1.
Documentary film
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A documentary film is a nonfictional motion picture intended to document some aspect of reality, primarily for the purposes of instruction, education, or maintaining a historical record. Documentary has been described as a practice, a cinematic tradition. Polish writer and filmmaker Bolesław Matuszewski was among those who identified the mode of documentary film and he wrote two of the earliest texts on cinema Une nouvelle source de lhistoire and La photographie animée. Both were published in 1898 in French and among the written works to consider the historical. Matuszewski is also among the first filmmakers to propose the creation of a Film Archive to collect, the American film critic Pare Lorentz defines a documentary film as a factual film which is dramatic. Others further state that a documentary stands out from the types of non-fiction films for providing an opinion. Documentary practice is the process of creating documentary projects. Documentary filmmaking can be used as a form of journalism, advocacy, early film was dominated by the novelty of showing an event. They were single-shot moments captured on film, a train entering a station and these short films were called actuality films, the term documentary was not coined until 1926. Many of the first films, such as made by Auguste and Louis Lumière, were a minute or less in length. Films showing many people were made for commercial reasons, the people being filmed were eager to see, for payment. One notable film clocked in at over an hour and a half, using pioneering film-looping technology, Enoch J. Rector presented the entirety of a famous 1897 prize-fight on cinema screens across the United States, in May 1896, Bolesław Matuszewski recorded on film few surigical operations in Warsaw and Saint Petersburg hospitals. In 1898, French surgeon Eugène-Louis Doyen invited Bolesław Matuszewski and Clément Maurice and they started in Paris a series of surgical films sometime before July 1898. Until 1906, the year of his last film, Doyen recorded more than 60 operations, Doyen said that his first films taught him how to correct professional errors he had been unaware of. These and five other of Doyens films survive, all these short films have been preserved. I must say I forgot those works and I am thankful to you that you reminded them to me, unfortunately, not many scientists have followed your way. Travelogue films were popular in the early part of the 20th century
2.
Cartoonist
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A cartoonist is a visual artist who specializes in drawing cartoons. This work is created for entertainment, political commentary, or advertising. The English satirist and editorial cartoonist William Hogarth, who emerged In the 18th century, has credited with pioneering Western sequential art. His work ranged from realistic portraiture to comic series of pictures called modern moral subjects. Much of his work poked fun at politics and customs. Gillray explored the use of the medium for lampooning and caricature, calling the king, prime ministers and generals to account, while never a professional cartoonist, Benjamin Franklin is credited with having the first cartoon published in an American newspaper. In the 19th century, professional cartoonists such as Thomas Nast introduced other familiar American political symbols, during the 20th century, numerous magazines carried single-panel gag cartoons by such freelance cartoonists as Charles Addams, Irwin Caplan, Chon Day, Clyde Lamb, and John Norment. These were almost always published in black and white, although Colliers often carried cartoons in color, the debut of Playboy introduced full-page color cartoons by Jack Cole, Eldon Dedini, and others. Single-panel cartoonists syndicated to newspapers included Dave Breger, Hank Ketcham, George Lichty, Fred Neher, Irving Phillips, comic strips received widespread distribution to mainstream newspapers by syndicates such as the Universal Press Syndicate, United Media, or King Features. Sunday strips go to a company such as American Color before they are published. Some comic strip creators publish in the press or on the Internet. Comic strip artists may also work in book-length form, creating graphic novels. Both vintage and current strips receive reprints in book collections, the major comic book publishers utilize teams of cartoonists to produce the art. When a consistent artistic style is wanted among different cartoonists, character model sheets may be used as reference, animated cartooning is created for short films, advertising, feature films and television. It is also used in live-action films for dream sequences or opening titles. An animation artist is referred to as an animator rather than a cartoonist. They create motion pictures as well, Animation studios such as DreamWorks Animation, Pixar, Walt Disney Animation Studios, and Blue Sky Studios create CGI or computer-animated films that are more three-dimensional. There are many books of cartoons in both paperback and hardcover, such as the collections of cartoons from The New Yorker, prior to the 1960s, cartoons were mostly ignored by museums and art galleries
3.
