the public. The Royal Academy occupied them from their completion in 1780 until it moved to the new National Gallery building in Trafalgar Square in 1837. Inscribed over the entrance to the Great Room, in which the annual Royal Academy summer exhibition was held, is the formidable inscription ΟΥΔΕΙΣ ΑΜΟΥΣΟΣ ΕΙΣΙΤΩ. Many of his purchases were made on trips to the continent, especially Italy, but he bought from dealers and auctions in England. The Courtauld Gallery website shows images and descriptions of 324 objects from the 1966 bequest, there are two further predella panels by Lorenzo Monaco, and many other small panels by lesser-known masters. Later Renaissance works include ones by Il Garofalo, Sassoferrato, there are a number of illuminated manuscript pages from the workshop of the Boucicaut Master. The sculptures include three fine 15th-century marble reliefs of the Virgin and Child, the most significant by Mino da Fiesole, there is a Limoges enamel book cover panel, a number of Renaissance Limoges items, and several small Gothic ivories. The Courtauld publishes an online collection, artandarchitecture. org. The site was developed with the support of the New Opportunities Fund, two other websites courtauldimages. com and courtauldprints. com sell high resolution digital files to scholars, publishers and broadcasters, and photographic prints to the general public
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Strand, London
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Strand is a major thoroughfare in the City of Westminster, Central London. The roads name comes from the Old English strond, meaning the edge of a river, the street was popular with the British upper classes between the 12th and 17th centuries, with many historically important mansions being built between the Strand and the river. These included Essex House, Arundel House, Somerset House, Savoy Palace, Durham House, the aristocracy moved to the West End over the 17th century, following which the Strand became well known for coffee shops, restaurants and taverns. The street was a point for theatre and music hall during the 19th century. At the east end of the street are two churches, St Mary le Strand and St Clement Danes. Several authors, poets and philosophers have lived on or near the Strand, including Charles Dickens, Ralph Waldo Emerson, the street has been commemorated in the song Lets All Go Down the Strand, now recognised as a typical piece of Cockney music hall. The street is the link between the two cities of Westminster and London. It runs eastward from Trafalgar Square, parallel to the River Thames, traffic travelling eastbound follows a short crescent around Aldwych, connected at both ends to the Strand. The road marks the boundary of the Covent Garden district. The name was first recorded in 1002 as strondway, then in 1185 as Stronde and it is formed from the Old English word strond, meaning the edge of a river. Initially it referred to the bank of the once much wider Thames. The name was applied to the road itself. In the 13th century it was known as Densemanestret or street of the Danes, Strand Bridge was the name given to Waterloo Bridge during its construction, it was renamed for its official opening on the second anniversary of the coalition victory in the Battle of Waterloo. London Bus routes 6,23,139 and 176 all run along the Strand, as do numerous night bus services. During Roman Britain, what is now the Strand was part of the route to Silchester, known as Iter VIII on the Antonine Itinerary, and it was briefly part of a trading town called Lundenwic that developed around 600 AD, and stretched from Trafalgar Square to Aldwych. Alfred the Great gradually moved the settlement into the old Roman town of Londinium from around 886 AD onwards, leaving no mark of the old town, and the area returned to fields. In the Middle Ages, the Strand became the route between the separate settlements of the City of London and the royal Palace of Westminster. The landmark Eleanors Cross was built in the 13th century at the end of the Strand at Charing Cross by Edward I commemorating his wife Eleanor of Castile
15.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
16.
Samuel Courtauld (art collector)
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Samuel Courtauld was an English industrialist who is best remembered as an art collector. He founded the Courtauld Institute of Art in London in 1932 and, after a series of gifts during the 1930s, Samuel Courtauld took charge of the firm from 1908 as general manager and as chairman from 1921 to 1946. Courtauld was the son of Sydney Courtauld and Sarah Lucy Sharpe, and he was educated at Rugby School. After he finished school he went to Germany and France and studied textile technology to prepare to work in the family business, in 1901, he became director of one of the factories, then in 1908 the CEO of all plants of the company. He became interested in art after seeing the Hugh Lane collection on exhibition at the Tate Gallery in 1917, however, his career as a collector started in 1922 following an exhibition of French art at the Burlington Fine Arts Club. Courtauld was one of the first collectors to display interest in French Impressionist and Post-Impressionist paintings, during the 1920s, he assembled an extensive collection including masterpieces by Vincent van Gogh or previously owned by Anna Boch, Édouard Manet, Paul Cézanne and Pierre-Auguste Renoir. The core elements of his collection were accumulated between 1926 and 1930, though his passion dwindled somewhat following the death of his wife Elizabeth in 1931, Samuel founded the Courtauld Institute with Viscount Lee of Fareham and Sir Robert Witt in 1930. Courtauld provided the bulk of the money for the founding of the Courtauld Institute and his wealth came from the textile business, but on both sides of his family there were connections with the arts and traditions of patronage going back several generations. Courtauld loved pictures and wrote poems about them and his example was emulated by his younger brother Stephen, who converted the medieval ruins of Eltham Palace into an Art Deco mansion. In the event the Portman Square house was to be the home for almost sixty years. Courtauld also created a £50,000 acquisition fund for the Tate and National galleries, Samuel Courtauld married Elizabeth Theresa Frances Kelsey on 20 June 1901. The children from this marriage included, Sydney Courtauld married the politician Rab Butler, Samuels younger brother, Stephen Courtauld, was also an arts patron and is remembered for his work on restoring Eltham Palace. Augustine Courtauld Samuels cousin was an explorer, noted for his observations of the climate of the ice cap of Greenland
17.
Arthur Lee, 1st Viscount Lee of Fareham
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Arthur Hamilton Lee, 1st Viscount Lee of Fareham, GCB, GCSI, GBE, PC was an English soldier, diplomat, politician, philanthropist and patron of the arts. After military postings and an assignment to the British Embassy in Washington and he entered politics, was first elected in 1900, and later served as Minister of Agriculture and Fisheries and First Lord of the Admiralty following the First World War. He donated his house, Chequers, to the nation as a retreat for the Prime Minister. Arthur Hamilton Lee was born at The Rectory, Bridport, Dorset in 1868 and his father was rector of the towns Anglican St. Marys Church. He was a grandson of Sir John Theophilus Lee, who as a midshipman was present at the Battle of the Nile, after attending Cheltenham College, Lee entered the Royal Military Academy, Woolwich. He was commissioned into the Royal Artillery as a lieutenant on 17 February 1888. He was posted to the Far East -- China—as Adjutant of the Royal Hong Kong Regiment and he was promoted lieutenant on 18 February 1891. He returned to England in 1891, and was stationed on the Isle of Wight for the two years. On 18 August 1893, at the age of 24, Lee became a professor of Strategy and Tactics, at the Royal Military College of Canada, in Kingston, Ontario, with the local rank of captain. Since only 11 to 30 cadets annually entered the College in those days, Lee would have instructed only about 140 cadets in his five years at the College,433, future Major General Thomas Victor Anderson, D. S. O. He enjoyed riding and walking in winter across the ice to Wolfe Island and he was a regular attendant at St. Georges Cathedral to hear Dean Buxton Smith. Became RMC Commandant in 1897, Captain Lee came to live with the Kitsons in the Commandants residence, in 1894, Lee initiated a Military Survey of the Canadian Frontier, and supervised its progress until its completion in 1896. During the summer of 1897 he was a Special Correspondent for the London Daily Chronicle, covering the earlier stages of the Klondike Gold Rush, based on his travels to Alaska, in 1900, when Lee resigned as British Military Attaché in Washington, D. C. Colonel Kitson resigned as Commandant of RMC to take over the Washington post vacated by Lee and he did not receive substantive promotion until the completion of his RMC appointment on 18 April 1898. He became the British military attaché with the United States Army in Cuba during the Spanish–American War and he received the U. S. campaign medal, was made an honorary member of the 1st U. S. Volunteer Cavalry—the famous Roosevelts Rough Riders—and met Theodore Roosevelt, on 28 January 1899 Lee, who was still not 30 years old, was appointed military attaché at the British Embassy in Washington, with the temporary rank of Lieutenant Colonel. Although he would have preferred to have been on service in South Africa, since the Boer War had just started. On 23 December 1899, Lee married Ruth Moore, daughter of New York banker John Godfrey Moore and he had first met Ruth Moore at parties in Kingston and Gananoque, and had taken her to balls at the Royal Military College, Kingston
18.
Home House
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Home House is a Georgian town house at 20 Portman Square, London. James Wyatt was appointed to design it by Elizabeth, Countess of Home in 1776, Elizabeth left the completed house on her death in 1784 to her nephew William Gale, who in turn left it to one of his aunts, Mrs Walsh, in 1785. In 1926, it was leased by Samuel Courtauld to house his art collection. On his wifes death in 1931, he gave the house, a permanent accommodation was not forthcoming, and the Institute remained in the building until 1989, when it moved to its present home of Somerset House. Home House was appointed a Grade I listed building in 1954, Home House then remained vacant for seven years, until it was acquired by Berkeley Adam Ltd. They kept it until 2004, when it passed to its present owners, Courtauld Institute site Home House, London Lesley Lewis, Elizabeth, Countess of Home, and Her House in Portman Square, in The Burlington Magazine, Vol.109, No. 773, pp. 443–451+453 Non-free image of a staircase at Home House
19.