The San Francisco Examiner
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The San Francisco Examiner is a longtime daily newspaper distributed in and around San Francisco, California. The Examiner is one of the pioneers in the industry and has published continuously since 1863. The San Francisco Examiner was sold to Black Press Group, a Canadian media publisher, as of 2014, The San Francisco Media Company LLC is held under, Oahu Publications Inc. a subsidiary of Black Press Group Ltd. In 1880, mining engineer, entrepreneur and US Senator George Hearst bought the Examiner, seven years later, after being elected to the U. S. Senate, he gave it to his son, William Randolph Hearst, who was then 23 years old. The elder Hearst was said to have received the paper as partial payment of a poker debt. William Randolph Hearst created the masthead with the Hearst Eagle and the slogan Monarch of the Dailies. After the great earthquake and fire of 1906 destroyed much of San Francisco, the Examiner and its rivals — the San Francisco Chronicle and the San Francisco Call — brought out a joint edition. The Examiner offices were destroyed on April 18,1906, but when the city was rebuilt, a new structure and it opened in 1909, and in 1937 the facade, entranceway and lobby underwent an extensive remodeling designed by architect Julia Morgan. Ultimately, circulation battles ended in a merging of resources between the two papers, the Examiner published the Sunday papers news sections and glossy magazine, and the Chronicle contributed the features. Circulation was approximately 100,000 on weekdays and 500,000 on Sundays, in its stylebook, the Examiner has traditionally referred to San Francisco as The City, capitalized, both in headlines and text of stories, and continues to do so. San Francisco slang has traditionally referred to the Examiner in abbreviated form as the Ex. When the Chronicle Publishing Company divested its interests, the Hearst Corporation purchased the Chronicle. However, on July 27,2000 a federal judge approved the Fangs assumption of the Examiner name, its archives,35 delivery trucks, from their side, the Fangs paid Hearst $100.00 for the Examiner. On February 24,2003, the Examiner became a daily newspaper and is now printed Sunday through Friday. On February 19,2004, the Fang family sold the Examiner and its printing plant and his new company, Clarity Media Group, launched The Washington Examiner in 2005 and published The Baltimore Examiner from 2006 to 2009. In 2006, Anschutz donated the archives of the Examiner to the University of California, Berkeley Bancroft Library, under Clarity ownership, the Examiner pioneered a new business model for the newspaper industry. Designed to be read quickly, the Examiner is presented in a compact and it focuses on local news, business, entertainment and sports with an emphasis on content relevant to local readers. It is delivered free to select neighborhoods in San Francisco and San Mateo counties, and to single-copy outlets throughout San Francisco, San Mateo, Santa Clara, and Alameda counties, California
4.
Roger Ebert
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Roger Joseph Ebert was an American film critic and historian, journalist, screenwriter, and author. He was a critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism, the two verbally sparred and traded humorous barbs while discussing films. They created and trademarked the phrase Two Thumbs Up, used when both hosts gave the film a positive review. After Siskel died in 1999, Ebert continued hosting the show with various co-hosts and then, starting in 2000, Ebert lived with cancer of the thyroid and salivary glands from 2002. This required treatments necessitating the removal of his jaw, which cost him the ability to speak or eat normally. His ability to write remained unimpaired, however, and he continued to publish frequently both online and in print until his death on April 4,2013. Roger Joseph Ebert was born in Urbana, Illinois, the child of Annabel, a bookkeeper, and Walter Harry Ebert. He was raised Roman Catholic, attending St. Marys elementary school and his paternal grandparents were German immigrants and his maternal ancestry was Irish and Dutch. In his senior year, he was president and editor-in-chief of his high school newspaper. In 1958, he won the Illinois High School Association state speech championship in radio speaking, regarding his early influences in film criticism, Ebert wrote in the 1998 parody collection Mad About the Movies, I learned to be a movie critic by reading Mad magazine. Mads parodies made me aware of the machine inside the skin – of the way a movie might look original on the outside, I did not read the magazine, I plundered it for clues to the universe. Pauline Kael lost it at the movies, I lost it at Mad magazine, Ebert began taking classes at the University of Illinois at Urbana-Champaign as an early-entrance student, completing his high-school courses while also taking his first university class. After graduating from Urbana High School in 1960, Ebert then attended and received his degree in 1964. As an undergraduate, he was a member of the Phi Delta Theta fraternity, One of the first movie reviews he ever wrote was a review of La Dolce Vita, published in The Daily Illini in October 1961. Ebert spent a semester as a student in the department of English there before attending the University of Cape Town on a Rotary fellowship for a year. He returned from Cape Town to his studies at Illinois for two more semesters and then, after being accepted as a PhD candidate at the University of Chicago. Instead Kogan referred Ebert to the city editor at the Chicago Sun-Times, Jim Hoge and he attended doctoral classes at the University of Chicago while working as a general reporter at the Sun-Times for a year
5.