Robert Adam
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Robert Adam FRSE FRS FSA FSA FRSA was a British neoclassical architect, interior designer and furniture designer. He was the son of William Adam, Scotlands foremost architect of the time, with his older brother John, Robert took on the family business, which included lucrative work for the Board of Ordnance, after Williams death. In 1754, he left for Rome, spending five years on the continent studying architecture under Charles-Louis Clérisseau. On his return to Britain he established a practice in London, here he developed the Adam Style, and his theory of movement in architecture, based on his studies of antiquity and became one of the most successful and fashionable architects in the country. Adam held the post of Architect of the Kings Works from 1761 to 1769, Robert Adam was a leader of the first phase of the classical revival in England and Scotland from around 1760 until his death. He influenced the development of Western architecture, both in Europe and in North America, Adam designed interiors and fittings as well as houses. He served as the member of Parliament for Kinross-shire from 1768 to 1774, Adam was born on 3 July 1728 at Gladney House in Kirkcaldy, Fife, although the family moved to Edinburgh later that same year. As a child he was noted as having a feeble constitution, in autumn 1743 he matriculated at Edinburgh University, and compulsory classes for all students were, the Greek language, logic, metaphysics and Natural philosophy. Students could choose three subjects, Adam attended classes in mathematics, taught by Colin Maclaurin, and anatomy. His studies were interrupted by the arrival of Bonnie Prince Charlie and his Highlanders, at the end of the year, Robert fell seriously ill for some months, and it seems unlikely that he returned to university, having completed only two years of study. On his recovery from illness in 1746, he joined his elder brother John as apprentice to his father and he assisted William Adam on projects such as the building of Inveraray Castle and the continuing extensions of Hopetoun House. Williams position as Master Mason to the Board of Ordnance also began to generate much work, William Adam died in June 1748, and left Dowhill, a part of the Blair Adam estate which included a tower house, to Robert. On William Adams death, John Adam inherited both the business and the position of Master Mason to the Board of Ordnance. He immediately took Robert into partnership, later to be joined by James Adam, the Adam Brothers first major commission was the decoration of the grand state apartments on the first floor at Hopetoun House, followed by their first new build at Dumfries House. For the Board of Ordnance, the brothers were the contractor at Fort George. In the winter of 1749–1750, Adam travelled to London with his friend and he took the opportunity for architectural study, visiting Wilton, designed by Inigo Jones, and the Queens Hermitage in Richmond by Roger Morris. His sketchbook of the trip shows an continuing interest in gothic architecture. Among his friends at Edinburgh were the philosophers Adam Ferguson and David Hume, other Edinburgh acquaintances included Gilbert Elliot, William Wilkie, John Home and Alexander Wedderburn
20.
Portman Square
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Portman Square is a square in London, part of the Portman Estate. It is located at the end of Wigmore Street, which connects it to Cavendish Square to its east. It was built between 1765 and 1784 on land belonging to Henry William Portman, alexander Duff, 1st Duke of Fife maintained his London residence at No.15 Portman Square. Nos 11-15 built in 1773-1776 by the famous architect James Wyatt in cooperation with his brother the builder Samuel Wyatt, first houses in which Coade stone was used. Ref, James Wyatt, architect to George III, No.20 – Home House, built by Robert Adam between 1773 and 1777 for Elizabeth, Countess of Home, and later used by the Courtauld Institute. No.22 – Montagu House, built in the northwest corner of the square by James Stuart between 1777 and 1781 for Mrs. Elizabeth Montagu, demolished in the Blitz by an incendiary bomb, No.30 – Churchill Hotel, incorporating the Michelin-starred Locanda Locatelli. List of eponymous roads in London Portman Square at londontown. com www. georgianindex. net
21.
William Chambers (architect)
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Sir William Chambers RA was a Scottish-Swedish architect, based in London. Among his best-known works are Somerset House, London, and the pagoda at Kew, Chambers was a founder member of the Royal Academy. William Chambers was born on 23 February 1723 in Gothenburg, Sweden, between 1740 and 1749 he was employed by the Swedish East India Company making three voyages to China where he studied Chinese architecture and decoration. Returning to Europe, he studied architecture in Paris and spent five years in Italy, then, in 1755, he moved to London, where he established an architectural practice. He worked for Augusta, Dowager Princess of Wales making fanciful garden buildings at Kew and he developed his Chinese interests further with his Dissertation on Oriental Gardening, a fanciful elaboration of contemporary English ideas about the naturalistic style of gardening in China. His more serious and academic Treatise on Civil Architecture published in 1759 proved influential on builders and it included ideas from the works of many 16th- and 17th-century Italian architects then still little known in Britain. His influence was transmitted through a host of younger architects trained as pupils in his office, including Thomas Hardwick, who helped him build Somerset House. He was the rival of Adam in British Neoclassicism. Chambers was more international in outlook and was influenced by continental neoclassicism when designing for British clients, a second visit to Paris in 1774 confirmed the French cast to his sober and conservative refined blend of Neoclassicism and Palladian conventions. From around 1758 to the mid-1770s, Chambers concentrated on building houses for the nobility, in 1766 Chambers was elected a foreign member of the Royal Swedish Academy of Sciences. His initial plans for an oval courtyard, connected to three smaller, narrow rectangular courts, were soon modified into a simpler rectalinear scheme. On 10 December 1768 the Royal Academy was founded and he was appointed the Academys first Treasurer. Chambers died in London in 1796, also designed two garden temples, similar to those at the Royal Botanic Gardens, Kew. Within Kew Gardens, some of his buildings are lost, those remaining being the ten-storey Pagoda, the Orangery, the Ruined Arch, the Temple of Bellona, the Pagoda, in Pagoda Gardens, Blackheath, London is attributed to Chambers. A three-storey house built as a pavilion for the Duke and Duchess of Buccleuch, caroline of Brunswick lived here after her separation from her husband, the Prince Regent, in 1799. Somerset House in London, his most famous building, which absorbed most of his energies over a period of two decades The gilded state coach that is used at coronations. Hedsor House, Buckinghamshire, the seat of Lord Boston, equerry to George III, for James Caulfeild, 1st Earl of Charlemont, he designed Charlemont House and the Casino at Marino, as well as the chapel and public theatre in Trinity College, Dublin. He is also associated with Gothic additions to Milton Abbey in Dorset, wick House, Richmond Hill, commissioned in 1771 by painter Sir Joshua Reynolds
22.
The Guardian
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The Guardian is a British daily newspaper, known from 1821 until 1959 as the Manchester Guardian. Along with its sister papers The Observer and The Guardian Weekly, The Guardian is part of the Guardian Media Group, the Scott Trust became a limited company in 2008, with a constitution to maintain the same protections for The Guardian. Profits are reinvested in journalism rather than to the benefit of an owner or shareholders, the Guardian is edited by Katharine Viner, who succeeded Alan Rusbridger in 2015. In 2016, The Guardians print edition had a daily circulation of roughly 162,000 copies in the country, behind The Daily Telegraph. The newspaper has an online UK edition as well as two international websites, Guardian Australia and Guardian US, the newspapers online edition was the fifth most widely read in the world in October 2014, with over 42.6 million readers. Its combined print and online editions reach nearly 9 million British readers, notable scoops include the 2011 News International phone hacking scandal, in particular the hacking of murdered English teenager Milly Dowlers phone. The investigation led to the closure of the UKs biggest selling Sunday newspaper, and one of the highest circulation newspapers in the world, in 2016, it led the investigation into the Panama Papers, exposing the then British Prime Minister David Camerons links to offshore bank accounts. The Guardian has been named Newspaper of the Year four times at the annual British Press Awards, the paper is still occasionally referred to by its nickname of The Grauniad, given originally for the purported frequency of its typographical errors. The Manchester Guardian was founded in Manchester in 1821 by cotton merchant John Edward Taylor with backing from the Little Circle and they launched their paper after the police closure of the more radical Manchester Observer, a paper that had championed the cause of the Peterloo Massacre protesters. They do not toil, neither do they spin, but they better than those that do. When the government closed down the Manchester Observer, the champions had the upper hand. The influential journalist Jeremiah Garnett joined Taylor during the establishment of the paper, the prospectus announcing the new publication proclaimed that it would zealously enforce the principles of civil and religious Liberty. Warmly advocate the cause of Reform, endeavour to assist in the diffusion of just principles of Political Economy and. Support, without reference to the party from which they emanate, in 1825 the paper merged with the British Volunteer and was known as The Manchester Guardian and British Volunteer until 1828. The working-class Manchester and Salford Advertiser called the Manchester Guardian the foul prostitute, the Manchester Guardian was generally hostile to labours claims. The Manchester Guardian dismissed strikes as the work of outside agitators –, if an accommodation can be effected, the occupation of the agents of the Union is gone. CP Scott made the newspaper nationally recognised and he was editor for 57 years from 1872, and became its owner when he bought the paper from the estate of Taylors son in 1907. Under Scott, the moderate editorial line became more radical, supporting William Gladstone when the Liberals split in 1886
23.
The Independent
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The Independent is a British online newspaper. The printed edition of the paper ceased in March 2016, nicknamed the Indy, it began as a broadsheet newspaper, but changed to tabloid format in 2003. Until September 2011, the paper described itself on the banner at the top of every newspaper as free from party political bias and it tends to take a pro-market stance on economic issues. The daily edition was named National Newspaper of the Year at the 2004 British Press Awards. In June 2015, it had a daily circulation of just below 58,000,85 per cent down from its 1990 peak. On 12 February 2016, it was announced that The Independent, the last print edition of The Independent on Sunday was published on 20 March 2016, with the main paper ceasing print publication the following Saturday. Launched in 1986, the first issue of The Independent was published on 7 October in broadsheet format and it was produced by Newspaper Publishing plc and created by Andreas Whittam Smith, Stephen Glover and Matthew Symonds. All three partners were former journalists at The Daily Telegraph who had left the paper towards the end of Lord Hartwells ownership, marcus Sieff was the first chairman of Newspaper Publishing, and Whittam Smith took control of the paper. The paper was created at a time of a change in British newspaper publishing. Rupert Murdoch was challenging long-accepted practices of the print unions and ultimately defeated them in the Wapping dispute, consequently, production costs could be reduced which, it was said at the time, created openings for more competition. As a result of controversy around Murdochs move to Wapping, the plant was effectively having to function under siege from sacked print workers picketing outside, the Independent attracted some of the staff from the two Murdoch broadsheets who had chosen not to move to his companys new headquarters. Launched with the advertising slogan It is, and challenging both The Guardian for centre-left readers and The Times as the newspaper of record, The Independent reached a circulation of over 400,000 by 1989. Competing in a market, The Independent sparked a general freshening of newspaper design as well as, within a few years. Some aspects of production merged with the paper, although the Sunday paper retained a largely distinct editorial staff. It featured spoofs of the other papers mastheads with the words The Rupert Murdoch or The Conrad Black, a number of other media companies were interested in the paper. Tony OReillys media group and Mirror Group Newspapers had bought a stake of about a third each by mid-1994, in March 1995, Newspaper Publishing was restructured with a rights issue, splitting the shareholding into OReillys Independent News & Media, MGN, and Prisa. In April 1996, there was another refinancing, and in March 1998, OReilly bought the other 54% of the company for £30 million, brendan Hopkins headed Independent News, Andrew Marr was appointed editor of The Independent, and Rosie Boycott became editor of The Independent on Sunday. Marr introduced a dramatic if short-lived redesign which won critical favour but was a commercial failure, Marr admitted his changes had been a mistake in his book, My Trade
24.