Morgan Spurlock
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The film was his directorial debut, following his contributions as a production assistant on the features Bullets over Broadway, Léon, The Professional and Kiss of Death. Spurlocks other notable films include Where in the World Is Osama bin Laden, POM Wonderful Presents, The Greatest Movie Ever Sold, Comic-Con Episode IV, A Fans Hope and One Direction, This Is Us. He was the producer and star of the reality television series 30 Days. In June 2013, Spurlock became host and producer of the CNN show Morgan Spurlock Inside Man and he is also the co-founder of short-film content marketing company Cinelan, which produced the Focus Forward campaign for GE. Spurlock was born in Parkersburg, West Virginia, but was raised in Beckley and his parents, Phyllis and Ben Spurlock, raised him as a Methodist. He has said he is of Scots-Irish and English descent, Spurlock was educated at Woodrow Wilson High School, a public high school in the city of Beckley, West Virginia, followed by New York University, from which he graduated in 1993. He is a member of the fraternity Phi Gamma Delta, Spurlock attended Woodrow Wilson High School in Beckley, West Virginia, graduating in 1989. He graduated with a BFA in film from New York Universitys Tisch School of the Arts in 1993 and he also created I Bet You Will for MTV. I Bet You Will began as a popular Internet webcast of five-minute episodes featuring ordinary people doing stunts in exchange for money. Examples include eating a jar of mayonnaise, eating a worm burrito, and taking shots of corn oil, Pepto-Bismol, lemon juice, hot sauce, cold chicken broth. The webcast was a success, with over a million hits in the first five days, MTV later bought and aired the show. The list of films that inspired Spurlock includes Brothers Keeper, Hoop Dreams, The Thin Blue Line, Roger and Me, Harlan County USA. He considers Brothers Keeper the greatest documentary of all time, Spurlocks docudrama Super Size Me was released in the U. S. on May 7,2004. This production was nominated for an Academy Award for Best Documentary feature. The film depicts an experiment he conducted in 2003, in which he ate three McDonalds meals a day every day for 30 days. The films title derives from one of the rules of Spurlocks experiment, he would not refuse the super-size option whenever it was offered to him, the result, according to Spurlock, was a diet with twice the calories recommended by the USDA. Further, Spurlock attempted to curtail his physical activity to match the exercise habits of the average American. He was of above average health and fitness when he started the project, he gained 25 pounds, became quite puffy, Spurlocks supervising physicians noted the effects caused by his high-calorie diet—once even comparing it to a case of severe binge alcoholism
6.
Oxford University Press
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Oxford University Press is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUPs chief executive, Oxford University has used a similar system to oversee OUP since the 17th century. The university became involved in the print trade around 1480, and grew into a printer of Bibles, prayer books. OUP took on the project became the Oxford English Dictionary in the late 19th century. Moves into international markets led to OUP opening its own offices outside the United Kingdom, by contracting out its printing and binding operations, the modern OUP publishes some 6,000 new titles around the world each year. OUP was first exempted from United States corporation tax in 1972, as a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The OUP today transfers 30% of its surplus to the rest of the university. OUP is the largest university press in the world by the number of publications, publishing more than 6,000 new books every year, the Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff, displays include a 19th-century printing press, the OUP buildings, and the printing and history of the Oxford Almanack, Alice in Wonderland and the Oxford English Dictionary. The first printer associated with Oxford University was Theoderic Rood, the first book printed in Oxford, in 1478, an edition of Rufinuss Expositio in symbolum apostolorum, was printed by another, anonymous, printer. Famously, this was mis-dated in Roman numerals as 1468, thus apparently pre-dating Caxton, roods printing included John Ankywylls Compendium totius grammaticae, which set new standards for teaching of Latin grammar. After Rood, printing connected with the university remained sporadic for over half a century, the chancellor, Robert Dudley, 1st Earl of Leicester, pleaded Oxfords case. Some royal assent was obtained, since the printer Joseph Barnes began work, Oxfords chancellor, Archbishop William Laud, consolidated the legal status of the universitys printing in the 1630s. Laud envisaged a unified press of world repute, Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers Company and the Kings Printer and these were brought together in Oxfords Great Charter in 1636, which gave the university the right to print all manner of books. Laud also obtained the privilege from the Crown of printing the King James or Authorized Version of Scripture at Oxford and this privilege created substantial returns in the next 250 years, although initially it was held in abeyance. The Stationers Company was deeply alarmed by the threat to its trade, under this, the Stationers paid an annual rent for the university not to exercise its full printing rights – money Oxford used to purchase new printing equipment for smaller purposes
7.
Chicago Sun-Times
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The Chicago Sun-Times is a daily newspaper published in Chicago, Illinois. It is the paper of the Sun-Times Media Group. The Chicago Sun-Times is the oldest continuously published daily newspaper in the city and it began in 1844 as the Chicago Daily Journal, which was the first newspaper to publish the rumor, now believed false, that a cow owned by Catherine OLeary was responsible for the Chicago fire. The Evening Journal, whose West Side building at 17-19 S. Canal was undamaged, in 1929, the newspaper was relaunched as the Chicago Daily Illustrated Times. The modern paper grew out of the 1948 merger of the Chicago Sun, founded December 4,1941 by Marshall Field III, and the Chicago Daily Times. The newspaper was owned by Field Enterprises, controlled by the Marshall Field family, when the Daily News ended its run in 1978, much of its staff, including Pulitzer Prize-winning columnist Mike Royko, were moved to the Sun-Times. During the Field period, the newspaper had a populist, progressive character that leaned Democratic but was independent of the citys Democratic establishment, although the graphic style was urban tabloid, the paper was well regarded for journalistic quality and did not rely on sensational front-page stories. It typically ran articles from the Washington Post/Los Angeles Times wire service, the advice column Ask Ann Landers debuted in 1943. Ann Landers was the pseudonym of staff writer Ruth Crowley, who answered readers letters until 1955, eppie Lederer, sister of Dear Abby columnist Abigail van Buren, assumed the role thereafter as Ann Landers. Kups Column, written by Irv Kupcinet, also made its first appearance in 1943, Jack Olsen joined the Sun-Times as editor-in-chief in 1954, before moving on to Time and Sports Illustrated magazines and authoring true-crime books. Hired as literary editor in 1955 was Hoke Norris, who covered the civil-rights movement for the Sun-Times. Jerome Holtzman became a member of the Chicago Sun sports department after first being a boy for the Daily News in the 1940s. He and Edgar Munzel, another longtime sportswriter for the paper, famed for his World War II exploits, two-time Pulitzer Prize-winning cartoonist Bill Mauldin made the Sun-Times his home base in 1962. The following year, Mauldin drew one of his most renowned illustrations, two years out of college, Roger Ebert became a staff writer in 1966, and a year later was named Sun-Times film critic. He continued in this role for the remainder of his life, after the friend wrote a story about it, Grizzard fired Banks. With that, the employees union intervened, a federal arbitrator ruled for Banks and 13 months later. The articles received considerable publicity and acclaim, but a nomination for the Pulitzer Prize met resistance from some who believed the Mirage series represented a form of entrapment. In March 1978, the afternoon publication the Chicago Daily News, sister paper of the Sun-Times
8.