London Business School
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The London Business School, founded in 1964, is an international business school and a constituent college of the federal University of London. LBS is one of the most prestigious schools in the world. The main campus is located in London next to Regents Park in the Sussex Palace, unlike most other business schools, LBS organises courses in listed buildings in London instead of new buildings with a modern architecture. In 2015, the acquired the Marylebone Town Hall and spent £60 million to refurbish it with the objective to expand its teaching facilities by 70 per cent. LBS also has a campus in Dubai that is dedicated to Executive Education. The London Business School was founded in 1964 under the name of the London Graduate School of Business Studies with Dr. Arthur Earle as a Dean. In 1965, the school was registered as a company and was designated by the University of London as an institution having recognised teachers, in 1966, the first Executive Development Programme was launched, followed by the Senior Executive Programme. The same year, a full-time MSc degree was also launched, in 1968, the School inaugurated the Sloan Fellowship MSc programme, which was the first one outside of the US. 17 students were enrolled and the programme was funded by the Alfred P. Sloans foundation, the first doctoral programme was established in 1969 and in 1970 Her Majesty Queen Elizabeth II opened the Schools Regents Park campus. The first PhD was awarded in 1974 and, that year, in 1983, the first part-time MBA programme was held under the direction of Sir Andrew Likierman, the current Dean of the School. In 1986, the school became the London Business School and was incorporated by Royal Charter. In 1992, the School was given the Queens Award for Export in recognition of providing services to managers. During the same year, the Executive MBA programme was launched, and the following year, in 2001, LBS launched the first EMBA-Global degree programme in partnership with the Columbia Business School. The London Business School hold the inaugural Global Leadership Summit in 2003, in 2009, the school started two new programmes, The EMBA-Global Asia, in partnership with the Hong Kong University and the Columbia Business School, and the Masters in Management. In 2015, the acquired the Marylebone Town Hall and spent £60 million to restaure it with the objective to expand its teaching facilities by 70 per cent. The building was renamed The Sammy Ofer Centre in honour of a generous donator, the Ofer Family, in 2016, LBS launched a new programme the Masters in Financial Analysis, aimed at recent graduates who wish to pursue a career in finance. With the objective to increasing its size, the school organised a £100 million funding campaign, at the beginning of 2016, £98 million were collected. By June 2016, the school had raised £125 million, the vast majority of which came from Jim Ratcliffe, françois Ortalo-Magné, the French-born dean of the Wisconsin School of Business, will succeed Likierman as the new dean in August 2017
25.
Curator
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A curator is a manager or overseer. Traditionally, a curator or keeper of a heritage institution is a content specialist charged with an institutions collections. A traditional curators concern necessarily involves tangible objects of some sort—artwork, collectibles, historic items, more recently, new kinds of curators have started to emerge, curators of digital data objects and biocurators. In smaller organizations, a curator may have responsibility for acquisitions. In very small, volunteer-based museums such as historical societies. Such institutions can have multiple curators, each assigned to a collecting area. In the museum setting, a curator in the United Kingdom may also be called a keeper, in Scotland, the term curator is also used to mean the guardian of a child. In the United States, this job is multifaceted and dependent on the particular institution, however, in recent years, the role of a curator has evolved alongside the changing role of museums. As museums in the United States have become increasingly more digitized, curators find themselves constructing narratives in both the material and digital worlds. Historian Elaine Gurian has called for museums in which “visitors could comfortably search for answers to their own regardless of the importance placed on such questions by others. ”This would change the role of curator from teacher to “facilitator and assistor. ”In this sense, the role of curator in the United States is precarious, as digital and interactive exhibits often allow the public to become their own curator. Citizens are then able to educate themselves on the subject they are interested in. More recently, advances in new technologies have led to a widening of the role of curator. This has been a focus in major art institutions internationally and has become an object of academic study, in contemporary art, the title curator is given to a person who selects and often interprets works of art. In addition to selecting works, the curator often is responsible for writing labels, catalog essays, such curators may be permanent staff members, guest curators from an affiliated organization or university, or freelance curators working on a consultant basis. The late twentieth century saw an explosion of artists organizing exhibitions, the artist-curator has a long tradition of influence. Notable among these was Sir Joshua Reynolds, founder of the Royal Academy of Arts, in some US organizations, the term curator is also used to designate the head of any given division of a cultural organization. This has led to the proliferation of such as Curator of Education. The term literary curator has been used to persons who work in the field of poetry
26.