Academy of Motion Picture Arts and Sciences
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The Academy of Motion Picture Arts and Sciences is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academys corporate management and general policies are overseen by a Board of Governors, the roster of the Academys approximately 6,000 motion picture professionals is a closely guarded secret. While the great majority of its members are based in the United States, the Academy is known around the world for its annual Academy Awards, now officially known as The Oscars. The Academy plans to open the Academy Museum of Motion Pictures in Los Angeles in 2017, the notion of the Academy of Motion Pictures Arts and Sciences began with Louis B. He said he wanted to create an organization that would mediate labor disputes without unions and he met with actor Conrad Nagel, director Fred Niblo, and the head of the Association of Motion Picture Producers, Fred Beetsonto to discuss these matters. The idea of this elite club having a banquet was discussed. They also established that membership into the organization would only be open to people involved in one of the five branches of the industry, actors, directors, writers, technicians, and producers. That evening Mayer presented to those guests what he called the International Academy of Motion Picture Arts, everyone in the room that evening became a founder of the Academy. Several organizational meetings were held prior to the first official meeting held on May 6,1927 and their first organizational meeting was held on May 11. At that meeting Douglas Fairbanks, Sr. was elected as the first president of the Academy, while Fred Niblo was the first vice-president and that night, the Academy also bestowed its first honorary membership, to Thomas Edison. Initially, the Academy was broken down into five groups, or branches. The original five were, Producers, Actors, Directors, Writers, the initial concerns of the group had to do with labor. However, as went on, the organization moved further away from involvement in labor-management arbitrations and negotiations. By July 1928 the board of directors had approved a list of 12 awards to be presented, during July the voting system for the Awards was established, and the nomination and selection process began. This award of merit for distinctive achievement is what we know now as the Academy Award, the initial location of the organization was 6912 Hollywood Boulevard. In May 1928, the Academy authorized the construction of a state of the art screening room, the screening room was not completed until April 1929. With the publication of Report on Incandescent Illumination in 1928, the Academy began a history of publishing books to assist its members. Another early initiative concerned training Army Signal Corps officers, in 1929 Academy members in a joint venture with the University of Southern California created Americas first film school to further the art and science of moving pictures
9.
Robert Crumb
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Robert Dennis Crumb is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries and he was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics. Natural, and the images from his Keep on Truckin strip, sexual themes abounded in all these projects, often shading into scatological and pornographic comics. Much of his appeared in a magazine he founded, Weirdo. As his career progressed, his work became more autobiographical. In 1991, Crumb was inducted into the book industrys Will Eisner Comic Book Hall of Fame. He is married to cartoonist Aline Kominsky-Crumb, with whom he has frequently collaborated and their daughter Sophie Crumb has also followed a cartooning career. Robert Crumb was born on August 30,1943, in Philadelphia to a Catholic household of English and Scottish ancestry and his father, Charles V. Crumb, authored the book Training People Effectively, and was a Combat Illustrator for 20 years in the United States Marine Corps. His mother Beatrice was a housewife who reportedly abused diet pills, Charles and Beatrices marriage was unhappy and the children were frequent witnesses to their parents arguments. The couple had four children, sons Charles Junior and Maxon. The family moved to Milford, Delaware, when Crumb was twelve, inspired by the works of Walt Kelly, Fleischer Brothers animation, and others, Crumb and his brothers drew their own comics. Crumbs cartooning developed as his older brother Charles pushed him and provided him with constant critical feedback on his work, in 1958 the brothers self-published three issues of Foo in imitation of Harvey Kurtzmans satirical Humbug and Mad. They sold them door-to-door with little success, souring the young Crumb on the comic-book business, at fifteen, Crumb became obsessed with collecting jazz and blues records from the 1920s to the 1940s. At age 16, he abandoned the Catholic faith, Crumbs father gave him $40 when he left home after high school. His first job, in 1962, was drawing novelty greeting cards for American Greetings in Cleveland, in Cleveland he met a group of young bohemians such as Buzzy Linhart, Liz Johnston, and Harvey Pekar. Dissatisfied with greeting card work, he tried to sell cartoons to comic book companies, in 1965, cartoonist Harvey Kurtzman printed some of Crumbs work in the humor magazine he edited, Help. Crumb moved to New York, intending to work with Kurtzman, Crumb briefly illustrated bubblegum cards for Topps before returning to Cleveland and American Greetings. Crumb married Dana Morgan in 1964, nearly destitute, the couple traveled in Europe, during which Crumb continued to produce work for Kurtzman and American Greetings, and Dana stole food
10.