Art museum
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An art museum or art gallery is a building or space for the exhibition of art, usually visual art. Museums can be public or private, but what distinguishes a museum is the ownership of a collection, the term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand, private galleries refers to the commercial enterprises for the sale of art, however, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere. In broad terms, in North American usage, the word gallery alone often implies a private gallery, the term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are found clustered together in large urban centers. Smaller cities are home to at least one gallery, but they may also be found in towns or villages. Contemporary art galleries are open to the general public without charge, however. They usually profit by taking a portion of art sales, from 25% to 50% is typical, there are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly, a gallerys definition can also include the artist cooperative or artist-run space, which often operates as a space with a more democratic mission and selection process. A vanity gallery is an art gallery that charges fees from artists in order to show their work, the shows are not legitimately curated and will frequently or usually include as many artists as possible. Most art professionals are able to identify them on an artists resume, University art museums and galleries constitute collections of art that are developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in both the West and East, making it a global practice, although largely overlooked, there are over 700 university art museums in America alone. This number, in comparison to other kinds of art museums, throughout history, large and expensive works of art have generally been commissioned by religious institutions and monarchs and been displayed in temples, churches, and palaces. Although these collections of art were private, they were made available for viewing for a portion of the public. In classical times, religious institutions began to function as a form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects often donated their collections to temples and it is unclear how easy it was in practice for the public to view these items. At the Palace of Versailles, entrance was restricted to wearing the proper apparel – the appropriate accessories could be hired from shops outside
27.
Buddhist art
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Buddhist art is the artistic practices that are influenced by Buddhism. Buddhist art followed believers as the spread, adapted. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, in India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave temple complexes built together, each likely influencing the other. During the 2nd to 1st century BCE, sculptures became more explicit, representing episodes of the Buddha’s life and these took the form of votive tablets or friezes, usually in relation to the decoration of stupas. Although India had a sculptural tradition and a mastery of rich iconography, the Buddha was never represented in human form. This period may have been aniconic, artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so. This tendency remained as late as the 2nd century CE in the parts of India. It has been argued that earlier anthropomorphic representations of the Buddha may have made of wood. However, no related archaeological evidence has been found, the earliest works of Buddhist art in India date back to the 1st century B. C. The Mahabodhi Temple at Bodh Gaya became a model for similar structures in Burma, the frescoes at Sigiriya are said to be even older than the Ajanta Caves paintings. Anthropomorphic representations of the Buddha started to emerge from the 1st century CE in Northern India, the two main centers of creation have been identified as Gandhara in today’s North West Frontier Province, in Pakistan, and the region of Mathura, in central northern India. Gandharan Buddhist sculpture displays Greek artistic influence, and it has suggested that the concept of the man-god was essentially inspired by Greek mythological culture. Artistically, the Gandharan school of sculpture is said to have contributed wavy hair, the Mathuran school contributed clothes covering the left shoulder of thin muslin, the wheel on the palm, the lotus seat, etc. Mathura and Gandhara also strongly influenced each other, during their artistic florescence, the two regions were even united politically under the Kushans, both being capitals of the empire. This expression of the Buddha as both man and God became the canon for subsequent Buddhist art. It is interesting to note that the Buddha is an extensively used subject in plastic arts such as sculpture, paintings and literature, Buddhist art continued to develop in India for a few more centuries. The pink sandstone sculptures of Mathura evolved during the Gupta period to reach a high fineness of execution. The art of the Gupta school was extremely influential almost everywhere in the rest of Asia, at the end of the 12th century A. D. Buddhism in its full glory came to be preserved only in the Himalayan regions in India
28.
Mural
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A mural is any piece of artwork painted or applied directly on a wall, ceiling or other permanent surface. A distinguishing characteristic of painting is that the architectural elements of the given space are harmoniously incorporated into the picture. Some wall paintings are painted on canvases, which are then attached to the wall. Whether these works can be accurately called murals is a subject of controversy in the art world. Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France, many ancient murals have been found within ancient Egyptian tombs, the Minoan palaces and in Pompeii. During the Middle Ages murals were executed on dry plaster. The huge collection of Kerala mural painting dating from the 14th century are examples of fresco secco, in Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting. In modern times, the became more well-known with the Mexican muralism art movement. There are many different styles and techniques, the best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts. The colors lighten as they dry, the marouflage method has also been used for millennia. Murals today are painted in a variety of ways, using oil or water-based media, the styles can vary from abstract to trompe-lœil. Initiated by the works of artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-loeil painting has experienced a renaissance in private. The buon fresco technique consists of painting in pigment mixed with water on a layer of wet, fresh. The pigment is absorbed by the wet plaster, after a number of hours. After this the painting stays for a time up to centuries in fresh. Fresco-secco painting is done on dry plaster, the pigments thus require a binding medium, such as egg, glue or oil to attach the pigment to the wall. By the end of the century this had largely displaced the buon fresco method. This technique had, in reduced form, the advantages of a secco work, in Greco-Roman times, mostly encaustic colors applied in a cold state were used
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Architecture
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Architecture is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the form of buildings, are often perceived as cultural symbols. Historical civilizations are often identified with their surviving architectural achievements, Architecture can mean, A general term to describe buildings and other physical structures. The art and science of designing buildings and nonbuilding structures, the style of design and method of construction of buildings and other physical structures. A unifying or coherent form or structure Knowledge of art, science, technology, the design activity of the architect, from the macro-level to the micro-level. The practice of the architect, where architecture means offering or rendering services in connection with the design and construction of buildings. The earliest surviving work on the subject of architecture is De architectura. According to Vitruvius, a building should satisfy the three principles of firmitas, utilitas, venustas, commonly known by the original translation – firmness, commodity. An equivalent in modern English would be, Durability – a building should stand up robustly, utility – it should be suitable for the purposes for which it is used. Beauty – it should be aesthetically pleasing, according to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, for Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, Gothic architecture, Pugin believed, was the only true Christian form of architecture. The 19th-century English art critic, John Ruskin, in his Seven Lamps of Architecture, Architecture was the art which so disposes and adorns the edifices raised by men. That the sight of them contributes to his health, power. For Ruskin, the aesthetic was of overriding significance and his work goes on to state that a building is not truly a work of architecture unless it is in some way adorned. For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, but suddenly you touch my heart, you do me good. I am happy and I say, This is beautiful, le Corbusiers contemporary Ludwig Mies van der Rohe said Architecture starts when you carefully put two bricks together. The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design, function came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural
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Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
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Martin Conway, 1st Baron Conway of Allington
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William Martin Conway, 1st Baron Conway of Allington, known between 1895 and 1931 as Sir Martin Conway, was an English art critic, politician, cartographer and mountaineer. Conway was born at Rochester, England, on 12 April 1856, the son of Reverend William Conway and he was educated at Repton and Trinity College, Cambridge, where he studied mathematics and became a close friend of Karl Pearson. He became interested in woodcuts, engraving and early printed books, Conway was a member of the Alpine Club, of which he was president from 1902 to 1904. However, subsequent measurements have revised his height to 22,322 ft, in 1896–97 he explored the interior of Spitsbergen, and the following year he explored and surveyed the Bolivian Andes, climbing Sorata and Illimani. He also attempted Aconcagua stopping short of the summit by 50-ft, at the Paris exhibition of 1900 he received the gold medal for mountain surveys, and the Founders Medal of the Royal Geographical Society in 1905. He served as President of the Alpine Club for 1902–04 and became the first president of The Alpine Ski Club at its meeting in 1908. From 1884 to 1887 Conway was Professor of Art at University College, Liverpool and he was knighted in 1895 for his efforts in mapping 5,180 square km of the Karakoram Range in the Himalayas three years earlier. In 1889 he published a book concerning his research on Albrecht Dürer and he was assisted in this by the polymath Lina Eckenstein who was the sister of a fellow mountaineer. Conway had been involved in politics for some time, consorting with both parties allegedly in pursuit of a knighthood and a barony, he received both. He was mentioned as a liberal candidate for Wolverhampton South in early 1900. Conway was first Director-General of the Imperial War Museum and a trustee of the National Portrait Gallery and his photograph collection formed the basis of the Conway Library at the Courtauld Institute of Art in London. He was also responsible for the restoration of Allington Castle and he died in London on 19 April 1937. The title became extinct on his death, archival material relating to Martin Conway, 1st Baron Conway of Allington
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Engraving
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Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it. Wood engraving is a form of printing and is not covered in this article. Engraving was an important method of producing images on paper in artistic printmaking, in mapmaking. Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving, hand engraving is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also engraved, using just the same techniques to make the lines in the plate. Each graver is different and has its own use, engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes, dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers. In addition to engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are usually used for lettering, using a pantographic system, there are versions for the insides of rings and also the outsides of larger pieces. Such machines are used for inscriptions on rings, lockets. Gravers come in a variety of shapes and sizes that yield different line types, the burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a curved tip that is commonly used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, ring gravers are made with particular shapes that are used by jewelry engravers in order to cut inscriptions inside rings. Flat gravers are used for work on letters, as well as wriggle cuts on most musical instrument engraving work, remove background. Knife gravers are for line engraving and very deep cuts, round gravers, and flat gravers with a radius, are commonly used on silver to create bright cuts, as well as other hard-to-cut metals such as nickel and steel. Square or V-point gravers are typically square or elongated diamond-shaped and used for cutting straight lines, V-point can be anywhere from 60 to 130 degrees, depending on purpose and effect. These gravers have very small cutting points, other tools such as mezzotint rockers, roulets and burnishers are used for texturing effects. Burnishing tools can also be used for stone setting techniques