Underground comix
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Underground comix are small press or self-published comic books which are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including drug use, sexuality. They were most popular in the United States between 1968 and 1975, and in the United Kingdom between 1973 and 1974, Robert Crumb, Gilbert Shelton, and numerous other cartoonists created underground titles that were popular with readers within the counterculture scene. Punk had its own comic artists like Gary Panter, often referred to as Tijuana bibles, these books are often considered the predecessors of the underground comix scene. Early underground comix appeared sporadically in the early and mid-1960s, the first underground comix were personal works produced for friends of the artists, in addition to reprints of comic strip pages which first appeared in underground newspapers. The United States underground comics scene emerged in the 1960s, focusing on subjects dear to the counterculture, recreational use, politics, rock music. These titles were termed comix in order to them from mainstream publications. The X also emphasized the X-rated contents of the publications, the underground comix scene had its strongest success in the United States between 1968 and 1975, with titles initially distributed primarily though head shops. Underground comix often featured covers intended to appeal to the drug culture, Crumb stated that the appeal of underground comix was their lack of censorship, People forget that that was what it was all about. We didnt have anybody standing over us saying No, you cant draw this or You cant show that and we could do whatever we wanted. American comix were strongly influenced by EC Comics and especially magazines edited by Harvey Kurtzman, kurtzmans Help. magazine featured the works of artists who would later become well known in the underground comix scene, including Crumb and Shelton. Other artists published work in magazines before becoming known in the underground scene. Perhaps the earliest of the comic strips was Frank Stacks The Adventures of Jesus, begun in 1962. It has been credited as the first underground comic, sheltons own Wonder Wart-Hog appeared in the college humor magazine Bacchanal #1-2 in 1962. Jack Jacksons God Nose, published in Texas in 1964, has also given that title. One guide lists two other underground comix from that year, Vaughn Bodēs Das Kampf and Charles Plymells Robert Ronnie Branaman, joel Beck began contributing a full-page comic each week to the underground newspaper the Berkeley Barb and his full-length comic Lenny of Laredo was published in 1965. In 1968, Crumb, in San Francisco, self-published his first solo comic, the title was financially successful, and developed a market for underground comix. By the end of the 1960s, there was recognition of the movement by a major American museum when the Corcoran Gallery of Art staged an exhibition, The Phonus Balonus Show
11.
Fritz the Cat
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Fritz the Cat is a comic strip created by Robert Crumb. Set in a supercity of anthropomorphic animals, the focuses on Fritz. Crumb began drawing this character in comic books when he was a child. Fritz became one of his most famous characters, thanks largely to the motion picture adaptation by Ralph Bakshi, the strip appeared in Help. and Cavalier magazines. It subsequently gained prominence in publications associated with the underground comix scene between 1965 and 1972, Fritz the Cat comic compilations elevated the strip into one of the most iconic features of the underground scene. The strip received further attention when it was adapted into a 1972 animated film with the same name, the directorial debut of animator Bakshi, it became a worldwide success. It was the first animated film to receive an X rating in the United States. Crumb ended the strip in 1972 due to disagreements with the filmmakers and he published a story in which Fritz was murdered by an ex-girlfriend. A second animated film, The Nine Lives of Fritz the Cat, was produced in 1974 without the involvement of either Bakshi or Crumb. Fritz the Cat was created in 1959 by Robert Crumb in a comic book story called Cat Life, based on the experiences of Fred. The characters next appearance was in a 1960 story entitled Robin Hood, by this point, the cat had become anthropomorphic and had been renamed Fritz, a name derived from a minor unrelated character who appeared briefly in Cat Life. Fritz appeared in the early 1960s Animal Town strips drawn by Charles, sometimes Fritz was accompanied by Fuzzy the Bunny, who served as an alter ego for Charles, his creator. Fritz the Cat is set in a supercity of millions of animals. Stories begin simply and become chaotic and complex as the narrative responds to uncontrollable forces. The look of Fritz the Cat comics was characterized by the use of the Rapidograph technical pen, Crumb states that much of the comic books he enjoyed as a child were funny animal comics, particularly those of Carl Barks. The characters talked to other and nothing much happened. Just a lot of takes place. Robert Crumb stated of his work, I can express something that is different from what I put into my work about humans
12.