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Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
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Ernst Vegelin
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Dr. Ernst Vegelin van Claerbergen is Head of the Courtauld Gallery, London. David Teniers and the theatre of painting, London, Courtauld Institute of Art,2006. ISBN9781903470497 Renoir at the theatre, looking at La loge, London, Courtauld Gallery in association with Paul Holberton Pub. ISBN9781903470732 Introduction to the Courtauld Gallery by Dr. Vegelin
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Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
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Museum of Modern Art
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The Museum of Modern Art is an art museum located in Midtown Manhattan in New York City, on 53rd Street between Fifth and Sixth Avenues. MoMA has been important in developing and collecting modernist art, and is identified as one of the largest and most influential museums of modern art in the world. The MoMA Library includes approximately 300,000 books and exhibition catalogs, over 1,000 periodical titles, the archives holds primary source material related to the history of modern and contemporary art. The idea for The Museum of Modern Art was developed in 1929 primarily by Abby Aldrich Rockefeller and they became known variously as the Ladies, the daring ladies and the adamantine ladies. They rented modest quarters for the new museum in the Heckscher Building at 730 Fifth Avenue in Manhattan, and it opened to the public on November 7,1929, nine days after the Wall Street Crash. Abby had invited A. Conger Goodyear, the president of the board of trustees of the Albright Art Gallery in Buffalo, New York. At the time, it was Americas premier museum devoted exclusively to art. One of Abbys early recruits for the staff was the noted Japanese-American photographer Soichi Sunami. Goodyear enlisted Paul J. Sachs and Frank Crowninshield to join him as founding trustees, Sachs, the associate director and curator of prints and drawings at the Fogg Museum at Harvard University, was referred to in those days as a collector of curators. Goodyear asked him to recommend a director and Sachs suggested Alfred H. Barr, under Barrs guidance, the museums holdings quickly expanded from an initial gift of eight prints and one drawing. Its first successful exhibition was in November 1929, displaying paintings by Van Gogh, Gauguin, Cézanne. Abbys husband was opposed to the museum and refused to release funds for the venture. Nevertheless, he donated the land for the current site of the museum, plus other gifts over time. During that time it initiated many more exhibitions of noted artists, the museum also gained international prominence with the hugely successful and now famous Picasso retrospective of 1939–40, held in conjunction with the Art Institute of Chicago. In its range of presented works, it represented a significant reinterpretation of Picasso for future art scholars, Boy Leading a Horse was briefly contested over ownership with the Solomon R. Guggenheim Museum. In 1941, MoMA hosted the exhibition, Indian Art of the United States. His brother, David Rockefeller, also joined the board of trustees in 1948. David subsequently employed the noted architect Philip Johnson to redesign the garden and name it in honor of his mother
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National Gallery
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The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the century to 1900. The Gallery is a charity, and a non-departmental public body of the Department for Culture, Media. Its collection belongs to the public of the United Kingdom and entry to the collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, after that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, the present building, the third to house the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, wilkinss building was often criticised for the perceived weaknesses of its design and for its lack of space, the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi, the current Director of the National Gallery is Gabriele Finaldi. The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe, great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereigns possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, the MP John Wilkes argued for the government to buy this invaluable treasure and suggested that it be housed in a noble gallery. The twenty-five paintings from that now in the Gallery, including NG1, have arrived by a variety of routes. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, the collection opened in Britains first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, the members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some resented the Institution. One of the Institutions founding members, Sir George Beaumont, Bt, in 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London, his collection numbered 38 paintings, including works by Raphael, on 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumonts offer, which came with two conditions, that the government buy Angersteins collection, and that a building was to be found
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National Portrait Gallery, London
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The National Portrait Gallery is an art gallery in London housing a collection of portraits of historically important and famous British people. It was the first portrait gallery in the world when it opened in 1856, the gallery moved in 1896 to its current site at St Martins Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then, the National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, the gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport. The gallery houses portraits of important and famous British people, selected on the basis of the significance of the sitter. The collection includes photographs and caricatures as well as paintings, drawings, one of its best-known images is the Chandos portrait, the most famous portrait of William Shakespeare although there is some uncertainty about whether the painting actually is of the playwright. Not all of the portraits are exceptional artistically, although there are self-portraits by William Hogarth, Sir Joshua Reynolds, some, such as the group portrait of the participants in the Somerset House Conference of 1604, are important historical documents in their own right. Portraits of living figures were allowed from 1969, the three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the main entrance. At centre is Philip Henry Stanhope, 5th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay and it was Stanhope who, in 1846 as a Member of Parliament, first proposed the idea of a National Portrait Gallery. It was not until his attempt, in 1856, this time from the House of Lords. With Queen Victorias approval, the House of Commons set aside a sum of £2000 to establish the gallery, as well as Stanhope and Macaulay, the founder Trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallerys first portrait, Carlyle became a trustee after the death of Ellesmere in 1857. For the first 40 years, the gallery was housed in locations in London. The first 13 years were spent at 29 Great George Street, there, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in buildings, the collection was moved in 1885. This location was unsuitable due to its distance from the West End, condensation. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander, Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian
Media related to Courtauld Institute of Art at Wikimedia Commons