Frank Lovece
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Frank Lovece is an American journalist and author, and a comic book writer primarily for Marvel Comics, where he and artist Mike Okamoto created the miniseries Atomic Age. He was additionally one of the first professional Web journalists, becoming an editor of a Silicon Alley start-up in 1996 and his longest affiliation has been with the New York metropolitan area newspaper Newsday, where he serves as a feature writer and film critic. Born in Buenos Aires, Argentina, the son of Italian immigrants, Frank Lovece moved to the U. S. as a toddler and was raised in Keyser and Morgantown, there his family ran Italian restaurants. He attended St. Francis High School and West Virginia University in Morgantown and he became a stringer for the New York City / Long Island newspaper Newsday in the late 1980s, producing feature articles and movie reviews, and becoming a weekly TV columnist there in 2003. Lovece and artist Mike Okamoto created the four-issue miniseries Atomic Age for Marvel Comics creator-owned Epic Comics imprint, the series was among the items featured in the Bowling Green State University exhibition The Atomic Age Opens, Selections from the Popular Culture Library. Collaborator Al Williamson won the 1991 Eisner Award for Best Inker for his work on that and other series that awards-year, with Okamoto winning The Russ Manning Most Promising Newcomer Award. Lovece went on to write stories for Epics anthology series Clive Barkers Hellraiser, other work includes such childrens comics as the licensed series Mighty Morphin Power Rangers, VR Troopers and Masked Rider. The Hellraiser story For My Son, by Lovece and artist Bill Koeb, Lovece also wrote an educational comic book about the American banking system for the Federal Reserve Bank of New York. He returned to comics in 2012, scripting the feature Blue Sultan in RZG Comics Phazer, in 2016, he became editor of the comics company Shatner Singularity, beginning with the graphic novel Stan Lees God Woke, written by Stan Lee and Fabian Nicieza. Beginning in 1996, Lovece served as a Web editor and streaming video producer at the Silicon Alley startup Gist TV, in 2002, he began a longtime association with Habitat magazine, writing about New York City real estate. From 2001–2003, Lovece was a member of the New York City improv comedy troupe Wingnuts and his humor writing has appeared in Entertainment Weekly, Newsday, Yahoo. /MSN, and elsewhere. In addition to his Newsday column, features and film reviews, Lovece has been a critic for Film Journal International, the TV Guide website. TV Trivia, Thirty Years of Television New York, Beekman House / Publications International, ISBN 0-517-46367-9 Lovece, Frank, with Jules Franco. and Frank Lovece. The Brady Bunch Book New York, Warner Books, New York, Perigee Books / Putnam Publishing. ISBN 0-399-51702-2, ISBN 978-0-399-51702-0 Lovece, Frank, the X-Files Declassified New York, Citadel Press. ISBN 0-8065-1745-X, ISBN 978-0-8065-1745-2 U. K. edition, The X-Files Declassified, the Unauthorized Guide to the Complete Series London, Hodder & Stoughton. ISBN 0-340-68232-9, ISBN 978-0-340-68232-6 Lovece, Frank, godzilla, The Complete Guide to Moviedoms Mightiest Monster. Originally scheduled 1998 by William Morrow / Quill, subjected to prior restraint in U. S. released overseas
